#I was really going to just put 'This is one of my favorite characterization moments' up there and put the rest of that in the tags

[lilybecca1]

My analysis on Midoriya and why I think he has undiagnosed BPD

Throughout Izuku's childhood, he was always seen as weird, off-putting, an outsider to social norms. Being left out, being seen as "different" is very common amongst people, especially kids, with undiagnosed disorders. So let's jump straight into it. What is BPD and how does it develop? (Contains manga spoilers)

Here are a few summaries amongst many that I have found (also, I'm not a psychologist or a healthcare professional, these are all just based on my own observations):

BPD, short for Borderline Personality Disorder, is a severe mental health condition characterized by a pervasive and challenging pattern of symptoms including emotional dysregulation, unstable self-identity, fear of abandonment, intense and unstable interpersonal relationships, impulsivity, and self-harming behaviors.

People with borderline personality disorder (BPD) experience extreme emotions. Once a powerful emotion is triggered, it is very hard for them to calm down. Because of this, they often have unstable relationships. They also engage in self-destructive behavior.

Researchers think that BPD is caused by a combination of factors, including:

Stressful or traumatic life events (for example, emotional abuse, neglect, often having felt afraid, upset, unsupported or invalidated),

And genetic factors.

Symptoms may include:

A strong fear of abandonment. This includes going to extreme measures so you're not separated or rejected, even if these fears are made up.

A pattern of unstable, intense relationships, such as believing someone is perfect one moment and then suddenly believing the person doesn't care enough or is cruel.

Quick changes in how you see yourself. This includes shifting goals and values, as well as seeing yourself as bad or as if you don't exist.

Periods of stress-related paranoia and loss of contact with reality.

Self-injury

Wide mood swings that last from a few hours to a few days. These mood swings can include periods of being very happy, irritable or anxious, or feeling shame.

Ongoing feelings of emptiness.

Inappropriate, strong anger, such as losing your temper often, being sarcastic or bitter, or physically fighting.

Now, let's get into it.

BPD, like all disorders, isn't the same for every person. Symptoms and the intensity of these symptoms can vary. It can make some people's life and relationships really difficult, but others can go on for years undiagnosed living a completely happy life without even knowing there's anything wrong. Midoriya's case, in my opinion, is the latter. These symptoms don't surface that obviously in him, but I believe, in different circumstances (queue those Villain Deku and traumatized Deku fics) these symptoms and behaviours could actually turn into much bigger problems and affect his life in a much more impactful way. But, in any case, let's analyze these symptoms and how they may have surfaced in him throughout the manga.

Of course, I decided to turn to TikTok as well and watch some actual explanations and experiences from people who actually have been diagnosed with this disorder in order to understand BPD on a more subjective level, not just objective. And what I have found turned out to be very interesting.

People with BPD often develop a very emotionally attached connection with one specific person in their life, which is their "Favorite person". This person can be anything including a friend, family, therapist, partner, etc. This is a person that someone with BPD can become dependent on. They often view them as a person who's perfect and can do nothing wrong. They might overshare, and expect availability from that person at all times. The dependence on this person goes beyond just adoration, because they are idolizing them to the point where it's all consuming. A person with BPD can switch from absolute adoration one moment to absolute hate the next. They might have trouble with boundaries, sometimes even having zero boundaries when it comes to that person. Their life constantly revolves around that person and the favorite person's identity becomes their own, and they can feel literal physical pain when losing that person. You see where I'm getting at?

I believe Midoriya has developed this dependency and attachment towards one particular person, can you guess who?

Yep, Bakugo Katsuki

Midoriya views Kacchan as perfect, as the embodiment of the image of victory. It's like he blindly ignores Katsuki's bad traits and the things he has done to him, and he idealizes him to the point that Katsuki became his symbol of victory. So much so that he himself has absorbed this identity that he built around Katsuki, for example during battles, which we see during the moments he clearly imitates Bakugo and mirrors him. Izuku "ILoveKacchan'sPersonalSpace" Midoriya basically has zero boundaries when it comes to Katsuki, I mean y'all let's not forget he basically stalked him and even knows what body part Katsuki washes first in the shower. Not to mention he gives zero fucks about boundaries when he butts into Bakugo's emotions even though Bakugo has clearly tried setting boundaries for almost their whole time knowing each other. Deku has also overshared with Katsuki(and only Katsuki), when he told him about OFA even though it was literally meant to be the one secret that he should have kept to himself. His life has always revolved around Bakugo to the point he cannot keep himself away from him.

And talk about experiencing physical pain when losing the favorite person...remember when Bakugo was kidnapped? Yeah, remember that kinda cringe and second hand embarrassing, absolutely animalistic scream that Midoriya let out? Yeah, well..... And then when he actually lost Katsuki, when he saw his dead body. Izuku lost control of his quirks in the middle of a freaking battle, LITERALLY started choking on Blackwhip and screaming in pain, and Blackwhip turned into a heart pierced by three swords that symbolizes intense and extreme physical and emotional pain. Need I say more? No.

And if you think Midoriya isn't capable of extreme hate too, ahhahaha, you're wrong. He can fr switch from absolutely adoring his Kacchan to planning how he's gonna rip off his legs in his diary. Yeah, I haven't forgotten about that one, Izuku.

So, it's very clear that Bakugo is Midoriya's FP and that he has developed this unhealthy, borderline toxic dependency towards him. But let's break down his character even further.

People with BPD tend to engage in self-harming and dangerous activities impulsively, diving in without thinking, in order to feel something. Well, we can tick that one too. Problem child number 1 is known to do and jump into things impulsively without thinking, even if it causes self-injury. In fact, he sometimes engages these self-destructive behaviours on purpose, like all those times when he broke his own bones over and over again. All this just so he can make Todoroki use his right side. Seriously, Deku. Yes, they are training to be heroes, but noone in the class is as reckless and impulsive as Izuku.

Which actually brings me to my next point, which is people with BPD objectifying themselves for validation, going insane lengths just to prove their own self-worth, never having a clear sense of self and seeing themselves as bad or as if they don't exist. I have talked about this in a previous theory of mine too, which you can read here. Midoriya Izuku does not have a clear sense of self. He mirrors others around him, behaving according to the mood and expectations of others. He has no sense of self, because he has built his identity around wanting to be a hero. To him, he is only worth something if he reaches that goal, that dream. Meaning he has no self worth or identity unless he does as he is expected to do, aka be a hero and put everyone else before himself, sacrificing his own needs, and in worse cases his own well-being. He basically objectifies his own self and turns himself into a simple puppet, a Deku, an empty vessel that can hold OFA and his dream of being a hero. To himself, he is nothing more than an object that's meant to be sacrificed if it's needed.

Now, let's continue with: emotional dysregulation, extreme mood swings, and inappropriate, strong anger, such as losing your temper often, being sarcastic or bitter, or physically fighting.

Well, first let's talk about something that's called "splitting". BPD is a disorder that causes extreme mood swings, making the person go one second from feeling happy and fine, to the next second feeling complete, pure rage. There is a fine line between these two moods, and it's very easy to fall over the edge. For some people, it can happen multiple times a day and could last from minutes to hours to even days, and for others, it can happen very rarely, it depends on how severe the symptoms are for each person. One thing in common though, is that splitting occurs when a specific memory, trauma or emotion gets triggered.

There are different types of splits, one of them being Rage split. Rage splits usually come with sudden outbursts of anger that seemingly come out of nowhere. When it occurs, the person might feel a tightness in their chest, their vision might narrow. They might experience a burning sensation in their chest as if their heart is trying to escape. This overwhelming emotion of anger can cause them to become infuriated with someone or something for no apparent reason. These episodes can cause impulsive actions, inappropriate speech and violent behaviour. It's almost like a cathartic release of emotion, and oftentimes the person doesn't remember the event fully, or only remembers it as a blur.

Now let's compare Midoriya's rage and outbursts and how they could be considered as splitting.

Scenario One: Izuku screaming his ass off saying GIVE ME MY KACCHAN BACK, charging at the obviously overpowered villains with two broken arms. Now, we can all agree that this was pretty out of character for him, and everyone was like Okay wtf. So the threat of losing Katsuki(which also directly correlates to his fear of abandonment) triggered him and made him impulsively and recklessly run towards the villains, even though he was completely defenseless.

Scenario Two: "Monoma, you b*tch". Midoriya literally unlocking a NEW QUIRK cause Monoma was talking shit about his FP, causing violent behaviour from him, getting tunnel vision, being completely OUT of it to the point they had to use Shinso's quirk to make him snap out of the episode. And now, this wasn't just about some rando insulting Bakugo. In my theory I explained how Monoma insulting Bakugo was essentially Monoma insulting Izuku's own values and identity. Because he has absorbed Bakugo's ideals, his values, his desire to win. Monoma talking shit about him felt like he just insulted who Izuku was as a person, as if he jabbed at the very essence of Izuku's dream, of his ideals. THAT was why it triggered him so bad.

Scenario Three: Midoriya vs Shigaraki 1. FP got stabbed, Midoriya immediately saw red and ran straight into the villain's hand without thinking about the consequences. He almost rage quit y'all. He raged so hard he bit the goddamn tendril like a freaking dog. He disassociated so hard he got tunnel vision and his eyes actually lit ablaze. Bruh.

Scenario There'stoomuchtokeepcount: Midoriya vs Shigaraki 2. Aka Deku AFK-ing in the middle of a freaking war and being like I'm out, y'all on your own now, after seeing FP's dead body. Tightness in his chest, unable to breathe, vision narrowed, in fact, completely blocked because of Smokescreen. A burning sensation in his chest as if his heart wanted to escape = Three of Swords. A cathartic release of emotion as his quirks released and gotten out of control. His biggest rage split moment right there.

But, rage isn't the only type of splitting that can occur. Another type is Isolation split.

Isolation splits usually stem from a deep-seated fear of abandonment. You may find yourself feeling unwelcome and unwanted, even in familiar environments such as school. You might have an urge to push people away, and often cut yourself off from others. For some, this means aggressively cutting people out of their lives for no apparent reason, for others, it might be a more subtle withdrawal from social groups and conversations. All the while hoping that someone will notice and ask them how they are doing. It might also include suppressing anger into anxiety, guilt, or self-hatred, identity dysmorphia, self-sabotaging relationships to be in control, stress-related paranoia, loss of contact with reality, and on-going feelings of emptiness.

Reminds me of a certain Vigilante Arc.

Isolation splits usually stem from fear of abandonment. In Izuku's case, why did he leave UA? Well, on the surface level, it was to protect his classmates from harm. But on a deeper level..

During his Vigilante Arc, he felt like he had to carry the burden of OFA all by himself. He felt like this responsibility that he carried made him a burden for others, including Katsuki, his friends, his family, and All Might. He feared that they would also realize this and feel like he's a burden, so he pushed them away, cut himself off, and left before they could leave him behind. Of course, this is not the truth, but this is what he believed. His feelings of anxiety towards the possibility of losing them in the war, his guilt of being a burden, his self-sabotaging is what made him believe that he is unwanted, unwelcome. During splits, the person views everything as either black or white, no in-between. Either all good, or all bad. He wanted to feel in control by leaving them behind for "their sake", almost maniacally insistent on being alone, like in the scene where All Might wanted to check on him and give him some food, but Deku ultimately ended up pushing him away and leaving him on the ground too.

During these episodes, people with BPD cannot logically think the situation through, they don't understand that their intense paranoia and belief that everyone hates them is just the reflection of their own feelings. During this episode, this Vigilante Arc(the episode didn't last for the entire arc, but there were probably higher and lower moments instead) he lost contact with reality and lived in a state of constant paranoia and a feeling of emptiness. He believed it was for the "better", but deep inside, that child inside of him just wanted someone to save him, to pull him back and not let go. Deep down he was just a child who just wanted some reassurance and to be validated. Like in his letter to Katsuki. Although we didn't see the whole letter, there were snippets of "Help me", and "thanks for everything" in it, reflecting Izuku's own feelings of "Please love me" and how even though he said he wanted to be alone, deep down he just wanted Katsuki to save him, to be there by his side.

Lastly, another symptom of BPD that can occur, albeit rarely, is the idolization, devaluation and ghosting of certain people, specifically the Favorite Person. This might just, technically, explain the ending of the manga and Chapter 431. Midoriya subconsciously idolized Katsuki his whole life seeing him as perfect. But as we all know, nobody is perfect. Midoriya had always viewed Kacchan as his image of victory, as someone who cannot lose. Yet, he has. The very person who he believed could never ever lose died on the battlefield. The person who believed was the strongest broke down crying in front of him saying he wants to be on his heels for the rest of his life. And what was Izuku's reaction?

Stop crying, this isn't like you.

Midoriya progressively went through the devaluation of Bakugo Katsuki's character, of his Favorite Person. Now, this is just a theory, because devaluation doesn't necessarily mean anything bad. It just means that he had stopped blindly idolizing Katsuki and realized that he is just a human too.

But in some cases of BPD, devaluation also comes with losing interest. Of finding a new favorite person who they see as their new "idol". Or to put it simply, Uraraka. Now, I don't want to go into more details because I am still very much hurt from Chapter 431, but we have seen an obvious ignorance, almost ghosting from Izuku's side towards Katsuki, something that is completely the opposite of how he would have acted before the war. Instead, he is looking at Ochaco as if she was his hero, and he sees her as a person that he wants to get to know more, to get closer to. Leaving Bakugo behind.

I spy an untreated BPD right there. But how could this disorder have developed in Midoriya? Well, it can be due to either genetics, or a series of traumatic events during childhood, for example emotional abuse, neglect, and going through feelings like being afraid, upset, unsupported or unvalidated.

Well emotional abuse came from the bullying. Neglect came from his father leaving. Being afraid was also because of the bullying and Bakugo. He felt unsupported by his own mother when it came to his dream of becoming a hero after being diagnosed quirkless. And he felt unvalidated his whole life simply because he didn't have a quirk. So yeah. I'm pretty sure these were all reasons that he has developed BPD, although not a severe case. If he actually turned into a villain and never got into UA, I imagine these symptoms could have worsened, making him extremely irritable, prone to snapping and having emotional outbursts and having an even more toxic codependency in his relationships.

I'm not saying that BPD is anything bad, I also have a friend who has BPD and it doesn't make you a bad person, people with BPD just simply experience emotions more intensely than others.

So yeah, I hope you guys enjoyed this analysis, and of course, let me know what you guys think!

[lauralot89]

So I watched Nosferatu

poor Nicholas Hoult keeps getting tortured by vampires

also

that certainly was a penis

it has been years since I watched the original Nosferatu and I no longer remember what it did with any of its characters or plot so I will not be comparing this to that

so if you're going to do a Dracula/Mina romance (or in this case, Orlok/Ellen) and you're not going to base it around their shared hobby of reading train schedules, this is probably the best way to do it, because this isn't actually a romance. This movie gives Mina/Ellen the psychic sensitivity that Lucy/Anna has in the book, and establishes that Ellen has had mental connection with Orlok since her childhood, and he essentially groomed her. She even calls him out on it in the film. Yeah, there is one moment toward the end of the movie where she comforts him, but she isn't trying to save him or anything and also even in the original novel, Mina was the one who said Dracula deserved the most pity.

Yes, there was the scene where Ellen was saying Orlok loved her more than Thomas/Jonathan but she was clearly possessed

There is no romanticism of Orlok/Dracula here. He's the worst and he doesn't even have the illusion of civility that most adaptations provide.

also I was told by early reviewers that this movie was very horny and I think they must have watched a different cut than I did. I mean, sure, you see (flaccid) vampire dick once and some nudity throughout but the movie has two sex scenes and both are deeply unsexy in that in the first, you don't see anything and also both characters have gone out of their minds, and in the second, it's not even really sex. You can't just show me a dick that's not even in use and tell me that's horny. Come on, people. Raise your standards.

I don't say this to be mean but: I think the original Orlok makeup from the silent film was scarier. I get what they were doing here, I do, and the makeup was immaculate (as were the costumes, the set designs, etc. It's an Eggers film) but I personally find Original Orlok scarier, and this Orlok was most intimidating when he was kept in the shadows.

This movie felt very much like a fairy tale. It even sets up a "three nights" limit at one point sort of like the earlier versions of Cinderella. I find that Dracula adaptations, particularly in film, often put vibes above, say, characterization, and this movie felt pretty vibe-y.

If I were to make a complaint, it wouldn't even really be about the movie itself. But like, Nosferatu was originally made to be Dracula without paying for the rights to Dracula, wasn't it? You're not bound by the novel (not that most straight-up Dracula adaptations follow the novel all that closely either). You literally have a built-in excuse to do whatever you want, but it seems like what people want to do time and again in vampire movies is a highlights reel of the most famous moments in the book without ever really delving into the characters that made the novel so good.

Again, this is not a criticism of this movie. It's just that what I realized while watching this movie is that I really really want a Dracula adaptation that's a character study. Not even necessarily a character study of Dracula. If someone out there made an adaptation that focused the story on Jonathan or Lucy or Jack or whoever, I would love for that.

God bless Ralph Ineson's voice

Everyone in this film did well, but Nicholas Hoult's performance was probably my favorite. He emotes terror so damn well. And of course Dafoe is always a delight.

Did Original Orlok also favor biting people on the chest or was he a neck guy

[bumblingbabooshka]

This is literally one of my favorite moments for both Harry Kim and B’Elanna characterization. I think a lot of people forget how soft hearted and altruistic B’Elanna specifically can be while Harry, of course a friendly and sweet individual, devotes himself most often to the mission, his friends and Starfleet’s ideals. Harry’s been shown to be much more down-to-earth and less fantastical in his thinking than either Tom or B’Elanna. The only time he gets in major trouble with Janeway and breaks protocol is because he wants to be with a woman. This is distinctly different to me than Tom’s (attempting to save an alien world) and B’Elanna’s (giving a robot race the ability to reproduce) transgressions. His other biggest infraction is begin a mutiny which he does in order to save Janeway & Chakotay. He doesn’t get in trouble for this which is why I put it last but again it seems different from Tom or B’Elanna to me because it’s For The Ship it’s For The Captain it’s a crime which displays his loyalty to Janeway instead of one which demonstrates him going against her ideologically (as shown by the lack of punishment). In that way I think B’Elanna and Harry balance each other well. B’Elanna is a person who seems very nervous and defensive when in conversation with others, who thinks of herself as a person who is ‘bad’ and doesn’t believe in herself much. Meanwhile Harry seems to be at ease with most anyone he speaks to, attempting to befriend even Seven of Nine right away. He’s confident in himself and his abilities and out of everyone (yes even Tom who seems most often to just become frustrated) would be the one to push B’Elanna and break through her defenses. That’s to say it makes perfect sense that B’Elanna would be absolutely enamored by this person who views her as inspiring, would be struck by that while Harry views it as just a weird question. 

[hollowed-theory-hall]

Harry Potter is Actually Really Clever

So often, I feel like Harry is underrated in his own series and I want to talk about how much I love Harry James Potter. Harry is my favorite character in the books and I want to showcase some moments of Harry proving the Sorting Hat knew what it was talking about when it comes to Harry possibly doing well in Slytherin and even Ravenclaw.

(I have more moments listed in my notes, and I'm in book 6 in my current reread, so I definitely am not covering everything)

Let's start then with the words of the Sorting Hat itself:

“Hmm,” said a small voice in his ear. “Difficult. Very difficult. Plenty of courage, I see. Not a bad mind either. There’s talent, A my goodness, yes — and a nice thirst to prove yourself, now that’s interesting….So where shall I put you?” Harry gripped the edges of the stool and thought, Not Slytherin, not Slytherin. “Not Slytherin, eh?” said the small voice. “Are you sure? You could be great, you know, it’s all here in your head, and Slytherin will help you on the way to greatness, no doubt about that

(Philosopher's Stone, page 88)

The Hat says Harry is brave enough for Gryffindor, clever enough and talented enough for Ravenclaw and has the ambition and thirst to prove himself for Slytherin. And the hat isn't wrong about it's assessment of Harry. Harry is clever and talented and I so often find it underplayed in fics, or ones that do include it, acting like it's fanon characterization when it's really isn't.

Harry Potter is canonically a BAMF.

So, here I'm going to talk about his cleverness and give some moments of Harry being clever from the books.

(I'll have a different post for his magical prowess.)

Harry Has Brilliant Memory

So, Harry James Potter practically has close to an eidetic memory, and no one really seems to mention it.

An eidetic memory is described as an almost perfect recollection of images or events. And Harry actually shows himself as being very capable of it:

Angelina: “…Harry, didn’t you do something to your glasses to stop the rain fogging them up when we played Hufflepuff in that storm?” “Hermione did it,” said Harry. He pulled out his wand, tapped his glasses and said, “Impervius!”

(Order of the Phoenix, page 379)

In thus scene its raining during a Quidditch match and Angelina asks Harry about a spell he used a year before. Harry remembered that moment, remembered Hermione was actually the one who cast the spell, a spell he himself never cast before this moment, and he then casts it perfectly from memory.

Harry remembers the incantation and wand movement perfectly enough to succeed on his first try.

Actually, almost every time we see him cast spells he gets the wand movement and incantation right on the first try (even his first attempt at a patronus worked, the happy memory just wasn't strong enough)

In general, they moments we see Harry fail at casting spells on the first try is when he overthinks it and fails himself like that.

Harry stared at the letters in brackets. Nvbl . . . that had to mean “nonverbal.” Harry rather doubted he would be able to bring off this particular spell; he was still having difficulty with nonverbal spells, something Snape had been quick to comment on in every D.A.D.A. class. On the other hand, the Prince had proved a much more effective teacher than Snape so far. Pointing his wand at nothing in particular, he gave it an upward flick and said Levicorpus! inside his head. “Aaaaaaaargh!”

(Half-Blood Prince, page 239)

Harry tends to fail potions, and nonverbal spells when Snape is breathing down on him expecting him to fail, though, in this example, the moment Harry feels he can succeed the spell and isn't overthinking it, he casts it perfectly and nonverbally on the first attempt.

He is the same with potions:

Snape, meanwhile, seemed to have decided to act as though Harry were invisible. Harry was, of course, well used to this tactic, as it was one of Uncle Vernon’s favorites, and on the whole was grateful he had to suffer nothing worse. In fact, compared to what he usually had to endure from Snape in the way of taunts and snide remarks, he found the new approach something of an improvement and was pleased to find that when left well alone, he was able to concoct an Invigoration Draught quite easily. At the end of the lesson he scooped some of the potion into a flask, corked it, and took it up to Snape’s desk for marking, feeling that he might at last have scraped an E.

(Order of the Phoenix, page 660)

When Snape wasn't breathing down his neck and stressing him, even without the Half-Blood Prince's superior instructions, Harry is good at potions. He accomplishes the potion to a level of Exceeding Expectations easily. The problem is never his skill, memory, or talent; usually, it's stress, being stuck in his own head, or carelessness (did anyone diagnose him with ADHD?)

Another example of his eidetic memory in OOP:

“Well, you know, they do work well on non-magical wounds,” said Hermione fairly. “I suppose something in that snake’s venom dissolves them or something. . . . I wonder where the tearoom is?” “Fifth floor,” said Harry, remembering the sign over the Welcome Witch’s desk.

(Order of the Phoenix, page 508)

When Harry describes St. Mongos for the first time (about a week before the above scene) he reads a sign that describes what is located in each floor of the hospital.

A week later, without reading that sign again, Harry can recall where the tea room is since he has that sign he read once a week ago, memorized.

Harry is Sneaky

Harry is a proper sneaky slythein and actually has more cunning moments than some slytherins in the books. Here are a few examples I have from my notes:

“Should call Filch, I should, if something’s a-creeping around unseen.” Harry had a sudden idea. “Peeves,” he said, in a hoarse whisper, “the Bloody Baron has his own reasons for being invisible.” Peeves almost fell out of the air in shock.

(Philosopher's Stone, page 197)

Harry is a good liar and scared of Peeves like this in his first year.

“…He likes to keep in touch with me, though . . . keep up with my news . . . check if I’m happy. . . .” And, grinning broadly at the look of horror on Uncle Vernon’s face, Harry set off toward the station exit, Hedwig rattling along in front of him, for what looked like a much better summer than the last.

(Prisoner of Azkaban, page 435)

But their attitude had changed since they had found out that Harry had a dangerous murderer for a godfather — for Harry had conveniently forgotten to tell them that Sirius was innocent.

(Goblet of Fire, page 24)

Again, Harry lying and tricking the Dursleys so they won't hurt him. Leveling Sirius as a threat against them.

“Not unless you can answer my riddle. Answer on your first guess — I let you pass. Answer wrongly — I attack. Remain silent — I will let you walk away from me unscathed.”

[the riddle and Harry thinking through it]

“Spy . . . er . . . spy . . . er . . .” said Harry, pacing up and down. “A creature I wouldn’t want to kiss . . . a spider!” The sphinx smiled more broadly. She got up, stretched her front legs, and then moved aside for him to pass. “Thanks!” said Harry, and, amazed at his own brilliance, he dashed forward.

(Goblet of Fire, page 629)

I skipped the sphinx's riddle, now the riddle isn't a hard one, but still, Harry isn't stupid. But he thinks he is. He even tells himself during that scene:

Harry’s stomach slipped several notches. It was Hermione who was good at this sort of thing, not him. He weighed his chances. If the riddle was too hard, he could keep silent, get away from the sphinx unharmed, and try and find an alternative route to the center.

(Goblet of Fire, 629)

But it's just Harry and his low self-esteem. He solves the riddle quickly thinking aloud near the Sphinx and he does solve it, and is amazed by it because he doesn't think of himself as smart, even though he is.

Most of the riddles to the Ravenclaw common room are probably along this line of difficulty too. It just goes to show he isn't stupid.

“There,” she said, handing it to him. “Drink it before it gets cold, won’t you? Well, now, Mr. Potter . . . I thought we ought to have a little chat, after the distressing events of last night.” He said nothing. She settled herself back into her seat and waited. When several long moments had passed in silence, she said gaily, “You’re not drinking up!” He raised the cup to his lips and then, just as suddenly, lowered it. One of the horrible painted kittens behind Umbridge had great round blue eyes just like Mad-Eye Moody’s magical one, and it had just occurred to Harry what Mad-Eye would say if he ever heard that Harry had drunk anything offered by a known enemy. “What’s the matter?” said Umbridge, who was still watching him. “Do you want sugar?” “No,” said Harry. He raised the cup to his lips again and pretended to take a sip, though keeping his mouth tightly closed. Umbridge’s smile widened. “Good,” she whispered. “Very good. Now then . . .” She leaned forward a little. “Where is Albus Dumbledore?” “No idea,” said Harry promptly.

(Order of the Pheonix, page 630)

Harry is clever enough to recognize drinking anything Umbridge gives him is a bad idea, so he doesn't. And he does so without her realizing.

“even if you do cause a diversion, how is Harry supposed to talk to him?” “Umbridge’s office,” said Harry quietly. He had been thinking about it for a fortnight and could think of no alternative; Umbridge herself had told him that the only fire that was not being watched was her own. “Are — you — insane?” said Hermione in a hushed voice. Ron had lowered his leaflet on jobs in the cultivated fungus trade and was watching the conversation warily. “I don’t think so,” said Harry, shrugging. “And how are you going to get in there in the first place?” Harry was ready for this question. “Sirius’s knife,” he said. “Excuse me?” “Christmas before last Sirius gave me a knife that’ll open any lock,” said Harry. “So even if she’s bewitched the door so Alohomora won’t work, which I bet she has —”

(Order of the Phoenix, page 658)

Harry can and does strategies. He planned how to get into Umbeidge's office. He employed his friends and actually led them. Being a leader and a strategist — rules we see him grow more into later.

Harry’s mind was racing. The Death Eaters wanted this dusty spun-glass sphere. He had no interest in it. He just wanted to get them all out of this alive, make sure that none of his friends paid a terrible price for his stupidity . . . The woman stepped forward, away from her fellows, and pulled off her hood. Azkaban had hollowed Bellatrix Lestrange’s face, making it gaunt and skull-like, but it was alive with a feverish, fanatical glow. “You need more persuasion?” she said, her chest rising and falling rapidly. “Very well — take the smallest one,” she ordered the Death Eaters beside her. “Let him watch while we torture the little girl. I’ll do it.” Harry felt the others close in around Ginny. He stepped sideways so that he was right in front of her, the prophecy held up to his chest. “You’ll have to smash this if you want to attack any of us,” he told Bellatrix. “I don’t think your boss will be too pleased if you come back without it, will he?” She did not move; she merely stared at him, the tip of her tongue moistening her thin mouth. “So,” said Harry, “what kind of prophecy are we talking about anyway?” He could not think what to do but to keep talking. Neville’s arm was pressed against his, and he could feel him shaking. He could feel one of the other’s quickened breath on the back of his head. He was hoping they were all thinking hard about ways to get out of this, because his mind was blank.

(Order of the Pheonix, page 783)

This is a bit of a long quote, but I really like it. Harry gets the Death Eaters at an impasse because they can't destroy the prophecy. Then, when they threatened Ginny, he changed tactics and got them talking to buy time.

And even when he says his mind is blank:

“What?” whispered Hermione more urgently behind him. “Can this be?” said Malfoy, sounding maliciously delighted; some of the Death Eaters were laughing again, and under cover of their laughter, Harry hissed to Hermione, moving his lips as little as possible, “Smash shelves —”

...

“NOW!” yelled Harry. Five different voices behind him bellowed “REDUCTO!” Five curses flew in five different directions and the shelves opposite them exploded as they hit. The towering structure swayed as a hundred glass spheres burst apart

(Order of the Phoenix, pages 785-786 and 787)

He's still the one coming up with plans and pulling them out of there.

And if we look at his grades:

(Half-Blood Prince, page 102)

He is very far from failing academically. Actually considering how little studying Harry actually does, he receives very high grades, even for Hogwarts' abysmal education standards. Harry is naturally smart enough and talented enough that with the bare minimum of effort, he can get almost exclusively Es (his failing being in History, an exam he didn't finish, and Divination, which Harry has only been thought bullshit in).

Makes me wish we saw him put in an active effort. I bet it all would've been Os with his memory.

Even Potions, which Harry is supposedly bad at, he got an E...

I just... Harry is just really smart and it kind of frustrates me how I don't see enough fics that treat Harry being clever and with a cunning streak as if it's canon, even though it very much is.

I don't know, maybe I'm just reading the wrong fics...

[battlekidx2]

I'm making this post purely to shout out some incredibly talented fanfic writers from the Hazbin Hotel fandom and my favorite works of theirs.

Did anyone ask me for this? No. Will I post it anyway? Absolutely. The writers in this fandom are too good.

The first fanfic writer I want to shout out is @prince-liest (ao3 link)

I absolutely love their get cared for idiot (Alastor) series (not the official name but they called it that in one of their asks jokingly so it's now the default in my head).

Knock, Knock! It's Your Worst Fucking Nightmare! (this fic gets it!!!! This is what I meant when I said Alastor is growing a heart and part of him is raging against it. He still has ulterior motives and a massive amount of pride and part of him feels like that growing fondness is getting in the way, but he can't stop it. I need to stop before this becomes a long ramble. I've written a couple thousand words on this idea, but this fic is just a better use of your time than any meta I could ever write and way more entertaining :D )

Happily Ever After, and Other Shit Nepotism Can't Buy

The Last Bus Stop in Hell, Now Boarding (Please look at the tags for content warning. Angel and Alastor body swap story.)

They're amazing at balancing on that razor's edge with Alastor where there's a heart in there (really deep) and he's unintentionally growing attached to the hazbin crew, but he doesn't lose his edge. He's still manipulative and an asshole and can easily be the scariest guy in any room. He's in hell for a reason. A+ characterization at all times.

They're so good at writing the complicated dynamics he has with the residents, especially Charlie, and I enjoy how they expand on Alastor's potential dynamic with Angel Dust.

Anything they write from Lucifer's POV is gold too! My favorites are:

Take Two and Leave a Voicemail!

The Care and Keeping of Homo Angelus

I am also 100% here for their Aro!Alastor agenda and I'm enjoying their fic I Love Her, I Love Her Not so far!

The second person I want to shout out is @grayintogreen (ao3 link)

Their series Red Roses and Dead Things consistently gut punches me.

Just like Princeliest, they are also fantastic at balancing on that razor's edge with Alastor. A+ characterization for everyone and I love how they write HuskerDust. It's so soft, especially in the aftermath fic for Learn that Even Death May Die called If My Love Is Tomorrow, I've Forgotten Yesterday (that fic hurt in the best way).

The way they explore the aftermath of Learn that Even Death May Die is incredibly impactful. They capture the unique grief that comes from the reality that there are some things you won't get closure for so well that it's painful.

I can't say enough good things about their series. Genuinely go read it.

I found @lediz-watches (ao3 link) before the first season of Hazbin Hotel dropped (I've been a fan of the hellaverse for a few years now and have been enthralled with the Hazbin Hotel pilot since I first watched it in 2020) and I really enjoy their fics.

My favorite is Suffering Kindness. I love the Charlie and Alastor dynamic they explore in this story. I think I'm just a sucker for the Charlie and Alastor dynamic in general, but this fic hits all the right notes for me. (written pre-season 1 but man is it good. 100% recommend)

LeDiz also has a lot of one-shots/collections of one-shots that are very fun.

The Cure for Inexorable Boredom

Dollface (one-shots about Alastor theories. My favorite is the 3rd one. So fascinating!)

Choice Words (one of the few explorations of Alastor and Vaggie's dynamic that I've found in the fandom)

Don't Say It

I have to shout out @ckret2 (ao3 link) and their phenomenal fic You’ve Got a Face for Radio. This is such an amazing aroace!Alastor fic. (Embarrassingly it was this fic that made me realize I was most likely aroace myself. I’d had fleeting moments of suspecting it but it wasn’t until I saw my experiences laid out in a character explicitly written to be aroace that I put the puzzle pieces together. -_- some of these passages were too relatable.) I cannot express how much I love this fic.

I also like their fics Dumpster Baby and Bitter Grapes.

I have one last writer I want to mention because this is getting really long (whoops). The last one is tiredoflofteranditsshit and their Assume He Has a Heart series (because my favorite character and how I interpret them was not obvious enough already with the fics/authors I've recommended. I had to make it more obvious).

These fics are massive (17k and 26k words) and so much fun. Definitely worth the read. Yet another series that follows up season 1 and explores Alastor’s growing connections and how he lies to himself and pushes against it. Love this series and there’s a lot to sink your teeth into :D

[azure-firecracker]

Fic Rec Roundup!

In honor of my going off to college (my posts will be slowing down), and finishing 3 seasons of TXF, I asked y’all what sort of “special post” you wanted me to make. You voted on a roundup of some of my favorite TXF fics, so here it is! Prepare to watch me gush profusely about the phenomenal writers in this fandom.

This will be in chronological order, so first time watchers like me need not fear spoilers:)

I’m not including my own writing here, but you can find it in my masterpost.

Without further ado, let’s get into the fics!

Season 1:

starstruck by @thursdayinspace (General Audiences, 671 words): Set post-Pilot. The title says it all. This is quite possibly the cutest thing I’ve ever read.

Something Bigger Than Us by Mungo_of_Maundery (General Audiences, 721 words): A nice coda to Deep Throat after Scully rescues Mulder from the air base. Internal monologue is great.

humans in nature by @theswisscheeserag (General Audiences, 2,733 words): Mulder and Scully’s conversations post The Jersey Devil. Philosophy mixed with fluff and some laugh-out-loud humor. Perfectly captures the vibe of early MSR.

Still Feeling My Father Ascend by @cecilysass (Teen and Up, 13,073 words): Mulder and Scully share some tender moments post Beyond the Sea. Both of them have a lot of healing to do, for different reasons. Some of my favorite MSR introspection can be found in this fic, and you can tell how much thought and care this author puts into the characterizations. There’s also several excellent funny moments - a true gem of a fic!

Egit Genius Loci by snow_and_rain (Teen and Up, 21,937 words): Case fic set right after Beyond the Sea. Featuring early-onset MSR, angst, mutual pining, and hurt/comfort. A little whimsical, a little eerie, a little sad.

Between Two Truths by @agent-troi (Teen and Up, 1,621 words): Missing scene from E.B.E after Scully’s speech to Mulder. An excellent internal monologue from Mulder’s POV followed by some top-tier MSR banter.

the progression (and regression) of first names by skuls (Teen and Up, 5,421 words): A series of vignettes exploring Scully and Mulder’s relationship as it evolves throughout Season 1. Pitch-perfect Scully characterization and several moments that really showcase her inner conflict fantastically, but also many wonderfully tender MSR scenes (keep an eye out for the coffee scene - my favorite!)

never learned to read your mind by @swinging-stars-from-satellites (General Audiences, 1,071 words): An alternate version of Season 1 where Scully leaves after Deep Throat. Profound, heartwarming, wistful and a bit sad, this takes an interesting concept and really tugs at your heartstrings.

Season 2:

distractions by @thursdayinspace (General Audiences, 1,181 words): Post-abduction. Mulder does his best to help. Absolutely heart-melting, sweet and tender and a little sad too.

The Safety of Guilt by the_status_clo (Teen and Up, 732 words): Mulder’s guilt post-abduction. Do you like to feel miserable? Do you like to slip into a pit of unwavering guilt and wallow in beautiful words? Read this!

Redial by @theswisscheeserag (Teen and Up, 7,423 words): A frequent reread of mine! Set during Mulder and Scully’s quarantine post-Firewalker and told through a series of phone calls. This fic has everything you could possibly want: introspection, angst, fluff, humor, friendship and romance all mixed into one…it’s just really good in 1000 different ways. Endlessly rereadable.

until it heals by @actual-changeling (Teen and Up, 2,351 words): A post-Irresistible fic that captures all of the poetry, panic, and drama that is Season 2 MSR. Incredibly tender with some stunning inner monologue moments. A perfect coda to my favorite episode.

Authority and Gravity by Xecotcovach (Teen and Up, 2,338 words): Another excellent fic where Scully (with Mulder’s help) tries to deal with some of her season 2 trauma. Their dynamic here is very tender and their banter is just the right amount of sassy and quippy. Set after Fresh Bones.

If You’re Sinking, I Will Jump Right Over by SammyLovesASOIAF (Teen and Up, 1,642 words): An alternate version of End Game where things go…badly-but then Mulder has to confront his emotions!An interesting alternative, angst with a happy ending. Lovely poetic language; I have some lines from this that I remember word-for-word.

Our Town by @leiascully (Teen and Up, 813 words): Scully’s thoughts during and after the climax of Our Town. Very in-character, appropriately intense, really conveys the fear and desperation intertwined with Season 2 MSR.

Season 3:

Light in Dark Places by @agent-troi (Teen and Up, 2,697 words): Set in Season 3 but it’s really about Irresistible and Scully’s insecurities in general. Peak hurt/comfort, this one makes your heart hurt in the best possible way, and then it feels like a warm hug with the resolution.

Got You(r) Back by @shearmouth (Teen and Up, 4,933 words): This is THE injury fic for me. Set post-731. The hurt/comfort levels in here are unmatched. Scully’s internal monologue is perfect. Mulder is an actual puppy and Scully takes care of him and it makes my heart melt in all of the right ways.

stay close, listen by @actual-changeling (Teen and Up, 2,667 words): Post Pusher. Very angsty, but in the best possible way and with an extremely satisfying resolution. This fic definitely wins best-written: it’s essentially poetry, and its uses of metaphor and literary references are stunning. I can’t recommend this enough.

find me defenseless by @impulsive-astrophile (Mature, 7,421 words): Case fic! Do you like Mulder torture? Do you like badass Scully? If so, you will love this fic because it has both in spades (plus-spoilers-a wonderful ending to make up for the pain). Whenever I’m fed up with the show’s kidnapping ratio, I read this: it’s probably my most frequent reread. I will say that it is more violent than anything I’ve written, so be aware.

Unconfirmed timing but spoiler-free:

unravelling by @actual-changeling (General Audiences, 2,208 words): Scully wakes up to a familiar voice theorizing on her television. What follows is as sweet and humorous as it is charged and just a little tragic.

Shakespirited by orphan_account (Teen and Up, 13,670 words): A fic that I’m pretty sure was written specifically for me. Mulder and Scully go undercover in a Shakespeare troupe plagued by strange murders. If you like TXF and are a Shakespeare nerd, you will love this. Definition of a good time (but there’s some angst too-how could there not be?) I think there are some minor spoilers in here, but nothing to really tell you anything as long as you’ve seen up to Anasazi.

Sometimes You Need to Have Fun by @baronessblixen (Teen and Up, 1,192 words): Fluff written by the queen of fluff herself! Mulder and Scully go ice skating. It’s as adorable and sappy as it sounds.

Stupid Cupid by @mulderwearingglasses (General Audiences, 5,325 words): A Valentine’s Day fic! This features jealous Scully (a delight) as well as some excellent humor and fluff. Overall just a lovely time. There may be some minor spoilers in here, but nothing that told me anything.

[franzkafkagf]

okay so i want to hear about your take on aegon i know you like him and all (so do i no matter how much i wish not to) but whyy

yess thanks for asking, I love being insane about him<3

I think Aegon is such a wildly tragic character– many asoiaf characters are but I'm so drawn specifically to him; he didn't want power or responsibility or the crown. It all was bestowed upon him against his will, and he shouldn't; putting on the crown is his definitive death sentence. The coronation scene has got to be one of my favorites in the season– he is quite literally walking up to be butchered like a sacrificial lamb, there are tears streaking his cheeks in the scene! I love the tragedy of it, the way it couldn't have been avoided anyways; his fate was sealed from the very start! He was quite literally dead from the very beginning.

I'm going off a mix from the book and the show but I actually love what they did with the character in the show? The book version does have some hard-hitting moments from him that are missing ("What sort of brother steals his sister's birthright?") but there wasn't that much there in terms of characterization and relationships. And wow, did they deliver on that in the show; I'm gonna give whoever came up with his mommy issues a forehead kiss.

Because YES! He and Alicent are reflections of one another– Alicent suffered under the heavy boot of Otto, turned into the perfect daughter, turned into the perfect queen for him. She recognizes that this was wrong and abusive of him, then she turns around and does the same thing to Aegon– the poison DOES drip through, the wheel is NOT broken!! It's BRILLIANT.

@atopvisenyashill put a GREAT tag under one of my posts–

#he looks like her and he’s weak like her so why can’t he get strong like her.

While Alicent persevered, Aegon crumbled under the pressure. He is miserable when we meet him– and he should be! He is unfit for the role of king, but it is his destiny nonetheless, everybody tells him so. It destroys him.

It's so sad too and I cannot help but to feel bad for him. No one knows where he is in ep 9, I don't think he has anyone to confide in; it must be lonely. Everybody seems to have written him off already– he is a drunk and a failure at being heir, being a son, being a father. He tries to prove them wrong later, and does in some aspects.

His loneliness plays into another aspect of him that I really love; his desperation to be loved. He will never be enough for anybody, he probably knows it deep down.

"[Aegon is] desperate to be loved but destined to be hated." – Tom Glynn-Carney

Obviously there is the carriage scene with Alicent that shows this. But I also really love the moment in his coronation, where he basks in the people's affection and cheers. He is poised to bleed out in front of the throne, he was crying and fighting for his life not to take the crown just minutes before. But now he's here and they love him and he can't help but love that.

He takes the crown to protect his family (the show does hint at that with Alicent telling him as much in ep. 6– in the book it's much more explicit with Criston pressuring him on the day of the coronation itself) and then his son DIES because of it! And he drinks and rages and drinks some more; he must've blamed himself. He goes to battle, flies too high (figuratively), and he FALLS; he burns and falls to the ground. He isn't made to be king. He knows. He does it anyways.

"You have already written yourself into legend, you survived dragonfire" – Larys Strong in season 2 (probably)

He survives, he is gone for over a year, unable to do anything but he SURVIVES. He escapes the capital, takes Dragonstone, he falls AGAIN, he loses most of his family; but he still goes on. Fueled by what? Maybe anger, or bitterness or just pure lust for revenge. It doesn't matter. He must've realized somewhere on the way that this was always meant to go this way, ever since he put the conqueror's crown on. It doesn't matter.

And then he dies and it's not grand or spectacular or anything like that. He drinks poisoned wine, nobody even sees him die, they only find him after. It's so uniquely lonely.

[lurkingshan]

10 Things I Love About Only Boo!

*kicks down the door* I'm a few weeks late but I have arrived and I am here to yell about this fucking adorable show. Have you heard that it's the cutest shit you've ever seen in a fresh new package of all your favorite silly old romance tropes? Besties, this is truly the Sunday Serotonin we need. Here are the top 10 things I love about it:

The main romance is between a confident sunshine protagonist and a kind older boy working through his grief and an artistic block. Mok (Moo) and Kang are such nice boys, two cinnamon rolls too sweet and pure for this world, and I loved them instantly. They have a nice crackly chemistry between them and really solid communication right from the start.

The setting is rural and refreshing. Moo moves to Nakhom Pathom to attend school for a semester because his mom wants him to focus on his studies before she will allow him to pursue a career as an idol. Little did she know she was delivering him to a cute boy who would become the new distraction.

The crushing and flirting starts immediately, and it's mutual. They just like each other, man. Kang is (slightly) older and trying to be responsible about keeping Moo focused on his studies so he's putting up some token resistance, but it's very very token. They both find excuses to keep seeing each other after they meet.

There's a side couple with a long-term pining friends to lovers arc. The way I squealed when they revealed that photo wall. I support you, Payos, you will get your boo. These two also have a lovely, easy chemistry and seem so comfortable around each other. Their characterization also gets a fun twist in the beginning of the story.

The writing is strong and assured. This was written by the same screenwriting team as Cooking Crush, aka the best written original Thai bl of last season. These folks know their way around a smart romcom. They know how to deploy classic tropes so they feel fresh, build authentic character arcs, and make all the beats of the story feel confident. We are in good hands and don't need to worry about any out of left field conflicts or weird plot turns with this one.

A fresh new cast brings a ton of energy. I really love all four of the main actors for this show. They're young and bright and breathing some new life into an old formula. And both pairs have solid chemistry and seem comfortable in their scenes together.

Some of our old favorites are here too. They've made the smart decision to bolster the young main cast by surrounding them with more experienced seniors like our lady Milk, here playing Kang's friend and neighbor who is all up in his crush on Moo. Louis and Book are also going to show up at some point.

The show incorporates music and dancing in such a charming way. Moo is one of those kids who just has to dance, and the show mines a lot of comedy around his efforts to stifle the impulse as his mom ordered. I don't think he'll hold out for long, though, because Payos and Tae are on him to train with them. And of course the music supervisor is having a great time working in some classic GMMTV music gags (yes, Love Score and Too Cute To Handle both make memorable appearances).

It's a high school story brimming with youthful energy without being mired in immaturity. The tone of this show reminds me of My School President in the best way, in that it has all the sweetness and innocence of a high school romance without making the characters so immature and bad at communication that it's annoying to watch. As expected from the CC writers, these characters may be inexperienced but they are going to talk to each other and honesty will prevail every time.

We are only three episodes in and the romance is already well underway. This is the kind of show where we will see the main pair flirt and date and face obstacles together. The swoony moments started immediately and Moo is already throwing around the faen title. We know from the synopsis that the core conflict will come when Moo is forced to choose between his relationship with Kang and his dream of being an idol, and I expect he will be finding a way around that choice. I'll be strapped in for the ride because I already believe in these two.

[ivanttakethis]

top 5 worst ivan mischaracterizations ( aka could you list five worst traits people give him that are just totally wrong) i love to hear people complain but if you don't want to you can ignore this ask have a good day

Anon I am SO glad that you asked!

Ivan is my favorite character in Alien Stage because he’s really complex.

I could talk about him and his characterization/mischaracterization all day and still have more to say after that. Now you’ve given me the perfect opportunity to write a bunch of my thoughts down.

These complaints are in no particular order and are ultimately subjective.

Also, I’m not a Patreon supporter, so I can’t comment on anything that might’ve been confirmed or debunked over there.

Top 5 Worst Ivan Mischaracterizations:

Ivan is an unfeeling and emotionless person

Ivan was trying to kill himself and Till during Round 6

Ivan hates Mizi

Ivan is arrogant

Ivan is violent

This is going to be a long one, so I’m putting everything under the cut. Let’s begin!

1. Ivan is an unfeeling and emotionless person.

I find this mischaracterization to be one of the most frustrating because there is so much evidence to the contrary.

As a child, Ivan is described as someone who struggles to express his emotions and connect with others (imo he’s neurodivergent-coded, but that’s a whole other discussion). But notably we’re not told that he doesn’t experience emotions.

This official art kills me every time I see it because it shows that Ivan knows he’s different from the other children and that it probably makes him stick out and he wants to fit in somehow so he tries to practice/fake it so maybe he won’t be so alone (the imitating behavior is also coded imo).

Beyond all of that, we see plenty of times throughout the series that he feels things, rather intensely even. He’s wistful about the stars and meteor showers and the thought of freedom. He has a curious nature, observing others, wanting to learn more about how they work; how he can emulate them.

And then there’s all of the feelings that well up when it comes to Till. The most obvious is that Ivan loves Till, in his own fucked up way. But there’s more to it.

He wanted attention from Till (maybe the first time he’s ever wanted something in that way). He did everything he could just to get Till to even so much as glance in his direction. All of the fighting, and the bickering, and the instigating was because Ivan craved reciprocation. He grew obsessed.

When Ivan managed to free both himself and Till, he was thrilled!

And when Till let go of Ivan’s hand to return for Mizi, he was very clearly heartbroken.

Ivan felt jealous of Mizi and Sua’s relationship, knowing that he would never have that chance with Till.

Ivan felt lonely because he thought Sua was just like him, only to realize that wasn’t true (because Mizi loved Sua back) and he had no one to relate to.

Also, the entirety of Black Sorrow?? Hello??? He was yearning for more than what he could get. He was resigned to his minuscule place in Till’s life. The song is full of mourning and sadness and grief.

In Round 6, I believe Ivan knew what he was going to do.

He was desperate for anything he could get from Till in his final moments. I think that’s part of why he kissed Till. If his only goal was to deliberately lose, why not skip the kissing and go straight to choking?

Ivan was a dying man overwhelmed with emotion and he desperately wanted Till to look at him, see him, make him feel content for the first (and last) time in his life.

Even if some of these emotions are not necessarily healthy, it shows that Ivan was capable of feeling something.

So… yeah. That’s why I really dislike the emotionless characterization of Ivan. There’s so much depth to his emotions and character, but some people just skim the surface and reduce him down to nothing more than a cold and stoic person.

2. Ivan was trying to kill himself and Till during Round 6.

This one is probably more often a misunderstanding than a mischaracterization of Ivan. I think some people may have seen IvanTill referred to as “toxic” or “obsessive” love when it came to how Ivan felt and behaved around Till and thought Ivan was on some “if I can’t have you, no one can” shit, but that completely ignores the wider context of his character. Ivan was devoted to Till to a fault.

To Ivan, Till was his reason for being. Till was his universe. His god. Till was something to be revered, protected, and worshipped. Ivan couldn’t live without Till. That’s why he sacrificed himself, so he wouldn’t have to continue on in a world without him in it. But he also wanted to protect Till, no matter the cost.

Pretty much everything Ivan did was to protect or care for Till: trying to escape Anakt Garden with him, watching over him after Till was attacked by the aliens in the club, freeing him from his collar over and over and over again, every chance Ivan got.

Nothing about Ivan’s feelings or behaviors toward Till suggests that he would ever harm him, let alone kill him. There’s a reason why when Ivan was “choking” Till it didn’t look like he applied any pressure, there was no struggle for air on Till’s end (even if he had mentally given up, physically there will be some sort of reaction to having your airway compressed), and we don’t see any marks on Till’s neck afterwards.

It didn’t matter what happened to Ivan as a result. Till was the only person who mattered to him.

He would do anything for him. He would quite literally rather die than have anything happen to his god.

Ivan only ever knew how to give all of himself to Till, giving up his life was inevitable.

3. Ivan hates Mizi

I’ve seen this one more so in fan fiction, usually for angsty circumstances, but this just completely sidesteps their canon relationship, which is positive and, dare I say, friendly.

He gave her piggyback rides when they were kids! In the lead up to Alien Stage, we see them chatting and Ivan being pleasant towards her in a sort of “big brother” type way without hiding some sort of darker emotion behind it.

Now, is Ivan envious of the relationship Mizi has with Sua? Yes. Does he hate that he’ll never get to have the connect they have with Till? Yes. But Ivan hasn’t given any indication that he hates Mizi herself. And I think that’s an important element of his characterization.

Yes, he has negative feelings surrounding Mizi, but he never takes them out on her or lets himself feel negative towards her as a person.

Edit: I started writing this section BEFORE we got the official art of Ivan hanging out with Mizi, but holy fuck am I glad I took so long to finish this because now it’s canon that Ivan got along well with Mizi and they were even close as kids despite the fact that Ivan loved Till and Till loved Mizi.

In conclusion, Ivan and Mizi were reasonably close and (imo) would’ve been besties in slightly different circumstances. Ivan is NOT a Mizi hater!!

4. Ivan is arrogant

Yes and no. On the surface, Ivan comes across as mature, confident, and in some cases arrogant, but as we see more from his perspective it quickly becomes clear that the arrogance is just a mask he wears for others.

Deep down, Ivan is very insecure and his self-esteem is almost nonexistent. He views himself as insignificant, twisted, unworthy. He vilifies everything that he feels and does. (“Thank you for being a victim of my shallow emotions” anyone?) Ivan fully convinced himself that Till wouldn’t give a shit about him if he died to keep him alive. That’s not the behavior of an arrogant person. Far from it.

His arrogant mask acts as a shield to keep others from seeing the monster he thinks he is. He’s even kept parts of himself out.

I think that’s also where his tendency to be an asshole comes from. Keeping people away, not wanting or knowing how to drop the arrogant mask, internalizing everything, projecting onto others (like that whole talk with Sua about self sacrifice).

So basically:

Characterizing Ivan as an insecure person who hides behind false confidence/arrogance to keep people from seeing the real (and somewhat fucked up) him? Great. Fantastic. Love to see it.

Characterizing Ivan as an arrogant asshole “just because”? Terrible. Hate it. You burned my crops and killed my cow.

5. Ivan is violent

I don’t know how this one came about, but it rubs me the wrong way so I’ll touch on it here.

We know Ivan instigated physical fights with Till when they were kids because that was the only way to consistently get Till’s attention (not saying I condone that btw). But outside of that, I don’t think Ivan has been violent with anyone else? And would he even be violent with Till like, recently?? I would say no.

Now I do think Ivan would resort to violence to protect Till, but nothing beyond that. I don’t don’t even think he would use violence to protect himself.

He’d probably just revert back to being a “perfect” obedient pet to avoid or diffuse confrontation. That’s what he did as a child; while Till fought back every chance he got. Till’s fighting spirit is probably one of the things Ivan loved about him. Maybe in part because he couldn’t find it in himself.

————————————————————

Anyways, those are my Top 5 worst Ivan mischaracterizations! Thank you for coming to my TEDTalk 🖤💙

[zykamiliah]

Tell me about Shen Yuan's mental gymnastics

oh boy where do i start

there are various sides to sy's mental gymnastics:

-his sexuality, that directly correlates to his feelings for binghe; we know how he projects his desire for lbh into the Women/Wives characters, he is in complete denial and actively suppressing his own sexuality, for quite a while and even before he transmigrated, since he has some "skeletons in his closet" in regards to past crushes. he frames his feelings for lbh and his responses during sex as submitting to lbh's charm and "technique" as if to imply he doesn't really have a choice or is being convinced into loving and having sex with lbh, which is one of the biggest misunderstandings for readers in the whole novel. for him admitting that he likes gay sex is tremendously embarrassing, and a consequence from being raised in a homophobic/queerphobic culture.

-his self-image, not in the sense that he's insecure or lacks confidence, but in that he perceives himself as inconsequential-- he doesn't expect much to come from his good actions except maybe that people will spare his life (lbh, lqg) and instead weighs his bad actions as worse than they are. even if he doesn't think about it a lot, he expects lbh to hate him and kill him for pushing him into the endless abyss, yet doesn't take into the equation everything else he did as a shizun for lbh and the other qjp disciples. this probably comes from his fandom-agreed third child syndrome, in that as such he grew up thinking his actions don't have any impact in the people around him (like him not taking into account the impact of his death in hua yue city, for example, on lbh and his martial siblings and disciples); related to that is the part where he doesn't ever talk about his own accomplishments because he thinks that's too cringe or something, so he's always downplaying himself and the stuff he does, like being a good damn teacher, and liking it! he describes himself as a lazy guy who just wants to lead a no-effort life but that's not what he actually wants or does; he's always doing something post-transmigration and in fact gets antsy and restless when he's forced to stay inside doing nothing

also related to him downplaying his good actions, is that he sketches himself as a selfish person when his actions completely contradict that characterization.

he also downplays or completely hides from the narration how much being cool matters to him lol he wants to distract the reader and himself from the fact that he's not an easygoing person who will take anything life gives him; no, no, that man taught his disciples about payback; he gets reeaally pissed off when mbj dismisses his cultivation at the immortal alliance conference. i've talked about how he projects on shen jiu here to go around those feelings .

overall he's unreliable when talking about himself and you have to look at everything he says really carefully and contrast it with his actions, what he actually does, to understand what's real and what's a lie.

and one of my favorites: he tells us he's pretending at being a lofty immortal cultivator, when in truth the transmigration has allowed him to become the best version of himself (ok there's still room for improvement but he's getting there!) the moment the OOC was off, and later when he's in the mushroom body, he thinks of himself as shen qingqiu all the time, going so far as to put finding a folding fan as a top priority, saving people just because he was around, and being unable to let cqm disciples be in danger to the detriment of his own survival. he tries to sell you a picture of himself where he's pragmatic and selfish and self-serving, but in truth, despite having a bad temper and sometimes resorting to anger as a coping mechanism (the tsundere allegations are true), he's a big softie and unconditional when it comes to the people he cares about.

[fillingthescrapbook]

Let's Talk About Misfits and Magic Season 2

I love Aabria Iyengar's mind. I love the way she creates a story that is many levels of profound--but, still, at its core: is about being good, doing good, and hoping for goodness in a world that's wrapped up in different shades of bad.

Around midway through this season of Misfits and Magic, I stopped sharing my thoughts. Not because I didn't have thought to share. It's mostly because I have complicated feelings with this show. I have not made it a secret that I didn't really care for the first season. Nor the holiday special. And I really didn't like how fans of Dimension 20 were so divided about this title because of its connection to a franchise we don't want to like anymore. Because of many reasons. This season did turn things around for me--but the feelings didn't become simple just because I liked the world and the characters more now.

When I write my reaction posts, I make a list of observations. Thoughts and reactions that I then try to turn into a coherent essay. It's really hard to do that with this season. I feel like I was working through my own history and connection with fantasy, of how I became enamored with the genre, alongside the magical misfits journeying from island to island encountering the many forms of magic. Magic that were tied down, bound, and made simple--but is allowed to be messy and unwieldly again. And, now, after the finale: magic that's allowed to be simple again, but not because it was distilled--but because it's been given a new definition. A more apt definition.

I fell in love with Danielle Radford while watching Mentopolis (and, aside: I love that Danielle remembered 57 as Alex Song-Xia's favorite number). But it's this season of Misfits and Magic that really gave her a spotlight of what she can do. Maybe only a sliver of what she can do. But from what was shared with us? Danielle is an emotional powerhouse. Episode after episode, she hits us with emotional beats that network or streaming television shows would kill for.

Then there's Lou Wilson. This may not be a well-shared opinion, but I feel like Misfits and Magic has Lou at his most reserved. And it's not a bad thing. He's letting the other players go buck wild, and he's the one who's grounding everything down. And we really see the importance of a straight man with Lou's performance. Because some of the most emotionally-charged moments of this season wouldn't have been as powerful had it not been for Lou's reactions.

Erika Ishii has always embraced the goblin-gargoyle characterization they've been given. I think that's most true with their Misfits and Magic character. And while K/Dream/Etsy Bit.ly Spider is never one of my favorite Erika characters--they still managed to make the character so engaging that you can't help but be pulled into their orbit…and want what's best for them.

And then we get to Brennan Lee Mulligan. For the man who doesn't get to play a lot of TTRPG because he's almost always behind the DM's screen--it's really refreshing to see him go balls-out with every decision his character makes. I, ultimately, still ended up not an Evan Kelmp fan after the finale--but there truly is something magnetic in the way Brennan plays him that you want to root for Evan. From afar.

That said-- I am still very against the Sam-Evan 'ship. Now more than ever. During the scene where Brennan and Danielle were trying to vocalize what happens now to their characters' relationship, and the situation and feelings that lead into this development…it kind of put into words my discomfort with them becoming a couple.

Evan is, ultimately, a broken person. Sam is too, but in a different way. Evan sees Sam as the person who brought some good into his life, and I feel like that's doing a lot of heavy-lifting in what he's feeling for her. And I really don't think that's fair to Sam.

Do the two actors have great chemistry? Yes! They're just describing scenes together and we can feel the romantic tension between the two characters! But that's not enough for me. I want someone better for Sam. But that's a discussion for, maybe, another season of Misfits and Magic. Maybe.

If there's anything I've learned with Season 2--it's that Aabria, Lou, Erika, Danielle, and Brennan are GOATs. And if they feel the need to revisit this world, we're going to get something truly magical.

I'm glad I gave this title another try. I guess I have to thank the haters who prodded the petty side of me into watching this live and not just taking a break from actual play for a bit.

That said… I really do hope that Aabria's next game on Dimension 20 isn't a sequel. Because I can't wait to see what new system Aabria is going to introduce next.

(Also, just to add: the editing of Dimension 20 is getting better and better--and it was never a slouch to begin with. And: Carlos Luna as Tabby in the last two episodes was very much missed. Aabria is great--but there's a certain mischievous sweetness in the way Carlos voiced Tabby that was just pure magic. Now, cut the feed!)

[ofbreathandflame-archive]

The Paradoxical Nature of Feyre

It’s interesting to consider just how much of Feyre’s character must overcompensate for Rhysand’s shortcomings as a character. I’ve always wondered at the impossibility of the morality involved in the characterization of feyre; in which, Feyre exists – as @feyres-divorce-lawyer has already elaborated on this this post – in this violent conundrum in which is operates as both the most qualified, but is oftentimes then characterized as the most inept to help.

To elaborate – Feyre’s character has to subsume an almost reverential when she is discussed in thorough conversations that question to her motivations, tactility, and efficiency. And because Feyre is never actually given qualities (or I should say – those qualities are never at the forefront when discussing why she is placed in these hierarchal / leadership positions) that prove she deserves to be a leader there’s no actual, tangible evidence to prove that Feyre is inherently qualified for any of these roles. When Helion asks Rhysand – “why did you make her High Lady” the story does not lean onto to any tangible reasons as to why we the reader should believe this other than ‘Rhys loved Feyre’

Here enters the actual problem with Feyre’s character: her being High Lady is a statement of Rhys goodness, not a statement on Feyre’s prowess. Because the story leans on such individualistic, arbitrary ideals, there’s nothing being said about Feyre as a character. So much of these conversations centers around Feyre being qualified but there’s nothing in the story that suggests otherwise. Feyre being reckless and brave prove that she is….reckless and brave – both those qualities don’t really make a good leader and they prove…nothing about Feyre’s skills. Realistically, of course Feyre knows close to nothing – of course she’s going to make very bad decisions and mistakes, of course her per view is limited. So much is put into proving that Feyre is the best that there’s often no conversation about how rigid that makes Feyre as a character.

Those are flaws that make Feyre a better character. One of my favorite moments when reading A Storm of Swords was the moment Davos realizes he needs to be able to read because ‘he’s a lord now.’ I love how he reflects on how hard the process is and how the children seem to read so easily and he has to sit down and sound out the words. Davos is such a good character because he represents the kind of struggles someone – lowborn, smuggler, illiterate, might have when integrating themselves into a new hierarchal world. But this also says something about him as a character – he chooses to begin the journey to learn how to read because he’s realized he needs tools in order to combat is inexperience. Even the fact that it’s not Feyre who realizes she needs to learn how to read but Rhys who forces her says so much about her character, negatively.  

So when we have these conversations about Feyre, no one ever actually proves what makes Feyre qualified to lead. Begrudgingly feeding your family because you feel obligated doesn’t prove that you can lead an entire town; it proves perhaps resilience, perhaps resourcefulness but even then id argue Feyre isn’t even that (see: she seems to not learned any other skills other than hunting, complains about her shoes instead of just mending her own or switching with Nesta or Elain; she can’t cook, etcs). Rhysand making Feyre High Lady because he loves her says nothing about her as a character. It doesn’t expound her talents and skills – and ultimately doesn’t make anyone believe the title is tangible. Even the story doesn’t believe that to be true.  Nothing about Feyre’s trials UTM prove that she is capable leader – if anything they prove the opposite (I do not mean this negatively – if anything, I’ve always felt that Nesta’s arc with the Valkyries fit Feyre much more than her own arc did. I could see Feyre being someone who operates under her own set of rules. I’ve always felt that Feyre seems to chafe under rules , so it doesn’t make sense that she would bound herself to such a leadership role as High Lady).

Back to the main point – the whole I’m making is that I believe that Feyre is talked about this way because so much of her character has to be muted to connect with Rhys. I think this conversation is always a consequence of Rhyland’s characterization and the novel's (and stans) rush to defend him. So many things have to be true about Feyre in order for her romance to Rhysand to be believable - and I argue that those changes are to the detriment of the traits Feyre's is initially characterized as having. And because Rhysand never has to undergo an actual character arc the pressure is placed on Feyre's character to align with the more negative traits Rhys possesses. Realistically, given how Feyre is characterized and given the whole “I hate the preening, gawking Spring Court” – I think its weird that she would immediately (1) do the exact thing in basically nothing with Rhys (2) allow herself to be turned into the most traumatic version of herself and (3) delight in random people’s pain. But because the story never asks Feyre to introspect she simply doesn’t talk about it.  And even if the story wants to go there – so much of Feyre’s healing hinges on affirming that she is good and so introducing these bad, carnal, selfish thoughts into the mix seem to undermine that.

[royonninjago]

The Ninja's Roles Within the Team

Something I think the various Ninjago shows do really well is the characterizations of each Ninja. If it was bad, then kids wouldn't wanna watch the show or buy the Lego sets to reenact their favorite moment and create new scenarios for the Ninja to go through.

However, for the past few years a problem I've had with the TV show is that some characters feel more... useful than others. Then there are moments when one character is missing, but the team seems to operate just fine without them, and I think that does a real disservice to the characters.

In contrast, take the ATLA episode "Sokka's Master". It's one of my favorites because it separates Sokka, the only non-bender in Team Avatar, from the rest of the team. The episode demonstrates to both us and the rest of Team Avatar why Sokka is essential to their team. Without him, they're bored, can't figure out where they are or where they're headed on a map, and are overall completely directionless. Its like the precursor to those dime a dozen fantasy mangas where the weak member of a dungeon divers gets fired and the rest of the party ends up deeply regretting it.

I want the Ninjago TV show to demonstrate to us why each member is essential to the Ninja Team, and why without one of them the Ninja Team is worse off or have to work twice as hard to compensate.

Dragons Rising had such a good opportunity to explore this, but unfortunately it seems like the biggest problem the Team faces from being separated across the merged realms is lack of manpower and not much else. In lieu of this, here are some of my ideas as to how each character could prove to be essential to the Ninja.

Lloyd - The Leader. This one is definitely the most obvious. He's had a very clear leadership role since he became the Green Ninja, and ever since Wu left this distinction has only gotten more pronounced. However, I do find myself wishing to see a bit more of a dark streak with him. He was originally introduced as an antagonist, and I don't know about y'all but I still find myself enjoying Three Days Grace ever since I played the Halo 3 campaign at a friend's house while listening to AMVs of their songs.

Kai - The Weapon Master. Although there was never anything to support this, I always thought that Kai made the weapons that the Ninja used in the pilots. He is a blacksmith, after all. I think it would be cool if this aspect was more leaned into and not only make him the guy that creates all the swords and throwing stars and whatever other simple weapons the Ninja use, but to also be the best one at using those weapons. A sword is obviously his go to, but put any kind of simple weapon in his hands and I think he'd be able to use it very well. Imagine how much cooler it would have been in season 11 if Kai managed to defeat Aspheera's sheer power with his incredible swordsmanship skills. It'd certainly tie into his arc that season much better than what we actually got.

Jay - The Scout. Remember that scene in the pilots where the Skulkin cars were trying to reach 88 mph or whatever and Jay was gaining on them just by running? The writers sure don't! Though in all seriousness, whenever the Ninja need to learn a new technique to do something, Jay always picks up on it really quickly. First to perform Spinjitzu and summon his Golden Weapon Vehicle, second to unlock his true potential, third to summon his Elemental Dragon, he managed to surprise Ronin when practicing Airjitzu, not to mention his laundry list of hobbies. If they really leaned into his speed, combining that with his skills as a Ninja would make him perfect for running ahead and reporting back on the enemy forces. In my own little world, I like to imagine him as a PG version of the Scout from TF2 (Jay even had a slight Boston accent in the pilots!).

Cole - The Muscle. This one is also fairly obvious due to Cole's signature Earth Punch, but I feel as though it should be noticed more when he's not around, especially in Master of the Mountain. If I'm remembering correctly, they don't fully acknowledge his absence until they're locked up in the Vengestone cage about to be executed. If I regularly hung out with a dude that could lift a car over his head, I'd be lamenting about his absence whenever I needed to lift a heavy box.

Zane - The Information Officer. Another obvious one, but in this case I feel as though they lean a bit too heavily into it. Yes, he's a robot and yes, it's his job to know things, but I want to see his more dorky and silly side from time to time. Give us more Zane following a bird because it danced and him just chilling (literally) in the fridge at midnight for no reason type of stuff. After all, his greatest fear is losing his humanity.

Nya - The Strategist. I feel as though on a 'don't judge a fish by it's ability to climb a tree' level, Nya is just as smart as Zane. Due to his physiology, Zane can hold much more raw information many times over Nya, but I feel as though Nya is much better at putting that information to use. Going back to Master of the Mountain (I realize I'm referencing it a lot, its still fresh in my mind), when Kai and Zane were lost, they relied entirely on the raw data from Zane's internal compass, and because of that they got lost and had to rely on Geckles capturing them to reach their settlement. On the other hand, when Lloyd, Jay, and Nya were lost, Nya was able to determine the location of the Munce settlement by searching for signs of life and finding footprints. Also, I think this characterization fits the Master of Water really well considering water adapts to whatever environment it resides in.

The new Ninja from Dragons Rising are still very inexperienced and still haven't really found their grooves within the team, but I'm still gonna try and analyze them here.

Arin - ???. Right now, Arin's main skills are his unique Spinjitzu skills and his talent with a grappling hook. Its still so early in his Ninja training that he hasn't really carved out a distinct role for himself, though I hope this changes as time goes on. Not too long ago I proposed a cool idea for his future if any of y'all wanna take a look at that here.

Sora - The Technical Specialist. While I don't enjoy the idea of PIXAL being replaced as the Ninja's primary vehicle builder, with Sora being the Elemental Master of Tech it seems very possible that this is where things are headed. Instead of that, I think it better for her to either focus on using her skills in the field or to specialize in Mechs. Both of these ideas come from the Elemental Mech mini-series. I thought the idea of switching up parts on a mech in the middle of a battle to be a fun concept and one giving credence to her being a Field Tech, and whenever she uses her Elemental Powers its for the purpose of creating or altering or fixing a mech about half of the time.

Wyldfyre - The Dragon Expert. Even before the Merge, the Ninja encountered Dragons a lot. Now that there are dragons seemingly everywhere, Wyldfyre seems like the perfect liaison for communicating with these dragons, assuming she can learn to cool off when its needed. She also seems to know a good amount about dragons, considering that she was easily able to identify the Wasting Sickness and make a soup to help ease the pain it caused. There's still a lot she needs to learn before anyone can consider her an expert, but with her love of dragons and the belief that she is one, I think she'd be more than willing to learn.

And there you have it. If you have any ideas or head cannons or questions surrounding this topic, I'd love to hear them!

[swagbonkoperaweasel]

Two points before you go any further:

1. If you don’t want to see any negativity about Sonic movie 3, just SCROLL please…

2. I know it’s not supposed to be SA2 the movie. I KNOW. I don’t need any reminders.

Even though I’ve already accepted that Amy Rose isn’t in the movie, I’m still incredibly upset by it. As you’ve seen from the reception of the trailers and marketing, this movie means a lot to Sonic fans because it is taking great inspiration from arguably the most beloved Sonic game: Sonic Adventure 2.

SA2 is important to so many Sonic fans (myself included) because it has one of the best stories in the franchise and for a lot of us, it was a childhood game that we never forgot. I remember watching my cousins go through the game, I would ask them questions, I just had such a huge fascination for Sonic, and I still do, and it is the Adventure games I have to thank for that. Amy became my favorite character because she was pink, cute, and had a fun personality. When I saw Shadow in the post credits scene of Sonic 2 I was absolutely THRILLED because SA2 is my favorite Sonic game and I was excited to see them interpret it into a movie.

Now that the trailers and all the advertisements have come out, I’m still thrilled, but I am genuinely just sad that Amy isn’t in this movie. I wish I wasn’t, but that’s just how I feel. I’m making this post because I see people saying “It’s not SA2: The Movie, don’t expect there to be all the plot points and characters from the game!” And while I don’t disagree, I just need to put this into perspective.

For people who are huge Amy Rose fans, this is a genuine letdown for us. We are going to see everyone else be overjoyed over their favorite characters having references from the games, from SA2 especially, and we just… aren’t gonna have any references for our favorite character. For a game and a movie as important as this one, I think we’re allowed to be upset that Amy isn’t gonna have any part in it. Some of us have been DREAMING of seeing her on the big screen being a part of this momentous occasion that is Shadows story. As a kid Amy’s moments in the game made me SO happy. I know her characterization isn’t the best in this game but I really thought this movie could correct that.

I know some people are going to disagree with me and that’s OKAY. But I’m tired of Amy fans being dismissed and told to just wait. Amy is a character that has been mischaracterised and underutilized for such a long time. We care about seeing her in a good light and we are allowed to be upset when she’s always pushed aside to make other characters look good.

[eddiediaaz]

hellooooo! i read a lot of buck/eddie fics, literally everyday, and earlier this december i thought "why not share some of my favorites that i have read this month?" so here we are! i couldn't include everything i've read and enjoyed, the list would be really long. but i've picked a few fanfics that i've read (for the first time) in december that were really huge favorites and stayed with me for a little while these past days/weeks. i will try to make these on a monthly basis, because fanfic authors deserve all of the recognition! oh, and happy new year!

both blades and branch by @cal-daisies-and-briars 62k | mature | canon divergence | completed: december 2023

The chances of being struck by lightning twice are incredibly minute, but Buck still manages to pull it off. During a double date with Marisol and Natalia, nonetheless. Eddie manages to resuscitate him, but as Buck recovers from yet another trauma, Eddie can’t help but notice there’s something very different about him. He’s not quite sure what version of Buck he got back.

this fic is absolutely incredible. i couldn't put it down once i started. it's extremely well written and brilliantly planned out. the angst is heavy but so is the reward: this is an amazing story. easily an all-time favorite!

my blood on your skin (my rose on your snow) by @letmetellyouaboutmyfeels 80k | explicit | alternate universe | posted: october 2023

When Eddie needs cash and fast to take care of Christopher, his LAFD Academy buddy suggests a job as a bouncer at Elysium - an exclusive sex club in downtown Los Angeles. Eddie doesn't care what goes on there, so long as he's paid, but he finds he cares a lot bout the club's enigmatic owner, Evan Buckley, and it's not long before the two of them are violating every boss-employee rule in the book. But there's something different about Buck and the club, something not quite... human. If Eddie wants to keep Buck, he's going to have to delve into the world of immortals, and all the risks that implies.

another exquisite fic from this author. they never miss!! this one explores a dynamic i don't read that often (sub eddie) but it works SO well here. extremely well done, as usual. i also absolutely love this buck here.

burn a bridge, learn how to swim [series] by watermelonshorts 34k | mature/explicit | canon verse | completed: july 2021

In which there is some unexpected making out, some pining, one third of an existential crisis and a lot of unhelpful advice. Not necessarily in that order.

they are GIANT disasters in here! really loved the humoristic tone of this whole thing. i just wanna shake them and yell learn how to communicate properly damn it!

dead reckoning by euadnes 28k | mature | canon verse | posted: december 2022

In which a tragedy on the edge of a firestorm leaves part of the 118 stranded and struggling to survive in the wilderness. Left entirely to their own devices, the survivors fight to come home, alive.

buck, eddie, and ravi survive a plane crash, and it's amazing. incredibly well written, i was hooked from the very start and couldn't put it down until i was done.

here comes the jackpot question in advance by @lamardeuse 4k | teen+ | canon verse | posted: december 2023

Buck is determined to start the new year right.

this is very very very cute!!! i always love a cute holiday themed get together story. as always, this author nailed the characterization!

being eddie by @cal-daisies-and-briars 79k | teen+ | canon divergence | completed: august 2023

When Eddie starts seeing a new therapist, he’s presented with the opportunity to revisit several days from his past and right regrets that still bother him. OR: Eddie goes through the time travel therapy process of the 2009 Canadian TV show Being Erica

incredible concept!!! all the moments chosen for eddie to revisit are perfect and make so much sense for his character. this was such a great read and an absolutely amazing character exploration fic.

a blaze in the dark by @woodchoc-magnum 117k | explicit | canon verse | published: december 2023

Set post-Season 6, where Buck has inadvertently sacrificed his friendship with Eddie in order to focus on his new relationship with Natalia, and is shocked when Eddie comes out to the team and subsequently reveals that he is dating a guy.

okay so i literally read this in one sitting and went to bed at 7am to finish it. i couldn't put it down. the angst is SO good and frustrating and delicious and painful. but the payoff is so worth it!! this is really really really good. i loved all the dynamics, especially eddie and karen's friendship.

[heybiji]

hi i found your page cause of your Masks art!!

imma be running a game of masks and was wondering if you have any tips

Oh hello! Very cool you're gonna run a MASKS game, it can be a lot of fun!

I'm not sure how helpful my advice will be since I'm still learning and am not sure how well I actually run the game haha, but for starters there's a whole lot of great advice on Reddit that will help with the mechanics and the structure of the game. In my opinion, the Principles section in the GM part of the core book is critical and succinct and is great advice for running ttrpgs in general.

my top advice is:

"We play to get the next issue picked up!"

Play the game like we want people to buy the next issue and not put the series down! Take chances! Make big choices! Make it interesting! Be bold!!

other things:

Theme. Establish the themes of your story early on. This will help you understand how the world and story should respond to the PCs. And make the themes interesting to you! For example, beyond the general coming-of-age story themes already built into the character arcs, I lean heavily into the concepts of fame, celebrity, and the 24-hour news cycle. And all the things that were going on in the early 2000s.

Be a Fan of the PCs. This is my favorite rule from The Principles. Make sure all your players soak this rule in. The MASKS mechanics mean characters will often make less-than-optimal decisions, so players must feel supported in their character choices. You should be a fan of the characters, and so should your players! They should want to help bring out every character's arc, not just their own.

Treating Human Life as Meaningful is what Makes Threats Real. This is another principle, but yeah, make the world's NPCs feel like they matter, and that will make the world worth protecting. Treat them as people. Give everyone Drives, not just your Villains. Mentally treating even non-villain NPCs as having Conditions can do a lot to help with characterization.

Condense. Condense your world, your NPCs, make the world feel smaller. In our game, for example, having the Protege's mentor also be the same superhero who saved the Delinquent years ago was a great decision.

Playlists. I have a bunch of different playlists for the campaign, from a big one of music of the time (our game is set in 2004) to playlists for important NPCs, to playlists I asked my players to curate for their characters. Music inspires me a bunch, a song can help create a villain for me, and I also like choosing a different "ending" song for every episode based on whatever happened.

Stories. Okay, here's the thing. I don't really care much for superhero stories. Why did I choose to run MASKS, you ask? Because of the emotion-based mechanics. That's my shit. But anyway, I don't take in much superhero media... But I do LOVE movies and television and stories in general, and I think taking in a lot of "short stories" is helpful to develop an instinct on how to pace a story, make a character or moment memorable, etc. And because MASKS has an episodic nature, this is extremely important! The sheer amount of movies I've watched has helped me a whole bunch, since they have to get the Beginning, Middle, and End done within such a short time frame.

Don't Wait. This is an instinct I've picked up from some of my favorite media. Don't wait for The big important moment. Make a lot of big important moments, and make the characters have to make a lot of important choices, and keep the momentum going. Paint yourself into a corner and then force yourself to think of ways out! It makes the story more interesting. (this may not apply to everyone, I get this kind of mindset from shows like Breaking Bad and Succession, which for your story could be too much haha)

Everyone Works. Okay, I am not a benevolent, sweet GM, I will not smile with tears in my eyes and quietly work away and accept that without complaint. no way. I make my players help me a lot. I'm gonna whine. Guys I'm doing so much work! Guys this is hard! Weeehhh! MAKE THEM HELP YOU. RUNNING A GAME IS SOOOOO MUCH WORK OH MY GOD IT'S SOOOOOO MUCH WORK!!! Ask them to take notes! Ask them to treat the world with sincerity! Ask them to make NPCs! Ask them to play NPCs! Ask them to help fill out the world! Ask them to tell you what their character wants to do next so you have extra time to consider it! Ask them to make playlists for their characters to help you figure out how to engage with them! Don't let them just show up on playday!! I'm a "you get what you give" kind of GM. You're a player too and you deserve to enjoy the game as well, and having the other players help you helps a BUNCH. PUT THEM TO WORK.

what else. uh. visuals help a lot with engagement so i subscribed to a bunch of modern battlemap patreons. i run using Foundry which lists the rules upon every roll which is great for me, someone with horrid memory. if you're lucky and favored by god, you'll have a benevolent player that will be the scribe for your sessions and log everything down so they can be referred back to (again, great for someone like me with a horrid memory). remember to give focus to the PC's out-of-costume lives as well. make NPCs in response to your PCs (superheroes, villains, touch on something of a PC in the creation process). be silly. be serious. be sincere.

i'm still figuring out how to run the game, maybe i'll have better advice on a later day, but i hope this can help some! sorry this is longwinded and more a stream of consciousness than it is succinct.