#War Anthem Records

[themetalwanderlust]

T(h)rash Talk With Long Stretch and Jeff - Summer, 2023 [Featuring: V.H.S., Rotten Sound, Necronomicon, Extermination Order, Children of the Reptile]

For those with a long memory, you might remember that Jeff, our little metal Jack Russell used to frequent the pages of TMW providing unique thoughts on different albums he has taken the time to listen to. He’s been a bit quiet lately due to his busy schedule of dog park visits, butt sniffing, and every now and again having a brouhaha with a canine twice his size. Although he doesn’t see himself…

[dorothylarouge]

US Presidents as Dril Tweets

George Washington: another day volunteering at the betsy ross museum. everyone keeps asking me if they can fuck the flag. buddy, they wont even let me fuck it

John Adams: "ah boo hoo hoo i want to post Foul comments to content leaders" Fat Chance, Dimwit. I will annihilate you under bulwark of the Law and God.

Thomas Jefferson: Q: If your post was proven by a counsil of wise men to be racist, or bullshit, would you bar it from the record? A: I do not delete my posts

James Madison: (sniffing a crumpled up one dollar bill i found on the floor of a dog kennel) ah.. thats greenbacks baby

James Monroe: for decades i have traversed the unforgiving mountains and rivers of south america, hoping to catch a glimpse of the fabled "ass downloader"

John Quincy Adams: "This Whole Thing Smacks Of Gender," i holler as i overturn my uncle's barbeque grill and turn the 4th of July into the 4th of Shit

Andrew Jackson: handing Faves over to my enemies is FRAUD !! base, contemptible FRAUD!

Martin Van Buren: Food $200

Data $150

Rent $800

Candles $3,600

Utility $150

someone who is good at the economy please help me budget this. my family is dying

William Henry Harrison: (spends all of 7 seconds skimming some blog posts) yep. just as i knew all along. having pnuamonia is good

John Tyler: fuck "jokes". everything i tweet is real. raw insight without the horse shit. no, i will NOT follow trolls. twitter dot com. i live for this

James K. Polk: thhere is no such thing as charisma, and art is fake. the only metrics by which we must determine the worth of a man are Strength and Wisdom

Zachary Taylor: the doctor reveals my blood pressure is 420 over 69. i hoot & holler outta the building while a bunch of losers tell me that im dying

Millard Fillmore: trying to heal..... please donate to my go fund me... $10 will make me less racist... $100 will make me extremely less racist...thank you...

Franklin Pierce: blocked. blocked. blocked. youre all blocked. none of you are free of sin

James Buchanan: #NationalGirlfriendDay please cherish your gal's.. in honor of us, the single Boys who must sacrifice all companionship to #CarryTheBrand...

Abraham Lincoln: unloading an entire belt of ammo at me with a minigun or some such device will now get you "Blocked"

Andrew Johnson: who the fuck is scraeming "LOG OFF" at my house. show yourself, coward. i will never log off

Ulysses S. Grant: i regret being tasked the emotional burden of maintaining the final bastion of morality and Nice manners in this endless ocean of human SHIT

Rutherford B. Hayes: using the toilet when i hear Our national anthem start to play. i do what i must. i stand tall in complete agony; as shit runs down my leg,

James A. Garfield: too much truth in such little time. feeling the heat cominh down to silence me... signing off........ for now

Chester A. Arthur: i WILL wise the fuck up. i WILL super charge my content for 2017. i WILL get blue check mark

Grover Cleveland: the way i see it, people who come on here and submit content that is not up to par, could possibly be considered the "Villains" of this site

Benjamin Harrison: i help every body, im not racist, i keep myself nice, and when i ask for a single re-tweet in return i am told to fuck off, fuck myself, etc

William McKinley: boy oh boy do i love purchasing large amounnts of Fool's Gold. wait a minute... fools gold fucking sucks. this stuff is no good..!! Fuck !!!

Theodore Roosevelt: IF THE ZOO BANS ME FOR HOLLERING AT THE ANIMALS I WILL FACE GOD AND WALK BACKWARDS INTO HELL

William H. Taft: ah.. the perfect Souffle! cant wait to dig in to t(*EVERY PIPE IN MY HOUSE EXPLODES AT THE SAME TIME, COVERING ME IN SHIT AND BOILING WATER*

Woodrow Wilson: the conflicted supersoldier stares over the horizon as he smokes a cigarette. "war is the most fucked up thing ever." he takes a sip of beer

Warren G. Harding: somebody please Bribe me

Calvin Coolidge: aggressively joyless oaf hhere. painfully obnoxious respect demander checkign in. extremely dim witted frowning man looking for pals

Herbert Hoover: it is really quite astonishing that I have yet to win The Lottery, given how good I am at selecting six numbers and saying them out loud

Franklin D. Roosevelt: ive never heard of this “europe” but it sounds like a big bunch of shit to me

Harry Truman: everybody wants to be the guy to write the tweet that solves racism once and for all because it would look good as hell on a resume

Dwight D. Eisenhower: my "F*&k It!! Let's Go Golfin" t-shirt maintains a tenacious stranglehold on my life. after 1,125 days of Golf my body is twisted, deformed

John F. Kennedy: when you do sutuff like... shoot my jaw clean off of my face with a sniper rifle, it mostly reflects poorly on your self

Lyndon B. Johnson: incredibly handsome , charismatic famous boy credited with ending income inequality after saying that slumlords should be called "dumblords"

Richard Nixon: i attribute the complete failure of my brand to the actions of detractors, oor my “trolls”, as it were, as well as my own constant fuckups

Gerald Ford: shutting computer down until the shitty moods & attitudes can fuck off., if you need me ill be on my other computer, sititng 60° to my right

Jimmy Carter: i warnned you all that bad things would happen if you kept letting your wives wear jeans. AND NOW LOOK! the damn gas prices are up again

Ronald Reagan: spend a lot of time thinking about how sometimes even war criminals can be heroes sometimes... Dont like it? Click the unfollow buttobn

George H.W. Bush: just thought off an idea i believe to be bad ass. lets find the address of the leader of isis, and mail him/ her pieces of our SHIT

Bill Clinton: were at the point now, that when i offer to impregnate my girl followers, people assume my motives are sexual. disgusting, grow the fuck up,

George W. Bush: friday night gathering up together a big pile of things i like to respect (flags, crucifixes ,etc) and just roll around in it ,give kisses,

Barack Obama: my IQ has increased 10 points ever since i stopped tollerating people mucking about, on the time line

Donald Trump: THERAPIST: your problem is, that youre perfect, and everyone is jealous of your good posts, and that makes you rightfully upset.

ME: I agree

Joe Biden: I will shut the fuck up , IF , it will restore the Harmony. I will get on my knees like a dog and make that sacrifice, for the sake of Calm

[notebookmusical]

“In light of everything that’s happened in the past three months alone, here’s some incredibly valid reasons to be pissed off at Taylor Swift, or simply not like her — as someone who loved her, and loved her music. First and foremost, Taylor Swift is personally burning a hole through the ozone with the amount of CO2 she uses. That’s not even the main point of this video; but this is a graph from 2022 of how much CO2 she produced of her 170 private jet flights, versus the average person. She has spent 70 grand on jet fuel alone. Taylor Swift, alone has used 170 tons of CO2 in the past 3 months. The average person only burns like, 16 tons. That’s not even the main part of this video. The main point of the video is the fact that she has not spoken up about Palestine. And the reason that is so fundamentally frustrating is that Taylor Swift has influence. Quote Brittany Broski, when she also didn’t speak up about Palestine — “if you have a platform, and you have people listening, you have to use it.” It’s criminal to not use it, and Taylor Swift uses it. This is from September 2023. Record-breaking registration numbers from one Instagram post. Literally stating, saying “I’ve been so lucky to see so many of you guys at my US shows recently. I’ve heard you raise your voices, and I know how powerful they are. Make sure you’re ready to use them in our elections this year!” They had a 72(%) increase in 18-year-old registrations. When it comes to Palestine, she’s completely silent. And now that it’s somewhat more socially acceptable to attend Pro-Palestine events, she’s been quietly going with Selena Gomez, but I for one, think that your Instagram is perhaps the best asset you have. If not, money. And I’m sure in a couple months, we’ll learn about how Taylor Swift was quietly setting up foundations for pro-Palestine, and that she was always for the cause and she’s always supported them, but all it takes is one fucking Instagram post. Especially when Israel Palestine is fundamentally a war of narratives. It’s whose story do you believe, despite the mounting evidence that proves that Israel has continuously been doing ethnic cleansing and genocide. They are still maintaining this narrative that they are not doing that. And all Taylor Swift has to do is say “hey, 22 thousand deaths in 3 months? The most in any modern war? This doesn’t seem right.” I don’t even want her to be that leftist or radical, but literally just to ask the question to her largely American audience, when US has bypassed Congress twice to sell millions in arms aid to Israel.  Just for her to be like “Should that many kids be dying, perhaps?” The bar is on the floor, but she still refuses to do it. And the reason why Taylor Swift in particular, not because of the influence that she has and not because of the platform that she has, but why her in particular, is because the IDF continues to use her songs. I know it was a public trend, but the fact that so many occupation forces felt comfortable and confident  to make like, dance edits to Taylor Swift’s music. I think it’s so important how an artist’s music is used because when the republicans wanted to use Eminem’s 8 mile track, he was like “absolutely fucking not, I do not give you consent to do that, and I do not associate with your politics. Don’t do that.” I feel like she should know that her music is being used as the anthem of the occupation forces as they go and bomb civilians. Her, and other artists like her, like Beyonce, who showed her film in Israel, and they’re all like dancing and singing, and saying “you’re not going to break my soul”, whilst they continue to bomb the shit out of civilians have said nothing. And I hope, as I’ve demonstrated in the video, for the people who are going to be like “What’s Taylor swift going to do? She’s not a politician.” Be serious. Be serious. She has a fucking chokehold on at least a billion people. She could’ve said and done way more than what she’s done, and also the CO2 levels." (from: this tiktok*)

* i tried to transcribe the tiktok since tiktok wasn't showing the captions for me but if i misheard anything please let me know!

[cmspeirs]

Band of Brothers Headcanons: What music they’d be listening to

(+ Playlists and absolutely historically inaccurate)

A/N: Hey! So here’s my first BoB headcanon - I hope you enjoy it! I’m sorry if this is rather short. Let me know if you’d like to see other characters in those or have any requests :) I also spent way too much time making several playlists for them, I’ll link them for you at the end if you wanna listen to them!

{Dick Winters}

• Classical. Music.

• Can list you every thing that Bach or Vivaldi ever published, but with the backstories

• I just picture him closing his eyes and sighing very loudly whenever he listens to something he loves

• Will dance to old Jazz music until the sun comes up, and says the day after that it was a really wild night

• Also listens A LOT to Lana (would never admit it)

• Secretly gossips and argues over her online. Tries to keep it a secret but his username is “DickDelRey101”

{Lewis Nixon}

• Classic Rock all the way

• I’m talking Bob Dylan, Rolling Stones, ACDC…

• “Paranoid - Black Sabbath” was his wedding song

• When he gets home he falls into the old chair next to the record player with a bottle of whiskey already waiting

• He’s always like “I need this music to calm down, don’t you understand???” and absolutely means it

• Drives the car only to listen to “Enter Sandman” and wear sunglasses while he does (windows all the way down, volume max)

• 100% certified Dad music

{Ronald Speirs}

• This mans music is all over the place

• Just like my feelings for him lol

• But mostly listens to a lot of old music???

• Like 40s to 60s, also a big fan of Elvis and Johnny Cash

• Literally has pictures of them hanging in the doorway

• Always says he doesn’t care about things like music, but will make a playlist for every one he meets with songs that remind him of them

• I swear to everything music would be one of his love languages - he’d absolutely remember every song you ever liked

• Turns the radio louder randomly to songs with the explanation “saw you smiling to that with your morning coffee last week”

{Donald Malarkey}

• Listens to a whole lot of sad songs - and I’m talking about gut wrenching, laying on the bathroom floor kind of sad

• Also somehow into Grunge??

• At least three Radiohead songs in every one of his playlists

• The Smiths is his happy music

• When his favorite Pink Floyd Record is on he listens to it all day. He runs to push the play button again every time it stops.

{Joe Toye}

• 100% an alternative Rock / Nu Metal kind of guy

• Would have Deftones playing all day

• Also listens to Bloodhound Gang a lot lol (The song “Jackass” is his anthem!!!)

• Just imagine him sitting in the garage with Guarnere, drinking beer while an old Limp Bizkit vinyl is on

• He thinks it’s the greatest thing of all time that bands began to combine Rap with Hardcore

• In terms of that - definitely a fan of Deez Nuts, Hollywood Undead or Linkin Park

• “Band of Brothers - Deez Nuts” is literally his favorite song

{George Luz}

• Unironically listens to the Soundtrack of Oklahoma

• It just puts a smile on his face every time he hears it - takes him back to the news of the musical still on broadway back in war

• Also loves & defends Tom Lehrer to death

• He knows every song from him by heart and always sings the loudest

• Will randomly sing his favorite songs throughout the day, which makes everyone shake their head but deep down they all love it

• He’s almost afraid of sad music

• He aspires to be Ricky Nelson in another life

{Eugene Roe}

• Similar to Malarkey, but doesn’t cry to those songs

• Just sits in silence with a cigarette between his fingers, staring into the nothingness while thinking about his time with Easy

• “Feels like a movie” - songs were made for him

• When he listens to Elton John or Billy Joel you know he’s in a happy mood

• Is also the anonymous person Winter argues with online about Lana

• DickDelRay101 replied: Are you clinically insane? How could you deny it’s her best album? Did you even listen to it?

• Absolutely knows that it’s Winters and accidentally called him Sir when he replied (several times)

{Joe Liebgott}

• Hear. Me. Out. He’s a pop punk & grunge boy all the way

• Has a big collection of thrifted vinyls (if you can’t find him, search at the next thrift market)

• Puts on Nirvana or the Offspring and just lays on his bed while smoking a whole pack of cigarettes

• Room full of ripped band posters and at least one guitar (but can’t play, although he says he can)

• 10/10 would’ve lived in a skatepark in another life

• Also really into Old school HipHop, loves the Beastie Boys

• Accidentally went to a New Kids on the Block concert once. Said he hated it but stayed until the very last minute.

{David Webster}

• Would also listen to classical music

• But it would just be for people to think he’s very intellectual, actually can’t stand it

• In reality really into slow and soft love songs

• Listens to Vera Lynn on a daily basis and happily admits that he cries to her songs. Always speaks of “Our Vera.”

• When he listens to “There’ll always be an England” he suddenly gets an English accent.

• The Fleetwoods is his favorite band

• Tries to listen to Pop Punk because he knows Joe loves it, but he absolutely hates it

• “There’s no emotion Joe!!”

• “For fucks sake, Web, there’s all the goddamn emotion!!?!!”

{Bull Randleman}

• Hard Rock, can’t say more

• Also 100% certified Dad music. He’s the one who visits Nixon once a week to play poker and smoke cigars while listening to his records

• Is the guy at a concert who will accidentally throw you to the ground while in a mosh pit

• But will absolutely make everyone stop so he can pick you up again

———

Link to the Ronald Speirs playlist:

Link to my profile - the other playlists are on there (still updating them regularly):

[carolinelayne]

Harry Potter Headcanon (1)

James wrote a song called “Harry’s Victory.”

James Potter learned to play the piano beautifully and compose music at an early age. Classical music was a tradition passed down through the Potter family.

When James and Lily were in hiding with Harry, James composed songs on the family piano to keep himself sane.

James was so worried about the prophecy and what it meant for his beloved son’s future… The words “neither can live while the other survives” haunted him.

One day, in his despair over what could be his son’s fate, James wrote a song called “Harry’s Victory.” It was filled with equal parts hope and grief and it said everything that words couldn’t.

He handwrote the sheet music and scribbled at the very bottom of the last page “I believe in my son.”

The summer after the Battle of Hogwarts, the Ministry finally turned over the possessions found in the rubble of the Potter House to Harry. The sheet music was amongst the recovered items.

Hermione played the music for Harry and the Weasley family on the piano. It was the most moving experience of Harry’s life and he treasured the gift from his father forever.

A recording of “Harry’s Victory” was released to the Wizarding World that fall and it went down in history. It was an anthem… to remember the First and Second Wizarding Wars, to honor those who had fallen, and to celebrate the victory that had saved them all.

[ohdorothea]

This tournament is being run by and for queer fans so please keep that in mind! Homophobes will be blocked on sight <3 More polls here and more info and lyrics for the songs under the cut!

The question is which song is queerer to you! Queerer can mean whatever you want it to mean; you might consider a song queer because you think it was written that way, or because of Swiftian lore. It might be queer to you because of how you relate it to your own life. Maybe you think from a purely literary standpoint the lyrics have queer themes; maybe you're just thinking about vibes!!!

If you’d like to send in interpretations or propaganda for a specific song you can send them to my inbox! All interpretations are welcome and let’s be open and kind in response to all interpretations <3

🫶🫶🫶

Clean lyrics

The drought was the very worst

Ah-ah, ah-ah

When the flowers that we'd grown together died of thirst

It was months, and months of back and forth

Ah-ah, ah-ah

You're still all over me

Like a wine stained dress I can't wear anymore

Hung my head as I lost the war

And the sky turned black like a perfect storm

Rain came pouring down when I was drowning

That's when I could finally breathe

And by morning, gone was any trace of you

I think I am finally clean

There was nothing left to do

Ah-ah, ah-ah

When the butterflies turned to dust that covered my whole room

So I punched a hole in the roof

Ah-ah, ah-ah

Let the flood carry away all my pictures of you

The water filled my lungs, I screamed so loud

But no one heard a thing

Rain came pouring down when I was drowning

That's when I could finally breathe

And by morning, gone was any trace of you

I think I am finally clean

I think I am finally clean

Ah-ah-ah-ah, ah-ah

Said, I think I am finally clean

Ah-ah-ah

Ten months sober, I must admit

Just because you're clean don't mean you don't miss it

Ten months older, I won't give in

Now that I'm clean I'm never gonna risk it

The drought was the very worst

Ah-ah, ah-ah

When the flowers that we'd grown together died of thirst

The rain came pouring down when I was drowning

That's when I could finally breathe

And by morning, gone was any trace of you

I think I am finally clean

Rain came pouring down when I was drowning

That's when I could finally breathe

And by morning, gone was any trace of you

I think I am finally clean

Finally clean

Think I'm finally clean

Ah-ah, ah-ah

Think I'm finally clean

🫶🫶🫶

New Romantics lyrics

We're all bored, we're all so tired of everything

We wait for trains that just aren't coming

We show off our different scarlet letters

Trust me, mine is better

We're so young, but we're on the road to ruin

We play dumb, but we know exactly what we're doing

We cry tears of mascara in the bathroom

Honey, life is just a classroom

Ah-ah-ah-ah, ah, ah

'Cause, baby, I could build a castle

Out of all the bricks they threw at me

And every day is like a battle

But every night with us is like a dream

Baby, we're the new romantics

Come on, come along with me

Heart break is the national anthem

We sing it proudly

We are too busy dancing

To get knocked off our feet

Baby, we're the new romantics

The best people in life are free

We're all here, the lights and noise are blinding

We hang back, it's all in the timing

It's poker, he can't see it in my face

But I'm about to play my ace

We need love, but all we want is danger

We team up and switch sides like a record changer

The rumors are terrible and cruel

But, honey, most of them are true

Ah-ah-ah-ah, ah, ah

'Cause, baby, I could build a castle

Out of all the bricks they threw at me

And every day is like a battle

But every night with us is like a dream

Baby, we're the new romantics

Come on, come along with me

Heart break is the national anthem

We sing it proudly

We are too busy dancing

To get knocked off our feet

Baby, we're the new romantics

The best people in life are free

So come on, come along with me

The best people in life are free

Please take my hand and

Please take me dancing and

Please leave me stranded, it's so romantic (It's so romantic)

Ah-ah-ah-ah, ah, ah

Oh, 'cause, baby, I could build a castle

Out of all the bricks they threw at me

Every day is like a battle

But every night with us is like a dream

'Cause, baby, I could build a castle (Castle)

Out of all the bricks they threw at me

And every day is like a battle

But every night with us is like a dream

Baby, we're the new romantics

Come on, come along with me

Heart break is the national anthem

We sing it proudly

We are too busy dancing

To get knocked off our feet

Baby, we're the new romantics

The best people in life are free

[beardedmrbean]

BERLIN (AP) — Germany's navy says there was "no deeper message” in the choice to blast the famed Imperial March — Darth Vader's theme song in the “Star Wars” films — from one of its warships as it cruised down the River Thames through London this week.

A bystander captured the spectacle Monday on video, which quickly went viral on social media. The song selection made waves across Europe. The warship was in the area for training and dropped anchor in London for a normal supply stop, the German navy said.

"The commander can choose the music freely," the navy said in a statement Thursday. “The choice of music has no deeper message.”

Other video recorded the warship, the Braunschweig, playing “London Calling,” the 1979 hit from British rock band The Clash, upon its arrival in London. The song's title is drawn from the BBC World Service station identification in World War II and its lyrics include the lines, “London calling to the zombies of death/Quit holding out and draw another breath.”

The Braunschweig is named for a city in Germany’s Lower Saxony — an area far, far away from the United Kingdom — and part of the country’s newest class of ocean-going corvettes.

For its departure, a tugboat pulled the warship down the river near Tower Bridge as sailors — without any lightsabers, sadly — stood on the deck. This trip was the Braunschweig's second to the British capital, the Germany Embassy in London wrote on the social media platform X.

The warship's commander “is a big ‘Star Wars’ fan and an admirer of the legendary musical scores of John Williams,” the embassy said in a statement. “He chooses a different Williams tune whenever his ship is visiting a foreign harbor.”

There's no word whether Anakin Skywalker himself was aboard.

[fdelopera]

When the Jews of Bergen-Belsen concentration camp were liberated on April 20th 1945, they sang Hatikvah. At the end of the anthem, British Army Chaplain Rabbi Leslie Hardman, cried out, “Am Yisrael Chai – the Children of Israel still live!” (x)

Am Yisrael Chai is a very old phrase. Hundreds of years, at least. It states that the Jewish people are still living, despite every attempt that Romans, Christians, and Muslims have made to mass murder us over the last 2000 years of world history.

We are still here.

The Jewish people are still here, despite every attempt that has been made to culturally appropriate our history, our culture, and our religion.

When you read the "Old Testament," you are reading OUR Tanakh. You are reading a JEWISH sacred text. When you read about Joseph, and Moses, those are JEWISH figures. They are Yoseph (יוסף), and Moshe Rabbeinu (משה רבנו). Moshe was not a Christian, and he was not Muslim. Moshe was a Jew. Never forget that.

Am Yisrael Chai: The Story Behind The Bergen-Belsen Recording

by Milad Doroudian (x)

"Am Yisrael Chai!", shouted Rabbi L.H. Hardman who had finished conducting the first pre-Shabbat sermon that many of the Bergen-Belsen camp survivors had not seen for 6 years. Although weakened by hunger, disease, and the death of their loved ones, on the 20th of April, 1945 many whose spirits still remained strong began to sing “Hatikvah” ("The Hope"), so the world can hear that they were there, and they survived.

There is a very good chance that you have heard this emotional recording, but have you ever stopped to truly consider the story behind it? Despite the sadness, yet immense hope in the voices of the singers: Who were they? How did they get there? And perhaps most importantly: What happened to them?

These questions are almost impossible to answer as history does not afford us many recorded accounts. Yet, this was the case in 1945. After the death of 6 million Jews in Europe, and an atrocious war which took the lives of 65 million. Confusion was normalcy. It was those amid the confusion such as Patrick Gordon Walker, a reporter for the BBC, who wanted to record the stories of what happened that managed to collect the few stories that we have left today. Nothing could have prepared him, or the soldiers who liberated the camp days earlier, for the horrors that lay inside.

The Bergen Belsen camp , which was established in 1941 in the middle of Germany served as a death camp for Jews, homosexuals and political prisoners. The exact number of how many people died during those years is not known, however when the British and Canadian 11th armoured Division liberated it, they found 60,000 people, most of which were extremely emaciated and suffering from typhus.

Walker entered the camp five days after its liberation to find people who could no longer possibly function because of hunger, only to be greeted with the sounds of “God Save The King” played on an detuned piano in order to honour the British and Canadian liberators. People were joyous, despite their condition and the fact that many were still dying. In fact, they sang, and talked with their liberators who gave them food, and comforted them by reminding them that they were human beings.

“What I saw there will always haunt me” said Walker in his famous broadcast, and this was the case as there were truly more dead in the camp than living. One soldier’s account of how he saw a mother and child dying of sickness right in front of him, was only one of hundreds when the soldiers first found the abandoned camp.

Yet, perhaps what is more interesting is not simply the survivors who sang the Hatikvah (The Hope) after liberation, but those who did when they were being led to their deaths. The account of Jan Michaels, a Polish Jew who saw a group of Jewish Czechs singing the future national anthem of Israel, while they were on their way to the gas chambers. Michaels said that the SS guards could not stop them from singing, as their hope was unstoppable even in the face of certain death.

Yet, why is this so important to remember?

However melancholic it is to remind ourselves of these horrible stories, it is essential that we remember all those who have perished, as well as those who lived on to sing the Hatikvah after their liberation, as it is was their hope to be reunited with those they loved in Eretz Tsion. Now, today, Israel still faces enemies who want its people abolished, but that will never again be possible.

To answer the first questions:

Who were they? They were just like you and I. How did they get there? Through unbelievable xenophobia, hatred and ignorance. What happened to them? They live on in all Jewish hearts, and more importantly they live on through Israel.

[mariacallous]

The pictures are haunting. There are portraits of Ukrainian men and women who have spent months and years in Russian captivity: soldiers, civilians, paramedics and volunteers. All experienced torture and brutal treatment. Many carry physical scars from their time as inmates. They are among the prisoners of war swapped since 2014, when Vladimir Putin began his Ukraine invasion, with a covert takeover in the east.

In 2019, the Ukrainian photojournalist Zoya Shu began photographing those freed from Russian detention. Over five years, she spent time with former prisoners of war (PoWs) in their homes, talking to them about their life stories and listening to their harrowing accounts of beatings and other forms of daily abuse.

“They suffered. I see them not as victims but as survivors. What they experienced is horrendous,” she says.

Some of those she photographed have terrible wounds. In 2014, Russian “separatist” fighters carved a swastika on the back of a local man, Bogdan Sergiets, in the eastern city of Donetsk. They accused him of supporting Ukraine and being a “Nazi”. Another photo is a portrait of Aiden Aslin, a British volunteer captured in April 2022 while fighting for Ukraine. He and his fellow British prisoner Shaun Pinner, who were both threatened with execution, say they were beaten, stabbed with knives and electrocuted.

Other wounds are less conspicuous. Many prisoners, both men and women, said they were subjected to sexual violence and rape. In Russia and occupied areas of Ukraine, interrogators used a wind-up military field telephone to administer electric shocks, attaching crocodile clips to genitals and nipples.

“There is physical and psychological trauma,” says Shu. “It’s difficult to deal with, and profound. It takes a long time to heal.”

Another torture method is starvation. One former prisoner of war, Borys, said he lost 45kg (99lb) during two years in various camps: “I got very thin. When I was released I was so weak I couldn’t put my leg on to a step.”

Borys says a fellow inmate was so emaciated he became unable to walk and “went mad”, adding: “He couldn’t lift his arms. He stopped eating. They took him away. We don’t know what happened [to him].”

Borys says his captors hit him with plastic pipes and shocked him with stun guns. This was done in a corridor, where there were no CCTV cameras to record the abuse. One day, his guards said his situation would improve if he gave an interview to a Russian propaganda TV channel. They also tried to “re-educate” him.

“They loved to teach us about ‘history’ – we were ‘fascists’. They told us Ukraine was always a part of Russia and didn’t exist,” Borys says.

Other ex-prisoners said they were made to sing the Russian national anthem and recite patriotic poems and songs from Russia. “One goal is to destroy Ukrainian identity,” Shu says, adding that a soldier from western Ukraine who could not speak Russian received extra punishments.

“There is a pattern of constant and systemic violations [of human rights],” Shu says, calling this “state policy”.

Some former detainees have successfully rebuilt their lives. Others remain haunted by their experiences and suffer from depression and panic attacks. According to Kyiv’s Coordination Headquarters for the Treatment of Prisoners of War, 3,405 people have been returned from captivity, including 95 PoWs on 17 July. Tens of thousands of Ukrainians, military and civilians, are believed to remain in Russian jails.

The exact tally of PoWs is unknown. The figure includes about 1,500 soldiers captured in May 2022 when the garrison defending the Azovstal steelworks in Mariupol surrendered. The Kremlin refuses to give a comprehensive list of the people it holds, adding to the agony of families whose loved ones went missing in action.

Shu is critical of international organisations that help detainees. In her view, they have failed to pressure the Kremlin to improve dire conditions for prisoners and to end widespread abuse.

“Where is the Red Cross? Where is the UN? Where is everybody?” she asks. “There doesn’t seem to be much activity or urgency. The level of brutality and torture in Russian prisons requires immediate action.”

[black-metal-artists]

🌍 1914: Blackened Death/Doom Metal from the Trenches ⚔️

From Lviv, Ukraine, 1914 channels the horrors of World War I into powerful, war-themed metal. Signed to Napalm Records, they deliver crushing anthems of trench warfare, gas attacks, and survival.

🎟️ UPCOMING TOUR 🎟️ Don’t miss their explosive live performances—check out the tour pics and grab your tickets now!

📸 Follow for updates and merch.

#1914Band#BlackenedDeathMetal#DoomMetal#NapalmRecords#metaltour2025

[justinspoliticalcorner]

Richard Luscombe at The Guardian:

The telephone line was a little fuzzy, and the voice on the end gravelly from several days of Covid isolation. Yet the poignancy of the message, and the moment itself, could not have been clearer: “I’m watching you, kid. I love you,” the speaker said. Joe Biden’s warmhearted call to his vice-president, Kamala Harris, at the Democratic party’s campaign headquarters in Delaware on Monday marked a generational shift in US politics, a symbolic passing of the torch from parent to progeny.

In terms of the 2024 presidential election race it was also a defining moment. Harris, a former prosecutor, state attorney general, California senator, and for three and a half years the 81-year-old Biden’s White House understudy, was appearing for the first time as her party’s preferred new candidate, less than 24 hours after her boss’s stunning announcement that he would not seek a second term of office sent a seismic shock across the country. There followed what by any metric could be called a whirlwind week on the campaign trail in an extraordinary month in American history already notable for the attempted assassination of former president Donald Trump, the Republican party’s candidate for the 5 November election.

By Wednesday, Harris was addressing an historically Black sorority in Indianapolis as the Democratic presumptive nominee, having secured the support of enough delegates at the party’s national convention in Chicago next month to clinch the nomination. It was the same day as Biden gave an emotional, nationally televised address from the White House explaining his decision to step aside “in defense of democracy”. “I revere this office, but I love my country more,” he said, urging the country to stand behind Harris. One by one, other heavyweight Democratic figures had stepped up to endorse her, culminating on Friday with the outsized backing of Barack Obama. The former speaker Nancy Pelosi, Hillary Clinton, all 23 of the party’s state governors, and elected officials from the most junior Congress members to Hakeem Jeffries and Chuck Schumer, respectively the House minority leader and Senate majority leader, also gave their approval. “We are not playing around,” Harris told supporters at the sorority gathering in Indiana on Wednesday.

“There is so much at stake in this moment. Our nation, as it always has, is counting on you to energize, to organize, and to mobilize; to register folks to vote, to get them to the polls; and to continue to fight for the future our nation and her people deserve. “We know when we organize, mountains move. When we mobilize, nations change. And when we vote, we make history.” It was a rousing speech from a politician who only three days previously was still in a supporting role, despite weeks of swirling speculation about Biden’s future following his disastrous debate performance against Trump in June. But things moved swiftly once the president’s decision to step aside was announced on Sunday afternoon. The Biden campaign apparatus, and election war chest of almost $100m (£77.6m), became the property of a new entity called Harris for President (Republicans have vowed to challenge the funds transfer in court).

[...] Fundraising operations cranked up, pulling in an all-time record $81m for any 24-hour period in presidential campaign history, a windfall for the newly branded Harris Victory Fund that surpassed $130m, mostly from small or first-time donors, by Thursday night. Seizing on enthusiasm from younger voters that polling found was conspicuously absent for Biden, or the 78-year-old Trump, Harris’s team also released to social media its first campaign video. Beyoncé’s 2016 hit Freedom, the unofficial anthem of Harris for President, provided the soundtrack for a message countering what it says was Trump’s “chaos, fear and hate” vision for the country. [...]

Harris has enormous appeal with generation Z, noted by backing from numerous youth organizations, including March for Our Lives, the student activist group formed in the aftermath of the 2018 mass shooting at a high school in Parkland, Florida. There could have been no better illustration than the declaration on X/Twitter by the British singer Charli xcx that “kamala IS brat”. Viewed by more than 53 million people, the simple message encapsulating a pop culture lifestyle delighted the younger generation and confounded their elders in equal measure. “You just got to go listen to that Charli xcx album and then you’ll understand it,” Florida’s Maxwell Frost, the first gen Z member of Congress, told CNN.

“Whether it’s coconut trees or talking about brat or whatever, the message is getting across to tens of millions of young people across the entire country, and across the entire world, and that’s really inspiring.” Wrongfooted by Biden’s abrupt exit, and alarmed by polls showing Harris gaining ground or even surpassing Trump in popularity, the former president’s campaign scrambled to find attack lines for their new opponent. At a rally in Charlotte, North Carolina, on Wednesday, Trump tested insults including calling Harris a “radical left lunatic” and “the most incompetent and far-left vice-president in American history”. Republican party acolytes have also been busy with racist attacks, accusing Harris, who has Black and Asian heritage, of being “a DEI [diversity, equity and inclusion] hire” or “unqualified” for the presidency.

Last Sunday afternoon at 1:46PM EDT/12:46PM CDT, President Joe Biden revealed the decision to step aside from running again on X (formerly Twitter). Nearly a half-hour later, he announced that Kamala Harris would be his preferred successor as the Democratic nominee.

Over the last week, Harris has broken fundraising records left and right, and energized a demoralized Democratic Party to levels not seen since the day Trump lost in 2020 or even the Obama era to volunteer.

#Harris2024 #Harris47 #YesWeKam #Momala #DefeatTrump

[olderthannetfic]

I know this is only marginally related, but the anon post about dating your boss in the military raising eyebrows and people's prioritization in shipping wars made me immediately think of "In The Navy" by Village People and of "YMCA" (because my brain thinks since YMCA has cheeky subtext and is considered a gay anthem if I'm not misremembering, In The Navy might have some cheeky subtext, too), and it reminded me of the musical Hair and within it of the song "Hair" in which Berger is asked if he's gay (supposedly because of his long hair and homophobic stereotypes IIRC?), which I thought was a reference to fraternization regulations (due to working with a lot of other guys I guess?) and to homophobic regulations (if I haven't misunderstood it, specifically the "Don't ask, don't tell" policy?), and it reminded me of the songs "Black Boys/White Boys" which always seemed a little tongue-in-cheek about attraction between military personnel to me (and only partially subtext, some of it seems to downright be text with no subtlety found, now that I'm rewatching the scene from the film lol). It's been years since I've been to the musical though, so my memory probably forgot 99% of the musical. Gotta watch the film some time.

(BTW I'm not from the USA or an English-speaking country, so I'm not very familiar with US American laws and military culture stuff or with US American LGBT+ history and culture, though I am even more unfamiliar with it in my country apart from a few things because I'm from germany and I know for example that gay people were also targeted and murdered by the nazis - one thing that comes to mind immediately is "Aimée & Jaguar", which is a film based on a book that's about the actual lives of two real people and which I recommend watching very much, though you might want to prepare yourself for seeing horrifying violence and for crying a lot - but I don't know much more about other things in german LGBT+ history, which now makes me pretty sad... Then again, I only realized I was bi less than 10 years ago when I learned about the existence of the term bisexuality, so it's possible that I've just somehow managed to overlook tons of things I've heard and read and that they never registered in my brain, which is very likely TBH.)

Sorry for babbling in your inbox, I shall be off to research more queer history.^^

--

I guess YMCA doesn't literally say "Stay there to suck cock", but it's still sung by a bunch of dudes in intentional camp stereotype outfits. There's subtext and then there's those pieces of art that are like 99% subtext with one tiny fig leaf of text as cover.

Germany had such an interesting history immediately prior to all that death, Magnus Hirschfeld and his Institut für Sexualwissenschaft being particularly obvious examples. Most of the research materials and art from that era were destroyed, but a few things escaped, including a copy of Anders als die Andern. Good luck researching, nonnie. Germany actually has a lot that was once recorded compared to many countries/societies even if it was systematically purged. It was the birthplace of modern sexology, after all.

[black-arcana]

HEAVY MUSIC HISTORY: Hydra – Within Temptation

Although not confirmed to be a subtle dig, the timing was suspicious: during the recording of NIGHTWISH’s Endless Forms Most Beautiful in the summer of 2014, their newest member, Troy Donockley, said in a video diary that it is “still absolutely NIGHTWISH, but there are some parts that will probably startle some people. But nothing cheesy. There’s gonna be no dreadful, pathetic stabs at trying to jump on some bandwagon, slap some shit rap on it or something, none of that nonsense.” A few months earlier, WITHIN TEMPTATION released their sixth full-length record, Hydra. 

In the run up to its January launch, much had been made of their choice of collaborators across its tracklist. Dreams came true when Tarja Turunen was announced to feature alongside Sharon Den Adel on Paradise (What About Us?), a song which has become the answer to ‘what does symphonic metal sound like?’

What raised eyebrows was And We Run (feat. Xzibit). While other guest vocalists from KILLSWITCH ENGAGE and SOUL ASYLUM broadly drew from the same rock palette as WITHIN TEMPTATION, here was an artist from a genre that could seriously be considered the polar opposite of symphonic metal.

Whether And We Run entirely works is subjective, but history has vindicated the band and Xzibit as being ahead of the curve. In the ten years since Hydra, heavy music has not only become more fashionable again, but it has diversified – and the two are surely linked. In 2023, SPIRITBOX remixed MEGAN THEE STALLION’s Cobra, introducing metal’s most hyped band in years to a whole new audience by a show of respect between them and one of the world’s biggest stars. In the UK, BRING ME THE HORIZON sell out the country’s largest venues because they introduced elements of pop, electronica, and hip hop to their initially abrasive sound. The future of music is genreless, but to get there, bands have to break down barriers.

There is more to it than just the music. One of symphonic metal’s most defining tropes is the vocal talent of its lead singer, who is often female and often white. Its lyrical content is heavily fantastical, referring to literary works by European authors who have written in predominantly white cultures. The lack of diversity in the genre can be seen in the source material for many of its songs. Introducing Xzibit’s deep vocals, having him write his own verse, destroyed the notion that symphonic metal has to look or sound a certain way.

In the years since, WITHIN TEMPTATION have taken up the mantle to promote peace and love. During live performances of Raise Your Banner, Den Adel would wave the rainbow LGBTQ+ flag, and in the last few years changed it to the Ukrainian one. Their new album Bleed Out draws heavily from accounts of war, documenting its horrors in anthems of solidarity.

Hydra was when the band realised this music, their music, was for everyone. When NIGHTWISH, who had long gone unchallenged at the top of the genre, decided to double down on their usual shtick, WITHIN TEMPTATION looked outward and opened their arms. They saw no reason why a rapped verse could not exist alongside all the other elements of their arsenal. The rousing Paradise that featured Turunen was inspired by a Dutch general who emphasised seeing the world as ‘us’ instead of ‘yourself’ and ‘them’.

It makes sense then that the album is also the band’s most palatable. There is none of The Unforgiving’s prog rock-like storyline, no epics like The Truth Beneath The Rose from The Heart Of Everything. In return, the acoustic-driven Whole World Is Watching received radio airplay in the UK – and was debuted on BBC Radio 2 by the legendary Ken Bruce. While rock music is a little more welcome on the airways in 2024, this marked a significant shift in WITHIN TEMPTATION’s profile at the time. No longer a niche band, they were welcome on the most listened to radio show in the country.

The rest of the album follows in this vein, for better or worse. That it lacks a distinct personality alongside most of their other records – the technicolour of The Unforgiving, the natural wonder of Mother Earth – is a symptom of how straight-forward it is. But there is an argument for Hydra as the band’s most consistent collection of songs, all of which are built on a strong foundation of pop music and familiar structures. Silver Moonlight in particular is overflowing with hooks, built upon chunky guitars and small symphonic flourishes. It sounds massive, which might be the only gear WITHIN TEMPTATION know how to operate in, but it sounds instant and immediate too.

Hydra arrived a year after the band recorded 15 cover songs for Belgian radio station Q-Music, in celebration of the band’s 15th anniversary. Most of these tracks were pop songs, like SIA’s Titanium, BRUNO MARS’s Grenade, and LANA DEL REY’s Summertime Sadness, which featured in their live shows at the time (and on the deluxe edition of Hydra). Den Adel said they wanted each cover to sound like a WITHIN TEMPTATION song, and not just a simple stripped back arrangement. It is no surprise then, after spending months familiarising themselves with mainstream hits, that they became tighter songwriters, something which they continue to reap the benefits of to this day, but which was first heard on Hydra.

The reason WITHIN TEMPTATION are headlining Wembley Arenathis year is because of Hydra. It is the turning point in their career where they said no to limiting themselves, and realised their capabilities reached far beyond the confines of symphonic metal. They are too good at songwriting, too strong as performers to be anything less than a legitimate marquee band. Throw on any of its 10 tracks and you hear a band with a new sense of confidence at the start of a new beginning, discovering what they are truly capable of. It was the blueprint to go even bigger, even more widescreen, on what came next. Everyone was welcome on the journey. Just look at them now.

Hydra was originally released on January 22nd, 2014 via BMG.

[soisaidfine]

Ethel Cain: "“if you could have dinner with anyone dead or alive blah blah blah” 1980s bruce springsteen"

"It’s really a last gasping breath of innocence from a rocker who has embraced adulthood. No Surrender,” became a restless farewell."

Dave Marsh: Bruce Springsteen, 'No Surrender'

"“No Surrender” emerges as (barely) updated Sixties trash rock, far from the crisp electronics of the other Born in the U.S.A. tracks: Thunderous drums and surging washes of guitar support a vocal chorus straight off a 1965 Searchers’ album. The song’s declaration of faith in the transformative power of rock and roll struck some as naive, which was fair enough. The song was written as a character study but was clearly an intimate portrait of Springsteen’s own values. It’s really a last gasping breath of innocence from a rocker who has embraced adulthood. But juxtaposed with the newer sounds and curdled optimism of “Bobby Jean,” Springsteen’s other recent song, “No Surrender,” became a restless farewell, mingling a sure knowledge of the inadequacy of idealism with a stubborn refusal to renege on ideals. In that way the song resembles not “Bobby Jean” but “Born in the U.S.A.” “Born in the U.S.A.” is the anthem of a man who has surrendered to adulthood; “No Surrender” outlines the convictions that sustained him long enough to make that decision. Once that connection is made, it seems not only sensible but inevitable that these characters “learned more from a three-minute record than we ever learned in school.” And it’s the very vividness of his teenage recollection that makes Springsteen believable in the final verse, where he sums up his rock and roll dream:

'Now on the street tonight the lights grow dim The walls of my room are closing in There's a war outside still rag You say it ain't ours anymore to win I want to sleep beneath Peaceful skies in my lover's bed With a wide open country in my eyes And these romantic dreams in my head'

Brash as it is, “No Surrender” is perfectly confident as it lays out a purely “childish” set of values and acknowledges their continuing currency in adulthood."

Bruce Springsteen & Brian Fallon (The Gaslight Anthem): No Surrender, London Calling: Live In Hyde Park, 2009

[backup-baby-backup]

Very preliminary and speculatory writing of Midnights timeline

Disclaimer: All the exact dates are based on tracking Taylor's private jets, which is a controversial activity (to say the least). Those are sourced from @youareinlovees' detailed masterposts.

Aaron Dessner confirmed that High Infidelity and Would've, Could've, Should've were written and recorded during Grammys week in March 2021. Since Taylor was in LA between March 7th and March 15th only, we can safely assume that those songs were written within that period.

The Great War and Hits Different were probably written before Jack Antonoff became the main co-writer of Midnights, because (according to Dessner in the podcast above) that signified a change in concept, but they probably also weren't written in March 2021 since Dessner mentioned them separately.

According to Taylor, most Taylor/Antonoff co-writes were written in New York, when JA and Jack's fiance were filming in Panama. This means they were written between November 22nd, when Taylor flew back from Panama to New York, and December 16th, when Taylor flew to Panama.

According to Rolling Stone, Lavender Haze and Glitch came out of a session where Jack Antonoff, Sounwave, Sam Dew and Zoe Kravitz worked on Zoe's debut album. This was before Jack started working on Midnights (so before November 2021), but also Jack only sent those tracks (demos?) a few months later, which might put the date around late 2021/early 2022.

Also in the same article, Karma was a "last-minute Hail Mary"-- wouldn't be surprised if it was the last song to be written on the album.

Sweet Nothing mentions a trip to Ireland "last July", i.e. July 2021, which probably implies the song was written in 2022. Additionally, on 19 April 2022, JA did an interview where he mentioned he didn't intend to write any more songs under a pseudonym, which either means 1. he signed an NDA or 2. he had already written Sweet Nothing at this point. For wishful thinking purposes I will assume the latter.

Snow On The Beach, which was co-written with Lana Del Rey, was finished by 4 April 2022, as on that day Lana posted this photo on her Instagram, a colourized version of which was later included in this Instagram post.

Now on to the solo writes: Vigilante Shit is a mystery. It mentions Scooter Braun's ex-wife so that puts it after July 2021, but that's it. Maybe she saw the news of Scooter getting a divorce and cackled manically? (also I don't think the FBI line points to anything concrete-- more of a revenge fantasy than anything IMO)

Bigger Than The Whole Sky is also a mystery, but if you believe that it's about Claire Winter then that would place it after March 2022.

You're Losing Me... um... I really don't know? I think there is a possibility it was written along with most of Midnights in that Nov-Dec 2021 session, especially since JA was in a different country then, but it also could have literally been written last month and we would be none the wiser. Here I'm going to give Taylor the benefit of the doubt. Also Hits Different is a breakup anthem but we don't talk about that...

Midnights was most likely finished by May at the latest, when she quoted a lyric from Labyrinth in her NYU speech and may or may not have teased the name of the album in this Instagram post.

To conclude:

7-15 March 2021: High Infidelity, Would've, Could've, Should've

March-November 2021: The Great War, Hits Different, Vigilante Shit

22 Nov-16 Dec 2021: Maroon, Anti-Hero, You're On Your Own, Kid, Midnight Rain, Question...?, Bejeweled, Labyrinth, Mastermind, Paris, Dear Reader, You're Losing Me

Late 2021-Early 2022: Lavender Haze, Glitch

2022 (before May): Bigger Than The Whole Sky, Snow On The Beach, Sweet Nothing, Karma

Feel free to comment if you think I've missed something important or got something wrong, though I might not respond immediately (busy week coming up).

[moonshine999]

The Crows as Taylor Swift albums (pt.3)

because sleep and sanity are out the fucking window

Jesper Fahey : 1989

🎞️ “Everybody here was someone else before // And you can want who you want // Boys and boys and girls and girls” - Welcome To New York 

🎞️ “Nice to meet you, where you been? // I could show you incredible things // Magic, madness, heaven, sin // Saw you there and I thought // “Oh, my God, look at that face // You look like my next mistake // Love's a game, wanna play?"” - Blank Space 

🎞️ “And when we go crashing down, we come back every time // ‘Cause we never go out of style, we never go out of style” - Style 

🎞️ “You took a Polaroid of us // Then discovered (Then discovered) // The rest of the world was black and white // But we were in screaming colour” - Out of the Woods 

🎞️ “I said, "No one has to know what we do" // His hands are in my hair, his clothes are in my room // And his voice is a familiar sound”  - Wildest Dreams 

🎞️ “Tossing, turning // Struggled through the night with someone new // And I could go on and on, on and on // Lantern, burning // Flickered in the night, only you  // But you were still gone, gone, gone” - This Love 

🎞️ “Just grab my hand and don't ever drop it // My love // They are the hunters, we are the foxes // And we run” - I Know Places 

🎞️ “Ten months sober, I must admit // Just because you're clean, don't mean you don't miss it // Ten months older, I won't give in //Now that I'm clean, I'm never gonna risk it“ - Clean 

🎞️ “Haven't you heard what becomes of curious minds? // Ooh, didn't it all seem new and exciting? //I felt your arms twistin' around me” - Wonderland 

🎞️ “No proof, one touch // But you felt enough // You can hear it in the silence, silence, you // You can feel it on the way home, way home, you // You can see it // with the lights out, lights out // You are in love, true love” - You Are In Love 

🎞️ “You keep his shirt // He keeps his word // And for once, you let go // Of your fears and your ghosts // One step, not much // But it said enough” - You Are In Love 

🎞️ “And you understand now why they lost their minds and fought the wars // And why I've spent my whole life tryin' to put it into words” - You Are In Love

🎞️ “‘Cause baby, I could build a castle // Out of all the bricks they threw at me // And every day is like a battle // But every night with us is like a dream // It's poker // He can't see it in my face // But I'm about to play my Ace (ah) // We need love // But all we want is danger // We team up // Then switch sides like a record changer // The rumors are terrible and cruel //But honey, most of them are true” - New Romantics 

🎞️ “Baby, we're the new romantics // Come on, come along with me // Heartbreak is the national anthem // We sing it proudly // We are too busy dancing // To get knocked off our feet // Baby, we're the new romantics // The best people in life are free” - New Romantics

Wylan Van Eck Hendriks : Evermore

🍂 “You know that my train could take you home // Anywhere else is hollow // Begging for you to take my hand // Wreck my plans // That's my man” - willow

🍂 “How evergreen, our group of friends // Don't think we'll say that word again // And soon thev'll have the nerve to deck the halls // That we once walked through” - champagne problems 

🍂 “I don't like anticipating my face in a red flush // I don't like that anyone would die to feel your touch // Everybody wants you // Everybody wonders what it would be like to love you // Walk past, quick brush // I don't like slow motion double vision in rose blush // I don't like that falling feels like flying 'til the bone crush // Everybody wants you” - gold rush

🍂 “I notice everything you do or don't do // You're so much older and wiser, and I // I wait by the door like I'm just a kid // Use my best colors for your portrait // Lay the table with the fancy shit // And watch you tolerate it // If it's all in my head, tell me now // Tell me I've got it wrong somehow // I know my love should be celebrated // But you tolerate it” - tolerate it

🍂 “He reports his missing wife // And I noticed when I passed his house his truck has got some brand new tires // And his mistress moved in // Sleeps in Este's bed and everything // No, there ain't no doubt // Somebody's gotta catch him out” - no body, no crime 

🍂 “Showed you all of my hiding spots // I was dancing when the music stopped// And in the disbelief // I can't face reinvention // I haven't met the new me yet “ - happiness

🍂 “Break my soul in two looking for you // But you're right here // If I can't relate to you anymore // Then who am I related to?” - coney island 

🍂”You're a cowboy like me // Perched in the dark // Telling all the rich folks anything they wanna hear // Like it could be love // I could be the way forward // Only if they pay for it” - cowboy like me 

🍂 “When I dropped my sword // I threw it in the bushes and knocked on your door // And we live in peace // But if someone comes at us // This time, I'm ready” - long story short 

🍂 “Long story short, it was a bad time // Long story short, I survived” - long story short 

🍂 “‘Cause every scrap of you would be taken from me // Watched as you signed your name Marjorie // All your closets of backlogged dreams // And how you left them all to me” - marjorie 

🍂 “You're alive, so alive // And if I didn't know better // I'd think you were singing to me now // If I didn't know better // I'd think you were still around” - marjorie 

🍂 “It cut deep to know ya // Right to the bone // Yes, I got your letter  // Yes, I'm doing better  // I know that it's over  // I don't need your closure” - closure

🍂 “And when I was shipwrecked (can't think of all the cost) // I thought of you (all the things that will be lost now) // In the cracks of light (can we just get a pause?) // I dreamed of you (to be certain we'll be tall again)” - evermore 

🍂 “Sometimes giving up is the strong thing // Sometimes to run is the brave thing // Sometimes walking out is the one thing // That will find you the right thing” - it’s time to go

🍂 “Now he sits on his throne in his palace of bones // Praying to his greed // He's got my past frozen behind glass // But I've got me” - it’s time to go 

(Kaz, Inej, Matthias and Nina are already posted)