#MUSIC MATTERS! MAKE ME FEEL THE EMOTION MY CHARACTER IS SUPPOSED TO BE FEELING

[northwest-cryptid]

I totally realize there's someone out there who is going to be like "ugh you don't get it fucking weeb" but the soundtrack to Baldur's Gate 3 is so bland and generic and bad in my opinion. The tense moments don't feel tense, the hopeful moments don't have that sting of hope. They're just [Generic High Fantasy Battle Music.Wav] and I kinda hate it.

Like when my partner and I seamlessly worked together fighting literally back to back against a whole camp of goblins horribly outnumbered and using our wits and teamwork to come out victorious I don't want some generic high fantasy background music I want my dramatic EMOTIONAL music with the string instruments and horns section coming in with bright triumphant chords to signify that our heroes are pressing an advantage but uh-oh another wave of stronger goblins showed up and what's this? The music has now shifted to dark dramatic tones with organs and vocal choirs signifying our struggle has turned drastic, now you know our heroes have their backs to the wall, surrounded on all sides and will need to fight tooth and nail to come out in one piece. Only to have that same motif from earlier usher in a hopeful and climactic finale where the whole thing comes together to really sell the impact of this life or death situat-

What do you mean "they're just goblins calm down"? Isn't this supposed to be immersive? Isn't my character's life supposed to be on the line? We're outnumbered 4:1! They have us backed into a corner! Yea I know they only have like 8 HP a piece but- Well no you wouldn't know that if it was real would you? IS THIS SUPPOSED TO BE IMMERSIVE OR NOT? PUT THE RULESBOOK DOWN THIS INSTANT! OH FUCK THIS I'M MUTING THE GAME OST AND PUTTING ON MY OWN.

[theygotlost]

good afternoon here's my big rant on my pet peeves for subtitles in movies and tv

This is a post that I’ve thought about making probably for years now but never got around to. I might add more later if I realize I’ve forgotten any

When it comes down to it, the purpose of subtitles is this: to reflect exactly what the audience can hear, precisely when it can be heard. If you fail to do this, your subtitles are bad and you should feel bad. Although I don’t have concrete examples for most of these off the top of my head, I promise I have experienced them all firsthand at least once.

-> Watch for spelling and typos. Obviously.

-> Syncing issues.

This should go without saying, but the captions should be synced as closely as possible with dialogue and sound effects. Subtitles that are out of sync are worse to me than no subtitles at all. They’re unbearably distracting and I have to turn them off. I’m fortunate enough that I can keep watching without them, so imagine how frustrating this is for someone who needs to keep them on no matter what.

-> Jumping the gun.

This is basically an example of out-of-sync subtitles that are slightly too fast, but it gets its own category because it ruins the viewing experience in its own unique way. In particularly dramatic scenes, actors will often draw out their lines or pause between phrases. Captions sometimes fail to reflect this by displaying the entire sentence all at once, allowing the audience to read what someone is about to say before they actually say it, which deflates all the dramatic tension of the scene.

-> Phantom captions.

This one is less self explanatory, but it’s kind of similar to syncing. Sometimes there will be significant intervals of time between lines of dialogue, especially after a scene ends and a new one begins. The interval may include music, sound effects, or complete silence, but what I’m calling a “phantom” is a caption that stays on the screen after that last line of dialogue is delivered until the next line is spoken. I don’t remember what I was watching, but there was one that was glued to the screen for SEVERAL MINUTES over what was supposed to be an atmospheric break between scenes and it drove me nuts. In my experience this happens more often with older subtitling for DVDs and some old videos and less with modern streaming. 

-> Straight up spoilers.

Sometimes, a character will speak whose true identity has not yet been revealed to the audience. If I’m not supposed to know the character’s name yet, don’t just… tell me right there in the captions whenever they say something. Descriptors like “disembodied voice”, “man”/”woman”, “mysterious figure”, etc. will suffice.

-> Lack of musical descriptors.

It usually helps to describe the genre or emotion of the music that’s playing rather than just writing [music] or 🎵. That being said, if there is a song playing that’s particularly well known in the mainstream, I think it’s useful to actually include the name of the song. This one I do have a concrete example for: in Arrested Development, Gob always blasts The Final Countdown during his acts. But the captions on my DVDs for the show always describe it as [stagy pop]. Like yeah I would say that song is some pretty stagy pop, but I think a lot of the humor comes from knowing that it’s specifically The Final Countdown by Europe because it’s such a perfectly corny selection that Gob would make.

Another musical failure is not transcribing pertinent lyrics. If the song is playing in the background, then that’s understandable and it can be kind of distracting if there’s dialog happening on top of it because the audience isn’t actually meant to be paying close attention to the song. But if the song is front and center, like for a musical number or montage, then the lyrics can be pretty important. Last year when I watched Arcane on Netflix with my family (a recent, high budget production from the biggest streaming platform ever), the show had the nerve to write [man rapping] over a musical sequence. Imagine if all subtitles ever just said [person speaking] for the entire movie.

-> Affectations.

If a character starts using a silly voice or accent, or if the sound of their voice changes in any way, describe that. If the audience can hear the difference, the subtitles should reflect that difference. And they should reflect it informatively and accurately; for example, don’t just say [mock accent], but specify [mock French accent]. 

-> Paraphrasing.

I don’t even know why this is an issue, but it’s alarming how many times the subtitles just… straight up don’t match what the characters are actually saying. It’s like the transcriber was forced to write all the captions from memory, so they kinda sorta say the same thing, but the wording is different and some sentences or phrases are missing. When I brought this up with my mom she theorized that the transcriber was working off the script for the movie because hey, that’s all the dialogue already written down, right? But it completely fails to account for revisions, improvisation, or actors delivering their lines even slightly different than how they were originally written.

And last but certainly not least, one of the biggest offenders in bad subtitling…

-> [Speaks foreign language]

If someone says something in another language, please, for the love of god, do not just write [speaks foreign language]  and call it a day. Specifying the actual language is an improvement, but this descriptor only works if the audience members are truly not meant to know what’s being said (which is sometimes the case). If a character is only saying a single word or phrase in another language, transcribe it. As in, write down the actual words that they said. If you don’t speak that language, find someone who does. You are insane for transcribing a character saying “hola” or “abuela” in an otherwise English sentence as [speaks Spanish] (real examples I saw respectively in Rango and JANE THE VIRGIN. THERE’S SO MUCH SPANISH IN THAT SHOW). 

If the audience is supposed to know what someone is saying in another language, English subtitles will usually be hardcoded. DO NOT, UNDER ANY CIRCUMSTANCES, LET THE CAPTION SAYING [SPEAKS FOREIGN LANGUAGE] COVER THESE UP. This is actively impeding understanding, not helping it. Jesus christ

* Please keep in mind that I’m not deaf or hard of hearing and I don’t have auditory processing disorder; I almost always watch movies and tv with subtitles whenever the option is available because it helps me absorb information better. If I don’t even strictly NEED subtitles and these are issues for me, I can only imagine how much more difficult it is for those who rely on them more heavily. I invite you to add your own perspective!!

[ochrearia]

RGB Trio according to my Synesthesia

Been mentioning it on and off for a bit but I experience the world differently. "What is a Synesthesia Portrait?" Good question! I have synesthesia, specifically the one that connects hearing and sight called Chromesthesia. What that means is sounds/songs will trigger visions of shapes and colors for me whenever I listen. Due to this music is a super important part of how I process the world in general, and what I grew up learning was to perceive people's personalities as music too. Everyone has a song out there that encapsulates who they are to me! Even fictional characters if I know enough. So, I bridge the gap and make it so people/characters have these abstract portraits of themselves. Stylized, of course, in reality these forms are much more blurred together than crisp in lines. I just paint them in this way to make it a little more understandable.

I've been a little disconnected from making synesthesia art for some time and this is my way of getting back into it. Turning my blorbos into art because I'm cringe and free. "But they don't really have personalities in FNF" you underestimate my ability to derive pieces of people from the smallest "insignificant" actions. I pay ATTENTION. Here's their songs in order of BF, GF, and Pico-

BF, and I describe him as a goddamn tranquilizer dart to the head because it's correct. Despite being a gremlin piece of shit he's dedicated and confident and stupidly, brainlessly fearless. And his intentions can come off very sweet regardless of him being a menace. Dude's passionate about what he thinks is right and fights for it. Weird how he always seems to win like he overpowers everyone with his own sound, talks them down and placates them without ever needing actual words.

GF, because she may also be a bit (a lot) brainless but it's with an air of mischief and mysticism that feels like dancing a waltz. She seems like the sweetest and kindness person out there because honestly, she probably is. Despite being dumb she's definitely hiding emotional smarts in that pretty head. And she's strong too, strong within herself and strong because she's a demon. But no matter what and no matter how little we end up really seeing her she manages to capture the attention like the way a violin's strings pierce through any sound.

Pico, because he's lived through so much bad and maybe he might end up considering himself bad and unredeemable too. Playing into the idea he's a merciless killer who can be bought into doing anything terrible but he didn't pull the trigger when he was supposed to, twice. Loyal and moral when it comes to the people he cares about. Outwardly spiky and cold like a snowstorm but at the center it's only a soft flurry, lonely and wondering if he's really a lost cause or not. But it's okay, he's got friends that stick around and think otherwise.

[violet-moonstone]

once more defending my love, book!elphaba thropp

reading reviews of wicked and im seeing people say they hate book elphaba because she's "unlikable"

so many people love the feel good vibes of the musical while not seeing that they sound exactly like people who would have shunned elphaba at shiz for not being pleasant enough and making them feel unsettled instead of putting them at ease

I'm saying this because I find that people are often much more charitable towards fictional characters than real people -- and people IRL who have Elphaba's severe, unwavering personality and unwillingness to conform often face the same social stigma she did, no green skin required. Like yes, Elphaba was an outcast because she had green skin, but I don't think the green skin is the point of the novel. I think her being green is a visual manifestation of being so at odds with what you're "supposed" to be that people demonize you for it. Book Elphaba is queer and hinted to be intersex. I read her as neurodivergent, so this all tracks to me, and considering that other forms of oppression and stigmatization are very important themes in the narrative, I think the green-ness simply emphasizes to the other ways in which she's marginalized.

Trying not to go into the Wicked rant that I tend to do every few months but I feel it coming on

I'm all here for critiques of the novel, because it certainly has flaws, and I understand why people don't enjoy it -- but there is something funny to me about people wanting a narrative about looking beneath the surface to find true value but hating the version of that story that requires the most compassion to appreciate. Like the musical is fun and well-made but it does not require any effort to like musical Elphaba because she's conventionally attractive woman who's feisty and kinda quirky...oh and she's also green. And her being green matters more to the other characters than to us. We don't care that she's green (because we already know it would be wrong to judge her based on that) and the musical gives us no other reasons to judge her, so we don't really have to process any complex emotions.

(Sidenote, I think if book Elphaba were still green but more conventionally attractive, bubbly, and less political, she would not have been as much of an outcast -- at least not in her later adolescence. Her green-ness could have been a novelty or spectacle that she used to her advantage if she made up for it by being more palatable in other ways. Of course, she would never do this, because that's simply not Elphaba. She could never twist herself to be anything other than who she is, even out of social self-preservation.)

Book Elphaba is so much more prickly and unpleasant --and hell, so was I at the height of my social ineptitude and feeling like there was something so so wrong with me (because why for the love of God couldn't I just fit in and act the way the cool kids my age did).

Her unpleasantness and seriousness and insistence on talking about important things that make people uncomfortable are her green-ness imo. Those are the things that affect how we as the reader experience her, and we must experience her strangeness as well.

And while I understand that if the moral of the story is essentially "don't judge a book by its cover" then yes, you can tell a thematically sound story about a girl who is actually pretty cool but just happens to be green and talk about how she's ostracized simply because she looks different. That's a perfectly fine story -- but I think it can go much further -- because it's not only wrong to marginalize people who look different, it's also wrong to marginalize those who are internally different. Difference is persecuted whether its visual or behavioural.

Even if Elphaba weren't green, there are inherent aspects of who she is that prevent her from conforming to the ideal, both in her world and ours. And I think valuing her with all of those things in mind is a lot more rewarding than simply liking her despite the fact that she's green.

Anyway I love Elphaba Thropp and I don't think her being more palatable would have made the story better — it simply would have made it more popular, and I think on that at least, fans of both the book and musical should be able to agree is not an inherently better thing.

...

OK one last point, I saw someone saw they prefer the musical because it has more "girl power" meanwhile the book feels "obviously written by a man" and I just...dear god what a surface level take

Yes Gregory Maguire is a man (oh, the horror!), but he wrote the women in Wicked as people, without hand wringing about if they're likeable or pleasant enough. They are flawed and raw and not just there to make the audience feel warm and fuzzy. He writes about sexuality without making women feel like sexual objects -- I suspect because he also writes about the sexuality of his male characters (the women aren't just in the story to turn us on) and he himself is gay, so there may be less male-gaze going on than with a lot of men who write fantasy. Yes, characters are described in sexual ways, but this happens regardless of gender.

[kay-jay-self-shipping]

Words of Wisdom For Fellow Writers

I've been writing stories for thirteen years, mainly fanfiction, but that's as valid and writing a full length novel, given how many words my main story alone has. (over 300k words.) And I wanted to pause to give some advice to new writers, or even writers that have been in a bit of a funk lately.

I read stories as much as I write them, but haven't done so in a while, because it feels like the amount of stories for my favourite characters has dropped significantly as the age of media changes. Hopefully, this little act of motivational speaking will remedy that a little.

Write what you want, no matter how cheesy it might seem. Yes, make your characters well-rounded and ensure they're fleshed out and interesting, but don't be afraid to experiment and come up with new concepts that YOU find interesting! Is that storyline overdone? Who cares, if you would read it, write it, because you're guaranteed to find at least one other person who would read it too!

Don't be afraid of making mistakes! My stories can range from 10k words to 100k words and even further, do you think every word is perfect? One story I've been writing for eight years ended up needing a total rewrite at one point due to some spelling errors and then a software error that caused it to get corrupted. Hell, even now, I'm still going back and fixing mistakes that I made recently! If I stopped writing because of each mistake, my Naruto story wouldn't be nearly 60 chapters long! Try to curb your need for the perfect sentence until you start proof-reading, because you won't get anywhere if you keep obsessing over that one phrase that doesn't sound right.

Imagine your story as a movie in your mind. I grew up watching anime and reading manga, so I find it easier to write if I imagine the scenes happening like a scene from a show in my head. Put in the detail you want, but don't repeat yourself, (unless its a flashback.) Actions speak louder than words, but since words are our tools, explain the actions.

Emotion makes for a compelling scene. I use music, especially sad music to help me put emotion into my writing, because if I can feel it, the audience can feel it. There are so many emotional, happy and angry scenes in my stories that were pushed on by music, and I am not ashamed to admit it. Don't be afraid to make a playlist of music you know will inspire and make you feel, because the best storytelling comes from the heart.

If a chapter seems too long, don't be afraid to split it into more chapters. While my chapters can be 10k to 16k words unintentionally when I know a chapter pushes even beyond that, I split it into two or sometimes three chapters to ensure it doesn't drag out for far too long. If I had kept up my old chapter-writing style, I'd only be 20 chapters into my Naruto story, rather than 60.

Make a habit of writing at least one day a week, and set yourself a word count limit to help motivate you! I learned this one recently, but I managed to push out a chapter I was struggling to finish within a month thanks to my goal of writing 2000 words every time I put my fingers to the keys. I also have at least three scheduled writing days a week to make sure I get work done and don't neglect my love for writing or my desire to make an original series I want to get published.

Don't punish yourself for not writing. I admit, this is something I'm still trying to do, and it is hard. But fanfictions are supposed to be a hobby, and if you have to suffer to make it work, then obviously something is wrong and you need some time to rest. Don't give up, of course, but know your limits and take time to write something else if the mood fancies you. Hell, I did this and I came back to my other stories refreshed and ready to spell out a storm on paper!

There's probably more, but this is long enough, so I'll finish by stating the most IMPORTANT tip for any writer, be it original or fanfiction centered...

Learn the difference between criticism and cruelty. If someone comes onto your story and says "You suck and your story sucks," then that's cruelty. But, if someone comes up and says "I really love this story, but the characters seem a little off here, don't you think there should be more emotion, or maybe a change of heart?" That right there, is criticism, and it is VITAL that you learn the difference. Some cruelty can come off as criticism, so try to go through each one with a fine toothed comb to make sure that you understand and desensitize yourself to the content. Criticism is never meant to hurt you, remember that and make sure you take each word with grace. Delete hate though, no one has time for that, lol.

And this is just a final word. Cherish your readers, make sure they know how much their words make your day, because if you start a project, they might be the reason you don't give up. For all my readers, just know that I thrive when you talk to me, because it makes every struggle worth it if you smile by the end of my books!

Thanks for reading... and writers? Good luck on your projects, you're amazing and as a reader, I love it when you post new content!

(And just to prove how much you need to go easier on yourself with errors, I'm not proof reading this. My OCD hates me, but who cares! I'm proving a point!)

[goldensunset]

Fun fact about N’s character theme: it’s based on prime numbers! I don’t know enough about music theory to tell you exactly how, but it’s neat that the composer took his mathematical affinity into account -moon

ya!!!! that’s what i was talking about w the arpeggios. that’s a detail i think is great fs….

don’t get me wrong it wouldn’t surprise me at all if n’s battle theme was some masterpiece of musical composition on a purely technical level that i don’t get because i don’t understand complex math and music theory terms. i tried researching the meanings behind his name and just exploded. i mean look at this. i do not go there

like i’m sure they were absolutely cooking something intentional. it’s all so nerdy. i trust they made their choices for a reason. but i still disagree with them

i guess what i was getting at is that like extra flavor details in the music like this are great but what’s underneath really matters too… the main melody plays the biggest role in storytelling here. in a critical plot moment you should be able to listen to a track and just Feel a certain emotion and get an impression of what the character is like or what the situation is like. is it happy, sad, fearful, determined? unsettling? does it actually distinctly lack a melody, and what does that say about it? like without having to study details like this behind the scenes.. you shouldn’t need a phd the song should just hit you y’know

like it doesn’t exist within a vacuum it exists in the context of ‘i’m fighting this guy who by now i know means well and has been lied to and is in denial at this point, in the hopes that he backs down from trying to change the world for the worse and admits he was wrong, so that we can please be friends’ i understand n is an unusual sort of person and that formulas and calculations are part of his character quirks. but also at his core he’s not a machine or something he’s a human being with a lot of feelings and beliefs. that’s like. a really important part of the narrative… ik he suppresses his thoughts a lot but like

ig i just would’ve expected more of that passion in him to come out during his decisive battle. you would not have to change that much about it to satisfy my conditions. like his standard battle theme works fine for him when he’s battling you just to like test and study you in a calculating sort of sense but in the endgame you’d expect it to be more dramatic. which is why i love the pokemas version where it gets fused with his castle theme it sounds absolutely perfect like that’s the n theme we needed

the like. main part of n’s battle theme like the melody part… it is full of dissonant intervals. again who knows there might be a numerical thing to it that i’m unaware of but y’know like those are the sounds that make you distinctly uncomfortable. that composers use to signify fear or evil. i once woke up in a feverish mini-panic bc that song made its way into my dreams. (and that actually made me appreciate it more not less. lol. if you strike fear into my heart that’s a compliment). and i know he is an antagonist and you should be at least a little bit afraid of him but see like that’s the kinda thing they did for like. ghetsis. the pure evil dude of all time whose name is actually music-related too. the man is so evil he got named after his own evil music. ok king

basically n my man he deserves more to his battle music than sounding scary and cold

buuuut i guess you could say that’s what his encounter theme is for. ‘prisoner to a formula’ has a distinct melody (although that song is creepy lol). and then in b2w2 it gets remixed into a major key and it’s now called ‘n’s theme’ so like yay for once mr natural harmonia has a memorable theme that sounds like he gets sunlight and fresh air and that’s definitively considered to be his character theme!! yay!!!!!

idk. maybe this is all supposed to represent how he suppresses everything he feels and withdraws into his shell and his mechanical obsessive habits while he’s battling. bc his heart is distinctively not in it it’s not true to who he is as a character and also he’s in denial and trying to talk a big scary game the whole time. like the music represents his outer self not his inner self which is imo not ideal for a decisive character battle. and especially not given that his battle theme is at its core basically the same in the sequel even after he’s undergone character growth they bothered to make a remix but still didn’t add heart to it. as if they still wanted your impression of him to be offputting. but who knows!

[theheirofthesharingan]

This one's got nothing to do with your usual content, but what is your opinion on the Naruto soundtrack? If there are any, what are your favorite tracks? And why?

I love Naruto OST. Music usually adds so much to the story and Naruto is no exception. My favourite tracks would have abundance of the feelings related with Itachi and Sasuke, because I'm no expert in music and the technicalities, so I rely only on how it sounds and the feelings it wanted to evoke. The first should not be a surprise. xD

Senya (Itachi's Theme): I fell in love with this theme when I heard it in the episode #114. It captures his anguish, sadness, and darkness beautifully. It's sad, it's ominous. There's so much mystery to him, no matter how much we know about him, we don't truly know him. To me, Itachi's theme signified this detachment we're supposed to feel towards him. His theme also feels like you're walking in a dark alleyway that's inhibited by the ghosts of young souls and it's constantly raining. But instead of water droplets it's blood that's falling down. It might not make much sense, but this was my first impression of his theme.

Colourful Mist: It was played before too, but I fell in love with it when that Shisui and Itachi scene played in the Itachi Shinden arc. Shisui giving piggyback ride to him and all the peace and calm, and their deep bonding. Beautiful.

Man of the World: I loved that it was played with Sasuke's flashbacks about him and Itachi after Obito told him the truth. It's more of the effect of the scene and this music becomes even sadder because of it.

Decision: This is the track that plays during Itachi's second death and his flashbacks. The whole ambience is augmented by this music. It amplified the sadness, which wasn't as brutal as Itachi's first death, but still you know when Sasuke loses his brother forever and then the sudden ascent in the tune? That's like all that they both can't verbally say, but this bit conveys it wonderfully to us, audience.

Girei (Pain's theme): Instead of any emotional connect I love the sound of it. Pain is presented as this unattainable, godlike entity, and his theme tells you exactly that. He's dangerous, he's powerful but also a human, so there's some hint of vulnerability along with majesty too.

Sadness and Sorrow: It was played many, many times, for no particular character, but I loved it every time.

Akatsuki's Theme: They're the most badass characters in Naruto and their theme tells you they're not the people you need to take lightly. It's just how Deidara would say: EXPLOSIVE.

[lastoneout]

Okay I'm finally sitting down to properly watch the PJO series so here's an episode-by-episode live blog I guess. (Fair warning, I haven't read the books since I was a teenager, I am a smidge of an apologist for the films, and my favorite adaptation so far has been the musical.)

Episode One:

All of the actors are doing a really good job, I especially like Sally.

The costume design for both the monsters and the humans is pretty killer. I want Percy's sweater.

I also love the little seaside cabin and want to live there!!!

This is such a mild gripe BUT as someone with dyslexia I wish there was a better way to visually depict it without like, doing the swapping letters thing cuz that's just not what it's actually like at all.

Gabe maybe feels a little too funny. Like I'm supposed to hate him and think it's justified that he deserves to be turned into stone at the end, this version of him is really.....toned down, and his banter with Percy and Sally was fun to watch. I should hate him, but really he just came across as unpleasant. Less abusive asshole and more "old married couple who share interests but can't communicate without shouting" you know?

Loved Grover's little "I'm 24 actually" lmao that was great.

Not a fan of Percy immediately recognizing the Minotaur within a millisecond of it appearing before the audience even got a good look at it. Like, I just sat there thinking "how can he even see it?" rather than feeling scared of a big monster barreling at them.

The action is uh....fine? Feels a little lackluster. Or kinda....divorced from the rest of the show weirdly?? Idk it makes me feel like I'm watching a movie of a movie if that makes sense?? But we'll see where they go with it. (I know banter during a fight isn't realistic and people make fun of Marvel for it, but like...it helps to have at least a little talking. We don't wanna be Man of Steel.)

I feel like there's been a few "slightly out of sync ADR" moments but they weren't too distracting.

Pacing into Sally saying goodbye felt a little long, kinda took the shock of her dying out of the scene, but the actress REALLY sold all the emotional beats so I'll forgive it.

I LOVE the credits sequence!!! Reminds me of the designs on that one box set of the books in a really cool way.

Episode Two:

Oh yes the ugly ass neon orange shirts are here bless!

FUCK YES THAT'S DIONYSUS BAYBEEE!! My ONLY note is that he def could have turned up the energy a little, but that's probably just bcs I love how loud and unpleasant he is in the musical and I also know how unhinged this actor can be.

Chiron is such a delight <3

I like the cabins too, way better than how I imagined them as a kid reading the books lol

Oh, I can see why the new fans fell for Luke so hard.

Grover assuming a human being squished would be like an old banana is very funny. Felt very book-humor in a good way.

Clarisse!!

Oh damn actual disabled half-bloods, very cool!

Minor but I can't actually tell what Percy did wrong with the bow? Weird editing I guess.

Aside from that I actually love a good "fuck up" montage, I honestly wish it were a little longer.

Probably doesn't matter but I don't get having them burn the food after they've started eating? I thought that was a before you sit down type thing.

Percy burning the blue candy to try to talk to his mom was sweet tho T_T

"real friends" hahahaha.....yeah.......about Luke.......

yay! hazing!

Oh I love Annabeth already >:D

Thalia.....is pronounced differently than I thought....?

(I'm sorry I'm too much of a fan of 'Tree on the Hill' for this exposition dump. That shit hits harder when coming from Grover.)

Percy giving Annabeth the "actually I suck and my self esteem is riding on this so like pls don't ask me to do anything hard T_T" talk is just, so good lmao

ofc he doesn't know what's going on Annabeth you didn't tell him anything

Okay the action is a lot better when it's between the actual characters and doesn't involve a 3D monster, though I still had trouble following all the hits Percy was taking.

Oooh I can see why people did so much art of Percy being claimed that was a good shot.

FUCK YEAH TELL HIM YOU'RE SALLY JACKSON'S SON

(I hope they kept the Oracle in the attic...)

Okay I have to go do some things and then I'll be back for more!

[hevexns-realm]

Came to talk about Iris from your previous ask and how she is lowkey relatable (father issues part) and been wondering about the lore with your versions of Nazo and Seekladoom (no really where do I start? I’m only more familiar with Nazo)-—

Sees your reblog with superscourge.

Oh ahaha, well it was flattering you thought it was me for a second, but that was not me unfortunately. If they manage to top Glaze’s and Frontier’s AUs though I will be in awe and very scared….

I think it’s safe to say we Scourge Fans tend to really hurt the poor hedgehog when we can I suppose. 😅

On the other hand, hope with whatever we’re going through that we’ll both heal from it. 

-squeals- I AM SO HAPPY YOU ASKED!! 🖤💙🩵

Okay, I have so much on these two in general, I’m going to try and shorten it to keep things from getting out of hand! Because I’ll be here until 9:00PM the next day if I do- (/hj)

Also, I appreciate you being able to relate to Iris. I try to make my characters at least a little relatable, as we’re all human at the base, no matter what we physically look like. We all share similar feelings, emotions, personalities, and blood colors. Why should we judge on one’s physical appearance when we don’t know their lives? That’s at least how I try to think, even if my intrusive thoughts make it difficult sometimes, I always try my best to make sure they don’t affect my morals and hurt others.

So here’s their physical look to describe them as of now.

Nazo is 21 in this AU. Considerably studious amongst everyone else in the group. (with the exception of mephiles and iblis, because they’ve been around much longer than him in this AU.) His fur and quills are slightly darker in color than how he’s seen in Nazo unleashed, and are arguably more soft and fluffy due to his care routine.

Nazo has this mixed style of Old money, Dark academia, and whimsigoth all in one. Lots of simple yet elegant pieces with lots of accessories. He tends to wear a lot of crystal jewelry when he can, and tends to lean towards gold jewelry rather than silver. As it makes the contrast all the more appealing. That doesn’t mean he does experiment with different styles and designs, as he doesn’t care much about societal standards all that much. He wears what he feels comfortable in, and doesn’t mind the stares.

Despite him being a literal being of negative energy, and still being regarded as a villain by most, he’s considered more empathetic out of him and seelka. We also see him have more morals than most of the other villains you see throughout the story, and that’s due to his ability to sense negative energy in general. (Also through Sonic multiverse mayhem, where Nazo shows genuine concern over seelka wanting to burn down an orphanage, so we know he’s got some sort of morals.) as negative chaos energy Isn’t the only thing he feels, it’s negative energy in general, which includes negative emotions.

This negative energy goes into creating his perfect form, which is still obtainable with or without the chaos emeralds now, he just uses them as a power boost.

He loves classic/dark academia literature and history of humans, the scent of rain and earth when a storm is about to hit, and also likes melancholy type of weather. He loves tea, particularly the more sweeter ones, as he does have a small sweet tooth, and prefers to either stay inside or go somewhere quiet. He prefers solleanna’s cathedral libraries, the ones that are open until the late evenings as he drowns out the world in the great minds of the past. The histories of the world as he sees them form in his head. He also loves classical music, as there’s usually no lyrics to them. If there are, they have no cuss words or slang, innapropriate themes of drugs, gangs, SA, etc. It feels timeless to him, and it helps him relax whenever he is angry, or when he’s in the artistry room in their home, either designing something that came from his head, or drawing something that he saw while out and about.

Seelkadoom is 22 in this au, and is almost the complete opposite of Nazo. While he is also quite intelligent in not only books, combat, and street smarts, he’s also quite loud and brash when in particular groups of people. He’s quite extroverted, and is much more physically active than most of the others!

He loves anything grungy or alternative, this goes for both clothing and music. He loves the smell of metal, roses, leather, and rain. He loves comfort foods like soups, cultural comforts like onigiri, shrimp Alfredo, and just anything that’s warm and soft, warm, and filling. Although he’s not afraid of trying all sorts of culinary tastes from all over the world! He particularly likes music artists like Troy, Johnathan young, etc!

Cozy games from independent developers like lost in random, subnautica, and cult of the lamb are some of his favorites to play. Although he isn’t afraid of loading up overwatch or COD if he’s up for it!

Seelka has less morals than nazo, but not so few he’s considered a borderline monster. Even he has his limits and boundaries, and it’s best to be wise and not purposefully cross them too much, less you wish for death.

Seelka is a night owl. You cannot get this man to sleep at night unless you shove melatonin down his throat, which is why he likes to sleep all day and participate in cool stuff at night!

The only real “family” either of them have outside of the gang is seelkadoom’s creator/father, Dr. Eggman. They actually have a good relationship of father and son, and they tend to still hang around him on holidays.

How do they meet? Well, given the context that Nazo doesn’t die and he isn’t immediately taken into G.U.N’s custody, he’s basically Eggman’s right hand man. He’s the one that’s in control while the doctor is gone doing villian shit as he rests and recovers from the huge fight between him, shadow, and Sonic.

Few days later, seelka comes out of his coma after his fight with hyper sonic. With an itch to fight, he starts heading towards the doctor’s chambers to either get a fight out of him, or figure out where Sonic and shadow are to give them a beating maybe.

That is until the two lock eyes, and then the confusion begins. Who is this guy? Why is he in the doctor’s lab? Is he a friend or a foe? And why does he look conviently attractive?

So after a lot of confusion of the two wondering what the hell was going on, Eggman introduces them to the other and makes them work together.

It’s a slow process, but it’s not like they actively hate each other’s guts. It’s the usual strangers to friends thing with a little bit of awkwardness from Nazo. Eventually he warms up to seelka, and they become good friends.

Then a world pandemic happens, and G.U.N requires not only Dr. Eggman’s assistance, but seelka and Nazo’s help as well.

Then after a lot of soft moments while under G.U.N’s care, seelka finally got the guts to confess to nazo, which leads to a very soft and sweet moment between the two of them!

Once the experiments are done, and the pandemic subsides, Nazo and seelka are both paid generously by the government for their contributions and cooperation.

They both expected to get maybe like, $10-$20k, at most $30k. What they didn’t expect was for Eggman to come out crying tears of joy, showing they have almost $20 million in the bank.

So then Eggman takes on the role of seelka’s dad figure and helps them with the adult stuff. Taxes, bills, credit, investments, etc. In return he ends up being gifted $2,500,000 by the two, allowing him to be able to retire and live his life abroad. Not needing to keep fighting Sonic, as they’re willing to be the ones who cause mayhem for him.

Does that stop egghead? Nope, if anything it helps him get started on his empire! But instead of trying to take over the world, he starts with becoming the leader of a small nation, and start from there. Then he uses the money to invest into the people, the country, everything. Plus, unlike in Sonic prime, he’s actually a good and genuine leader, not blinded by the greed of wealth. As he knows wealth builds in the long run, and if he does it right, the world will be his. He just needs to keep a level head!

However, seelka starts getting bored staying inside all night and sleeping all day in their new home. So he eventually decides to take a shot at a night shift job, and is lucky enough to be taken under the wing of solleanna’s most prominent employer in the entertainment industry, Mary Jane the Cat, or MMJ for short.

She teaches him everything he needs to know about being a bartender and a card dealer, and eventually hires him for the job.

And that’s where they are now in my AU! I’m so sorry it took me so long to make this, school has been wacky, so I hope it’s worth the wait anon!

Taglist for any mutuals who want the lore:

@thebreadmeower @hunniegl4zed

[fromtenthousandfeet]

The fact that people only talk about Euphoria and still with you for JK but for Jimin every army knows the roster of lie, serendipity, filter and promise. I genuinely do not care which member is the "most famous" because for example currently Sabrina Carpenter is more famous than Olivia Rodrigo but OR will surge up again with her next album release and in the end I enjoy listening to them both. This comparison stuff is idiotic. But I genuinely laugh when people say JK is better than Jimin - because by what measure? Jimin has better songs and has more iconic performances. I guess people could say JK has better vocals but I'm gonna be honest that's highly subjective. It's not like we're dealing with a Beyonce or an Adele here. JK's level of vocals can be found in any SM groups vocalist. I'd say Jimin has the edge with vocal colour and JK's vocals are getting more bland with every passing year (why's his voice on still with you better than anything on golden?) while Jimin's getting better and better with vocal control which was the only area JK had a clear edge over him. Man is coasting by because he's the company favourite and has 11 years of company narrative pitching him as the main character but somehow Jimin's still keeping up with half the tools and half the support.

I suppose JK has a bigger army of femcels who want to f*ck him as fans and loser kpopies are also by his side. Poor Jimin missing out on that demographic of fans - very sad. But JK better hide his girlfriend better in the future because his crazy brood of fans may lose it if he ever decides to get into a public relationship. Ask kth on how quickly your fans turn on you for the cardinal sin of not being single or screwing your bandmate.

Old asks! This one is from August 5th.

Hmm. What to say? I don't like Jungkook's voice. I just don't. I didn't like it in Dynamite, and I don't like it now. When listening to BTS songs I find myself waiting for Jungkook's parts to end. I'm not sure what it is about the quality of his voice that bugs me, but it started long before I lost all respect for him during chapter 2. It feels too forced, maybe? He tries to use power to make up for a lack of emotion? A little too nasal? (Pro tip - address your food sensitivities to clear up your allergic rhinitis). My dream is for someone who is good with Garage Band, or another music app, to put JK and Justin Bieber singing the same notes side by side. I think the difference in quality and tone would be interesting.

I've said this a million times already, but the US is NOT lacking in exceptional singers. This country isn't suffering from a Jungkook deficiency, or a K-pop deficiency for that matter. What made BTS stand out in the first place was their original music and the impressive choreography/performances. Jimin's lovely, clear singing voice (plus the growls) and insane dance skills have always been central to BTS' success. There is definitely a precedent and passion for performers like Jimin, though. We love a good song and dance man!

Based on the few photos I've seen from JK's exhibition in Seoul and the upcoming I am Still, it looks like HYBE is leaning hard into the sex symbol concept. Lots on naked chest and abs. Lots of tatted, pierced bad boy stares. And what else is there? There's no artistry to focus on, unless you're super into his dancing style. I hope that works out for Jungkook and HYBE. Like you said, there's a demographic within the fandom that's completely down with lusting after him. To each her own, I guess.

Jimin will shine no matter what. He has integrity, artistry, sex appeal, and sings with emotion. Don't sweat Jungkook. He'll have his fans, of course, but I don't think he'll ever have the loyal, committed following, let alone the media attention, Jimin naturally attracts. Look no further than the difference in their birthday celebrations in Korea. One is a national holiday, the other is definitely not.

P.S. OMG, I can't wait for Jungkook's girlfriend reveal. A good chunk of the fandom will need psychiatric help.

[a34trgv2]

The Problem With Exposition Dumps

In any form of entertainment, it's important to establish some context for the events of the story. There is a right way to do it and a wrong way. Dumping exposition onto the audience is most certainly the wrong way. For this post, I'm going to explain my problem with exposition dumps and how to better convey exposition. And in case you're wondering, no, I'm not going to put down writers who use exposition dumps as "lazy" or "pathetic."" My intent is always to educate, not belittle.

You should be familiar with what an exposition dump is as they pop up everywhere. In movies, TV shows, video games, radio podcasts and etc.. Characters will stop the story dead in it's tracks to spend more than a paragraph talking about lore, character backstorys, or the setting they're in. This makes for boring entertainment because at that point, the characters are just spouting random trivia from the story bible and not actually telling a compelling story. I'm all about fun facts and interesting lore, but not at the expense of good storytelling and creative world building.

Let's dissect this clip from Moon Girl and Devil Dinosaur. Moon Girl says that she's tired, yet the way she's animated in the clip leads me to believe otherwise as she's not panting or sweating. She also mentions that the bad guy is getting stronger, then asks "but how?" I can suspend my disbelief enough to get behind a child prodigy befriending a dinosaur and fighting bad guys in New York, but I don't buy for a second she doesn't know what a troll is. But okay, let's actually assume she doesn't know what a troll is (as unlikely as that sounds); she should still put 2 and 2 together when she sees that everytime she takes his petty comments personally, he gets stronger. She should've known before this particular clip that he was feeding off her negative emotions like a parasite, or in this case, a symbiote. She then zooms in on the troll and realizes that it's a symbiote before spelling out for the audience what a symbiote's weakness is. First of all, even if people didn't know what a symbiote was, you could've still showed us what it's weakness is by having Devil roar immediately. Or better yet, leave it a mystery to be solved in a latter episode because it honestly doesn't matter too much in the context of the episode. Second, you mean to tell me this kid knows what an alien symbiote is but not a troll? This makes her less of a relatable kid who just so happens to be smart and more like a socially inept outcast who's so caught up in science and math that she's basically stupid when it comes to being a human. Not only was this exposition dump useless, but it was also poorly constructed based on what we already know about Moon Girl and what kind of girl she's supposed to be.

Is there a way to give exposition without it feeling pointless and boring, though? Actually, yes. One of the best examples I can think of is the opening to Samurai Jack. It perfectly sums up the main driving force behind Jack's quest with the late-great Mako's chilling and sinster voice, and eerie flute plaing, and the still images that look like ancient Japanese artwork. The lines used are also vague enough for the audience to fill in the gaps and we're told just enough to be invested in the story. Exposition can also be told in a way that's funny, such as in the Wander Over Yonder episode The Ball, where Beeza nonchalantly explains to Wander and Sylvia that the world is ending (again) at the paws of a giant space puppy. The comedic timing is on point as Tara Strong gives a very relaxed and soft spoken delivery as Beeza mentions cannibalism and starvation as possible fates for her people. Exposition can even be sung in a banging musical number, such as Part Of Your World from Little Mermaid, One Day More from Les Miserable, or the iconic Oompa Loompa songs from Willy Wonka and the Chocolate Factory. In the hands of the right storyteller, the exposition scene could be an audience member's favorite moment from the story.

As the saying goes, less is more. This is especially true when you're writing exposition. Dumping exposition on the audience will either frustrate them or bore them to sleep. If you're gonna give exposition during the story, try having it delivered in a way that's interesting; i.e. during an action scene like in Kung Fu Panda, a funny scene like in The Bad Guys, or in a musical number like in The Hunchback of Notre Dame. Just because exposition is necessary doesn't mean it has to be boring. Exposition is the avocado of storytelling. Alone, it's as bland and boring as paint drying on a rainy day. With the right ingredients, though, it can make for some pretty good guacamole. See you next time ✌️

[ms-cartoon]

I gotta be for real, I actually like this episode. The only reason why is because Vox is introduced and I'm starting to like Vox. He might be my favorite character second to Husk. As a matter of fact, I change my mind about what I said about his voice, it actually fits pretty well! Maybe not with his character appearance, but Christian still did a great job fitting the rest of his character.

I also like his rivarly with Alastor as well as their song! Though I wish the musical number had less talking in it since it was hard for me to keep up.

Now that I got my positivity out of the way, let's start complaining.

WARNING: SPOILERS!!!

-- Alex Brightman as Sir Pentious does NOT work for me. He doesn't match with the pilot voice actor at all. It's too high-pitched and annoying.

-- It's kinda off topic and I should've brought it up earlier, but Vaggie's voice acting is off too. Stephanie doesn't sound completely bad. She still fits the role sorta, but at the same time, she also sounds dead, like she doesn't have much emotion in her when she speaks, unlike her pilot version.

-- As expected, the three V's don't seem much of a threat AT ALL. They're so unserious, that you forget they're overlords. Their dialogue is like they're still in high school especially Val being the youngest baby of the litter. Honestly, I think Vox acts much more of a villainous overlord than the other two. He may not look it, but he still fits the role and is much more serious than the other two.

-- Valentino is NOTHING like how he's portrayed in the addict video or the comics. In the comics and music vid, he actually looked like someone you don't wanna mess with in any circumstances. And with the way Angel Dust gets so nervous around him, you'd think he'd look and sound like someone we're supposed to see as abusive and controlling. Not to mention that he's an overlord so he's most likely powerful than he seems to be. But in the show, all I see is a stupid, whiny little brat who throws a temper tantrum when pissed off and is babied by Vox who feels he needs to "calm him down."

-- And what is up with his voice???? No disrespect to the voice actor, but this is NOT what I was expecting him to sound like. So Val is supposed to be hispanic, but dude keeps falling in and out of his spanish accent. It's like he can't even decide whether to stick with it or not. Whoever voice directed him didn't do the best job. Also, this is mostly a preference, but I also pictured him to have a rather deeper and sleezing tone in his voice, along with some sass.

-- Valentino: "That slippery twink is gonna remember who owns him. I'm going to f**k everyone in that rancid shithole, I swear to god!"

Yeah okay Slickback

Val is fully aware that Alastor works at the hotel now. Alastor, the same scary-ass demon that could even take on Lucifer in a fight. Not to mention Lucifer's daughter is currently owning that hotel. What makes Valentino think he could even stand a chance against either of them??

-- Angel Dust: This chump was trying to kill us, like, 6 hours ago. Now you wanna bring him in here to live with us??"

Why does Angel care so much about Pentious staying in the hotel?? Dude doesn't even take the snake seriously enough to even care about him being around. Is he worried about him trying to kill him or something? If so, where was this care when you got involved in the turf war with Cherri or when he showed up to try and kill Alastor? All he ever did was mock Sir pentious with his carefree attitude.

-- Charlie: I'm so excited to have our first real guest!

Angel Dust: What the hell am I then??

Umm . . . NOT their guest. You were a TEST SUBJECT. They brought you in to see if the chances to be redeemed and sent to heaven are possible, except you never cared enough to compromise. Don't be surprised that their not giving you the same treatment.

-- Vaggie: "You constantly make us look bad, sexually harrass the staff, and never once tried to improve.

I mean- she ain't lying. Is Angel Dust making a sad face supposed to make me feel bad or something, cuz . . . . it isn't. He didn't even participate in the game Charlie was trying to set up calling it "stupid", which further proves Vaggie's point. If you want approval so badly, actually try to compromise. Doesn't even seem like he can make up his mind about it anyway. He'll find all this redemption activity to be stupid and a waste of time, but then looks at Charlie praising Sir Pentious instead of him and he'll start to act all sad and jealous??? Like dude- PICK A LANE!!

-- Not that the way Angel's acting makes sense anyway. In the pilot, and even in the addict video, it is clear as day that he doesn't give a shit about the Habzbin Hotel! He doesn't even wanna behave and he doesn't trust the idea of sinners redeeming themselves. He wasn't even all that friendly with Charlie or Vaggie. Now in this episode, he'll start to feel all bad and jealous when Charlie is praising Sir Pentious. It's like Viv can't make up her mind on how she wants Angel to feel.

-- Also Vaggie openly calls out Angel Dust for sexually harassing the staff and the fans (including Viv) will look at this as "Haha heehee, that's funny" and not "Eww! What is wrong you? That's disgusting!"

-- Instead of sounding like Angel's pimp, Val sounds more like an crazy ex-boyfriend in the dozens of voicemails he sent. Am I really supposed to take him seriously as a villain???

-- Angel was chugging a bottle of booze like its a Gatorade bottle. Idk why, but something about that bugged me, lol!

-- This is a genuine question I don't get, so feel free to answer. When Angel catches Sir Pentious setting up the spy camera like he was instructed by Vox to do, how does he immediately assume Pen is working for the three V's?? Is it cuz of the camera? Does he recognize it as belonging to Vox??

-- Once again, I don't understand why Angel cares so much about what Sir Pentious does since it's been shown how much he doesn't care about the Hotel. So it doesn't make any sense why he's angry and trying to stop him. Also, what causes him to jump Sir Pentious is when he's called a whore by him! WHY??? Back at the pilot, he was called a slut by Travis and didn't give much of a reaction, back-talking him. Which only shows he doesn't care about what people's opinions are of him. He'll be called a tramp and he'll reply with an "i don't care" smile. However, with Sir Pentious, he's immediately triggered and attacks him?? Something tells me that Angel's character is a whole other retcon. Viv can't decide if she wants him to be someone with a devil-may-care attitude who doesn't care about redemption or someone who really does want to change his ways and cares about the well-being of Charlie and the rest of the characters.

[jaxlol5]

copy pasting my review of the helluva boss music video here just because

for further context when i wrote the review on discord i had no idea that this was a COVER of an already existing song made by PARANOiD DJ back in 2021. just so i don't look stupid imma be tweaking a bit of my review that's just saying 'why would viv write THIS' because at most she just slightly changed it a bit, or that's what i'm assuming anyway.

i'm also gonna add a bit more to my review here such as the lyric changes and the overall emotional weight of the song. i'm not really gonna review it animation or song-wise, because the animation is fucking specTACULAR, and the song aspect doesn't matter much to me. i think the original 2021 version is pretty good at least.

this song [i'm guessing at least] comes after S2 E6 'OOPS', which was a half-sequel to S2 E1 'The Circus', meaning that Stolas finally has the Asmodean crystal that he plans to give to Blitzo, either to cut ties from him completely or to see if he'll keep talking to Stolas after he has a new way to get to earth that doesn't involve his grimoire.

(side note idk why viv keeps tryna push 'Stolitz' so much when Blitzo has actively said he doesn't like Stolas romantically and only sees him for the book. but she's gone on to change that multiple times so we went from Blitzo being forced to sleep with Stolas and hating it, to him actually having some kind of feelings, back to hating him, and now back to feelings, over and over. i know Blitzos whole character is that he can't accept affection properly but it's different when this 'affection' is just consensual r4pe via power imbalance and then has to be turned around so that neither Stolas or Blitzo are the bad guys when they clearly are.)

because of the song being made in around 2021, before season 2's downfall, the lyrics had to be changed to fit. which is completely fine to do, mind you, but the issue is what what lyrics in specific were changed. in the original 2021 version, Stolas mentions Octavia and how she must feel about everything happening in her life, but in the new version, it's cut out entirely. Why?? i know the main focus is supposed to be his relationship, but this entire situation is affecting his family as well, and especially Octavia. it makes no sense to completely neglect his own DAUGHTER for someone that he repeatedly fetishizes and treats as lower- but also someone that he idolizes and sees as his true love. i could go on and on about how the changes of their dynamic piss me off but that's a bit of a tangent.

speaking of which why is there 2 songs for stolas doing the same fucking thing. in S2E1 he's singing about blitzo while thinking about leaving him. now in THIS video he's.. singing about blitzo while thinking about leaving him, the only difference is that in the former song he didn't have the crystal, and now he does.

the song in general feels so forced especially with how the Stolitz arc has been progressing, which is barely. they last talked in S2E4 'WESTERN ENERGY' and the very little character it added was all shoved into a 3 second scene of Stolas scrolling thru text of them talking about the events after 'OZZIES'. and then we exclusively see Blitzos side of the aftermath, but not Stolas. he seems perfectly fine compared to Blitzo, or maybe he's not; why not fucking show that! and no the video doesn't count because it's talking about the events that take place after 'OOPS' not 'OZZIES'. pretty sure that former episode canonically takes place months before the latter.

i saw an amazing thread that breaks this video down if you compare it to pearl's song 'It's Over, Isn't It'. it just doesn't work the same way because of the insane power dynamic and the fact that Stolas wanted to keep Blitzo for so long, manipulating him for that want as well. at least he's finally going to let go NOW [i assume], but it feels long overdue, especially with how much these 2 have been forced to deal with.

[stormyoceans]

top5 puentalay kisses/hugs?

im pretty late with this but i would never pass up a chance to be annoying about vice versa so here we go!!!!!!! (also im not sure if i was supposed to pick only one of the two but again I SIMPLY CANNOT PASS UP A CHANCE TO BE ANNOYING ABOUT VICE VERSA IM SORRY)

TOP 5 PUENTALAY KISSES

1. greyllery kiss in episode 8. this is their first mutual kiss after two one-sided kisses, three almost kisses, three cheek kisses, and one forehead kiss. not to mention the hugs, the cuddles, the promises, the sleeping in the same bed, the taking a bath together, and i could go on but imma stop here before i get involuntary committed. we waited so long for this kiss and when it finally happened it was everything we could have ever asked for and MORE: the confession, the music, the parallels with the glasshouse kiss, the fact that it happens when the lights are out because they love each other for who they really are and not for the body they inhabit, puen's single tear......IT'S PERFECT.

2. glasshouse kiss in episode 4. i know having a one-sided kiss for second place doesn't seem fair but in my defense this kiss makes me go through such a plethora of human emotions that i feel like i need to go lay in the dirt for several hours to climb down from the sheer manic unhinged rabid energies that got me going on. y’all must be tired of hearing me say the same things over and over again about this kiss but. the build up!!!!!! the emotions!!!!!! the music!!!!!! IM NOT EVEN KIDDING WHEN I TELL YOU THIS KISS IS MY ROMAN EMPIRE.

3. beach kiss in our skyy episode 2. our skyy may have given us only one kiss but WHAT A KISS IT WAS. it feels like a sum of all their previous ones, the cycle closing with a recollection of the past and a promise for the future, as the kiss itself lets us know that no matter what's gonna happen from that moment on, they will always love each other like the very first day. and if the reminder of the drunk kiss in episode 2 wasn’t enough to drive this point across, the song they used during this scene is the same as the one they played during the greyllery kiss, which you know. [FEMALE HYSTERIA]   

4. foggy glasses kiss in episode 12. honestly can't think of any other scene in television history that was able to so perfectly portray a fictional character being left breathless, lightheaded, and weak at the knees by a kiss. the way puen is holding talay's head with BOTH OF HIS HANDS to keep talay in place which barely gives talay any time to take a breath...... the way they're so close and entangled in each other that you can barely tell where one starts and the other ends...........this kiss literally be turning both me and talay into the 🥴 emoji every single time.

5. reunion kiss in episode 11. it was a tough choice between this one and the bathtub kiss in episode 10, but in the end i had to go with their first kiss in their real bodies, not just because of this, but because there's so much love and comfort and reassurance packed in it. this kiss is the meeting of two souls who have missed and found each other again. it's the promise of being together for the rest of their life AND I FEEL SO NORMAL ABOUT IT IT’S HONESTLY INSANE HOW NORMAL AND HINGED AND SANE AND FINE I FEEL ABOUT IT.

TOP 5 PUENTALAY HUGS

1. reunion hug in episode 11. LITERALLY THEE SINGLE MOST SCENE EVER IN THE HISTORY OF TELEVISION IT CHANGED THE TRAJECTORY OF MY LIFE THE FOUNDATION OF MY PERSONHOOD AND THE CHEMICAL MAKE UP OF MY BRAIN. puen says "you must be very tired. from now on, things will be okay," and that's exactly the feeling this hug conveys: everything will be fine, you're home now.

2. comfort hug in episode 6. my grasp on the english language is too limited to even attempt to put into words what this hug did to me the first time i've watched it. it made me mentally deranged in ways so profound they will only become apparent years down the line. to this day there are people out there wondering why talay even likes puen and the urge to shove this scene under their nose is immeasurable. FIND YOURSELF A PARTNER WHO WILL LISTEN TO YOUR FEARS, GIVE YOU COMFORT, AND HUG YOU THROUGH THE NIGHT TO MAKE YOU FEEL SAFE!!!!!!! (@GOD ME WHEN)

3. reconciliation hug in episode 7. I NEEDED THIS HUG JUST AS MUCH AS PUEN DID TBH. talay initiating any kind of physical affection always feels incredibly special and precious, and it is so much more here because this is him finally realizing that puen's feelings are sincere. this hug is the turning point of their relationship as talay implicitly accepts puen's love and confesses his own. it’s just so emotionally satisfying [SOBS]

4. back hug in episode 12 and in our skyy episode 1. LOOK I KNOW IM CHEATING BUT. THE DOMESTICITY THE COMFORT THE TENDERNESS THE AFFECTION THE ADORATION THE SOFTNESS THE WARMTH THE PARALLELISM THE ROMANTICISM THE SOULMATISM THE TRUE LOVISM OF IT ALL. YEARS LATER THEY'RE STILL THE SAME.

5. hourglass hug in episode 12. the hourglass with the sand that doesn’t fall!!!!!!! i don't want time to go by without you!!!!!!! from this moment on it's you and me!!!!!!! ‘city’ playing in the background!!!!!!! the moon watching over them!!!!!!! WAILING WEEPING HOWLING SCREECHING CRYING SOBBING SCREAMING--

[ladybeug]

Alright so

It has been about 24 hours since i finished @peachcitts fanfiction metamorphosis and i spent at least 3 of those hours making a fanmix.

Listen, Im sorry, this is just who I am, Im someone who wants to make a playlist about a specific iteration of ml characters. Especially if there are some grey morals up in there.

read the fic, listen to the fanmix, follow me under the cut thats where the party is

...and by party I mean analytical summary of each song.

I'm about to talk about some of these choices I made in depth, as a treat for myself. An indulgence. I'll keep the fic references high level but there may be some theme/tone spoilers so real talk go read the fic and meet me back here.

@peachcitt I know I tagged you but this will get long you do not have to read it or acknowledge this homage just know I appreciated your story and thought a lot about it.

so.

the whole playlist is meant to be listened to start to finish, its half the tragedy and half the hard work to get your life right side up and the rewards.

I actively tried not to put Cry for Judas on here and i did ANYWAYS

its on so many of my playlists already, I'm loose with this song. But frankly if i could only keep it on one I would keep it on here. I mean I just don't think any other adrien iterations do things just to see how bad they'll make him feel QUITE like this one and i just HAD to have that as the first line of lyrics in the playlist.

I'm just also obsessed with sad and angry, can't learn how to behave?? The tragic acceptance of being unable to be good??

find me a better match. this song had to be on here and it had to be first.

Your Ghost - this might be the only song thats only about Marinette which is a crime because I really connected with her pov but the truth is that this is an adrien fanmix and i need to accept that.

But for real the acceptance but inability to move on in this song is just perfect.

Can't Lose - maybe the angriest song on here? A little angrier than I was going for but I had to keep this one though because, I mean, "I'm thinking I can't move if there isn't somewhere else to go?" like, the, 'sure what im doing is bad but what else IS there' of it, I mean, what can I even say. It had to be on here.

If you only listen to one song on here listen to Animal Mask.

It's a song about partners in a wrestling match written as a metaphor for when John Darnielle's wife was in labor, and its so tender and sweet, and frankly it sounds like it could have been written for metamorphosis for like every single flashback of ladybug and chat noir.

I could quote every line and be like 'this is them' but like, 'hold on,' I cried, 'I'll be right there', pulled your mask down through your hair. they won't see you, not until you want them to. What am I supposed to say?? It moves me deeply I'm having emotional problems please come join me. Every other song on this playlist doesn't matter.

Anyways intermission, while we're here, let me share this experience that I had today with you:

I did then proceed to count, was appropriately ashamed that about 25% of the playlist was mountain goats, and extremely painfully chose to remove 'oceanographer's choice'.

[tangent about Oceanographers Choice vs Haunted House]

As obsessed as I am with going straight from the unbearably tender memory in animal mask to oceanographer's choice, first line: "well, guy in a skeleton costume, walks up to a guy in a superman suit, runs through him with a broadsword", the anxious switch in music, and then straight into a song about a fucked up guy fighting the woman he is still complicatedly in love with.... and he doesn't know how else to be....

oh no, listen, as I typed that I half convinced myself to add it back in again

but I won't because I even more love the transit of animal mask to the shrill and tense line in Haunted House, "I was buried in the summer, all those parties ago", and then a confused and hysterical song about dissociation and loss of control in a world where nobody seems connected to what you're going through. The tone is more ungrounded, and scared, and less resigned. Which matches what I was going for - I tried to avoid songs that were just like... "yeah i'm evil >:) thats my identity"

[end tangent]

Little Pistol I feel like I barely have to justify, but I will say what really sold me is the reference to 'I want what's best for me, and I think I know just what that means'. But then also the slight change in tune at the end? Delicious?

The Run and Go, just read the fic ok

I Wanna Get Better is one that honestly feels like it doesn't fit perfectly but I'm really drawn to a sharp turning point in the playlist from 'bad and spiraling' to 'desperately clawing my way up' which is how reading the fic felt at a certain point, and this song feels like the perfect tonal shift and has the end-of-a-movie screaming conviction that I want. Its also just so good

Do it Anyways might be the second most important song... third most important? on this fanmix. The frantic, panicky music matched with the unwavering conviction to improvement is so unmatched honestly and if we're talking about how hard it is to be your best when you feel your worst, oh my god. Read the fic, listen at 2:44 and meet me back here and there's nothing else I even need to say

Absolute Lithops Effect.... I tricked you, this is also a mountain goats song :) its a cover though so I'm not counting it.

This is one of the most beautiful songs about hope for the future and growth that I know its very important to me. The title of the playlist comes from this song. Here's what you need to know about it:

Lithops are these:

They grow so slowly they don't look like they're growing at all. But they are.

Love Love Love: Ugh don't talk to me about love love love. I'm not going to explain how this connects to the fic. It does, I'm right. There's nothing I can say about this that can't be said better by Mr. Mountain Goats himself:

"The point of the song is, you know, that we are fairly well damaged by the legacy of the Romantic poets--that we think of love as this, you know, thing that is accompanied by strings and it's a force for good, and if something bad happens then that's not love. And the therapeutic tradition that I come from--I used to work in therapy--you know, also says that it's not love if it feels bad. I don't know so much about that. I don't know that the Greeks weren't right. I think they were--that love can eat a path through everything--that it will destroy a lot of things on the way to its own objective, which is just its expression of itself, you know. I mean, my stepfather loved his family, right? Now he mistreated us terribly quite often, but he loved us. And, you know, well, that to me is something worth commenting on in the hopes of undoing a lot of what I perceive as terrible damage in the way people talk about this--love is this benign, comfortable force. It's not that. It's wild, you know?" — NPR interview with Linda Wertheimer, 14 May 2005

Metamorphosis: okay this one I added to make myself laugh but I also stand by it thematically

SUPERBLOOM: Don't we all deserve a little celebration for the hard work we do?

Anyways this is my fanmix, if you read to here I love you and you're welcome for all the mountain goats songs I peeled off of here that I didn't even tell you about. I didn't even put heel turn 2 on here. Whoops ok now i've told you about that one.

[partynbullshit2007]

Uhhh idk how to do introductions but here I suppose

I go by Kingsley or Valence either or is fine! Sometimes Rocky but not as much😞🤘

I’m 17 I’ll be 18 in march so that’s prettaye sick i think idk

I like Fallout, Bully,Mafia but the first one mainly, Greasers in general unfortunately, uhh making ocs is fun! I do it a lot I use Roblox most of the time maybe I’ll post sum photos! I enjoy a lot honestly i also yap a lot if you couldn’t tell by the rapid posting sometimes. I love sonic and the series sandman….i can’t really name more I’ll get carried away…(Harry Potter and Percy Jackson) I’ve only seen the movies bc I ain’t reading allat

My music taste expands a lot but I really like late/early 2000s or 80s/90s rap and just 2000s music in genres honestly. I like insane clown posse and Bell Biv DeVoe, Sir Mix-a-lot! A lot more 😞 I like a lot of old music too like journey, Led Zeppelin, Pink Floyd, Billy Joel, Stray cats, Styx….a lot (thanks to my father) I enjoy more sadder too music like Adrianne Lenker, Mitski, Laufey, Car Seat Headrest, RAAAA TOO MUCH!!!! I love frank Sinatra though

I play Roblox,Fallout3 and Bully mainly most of the time or if I’m extra fancy Stardew Valley but i love looking for new games all the time…fnaf enjoyer too unfortunately…I liked the movie😞

I tend to roleplay on Roblox and stuff hence my ocs are there! But I love to text roleplay too since it gives me to do longer messages and more detail without tagging (grr Roblox!) But i haven’t done that in awhile, I’d be open to doing it though if anyone wanted…sometimes I portray Jimmy Hopkins I wouldn’t say I’m the best but I’m not the worst…occasionally Ricky bc he’s one of my favorites but I haven’t done him a lot

If you’re around 17-18 that’d be prettaye gnarly!!

If it ever comes down to shipping I’m on the side of wanting to build an emotional connection and entire story and dynamic for the ocs, bc detail is everything to me…I love small details too like it doesn’t have to be big and matter but it makes the oc feel real and better to play in my opinion. But this goes if our ocs are friends too I’d love that too even if they meet in a stupid way. …I’m not entirely the best writer I’m sorry,,,but I try my best or give ideas so you won’t be hanging😞

I tend to fixate on things for too long like Bully ngl it’s been such a fun thing to play and make characters for,,,(I have a few if i may brag) keke, but i switch topics fast sometimes during conversations 😞🫸

Hmm what else….my favorite color is red….there’s more to me I swear 🤏😭

Hope this wasn’t to bad