#Wheel of history for cats
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kentnaturaltribrid · 1 year ago
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For the cats, mainly those who love messing things around or their plants. They too have a seasonal set of holidays when it comes to being a feline.
The rise is near.
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99probalos · 2 years ago
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WE HAVE A PRONOUN EVERYBODY! THE BITER IS A MISCHIEVOUS BOY OF UNKNOWN ORIGIN!
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ch6sos · 6 months ago
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✧.* nanami headcanons <3
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He hums/sings while showering and feels embarrassed when confronted about it.
When someone he enjoys talking to speaks to him, he usually appears serious, but his expression is always unreadable. The expression conveys pure fondness for the person!! He enjoys hearing them ramble about their day, their lives, etc. He gives them a warm look.
Definitely a listener more than a rambler. He listens to people all the time, and remembers the small details about them. He tends to bring them up sometimes, which surprises the other person. But, he is extremely attentive to detail and loves getting to know people.
You know how in Korean dramas, the male lead is always a jack of all trades or something? Nanami is exactly that guy. Need assistance with your plumbing? He is there. Do you need to fix a lightbulb? He is there. Need help building a house? He is there.
He plays an instrument. He would play either the piano, violin, or flute.
He definitely enjoys watching movies in his spare time. When he is not doing anything, he enjoys watching movies. If he existed in the modern world, he would for sure have a Letterboxd account.
In a Modern AU, Nanami would undoubtedly be an English/History major. I do not care what anyone says. Maybe philosophy or business. But he would be one of those fine humanities majors you notice and immediately fall for.
Books are his specialty. He probably has several places where he goes to relax and read a book he recently purchased.
Speaking of books, if he gets a partner, he will read to them. He would cuddle them in bed, holding them in his arms while he read silently to them, pressing his lips against their ear, the soft, deep tone of his voice sounding like a musical masterpiece in their ear.
Pottery!! He enjoys pottery so much. He probably went to a pottery event/class when he was bored (he failed, the bowl looked like a deformed apple) but he really enjoyed the process. He definitely began to watch more videos on pottery and probably got himself a pottery wheel.
He is definitely an animal lover. he doesn't look like it, but he loves, LOVES, LOVES animals. If he sees a dog, his heart flutters but he doesn't touch it just in case. But, he's an animal attractor of course. The dogs are all over him at the dog park, and he smiles a little while petting them.
Speaking of animals, he probably has a cat. The cat is named after a food for sure. It is most definitely a type of bread or sandwich or a nut. For example, Pistachio or Baguette.
Super gentle with children. He genuinely enjoys being around them. Ask him about having children He will Be On Board.
HE WOULD NOT BE MEAN. The amount of people I have seen mischaracterize him by making him mean just because he's serious. No. He is just introverted and serious and needs to be comfortable around a person.
During relationships, he genuinely enjoys checking in on the person he is dating. He is always there for them, comforting, cherishing, and listening. He tries to get off work as soon as possible so that he can spend time with his significant other.
If he is shown too much affection, he does not snap or become angry with the person. He just blushes. He just lets out a soft "hm" and pretends to be serious, but his heart is racing, and his cheeks, ears, and neck indicate otherwise. He also gives them a slightly surprised look that quickly turns to his stoic look.
He definitely bought baby shoes at a store just because he thought they were so cute. Mans just wants a baby.
He would be both a girl and a boy dad. I do not care what anyone says; he loves both. If he has a son, he will do everything in his power to raise him as a gentleman while also showing him a lot of love and affection. If he has a daughter, he will be so gentle with her while also raising her to be a sophisticated, strong young woman.
Genuinely would be the grandpa of the friend group. Come on. Just look at him.
As a teenager, he probably would do the emo hair flip thing because his fringe kept getting onto his eye. Gojo probably laughed his ass off.
Secretly really touch-starved. People think he is not affectionate, but he is, just not in public. He would most likely grab his significant other while they were doing something and attack them with kisses. He probably likes being a little spoon sometimes even though he looks like an old man. He is clingy, okay? But not overly clingy. Sometimes he needs his own space.
Loves kissing their partner's beauty moles. The ones under their nose, the ones on their ear, the ones on scattered around their face, the ones in other areas... Wherever they are located, he will kiss them.
Sometimes he needs to be reassured. He needs to know if he is doing okay, if he is treating a person well. It looks like he does not need it, but he genuinely sometimes gets insecure about how others perceive him or how well he treats them. He worries about hurting someone's feelings.
Loves to try and hype up his partner with extreme amount of compliments. He is truly the number one simp and hype man.
I am a strong advocate for the fact that Nanami loves people of color. Like he will date a person of color. I don't CARE. I am Afro-Latina let me have my headcanon in peace : (
Once again. He is NOT mean. He will not yell. If he is angry, he is calm. He does not yell and if he does it is extremely rare. But he would never in his life yell at his partner or children if he has any. The only way he shows disappointment is by staying calm.
Speaking of being angry, he is not the type to show silent treatment. He would much rather talk rather than give a cold shoulder. He is a grown man. He knows how to communicate, people.
Old-fashioned nicknames. That is all. My love. Darling. Sweetheart.
He is probably fluent in several languages. I understand he is overly perfect, but he is perfect in my eyes. He probably takes the time to learn languages so that people feel included. Plus, he genuinely enjoys learning about different cultures.
Owned a bakery or worked as a chef at some point in his life. Maybe even a barista.
Helps old ladies cross the street, assists people with heavy bags, is courteous to his neighbors, and is the grandson of every old neighbor ever.
Probably is the type of guy to sit down on the couch and not try at Just Dance, and ends up winning.
Despite being serious, he would genuinely be bad at the game Among Us. This is so random but hear me out.
Favorite ice cream flavor is probably coffee or pistachio. Maybe even basic vanilla. He is not a big fan anyway.
Jazz music, classical music, old music is his speciality. In high school during his emo hair era he more so listened to 90s rock/punk rock.
His most used app(s) on his Samsung Galaxy S24 Ultra is WhatsApp and Candy Crush.
Definitely has a whole closet of clothing and browses through them every night to see what suit he wants to wear for the next day.
When he shops or gets food, he goes to local family owned shops. He does not go to Starbucks for his coffee. He goes to the local family owned coffee shop.
Dry texter but if he gets a partner who is not a dry texter, he genuinely begins to pick up their habits. If they type with emojis he begins using emojis. I apologize but he'd unironically use the laughing crying emoji. "Haha! 😂". Okay but genuinely, he would actually keyboard slam at some point. He sends them a photo, they go like "jshekehdkehdjdlsjdl" and one time they did the same thing and he was like:
"....Kshskshdjxbsnab." You know?
He is low key sassy. He was affected by sassy man apocalypse. He hides it in that serious exterior of his but he gives the biggest side eyes sometimes, crosses his legs too.
Snores like a dad. Bro was probably recorded by Haibara while he was in the dorms and bro was snoring like a regular ol dad. Drooling too. What a silly guy.
Anyway...
Overall, the best man ever. He is the man ever and that is why he is not real. Unfortunately.
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forever angel <33
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damienkarras73 · 6 months ago
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An essay on Furiosa, the politics of the Wasteland, Arthurian literature and realistic vs. formalistic CGI
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Mad Max: Fury Road absolutely enraptured me when it came out nearly a decade ago, and I will cop to seeing it four times at the theatre. For me (and many others who saw the light of George Miller) it set new standards for action filmmaking, storytelling and worldbuilding, and I could pop in its Blu Ray at any time and never get tired of it. Perhaps not surprisingly, I was deeply apprehensive about the announced prequel for Fury Road's actual main character, Furiosa, even if Miller was still writing and directing. We didn't need backstory for Furiosa—hell, Fury Road is told in such a way that NOTHING in it requires explicit backstory. And since it focuses on the Yung Furiosa, it meant Charlize Theron couldn't return with another career-defining performance. Plus, look at all that CGI in the trailer, it can't be as good as Fury Road.
Turns out I was silly to doubt George Miller, M.D., A.O., writer and director of Babe: Pig in the City and Happy Feet One & Two.
Furiosa: A Mad Max Saga is excellent, and I needn't have worried about it not being as good as Fury Road because it is not remotely trying to be Fury Road. Fury Road is a lean, mean machine with no fat on it, nothing extraneous, operating with constant forward momentum and only occasionally letting up to let you breathe a little; Furiosa is a classical epic, sprawling in scope, scale and structure, and more than happy to let the audience simmer in a quiet, almost painfully still moment. If its opening spoken word sequence by that Gandalf of the Wastes himself, the First History Man, didn't already clue you in, it unfolds like something out of myth, a tale told over and over again and whose possible embellishments are called attention to in the dialogue itself. Where Fury Road scratched the action nerd itch in my head like you wouldn't believe, Furiosa was the equivalent of Miller giving the undulating folds of my English major brain a deep tissue massage. That's great! I, for one, love when sequels/prequels endeavour to be fundamentally different movies from what they're succeeding/preceding, operating in different modes, formats and even genres, and more filmmakers should aim for it when building on an existing series.
This movie has been on my mind so much in the past week that I've ended up dedicating several cognitive processes to keeping track of all of the different ponderings it's spawned. Thankfully, Furiosa is divided into chapters (fun fact: putting chapter cards in your movie is a quick way to my heart), so it only seems fitting that I break up all of these cascading thoughts accordingly.
1. The Pole of Inaccessibility
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Furiosa herself actually isn't the protagonist for the first chapter of her own movie, instead occupying the role of a (very crafty and resourceful) damsel in distress for those initial 30-40 minutes. The real hero of the opening act, which plays out like a game of cat and mouse, is Furiosa's mother Mary Jabassa, who rides out into the wasteland first on horseback and then astride a motorcycle to track down the band of raiders that has stolen away her daughter. Mary's brought to life by Miller and Nico Lathouris' economical writing and a magnetic performance by newcomer Charlee Fraser, who radiates so much screen presence in such relatively little time and with one of those instant "who is SHE??" faces. She doesn't have many lines, but who needs them when Fraser can convey volumes about Mary with just a flash of her eyes or the effortless way she swaps out one of her motorcycle's wheels for another. To be quite candid, I'm not sure of the last time I fell in love with a character so quickly.
You notice a neat aesthetic contrast between mother and daughter in retrospect: Mary Jabassa darts into the desert barefoot, clad in a simple yet elegant dress, her wolf cut immaculate, only briefly disguising herself with the ugly armour of a raider she just sniped, and when she attacks it's almost with grace, like some Greek goddess set loose in the post-apocalyptic Aussie outback with just her wits and a bolt-action rifle; we track Furiosa's growth over the years by how much of her initially conventional beauty she has shed, quite literally in one case (hair buzzed, severed arm augmented with a chunky mechanical prosthesis, smeared in grease and dirt from head to toe, growling her lines at a lower octave), and by how she loses her mother's graceful approach to movement and violence, eventually carrying herself like a blunt instrument. Yet I have zero doubt the former raised the latter, both angels of different feathers but with the same steel and resolve. Of fucking course this woman is Furiosa's mother, and in the short time we know her we quickly understand exactly why Furiosa has the drive and morals she does without needing to resort to didactic exposition.
Anyway, I was tearing up by the end of the first chapter. Great start!
2. Lessons from the Wasteland
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Most movies—most stories, really—don't actually tell the entire narrative from A to Z. Perhaps the real meat of the thing is found from H to T, and A-G or U-Z are unnecessary for conveying the key narrative and themes. So many prequels fail by insisting on telling the A-G part of the story, explaining how the hero earned a certain nickname or met their memorable sidekick—but if that stuff was actually interesting, they likely would have included it in the original work. The greatest thing a prequel can actually do is recontextualize, putting iconic characters or moments in a new light, allowing you to appreciate them from a different angle. All of season 2 of Fargo serves to explain why Molly Solverson's dad is appropriately wary when Lorne Malvo enters his diner for a SINGLE SCENE in the show's first season. David's arc from the Alien prequels Prometheus and Covenant—polarizing as those entries are—adds another layer to why Ash is so protective of the creature in the first movie. Andor gives you a sense of what it's like for a normal, non-Jedi person to live under the boot of the Empire and why so many of them would join up with the Rebel Alliance—or why they would desire to wear that boot, or even just crave the chance to lick it.
Furiosa is one of those rare great prequels because it makes us take a step back and consider the established world with a little more nuance, even if it's still all so absurd. In Fury Road, Immortan Joe is an awesome, endlessly quotable villain, completely irredeemable, and basically a cartoon. He works perfectly as the antagonist of that breakneck, Road Runner and Wile E. Coyote-ass movie, but if you step outside of its adrenaline-pumping narrative for even a moment you risk questioning why nobody in the Citadel or its surrounding settlements has risen up against him before. Hell, why would Furiosa even work for him to begin with? But then you see Dementus and company tear-assing around the wasteland, seizing settlements and running them into the ground, and you realize Joe and his consortium offer something that Dementus reasonably can't: stability—granted, an unwavering, unchangeable stability weighted in favour of Joe's own brutal caste system, but stability nonetheless. It really makes you wonder, how badly does a guy have to suck to make IMMORTAN JOE of all people look like a sane, competent and reasonable ruler by comparison?!?
…and then they open the door to the vault where he keeps his wives, and in a flash you're reminded just how awful Joe is and why Furiosa will risk her life to help some of these women flee from him years later. This new context enriches Joe and makes it more believable that he could maintain power for so long, but it doesn't make him any less of a monster, and it says a lot about Furiosa's hate for Dementus that she could grit her teeth and work for this sick old tyrant.
3. The Stowaway
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Here's another wild bit of trivia about this movie: you don't actually see top-billed actress Anya Taylor-Joy pop up on screen until roughly halfway through, once Furiosa is in her late teens/early twenties. Up until this point she's been played by Alyla Browne, who through the use of some seamless and honestly really impressive CGI has been given Anya's distinctive bug eyes [complimentary]. It's one of those bold choices that really works because Miller commits to it so hard, though it does make me wish Browne's name was up on the poster next to Taylor-Joy's.
Speaking of CGI, I should talk about what seems to be a sticking point for quite a few people: if there's been one consistent criticism of Furiosa so far, it's that it doesn't look nearly as practical or grounded as Fury Road, with more obvious greenscreen and compositing, and what previously would've been physical stunt performers and pyrotechnics have been replaced with their digital equivalents for many shots. Simply put, it doesn't look as real! For a lot of people, that practicality was one of Fury Road's primary draws, so I won't try to quibble if they're let down by Furiosa's overt artificiality, but to be honest I'm actually quite fine with it. It helps that this visual discrepancy doesn't sneak up on you but is incredibly apparent right from the aerial zoom-down into Australia in the very first scene, so I didn't feel misled or duped.
Fury Road never asks you to suspend your disbelief because it all looks so believable; Furiosa jovially prods you to suspend that disbelief from the get-go and tune into it on a different wavelength. It's a classical epic, and like the classical epics of the 1950s and 60s it has a lot of actors standing in front of what clearly are matte paintings. It feels right! We're not watching fact, we're watching myth. I'm willing to concede there might be a little bit of post-hoc rationalization on my part because I simply love this movie so much, but I'm not holding the effects in Furiosa to the same standard as those in Fury Road because I simply don't believe Miller and his crew are attempting to replicate that approach. Without the extensive CGI, we don't get that impressive long, panning take where a stranded Furiosa scans the empty, dust-and-sun-scoured wasteland (75% Sergio Leone, 25% Andrei Tarkovsky), or the Octoboss and his parasailing goons. For the sake of intellectual exercise I did try imagining them filming the Octoboss/war rig sequence with the same immersive practical approach they used for Fury Road's stunts, however I just kept picturing dead stunt performers, so perhaps the tradeoff was worth it!
4. Homeward
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Around the same time we meet the Taylor-Joy-pilled Furiosa in Chapter 3, we're introduced to Praetorian Jack, the chief driver for the convoys running between the Citadel and its allied settlements. Jack's played by Tom Burke, who pulled off a very good Orson Welles in Mank! and who I should really check out in The Souvenir one of these days. He's also a cool dude! Here are some facts about Praetorian Jack:
He's decked out in road leathers with a pauldron stitched to one shoulder
He's stoic and wary, but still more or less personable and can carry on a conversation
Professes to a certain cynicism, to quote Special Agent Albert Rosenfield, but ultimately has a capacity for kindness and will do the right thing
Shoots a gun real good
Can drive like nobody's business
So in other words, Jack is Mad Max. But also, no, he clearly isn't! He looks and dresses like Mad Max (particularly Mel Gibson's) and does a lot of the same things "Mad" Max Rockatansky does, but he's also very explicitly a distinct character. It's a choice that seems inexplicable and perhaps even lazy on its face, except this is a George Miller movie, so of course this parallel is extremely purposeful. Miller has gone on record saying he avoids any kind of strict chronology or continuity for his Mad Max movies, compared to the rigid canons for Star Trek and Star Wars, and bless him for doing so. It's more fun viewing each Mad Max entry as a new revision or elaboration on a story being told again and again generations after the fall, mutating in style, structure and focus with every iteration, becoming less grounded as its core narrative is passed from elder to youth, community to community, genre to genre, until it becomes myth. (At least, my English major brain thinks it's more fun.) In fact there's actually something Arthurian to it, where at first King Arthur was mentioned in several Welsh legends before Geoffrey of Monmouth crafted an actual narrative around him, then Chrétien de Troyes added elements like Lancelot and infused the stories with more romance, and then with Le Morte d'Arthur Thomas Malory whipped the whole cycle together into one volume, which T.H. White would chop and screw and deconstruct with The Once and Future King centuries later.
All this to say: maybe Praetorian Jack looks and sounds and acts like Max because he sorta kinda basically is, being just one of many men driving back and forth across the wasteland, lending a hand on occasion, who'll be conflated into a single, legendary "Mad Max" at some point down the line in a different History Man's retelling of Furiosa's odyssey. Sometimes that Max rips across the desert in his V8 Interceptor, other times driving a big rig. Perhaps there's a dog tagging along and/or a scraggly and at first aggravating ally played by Bruce Spence or Nicholas Hoult. Usually he has a shotgun. But so long as you aren't trying to kill him, he'll help you out.
5. Beyond Vengeance
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The Mad Max movies have incredibly iconic villains—Immortan Joe! Toecutter! the Lord Humongous!—but they are exactly that, capital V Villains devoid of humanizing qualities who you can't wait to watch bad things happen to. Furiosa appears to continue this trend by giving us a villain who in fact has a mustache long enough that he could reasonably twirl it if he so wanted, but ironically Dementus ends up being the most layered antagonist in the entire series, even moreso than the late Tina Turner's comparatively benevolent Aunty Entity from Beyond Thunderdome. And because he's played by Chris Hemsworth, whose comedic delivery rivals his stupidly handsome looks, you lock in every time he's on screen.
Something so fascinating about Dementus is that, for a main antagonist, he's NOT all-powerful, and in fact quite the opposite: he's more conman than warlord, looking for the next hustle, the next gullible crowd he can preach to and dupe—though never for long. For all his bluster, at every turn he finds himself in way over his head and writing cheques he can't cash, and this self-induced Sisyphean torment makes him riveting to watch. You're tempted to pity Dementus but it's also quite difficult to spare sympathy for someone who's so quick to channel their rage and hurt and ego into thoughtless, burn-it-all-down destruction. When you're not laughing at him, you're hating his guts, and it's indisputably the best work of Chris Hemsworth's career.
It's in this final chapter that everything naturally comes to a head: Furiosa's final evolution into the character we meet at the start of Fury Road, the predictable toppling of Dementus' precariously built house of cards, and the mythmaking that has been teased since the very first scene becoming diagetic text, the last of which allows the movie to thoroughly explore the themes of vengeance it's been building to. A brief war begins, is summarized and is over in the span of roughly a minute, and on its face it's a baffling narrative choice that most other filmmakers would have botched. But our man Miller's smart enough to recognize that the result of this war is the most foregone of conclusions if you've been paying even the slightest bit of attention, so he effectively brushes past it to get to the emotional heart of the climax and an incredible "Oh shit!" payoff that cements Miller as one of mainstream cinema's greatest sickos.
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Fury Road remains the greatest Mad Max film, but Furiosa might be the best thing George Miller has ever made. If not his magnum opus, it does at least feel like his dissertation, and it makes me wish Warner Bros. puts enough trust in him despite Furiosa's poor box office performance that he's able to make The Wasteland. Absolutely ridiculous that a man just short of his 80th birthday was able to pull this off, and with it I feel confident calling him one of my favourite directors.
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kotoku · 5 months ago
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ᴄʜᴀᴘᴛᴇʀ ɪ - ʏᴏᴜʀ ᴄᴏᴍᴘᴀɴɪᴏɴ ᴏꜰ ᴄʜᴏɪᴄᴇ
synopsis - after making a decision, you pack up the last of the things your dear companion needs in the trunk. with your new friend secured carefully, you drive back home to organize all the new stuff you bought into your guest bedroom. hopefully they are liking their new home so far.
⋆˚🐾˖°
It had taken a bit of walking back and forth but you finally settled–
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–on one of the doves! You wanted to adopt Sunday and his sister, Robin, but someone had already reserved her. ˙◠˙
With a grunt, you loaded the trunk with the cage, food, toys, and other necessities that would ensure Sunday’s comfort. He was placed in a little carrier with wide holes to breathe and see through, big enough to freely move around as you secured him in your passenger's seat. 
Throughout your drive home, you could hear him pacing around in his carrier. Your fingers tapped on the steering wheel as you would glance at him every now and then. You were starting to get worried about him, not wanting to cause a lot of stress for him on his first day in his new home. 
When you finally reached your house, you quickly unloaded your car and brought him in, careful to not tussle the box. 
Your home was pretty big but cozy. You had a guest room in case any of your friends were to come over, and two bathrooms, one being part of your room. Lucky you. You had decided on making the guest room Sunday’s new room so that he could fly around freely. 
Constructing the cage was pretty easy, it had a large space with some perches and toys for him to entertain himself with when he wasn’t flying around outside. You hoped he would like it. 
Carefully, you placed the box inside and opened it, closing the cage door so he wouldn’t fly out in a panic and hurt himself. 
“Sunday? You can come out now, I have your new home set up.” You watched as the dove slowly inched his way out, head tilting in different directions as he observed the area. You already left some food and water for him, organizing the rest into containers with a corresponding label. 
“Liking your new home?” You stared curiously as he climbed the walls of the cage, staring at you. Hesitant to move your finger towards him, you decided to show him your hands from a distance. “I’m much bigger than you but I hope you aren’t too scared of me, Sun.”
The dove had only continued to observe you before settling onto a perch, puffing his feathers out with his head tucked between his wings. Seems like he was ready to sleep.
With a chuckle, you brought out a blanket to cover his cage so he wouldn’t get frightened by any passing lights outside. With a soft ‘goodnight’, you closed the door gently and walked back towards your own room. 
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—on a small, blond Norwegian Forest cat who had unique eyes. They were an extraordinary color, one you have never seen before with cats. Questioning the old lady about this, she could only give you a shrug, saying that he was rescued from an abusive home that adopted him from a breeder, so it could’ve been the breeder’s doing. 
Hearing of his past pained you, fueling your determination to give him a loving home.
Along with Aventurine, you bought him his necessities. Litter, cat food, a brush, etc… You even got him a collar, one that was quite pricey but glamorous, living up to his name. 
He was in his crate, his small body curled up as he peeked through the openings. Sometimes you’d put your finger near the holes for him to smell, his paw poking out as if reaching for you.
The lady had already filled you in on his vet details and history, providing you the necessary paperwork as you signed your consent. It was official, Aventurine was now adopted by you and placed in your care. 
“Please be gentle with him, he can be quite the troublemaker but he’s also a sweetheart. Come again soon!” With a wave goodbye, you brought his crate to the car which already had all his things in. 
The ride home was pretty quiet, it seems like Aventurine isn’t much of a talker. You smiled, finding his shyness adorable.
After you had put all of his things away into a guest bedroom, you opened his crate, watching as he slowly got out to stretch. He sniffed the area before cautiously walking towards you, smelling your out-reached hand before backing off, continuing to wander. 
You’d figured it would take some time before he got used to you. Standing up from your kneeling position, you started walking towards your room.
“I’ll leave the doors open for you to explore, Aven.” Of course, you left the bathroom doors closed, not wanting him to make a mess out of the toilet paper in there. You thought about the kitchen and living room, but there was nothing too dangerous for him to get into, so you let it slide. 
Cracking your door ajar, you crawled into bed, already changed into your pajamas. 
“Night, Aventurine.” You called out, hearing his footsteps pitter-patter against the hardwood floor. 
You hoped he would like it here.
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—on a violet-blue ring-necked parakeet named Veritas Ratio. An odd name, but from what the lady had told you, it seemed pretty fitting.
“Veritas is an intelligent bird who requires much stimulation otherwise he’d get bored easily. He’s a bit standoffish, but he’ll warm up to you eventually.” 
…You were a bit nervous, but you were determined to build a bond with him. Birds have always fascinated you with their intellect and colors, their trust often being hard to obtain as they are both cautious and observant. When you were standing in front of Veritas’ enclosure, you made sure to read all the details and information about their breed so you knew what you were getting into. 
‘You’ve owned birds before, this wouldn’t be new,’ you thought to yourself, carrying Veritas to your car. The old lady was kind enough to walk you back to your car with all the necessities you needed, holding the bird food and toys while you carried the heavier things. 
After packing everything in, you secured Veritas in the passenger seat and started up your car, driving out of the parking lot and into the direction of your home. 
Every now and then, you would hear him flutter his wings, most likely stretching them as the carrier allowed him sufficient room to do so. It wouldn’t be long before you parked in your house’s garage, moving everything inside the guest room upstairs before bringing Veritas in. You could see him peeking through the holes, trying to get a glimpse of his surroundings.
“Let me set up your cage first and then you can come out, okay?” Setting him down beside you, you quickly got to work on building the cage, arranging some toys and perches for him. Once you were satisfied, you refilled his food and water bowl before picking up his carrier and opening it to let him walk inside. 
Veritas cautiously got out of the carrier, head tilting from side to side as he observed the cage. His eyes were pinning his surroundings, curiously walking around and climbing up the cage walls so he could sit on a perch. He turned his head to the right so he could get a good look at you.
“Hello.”
You slightly jumped in your spot, startled by the sudden greeting. You didn’t know he could talk, he was relatively quiet when you were in the store and during the car ride! Is he slowly warming up to you?
“Uh– hello! Welcome to your new home, do you..like it?” You felt a bit awkward talking to a bird, not really expecting any other answers from him.
“...”
Veritas didn’t say anything else, only continuing to look at you before he started grooming himself. You sighed, a bit relieved to see that he was comfortable and not stressed in his new home.
“I’m gonna head back to my room now, I’ll see you in the morning.”
Getting up from your spot on the ground, you draped a small blanket over his cage before turning off the lights. With a final goodnight, you gently closed the door with a ‘click!’, walking back to your room and flopping onto your bed with a sigh. 
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–on a border collie named Boothill! He was quite energetic, sniffing all around you before sitting in front of your feet, staring up at both you and the old lady. 
“Boothill is a very protective dog, always following their owner and basically accompanying them during every task. He’s a sweet little fella, I’m sure you’ll love him.” The old lady gave Boothill a small pat on the head, offering the leash to you. 
“Here you are, young one.” 
Taking the leash from the old lady’s hands, Boothill immediately sat up and started dragging you around the store.
“B-Boothill! Where are you going??” You yelped, tripping over your feet as he sniffed around the aisles. He sat in front of a particular shelf, one full of dog treats. Ah, did he like a specific brand? 
Grabbing the one he was looking at the most, you read the label and ingredients out loud to yourself. The old lady had popped up next to you after you finished reading it, an apologetic smile on her face. 
“Sorry about that, Boothill can also be a little bit of a troublemaker.” She adjusted her glasses, looking down towards Boothill with a chuckle. “You naughty fella, don’t be too hard on your owner okay?”
Boothill barked in response, glancing up at you with his piercing red and gray eyes. He almost seemed to be making puppy eyes at you…
“I’ll get you this treat if it makes you happy, then.” You smiled, tucking the bag underneath your arm. You walked around the store with a small cart the lady had offered you, pulling different necessities off the shelves and putting them in the cart as Boothill strolled next to you. 
After paying for everything and getting all the documents you needed, you led Boothill towards your car and packed everything inside the trunk. He immediately jumped in the backseat, laying down as you buckled up and started the engine. 
“We aren’t too far from home, but be careful back there okay?” You glanced at him through your rear-view mirror, making sure he was comfortable before pulling out of the parking lot.
It took a while to move everything inside, but eventually, you had his little room all set up with his food and water. You let him roam around your backyard for a bit in case he needed to use the restroom, but he just came back to you after smelling around the fences and shrubs. Guess he was just getting used to his surroundings.
“Everything is set up in here, but I’ll leave my door open if you need anything.” You spoke, looking down at him as he sat beside your legs. You gave him a couple pets, moving to turn off the bedroom light before going to your own room. 
Unsurprisingly, he trotted after you, hopping onto your bed and kneading the comforter until he was satisfied. Chuckling, you pulled back the comforter and made yourself comfortable in your bed, feeling Boothill’s warmth near your feet. 
“Goodnight Boothill.” 
You heard a huff in response. 
⋆˚🐾˖°
taglist - @vash-yuu
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wheelsgoroundincircles · 9 months ago
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1964 Chevrolet Cheetah
Also known as ‘Killer Cobra’
The 1964 Chevrolet Cheetah – a name that evokes both exhilaration and trepidation, whispered in hushed tones as “the Killer Cobra.” This ferocious feline wasn’t your average Corvette; it was a fire-breathing, lightweight monster built to slay Ford’s Shelby Cobra on the racetrack, and its story is as wild as its performance.
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Born from Rivalry:
In the early 1960s, the Cobra was tearing up tracks and stealing headlines. Chevrolet couldn’t stand the sting of defeat, so they turned to Bill Thomas, a legendary Corvette expert with a reputation for tinkering. Thomas’ mandate was simple: build a car that could devour Cobras whole.
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Unleashing the Beast:
The Cheetah was a radical departure from the curvy Corvette. Forget rounded fenders; this beast was all sharp angles and aerodynamic efficiency. A lightweight fiberglass body clothed a modified Corvette chassis, powered by a monstrous 375-horsepower small-block V8. Independent suspension and NASCAR-inspired brakes promised razor-sharp handling and brutal stopping power.
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Taming the Cat:
But the Cheetah was a fickle beast. Its lightweight construction and raw power made it unforgiving at the limit. Steering was twitchy, and the unforgiving suspension demanded a skilled hand on the wheel. This wasn’t a car for Sunday drives; it was a high-wire act on four wheels, reserved for experienced racers with nerves of steel.
A Taste of Victory:
Despite its wild temperament, the Cheetah tasted victory. A few privateer teams managed to outmaneuver and outrun Cobras on smaller tracks, proving Thomas’ concept had merit. But factory support fizzled out due to high costs and safety concerns, and only 25 Cheetahs were ever built.
Leaving a Legacy:
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The Cheetah’s life was short, but its impact is undeniable. It proved that American manufacturers could build serious race cars to rival the best Europe had to offer. It pushed the boundaries of design and performance, even if it wasn’t always easy to control. And it cemented Bill Thomas’ reputation as a master car builder with a penchant for the audacious.
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More Than a Machine:
Today, the Chevrolet Cheetah is a coveted collector’s item, a piece of automotive history frozen in time. Owning one is like owning a piece of racing DNA, a reminder of a time when cars were raw, brutal, and exhilarating. The “Killer Cobra” might have a reputation for being untamable, but for those brave enough to handle it, it offers an unmatched experience, a chance to dance with a legend on four wheels.
So, the next time you hear the name “Cheetah,” remember it’s not just a car. It’s a roar of defiance, a testament to innovation, and a reminder that sometimes, the greatest rewards come from taming the wildest beasts. Remember, the Cheetah might be gone, but its spirit lives on, a fire-breathing phantom on the racetracks of our imagination.
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crescenthistory · 2 months ago
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welcome to carina's corner
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my name is carina | twenty years old | she/they | i study history in london | spiritual | poet
masterlist of my writing can be found below the cut ⋆。゚☁︎。⋆。 ゚☾ ゚。⋆ requests are open to these and similar characters<3
.・。.・゜✭・.・ ⤷ request guidelines ⤷ prompt list
NB! i attempt to make all my writing be representative of everyone, so at no point will reader's looks (including hair, size, skin colour, etc.) be disclosed. if there are any lapses, please let me know<3 i specify if there is fem!reader or gn!reader
Marauders Era
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࣪𖤐 regulus black
⤷ Totally Just the Fifth and Sixth Wheel (mutual pining, reg and reader in denial about their feelings are called out by friends)
⤷ Part 2, Still Just Totally the Fifth and Sixth Wheel, You Guys (the eventual triple date to hogsmeade, more pining and denial ensues) ⤷ Part 3, Okay Fine Maybe We're In Love! (fluff, realisation of feelings and an eventful quidditch match)
⤷ "I want to see you" (light smut, first time, reg is working on letting go)
⤷ "You occupy my every thought" (sunshine x grumpy dynamic)
⤷ "Are you falling asleep on me?" & "How are you so cute right now" (fluff, late night in the library)
⤷ Professional Meddlers (chaotic fluff/good vibes, the girls play matchmakers with you and regulus)
⤷ "Where is she?" (hurt/comfort, regulus is the last to find out you're injured)
⤷ blurb about rosekiller's reaction
⤷ "I don't know, it just happened" (heavy hurt/comfort, regulus finds reader sobbing over magical ink on her hands)
⤷ on the tip of my tongue (fluff, regulus says "i love you" for the first time)
animagus!reader
⤷ Feline Touches (fluff/crack fic, regulus knows exactly where to find you when you're hiding from the cold, feat. bsf!remus) ⤷ Sweet Like Honey; Karma is a Cat (fluff/crack fic, wolfstar neglect to wake you when you and reg fall asleep in cat form) ⤷ Padfoot vs. Whiskers (fluff/crack fic, platonic!sirius x reader, you and reg get revenge on sirius in cat form) ⤷ Where Padfoot Lays His Head (hurt/comfort, platonic!sirius x reader, whiskers comforts padfoot)
drabbles:
⤷ "Use your words, sweetheart" (implied smut, celebrating qudditch victory)
⤷ "Nothing matters but you" (fluff, cuddling the night before your birthday)
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ִ ࣪𖤐 barty crouch jr
⤷ Toe The Line (friends to lovers, confronting barty about his flirting with you)
⤷ Murder’s On the Wishlist (hurt/comfort, you’re forced to go home for christmas)
⤷ steady me, guide me, love me (hurt/comfort, barty gets into another fight and you have a serious talk)
⤷ "You woke me up for this?" (fluff, barty is bored in the middle of the night)
⤷ the blood means i love you (smut/aftercare, reader accidentally makes barty bleed and he loves it)
grumpy!reader
⤷ "Aren't you just a sweetheart?" (kinda sunshine/grumpy dynamic, bickering flirting) ⤷ and what about it? (your friends find out you and barty are dating) ⤷ this isn't fun anymore (hurt/comfort, it gets serious and that scares you both) ⤷ an insufferable dance (set before they start dating, dance at hogsmeade) ⤷ sleepy midnight escapades (fluff, anxious remus goes looking for you at night when you miss curfew and finds you with barty)
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ִ ࣪𖤐 james fleamont potter
⤷ The Boy with the Glasses is Blind (pining, james mistakenly thinks you're in love with your best friend, barty)
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𖤐 marauders
⤷ What You Became (fluff, poly!marauders react when their clumsy girlfriend becomes a swan animagus)
platonic!bestfriend!marauders are heavily featured in animagus!reader x regulus black:
⤷ Feline Touches (fluff/crack fic, regulus knows exactly where to find you when you're hiding from the cold, feat. bsf!remus) ⤷ Sweet Like Honey; Karma is a Cat (fluff/crack fic, wolfstar neglect to wake you when you and reg fall asleep in cat form) ⤷ Padfoot vs. Whiskers (fluff/crack fic, platonic!sirius x reader, you and reg get revenge on sirius in cat form) ⤷ Where Padfoot Lays His Head (hurt/comfort, platonic!sirius x reader, whiskers comforts padfoot)
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𖤐 slytherin skittles
includes: barty, evan, regulus, dorcas, pandora
hc: how would the skittles react to you walking into a party looking smashing?
Miscellaneous Films
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ִ ࣪𖤐 paul atreides
⤷ in the silence, there is an us (childhood best friends to lovers, bedsharing)
⤷ you are my favourite silence (part of paul's pov in 'in the silence, there is an us')
⤷ "Come back to bed" (fluff, paul tries to work, reader drags him back to sleep)
⤷ "There will not be a day where i am not there for you" (hurt/comfort, reader does not want to burden paul with her illness)
drabbles:
⤷ "Loosen up a little" (light smut/suggestive make-out, reader helps paul relax)
⤷ Paul gets a Fremen illness (hurt/comfort)
⤷ "Kiss me again" (fluff, sparring)
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ִ ࣪𖤐 lee (bones & all)
⤷ You and I, We've Grown Comfortable Here (slowburn romance, life on the road with lee, discovering you're more alike than you thought)
⤷ i found a home, she's beautiful (being introduced to kayla for the first time)
⤷ "Is this okay?" (light smut, motel room, first time)
⤷ "I require at least a thousand kisses to make up for it" (fluff, slow mornings)
⤷ "How delightful" (fluffy halloween, reader and lee work at a haunted house)
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azure-cherie · 1 year ago
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☀︎︎𝑃𝐴𝐶 : 𝑆𝑡𝑜𝑟𝑖𝑒𝑠 𝑓𝑟𝑜𝑚 𝑦𝑜𝑢𝑟 𝑎𝑛𝑐𝑒𝑠𝑡𝑜𝑟𝑠 𝑡𝑜 𝑔𝑖𝑣𝑒 𝑦𝑜𝑢 𝑔𝑢𝑖𝑑𝑎𝑛𝑐𝑒 ☀︎︎
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Pile 1. Pile 2. Pile 3.
Hey there guys , I hope y'all are having a lovely time so for this PAC
THE CONCEPT is in this pile i call upon one of your ancestors to narrate a story from their life so that you can learn something from it or just get the Ancestral tea ☕ .
Reblogs and feedback are highly appreciated !!!!
Want a personal reading: Paid readings , Paid readings 2
Masterlist
Choose using your intuition, you can choose multiple and take what resonates and leave the rest . Since this is a general reading take what resonates and leave the rest .
Pile 1 :
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My dear pile 1 , i hope you're doing well
Some charms for confirmations and messages: Maple leaf , moon , bicycle , trumpet , tortoise, panther , yantra symbol , peacock , camel , flower wings , infinity symbol, clown , lantern. Some numbers : might be age , year or era ; 5,1,6,5,7 ; some initials : K , L , I , Q .
Who will I be channeling : The Empress card they could be a very nourishing female who was well regarded in their family , they were a queen , princess , authority , they married rich . They were really a successful and kind women
They want to tell you a story about : Strength , how they were courageous
Once upon a time in your ancestry , born in either Mongolian , Chinese , French or Italian roots , your ancestors were regarded as inventors of something creative , they liked romance a lot , they wanted to keep the fire in themselves alive , they could be cavemen and drew various types of architectural plans , for some buildings , could be of Moroccan descent , you had a very big family , the head of the family was a very nice man , your ancestor was the head of the family as well , as the wife of your male ancestor , she also was a very creative person , made antiques and stored them , was regarded as one of the bad bitches of that era, and everyone wanted to marry her , though she broke many hearts she married your male ancestor , they lived really happily until there was some , war in your place and some things were burned down in your place or in your home , the fire could be symbolic as well , they were left with no choice then to sacrifice themselves . Either they sacrificed themselves or something that belongs to them . I think some of your family history also burned along with the fire , could be representative of also fury of old powerful people lurking into your family wellbeing .
Through the course of wheel of fortune ,there was a change because of a smart person in your bloodline who really finally crafted a way to rise again , this could be your ancestor herself or some other person from your family I get the vibe of the sister in law , or an aunt . Because of that you were capable , your ancestors could be into herbal medicine or Ayurveda . Your ancestors helped the poor a lot and conducted lots of charity . They either had a rabbit or a furry animal by their side , the pet was one of the legacies and the pet really protected , could be a dog as well , if cat they protected from spiritual attacks .
Your ancestors later became the leader of some organization , and they were some sort of vigilante and served everyone with justice , were one of the most powerful . One of the next generation male member sore really high and was regarded , they gave everyone a head start at creative potential , they rose again from what hurt them , they later settled in some colder place probably .
There could be some curse due to which your family went into hiding , because the son of the empress was a vigilante they rose again and built up after moving places , they brought lands and could be the family was travelling , that could mean some hippie ancestors for some of you , and it could also be someone wanted to move places , lastly your ancestor went on a spiritual journey , the empress went on a quest to find herself and was looking into a peaceful life
She wanted to tell you about this lesson of strength , that no matter what happens you should go on , also they wanted to tell you that if you want something good in life you must also leave something , to understand the value of sacrifice , despite the hardships she went on a quest , her main aim to wait was to see her family well and after she was done she was ready to leave , this story might also be about detachment .she wants to tell you that though everything is nice , if you feel you're missing something , you must go after it , and that’s how your soul will feel happy
Pile 2 :
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My dear pile 2 , hope you're doing well
Some charms for confirmations and messages: Fox , mermaid tail , shell, angel, coconut tree , crescent moon , sun , kangaroo, wine bottle . Some numbers : might be age , year or era ; 7,2,9,2 ; some initials : R,U,O.
Who will I be channeling : Ace of swords ,could be a warrior , they were really courageous , free thinker .
They want to tell you a story about : Page of coins , of abundance of a bright future
Once upon a time there was a break in your family because of lot of disagreements , everyone fought each other or just left their own ways , this could be about middle eastern , desert areas , ancient India , Mediterranean , there was lot of conquest , here comes about your grandmother or just a women in your family who was a psychic , she wanted everyone to be together , that lead to the family coming back together because she made everyone thinking she was sick , they later came to know she wasn’t ,
She realized there was someone was casting a spell for your family to break apart , your ancestor already had the vibe , and they worked hard to let it into their heads , might have conducted an uncrossing spell to get rid of the damage , the spell came from a family member who was obsessed with money and wanted to keep everything to themselves , your ancestor wanted to keep everyone safe and happy , and because of their good deeds things were right , there were minor issues but because your grandmother was so observant and a psychic , the family didn’t break and was happy . They kept lot of optimism.
They wanted to tell you this because you are having self-doubts about your abilities or judging people without knowing the whole story , listen more to your intuition , you're reaching conclusions without thinking and analyzing things properly and they wanted to let you know that . I picked another card , so they tell you to take rest and not think too much .
This is actually really cool because I was about to start pile 3 but I couldn't remember the image , haha they want to tell you one more story woah , this could either be for the same group or this story might not be for you , use your intuition
This is about a situation where they had both of their hands tied , they were people putting allegations onto them and they wanted to about sometimes to get forward you'll have to lose something , you have to work hard and put all in , you shouldn’t run , things may become severe but know that youre stronger , don’t run away , you must hope for the best because only then it comes to you , being emotionally connected is a blessing , never take your own emotions for granted
They served a king or a higher authority could've worked as warriors or oracles of their place , they were considered very courageous , this could also be someone from Salem witch trials , there's lot of fire as well as witch symbolism , so I feel this could be it , they revolted a lot against the men who were capturing them . There was someone who was so in love with your ancestors and tried to save her , she tried and got away though it was painful , they came together and lived happily ever after , this story could also go about some Brazilian , Hawaiian , ancestry .
They wanted to tell you this as a sign that hope can be found even after most gut wrenching times .
Pile 3 :
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My dear pile 3 hope you're doing well
Some charms for confirmations and messages: fish , elephant, gun , cap , shell , infinity symbol, witch , cat . Some numbers : might be age , year or era ; 9,8,2 ; some initials : M, A . Please check pile 2 if you were drawn
Who will I be channeling: Knight of wands adventurous, enigmatic person
They want to tell you a story about : The Sun , of fame and dignity
Once upon a time there was someone who was a miser and wanted your ancestor to be wed off , just so they could get rid of your ancestor , they thought your ancestor was a crooked person , who wanted to be reckless all the time , they didn’t appreciate your ancestors free spirit at all , the guardian showed they were happy but they wanted to destroy the life of your ancestor , your ancestors might have been kept hostage or had an evil step parent for some of you .
Someone could have died or poisoned , the husband of your ancestor was very supportive , the guardian didn’t like it , someone might have told that to your guardian , or higher authority , only to cut the wings of your ancestor , she yet lived with happiness because she was actively practicing freedom and was loved and supported by her husband , I think she wanted to be in a higher position , in education or in the swordsmanship sector , this could go back to Europe , in the renaissance period , haha your reading is reminding me of the anime called " Arte " .
She was shown love because fate turned her life around This reminds me of " My happy marriage " (anime).
There could be a lot of jealousy shown to her by the men around, the neighbor's , but your ancestor was always rising higher , there could be someone who sabotaged her telling her that she's a bad person , she payed no mind to them , she became one of the greatest of her times , swordsman , merchant . This could also be in the education sector , they became highly educated , just saw 333 might be significant to you .
They were abundant and happy , they later became a teacher in their sector , kids loved them a lot , probably rose to nobility , were honored as a survivor and a riser .
They want to tell you this story to make you believe in the power of love , though its mostly about bravery her husband helped her get through a lot of it , she wants to show how if you take a chance in love , love can be good for you . Though her arranged marriage was scary things turned out for the better so will it turn out for you , keep the belief , I got one more card , they also wanted you to let go of your mentality that everything will go bad trust that good things will happen to you , if you hit the rock bottom you can only go higher do what you need to do
The back of the deck is Empress , how sweet is it that the pile 1 started with empress and you're finishing at it , you come from line of very powerful women who worked so much for their dreams they're always here for you just call upon them . I see 555 as I conclude can be significant for you.
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Thank you so much for reading have a great day/night 🧡
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chaoticloving · 1 year ago
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the making of stomper
harry styles x reader masterlist
summery: harry has his wife make the feature of his new music video
a/n: reader is described as an engineer and the "flashbacks" are italicized
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“Satellite was inspired by my love of Wall-e.” Harry explained. “I love the little guy, looking around in search for his point of life—so human, really.”
~
“I need your skills.” Harry ambiguously stated, rushing into the bedroom and meeting Y/n who was relaxing on the bed on her laptop.
"Come again?" Y/n laughed, confused by her husbands question and vaguely raunchy implications.
Harry climbs on the bed, sitting between his wife's legs on his sock-clad feet, yes, the pair with holes in them. "I have an idea and I need your help building it."
Harry gave a sweet smile, the face he poses whenever he wants Y/n to build something for him, first it was a new camera, fixing up a new engine for an old car harry had his eyes on, and any other little thing Harry wanted. Y/n never minded of course, she enjoys creating new things and Harry was always there to help by any means he could. She enjoyed working on other things besides work--which at her level typically involved designing, no actual building.
"Intriguing , what is it?"
"Wall-e."
"Wall-e?"
"Wall-e."
"Huh." Y/n thought for a moment, before switching tabs on her laptop and opening up a new design file, labeling it "wall-e". "What's your vision."
"It's to go with Satellite and it would feature a little robot roomba thing thats looking for the meaning of life. It would walk or roll and move it's little face around." Harry summarized, stopping before he rambles too long, and make a list too extravagant.
“I’m down, I just need some time to think about what I’ll need and the process.” Y/n decided.
~
“Stomper was actually the 6th Stomper.” Harry thought back. “The first couldn’t move its head and only go very slowly on it’s little wheels. Two through four short-circuited. Five got injured by our cat. But six—he was a trooper.”
~
“Alright, we rolling?” Y/n spoke over to Harry, doing some final looks on the remote and Stomper.
“Yup! Ready for testing!” This was always Harry’s favorite part, despite it not being Y/n’s because she was always very thorough and was always waiting for a flaw with her creation. Harry, ever the optimist, was excited to see the little creature come to life.
“Okay, lemme just turn him on.” It was definitely a he this one, something in Y/n was just telling her it was a boy—as boyish a robot could be. But maybe she just thought the robot would act like Harry and all of his boyish charm.
Stomper grew to life, it’s “eyes” producing a subtle glow.
“Alright and moving forward—“ He moved, a little quicker then the others before him, which Y/n surprised and confused about. “Turning around…” The little robot did just that.
“It works?!” Harry shouted, letting the camera out of focus. He ran up to Y/n and hugged her tight, kissing her wherever his mouth could reach.
“Harry we got to give it more time, he might explode or something-“
“It’s perfect.” Harry chided, ignoring any concern his wife had for the little robot.
~
“I think Stomper was a subliminal message of some sort—“ Harry told the camera. He held on tight to the small child in this lap, who was trying to grab his ear and hair. “Y/n didn’t know she was pregnant yet. Only about a week after the music video went up Y/n had this epiphany that she didn’t have her period for the past two months—and the rest was history.”
Harry looked down at the little boy in his arms, brown hair showing through and a nose like his daddy’s. His eyes and lips through, were a copy and paste from his Mama.
“I joked that we should name him stomper--Y/n did not like that joke at all—so we settled on something else that will forever remain a mystery for you lot, or until I end up rambling uncontrollably.”
Harry, ever the scared Papa Bear, wouldn’t let anyone get a picture of any sort of the small boy. During the video, the boy was wearing a hat covering his face while Harry’s large hand would cover from the neck up. The only way you could know that Harry’s son was there was from the little grabby hands that kept making an appearance.
“But it’s getting close to this bubs nap time, so thank you for all the love.” Harry turned the camera off, smiling as he know the fans would love the one year special treat.
Harry went upstairs and met with his lovely wife taking a nap in their shared bed. His little boy yawned, causing Harry to yawn, so he knew it was family nap time.
“How’d it go?” Y/n whispered.
“Good.” Harry said, moving around so he could big spoon his son and wife. “Bubs was the star.”
“He takes after you.”
Harry smiled at the comment, but knew the opposite to be true. His little baby was showing signs of intelligence that could only be traced to his wife. “With any luck he’ll turn out just like his mama.”
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jazzyblusnowflake · 2 days ago
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(If this was asked before, I swear to god.) FullCompany (NUziVJ) Headcannons?
aaaaaaaaa time to write once more- i missed being able to type away like the lil shit i am-
anyhow- okay lets see- gonna add some things here- tbh my ideas was mostly for Jenvy ideas mainly- but i guess ill fit Uzi in there lol
Some JeNVUzi HCs:
[once again- Drone au only, and maybe minor suggestive content but not nsfw]
The polycule is essentially formed around Uzi pulling them back together-
J's original reason for siding with Cyn which was rooted in fear- was on the basis that she still had her team on her side so she could keep them safe and so theyd have eachother to rely on even after Cyn destroys everything. she did not however, account for Uzi coming along and messing everything up and ruining her team's alignment while she was "dead".
the entire reason J tried to kill N or V at any time was cuz she knew a clone of them would be sent back anyway- she has basically become desensitized towards death in general given she had also died around 12 times herself [canon]- V and N try to help her through this- during which they also deal with Vs behavior and Ns trauma too.
to communicate with J they often had to spar with her- seeing as she hated talking about feelings- but this became their own thing they all did afterwards to unwind and communicate- as J opened up a lot easier after feeling like she was reached out to.
Uzi and J bond over anime and gaming- the latter being somewhere J could actually use her anger on more effectively XD
they all like reading books every now and then where one would read and the others snuggle or cuddle- they take turns. [this is from their manor days]
J is... unable to emote or show emotion easily and it eats her alive. she can't show the appropriate needed emotion to the mood of the room and it makes her have breakdowns- occasionally throw up- as though you are desperately trying to cry but the tears wont come so you try heaving it out- make yourself fit in and look normal by trying to FEEL something- but she cant. J is a dated business model drone- custom made for office work- she was made to be this way- Cyn didn't change her- and she grows to hate herself for it. so when a situation happens that she doesn't know how to react, she leaves or hides- until N,V or Uzi find her- usually disassociating or somewhat catatonic.
Uzi occasionally feels out of place with the group, as though she's just being a literal 4th wheel, since they have history together. the others try to show her that she is important to them each in their own ways-
addressing the elephant in the room- yes, it took a long time for N and J to come to terms with eachother- J eventually accepting that her original reason for hating N [him being better than her or preferred over her esp by Tessa] wasn't important anymore- and tries to appreciate him and V and Uzi more in whatever is left of her life.
make no mistake V and J are still very much bitchy on a surface level- just cuz they are all growing close does not mean they are all now lovey dovey with eachother or sweet and character-redemption-ed with everyone around them. therefore: "playful catfights" >:3 !
V and Uzi tease J alot- this is one of the reasons why J found more comfort with N- not gonna tell him to his face tho lol.
J teaches N to draw better and they bond over that alot-
Uzi and J like attention alot- and they wanna get it by being as wordless as possible- very cat coded.
Uzi, V and N like to drag J into doing more normal things that have less to do with work. so far J has mostly shown some interest in writing and maybe poetry but she WILL shoot your head off if you try to read her stuff-
J's first kiss was with Uzi- N and V having kissed once back at the manor being eachothers first kiss. J thinks V kisses the best tho lol.
N and V like to cuddle a lot- J and Uzi are usually dependent on mood-
V likes to bite- J likes to be bitten, N and Uzi like both- :3
J likes playing with N and Uzi's fluffy hair. V only lets N touch her hair.
during intimate cuddles- J has passed out the most lol. Uzi following a close second lol-
Uzi and J yap alot about tech work-
hmm this is all i can think about for NOW-
:"3
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spiralhouseshop · 1 year ago
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It's been a busy vending season! I finally got a chance to update the website with these new buttons, zines, books, and organizers!
Portland Button Works & Spiral House Shop September 22, 2023! - New in Stock for Autumn!
BUTTONS
ACABradabra
Stealing From Witches Is Bad For Your Health
Easily Distracted by Plants
Easily Distracted by Cats
ZINES
Ritual (from the folks at Weird Walk comes a fanzine about The Wicker Man)
Frogs Teeth Field Guide Issues 1, 2, 3
Myth & Lore Issues 1, 2, 3, 4, 5, & 6
SLINGSHOT ORGANIZERS
Small pocket sized
Small spiral bound
Large spiral bound
BOOKS
Sigil Magic: For Writers and Other Creatives by T. Throrn Coyle
Magical House Protection : The Archeology of Counter-Witchcraft by Brian Hoggard
Witch Bottles: History, Culture. Magic by Daniel Harms
Occult Botany: Sédir's Concise Guide to Magical Plants by Paul Sédir
The Treadwell's Book of Plant Magic by Christina Oakley Harrington
One Time Around The Wheel by Same Croke
Black Dog Folklore by Mark Normal
The Cornish Traditional Year by Simon Reed
From Granite to Sea: The Folklore of Bodmin Moor and East Cornwall by Alex Langstone
The Kitchen Witch: Your Complete Guide to Creating a Magical Kitchen with Natural Ingredients, Sacred Rituals, and Spellwork
In the Shadows of 13 Moons: Magical Empowerment through the Dar Lunar Mysteries by Kimberly Sherman-Cook
Mountain Magic: Explore the Secrets of Old Time Witchcraft by Rebecca Beyer
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bhaalble · 1 year ago
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Indulgent as the concept of Gortash mourning Durge is I tend to resist it a little in my own canon. Largely on the back of "Orin told me how she humiliated you". Two things can be true at once: Gortash has a lot of history with and affection for Durge. And Gortash plans to WIN. His plans for the moment need the alliance of Bhaal's Chosen. For the time being: that Chosen is Orin. Its why he works with her without much complaint after Durge vanishes, why he has the line "we agreed not to meddle in each other's affairs" ready to go when Durge asks him why he never looked for them. This is also why I believe he makes beating her a requirement for properly reviving the old alliance (the vows are renewed, but you're not getting any active help from him until you work out succession issues with your sister). He would prefer it be Durge! But he can't afford to publicly move against Orin. In the event that Durge loses he'll be in breach of contract enough that she'll have the go ahead to kill him. He'll hedge his bets rather than risk backing the wrong horse, because he knows too well the consequences of getting on the bad side of Bhaal's champion.
What compels me, though, are the little potential moments of self-betrayal. The flickers of wounded ego when he sees them with their companions, and the smugness when he reveals who they are. Did they really think they knew a thing about you? The poor fools have been wandering around with a lion thinking its a house cat. They don't know what it really means to stick their hand in your jaws and emerge unscathed. No one but him ever truly has.
Nostalgia and some kind of unnnameable complexity when he hears from his sources that you've been busy in the hells. A reminder of where this all started....and his old host dead at your hands. Did you remember, he wonders, the little things he'd let slip about his time in the House of Hope? Was it on your mind when you did your bloody work on Raphael? He wonders what it would have been like to see it. If you would have let him come with if he had known to ask. Hardly your first journey to the hells.
Not his only parental figure you encounter. Its when he realizes you're at his parents (seen through the eyes of his Steel Watch, he can't resist checking in from time to time. He assures himself its to make sure the wheels are still in motion) he feels real dread. He never told you the Flymms were alive, much less tadpoled. But is the prickling he feels fear that you'll uncover something? A childish irritation that you might break his least favorite toys? Or shame that he's not there to soften this revelation for you, that his humiliating origin is known while he can't say a thing to paint over it as inconsequential?
The unexpected pride he feels when you return with Orin's blade. Even addled and physically deteriorated by everything that was done to you these last months, you triumphed. No more looking over his shoulder for Orin's blade.....and, he realizes privately. All those pretty words he's said about a future ruled by the two of you may suddenly not just be words anymore.
Maybe, just maybe, there is something like destiny at work here.
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bishopsbeloved · 10 months ago
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the art of falling in love (part five)
natasha romanoff x fem reader
best friend!yelena belova, aroace!yelena belova, internalised homophobia, found family trope, coming of age, angst, fluff (eventual happy ending)
part one | part two | part three | part four | part five (16.3k words) | epilogue
read this fic on ao3!
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Death was first explained to you and Yelena when you were six; Yelena’s favourite of her mother’s pigs passed away, and you were both called in from playing outside to be sat down gravely.
“Girls… Wilbur the piggy has, ah, passed away,” Alexi told you. You stared back at him blankly.
“Do you know what that means?” added Melina more gently.
“Uh… Peter from class said his mom and dad passed away,” Yelena offered after a few moments. “And it means that, like, he can’t see them ever again, so he lives with his aunt now.”
“Yes!” said Alexi enthusiastically, before catching himself and adding in a much more solemn tone, “I mean, ah, yes… very sad. Not good.”
Melina looked at him sternly and he fell silent. “You are right, Yelena. When someone passes away, it means they are no longer with us.”
“Like when you go to the store?”
“No. When I go to the store I am always coming back, да? Passing away is permanent, and it means you never see them again.”
“Oh. But I like Wilbur,” said Yelena sadly, and you nodded in agreement.
“That is what makes life all the more precious,” Melina told you gently. “You never know when someone may pass away — only that everybody will, someday. So you must enjoy the time you have with them, my darlings, and never take it for granted.”
As the years went on and the two of you began to understand what death actually means, that first introduction to it became somewhat of a running joke between you and Yelena (because how else can humans deal with such a terrifying concept as death? You can choose to either laugh or cry, and Yelena will always choose to laugh); the idea of someone passing away will often be referred to as going to the store. For example, Alexi is probably the sole man responsible for the entirety of Ohio state’s roadkill — neither you nor Yelena can remember a car journey with him in the wheel during which some unfortunate creature has not stumbled into his path and suffered fatally for that mistake. Every time it happens, without fail, Yelena will turn around eagerly in her seat or poke her head out of the window and assess the damage before gravely announcing, “That one is definitely not coming back from store.”
It’s a euphemism that can be used in any situation — and often is, actually. Whenever the TV signal packs up (as it often does in such a rural town as your own) and the Kardashians begin to cut out awkwardly, Yelena will throw down the remote and shout in frustration “Ma! The fork thingy on the roof has gone store again,” and Melina will know exactly what she means. Or whenever your history teacher Mr Fury hobbles into class, who is so old he looks like he’s witnessed half the events he teaches you, Yelena will nudge you and whisper “he is close to store’s doorstep now, eh?” Et cetera, et cetera. The phrase gets used often.
You feel silly for your mind wandering to those words, given the circumstances. But all you can think of right now is your overwhelming hopes and prayers that Liho has not gone to the store — and that neither has your bond with Yelena. As for Natasha… well, recent times have been a cruel wake-up call.
It’s been a few hours since Melina left with the cat, and the only text you’ve gotten from her since then says cat in surgery now. Yelena has barricaded herself in your shared room — her room now, you think miserably to yourself. You have never, ever seen her so upset, not in your whole life. You don’t think you’ve ever even argued with her, outside of your usual half-hearted play wrestles. But now she’s shouted at you through your thick heavy door, a solid wall between you, putting miles between the two of you but still not enough distance to lessen the brutality of the words she hurls at you from the other side of it. Words you can’t think of for too long or tears will begin to brim in your eyes all over again. Words which you know you deserve, but ones you never thought you’d hear your best friend say to you.
Now you sit uncomfortably stiff on the couch, feeling like a stranger in the home you’ve grown up in, the silence threatening to suffocate you. You feel almost like a prisoner in your body, unable to move as you relieve the last few hours over and over in your head. There’s no doubt in your mind that Yelena is right. You are an awful person. If you weren’t, if you were better, maybe Natasha would still want you, instead of casting you aside once you began to bore her. Maybe if you were better you’d have been sensible or strong enough to not sneak around with her at all. But you’re not, and now you’ve broken apart a family you weren’t even worthy of in the first place.
Natasha is sat in the armchair opposite you, legs curled beneath her, nursing her bloody nose. Her gaze has been fixed on you for the indeterminable amount of time you’ve both been sat here, but you are too exhausted to care. For once, you have much, much bigger problems than her feelings.
Eventually, she speaks, more subdued than usual. “I’m sorry.”
“For what?” Your voice doesn’t sound like yours. It’s somewhere else, someone else’s, far away.
“For…” She hesitates. Like there’s something she doesn’t want to say out loud. “For not, uh. For treating you badly.”
Well, that’s not really what you expected her to say.
Your silence prompts her to flounder further. “I just— I don’t, well, I can’t really explain a lot, but I— I know I messed up. You deserved better. And I’m sorry.”
And you’re so done with her, and so little of yourself is left now that you simply stand up and walk away.
Natasha doesn’t even call after you, just kind of makes this sad and defeated little noise that makes your heart hurt. You know it would just ache even more if you turned around again, though. So you don’t. You walk the hall for a few aimless moments before your feet carry you to the only person currently home who you still have a dependable relationship with — Alexi.
His workshop, as he calls it, is adjoined to the kitchen; a tiny wooden door which he has to bend himself double to fit through, leading to the garage. This has been his space for as long as you can remember. You have no idea how he moves with such ease through it when it’s like a maze to you — huge chunks of greasy half-repaired machinery everywhere, cluttered workbenches and racks of tools and shelves of liquids labelled in his indecipherable Russian scrawl. He often has the tiny tin portable perched on a shelf squeaking out radio shows in his mothertongue which he guffaws merrily at, but as you enter now the room is peacefully quiet, save for Alexi’s disjointed hums of a thousand songs in one and the little chink noises the piece of metal he’s working on makes every time he hits it, slowly bending it into shape.
“Ah, привет! Good evening, daughter,” he says cheerfully, without even turning around as you creep up barefoot behind him. He doesn’t say anything more, and neither do you, for a while; you opt to simply sink down onto one of the wooden stools littered about the place and watch Alexi absently while he works. This doesn’t faze him at all. On the occasions where Yelena was busy without you as a kid, you would do this very thing. Alexi would simply chuckle at you and ruffle your hair with a large bearish hand, oftentimes leaving behind little smudges of black motor oil in it. You’re still in your prom outfit, though, with your hair done up intricately, so tonight he stops himself in time.
“Do you think Liho will be okay?” you ask after a while, in a very small voice.
“Oh, да,” he replies, without hesitation. Even with his back to you as he tinkers busily you can hear the sincerity in his tone. “Yes, yes. Think of what that kitty has been through already, eh? When you found him he was doing worse than that. He is, uh, tough meat. A fighter.”
Seeing Alexi so placid and unshaken in the face of tonight’s events is strangely calming and you nod, soothed by his words, before another thought strikes you. “Oh… but the vet bills.”
Alexi lets out a low but not unkind laugh. “Ah, не будь глупым, you worry so much. We will figure those out. Melina is a sly fox, has money tucked away in hidey-holes, eh?”
“But— I mean —” You twitch uncomfortably, and Alexi seems to finally cotton onto what it is that you’re really worried about. He sets down his tools with his usual gentleness, which never fails to look foreign on such a giant of a man, and turns to look at you.
“You are member of this family,” he tells you. “No matter what Yelena say. She is angry, sure, but it will blow over, eh? You love the silly little fur man, and we do too. So if these bills will help him of course we will pay it. There is no need for worry.”
“But I ruined everything,” you say quietly.
He laughs again. “Nonsense. You have not ruined any of the things, голубка.”
“But… your date night. And— Natasha,” you hiccup.
“We have date nights all the time, подсолнух, there will be others. And Natasha… well, me and your mama are knowing this for long time. Yelena will be coming round also, eventually. We will figure this all out, we are a family. She is your sister. All of the things will be okay. None of them are ruined.”
And you can’t help but cry at that, at his earnest sincerity, his certainty that things will work out — and because you love him, and he is your family. You tell him so through choked sobs, and he just looks at you softly before wrapping you into a petrol-scented bear hug, prom outfit be damned.
Maybe he’s right. Maybe everything will be okay.
Yelena sinks into another episode over the following days. She does nothing much but sit, a vacant look in her eyes, devoid of any feeling, and stare for hours at a time as though seeing something that the rest of you cannot. She has no words left to give, and drifts around on autopilot, only performing basic functional tasks when prompted to — as if they’re an afterthought. Seeing her like this wracks you with guilt in a way none of her episodes have before, because for the first time you know with a crushing certainty that this is because of you. You offer countless times to return to your parents’ house across the road, the residents of which you haven’t conversed with in months, but Alexi and Melina dismiss this as if it’s the silliest idea in the world.
“You are family,” Melina tells you firmly. “Fights happen, да? You stay.”
Even if you’re still welcome in the house you’re certainly not welcome in your usual room. Natasha offers to put you up in hers but drops this very quickly after the look that you give her, so instead a section of the loft is cleared for you. You and Alexi spend a merry Sunday together in his workshop assembling a bedframe for your new space, only to discover once you’ve made it upstairs that it’s actually too large to fit through the attic hatch, so you have to take it to bits to get it up there and then rebuild it all over again. (It doesn’t really matter though, because Alexi is so bemused by the whole thing and his own oversights that it’s impossible to be frustrated at the setback. He just grins so goofily.) When Yelena is in the shower you sneak back into her room to gather as many of your belongings as you can and begin to turn the little space into yours. Melina brings home some fairy lights from the store, you order some posters online and within a week or so you’ve organised yourself a very cozy nest amongst the mess of the loft.
Even now you’ve moved in, over half of the room is still piled high with boxes of various things and piles of junk and the distinct, cloth-draped, dust-gathering shapes of Alexi’s abandoned projects (which he insists on keeping on the basis that he might need them someday, much to Melina’s theatrical chagrin). The various artefacts throughout the room create a kind of ever-changing maze, and you remember playing up here with Yelena when the two of you were kids and it was too cold to play outside — for you, anyway, being someone who’s grown up in a relatively warm American state. To this day Yelena often scorns you for your inability to tolerate any kind of cold, and reminds you of the climates the rest of the family has lived in.
Thinking of her makes your heart involuntarily twinge, and you wince, standing from your perch on the end of your new bed in the vain hopes of shaking it off. As you do so something in the opposite corner of the room catches your eye; the neat pile of scrapbooks Melina worked on for years when you were kids. “I’m going full American mama,” she would quip, spending hours of an evening painstakingly prettying the pages laden with pictures that Alexi had taken throughout the day. You find yourself warmed by these memories, and drift over to the pile of books, settling before it. The newest scrapbooks are naturally at the top, so you shuffle through the pile until you reach the very first scrapbook Mama Melina ever made, which begins the day Yelena came home. You settle down comfortably on the floor, cross-legged like you’re a kid again, and begin to flip through its pages; the very first are adorned with pictures of Melina and Alexi in their youth, and then on their wedding day. After that is the day Yelena came home, absolutely unfazed by this strange new country and its drawling people. Every single photo has the date it was taken written beneath it in perfect cursive, and through the timeline shown you can see that it was barely two weeks into Yelena’s residency here before you and her properly met, and became firm friends. Things progress like that for two years, from when you were five until when you were seven; regular entries are made in the scrapbooks documenting road trips and school plays and lost teeth, all of which you smile upon fondly.
Halfway through the third scrapbook, Natasha comes home. You recognise one of the many pictures documenting this milestone as one that hangs large and framed with pride downstairs above the fire; a stunned, still blue-haired Natalia swathed in thermals, huddled in the corner of Alexi’s rickety old fighter jet on the journey back from the motherland, beaming widely up at whoever’s taking the photo. Despite the fact that you see it every day, seeing it alongside so many others in which she’s so bewildered but so, so happy makes your heart feel so strongly that you have to flip ahead.
You pore over the pages of the main scrapbooks with interest for a while longer, until the main timeline ends and divulges into you, Yelena and Natasha each having your own dedicated scrapbooks. You have no interest in studying your own baby photos, and given all that’s going on reliving Yelena’s would be unbearable right now, so instead you find yourself picking up Natasha’s, and pushing the others aside.
Seeing her grow up before your eyes like this is surreal. In reality you were by her side every day, and most of these changes happen so gradually that you barely even noticed them, but here are immortalised stills from throughout the years which show how she’s grown. When she first came home she hadn’t had her growth spurt yet, and still had her gentle Russian lilt which the rest of her family retains to this day. As she starts attending public school and socialising with her peers you can see that something changes very hastily within her; a light kind of fades from her eyes. The blue is bleached from her hair, and as the red fades back in its place she seems to fade a little too — into the quiet, observant Natasha that you know today. She doesn’t seem unhappy, as such, but… uncertain, and it dredges up a kind of sadness in your chest that forces you to push the book away, lest the tears in your eyes follow through with their threat to overspill.
You’ve always seen Natasha as someone so secure and sure of herself — so much so that she doesn’t feel the need to speak over anyone else in the room in order to get her opinions across. When she does speak it’s usually a quick, cutting remark that earns laughs and leaves everyone eager to hear more out of her. When she walks into a room heads turn to look at her, no matter where she goes. She knows that. She’s someone worth paying attention to. It’s never occurred to you, not once in your life, that her behaviours aren’t the result of something different. But looking at these pictures has stirred up something in you which you can’t quite describe. A deep sadness at the fact that you’ve probably never known her at all, aside from the parts of the real her that have slipped through the cracks; her Russian accent and sleepy kisses first thing in the morning, her goodnight texts, the way she doesn’t need to ask your order at drive-thrus or coffee shops, the notes she’d leave under your pillow. That’s Natasha. Not whoever this is who’s pushed you away. Not this girl who has bleached the childhood from her hair and taught herself how to be from another place.
You pile the scrapbooks back in the neat and tidy order in which you found them and crawl back to your bed, flopping into it, utterly emotionally exhausted by this trip down memory lane. You think it’s dark outside… you’re certainly tired enough to rest now, anyway, and you do; drifting in and out of an uneasy slumber, visited by vague and twisted recollections from your childhood which disappear upon your waking again, before you can grasp them properly, like the sand of your youth slipping through your fingers.
Mama Melina is a woman of science. She’s always considered herself a grounded person. She doesn’t concern herself with what she doesn’t understand, or care for (namely whatever she cannot see for certain with her own two eyes) to the extent that this is the path her career has taken, and is now what feeds her children. She is, objectively, an intellectual woman. Her analytical methods of thinking have led to scientific breakthroughs in her area of expertise, and she is renowned as an expert at her job. She did not reach this point through belief in the spiritual, or abstract. Hell, being raised in an orphanage herself, she didn’t even really believe in true romantic love until Alexi bore his whole earnest heart to her.
One day, when you were young, you came home from school and, with frightening nonchalance, came home and asked if one of your classmates had been correct in saying that people who kissed others of the same gender were hell-headed sinners. Melina abruptly halted her mundane household task and sat you down, taking one of your hands in hers.
“Sin is a fairytale,” she told you, as delicately as she could. “Nobody knows for certain whether sin or God or heaven or hell are real. To believe that is a choice, a leap of faith which certain people make. But all we know for certain is what’s here now, да? Like I am real, you are real,” she cupped your little face between her warm hands and squeezed gently, making you wrinkle your nose and wriggle happily, “Baba and Yelena are real. But sin is thing you choose to believe in. It is made up stories to make us feel better about death but it does not matter, малыш. What matters is what we do now, when we are alive, not what we do to secure a place in an afterlife that might not exist, eh? We are kind to each other now while we live because we know it to be true that we’re alive. To tell someone else who to kiss was wrong and unkind of that boy at school. Worry about the afterlife once you get there, да? If you want to kiss girls, kiss girls. No one who is kind or worth your time will care.”
She kissed the top of your head before standing back up and returning to her cleaning. No more words were exchanged on the prospect, but from that day onward it has appeared to be common knowledge in the household that you like girls, and that Melina is not a fan of religion justifying bigotry.
In all honesty, she is not a fan of anything that’s not an irrefutable truth. Science is her preferred method of explanation for any problem that may occur. But as her relationship with Alexi has blossomed, and then in turn the ones she shares with her daughters too, she’s learned that facts and feelings do not have to be mutually exclusive. Some of the complexities of the human mind are far beyond her understanding, or indeed any of us — and yet this is a truth which ought to be embraced, not feared. The greatest joys in Melina’s life are its mysteries.
And so Mama Melina has never questioned the dynamic you and Natasha share; at least to her, it’s seemed crystal clear since day one that the two of you harbour affections for one another — admittedly for reasons beyond her comprehension, but it’s nonetheless undeniable to anyone who knows you like she does. She’s watched you grow all of your lives, delicately inching closer to one another like two flowers craning their necks to reach the sun. Melina long ago accepted she’ll never in this lifetime know what higher power reigns as a puppeteer over her, or understand the complexities of love, but she knows better than to pretend as if some things in this world aren’t inexplicably and cosmically connected. You and Natasha only prove this point. If she looks hard enough, Melina can see the red thread that runs from your body to her daughter’s.
Alexi, by far the romantic, wholeheartedly agrees with her, which only furthers Melina’s convictions (he would know better than her, she reasons) — although admittedly the events of the last few months have blindsided the both of them. Melina appears to be more concerned by it than her husband, though; so much so that one night she actually sits him down to ask if he even knows what’s going on, and why there’s this big gaping gulf between her daughters, tearing her family apart.
Alexi just guffaws, so full of mirth that Melina is startled. “Ah Боже мой, my love. Do not be silly, I would have to be blind to miss those daggers over dinner, no? No, do not worry, I’m understand. But love is not easy, ah? Its course has never run so smooth. Remember when I first asked out you? You were so… skittish, like little kitten, for weeks,” he recalls with shining eyes. “And look where we ended up now, ah? These are silly babies. They’ll make mistakes. They need the time that you did.”
His words soothe her, in the way that they always do. She relaxes into his comforting embrace with the knowledge that even if she’s the intellectual (and financial) breadwinner in this relationship, Alexi always knows what to say in the face of the heart’s unpredictability. Maybe he is right. Maybe everyone just needs some time.
So, despite her doubts, time is what Melina gives.
Two weeks after that conversation, Liho comes home. His fur is patchy where it’s been shorn off and started to grow back again, and one of his legs is still bound tightly, but he’s back and he’s yours. He leaps happily into your arms when he sees you (despite the yelp of alarm Melina makes) and it’s like he never left. Yelena comes the closest to you that she’s been in weeks to pet his head while he’s curled up against your chest, and she even allows a smile to escape. You can’t help but smile back, like the beginning of spring after a long harsh winter, hope blossoming in your chest once again.
In the time that it’s taken him to come home, other things have happened too. Natasha’s nose, displaced by the punch Yelena successfully laid on her, heals quickly. Your relationship does not. Something unspoken festers between the two of you, hardening and shrinking and blackening into a sickening nothingness. You can’t look at her now without the taste of something bitter filling your mouth — and yet that boiling hot liquid rage still fills your chest when you think of her with someone else. How is it possible to love someone so much but hate them at the same time? You wish, more than anything, that none of this happened. You wish she would just let you love her without having to ruin it for the both of you.
It’s such an indescribably lonely feeling that the two of you are like this now, when only a short time ago the two of you bore open hearts to one another — well, you gave yours to Natasha, anyway. The more you think about it the less of her you have ever known. She’s a stranger to you. Quite a few times since prom night she’s tried to speak to you — offering another half-assed apology, no doubt — but you’ve only ever shut her down. What is there left to say? Nothing that you want to hear, for sure.
(And maybe the things that still hang heavy in the air between you are better left unsaid.)
A few days after Liho comes home you’re laid on your bed in the attic, with your baby boy himself curled comfortably on your chest, purring away merrily as you scratch at his head. There’s some soft music on in the background but neither of you are really doing much. You’re just trying to enjoy his company, (and he’s evidently enjoying yours,) now that you know not to take it for granted.
The scare you’ve had with him has shifted your perspective on a lot, actually — it’s been a rude but much-needed wake up call. Yelena, just like Liho, is your family, and you want to make up with her. Who knows how long either of you have left, or what might happen?
Yes, you absolutely want to be her sister again. You’re just not sure where to even start.
The knock that comes at your door is unexpected, though, and only more unexpected when you see who your mystery visitor actually is. Yelena stands in your doorway, eyes fixed on Liho on your chest. He mews happily when he sees her.
“Кот,” she says hoarsely, holding out her arms and making grabby hands. You blink, stunned for a moment at the fact that she is talking at all, let alone talking to you. This would usually be a good sign, one that she’s coming back into herself, but these naturally are unprecedented circumstances, and you can’t really be certain what anything means anymore.
Yelena steps forward, jerking you out of your trance; you shoot to your feet and kiss Liho on the forehead before holding him out to her with your hands beneath his armpits so that his legs dangle underneath him, rendering him comically long and thin. Lena scoops him up and curls him against her chest; he purrs contentedly and her eyes crinkle in quiet gratitude before she leaves, humming her song to herself.
You almost call out to her, but your body freezes. The door closes behind her you scold yourself for not reaching out, for trying to close this rift between you, but maybe you’ve not given her long enough yet.
What Yelena needs is time, you know. Her whole world has been turned upside down and she has to rebuild it piece by piece. But how much time is enough?
Well, as it turns out, you won’t have to wait much longer.
It’s the last week of school, just over five weeks now since your catastrophic prom night, and you’ve just walked out of your last final. Sam Wilson is waiting for you outside the doors with your favourite flavour of popsicle in his hand, and is already busily consuming his own. When he spots you he waves a broad hand merrily, and you make your way over to him.
“I’m sure you aced it, squirt,” he says before you can even open your mouth, and offers you the popsicle. Unfortunately you’re all too familiar to Ohio’s stifling summer air, making every thought or movement damp and groggy. You accept it gratefully.
Your core friendship group, which you’ve been in for years now, has been pretty turbulent since things went down between you and Yelena. Pairing that with finals and early graduations, you can feel a permanent shift occurring, and it’s frightening. Everyone’s still making  effort to maintain contact with you, but this change on top of everything else has you feeling like you’re drowning when you think too long about it.  It seems like you never know what are the golden days until they’re gone. (You got twelve golden years with Yelena, but is that where it ends? Will she ever tolerate your presence in her life again?)
Someone who you couldn’t be more grateful for throughout all of this is Sam. One day not long after everything happened you came to him crying, and confessed everything. He patted your back with an aura of awkward concern until your sobs subsided, at which point all he had to offer was, “Huh. Well, I guess that explains why prom night went to shit.”
You can’t help but admire the way that he takes everything in his stride. Nothing fazes him. It’s welcome after spending so long around Natasha, who’s constantly on edge, worried someone else might see her with you. Sam is so unbothered, just being in his presence is calming. He’s become a good and valued friend to you.
“That was your last final,” he reminds you, bringing you back to the present moment. “You’re free now for the whole summer.”
“Oh fuck yeah, man,” you say as the realisation dawns on you.
“How’d you want to celebrate?”
You look up at him and a toothy grin takes root on his face as he realises what you’re about to say.
“Arcade,” you say and he nods fervently in agreement. In recent times you’ve become its most loyal patrons; you retreat there often after classes, whether it’s to recuperate from a bad day or celebrate a good one. Today, thankfully, appears to be the latter.
“Arcade,” he repeats happily, and the two of you amble off out of the school gates and down the hill toward the centre of town, where the Boulevard housing the arcade is located. You chat happily for a little while, about your plans for the summer and what you might do together.
“And, uh… any updates on your… anything?” he asks delicately. It’s a vague question but of course you know what he means.
“Not really.” You deflate a little. “I’m not sure Lena wants me around anymore, to be honest.”
“I’m sure she does,” Sam consoles with a startling certainty. “Seriously. What about Natasha?”
You just shake your head. “I don’t want to… I can’t. Not until Lena…”
“Gives you the okay,” he nods understandingly.
“Yeah, I guess. But until she’s sorry, too. She was really mean,” you say quietly.
“Yeah, I get that. It’ll be okay, man.”
You’re not so sure about that, but before you can express this you cross the road and the two of you have reached the arcade, where your troubles are promptly forgotten.
Sam’s words are very quickly proven correct, though — within only a few hours. You arrive home from your arcade trip with some silly winnings tucked under your arm and a smile on your face. It is Friday night, date night for Melina and Alexi, so a car is missing from the driveway and the kitchen is empty as you enter.
Perfect, you think to yourself, and begin to fix yourself some food. These days you’re very careful not to venture into the communal areas of the house unless you’re sure you won’t be treading on anyone else’s toes. You kind of feel like a burden as it is — you’re not a proper part of this family anyway, not in the way that everyone else is — and you don’t want to make anyone uncomfortable in their own home. So you’ve moved bedrooms and now you meticulously strategise what times you’ll make an expedition down to the kitchen. (Sometimes, when you’ve not had a chance to eat yet, you’ll open your bedroom door to a plate of chocolate chip pancakes in front of you. Everyone in the house denies knowledge when asked but you have your suspicions of who’s behind it.)
Sometimes you think about moving back to the place where you were born, but you’re not sure if you could stomach that. That feels like a forever choice. There’s no going back from that.
Liho pads up to you, excited that you’re home and even more excited that you’re making food. Unable to help yourself, you indulge him with some chin scratches and scraps. Life’s too short, you say. Why shouldn’t you make a fuss of your boy?
He winds himself around your legs contentedly while you cook. It is just you and him and school has finished and you have the whole summer to do what you want, and you are cooking, and for the first time in a while you are able to shut off and experience a moment of complete peace.
Naturally, with the trajectory of your life at the minute, this peace does not last long.
“Is Sam Wilson your new best friend?” says a cool voice behind you. You actually yelp in alarm, and very ungracefully fumble with the piping hot utensils you’re using, burning your hand in the process. Liho hisses, and you do too, making a beeline for the sink.
“Don’t sneak up on me like that,” you mutter half-heartedly. Yelena, now moving to stand fully in the light, just makes a noise in the back of her throat as she opens the cupboard above your head and reaches for the first-aid kit. Her face is carefully unbothered.
“I only asked a question,” she says, moving your food off of the heat. Liho claws at your ankles worriedly. You struggle to process Yelena’s words, much less the fact that she is talking to you. Did you blink and miss a chapter?
“Uh,” you rub at the back of your neck with your hand not under running water, “n-no. No, he’s not my new best friend. I don’t,” your voice drops, and you look away, “I don’t think I have one anymore.”
“You do,” she informs you matter-of-factly, hopping up onto the counter beside you and swinging her legs while you continue to bathe your hand. “If you still want one. But she is very mad at you.”
Your voice catches in your throat.
“She does love you,” Lena continues, “but she is wondering why you did things in the way you did.”
There’s a moment of quiet. You gather your thoughts. You weren’t expecting to have this talk tonight.
“I was scared,” you tell her.
“Of what?”
“Of,” you gesture between the two of you, “this. Of making things bad. I always figured it would be like a,” you tilt your head back to keep from crying, because now would be a stupid time to cry, “a stupid schoolgirl crush, you know? She never even spoke to me, I was just her little sister’s dumb best friend, but then things happened and it was so fast and I was so scared. And I wanted to tell you but she… didn’t. She only wanted me when no one else could see. I guess I hoped that she would — come around, eventually, and then I wouldn’t be lying anymore.” You’re heaving with the effort to not cry. “I was wrong.”
“All this time the mystery girl was treating you like shit, you could have told me who it was,” Yelena implores. “I love my sister but she makes me sad also. She can be a dick, absolutely. She’s the worst. Why wouldn’t you tell me?”
“She’s your family,” you choke. “I couldn’t cause a— a rift or a problem like that. And what if you believed her over me? And it kept getting worse, and —”
“Сестра,” she leans over, cupping your damp face between her hands and forcing you to look at her, “I would always believe you. Always. Never before have you given reason to not.”
You nod tearfully, and she lets go. The only noise is the running water for a few moments.
“That is probably long enough under tap,” Lena murmurs, turning it off and taking your injured hand in her lap. Opening the first aid kit, she begins to dress the burn. “I am sorry for making you jump.”
“I am sorry for everything else,” you reply honestly. “I was stupid.”
“Yes,” she agrees bluntly. Then, “Natalia was stupider.” When you look up in open surprise, she rolls her eyes. “Close your mouth, you will catch flies. Of course she was stupid, she has fumbled so hard. You,” she pinches your cheek affectionately, “are a catch. I am not even into all of this, but if I was a dater we would be together and I would treat you like four million times better than she does.”
“You already do,” you say quietly, looking down at your hand in her lap as she continues to bandage it.
“Oh absolutely, I am the best.”
Another, much longer, pause. She finishes wrapping your hand, and pats it three times to notify you that she’s done, the exact same way that Mama Melina does. The action makes your heart swell and eyes fill with unexpected tears.
“Do you know why I was so upset by all of it?” she asks unexpectedly. You blink in surprise. This feels like a trick question.
“Because… I lied?”
“Because you picked Natasha over me,” she tells you.
“No I didn’t— what?”
“Yes, you did,” she says, and she’s a little choked all of a sudden. “All of my life Natasha has been the one who everyone looks at first. She is the special one. You are the only one I had first, who was mine. My близнец. And then I find out that for months you have been lying and picking her over me instead. When she is mean, she is so mean sometimes, yes I love her but she is not much like when we were kids anymore, she is so mean. But everyone likes her more than me. Even you.” She turns away.
“No, no I don’t,” you rush to her side, unable to help it now, scooping her close to you. “No I don’t. I was wrong, and I’m sorry. It was stupid to think she’d ever love me, I shouldn’t have— and I shouldn’t have left you out of it. I think I was trying to protect you? I don’t know. You’re always the one to protect me and punch everyone else, I think I was trying to stop you from getting hurt. And her? But it was dumb. Very dumb.”
“Very, very dumb,” Yelena agrees.
“The dumbest.”
“You have broken world record, кролик.”
You laugh a little tearfully, and while Yelena’s arms are wrapped around you she feels it throughout her body. She revels in the feeling of you holding her and loving her again, after the longest time.
“So we are back from the store?” she asks hopefully after a moment. It takes you a moment to process what she means.
“Oh,” you laugh, “we were never there. You will always be my favourite person, Yelena Belova-Shostakov.”
“Okay.” She exhales in relief. “Good. Just, because — well, you know, we have not spoke in so long and you didn’t think you had a best friend, and—”
“No— what? No,” you frown, “that was me giving you space to process and heal. I wasn’t sure you’d want me back,” you laugh. “I wasn’t ignoring you. I promise.”
“I will always want you back,” she says in a small, content voice. “I will always want you home. With me. Not at store.”
“Not at the store,” you repeat.
And just like that, you have your best friend again.
One familial bond repaired doesn’t mean all of them, though — and Yelena’s relationship with her sister has been patchy recently, to put it mildly. In your eyes it’s a plus that they haven’t outright fistfought in the way that they absolutely would if they were any younger, but Mama Melina doesn’t seem to see things that way.
A few days after you and Yelena make up, the two of you along with your parents are sat around the dinner table. At the very least Melina is able to fuss over her twins again, and Alexi is able to once again boom “here comes trouble” whenever the two of you enter a room together. They both take great pleasure in it,  much to Yelena’s entertainment and your endearment. You love your parents.
The conversation halts when the front door slams, though. Natasha appears in the kitchen doorway for a second before processing the scene in front of her and slowly backing away, back out of sight.
“What is this about?” Alexi calls after her through a mouthful of food. “Come eat, love.”
There is no response, only footsteps on the stairs.
“Our daughters hate each other,” Melina sighs heavily. When you and Yelena look up at her, she clarifies, “no, not you two. You and Natasha.” She pinches Lena’s cheek.
“We do not hate each other,” Yelena says placidly, much to everyone’s surprise. “I am just angry at her. We will be fine.”
Natasha, who is still within earshot at the top of the stairs, feels her heart skip a beat at this and thinks to herself that just maybe Yelena is ready to be receptive to her attempts at reconnection. Her only issue is she has no idea how to facilitate it. She’s done all the things she can think of, aside from straight up cornering her younger sister — she leaves offerings of food at her door and texts  her when the Kardashians are on the TV — but all of it has been treated with nonchalance that’s left her bewildered as to what her next step should be.
Yelena’s got her covered, though.
It’s her turn to strike, she knows, and again she chooses to do it when her sister will least expect it. Nat traipses home late one night, exhausted from cheer practice that overran. (Their next game is the last of the season, and her last cheer match ever considering she’s graduating this summer, so this semester’s team captain Sharon is determined they go out with a bang — even if that bang is a cheerleader toppling from the pyramid out of sheer exhaustion.) She mumbles her greetings and goodnights to Melina and Alexi, who are huddled around a decanter of whiskey in the study with Liho, and stumbles upstairs. All the lights are off up here, and she figures you and Yelena are probably settling down for the night. With a long, wistful look up the spiral staircase towards your firmly closed door, she trudges into her own (pitch-black) room. When she flicks on the light, though, she shrieks in horror. Sat expectantly at the foot of her bed is a long-limbed and blonde-headed figure, with hands folded neatly in its lap.
“Good evening, сестра,” greets the figure, sometimes known as Yelena Belova, with vaguely ominous nonchalance.
Natasha leans back against the door and closes her eyes in a desperate attempt to revert her heart rate to normal. Her first instinct as an older sister is to yell at her to get the fuck out, but in light of recent events this probably wouldn’t be the wisest of choices. Instead, she clamps her mouth tightly shut as she attempts to regain herself.
“I don’t,” she pants after a moment, “I haven’t— what? Hi. What?”
“You should really get a better lock,” Yelena says amusedly. “Very easy to pick.”
“You don’t have to break in,” Natasha grumbles, letting her bag slide to the floor and flopping backwards onto the bed. “Just knock.”
“No fun.” Yelena pokes Nat’s thigh with her toe just like she would when they were kids and for a moment they’re both young again. But she blinks, and the moment is gone, and now they’re two almost-adults with an entire universe between them.
Natasha just groans and flops back to stare up at her ceiling. A few years back you and Yelena helped her paint it blue and now it looks like the sky. It makes her smile when she’s sad sometimes. Yelena joins her, and the two cloudgaze for a moment.
“Why are you in my room?” Natasha asks quietly.
“To annoy you,” Lena quips.
“Success.”
“And to talk,” she continues.
“Also success. We are talking.”
The blonde lunges for her, and Natasha rolls away playfully. “No, I’m serious. Real talking.”
“Alright, I’m all ears.” Nat puts her hands behind her ears and pushes them forward to emphasise her point — again, like they would when they were kids.
“I want to know what you were intending when you started dating Y/N,” Yelena says, and Nat’s stomach drops. She knew this was coming, she knew this was where the conversation would lead, but she was still hoping to stall it for as long as possible just for the joy that her sister is talking to her again. The excitement is short-lived, though.
“We were never dating,” she reminds her quietly.
“Why not?”
The bluntness of the question makes Natasha stop short.
“Because it just, didn’t work out like that, I guess,” she tries. Yelena remains eerily stony.
“It’s not nice to lie to your baby sister, Natalia.”
Natasha deflates. “Because w— because I’m a fucking idiot. I don’t know what you want me to say. I know I messed up.”
“Step one is awareness,” Yelena nods sagely, while Nat grits her teeth. “So what are you going to do about it?”
She shrugs. “Graduate, and leave town, I guess. You and Y/N are twins again now, and I caused all these problems, so once I leave things should be fixed.”
“Untrue and false,” the blonde interrupts sharply. “That is lie. Y/N/N is crushed. This will not magically be fix if you take off for college.”
“But it will help,” Natasha insists.
“No it won’t,” Yelena pinches the bridge of her nose in frustration, “oh my god, how are you so stupid. She is in love with you, and she is so patient with you, she is not even angry. Which I would be, by the way, but she’s not. She’s only sure you don’t want her.”
“Huh? But I do.”
“No, like wanting her,” Yelena says gently. “As a whole. Like… unity, ah? Влюбленный. She feels so not good enough for you, and every day you are prove her right. You take only what you want from her and leave the rest. That is not what love is. She feels not loved by you, and that you only like her for the things she can offer you.”
“Oh. But I didn’t mean to,” Natasha says tearfully. Suddenly she is very small, and she draws her knees up to her chest. “I was only… Lena, маленький, I didn’t know what to do.”
“The answer seems pretty simple,” the blonde observes astutely, “all you had to do was either tell her you love her and want to be with her, or tell her it is over. You can’t keep having things in your way forever. She has feelings too, and the relationship cannot be on just your terms. She is not a doll, or toy.”
“I do,” she says hoarsely. “I do, t- the first one. It’s- I do. But I’m so…” She raises a pale trembling palm to run a hand through her hair, inhaling shakily, and with a blink of surprise Yelena realised how scared her older sister truly is.
“What is so terrifying?” she asks tenderly.
“Y/N is a girl.”
Yelena almost laughs at the confession but is able to refrain, and is proud of her capability to do so upon seeing just how agitated her company is over the subject. “Is this all that holds you back? Nobody would care. Ma and Daddy wouldn’t. This is not end of the world.”
“No, you don’t get it,” says Natasha fiercely. “Ever since I came to America... you were here first, you and Y/N, and you just get to be you. You have who you are. But I don’t know who I am, so I have to — do all the American girl things. I have to fit in. I don’t have a Y/N. And American girls don’t kiss girls.”
Yelena stops to consider this. It’s true that Natasha has always put far, far more effort into fitting in and Westernising herself more than she or their parents ever did. Yelena is perfectly content with her slightly broken English and her raspy accent and her life of in-betweenness. She’s okay with being from two places. To her, when she looks in the mirror, that is Yelena Belova. They’re just parts of who she is. She’s never even stopped to consider those as potential insecurities — not when she had other things and feelings (or lack thereof) to worry about. How could something so unchangeable be a source of doubt? And yet here she now sits, struggling to wrap her head around this invisible binary which has suffocated her sister for so many years.
“But you are not… what?” she says confusedly. “You did have a Y/N. All of this… you’re being someone else. I knew something felt strange. I do not understand why? I like who you are before. It wasn’t bad. I like Natalia.”
This seems to break Nat, who buries her face in her hands. Yelena lets out a motherly cluck of sympathy and scoots closer to loop a gangly arm around her sister.
“I just want to be normal,” breathes Natasha.
“But it is not worth all this,” Yelena says, squeezing her sister tightly to her chest. “What does normal even mean? Being cool is not the most important, Natalia. Everybody liking you doesn’t… fix you not liking yourself.” She cringes at her own words, reminding herself a little too much of Darcy’s Pinterest feed, but the words seem to ring true with Nat, at least.
“I am just so scared,” Nat says in a small voice. “And I think I’ve made this so bad it can’t be fixed.”
Yelena pulls away to look her sternly in the eyes. “Things can always be fixed. Maybe not in ideal way you want them to be, but we can always make amends. But you have to be sorry.”
“I am,” Natasha cries, “I am sorry.”
Yelena holds her. “I know.”
She’s not so sure you know it, though.
Maybe somewhere deep down, you do. You see it in the saddened smiles Nat offers you whenever she steps out of your way or leaves a room so you can use it. You see it in the way she brings your favourite snacks home and leaves them in the pantry without word or question, like she doesn’t even expect you to notice. You see it even in the absence of her; in the way that she gives you space, quietly leaving rooms when you enter them so you can use them despite the fact that you can feel in the air how much she wants to stop and talk to you. Sure, you can tell that she’s sorry. But you’re not sure that she knows what she’s sorry for.
You’re not sure she knows how badly she’s really hurt you, with her every move stabbing into you repeatedly over a course of months. Now that the knife is turned on her and she’s the one in exile, a selfish part of you wants to leave her there, just so she knows what it’s like. You guess that’s kind of what you’re doing now. You know this can’t go on forever though. In a couple of months Natasha leaves for out-of-state college, which she announced over dinner a few nights ago. You had to excuse yourself from the table to process that information. Your time is limited, you know, and it’s clear what Natasha wants (to kiss and make up) — but what do you want? To leave this wound untreated, festering for the next eternity? Or to allow yourself peace and let this go?
“Why do I have to be the bigger person?” you half-heartedly complain to Yelena one night as the two of you wash the dishes. “It’s not fair.”
“Because you are the bigger person,” Yelena laughs. “Natalia has given you the control. The next move is on you. That’s just the way it is, if it’s fair or no.” She whips you playfully with her tea towel, and the conversation moves on without further incident.
The issue plays on your mind long after the words are spoken, though. Whether you like it or not, Yelena is right. The next move’s on you. But how are you meant to make that call? What is the right move to make?
Well, one of Natasha’s friends appears very opinionated on the subject. 
On a particularly warm afternoon, you and Yelena stroll into town, and stop off at May Parker’s ice cream parlour — the best in town.
“Ah,” Yelena grimaces, as you draw close to its glass windows, “it is so busy in there. I go in, you wait out here?” 
You smile at her gratefully, and she disappears inside. 
“Y/L/N!” a voice calls out behind you, and you turn around to see Bucky Barnes making a beeline for you. He’s about twice your size in every way imaginable, and you gulp. 
“Hi?” you say uncertainly. You don’t think you’ve ever spoken to him in your life.
“What’s up with you and Romanov?” Well, he’s straight to the point. 
You flounder, mouth opening and shutting, and he’s gracious enough to continue, “look, I know you and her are a thing. Were. I don’t know, she’s being so weird about it. It’s okay, it’s okay, I was her beard. And she was mine,” he adds, gesturing over at Steve Rogers, who’s stood on the other side of the road waiting patiently for his boyfriend. He smiles and waves amiably on cue. 
You blink. “And no one thought to inform me?” 
He shrugs. “Not my place. I think it is my place, though, to ask what’s got her so torn up. You and her fallen out? I’ve never seen her like this. I’on know what to do.”
He may not mean it menacingly, but he’s towering over you and you’re finding it hard to breathe. “She was an asshole, dude,” you say, perhaps a little more defensively than you envisioned. “She wasn’t nice to me and we weren’t even together, because she didn’t see me like that. So yeah, I guess we fell out.”
He frowns, deeply, and takes a moment to process this. “Oh. That… but she does feel that way about you.”
“It’d be nice if she’d show it,” you say bitterly. 
His face softens. “Maybe… Look, even if the two of you don’t work it out proper, wouldn’t it be easier to at least clear the air? She likes you so much. She just wants you in her life, I think.”
You look at him uncertainly for a moment, but he holds your gaze earnestly. You know him and Natasha are relatively close, and you don’t see why he’d lie about something like this. It’s definitely tempting to believe.
“Okay,” you say, “I’ll bear that in mind.”
He looks like he’s about to say something else, but you feel a hand on your shoulder and instantly recognise Yelena’s presence just behind you. “What is going on?”
“Just talking,” says Bucky smoothly, but it seems apparent that the moment is over. “See you around, kid.” He crosses the road back to Steve.
“Kid,” you mutter, “he’s one grade older than me.” 
“What did he want?” Yelena asks you, and you relay your strange interaction to her. “Oh. Well, he is probably right, but I’m not sure how much it means coming from Natasha’s ex.”
“Were they really together?” you ask, your stomach turning at the thought. Wouldn’t that co-occur with your and her relationship? “He said he was her beard.”
She shrugs. “Not my expertise. Come on, the ice cream will melt.”
You don’t see Bucky Barnes again for the weeks that follow, although you can’t help but wonder what he meant, and what he was trying to achieve. (And a little part inside of you thinks that maybe he could be right.)
“Ma?” says Natasha suddenly. “How did you know you loved Alexi?”
It’s late at night, and the two of them are on the car ride home from Nat’s last cheer game of the season. (At her request it was not a family affair, despite Alexi’s insistence that it was his right to make a fuss of his talented daughter’s performance at her last high school cheer game.) The roads are empty and the towns are sleepy, but Natasha’s question has Melina wide awake.
“Eeh… it was not like a revelation. I did not wake up one day with new clarity. It came to me over time. It took me long time to accept, though. Your father is very patient man.”
“But was there anything specific?” Natasha persists.
Melina purses her lips in thought. “Well, when I met him I was not trusting person. One time when we were in the kind of in between bit right before being proper couple, ah —”
“The talking stage,” Nat supplies helpfully.
“— yes, да. We were in that, nothing proper but something, and he went to touch me and I had a… panic? I shut down. Achh, моя любовь, I was still figuring out who I was and what I did and didn’t like and… still growing up and healing from when I was kid. I was scared.”
Natasha nods solemnly. There are some childhood experiences which, despite unspoken, bind she and her mother at the soul.
“So I freak out, and I expected him to… belittle or leave, or something. But he stays and he is so patient, he apologise for making me jump and fetch me tea, and I thought like wow, he is so gentle. And he is not like the other men I known.”
Again, Natasha nods. Gentle is the perfect descriptor for her father. He’s the most wonderful man she’s ever met.
“So we spent more time together, he was patient with me and always caring. That was the time that I knew I would fall in love with him. But I’m not really know when it happened. Maybe by then it already had, ah? I have only ever had eyes for him. He make me feel… valued, and worthy.”
Natasha just hums in response, for she’s suddenly and embarrassingly on the verge of violent sobbing. She blames Ma and Baba and their beautiful relationship. Nothing else.
“Is this about Y/N?” Melina asks quietly. Natasha opens her mouth to reply and there it is, just as she feared, the waterworks are unleashed. Ma sighs heavily and pulls over.
“Идите сюда,” she says, holding her arms out, and Natasha crawls into them. She rocks her daughter back and forth, exactly how she used to so many years ago when the girl was half this size, while Nat’s face is buried in her mother’s neck. They stay like that for a while, until Natasha’s tears begin to die down.
“Do you want to go and get milkshakes?” Melina breaks the silence. Natasha hums her assent.
The 24-hour diner isn’t far from where they’ve pulled over, and it’s almost empty at this time of night. With no words exchanged Melina orders Natasha’s usual, or what was her usual when she was a kid — a strawberry milkshake and fries. A young Natasha decided strawberry was her favourite as soon as she found out that pink was a girl’s colour. Thinking about that now, especially with the hindsight of her conversation with Yelena, has her stomach turning a little. How long has she been letting her view of the world colour every single choice that she makes? Which parts of her are really her, and which are the ones she’s willed into existence?
It’s a scary line of questioning, and Natasha can feel herself beginning to spiral. No more, she tells herself. Yelena was probably right about needing to get to know herself — and learning her real favourite flavour of milkshake seems a manageable starting point.
“Can I have the caramel one?” she asks Melina gruffly, pointing at the menu. Her mama just nods and alters their order accordingly.
They sit at their usual booth and eat in a comfortable silence, punctuated only by the occasional “pass the ketchup”s. Once they’ve finished, though, and Melina can sense her daughter has calmed enough to leave, she turns and says to her, “Love isn’t easy thing to admit. But it’s… not something to be ashamed of. When it comes, just let it happen. It’s scary, but it does not make you weaker, ah? It will do you no good to push it away.” She hesitates, but then seems satisfied with what she’s said. She turns on her heel and heads back out to the car. Natasha, dumbfounded, follows her.
When they finally make it home, Alexi is snoring away upstairs and you’re on the sofa with Yelena sprawled on top of you, fast asleep. You’re wide awake, though, and look up as the two of them come in.
“Night, ma,” Natasha murmurs to her mother, kissing her cheek before tiptoeing off to bed. Melina hums at the action and pads into the living room toward her twins.
“Hi ma,” you chirp, voice a little husky. “Everything okay?”
Your mama nods, and holds out a brown paper bag. “We stopped at diner. Got your favourite. Some for Lena too.”
Your eyes crinkle up into half-moons as you smile at her in gratitude, and Melina smiles back fondly, her chest filling with warmth. “Thank you.”
She kisses Yelena’s forehead, who does not stir, and then yours, lingering for a moment.
“I love you,” she tells you sincerely, and a fierceness glimmers in her gaze that you’re not quite sure what to do with. “We all do.”
“I love you too,” you tell her honestly. You only hope you’re matching her intensity. She holds your gaze for a moment longer as if searching for something within it,  then nods, seemingly satisfied, and retreats upstairs to join Alexi, leaving you alone with a meal to demolish, a slumbering blonde pinning you to the sofa and many, many thoughts.
A few days after that conversation, you wander into the backyard (Melina’s carefully pruned pride and joy) to pet Liho, who’s basking peacefully in the summer evening sun.
“Careful of the flowerbed,” you warn as he flexes his claws and kicks his legs happily. “Someone will suffer if Ma’s roses are ruined.”
He huffs in what could be agreement, and you toe absently at the sandy dirt you and Yelena used to play in.
A gentle creaking sounds from somewhere nearby. It’s a noise that makes you feel ten years younger, and curiously, you rise to your feet.
At the far end of the backyard, nestled among the pines and pratia, is the swing set Alexi built a little while after Yelena first moved in. It’s a little haggard-looking, as when Natasha came to America Alexi bodged a third swing so all of you could play together, but to his credit it’s still held up all these years. Sure, it doesn’t get so much use anymore, but sometimes when one of you is feeling a little down you’ll revisit the simpler times of your childhood.
This seems to be what you’ve stumbled upon Natasha doing now. She’s sat on the middle swing (which in times gone by was your swing, as the middle spot often was when you were a kid, so both siblings got to be next to you), rocking back and forth gently as she cradles something small in her hands, turning it over. She’s lost in thought. Wondering if you’ve intruded on something private, you begin to slowly pace away. When you catch sight of what it is in her hands, though, your stomach turns; a small and glistening pink rock, rubbed smooth by years of love.
“You kept that?” you ask quietly. Natasha’s head shoots up and she takes note of your appearance in the same way that a deer takes note of rapidly approaching headlights. Her mouth opens as she fumbles for words, but she just settles for nodding vigorously before lowering her gaze to her lap again.
You don’t really know what to think, or do. You hesitate for a moment, and find yourself thinking of Bucky’s advice — wouldn’t it be easier to clear the air? This tension is suffocating. With this on your mind, you seem to surprise Natasha as much as yourself when your feet march you over to the swing on your left, and your knees bend to seat you. Her entire body tenses as yours nears her. You can tell that, since you’ve gone to great lengths to escape her company recently, this is the last thing she expected. (In all honesty you weren’t really expecting this either. What now?)
“You know that I’m in love with you, right?” Natasha says suddenly, and you freeze. Your chest tightens, and it’s like she’s wrapped herself around it, claiming your breath as her own.
“That’s not funny,” you reply in a small voice. “Don’t— don’t do that.”
“Do what?”
“Play with me like that.”
Her stomach lurches. “I’m being serious.”
You’re quiet for a moment. “Were you and Bucky ever actually together?”
“What?”
“Bucky Barnes. Were you with him when you were with me, too?” 
“N- no,” she says with vehement certainty. “I was — well, I guess it doesn’t really matter now, but when him and Steve were a secret I was his cover story. And I guess he was mine, so that I could… yeah.” She gestures towards you, pressing her lips together. 
“But even after they came out I was still a secret.”
“I—” Natasha says, and buries her face in her hands for a moment, because this is not how she hoped this would go. “Yes. And that was wrong of me. I’m sorry. I think I was trying to protect you, and me, and you from me because I know how messy I can be, and I wanted you so bad but I didn’t want to drag you down with me. And I still did anyway.” She sighs heavily.
“That’s an interesting way of showing affection,” you quip. 
“I know,” she says quietly. “And I’m sorry. I know I haven’t shown it well — at all — and I don’t really blame you for not believing me. Or, uh, hating me.”
“I don’t hate you,” you say softly.
Her shoulders sag. “Oh. W— well that’s good, then.”
“But I wish I did,” you add.
“No, yeah. That’s fair.”
“You’re really mean.”
Natasha just nods.
“And it’s even worse because I can’t even hate you because you can also be really nice.”
She nods again uncertainly. She’s not really sure how to respond to that.
“Why?”
“What?”
“Why are you so mean sometimes?”
This makes her stop up short. The way that both you and Yelena never fail to cut to the chase or ask the questions that nobody else would will always catch her off guard. “It’s kind of just who I am,” she begins, but at the way your face scrunches she adds, “or who I’ve decided to be, anyway. I don’t really know. I’m not sure… who I am.” Even uttering the statement aloud is a weight lifted from her shoulders. “It’s scary. I guess I… I thought that, like, I have to be the mean one, or someone else will first. To me. You know?”
“Why would anyone be mean to you?”
“Because I like girls,” she says truthfully, and there’s a tremor to her voice.. “And I’m not from here.”
You stare at her. “…? I like girls, and Yelena isn’t from here. No one is mean to us for it.”
“Because Yelena can and will beat the shit out of anyone that tries something,” Nat snorts. “But I just… I don’t know. It’s different for me.” You nod encouragingly and she adds with reluctance, “I don’t— belong here, not really. Or anywhere. I’m too American to be Russian and too Russian to be American. Ma and Baba and Yelena have it figured out, they’re just both and themselves and they don’t even have to think about it. But that’s not so easy for me.”
“Maybe,” you say carefully, “it’s to do with the people you choose to surround yourselves with. Is it possible that you’re… spending time with the wrong people? If you’re made to feel as though these things make you lesser.”
She shrugs. “Probably. But that doesn’t change the fact that I just… I really don’t have a lot going for me. So I kinda pretend that I do, and then it gets out of hand and I’ve convinced myself that I’m a lot more interesting than I am, to the point that I don’t know who me is. And I get all freaked out. And I’m so scared I kind of just shut off and try not to think, so I guess I’m just an asshole instead. Like it’s a reflex, you know? But it’s not really me. Nothing is me. My entire life is one perpetual identity crisis.” She drops her gaze to toe at the ground.
Your swing comes to a still as you clasp one of her hands between both of yours. They’re warm and perfectly manicured, and her eyes light up at the contact. “You don’t have to know who you are. You just have to exist, and you find out. I’m learning things about myself all the time, and so is Lena. This was my first relationship —” Nat’s stomach drops at the use of the word was “— and I’ve learnt a lot about myself and how I like to be treated. And Lena only came to terms with being aroace this year. Even Ma only just decided she’s demi,” you point out, and Nat can’t help but smile at this. (A little while ago, after Yelena first came out, you and Melina began joining her in attending weekly meetings at the local youth centre for young queer people and their parents. Your mama was determined to be a more educated advocate for her three queer daughters. Very recently, with all this new terminology at her disposal, she dropped into a dinnertime conversation in the presence of the whole family that she thinks she’s demi. “Not that it matters,” she added, “the only one for me is your father,” and she kissed his beaming crinkly cheek with a motherly tenderness. It was a beautiful moment to witness, despite Yelena’s playful booing.)
“I guess,” she says quietly. “Um, I’ve been talking to someone. Professional,” she adds at the look on your face. “Yelena said some stuff that made me realise I probably shouldn’t sort through this alone.”
“Yes, you shouldn’t,” you nod. Natasha raises an eyebrow at your ready agreement. “It’s not something to be ashamed of. Lena sees someone. I do too.”
She blinks. “Really?”
“Yes,” you laugh, “Baba takes me every other Thursday. I have horrible abandonment issues. I guess after everything that’s happened, I’ve kinda internalised some stuff.”
“I definitely took advantage of that,” Nat says guiltily. “I’m sorry. Honestly, I am.”
You look at her. “I know.” Your hand squeezes hers before letting go and she instantly aches to feel it again. “I’m sorry, too. For not… I don’t know, setting more boundaries. Or being more forceful.”
“No, no, it wasn’t your fault.”
You hum, and the two of you sit in silence for a long while as the sun begins to retire.
“You know,” you say suddenly, “you don’t have to move across the country. You can if you want, obviously, it’s your call, but if it’s just because of me… you don’t have to.”
“But-? I’m trying to give you space? To heal,” she says confusedly, and you laugh.
“And it’s very sweet, but I don’t need that much space. I’ve already forgiven you.”
Natasha’s soul leaves her body. “You— huh?”
“I have,” you laugh kindly. “I did some of my own thinking, and I just… I don’t know. I don’t think you need me being mad at you, on top of everything else going on in here.” You tap at her temple gently to emphasise your point, and she shivers. “And I don’t think I need that either. I don’t want to carry that with me.”
“Okay,” Natasha breathes. “T— thank you.”
You wrinkle your nose at her affectionately. “You’re silly.”
She’s awash with the overwhelming need to kiss you, and instead twitches a little, digging her nails into her palm. You take in the movement with such wide-eyed concern that she has to close her eyes for a moment, because she’s almost ill with how much she feels for you. This feeling only grows more intense as you continue.
“I know we’re… whatever we are, but… if there’s anything I can do for you, let me know,” you say more quietly. “I know you’ve been through some stuff, and even when you’re seeing someone for it it can get overwhelming. I do care about you.”
She nods, and swallows thickly. “ I don’t— I— uhm. What does this make us?”
You can hear her hopes heavy on her tongue, and your heart is like lead. “Friends?” you offer. “I— I don’t think we should be anything else, right now.”
Natasha nods, and swallows thickly. With it she swallows back the words but I love you. It must be written across her face, though, because you cup it between your hands (which really isn’t helping her self-restraint at all).
“I love you,” you tell her honestly. “And I always have. But love isn’t… you don’t… I don’t know. That kind of love is something that you earn, I think. And we both need to take care of ourselves.”
“I understand.” Natasha’s voice is hoarse, and barely above a whisper. “And I want you to feel like I respect your decision. But I also want you to feel like I’m serious. About you. And I will prove it if I have to.”
Against your own better judgement, you smile at her.
One thing about Natasha Romanoff is that she’s not a quitter.
Some would say it’s an endearing quality. More would probably tell her it’s the reason she finds herself in so many messes in the first place. What’s objectively certain is that she’s a stubborn little shit — and and with this determination she’s decided she’s going to win you back. Your slight encouragement, no matter how vague, is enough fuel for a fire that could simmer for months.
It starts as chocolates, and flowers. At this point she seems to have cottoned onto the fact that you’re not one for big, theatrical confessions of love, but rather consistent affirmations of it. Actions, not words, she’s heard you say (although now more than ever before she’s seeing for herself what you mean). So there’s no four-act sonnet recitals when you receive her gifts — although you don’t really receive them at all, in the traditional sense. Rather they seem to begin popping up everywhere you go. At one point you open your locker to a bouquet so over-endowed that flowers begin to tumble out onto the floor. Sam steps neatly to the side and watches with glee as you scramble to clean the mess. (He’s most definitely enjoying watching all of this play out.)
Your favourite of all these surprise gifts is probably one delivered by your own four-legged Cupid himself. Liho headbutts the door to your room open and stalks in with a scowl on his face and something attached to his collar. As soon as you remove it to inspect it he rolls onto his back and looks up at you expectantly, clearly expecting compensation for this favour.
“Yes, you’re a very handsome boy,” you tell him distractedly, using one hand to rub his belly while you attempt to unfurl the note he’s delivered with the other. Yelena lets out a noise of amusement. She’s perched on your bed with the Kardashians paused on her laptop in favour of watching this play out instead.
“You are so ungraceful,” she comments mildly, making no move to help you.
“I love how you always see the best in me,” you reply through gritted teeth.
After a moment, you manage to succeed in your task. I picked these for you :), the letter reads. You glance over at Liho’s collar again to see a tiny bunch of forget-me-nots, only slightly battered from their journey and bound neatly by brown twine.
“Another gift from the mystery girl?” Yelena teases, and you groan.
“Okay, saying mystery girl is officially banned. It’s giving me war flashbacks.”
“And that is fair,” your sister muses, getting to her feet to inspect your latest delivery. After she’s done she sits back on her heels. “You don’t have to keep turning her down, you know.”
“What do you mean?”
“Well, if it’s just because of me. You have my… blessing, or whatever. But on the condition that you’re not gross about it.” She rolls her eyes, and nudges your cheek with her nose. You squirm good-naturedly.
“Why thank you, your Grace.”
“Yes, I’m the graceful one,” she preens.
“Sure,” you snort, and she smirks. “Um, thank you, though. That’s good to know. I guess I’m still… figuring it out, but she’s growing on me again.” And it’s true. You have your reservations now, but she’s trying to remind you why you first fell for her (and yeah, she might be succeeding). Part of you wonders if she’s turning on the superficiality again, but after she spilled her guts to you on the swing set you’re trying to have faith that she really is turning a new leaf, and charming you authentically.
Yelena considers this. “Yes, okay. This makes sense. Remember to tell me if she tries anything again though. I will put them up.” She raises her fists and you giggle, but you know she’s at least partially serious. She’s very athletic in her own right and people at school go out of their way to avoid crossing her. That’s how you’ve stayed out of trouble your whole life — by standing behind Yelena and letting her handle it instead. Where you hesitate, she dives right in. You adore that about her, though.
“Do you know what you’ll do once she’s out of state?” Lena asks, and you shrug.
“Figure it out as we go, I guess. I don’t know if she’ll lose interest in me.”
The blonde looks up fiercely. “If she does that I will stick them up.”
You beam at her, admittedly less for the violence and more for the sentiment behind it. She beams back for reasons more ambiguous.
“Do you know what we will do?” Yelena queries. Upon your frown she elaborates, “next year when it is our turn to pick college. You and me, what will we do?”
“Pick the same one, and both get in because we’re super smart, and we’ll be roommates. And you can make us mac and cheese every night,” you say, as if it’s the most obvious thing in the world.
She contemplates this.
“Okay,” she says, seemingly satisfied with your answer. “Can we hit play now? I want to know what’s happen to Kim’s diamond earring.”
“Two cookies say she gets it back.”
“Two cookies say eat my ass the way a fish ate her earring,” she retorts, and the two of you settle on the bed again. (You have two more cookies than usual after dinner.)
Despite the witticism you take Yelena’s blessing with pride, and it means a lot more to you than you let on. Now that every single member of your family has shown their support for your relationship you can’t help but feel a slight ray of hope, the likes of which you thought had been stomped out long ago. Never before have you dared to imagine a situation where you could actually have a shot with the girl of your dreams, who you’ve wanted for as long as you can remember — and yet here you are, with her putting her back out working overtime to win you over, and your family watching with interest. Every morning you wake up a little warmer to the idea of letting this happen.
That doesn’t mean Natasha’s out of the woods yet, though, and you’re careful to make this clear to her. She senses your hesitance, and completely understands its presence. She’ll wait for you as long as it takes. (She’s genuinely stunned at how forgiving you have been of her, in all honesty.) In fact she takes your reluctances in her stride in a way that actually has you feeling more for her — but again, you know better than to repeat your mistakes of the past, and so you take this as slowly as you can considering she’s coming on strong and you live under the same roof.
Three months of summer lie ahead of you, stretching out like an endless expanse of sunset-tinted possibility. You and Yelena manage to land jobs at the video store in town — Yelena goes blazing into the interview and makes it clear as she can that the two of you are a package deal. Wong, the guy who runs the place, just seems grateful for the help.
The store becomes somewhat of a hangout spot for the two of you, who work the same hours and are joined at the hip like always, and it’s a safe bet to stop by if anyone wants to find you. Sam often swings by to playfully irritate the both of you, since the marina where his parents’ boat is docked is just round the corner, and Natasha will meet you when you’re closing to take you out for dinner after. (Sometimes Yelena tags along to these meals, and gleefully revels in the awkwardness her presence causes.) Since you and Yelena are twins again too, things are looking up for your friendship group and they’ve taken to visiting also. You’re delighted to spend time with them again. (Seeing Makkari’s face light up when she steps into the Deaf & Subtitled section of the store makes your whole week.)
In fact, word seems to have gotten out about the fact that Wong’s employed you, because one sleepy Tuesday afternoon Bucky Barnes drops by to rent a DVD. He picks one at random, not even glancing at the cover, and as you scan it through for him he says to you lowly, “thank you for making Natasha happy again. She cares so much about you.” He offers you a genuine smile before heading out abruptly and almost forgetting his DVD in the process. (You suspect his purchase was a mere means to talk to you.) It’s a strange interaction, but decidedly more pleasant than your last with him, so you take it no further.
Another perk of having this job is that you have your own money now. You’re not really sure what to do with it at first; the only thing that occurs to you is that you want to get a gift for Natasha. At the end of the summer is her graduation — she’ll walk and wear the square hat and everything, and you’re very excited to embarrass her with photos of the event — and after that she’ll leave for college. Her graduation is the perfect time to present her with said gift, you decide.
You know you want the gift to be meaningful, but you’re not really sure of the specifics. Luckily for you, one night on the roof with Natasha is all you need for the inspiration to strike.
Can’t sleep, you text her one night, after hours of fruitless tossing and turning.
She replies immediately.
Me neither
Come down to my room :)
If you want to!!! she adds after a moment, and you can’t help but smile to yourself. She is adorable.
Omw, you tell her, rolling out of bed.
The door is unlocked!!!!!! just come in
You follow her instructions and slip inside. The room is cosily lit, with her fairy lights on and her little lamp shaped like Calcifer flickering merrily; the bed is unmade, as if someone’s been in it recently, but Natasha herself is nowhere to be seen.
“Nat?” you call out uncertainly, and squeak in surprise when her head pops through the window. She smiles softly at your reaction.
“I’m out here,” she tells you. “C’mon, there’s space for both of us.” She wriggles along her perch on the flat row of tiles of the roof, and pats the empty spot beside her. Antics like this don’t faze you after twelve years of friendship with Yelena. You clamber out beside her readily.
“Hi,” says Natasha a little bashfully, once you’re settled. You lean up to peck her lips and she flushes. “Y— yeah. Um, hi.”
“Hi,” you reply sweetly. “It’s nice out here.”
“It is,” she agrees, her gaze not straying from you. You take no notice, though; your sights are set to the heavens. No matter how much you snipe about how annoying it is to live in a small town, the views still take your breath away. The stars shimmer bright above you, as they do almost every night. They’re not the only beautiful sight your town has to offer; Wanda adores the rocky hills at the edge of town, where many scavengers like squirrels and raccoons have made their home (one boy in your grade, Peter Quill, has befriended one of the raccoons and affectionately named him ‘Rocket’. He visits Rocket every day after lunch with his leftovers from the cafeteria). Occasionally she’s able to convince everyone in your group to accompany her hiking there. Despite your grumbling, it does make for an enjoyable day out.
“I come out here when I can’t sleep,” she tells you quietly.
“I sit on the roof sometimes,” you reply, and you beam at each other. It’s true — you do, but sharing the information feels vulnerable. You’ve figured out how to hoist yourself up through the skylight in the loft and onto the utmost point of the house, but it’s an activity you’ve kept as your own for now. While you adore more than anything being twins with Yelena, and living your life with her, you’re also learning how to exist by yourself for the first time in your life, and enjoying having your own space. Your little corner in the attic has afforded you many freedoms, and not just material ones.
“You see the moon?” Nat asks. The planet in question hangs round and heavy over the horizon, not quite full.
“How could I miss her?” She’s the most beautiful thing in sight.
“You know the difference between waxing and waning?” Natasha prompts, and you shake your head, solely because you love when she talks about her passions. “Waxing is when the moon transitions from a new moon to a full moon — so she fills out. See, that’s what she’s doing now.”
“She’s nearly full,” you remark quietly.
“Yup.” She grins. “Now when she’s waxing, she fills in from the right side — so she kinda looks like a C.” She makes a C shape with her left hand and holds it up against the sky to confirm that, yes, while the moon is waxing it vaguely resembles the letter. “But soon she’ll start to wane — maybe next week? After the full moon. Waning is the transition from the full moon back to the new moon, so she shrinks away into nothing. She’s eaten away from the left side, so she looks like a reverse C.” Nat makes a C shape with her right hand this time, so that it’s reversed, and holds it up to compare to the moon. They don’t match up right now, but they’ll get there someday.
“This is my favourite period though,” she confesses, her voice dropping a little lower, “of the lunar cycle. When the moon is waxing.”
“Why?”
“Because it feels,” she hesitates. “I don’t know. It feels like gross to say out loud but it kinda just feels like, encouraging. Things are always changing. They won’t be like this forever, you know? The cycle keeps on repeating itself.”
“The cycle keeps on repeating itself,” you repeat, and she smiles at you.
“Yeah. You don’t think it’s… dumb? I don’t know, I’ve never brought anyone else up here. I —”
“I don’t think that at all,” you tell her, and she kisses you gently.
The next day you go out and buy a crescent moon necklace.
Natasha has been coming into your room more and more often lately, and you don’t trust yourself to not leave it lying around in plain sight, so one day while she’s out you enlist Alexi’s help to loosen one of the floorboards in the attic so you can stash things under it inconspicuously.
“It’s not for anything suspicious,” you tell him quickly, “you can look under it whenever you want. It’s just to hide gifts and —”
“Relax, sunflower,” he chuckles, “you are entitled to your secrets.”
The necklace stays hidden there until summer draws to a close.
The weeks fly by in a golden haze and before you know it, you’re getting ready for Natasha’s graduation.
Alexi is stood on the landing in his smartest suit, and flexing proudly in the mirror on the wall. “It still fits!” he booms triumphantly.
“Don’t forget to wear your nice shirt, любовь,” Melina calls up the stairs to him. “No one with holes in.” He deflates a little, and retreats back into their bedroom to change.
“He looks fine,” Yelena scolds half-heartedly as she lumbers down the stairs, holding out her wrists to Melina. “Can you do my cufflinks?”
“Where’s your please?” Melina retorts, but she sets her clutch down so she can use both hands to help her daughter.
“We have to leave in ten minutes,” Natasha announces as she bursts from her own room. “Семья, I know what you are like, and we cannot be late.”
“Relax, love.” Alexi reemerges from the bedroom in a different shirt this time. “I will go and start the car,” he starts down the stairs, “and— oh.” He pauses as several buttons pop off his shirt simultaneously. “Ебать.” He turns around and subduedly makes his way back up the stairs.
“Baba,” Natasha groans. “This is what I mean.”
“Hey! I am nearly ready,” says Yelena indignantly, nodding at her mother in thanks for doing her cufflinks before ducking in front of the mirror. “Oh shit, where is my tie?”
“Language,” reprimands Melina.
“See?” Natasha sighs exasperatedly. “Y/N/N is the only one who’s ready.” She hurries down the stairs to where you’re stood in the hall, watching the scene unfold serenely. You’ve been ready to leave for the last ten minutes. She beams at you and pecks you on the cheek just shy of your lips. You flush, and the crescent moon necklace burns a hole in your pocket. Now isn’t the time, though.
Eventually, you all make it into the car, with everyone now sporting correctly-fitting outfits. As always on car journeys, you’re in the back, sandwiched in the middle between Natasha and Yelena. Lena scrolls through her phone disinterestedly, headphones in, while Natasha vibrates on your other side with anticipation and nerves. You take one of her hands between both of yours and she stills instantly.
“I am very proud of you,” you say quietly, “to have made it this far, with these grades. You’ve gotten into your dream college. You can do anything. Today will go fine.”
She doesn’t speak for fear of bawling and potentially ruining her eyeliner, so instead she rests her head on your shoulder in silent gratitude. She doesn’t move until you arrive, at which point she shows you all to your seats (front row, you note) and disappears to the backstage meeting point for all of the graduates.
The actual ceremony doesn’t begin for a while, so Melina converses with the other parents seated around her while Alexi nods politely, and you and Yelena compete in a thumb war. Eventually Principal Rambeau steps onto the stage and a silence settles on the gathered audience.
“Thank you all for attending,” she begins. “We’re here to celebrate our wonderful seniors, who have put in so much work to make it here today, and walk this stage.” She continues like that for a short while before they begin to call the students’ names, and they each walk across the stage in turn to claim their diploma. Natasha is a little later on the register, so you just sit back and enjoy the show — you’ve lived in this small town all your life, where most people know of each other, and so you recognise or even know the vast majority of the people who make their way across the stage. Some of them choose to make a memorable exit from their high school career (like Happy Hogan who chooses to breakdance his way across the stage, or Ned Leeds who walks proudly in a hot dog suit), whereas others take the more graceful route (see Valkyrie King, a prominent athlete of the school, who walks with confidence and regally basks in everyone’s recognition of her). When Natasha Romanova-Shostakov is called, she walks the stage a little bashfully, and with a blush accepts the cheers showered upon her after several years of being the cheer team’s star. You clap and shout louder than anyone else, and to Yelena’s glee capture several shots of her in her square graduate cap. Front row seat privilege. 
After the presentations, the students flood into the crowd and people break off into little groups. The air hums with the joy of people laughing and congratulating and embracing one another. Natasha makes her way over to you and Yelena, who are stood now with your parents beside the refreshments. She brightens when she spots you, and is instantly by your side, pressing a kiss to your cheek.
“There is my girl!” Melina cheers. An outbreak of hugging ensues.
You mingle politely for a while with the other families milling around your own. Natasha appears intermittently, being the centre of attention today. Yelena is by your side (with her arm annoyingly resting on your shoulder to remind you that she’s taller) until one of her hockey friends pilfers her to show her something. In the few moments that you’re unaccompanied, Natasha resurfaces from the crowd, takes your arm and leads you somewhere a little quieter, and a little less visible to the masses.
“I just, um,” she realises she’s still holding your arm and lets go of it with a blush, “I wanted to thank you for being here. Like actually. It means a lot to me. I know— I know that in a couple of weeks I won’t be here properly, and it might make things weird, but —”
Now is the perfect time, you decide. As she continues to nervously ramble you pull the crescent moon necklace in its little velvet box from your pocket, and present it to her. She falls silent and looks at you.
“It’s for you,” you say unnecessarily, opening it to show her the treasure inside. Her eyes widen. “I— I want to do this with you. I want to give us a try. I like being with you.”
And as you clasp the delicate chain around her neck, and lean up to press a chaste kiss to her lips, Natasha understands. Love is something you earn.
She entwines your hand with hers, and together the two of you make your way back towards your family.
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lifenconcepts · 2 months ago
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honestly can’t find any proper one so…
OCTOBER 2024 PHOTO / PHOTOGRAPHY PROMPTS!!!
THIS CAN ALSO BE ART/WRITING/ETC. please tag me (@lifenconcepts) on tumblr if you’re planning on doing this, I’d love to see what you create! Interpret this however YOU want to, you have all the creative liberty!
Cold
Fog/mist
Rooftops
Gift
Fence(s) or rails
Cat(s)
Road/path
Rain / Snow
History
Sharp
Hostile
Comfort
Home
Forest / Woods / Trees
Family
Injury
Rot / Rust
Light
Character
Coat
Farm
Meal Time
Tires / Wheels
Leaves
Sleep
Paralel
Bicycle
Remains of spring/summer
Down under
Platform
Candy
Time travel
@caffeinated-eccentric-polymorph @boyswillbedogz @spookedwerewolf @sleepywasp @milanesa-con-matecocido and anyone other creative soul who may be interested!!!!
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spacebarbarianweird · 11 months ago
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Ooh how about a Ranger!Tav who hunts undead (like Vampire Lords 👀) x Astarion?
This is the ultimate monster-hunting duo! Though, Rangers are known to be a bit lame in DnD. If it isn't their favored terrain or favored enemy - they are fucked up.
And Tumblr ate the first rough draft, which caused me some psychic damage.
What if Ranger!Tav is a member of some party of heroes, like "Vox Maquina"? And just can't wait to reunite with their former companions?
Masterlist
Headcanons
Astarion x Ranger!Tav
You never had a chance to talk about your future together. It's not like any of you expected to survive and not be turned into Mindflayers.
When Astarion runs away from the sun, you rush to find him but lose track.
Cities aren't your favored terrain.
Astarion returns to the Elfsong Tavern three days later - he looks like a beaten stray cat.
You cuss him. Use all the known slurs.
Why didn't he come back the first day? Why did he disappear?
You thought he'd died! Burnt to ashes!
He is shocked. 
He has never thought his actions could hurt you. He thought you would be better without him.
You drag Astarion to the bathroom, and, while helping him scrub himself, you finally start talking about your own past.
Something you never really mentioned before.
You have home.
Rather a home base but still home
You have a family.
Rather, a group of weirdos who happened to meet each other years ago and call themselves the Brotherhood of Shadows.
Yes, the name was chosen by a Bard. No one had better suggestions, but you know it's stupid.
There is also a Fighter, a Bard, a Cleric, and a Sorcerer. Together you hunt monsters, bad guys, and protect the common people.
You know, eat the rich and distribute their money among the poor.
And you are coming back.
Astarion is hesitant. He isn't ready to share you. And what if those friends of yours won't accept him?
What if years of friendship are a counterweight to this month of passionate love?
They are monster hunters! Monster hunters don't accept monsters at their homes.
What if one of them is in love with you?
But you still ask him to give it a try.
Astarion prays to all the gods to make the journey as long as possible. 
Deep within, he knows he will lose you.
Suddenly, he notices a raven, circling above you.
"Black Death!" you exclaim, stretching out your hand. 
"It's my pet raven, Black Death. Black Death, this is Astarion".
"Death, death, death," repeats the raven, staring at Astarion.
Then the raven soared into the sky and disappeared.
The next day a Half-Orc Sorcerer rushes toward you, yelling "Tav! Tav is that really you?!"
Astarion stands aside, feeling like a fifth wheel, while you and your old friend share news.
"Listen about this man with me…"
"A vampire? So, you've rejected all the men who ever dared to approach you, including myself, and found yourself a vampire?" 
Astarion feels a wave of anger. He already doesn't like your friends.
But the next moment, the Half-Orc stands in front of him, friendly insisting on joining the Brotherhood.
"Besides, I can't believe there have been so many wild bloodsuckers in these woods. It's good to have a vampire of your own to deal with them, am I right?"
Apparently, no one objects to a vampire in their small army of weirdos.
Or maybe they love Tav so much they are ready to accept anyone she brings along.
"Sign me up for the next Mindflayer's attack. I want to get a man, too!" the Cleric jokes.
Astarion sleeps in your room. When the Brotherhood leaves at daylight, Astarion stays to keep an eye on the homebase.
And he talks to possible contractors, demanding to be paid more than they expect.
He is insufferable in the best meaning of this word.
Astarion makes friends.
He often talks about magic and history with the Sorcerer. Or arguing with the Bard ( they have so much in common it pisses them both off)
Astarion feels at home. He has family, he has friends, he has a person to love and hold.
Even Black Death accepts him as his master, though Astarion isn't always capable of communicating with the bird.
Often, you go on night walks together into the woods, an, since you are both horny as nine hells, it often ends not as expected.
You are switches - both hunters and both prey.
Sometimes Astarion "hunts" you - a murderous vampire chasing a helpless Ranger to subdue to his power and hunger.
Then it's your turn - you are a monster hunter, and no vampire has ever escaped you.
Even the Bard calls you freaks when you return at sunset both covered in dirt (and, probably, other fluids under your clothes).
Astarion cares about you deeply - always making sure you are healed before you embark on another adventure.
And he is the one who nurtures you if you are sick or wounded.
He likes being a hero. He likes being a caregiver, both roles he once despised. 
--
Tag list
@tugoslovenka @marcynomercy @wintersire @vixstarria @not-so-lost-after-all @ashiro20 @theearthsfinalconfession @herstxrgirl @starlight-ipomoea @micropoe10 @astarion-imagine-archive @veillsar @elora-the-slutty-songstress @fayeriess @lumienyx @astarion-beloved @tallymonster @caitlincat-95 @tragedybunny @valeprati
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todayontumblr · 1 year ago
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Monday, September 18.
History.
Ahh, history. There's been a lot of it. Enough to go around, you might say. There's been a fair few billions of years of this most elusive metaphysical substance, and a few things of note have happened within that time: dinosaurs roamed the Earth, then didn't. Cities emerged. The Greeks ate very well and sh*gged each other senseless, then didn't. The wheel was invented somewhere down the line, as was sliced bread. Dogs were domesticated (as were cats, sort of). Some smart folk put the alphabet together. The printing press was invented. The Industrial Revolution happened and sent us on a violent forward and backward trajectory simultaneously. Will Smith slapped Chris Rock at The Oscars (2022). It's been a busy old time, that's for sure, but the clock keeps-a-tickin', and the wheel keeps-a-turnin'. Come tick along with us as we celebrate all that is strictly past tense: #history. 
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