#a little bit harder now

[theautismcorner]

I need someone to edit Logan to Animal Attraction by She Wants Revenge or literally any song on their Up and Down EP. I just need more edits of characters to goth music in general and since i don’t know any editors to make this request I guess I will have to do it myself (I don’t know how to make an edit but fuck it)

And yes this is niche. I’m goth and crave edits of Logan to slutty goth music

[amndees]

practicing drawing them :)

and an extra sketch ^^

[hoofpeet]

I'd probably have to read the printed version and web version back to back at some point to note all the differences but... ough

[spacedlexi]

maybe if i just put these screenshots together youll understand why i think their relationship just Works so well as it pertains to the characters and themes of S4 in general

neither of them know what theyre doing, but theyre figuring it out Together. the old ways are dead. and together theyll build a new future thats worth fighting for

[lunarharp]

being attached to that moment qifrey held a baby one time and my ideas for the future :)

[dullahanblorboposting]

Re: Jax and the NPC theory

I've seen everyone speculating about which of the current TADC cast is most likely to be an NPC, but I don't think any of them are? I think it's much more likely that either

A different NPC is confused for a human in a future episode, and terrifying shenanigans result as expected

We get a flashback of that happening with old former humans who have since abstracted, tying to some of the portraits on the doors maybe?

Or my favorite possibility: I think there is more potential in that line foreshadowing the exact opposite.

What if Caine in a future episode mistakes one of the human members for an NPC? Apparently Gooseworx teased that Jax will be crossing moral event horizon at some point in the series, and to be honest there is no way it involves him slaughtering NPCs. He's a jerk for messing with the other humans' enjoyment in that regard, sure, but the NPCs aren't real and don't matter. He cannot be 'evil' by harming them because there is no true harm done. He's treating the NPCs as the video game characters that they are.

So whatever he does that earns him the crossing-the-line badge has to be something that directly affects one of his fellow humans, the people who ARE real and DO matter. I've seen the idea that he causes someone to abstract somehow and I think that's the only way for him to cross that line.

Wouldn't it be interesting if for some reason something happens that causes Caine to lose track of who is human and who is an NPC momentarily at some point, and for shits and giggles since Jax treats everything so carelessly, he does a bit where he tries to convince Caine that one of the humans is an NPC. Maybe not even thinking anything seriously bad will happen, just in the usual asshole menace type of way, just to freak the victim out. Only for Caine to actually buy it and try to poof them away. But since they're human, the impact of the attempted poof is that they abstract instead? I doubt that will be how it plays out, like if Jax does cause someone to abstract it will probably be because he went too far with his words and mentally breaks them, but like wouldn't that be fucked up? It would be so fucked up.

[ratatatastic]

"ive played in a canadian market ive been in st louis in the summer they won—ive never seen buzz like this" "we're really lucky we get to play hockey in such a nice place" the C and A clocking in on their Praise South Florida as a Hockeytown shift

2024-25 Media Day | 9.18.24 (x)(x)

[invinciblerodent]

ah, i'm so pleased that Neve's relationship with a Shadow Dragon Rook seems to be exactly what I was hoping it would be: knowing not each other, but of each other, working separately but based on each other's info, a friendly camaraderie from the get based on that loose, but strong thread of a connection.

i love that. they really are Shadow Dragon Besties. ❤️❤️❤️

[seaofreverie]

Sparkstember Day 19: Lil' Beethoven (Ride 'Em Cowboy)

First of all, let this very important fact be known: the love I have for all three albums in the Lil' Beethoven trilogy cannot be overstated. I think I can safely call them my favourite pieces of art ever made. You know, when you look forward to something and it not only lives up to all your expectations but it's also just SO SO much more? Something about this neoclassical / dada / deconstruction of pop music / whatever-you-should-even-call-it approach is absolutely PERFECTLY suited for my tastes, and I didn't even know I was looking for something EXACTLY like this until I found it.

I think the circumstances of my first hearing of this album are pretty funny and something I got pretty lucky with actually (I often think about this with Sparks in general, as much as I wish I've known about them sooner I also do feel like they appeared in my life when I needed that the most. But anyway.) I was very eagerly looking forward to hearing it and finally seeing for myself what the genius of this album is all about. But I insisted that I can only do it through a physical format because yesss, let's make it even more *special*! The moment I've been waiting for! So yeah let's gooo, I need to wait until my CD arrives in the mail (that was one of the longest weeks of my life). And then I started to wonder, well, maybe I actually won't like it that much. To hype myself up to this extent and then be severly dissapointed - would have sucked!

Well, I was NOT dissapointed. Instead I was perplexed, confused, but also very intrigued and quite, ok not just quite, *completely* amazed already. That was the initial reaction and I think it's a rare but very beautiful moment when this happens - no need to *fully* grasp it right away, but enough to be all like "oh that was SOMETHING. I need more." As I said after that first listen (and I actually have my whole LIVE reaction to hearing LB written down lmao, that's how much of a big deal this was for me), I felt like it actually has to grow on me a bit still, gradually but surely with each next listen, rather than the 1st listen being THE prime listening experience. And that was very true! But it wasn't even gradual, it was very fast, seriously. And something very important that stood out to me right away too were the melodies - something about them, and that continues into HYL and ECOTD too. It's this classic feeling of: this always existed, or at least it feels like I've known it for years already. And as I listen more and become more familiar with them the magic still grows.

It's of course no coincidence to me that an album that relies so much on extreme levels of repetition is so addicting, even hypnotising. And once upon a time I thought that I couldn't like something that's too repetitive and therefore could be considered monotonous or "predictable". But nothing is predictable about LB actually. (Besides... ok, I'll get to that one bit later). But yeah, it's good for the brain. And it's been said before by others but this music definitely has this certain neurodivergent appeal thanks to all this, and, well, I love that aspect of it so much and I definitely relate to it on some level that goes even deeper than just song topics and instrumentation choices. It's in the structure and the fundaments of it all too.

I legally can't finish this without a dedicated paragraph to the 2004 Live In Stockholm performance because HOLY SHIT. Feeling so lucky again that all three of these albums got this treatment and we have recordings of these half-concert-half-performance-art pieces that we can now marvel at. I will say that like, a pretty big part of the sum of the appeal that LB has as an album is stored in this show and its visual and narrative elaboration on its themes. And also it's just so fun to watch! Sometimes I thought about how this might be an even better introduction to LB / this era of Sparks / Sparks in general than the actual album but well, never had a chance to test that and you know. Maybe shouldn't recommend Sparks with one of the most leftfield things there is to be found from them. Either way, very good, very important, felt like experiencing the power of LB for the first time all over again.

So now, please hear my exact reasonings for why I so deeply love (almost) every single one of these songs......

The Rhythm Thief

NO song made such a big impression on me the first time I heard it as this. I might have gotten more used to it after all this time but man, The Rhythm Thief, you will always be the realest one to me. This is what made me look forward to the whole album so much and convinced me that it would be like nothing else I've heard before. And that turned out to be so very beautifully true!

How Do I Get To Carnegie Hall?

I could listen to this one a hundred times in a row over and over and not get sick of it one bit. That's it, idk what else to add, beautiful and ethereal in every way

What Are All These Bands So Angry About?

Mostly I just want to direct everyone's attention to the bridge section, at the 2:26-2:52 time mark, which as far as I can say is the most heavenly piece of music ever made. Feeling like that Winnie The Pooh soul leaving his body gif each time I hear this

I Married Myself

Aromantic anthem, to me. Not that much to say actually but it's just, a very sweet and pretty song even when it might be taken as just this sort of ironic piece, I think it's this situation where a song can be taken more or less literally and it doesn't lose anything, rather the sincerity takes on a new sort of meaning? Because yes, maybe this hyperbolic situation (marrying yourself) COULD be the solution to the heartbreak of failed relationships. Ever thought about that??? Ok, stopping right here and leaving my I Married Myself analysis for another day

Ride 'Em Cowboy

My mind is blank on this one suddenly. But it's so good believe me. I love it a lot. It just has this LB spirit that makes it very addicting to listen to

My Baby's Taking Me Home

This was sort of the first Sparks song I've ever heard, or maybe that I quote-unquote purposefully listened to, and I think that's pretty important considering that it was the moment that ultimately lead to... all this. This song has always been incredibly beautiful and powerful to me, but lately it just makes me emotional to an extent that makes it hard to listen to most of the time. I WOULD sell all my material possessions for even one chance to experience this song live by the way

Your Call Is Very Important To Us. Please Hold

Earns soooo much as a live version, but even without that I think it's genius in the same way as The Rhythm Thief, and maybe the most disquieting piece here overall... If we ignore the next one maybe

Ugly Guys With Beautiful Girls

Sitting there hearing the intro of this song all like "huh, this is so chill and calm... too calm..." and then being hit with, well, everything that's going on in this song afterwards was truly THE MOMENT back in the day (and re: the predictability thing. idk though, it's not like, really an issue). Later on I decided that this sort of narrative nature of the song makes it have less replayability value than the rest (???) but I abandoned that opinion soon enough, thank god. I love it how long it took me to realize that this song and the ending of MBTMH are the only times when drums appear on this entire album (I mean no, I'm not very proud of that fact actually, as the self-proclaimed biggest LB fan in my area. And The Rhythm Thief literally saying "say goodbye to the beat"... come on man). So yes, sometimes less is more! I adore this song now it's such a treat I would gladly terrorize my neighbours with it

Suburban Homeboy

Ok, I'm sorry Suburban Homeboy fans but this is the only song here that I'm not a HUGE fan of. I still think it's brilliant and an incredibly fitting ending for the whole thing - the mood whiplash is amazing as this is the only "vaguely happy sounding" song on here, per my words from months back. And what's better than yelling WE ARE THE SUBURBAN HOMEBOYS! (I'm actually awaiting today's Sparks karaoke rating reveal very impatiently lol the reveal happened before I posted this and I'm very happy about it)

One more actually, a quick word on Wunderbar because it gave us two things that we might have not been able to do without: 1) this whole album actually (the fact that LB exists because of Wunderbar giving the Maels the idea to continue meddling with this style. Up there as one of my fav pieces of Sparks trivia) 2) anddddd the 21×21 performance of it of course

[eddis-not-eeddis]

I am the most hopeful of pessimists

[phantom-thieves-official]

something I really like about p3p compared to p5 is the extra bits of narration. I don't know if it's because the game doesn't have scenes with animated models or if regular p3 is like that, too, since I haven't played it. But like in Junpei's rank 10, when he's talking about going to see his dad, you get an extra text box that says 'Junpei's hands are trembling.' and in Shinji's rank 10 you get a few of them, one saying he toys with the pocket watch and one saying he looks down at his feet for a long time. Idk. They're nice. In p5, they use pretty much only the talking sprites and the character model animations to show emotion but things like trembling hands or staring at their feet are little things that probably wouldn't be animated but that add a lot to a scene I think.

[aaandbackstabbed]

Goldie: am I a good person? No.

Webby: but are you trying to be a better person each day?

Goldie: also no.

[lucksea]

more mad prince astra trying to figure out the details of his design. it might change more

[seagulley]

Progress with backing up + some position changes at a distance!

[copia]

me on june 20th emerging from the cinema wearing my most expensive tshirt ever paired with smudged makeup from the tears of just coming face to face with complicated grief and daddy issues: yeah they make some good music

[pushing500]

Starting today off by introducing our 21st colonist, Henry!! Woo! How exciting- and annoying. My colonist bar had to break into two rows on top of each other to handle so many pawns! it won't be a problem for long, don't worry

Henry is a little boy who is of the 'Hussar' xenotype, which just means he's a genetically engineered super-soldier who will apparently develop a dependency on Go-Juice later in life. Hooray for him. He has a wooden foot and lil' bandaids on his face, which makes me think this kid has seen some fights way too grown-up for him. Fortunately, the colonists at Eureka don't believe in sending children into combat, so Henry is free to spend his days learning and having fun.

The first thing Henry did (after putting on a new shirt) was go hang out with Irwin in the school building to learn about melee. For what it's worth, Henry is already the third-best melee fighter in the colony, at the same level as Kawoo, and only beaten by Irwin at level 14 and Connie at level 11.

I think he is going to get along swimmingly with Irwin.

Then we had a drop-pod raid, which I did not think was going to be a problem because there didn't seem to be that many Saurid raiders... But, alas...

I guess someone named "Executioner" would ruin my day, huh?

The problem with drawing the adventures of these colonists is that I get way too attached to them. So, uh... I wrote eulogies. Sorry. They're under here if you feel like reading 'em.

Wendy Marsengill

Wendy Marsengill was killed on the 13th of Decembary, at the age of 27. She is survived by her wife of 1.5 years, Tamarind, by a vast and eccentric family, including her Aunt Kawoo and cousin Andy, and by many friends in the settlement of Eureka and beyond.

Wendy had a fascinating start to her life when she was recruited as a Child Spy. She went on to become a Barber in her adulthood, though, at some point, she ended up on a distant Rimworld and was lost to madness as a Wild Woman. She wandered in this state for some time before joining the Animist Alliance, where she met and eventually married her wife Tamarind.

Wendy was the best cook in the settlement and often was single-handedly responsible for keeping the colony fed with properly cooked food, and nobody ever got food poisoning while Wendy was manning the kitchen.

Some of Wendy's greatest moments include wearing a jester's hat to her own wedding and somehow managing to cement herself as the most Australian colonist in my head based on a single social interaction way-back-when.

Pearl the Cheetah

Pearl was the first animal to join the ranks of Eureka's ever-growing menagerie, not including Rogan the rottweiler who crash-landed with Albina, Brennan, and Irwin.

Pearl landed near our burgeoning settlement in an animal drop-pod, where she was rescued and nursed back to health by Head Researcher Brennan. Pearl decided to stay with us and spent a very long time sleeping on an animal sleeping spot on the rough marble floor of Irwin's ascetic bedroom (sorry, Pearl. You deserved better).

Once Andrei McCarthy joined the colony, it was love at first sight, and he bonded with Pearl almost immediately. She was eventually given a proper animal bed in the room Andrei shared with his wife, Kawoo and their infant son Andy, before Andy moved to his own room.

Pearl was brave, beautiful and very fast, as cheetahs often are. It is a tragedy that I can't draw animals as well as I would like to, or she would have featured far more prominently in all these posts. I'll miss her. She made silly noises when I zoomed in on her sometimes. It's going to be quiet without her.

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