#see ya in 2025

[beauty-and-passion]

And finally... the Ithaca Saga

We did it. We reached the end.

And we did it this year, in 2024! I suppose the moral of the story is: if you're truly passionate about something (and have big plans), you can do anything.

And by "anything", I don't mean just "finishing the concept album": I mean fighting against weather, bad luck and probably the gods themselves, to do what you planned.

I imagined everything, except that Mr. Jorge's plan for the final stream of his entire album, was to go to the goddamn island of Ithaca and stream there.

But, you know, it was right. It felt right. It was a very poetic choice, to bring a modern version of the Odyssey back home. To let the musical reach its artistic birthplace. And it's even more impactful that it wasn't just Odysseus' voice to (figuratively) return home: it was the entire story, through the voices of all artists involved.

However, since it's the Odyssey we're talking about, the trip to Ithaca couldn't have been simple either: what kind of boring story would it be, if everything went smoothly from start to end?

Greece's weather is overall warm, even in winter. However, there are the occasional storms/typhoons/rainfalls that last for a couple days and drown or destroy parts of the cities. And Jorge faced them not at the end of his trip, not in the middle: at the beginning, just in time to stop him from reaching Ithaca too easily.

And I believe this is all Ithaca's influence, because something similar happened to my father and brother. Last summer, they were supposed to visit Ithaca as well, but first found no available ferries, then the rain started to pour down, their car died on the nearby island, there was no available mechanic and when they finally found one, their car got fixed just in time for my brother to go to Athens and get his flight back home.

Sooo... it looks like Ithaca doesn't want visitors at all, no matter if it's summer or winter, and it does everything to keep people away - or at least, to make them have a small personal Odyssey before reaching it. Also because, according to the last shorts from Jorge, it looks like the weather changed into the usual warm, greek temperatures now. And he seems to enjoy his stay too, so I suppose the true obstacle is just reaching the island.

But enough about Ithaca, let's talk about Ithaca: there were huge expectations for this Saga. This is the final one, this is supposed to wrap up Odysseus' story and the last loose threads.

And it does. It takes its time to wrap up the last characters and it does it organically and coherently. There are no OOC moments - and this is a huge point for me, because my main complaint in the last Saga was that Odysseus moved too quickly from "let's try to discuss" to "stabbing time": here you can see and understand why he gets so angry and he even takes a few lines to further clarify his emotions.

The pace of this Saga is good too: there are no dead moments and the songs move smoothly from one event to the next. It surely helps that they cover a period of 24 hours more or less, but still.

__________________

The Challenge: this is the first time we actually hear Penelope. Not the one from Odysseus' memories, not a siren, not a vision, but the real one.

And the real one is truly the perfect woman for a clever man like Odysseus: she's intelligent, she's resourceful, she reads the signs and does the right things to buy more time. That's what she did in the Odyssey too, so it's nice to see this trait of her character here as well.

And even though the events here happen for slightly different reasons (in the Odyssey, the bow challenge was just another attempt to buy more time, while here it's something Penelope proposes right after the storm, as if she feels things are going to change very soon and her husband is coming back), it still doesn't sound forced or unnatural. It fits Epic's narrative, without damaging or going against the spirit of the original work. That's how you do a good rewrite.

One last thing about Penelope: I love how, with one single song, we can see her pride, her strength, her cleverness... and her love too. She herself says she didn't expect to end up like this, but for love, she's ready to do anything. Even waiting 20 years for a husband she doesn't even know if he's still alive, buying him time in every possible way and keeping on hold 108 dangerous, younger men who need just an excuse to rise against her and her family.

__________________

Hold Them Down: what did I say about that excuse?

Jokes aside, this is some powerful villain song and I ADORE it. The rhythm? Great, majestic, terrifying. The drums and the chorus are chilling.

But even more than them, it's the entire song, to be terrifying. And not because of its themes: it's because of the details.

Antinous doesn't just say "We will kill Telemachus and rape Penelope": he describes step by step what he wants to do. He presents a clear, precise plan of what he wants to do and how he wants to do it.

That's what makes it so chilling: how careful he is with the details. How he pondered about everything. His willingness to do all the things he says, without an ounce of doubt or fear.

And what's even more terrifying, is how Antinous' words are welcomed by the chorus of the other Suitors. There is no coldness, no shock, no fear: there is this palpable, growing excitement, that grows stronger the more he describes his plan. The chorus accompanies his words, anticipates them eagerly: they cannot wait to hear what he wants to do next.

And when Antinous says Penelope will be at their mercy after Telemachus' death, silence drops for a moment and the line: "And then we'll" is welcomed by pure silence. This perfectly shows how all Suitors held their breath, for one second, waiting for Antinous to say it out loud, to push his plan further and say what they were all thinking: without a man in the house, they could've had access to the queen's bedroom and body. They were waiting to hear it. They wanted, needed to hear more.

This is how you make a great villain song. This is how you build a terrifying villain: it's not just Antinous, who can stir up an entire crowd, by pushing on their primordial instincts. But it's the crowd itself, that welcomes the terrible images he proposes, because they were already in their minds. They were already thinking all of that: all they needed was someone to propose it out loud.

Of course Odysseus goes into full rampage mode after that: who wouldn't?

One last detail I appreciated a lot: the allusion about how the prince was on a diplomatic mission. Sure he was, that's how Odyssey starts: Telemachus leaves Ithaca to search for more news about his father, visits Sparta, Menelaus tells him about the Troyan horse and so on. It was a nice reference.

__________________

Odysseus: a song better known as "Odysseus cleans his house from 20 years of filth".

I've already talked about the first lines and I appreciate them a lot, not just because they further clarify Odysseus' thoughts and actions, but also because they imply he spent some time in Ithaca before this moment, enough to see how the Suitors treated his palace. There's a huge lack of Argo, the only dog who lived something like 20+ years and died right after seeing his owner one last time, but I suppose that his dog's death would've sent him into ultraviolence mode instantly.

I lovelovelove the ensemble chanting Odysseus' name. It's solemn, it's ineluctable, it reminds me of old church hymns and I am a sucker for that stuff.

But I am also a very bad person, so when I listen to Eurymachus saying "hey, what if you spare us and welcome the world with open arms instead" and he gets slaughtered with a "no" as a reply, I laugh.

Yes, I am a bad person.

Okay, fine, we can acknowledge how this wasn't what Polites meant with open arms and how no one has been able to fully understand his mentality... but also, it works perfectly to show how Odysseus changed. In the past, he would've been tricked by these words - and it would've led to him losing more people he loves.

But after going through so much shit, he's not willing to trust others anymore. The time of open arms is gone forever. As he says, "And as long as you're around / My family's fate is left unknown".

And so, it's ruthlessness time. Because, as Poseidon told him, ruthlessness is mercy upon ourselves. And Odysseus would find peace, only if he gets rid of all the dangers around.

Because come on, we know the Suitors would've found a way to still try to kill or hurt him and/or his family. They don't play fair, they said themselves. Sparing them would've only hurt Odysseus in the long run.

And if we consider the time period, killing all the opponents was all Odysseus could do, to regain control over Ithaca.

Think about it: he has been away for 20 years, leaving the island without an adult male ruler. Of course this led all other, younger men to become restless and prideful and do things they would never do, without a strong leader: like trashing the leader's palace or trying to hurt his family.

Odysseus' only way to regain control was to show everyone he was still the strongest. And the only way he could do it, was to get rid of all the people who were undermining his authority. This way, he got rid of the dangerous ones and taught everyone else a lesson: do not even try to oppose my authority again, because I am still the strongest man of this land - and therefore, the only leader.

__________________

I Can't Help but Wonder: so, right after showing everyone he was still the ruler and the stronger and so ruthless, Odysseus takes his time to softly listen to his son and tell him how much he loves him.

No, I am not crying, I got this song stuck in my eye.

But seriously: the softness, the love, the affection he holds for his son. And how this is all beautifully portrayed through Jorge's voice.

I know others already said it, but the way he modulates his voice is incredible. He really sounds older here, an old man talking to this young boy who is so confused and full of doubts about his own strength... and like the father figure Telemachus always wanted, Odysseus reassures him: he's sure his son is strong, he understands his pain and the troubles he experienced. And he loves him, with the unconditional love a father has for his child.

I said I am not crying.

The Athena part has been a surprise: honestly, I feared Jorge forgot and we would never see a closure for them, but we actually got it!

And it was a very good one: Athena asks if there is a world where empathy is stronger than fighting. A world where people can understand each other more and not always resort to violence and ruthlessness.

There's an implicit invitation in her words: would Odysseus help her pursue this world? Would he still be her warrior and work for this new, greater tomorrow?

And Odysseus refuses. He's too old, too tired. This world is too far beyond his reach. We are still trying to reach it and we are getting glimpses of it in our everyday lives.

Athena, thanks to her immortality, can live long enough to see this far-away future, but Odysseus? Maybe in the past, when he was younger, he would've loved to see it. Now he's had enough of adventures. All he wants is to finally see his wife again.

And Athena proves her growth, by that simple "very well". You can hear a smile in her tone. She's not angry at him, she's not resentful: Odysseus made his choice and she's okay with it. Their paths divide forever, not with bitterness but with understanding.

__________________

Would You Fall in Love with Me Again: better known as "I am not crying, I said I am not, I just got the Odyssey stuck in my eye".

Odysseus reveals his wife all the awful things he did, he insists he's not the same man - Tiresias told him too, he's not the same kind and gentle husband he was and he will never be anymore: he's a man marked by hardships, by the war, by the world.

By saying it, he reminds me of the war veterans, the people who faced horrors and survived, to come back as changed people. Odysseus is one of them: the war left a mark on him and the following 20 years deepened that mark, made new ones, scars and terrors that will haunt him forever.

So of course he's not the same and he will never be: life and its hardships changed him too much to come back to the naive, younger man he was.

And yet, despite everything, Odysseus is still the same man. And Penelope proves it, through the bed trial. Again, I love how it has been used here: in the Odyssey, it was Penelope's way to be sure the weird beggar-looking guy who just killed everyone truly was her husband. Here it's her way to prove to him first that yes, he still is her husband. He may be rougher, more ruthless, filled with more regrets and anger than before... but he's still him. And she doesn't care what he did: all she cares about is that he's finally back.

Does that make Penelope a bad person too? Personally, I think it makes her more human. She spent 20 years imprisoned in her own house, with 108 possible predators trashing her place, desperately trying to buy more time for a husband she didn't even know if he was still alive, all while trying to hold the predators down as long as possible, so they wouldn't hurt her or Telemachus. Can we really blame her, if she doesn't care about what her husband did to come back, as long as he's finally back?

__________________

A truly passionate project

Epic the musical is a project overflowing with love. Every artist, every voice, every song is filled with passions and emotions and they shine here, in the final Saga, more than ever. Jorge's voice has been incredible, the way he went from sounding like an old father, to a younger man again. How we shifted from love and affection, to anger.

Penelope? Amazing, brilliant, incredible. All female voices are A+ and she's no exception.

The instrumentals? Always on point, they highlight the emotions and the mood of every song perfectly.

All the artists? Incredibly fitting, superb voices. Each of them did an amazing job with their characters, each of them brought their own spin to it and made them iconic. I don't think we'll easily forget characters like Hermes, Circe, Calypso, Athena, Scylla, Tiresias or Zeus. I know I won't.

And yes, I will fondly keep this version of the Odyssey close to my chest. It's so hard to find good modern versions, now that I found one, I won't forget it so easily.

__________________

The end?

The concept album is done, but that doesn't mean Epic is over. Jorge already said he wants to make videogames and, hopefully, give the musical some live adaptation.

So it's now right to say this is the end: this is the first step of a bright future for this series. And I personally can't wait for what it will bring.

In the meantime, as always, do not forget to stream the Ithaca Saga (and the whole musical for that matter), support Jorge and show love to all the people involved: they deserve it. Every last bit of love. It would be only fair, considering how much love and commitment they poured into this project.

That's why I would like to thank them all again for their hard job. It has been a truly wonderful journey and I can't wait for what 2025 will bring them - and us.

[munchmuppetyt]

An important announcement.

[sainz100]

2024 Hungarian GP | x (edited)

[aheathen-conceivably]

2024 Tumblr Top 10

1. 450 notes - Sep 26 2024

2. 287 notes - Aug 29 2024

3. 273 notes - Jul 16 2024

4. 272 notes - Mar 7 2024

5. 223 notes - Feb 10 2024

6. 214 notes - Sep 17 2024

7. 197 notes - Dec 16 2024

8. 191 notes - Nov 1 2024

9. 187 notes - Nov 22 2024

10. 179 notes - Nov 27 2024

Created by TumblrTop10

[the-bi-space-ace]

I’m trying really really hard to be positive about stuff and focus on my hobbies and in the spirit of that I wanted to share something that I wrote for one of my new long fics for 2025 and maybe it’ll bring a little joy to your day.

I hope you enjoy this sneak peak into the 'Batch Horror Fic' I keep talking about.

Echo stared out as evening fell over the chilled landscape. His mood had settled but it was still soured, still so wrapped up in his doubts. This mission wasn't as simple as the others, couldn't they see that? Tucking his hand under his arm to keep it warm he ignored the door behind him opening, already knowing it was Hunter by the way his steps crunched on the small buildup of snow on the porch. Hunter brushed against his shoulder, taking in the scenery in nearly the same way Echo had. Breath came out in short puffs, steam billowing into the air then disappearing upwards.

"You understand my decision, right?" Hunter asked. Can something really be a question if you already knew the answer?

"Understand or agree?" Echo asked back coolly. It drew a sigh from his sergeant who cupped his hands to warm them with his breath.

"I need you with me on this one." Hunter said. Echo tried not to roll his eyes but his face had always betrayed him, no matter how hard he tried to cover it up. Truthfully, he wasn't trying too hard in this instance, but still. "You may not see it but the rest of our squad looks to you as much as they look to me."

Tech, Wrecker, and Crosshair were just returning from scouting out the area, barely even pretending that they hadn't given up on actually doing their jobs already. Half of Echo didn't blame them, seeing them chat as they traipsed through the snow covered yard.

"You are our sergeant." Echo let his eyes fall onto Hunter's, already softening to the pleading look behind them. He knew exactly how to tear through to Echo's soft side in what felt like a blink of an eye. Maybe it was skill, or his enhanced senses, or maybe Echo was always just that damn transparent. At this point he wasn't sure.

"And you are my second in command. I look to you as much as anyone else. I need you." Hunter's expression was so sincere, so determined. It was hard to say no to. Echo's shoulders slumped but he didn't get to respond, distracted by Wrecker's voice cutting through the cold.

"Hey, Cross, catch!" Wrecker called. Crosshair turned in time to get a snowball right to the side of the head, letting out a disgruntled yelp while Wrecker laughed maniacally. Crosshair practically growled, shooting a glare at the bigger man.

"You son of a-" Crosshair got a face full of snow for that one, this time courtesy of Tech, poorly suppressing a smile. Echo hid his amusement behind his hand.

"I believe Wrecker wishes to engage in play out of boredom and therefore I cannot allow name calling." Tech countered, making Hunter snort, trying to hide his amusement by tipping his chin towards his shoulder, eyes glinting in Echo's direction.

Crosshair shook snow off of his front, shaking off his hands then bending down to start forming his own method of attack. "Fine, then I guess this means war." Each of them darted towards the treeline to shield themselves, quickly forming snowballs in their hands to toss at each other in an attempt to win.

"Not seeming so bad right now, huh?" Hunter asked, eyes still shining. The sun set fast here, what was moments ago bathed in the setting sun now had an eerie blue glow about it. He didn't answer but shrugged begrudgingly. Couldn't let Hunter win that easily.

They stood and watched as the other three members of their squad battled, even discussed forming their own team for an offensive if it seemed too easy for them. Echo could admit that it was an unfair alliance from the get go. Tech and Wrecker were sure to win if neither of them assisted Crosshair but it was fun to watch them take him down even if the odds were stacked in their favor.

Doubt. It still wept inside him as if begging to be heard. Although, he could put it to rest for one night.

[ollyafterdark]

some ranson nasties edited for tumblr (full images here)

[wolfavens]

I don’t know how ur NYE is going but i have experienced a love story of ages that gives me hope for us all… see my dog and the wine cellar owner’s dalmatian wooing her until they both fell asleep and inevitably had to part for the night 🤣

[didhewinkback]

him being papped w luis multiple times in the last two months... that man is back to work baby

[kamenstrikerace]

[abloomingperiod]

one enlistment announcement and one album drop announcement in one day i honestly think these are the trenches

[jonathanbyersphd]

Anyways I want Joyce and Hopper to investigate the Creel house and be giving Jonathan and Nancy s1 vibes in this play

[goldentigerfestival]

shakes nothing shakes the air i guess

UGHHHH I MISS CRESTORIA GAMEPLAY I MISS IIIIT

shakes nothing shakes the air i guess

UGHHHH I MISS CRESTORIA'S GAME STORY I MISS IIIIT

[seeinganewlight]

total books read in 2024 → 178

2024 books read

2024 goal: 150 books

january: 1 - heartstopper vol. 1 → alice oseman (reread) 2 - heartstopper vol. 2 → alice oseman (reread) 3 - heartstopper vol. 3 → alice oseman (reread) 4 - heartstopper vol. 4 → alice oseman (reread) 5 - heartstopper vol. 5 → alice oseman 6 - a fragile enchantment → allison saft 7 - some shall break → ellie marney (audiobook) 8 - only if you're lucky → stacy willingham (arc) 9 - over my dead body: a witchy graphic novel → sweeney boo 10 - notes on an execution → danya kukafka (physical & audiobook) 11 - murder on the orient express → agatha christie (reread) 12 - our wives under the sea → julia armfield (physical & audiobook) 13 - the invocations → krystal sutherland (arc) 14 - red string theory → lauren kung jessen 15 - the breakup tour → emily wibberley & austin siegemund-broka (arc) 16 - the name drop → susan lee 17 - the secret of the old clock → carolyn keene (reread) 18 - bright young women → jessica knoll (audiobook) 19 - last call at the local → sarah grunder ruiz (audiobook) 20 - no one can know → kate alice marshall

february: 21 - worst wingman ever → abby jimenez 22 - drop, cover, and hold on → jasmine guillory 23 - with any luck → ashley poston 24 - the atlas six → olivie blake (reread, audiobook) 25 - that's not my name → megan lally 26 - not here to stay friends → kaitlyn hill 27 - this golden state → marit weisenberg 28 - today tonight tomorrow → rachel lynn solomon (reread, annotation) 29 - past present future → rachel lynn solomon (arc, annotation) 30 - the atlas paradox → olivie blake (reread, audiobook) 31 - the guest list → lucy foley (audiobook) 32 - in the market for murder → t.e. kinsey (audiobook) 33 - the neighbor favor → kristina forest 34 - in the mix → mandy gonzalez 35 - everyone in my family has killed someone → benjamin stevenson 36 - the seven year slip → ashley poston 37 - veronica ruiz breaks the bank → elle cosimano (audiobook) 38 - finlay donovan rolls the dice → elle cosimano (audiobook) 39 - the simmonds house kills → meaghan dwyer (arc)

march: 40 - the mysterious case of the alperton angels → janice hallett 41 - the book of cold cases → simone st. james 42 - what the river knows → isabel ibañez (audiobook) 43 - cut loose! → ali stroker & stacy davidowitz 44 - how i'll kill you → ren destefano 45 - the reappearance of rachel price → holly jackson (arc) 46 - when no one is watching → alyssa cole (audiobook) 47 - outofshapeworthlessloser: a memoir of figure skating, f*cking up, and figuring it out → gracie gold (audiobook) 48 - julius caesar → william shakespeare (rerad, audiobook) 49 - the family plot → megan collins (audiobook) 50 - if we were villains → m.l. rio (reread) 51 - alone with you in the ether → olivie blake (physical & audiobook) 52 - disappearance at devil's rock → paul tremblay (audiobook)

april: 53 - shakespeare: romeo and juliet graphic novel → martin powell & eva cabrera 54 - shakespeare: macbeth graphic novel → martin powell & f. daniel perez 55 - shakespeare: julius caesar graphic novel → carl bown & eduardo garcia 56 - shakespeare: a midsummer night's dream graphic novel → nel yomtov & berenice muniz 57 - twelfth knight → alexene farol follmuth (arc) 58 - kill for me, kill for you → steve cavanagh 59 - murder road → simone st. james 60 - everyone on this train is a suspect → benjamin stevenson 61 - listen for the lie → amy tintera 62 - king cheer → molly horton booth, stephanie kate strohm, jamie green 63 - twelfth night (musical adaptation) → kwame kwei-armah & shaina taub 64 - in juliet's garden → judy elliot mcdonald 65 - fat ham → james ijames 66 - death by shakespeare → philip l. nicholas, jr 67 - a good girl's guide to murder → holly jackson (reread) 68 - good girl, bad blood → holly jackson (reread) 69 - as good as dead → holly jackson (reread) 70 - dark corners → megan goldin (audiobook) 71 - the one that got away with murder → trish lundy (audiobook) 72 - funny story → emily henry 73 - imogen says nothing → aditi brennan kapil 74 - people we meet on vacation → emily henry (audiobook, reread)

may: 75 - episode thirteen → craig dilouie 76 - the girls i've been → tess sharpe (reread) 77 - the girl in question → tess sharpe (arc) 78 - wild about you → kaitlyn hill (arc) 79 - just for the summer → abby jimenez 80 - my best friend's exorcism → grady hendrix 81 - second first date → rachel lynn solomon 82 - the ballad of darcy & russell → morgan matson 83 - the good, the bad, and the aunties → jesse q. sutanto (audiobook) 84 - truly, madly, deeply → alexandria bellefleur 85 - your blood, my bones → kelly andrew 86 - amy & roger's epic detour → morgan matson (reread) 87 - romancing mister bridgerton → julia quinn (reread) 88 - the viscount who loved me → julia quinn (reread) 89 - bittersweet in the hollow → kate pearsall 90 - to sir phillip, with love → julia quinn (reread) 91 - when he was wicked → julia quinn (reread) 92 - it's in his kiss → julia quinn (reread) 93 - on the way to the wedding → julia quinn (audiobook, reread) 94 - emma → jane austen (audiobook, reread)

june: 95 - first lie wins → ashley elston 96 - we got the beat → jenna miller 97 - firekeeper's daughter → angeline boulley 98 - chlorine → jade song (audiobook) 99 - what stalks among us → sarah hollowell 100 - hollow fires → samira ahmed (audiobook) 101 - part of your world → abby jimenez 102 - the road trip → beth o'leary 103 - yours truly → abby jimenez 104 - finally fitz → marisa kanter 105 - the last love song → kalie holford

july: 106 - dead girls walking → sami ellis (audiobook) 107 - home is where the bodies are → jeneva rose 108 - we used to live here → marcus kliewer 109 - the children on the hill → jennifer mcmahon (audiobook) 110 - what moves the dead → t. kingfisher 111 - my throat an open grave → tori bovalino 112 - dashed → amanda quain (arc) 113 - asking for a friend → kara h.l. chen (arc) 114 - beach read → emily henry (reread, audiobook) 115 - book lovers → emily henry (reread, audiobook) 116 - happy place → emily henry (reread, audiobook) 117 - you have a match → emma lord (reread, annotation) 118 - bonnie & clyde musical script → ivan menchell (reread) 119 - such charming liars → karen m. mcmanus (arc) 120 - she left → stacie grey (audiobook) 121 - let the games begin → rufaro faith mazarura (audiobook) 122 - death at morning house → maureen johnson (arc)

august: 123 - cleat cute → meryl wilsner (audiobook) 124 - i wish you would → eva des lauriers 125 - the break-up pact → emma lord (arc) 126 - water for elephants → sara gruen 127 - when you get the chance → emma lord (reread, annotation) 128 - come out, come out → natalie c. parker (arc) 129 - my lady jane → cynthia hand, brodi ashton, jodi meadows 130 - the lies of alma blackwell → amanda glaze (arc)

september: 131 - the spare room → andra bartz 132 - late bloomer → mazey eddings (audiobook) 133 - savor it → tarah dewitt (audiobook) 134 - triple sec → t.j. alexander (audiobook) 135 - the skeleton key → erin kelly 136 - the examiner → janice hallett (arc) 137 - the dark we know → wen-yi lee (audiobook) 138 - pretty girls → karin slaughter 139 - a good girl's guide to murder → holly jackson (reread, annotation) 140 - lady macbeth → ava reid 141 - the pumpkin spice café → laurie gilmore 142 - the main character → jaclyn goldis (audiobook) 143 - queen macbeth → val mcdermid (arc) 144 - the cinnamon bun bookstore → laurie gilmore (audiobook)

october: 145 - midnight on beacon street → emily ruth verona (audiobook) 146 - make me a mixtape → jennifer whiteford (arc) 147 - haunt sweet home → sarah pinsker 148 - graveyard shift → m.l. rio 149 - the bitter end → alexa donne (arc) 150 - morbidly yours → ivy fairbanks 151 - someone in the attic → andrea mara 152 - a new lease on death → olivia blacke (arc) 153 - the christmas tree farm → laurie gilmore 154 - staged → elle cosimano 155 - the reunion dinner → jesse q. sutanto 156 - a crime of fashion → emma rosenblum 157 - the nosy neighbor → nita prose 158 - one lucky subscriber → kellye garrett 159 - a classic case → alicia thompson 160 - interview with the vampire → anne rice (audiobook) 161 - horror movie → paul tremblay (audiobook) 162 - everything is poison → joy mccullough (arc) 163 - romeo and juliet → william shakespeare (reread) 164 - no place left to hide → megan lally (arc) 165 - macbeth → william shakespeare (reread)

november: 166 - dinner for vampires → bethany joy lenz (audiobook) 167 - make the season bright → ashley herring blake 168 - a bánh mì for two → trinity nguyen (audiobook) 169 - merriment and mayhem → alexandria bellefleur 170 - a novel love story → ashley poston 171 - guilt and ginataan → mia p. manansala

december: 172 - looking for smoke → k.a. cobell (audiobook) 173 - seven lively suspects → katy watson 174 - the rival → emma lord (arc) 175 - a lively midwinder murder → katy watson 176 - the cheerleaders → kara thomas (rerad, audiobook) 177 - the champions → kara thomas (audiobook) 178 - a guide to the dark → meriam metou (audiobook)

[batmanisagatewaydrug]

2025 book bingo time 📚

want a completely arbitrary set of reading goals for 2025? want to try something new in your literary diet but don't know where to start? just like a challenge for the sake of a challenge? just love a good game of bingo?

boy do I have something for you!

for anyone planning to participate, please know that I LOVE attention and talking about books, so I would be STOKED to be tagged on any and all updates about what you're reading or planning to read. I'm so, so excited to see all the different ways these prompts get filled, especially if and when they bring people away from the kinds of things they normally read. not to mention snag some new reading recs myself, hopefully!

and of course, I want to know whenever somebody gets a bingo - and ESPECIALLY if somebody fills the whole board! I don't have any prizes for you, but I can offer a sense of accomplishment :)

note that this is designed to be played as 1 book = 1 space, so even if you read, say, a fantasy graphic novel published in 1923 from an indie publisher that has a bat on the cover, you'd only cross off one space. I'm not a cop and I'm not in charge of what you read, so if it sparks more joy to check off multiple spaces per book then go nuts, but I am throwing that disclaimer out there.

EDIT: the 2025 book bingo challenge is now also on storygraph, thanks to @obi-wann-cannoli!

wondering what some of these spaces mean? seeking a couple recommendations to get you started? no idea what a zine even is, let alone how to make one? worry not! I have a guide to all 25 prompts, including recommendations + an example of what I'll be reading throughout the year to fulfill each space. read on beneath the cut!

Literary Fiction: I find that a lot of people are reluctant to check out literary fiction, as it’s often written off as not being about anything but adultery and divorce. If this is you, I implore you to take a chance, acknowledge that adultery and divorce are compelling sometimes, and also remember that lit fic has a lot more to offer than that. At Writer’s Digest, Michael Woodson describes literary fiction as “less of a genre than a category,” which “focuses on style, character, and theme over plot.” My recommendations include Raven Leilani’s Luster, Ocean Vuong’s On Earth We’re Briefly Gorgeous, and Melissa Broder’s Milk Fed. 

I’ll be reading: Martyr! by Kaveh Akbar

2. Short Story Collection: You know, a bunch of short stories together in one book? It doesn’t get much more self-explanatory than that. Could be a collection of stories by a single author or an anthology—it’s up to you! I recommend checking out Mariana Enríquez’s The Dangers of Smoking in Bed (translated by Megan McDowell), Nalo Hopkinson’s Falling in Love With Hominids, and Kim Fu’s Lesser Known Monsters of the 21st Century. 

I’ll be reading: Your Utopia by Bora Chung and translated by Anton Hur 

3. A Sequel: It could be one that you’ve been meaning to get around to, one that’s not releasing until 2025, or the sequel to something you read to cross off another space on this very bingo sheet!

I’ll be reading: Heavenly Tyrant by Xiran Jay Zhao, sequel to 2021’s Iron Widow 

4. Childhood Favorite: Go back and read a book you loved as a child, tween, or teen! There’s no wrong answer here; anything from a YA novel to a picture book would be just lovely, and I can’t wait to see what people pick for this option! I’m not sure which of my old favorites I’ll be revisiting yet—should I go for the warm and fuzzy Casson Family series, or straight towards the mindfucky sci-fi of Interstellar Piggy? Or maybe I’ll go see how Artemis Fowl holds up...

5. 20th Century Speculative Fiction: For those not familiar with the term, speculative fiction can encapsulate science fiction, fantasy, and anything else that falls into the unreal. You’re spoiled for iconic choices here: the 20th century gave us Le Guin’s Left Hand of Darkness, Atwood’s Handmaid’s Tale, Butler’s Parable of the Sower and Kindred, L’Engle’s A Wrinkle in Time, the beginning of Pratchett’s Discworld series, Diana Wynne Jones’ Howls’ Moving Castle, and countless others.

I’ll be reading: Dawn by Octavia E. Butler, love of my literary life 💜

6. Fantasy: Fantasy comes in a thousand different shades, from contemporary urban wizards with day jobs at the office to high fantasy spellslingers chasing dragons away from castles. Some examples I’ve adored are N.K. Jemisin’s The Killing Moon, C.L. Polk’s Witchmark, Fonda Lee’s Jade City, and Nghi Vo’s Empress of Salt and Fortune.

I’ll be reading: The Adventures of Amina al-Sirafi by Shannon Chakraborty  

7. Published Before 1950: This one could not be more straightforward if I tried. You have all of human history (or at least, all the parts that have surviving literature), just not the last 75 years. Dig deep! 

I’ll be reading: Rebecca by Daphne du Maurier, published in 1938 

8. Independent Publisher: Did you guys know that just five publishing companies (Penguin Random House, HarperCollins Publishers, Macmillan Publishers, Simon & Schuster, and Hachette Book Group) are responsible for 80% of books published in the US each year, and 25% of books globally? Break away from the big five and see what some small presses are putting out! If you need some ideas about where to start, check out this list of nearly 300 independent publishers with notes on what kind of books they put out!

I’ll be reading: Taiwan Travelogue by Yáng Shuāng-zǐ and translated by Lin King, from Graywolf Press

9. Graphic Novel/Comic Book/Manga: Despite my personal obsession with Batman, the world of comic books is sooo much wider than Gotham City—or anything else that DC and Marvel have to offer. If superheroes aren’t your speed, check out the Southern gothic of Carmen Maria Machado and Dani Strips’ comic The Low, Low Woods, splash around in Kat Leyh’s graphic novel Thirsty Mermaids, or stop waiting for a new season of Dungeon Meshi and go read Ryoko Kui’s manga, translated to English by Taylor Engel. 

I’ll be reading: The Fade, by Aabria Iyengar and Mari Costa

10. Animal on the Cover: Yes, yes, don’t judge a book by its cover—but do go find one with a critter on the cover and give it a read! Absolutely no other requirements here, get silly with it.

I’ll be reading: Shark Heart by Emily Habeck

11. Set in a Country You Have Never Visited: Fiction or nonfiction, doesn’t matter so long as it gives you a little glimpse of a country you’ve never visited in real life. If you’ve somehow visited every country currently recognized in the world, then I guess you get to go read something set in space.

I’ll be reading: A Magical Girl Retires by Park Seolyeon and Kim Sanho, translated by Anton Hur 

12. Science Fiction: A genre just as diverse as fantasy, with a little something for everybody! I recommend Becky Chambers’ Long Way to a Small, Angry Planet for those who want to kiss an alien in the stars and Jessamine Chan’s The School for Good Mothers for those who want a surveillance state dystopia that hits much closer to home.  

I’ll be reading: Womb City by Tlotlo Tsamaase

13. 2025 Debut Author: Read a book by someone who’s releasing their first book in 2025. Fic or nonfic, any genre, no further requirements. Not quite a free space, but pretty close!

I’ll be reading: Liquid: A Love Story by Mariam Rahmani, coming out March 11

14. Memoir: Per Wikipedia, a memoir is “any nonfiction narrative writing based on the author’s personal memories.” Some are funny, some are heartbreaking, some are both! I recommend Carman Maria Machado’s In the Dream House and Roxane Gay’s Hunger, because I tend to lean heartbreaking! 

I’ll be reading: Crying in H Mart by Michelle Zauner. Again, I like heartbreaking!

15. Read a Zine, Make a Zine: Not familiar with zines? No problem! Check out some of these digital archives for inspiration, and then craft your own zine with this simple guide (or do it your own way, I’m not in charge of you). 

Internet Archives: https://archive.org/details/zines

Gay Zine Archive Project: https://gittings.qzap.org/ 

POC Zine Project: https://poczineproject.tumblr.com/ 

Library of Congress: https://www.loc.gov/collections/zine-web-archive/ 

16. Essay Collection: Like a short story collection, but it’s nonfiction now. Some of my favorites include Samantha Irby’s We Are Never Meeting in Real Life, Elaine Castillo’s How to Read Now, Aimee Nezhukhumatathil’s World of Wonders, and Cathy Park Hong’s Minor Feelings.

I’ll be reading: A Little Devil in America: In Praise of Black Performance by Hanif Abdurraqib 

17. 2024 Award Winner: What award? Any award you like! And boy, there are tons to pick from. Any book that won any award in the year 2024 is free game. If you need some places to start looking, check out some of these:

Lambda Literary Awards, for excellence in LGBT literature: https://lambdaliterary.org/awards__trashed/2024-winners/ 

The Alex Awards, for adult books with crossover appeal for teen readers: https://www.ala.org/yalsa/alex-awards 

Ignyte Awards, celebrating diversity in speculative fiction: https://ignyteawards.fiyahlitmag.com/2024-results/  

Women's Prize for Fiction (self explanatory) https://womensprize.com/prizes/womens-prize-for-fiction/

Others: https://www.bookbrowse.com/awards/ 

I’ll be reading: Biography of X by Catherine Lacey, winner of the 2024 Lambda Literary Award for Lesbian Fiction

18. Nonfiction: Learn Something New: I know very little about archaeology, anthropology, or any other fields that involve studying ancient cities, but Annalee Newitz’s Four Lost Cities: A Secret History of the Urban Age was some of the most fun I had with nonfiction in 2024, because every page brought a brand new discovery. For 2025, find a nonfiction book about a topic you don’t know ANYTHING about, and learn something new!

I’ll be reading: Cooling the Tropics: Ice, Indigeneity, and Hawaiian Refreshment by Hi’ilei Julia Kawehipuaakahaopulani Hobart

19. Social Justice & Activism: Read a book about a social issue, the history of an activist movement, or brush up on a guiding philosophy or ideology. Arm yourself with knowledge, besties, because I have a feeling we’re going to need it! if you need a good place to start, why not try Angela Davis' Race, Women & Class, Mariame Kaba's We Do This 'Til We Free Us, or Molly Smith and Juno Mac's Revolting Prostitutes?

I’ll be reading: White Feminism: From Suffragettes to Influencers and Who They Leave Behind by Koa Beck

20. Romance Novel: Listen to me. Fucking listen to me. I mean a ROMANCE. NOVEL. Not a novel that incidentally has a romance in it. Romance novel, motherfucker. Go check out the romance section and have some whimsy as two people fall in love through the most contrived series of events ever conceived. If you really need a romance that makes you feel smart (that’s still sexy and messy as hell), try Akwaeke Emezi’s You Made a Fool of Death with Your Beauty.

I’ll be reading: Go Luck Yourself by Sara Raasche  

21. Read and Make a Recipe: Could be a cookbook, could be a recipe you yoinked from the New York Times, could be something your grandparents lovingly wrote down by hand. Could be as complex or as simple as you like, just make something tasty! Some cookbooks I’ve enjoyed are Sohla El-Waylly’s Start Here, Dan Pashman’s Mission Impastable, and John Wang and Storm Garner’s The World Eats Here.

22. Horror: Slashers, zombies, haunted houses, creeping paranoia, you name it! It’s time to get spooky and scary with all kinds of things going bump in the night. Maybe this is the year to finally keep up with Dracula Daily? Not for me, I'm not doing that, but you could!

I’ll be reading: I Was A Teenage Slasher by Stephen Graham Jones

23. Published in the Aughts: A throwback, but not too far back. Read something published between 2000 and 2009. Maybe it’s time to finally get into Twilight? (For legal reasons, that’s a joke.)

I’ll be reading: The Sluts by Dennis Cooper, published in 2004

24. Historical Fiction: You know, fiction that takes place in a bygone era! Please remember, this isn’t just about reading a book that’s old; we have a separate prompt for that! This is about reading something that takes place in the past relative to the time it was written. Pride and Prejudice is historical to us, but was contemporary when Austen wrote it. Think of Brit Bennett's The Vanishing Half, Markus Zusak's The Book Thief, or history + a bit of fantasy in book's like R.F. Kuang's Babel.

I’ll be reading: The Yiddish Policemen's Union by Michael Chabon

Bookseller or Librarian Recommendation: This one is fun, and something I always like to do when I’m travelling and visiting a new bookstore. Ask a bookseller or librarian to recommend something they’ve liked, and check it out! If going in person isn’t feasible, many bookstores and libraries have staff picks on their websites, and the Indie Next List is a monthly list of independent booksellers’ favorite new releases. 

I’ll be reading: The Last Report on the Miracles at Little No Horse by Louise Erdrich, which I bought at Erdrich’s bookstore, Birchbark Books, this summer :)

lastly: tagging people who asked to be tagged to make sure they didn't miss this! @thebisexualwreckoning @perfunctoryperfusions @reallyinkyhands come get your bingo sheet!

[emeryleewho]

I keep seeing posts talking about the WGA/Sag-Aftra strike, which yes, good, but in all this "support writers" sentiment I'm seeing no one talk about book writers, which I think is something people should know more about right now.

We are at an all-time high for book bans, namely targeting queer & PoC-authored books. This means that a lot of schools and libraries are no longer stocking diverse YA books, and if you're not in publishing, you may not realize this but school & libraries are by far one of the biggest markets for diverse YA books.

This means that in 2023, YA book sales are down. This is also in part because Barnes & Noble (the largest physical book retailer in the U.S.) is no longer really stocking YA hardcovers. This means that marginalized authors and debut authors are struggling to sell books.

But it's a LOT worse than that. In the past couple of years, marginalized authors are *really* struggling to get new book deals. Most books are acquired by a publisher about 2 years before they release to the public, so this isn't all that noticeable yet, but a LOT of marginalized authors I've spoken to (myself included) have been unable to sell a new YA book since 2020. So while I had a book out last year, even if I sell one right now, you won't see it until 2025-2026. That's three to four years without a new release or the income I get from publishing those books.

On top of that, Big 5 publishers have started closing imprints (namely their diverse imprints) and have started telling their marginalized YA authors to just go. I've had multiple authors tell me their publisher basically said, "eh, we don't care to put in the work for you anymore. You can just go somewhere else". Of the authors who *are* getting offered new contracts, we're being offered pay far below the cost of living and we're being handed contracts that split our payments 4 or 5 ways and require we sign over our work to be used to train AI so they can replace us a few years down the road.

Authors are freelancers who own our IPs, which means we can't unionize the way Hollywood writers can, and despite authors showing up in droves to support HarperCollins employees when they went on strike for fair wages, we're being hung out to dry when it comes to our own rights.

If you enjoy diverse books, especially diverse YA, please understand that many of the authors you loved over the past 3-5 years are being forced out of the industry. We're being exploited, and we have no way to defend ourselves. Our books sales are drying up thanks to anti-queer legislation, our rights are being eaten up by AI, and our publishers are degrading us while profiting of us and refusing to share those profits with us.

Within the publishing industry, we've all been watching this decline happen over the last decade, but outside of it, I know most people have no idea what's going on so please spread the word. And if you care about diverse books especially in YA, please support marginalized authors in any way you can. The industry needs to be reminded that it needs us before we're all eliminated from it.

[mossmx]

my bff was like "I don't think this character is Arthur bc you never draw him" and I think that's beautiful XD