#Music Business Advice

[femmefatalevibe]

Hello! I’ve just changed industries and I’ve changed to a big one (music industry but the business side) and I need to do networking, mostly via LinkedIn since I’m my city this industry is mostly death. Do you have any tip or advice? Because every time I open LinkedIn I start to doubt myself since I’m 30 changing from an industry to another one with not experienced. I’ve studied a master degree but for personal reasons (taking care of my parents) couldn’t change industries before and it gives me more anxiety, so the motivation to network is nonexistent. Thank you 🖤

Hi love! So exciting you've made an industry change you've been hoping to make for years. Congrats!

Here are some tips:

Optimize your LinkedIn profile around your new industry and job/career aspirations (this will optimize your profile for searches and incline more people in your industry to trust your profile/read & hopefully answer your message)

Do your research on your prospects and share your similarities/similar interests. Make it clear why you reached out to them specifically (some position they held, working at a certain company, an article they shared, etc.) and how it aligns with your career experience/goals to communicate why you two should connect

Once you get a warm lead, invite them to get a coffee (digital gift card) for a virtual informational interview about said experience, industry focus, career path, similar interests/field specialties, etc.

Ask thoughtful questions. Genuinely listen to their opinions, perspectives, interests, and expertise

Reconnect with old contacts/existing network; Catch up and see if they have any (new) industry-relevant connections

Connect your old/new connections with each other. Being known as the social connector among your existing network/within your new industry can only open doors to many immediate and future opportunities

Build authority and a strong personal brand by sharing industry-relevant articles and commenting on those shared by others; Create/answer polls and questions prompted by those new to your network and leaders in your industry

Hope this helps xx

[thepersonalwords]

Do not assume that people are seeing you. The more you can clarify, optimize, and engage your fans and strangers with branded marketing and merchandise, the better chance you have of being seen and then heard.

Loren Weisman, The Artist's Guide to Success in the Music Business (2nd edition): The "Who, What, When, Where, Why & How" of the Steps that Musicians & Bands Have to Take to Succeed in Music

[kissingarthurclaus]

So what if I want Toki to imprint on me like a baby duck I think it's what we BOTH deserve 😤😤

[taoistpenguin]

making music in the 1980s - then vs. now

I see a lot of young musicians on social media saying they’re considering quitting music because they haven’t gotten enough clicks or likes or follows. I’ve been writing, performing and getting paid from music since the early ‘80s so I thought I’d provide some context of what the game was like back then, in my case in New York City, in the pre-social media, pre-video universe:

Among my friends, deciding to play music wasn’t a career choice, it was driven by a need for creative self-expression. There weren’t schools or online courses promising shortcuts to glory like there are now. Sure, you wanted to be successful, but that wasn’t the primary motivation. You did it because you literally knew no other way to express yourself. It’s not an exaggeration to say music was life and death for a lot of people.

You got a day job that you didn’t care about, just to pay your rent and bills. You saved every extra penny to buy gear. You split the cost of a rehearsal space and spent every night of the week doing something musical. If you weren’t rehearsing, you were gigging, and if you weren’t gigging or rehearsing, you were on the scene, checking out bands, making connections, trying to become part of a community.

When the band was ready you paid maybe $350 to go to an 8-track studio and make a 3-song demo tape. Yes, there were cassette portastudios and reel to reel decks, but most people didn’t have the necessary space or outboard equipment to make a professional sounding home demo. Yes, you could do it in an empty loft or garage with your own gear, but it would sound like crap. After you made the demo you took a band photo. Good music videos were expensive, so that wasn’t really an option.

You copied your demo and photo and took them to every club you wanted to play. You got the booker’s phone number and would call every week on a landline – no cell phones, so no texting - to harass them about when they were gonna book you. When you did get a gig, you hoped it was a good time slot. Back then, nightlife didn’t start until around 10pm, so if you got an earlier slot you were bummed. Midnight was prime time, and it wasn’t unusual to see bands playing full rooms at 1 or 2 am.

To promote your show, you xeroxed your homemade flyers, went out in the middle of the night, and stuck them to every flat surface you could find in as many parts of town as you could cover. In the days before email, you also mailed flyers to the mailing list that you got by asking people to write their names and addresses on a clipboard at your shows.

When it was time for the gig, if you didn’t own a band van, you hired one to get you and your gear there and back. If you played well enough and brought enough people to your show, the club would book you again. If you were serious and didn’t let drugs and drink get in the way, your band would improve and eventually you’d start getting better time slots on better nights. As word of mouth spread, you’d get bookings in different neighborhoods and eventually out of town.

Throughout all of this you’d be sending tapes and photos to press and record labels, inviting them to your shows and trying to get signed. If you were lucky, the Village Voice or a local zine would write about you, and sometimes that led to more shows in new places. If you stayed in the game long enough and behaved professionally enough, you eventually met people who enjoyed what you were trying to do, and tried to help you. But mainly you said “yes” to every potential opportunity.

There were plenty of nights when there weren’t a lot of people in the room. I remember playing at CBGB once when the only person there was the bartender. What did we do? We rocked as hard as we ever did, and got him nodding his head and air drumming along with us. We figured this guy had seen a thousand bands at that job, so if we could get him to respond we took it as a victory,

All this to say that if you’re thinking of giving up because you’re not gaining a bunch of superficial followers on social media, you might not be in this for the right reasons. Likes and follows don’t require any real investment in your career. They’re fair weather friends. Don’t chase trends. Focus on making music that matters and hit it hard every single time.

[gibsonmusicart]

Songwriting is a craft that requires both talent and skill. Creating a song that resonates with listeners involves a combination of creativity, technique, and a deep understanding of music. Whether you're a seasoned songwriter or just starting out, these five tips will help you enhance your songwriting process and produce compelling music that captures hearts and minds.

[xcziel]

wow they decided to copy yoongi almost exactly: concert lovefest for army and then dip

[sloaaaa]

back to wanting to learn how to make musiicj.. but everytime i try startign i hit a wall right awaey. wher do i even start T^T

[jonnyardor]

How you can make it as ethical indie musician or writer

Check out Chance the Rapper, Russ, and Larussell to name a few artists that make a living with a sizable income, cultural impact and artistically high-quality hip hop. Your favorable assessment of the record label is not just outdated but distorted since even Nina Simone had to get her money from the label at gunpoint at one point. It doesn’t factor in the systemic exploitation of artists (check…

[hidemiwoods]

Pride or Survival hr680

When I lived in Tokyo in my early twenties, I desperately tried to succeed as a musician while working at a part-time job. Although I had clearly envisioned a plan for success, reality was much more cruel than I had expected and ate into me both physically and mentally. I consumed a large amount of alcohol every night to get rid of stress and exhaustion. I knew it didn’t help as I found in the…

[sceneloc8]

Top Restaurant and cafes Location For Shooting in Mumbai

Mumbai, India’s lively city, is not just a great place to eat, it’s also a great place to work on creative projects. SceneLoc8 has compiled a list of the best restaurants and cafes in Mumbai for your pre-wedding shoot, photography session, music video, or vlog. These places have the perfect mix of atmosphere and style to make your vision come true.

Possibilities for creative content:

Pre-Wedding Shoots: To add a touch of class to your pre-wedding photos, take pictures of timeless moments of love and romance in stylish cafes or fancy restaurants.

Photography: Look into the unique interiors and architectural details of Mumbai’s best cafes and restaurants to take pictures that show off both delicious food and artistic skill.

Set the scene for your music video in a trendy café or a cozy bistro. The atmosphere and energy of these busy spots will come through in your images.

Vlogs: Show your viewers your cooking adventures and dining experiences through interesting vlogs shot at Mumbai’s famous restaurants and cafes, giving viewers a taste of the city’s lively food scene.

Filming: To make your scenes seem more real, use famous Mumbai cafes or high-end restaurants. This will immerse viewers in the city’s rich cultural tapestry.

Advice for people who make content:

If you want to shoot in a Mumbai restaurant or cafe, keep these things in mind:

Permission and Cooperation: Make sure you get the right permissions from the business before filming or taking pictures. This will make sure the shoot goes smoothly and without any problems.

Time: Plan your shoot for a time when it’s not busy so that there aren’t too many people around and you can get a good sense of the atmosphere of the place.

Respectful Behavior: When you’re shooting, be aware of other customers and staff and treat them with respect. Stay professional and polite the whole time.

Creative Composition: Use the restaurant or cafe’s unique features and atmosphere to your advantage by experimenting with lighting, angles, and composition to make content that looks stunning.

Showing Off the Experience: In your content, talk about the venue’s atmosphere and tasty treats, giving people a tantalizing look into the dining experience.

Why You Should Write Content in Restaurants and Cafes:

The restaurants and cafes in Mumbai are great for content creators in many ways:

Aesthetic Appeal: These places, from trendy cafes to high-end restaurants, have stylish interiors and interesting decor that make them perfect for posting visually appealing content.

Flexibility: Mumbai’s restaurants and cafes can be used for a variety of creative purposes. They can be used as quiet places for intimate scenes or as busy places for lively visuals.

Cultural Significance: Many famous restaurants and cafes in Mumbai have cultural significance. Showing the city’s culinary history will give your content more depth and authenticity.

Accessibility: These places are in different neighborhoods across the city, so they are easy to get to for your shoot because of logistics and transportation.

Unlock the culinary charm and creative potential of Mumbai’s top restaurants and cafes with SceneLoc8. Whether you’re a photographer, filmmaker, or content creator, these iconic locations offer the perfect setting to bring your vision to life. Explore, create, and capture unforgettable moments amidst the vibrant backdrop of Mumbai’s dining scene.

#RestaurantShoot #CafeLocations #MumbaiPhotography #ContentCreation #SceneLoc8 #PreWeddingShoot #MusicVideos

Follow Our Whatsapp Channel:

@SceneLoc8 India

@SceneLoc8 Mumbai

[astrow1zar6]

Astro Observations- 35

Libra Venus’s are usually so artistically gifted but rarely ever believe in their talents. They’re usually really good at thinks like interior design, party planning/decorating, makeup ect. I notice most never believe they’re that good but the stuff they create is so aesthetically pleasing. If they get confident enough they have the ability to run a really successful business just off their creative

Venus in Leo’s also have amazing artistic talent but the only difference is they have a lot more confidence showcasing their art compared to Libra Venus who’s more indecisive about if their work should be displayed. Most Leo Venus’s I meet are amazing drawers and painters and usually make money from their creativity easy. Also this placement is very ambitious, most I see are well educated and usually make a good amount of money ( probably because of their love for luxury they tend to strive higher than most).

Mercury in the 12th house people are always complaining on how no one understands them but also refuses to talk about themselves.

Scorpio moons I feel like are way more sensitive than cancer and Pisces moons. They just conceal it better.

Capricorn moon are the worst people to vent to imo. It’s like emotions are completely foreign to you them you’ll be crying about ur feeling and they’ll just stare at you like “•—•” Aquarius moons can be like that too but I feel like they’re more open to listening to your feelings while cap moons choose to avoid them completely

On the flip side cancer moons I feel like are the best to vent too. I feel like talking to them is such a no judge zone they’ll just listen to you and support you. They’re natural made therapists!

I notice a lot of Virgo suns are obsessed with being popular or seen as “cool”. It’s probably due to their perfectionist tendencies. Can act a little fake to get people to admire them (ESPECIALLY with Libra placements).

Cancer suns with Gemini placements can be big copy cats

Aquarius moons really love music. They have the most unhinged playlists though😂

Usually cancer Venus’s get married and start a family very young. They mature fast in a romantic sense.

Pisces Venus’s attract so many admirers (it’s an exhalted placement) but because of this they can never make up their mind on who to settle down with. No one talks about how bad these people’s commitment issues are especially the men. They can be more indecisive than libra Venus’s.

Virgo moons stop giving advice no one asks for. Lecturing people about their flaws 24/7 will not help fix them

Venus in retrograde individuals tend to lack a lot of social etiquette. People usually perceive these people as rude or disrespectful.

People with Capricorn and Aquarius in their chart are just tooo cool. Everything they do they make look really cool even if they’re picking their nose. They give off a confidence vibe like they just know what they’re doing which causes a lot of people to follow them or try to impress them. Giving CEO vibes.

Aqua Venus’s are really attractive when they act nonchalant and don’t care. The more the look like they don’t care they draw mad ppl in.

Taurus moons are called boring a lot by their peers

Saturn in 5th & 7th house 🤝 taking things way too seriously when it should be fun

[gibsonmusicart]

9 Questions About Learning Music You'd Want Answers For

By Ced Yong

1. Do I Need to Read Music in Order to Play an Instrument?

There are many stories of legendary musicians never learning to read music throughout their careers. While this is very encouraging for beginners apprehensive about the challenge of mastering musical notation, the following must be considered: a. Learning to read music allows you to easily communicate with other musicians. Bluntly put, unless you are a celebrity or a matchless genius, most other players are going to find you a nuisance to collaborate with, because there is no quick way to communicate with you. Many tutors will find you a pain too. b. The ability to read notations opens up a world of useful resources. Such resources, particularly professional ones, inevitably require you to understand musical notation. c. Being able to read music means you can notate music too, with notation itself a systematic and reliable way of examining your technique. For example, while penning a score, you might notice your tendency to over-extend notes or clip them, or end on weird beats. In summary, when you bother to learn how to read and notate, you equip yourself with a most useful tool for the long run.

2. Is Learning Music Theory a Must?

Before all else, music theory is different from reading music. The latter is the ability to understand notations i.e. read a score. In contrast, music theory studies concepts such as scales, triads, harmonization, and so on.

As for the question itself, it is highly debatable whether one must possess extensive musical knowledge to be an accomplished player. Much of this is tangent on the genre you prefer to play, and the level of expertise you are aiming for.

That said, it is undeniable that some degree of musical knowledge will improve your learning journey. To give an example, knowledge of chord progressions vastly enhances your ability to play by ear. You wouldn’t need to experiment or guess. You already know what comes next.

Consider it this way too. Music is in essence, no more than an extremely elaborate system of rules and structures. The more you know about the system, the easier it is for you to master control. Correspondingly, the easier for you to excel too.

3. Am I Ever Too Old to Pick Up an Instrument?

The simple answer to this is that no one is too old to learn anything. It is a question of whether you want to, and whether you can put in the necessary effort.

Realistically though, we shoulder more burdens as we age. Burdens that include health concerns. The answer to whether you are too old to have a go at learning music thus varies from person to person. And it is dependent on: a. Can you afford the time? No one can truly master an instrument by just practising one hour every week. b. Can you afford the financial burden? Music is seldom cheap to learn. Neither is it a cheap hobby. c. Can you sustain your interest? d. Do you have the energy for endless drills and practices? e. Would learning that particular instrument, somehow, worsen whatever existing physical ailment you have? (See next question) f. What is your objective for learning a particular instrument? Are you merely seeking to entertain family and friends? Or are you hoping to someday perform professionally? The latter is, of course, far more difficult for older folks.

However discouraging the above areas might be, know this too. Adult learners aren’t necessarily handicapped, they can enjoy significant advantages over children. These include greater capacity for intelligent/systematic learning, knowledge of where to hunt for resources, greater communication skills, and of course, more financial resources.

4. What Are the Factors to Consider When Deciding Which Music Instrument to Learn?

Different instruments require different skillsets. Some instruments also exert substantial strain on certain parts of the human body. When deciding which instrument to learn, the very first step is to be utterly honest with yourself. The next step is to do thorough research.

a. Instruments such as the organ and drums require complex hand-leg coordination. Wind instruments such as the trumpet demand extensive training on embouchure. While such skills could be honed over the long-run, if you are exceptionally bad with them to begin with, your learning journey will be triply frustrating. b. Naturally, if you are suffering from some sort of hand/wrist injury, you shouldn’t be starting a piano course. A couple of hours each week practicing the violin is also not going to do wonders for your neck injury. Remember, under all circumstances, your physical well-being takes precedence. Don’t pick up any lesson that will worsen your health. c. Many, many instruments require you to practice with other musicians to fully master. The opportunities for such “jamming” should thus be a major consideration. d. If you opt for formal lessons, be sure to inquire about the student repertoire beforehand. While versatility in style and genre is beneficial to learning, you don’t want to be bored silly, because 90 percent of the time you are playing songs that puts you to sleep. e. The cost of learning certain instruments is far higher than for others, typically because some instruments are significantly more expensive. Financial consideration is therefore a must, however unpleasant the process is.

5. Must I Own an Instrument to Learn It?

Even if you are not exceptionally talented, as long as you make the effort to diligently go to practice sessions, you will eventually master the instrument.

Eventually. After a good amount of inconvenience, work/study disruptions, time sacrifices, etc.

Personally, I think nothing beats having your own “gear.” You can practice as and when you like to or need to. If you are considering renting equipment, do note that such costs could easily accumulate to substantial amounts in the long run, too. You might actually be better off buying the instrument right at the start.

1. Do I Need to Read Music in Order to Play an Instrument?

There are many stories of legendary musicians never learning to read music throughout their careers. While this is very encouraging for beginners apprehensive about the challenge of mastering musical notation, the following must be considered: a. Learning to read music allows you to easily communicate with other musicians. Bluntly put, unless you are a celebrity or a matchless genius, most other players are going to find you a nuisance to collaborate with, because there is no quick way to communicate with you. Many tutors will find you a pain too. b. The ability to read notations opens up a world of useful resources. Such resources, particularly professional ones, inevitably require you to understand musical notation. c. Being able to read music means you can notate music too, with notation itself a systematic and reliable way of examining your technique. For example, while penning a score, you might notice your tendency to over-extend notes or clip them, or end on weird beats. In summary, when you bother to learn how to read and notate, you equip yourself with a most useful tool for the long run.

2. Is Learning Music Theory a Must?

Before all else, music theory is different from reading music. The latter is the ability to understand notations i.e. read a score. In contrast, music theory studies concepts such as scales, triads, harmonization, and so on.

As for the question itself, it is highly debatable whether one must possess extensive musical knowledge to be an accomplished player. Much of this is tangent on the genre you prefer to play, and the level of expertise you are aiming for.

That said, it is undeniable that some degree of musical knowledge will improve your learning journey. To give an example, knowledge of chord progressions vastly enhances your ability to play by ear. You wouldn’t need to experiment or guess. You already know what comes next.

Consider it this way too. Music is in essence, no more than an extremely elaborate system of rules and structures. The more you know about the system, the easier it is for you to master control. Correspondingly, the easier for you to excel too.

3. Am I Ever Too Old to Pick Up an Instrument?

The simple answer to this is that no one is too old to learn anything. It is a question of whether you want to, and whether you can put in the necessary effort.

Realistically though, we shoulder more burdens as we age. Burdens that include health concerns. The answer to whether you are too old to have a go at learning music thus varies from person to person. And it is dependent on: a. Can you afford the time? No one can truly master an instrument by just practising one hour every week. b. Can you afford the financial burden? Music is seldom cheap to learn. Neither is it a cheap hobby. c. Can you sustain your interest? d. Do you have the energy for endless drills and practices? e. Would learning that particular instrument, somehow, worsen whatever existing physical ailment you have? (See next question) f. What is your objective for learning a particular instrument? Are you merely seeking to entertain family and friends? Or are you hoping to someday perform professionally? The latter is, of course, far more difficult for older folks.

However discouraging the above areas might be, know this too. Adult learners aren’t necessarily handicapped, they can enjoy significant advantages over children. These include greater capacity for intelligent/systematic learning, knowledge of where to hunt for resources, greater communication skills, and of course, more financial resources.

4. What Are the Factors to Consider When Deciding Which Music Instrument to Learn?

Different instruments require different skillsets. Some instruments also exert substantial strain on certain parts of the human body. When deciding which instrument to learn, the very first step is to be utterly honest with yourself. The next step is to do thorough research.

a. Instruments such as the organ and drums require complex hand-leg coordination. Wind instruments such as the trumpet demand extensive training on embouchure. While such skills could be honed over the long-run, if you are exceptionally bad with them to begin with, your learning journey will be triply frustrating. b. Naturally, if you are suffering from some sort of hand/wrist injury, you shouldn’t be starting a piano course. A couple of hours each week practicing the violin is also not going to do wonders for your neck injury. Remember, under all circumstances, your physical well-being takes precedence. Don’t pick up any lesson that will worsen your health. c. Many, many instruments require you to practice with other musicians to fully master. The opportunities for such “jamming” should thus be a major consideration. d. If you opt for formal lessons, be sure to inquire about the student repertoire beforehand. While versatility in style and genre is beneficial to learning, you don’t want to be bored silly, because 90 percent of the time you are playing songs that puts you to sleep. e. The cost of learning certain instruments is far higher than for others, typically because some instruments are significantly more expensive. Financial consideration is therefore a must, however unpleasant the process is.

5. Must I Own an Instrument to Learn It?

Even if you are not exceptionally talented, as long as you make the effort to diligently go to practice sessions, you will eventually master the instrument.

Eventually. After a good amount of inconvenience, work/study disruptions, time sacrifices, etc.

Personally, I think nothing beats having your own “gear.” You can practice as and when you like to or need to. If you are considering renting equipment, do note that such costs could easily accumulate to substantial amounts in the long run too. You might actually be better off buying the instrument right at the start.

Source: Amazines.com