#I was really going to just put 'This is one of my favorite characterization moments' up there and put the rest of that in the tags

[hxrsheykisses]

I’ve been following this acc for a bit and I LOVE your writing and how you characterize the boys, I was wondering if I could request an oc x canon fic (My main man CJ x Josh,,,) All his info is pinned on my blog! >:333

Awwww!!! This oc is so creative! I love the design!♥️ i’m glad that I can finally get to this request since I got sick before I could even get a draft started up. I love writing for Josh SOOOO much, he’s so underrated and whenever I see OC X CANONS of him my world just brightens. I really hope I got your oc right… I get really anxious with these ocs x canons because I don’t want to mischaracterize the c LOLOL!!! Thank you so much for requesting!!♥️💋💋

🩷 SPECIAL | CJ TAKAHARA X JOSH LEVY 🧡

CJ was cool.

Ever since he joined in with the club, it was a new thing for Josh and the other members. They never met someone who had a crazy passion for Karate—something that wasn’t technically put into play in the club. Everyone had their personally views on CJ being the newest member in the club.

Josh had a few that ran deep.

CJ is that type of kid who may look relaxed and easygoing—which is true. But as soon as you spark up about one of his interests, he talks about it in such a way where you can see that CJ loves his passions, he lives on his passions, and he isn’t afraid to show it off or tell it. Josh found that to be a fascinating character trait. He too was passionate about his nerdy interests but it wasn’t like he had anyone else to talk to death about them besides his so called friends. He liked the fact that CJ didn’t care if some of these people who got an earful from him about his passions didn’t know jack about him, they will hear it and get to know CJ as a person.

CJ is confident.

Josh envies CJ for this one. CJ is loud and lets everyone know who he is. If he was a stranger a second ago, he sure won’t be now because he’ll let everyone know that he has talent. He has the potential. He has the ability. He is willing to show out for anyone who spares a moment—just a moment. That feeling of accomplishment runs deep. CJ isn’t afraid—he’s fearless. He doesn’t let anyone tell him that his successes are a waste of time because he believes that it’s not true. CJ is everything that Josh isn’t and wants to be. It’s a tough pill to swallow but it draws Josh in more. He wants to listen to whatever CJ is spouting about when nobody else would and he’d remember every single thing.

CJ talks a lot.

And Josh loves a long talking session. Oh, he loves them so much. He does it everytime when he gets the chance too during club. The guys aren’t as good when it comes to listening into what Josh had to say unless it included something about a tape or a comic that shows female anatomy, they’d get a rush for that, no duh. But with CJ? He’s able to talk. He’s able to go into detail. He’s able to go on and on.

CJ gets the same respect back. Josh loves hearing what CJ has to say. Whether it’s about his all time favorite action movie, something that happened in karate, how he learned how to play a character from Mortal Kombat or Street Fighter, the new fighting techniques he learnt—Josh wants to hear it all. Josh yearns to hear about the latest details of anything that CJ has for him and he savors it every single time.

…

…CJ is—

“Hey! Are you watching?”

Josh audibly gasped as he jerked a little bit, shaking his head to bring himself out of the daze he was in. “Oh—Oh, yeah! I-I’m watching!” Josh said quickly, readjusting his glasses. He had forgotten that CJ was going to show off one of his newest techniques he learned from watching this choreography video last night.

CJ put his hands on his hips as he gave Josh a look. “Really?” He asked flatly. “These techniques aren’t easy to do, y’know!”

“I know! I’m sorry, okay? I was just thinking! I’m for real watching right now.” Josh encouraged CJ to get back into his original stance in the middle of the mat on the floor, sitting upright and watching CJ intently just so that he knew that Josh was giving him his full attention.

…CJ is special.

CJ has a lot of talent—amazing talent. His love for Karate is what puts all the pieces together, it’s what makes CJ—CJ. Josh was always the first one to get to see these new skills that CJ had picked up on and he felt honored. He enjoyed seeing the determination on CJ’s face as he prepared himself. It felt kinda like a movie, an action movie at that. It also a little intense in a good way and that’s how Josh liked it. The various moves CJ did looked like something straight out of a comic. It had so much perfection, stealth, and most importantly—focus. During these times is where Josh finally shuts his mouth for a moment so that CJ can concentrate. The silence is breathtaking as Josh watches with astonishment each time.

After CJ finished up with the choreography, Josh would lift both of his hands and clap. “Holy shit? That was insane!” Josh exclaimed. “And what did you say that move was?”

CJ let out a slow sigh leave his lips before replying, “That was a Jumping Back Kick I just did! I spent hours perfecting this yesterday night so now I remember it like the back of my hand.” CH proudly boasted in triumph. “It was practically light work!”

“That was…amazing. Especially since you learnt it just yesterday! CJ—how come your not a black belt yet?” Josh asked. Josh was still in much disbelief at how CJ wasn’t a black belt yet, this seems like black belt level techniques!

CJ felt his heart skip a beat at Josh’s words. He fidgeted with the orange belt that was wrapped around his waist as he looked away for a second. As crazy as it sounded, CJ never really got compliments—he’d get them—but not as much as he thinks he should. Karate is a hard sport and it takes time, effort, and patience. He wishes that more people would see that. He’s grateful that Josh understands that and knows that Karate isn’t just some sport where you do some easy techniques and call it a day. It’s so much more than that—and Josh knew. CJ shook off the thought with a toothy grin. “I’ve been wondering the same thing! But it is what is… someone needs to stay back and teach my peers how to do some hand and kicking techniques!”

Yeah, CJ is one of a kind.

[momo-minomo]

Fic Fairy Friday: Dick and Tim being brothers

I want to start regularly posting fic recs with one larger rec post of at least 10 recs centered around a theme, trope, or relationship every Friday. Since this is the first one I'm gonna go with my favorite: Tim and Dick being brothers! And as a bonus, a couple of playlists I made for these two on Spotify to listen to while you read if that's your thing. ❤️

Good Fellows by thatcuriouscat

Summary:

After rescuing Bruce from floating around the past, Tim is Not Okay. What comes next after losing everything that really matters? Tim’s got some thoughts. So do the rest of the family. And Ra’s al Ghul. …And the Joker. Jason looks murderous. “God DAMN it, Tim, this was not the situation I had in mind when I generously taught you how to be a younger brother out of the kindness of my heart!” Even more shocked by this, Dick asks incredulously, “You, Jason Todd-Wayne, tried to give younger brother lessons? Where did you even get the audacity?” Jason rounds on him hotly. “Bitch, you wish you knew how to be a younger brother!” “FOCUS,” Tim demands. “We’ve got like, an hour to pull this off.”

Momo's Notes: Starting this off with my all time favorite Batfam fic. It plays fast and loose with comic canon but the actual characterization for everyone in the Batfam is so freaking perfect. This fic focuses on all of the Bat boys (in this fic Cass hasn't met them yet) and Bruce in the immediate aftermath of him being saved from the timestream but a big part of the plot is the reconciliation between Dick and Tim. Unlike a lot of Tim-centric fics set in this time no one is being unfairly bashed and Tim's stubborness and avoidance of his problem is just as much of a stumbling block in their relationship as Dick's actions in Red Robin. And Dick isn't demonized for making Damian Robin so much as he's criticized for HOW he did it.

tiptoes by thirdgleam

Summary:

Tim wakes up in an alternate dimension. One where he's eleven and living on the streets. One where Batman really does work alone, no Robin by his side. One where Dick is eight years old and the Flying Graysons are still flying. It would all be much easier to deal with if he remembered how he got there. or Tim: Older Brother Extraordinaire (eventually)

Momo's Notes: God this is one is heart-wrenching. Tim struggling with his grief over the family he's been separated from even as he slowly grows to love the versions of them who are adopting him here just shreds my heart. His internal war over wanting to go home but knowing his new little brother Dickie NEEDS him is just SO good. And bonus: if you REALLY want your heart ripped out of your chest check out the side stories from the point of view of Tim's original Batfamily as they struggle with their own grief over losing him. I was in tears SO FAST.

Five Times Dick Was Tim’s Safety Net and One Time Tim Was Dick’s by PrinceJakeFireCake

Summary:

“Tim forced his gaze away from his phone, took a moment to breathe deeply, then tried to figure out the best way not to die anytime soon. For Bruce. For Alfred. For his friends. For Dick.” Dick has always been there for Tim, even before they knew each other.

Momo's Notes: Inspired by the Young Justice comic with the suicide prevention hotline number. One of the things I love most about Dick and Tim's brotherhood is that they lean on each other as equals. When Tim needs help to keep going he calls Dick. When Dick is in over his head, he calls Tim. I love them.

Code Cryptid by SummerKnight717

Summary:

In which Dick Grayson and Tim Drake tag team to make both Bruce and some very unfortunate kidnappers regret all their life decisions. Jason Todd is definitely not the only theatre kid in the family... Dick really doesn't like putting on the Batsuit, thank you very much. So when he has to, he is at least owed some fun in it...

Momo's Notes: How about something short and cheerful after how heavy the last two were? This is in Bruce's pov and is a perfect showcase for how similarly unhinged Tim and Dick are when they work together lol

only you will have stars that can laugh by silverwhittlingknife

Summary:

You coming over is possibly the only thing that’s gonna stop me from wanting to punch your dad in the face, Dick doesn’t say. My current Christmas Day plans are 1) pace around at home, and 2) try not to obsess about what Bruce is up to, so trust me, you’ll be an improvement, Dick doesn’t say. Tim's alone on Christmas Eve. Dick finds out, and fixes it.

Momo's Notes: This is based on (and expands upon) the DCU Holiday Bash 3 comic. It's early in Tim's Robin career, before Babs even knows his name, but after Jack Drake woke from his coma and continues to be the worst. This is such an indulgent big brother Dick fic for me. Him daydreaming about Tim still being his little brother even if his parents hadn't died, that they'd grow up in the circus together, shredded my heart. This fic is just one in a series called A Thousand Ninjas based around Tim and Dick's brotherhood and I recommend reading all of them, they're so good!

Show Me Who I Used To Be by Fairy527

Summary:

While Tim is living with Dick and temporarily stepping in as Nightwing, he helps Dick work through a few memory issues (AKA, a scene from an alternate version of the Ric Grayson plotline)

Momo's Notes: I will never forgive DC for choosing to do the god awful Ric Grayson storyline over Tom King's suggestion to have Tim fill in as Nightwing while helping Dick recover. We could have had SO MUCH brotherhood content! Thankfully we have fics like this one exploring the scenario, though I wish it were longer.

do more harm by dizarys

Summary:

"Hey," Jason laid a hand on his shoulder, "We’re gonna get him back." "Yes," Dick growled, drawing his escrima sticks and clenching them tightly. "We are." He flipped off the stack of shipping containers with a tight somersault, landing lightly. A split second later Jason landed heavy and solid behind him. The four guards didn't stand a chance. --- Dick's temper isn't usually a problem. But when Robin disappears...crossing the line seems a lot easier.

Momo's Notes: I love how feral Dick gets in the comics when Tim is in danger. The number of times Tim's had to physically pull Dick away from beating a dude to death because he hurt/threatened/looked funny at Tim is ridiculous lol. This fic is a double pleasure because it also has some yummy brotherhood moments between Jason and Dick and explores Dick's feelings towards his own rage issues.

how to feed your local demon by InkpotSprite

Summary:

“Oh, don’t forget your–” A few papers fell out as Dick lifted it up, revealing pictures of Nightwing, Robin and Batman in the middle of a fight with Poison Ivy. “Files.” “Ah. Those.” Tim laughed nervously, the sharp, citrus-like taste filling the air. - Dick is an incubus, starved for affection after the loss of Jason. Tim isn't affectionate by nature but wants to help anyway.

Momo's Notes: This is adorable. In an AU where supernatural creatures are normal Dick is an incubus (not necessarily sexual they feed on emotions in general) and kid!Tim is worried that Bruce's emotionally stunted ass is starving his oldest son. So he takes it into his own hands to keep Dick well fed with hero worship and affection.

a soft place to land by unchosenone

Summary:

Tim rubs the back of his head, trying to affect a joking tone. “I knew I should’ve just gone for the new escrima sticks.” Dick is ready to be a good big brother to his grieving little bro. Tim flips the script.

Momo's Notes: Yes! THIS is the Tim and Dick I know and love! Dick is always ready to put aside his own issues to support his little brother but he never quite gets that Tim is just as willing to support him in whatever way he needs. They're equals and they balance one another.

CONTENT WARNING: This last rec deals with aftermath and trauma of a canonical sexual assault

In the comics both Dick and Tim have been repeatedly assaulted and then DC pretends it never happened. This fic deals with Tim having been nearly SA'd by the Daughter of Acheron in Red Robin and Dick finding out about it and both of them dealing with it together. It's well written but if that content will trigger you please avoid it!

Pinned by orphan_account

Summary:

"It’d been a long time since the catacombs. Cass had been there, she’d saved him, he knew that. But in the rush of everything that came after that night, he hadn’t exactly had an opportunity to think about it. Hadn’t wanted to process any of it. The whole thing had been shoved into the back of his brain and locked up tight. Now, it was like everything was throwing itself against the chains in protest, begging him to think and feel and remember, and he couldn’t do it. He couldn’t." Or The aftermath of Red Robin #24/#25 with Tim and Dick talking together. TW for past attempted rape, please read the tags and check the notes for more specific tw's

Momo's Notes: If DC is going to use SA in their comics I wish they'd be brave enough to actually address the trauma and long lasting effects SA would have on the characters. This story deals with the realistic consequences Tim would have to face after Red Robin 24/25 and explores how Dick would respond to it considering his own trauma.

Spotify Playlists!

Tim Drake & Dick Grayson - Chaos Robins

Tim Drake | Red Robin - Genius and Loyalty

Dick Grayson | Nightwing - Cheerfully Kicking Your Ass

[bumblingbabooshka]

This is literally one of my favorite moments for both Harry Kim and B’Elanna characterization. I think a lot of people forget how soft hearted and altruistic B’Elanna specifically can be while Harry, of course a friendly and sweet individual, devotes himself most often to the mission, his friends and Starfleet’s ideals. Harry’s been shown to be much more down-to-earth and less fantastical in his thinking than either Tom or B’Elanna. The only time he gets in major trouble with Janeway and breaks protocol is because he wants to be with a woman. This is distinctly different to me than Tom’s (attempting to save an alien world) and B’Elanna’s (giving a robot race the ability to reproduce) transgressions. His other biggest infraction is begin a mutiny which he does in order to save Janeway & Chakotay. He doesn’t get in trouble for this which is why I put it last but again it seems different from Tom or B’Elanna to me because it’s For The Ship it’s For The Captain it’s a crime which displays his loyalty to Janeway instead of one which demonstrates him going against her ideologically (as shown by the lack of punishment). In that way I think B’Elanna and Harry balance each other well. B’Elanna is a person who seems very nervous and defensive when in conversation with others, who thinks of herself as a person who is ‘bad’ and doesn’t believe in herself much. Meanwhile Harry seems to be at ease with most anyone he speaks to, attempting to befriend even Seven of Nine right away. He’s confident in himself and his abilities and out of everyone (yes even Tom who seems most often to just become frustrated) would be the one to push B’Elanna and break through her defenses. That’s to say it makes perfect sense that B’Elanna would be absolutely enamored by this person who views her as inspiring, would be struck by that while Harry views it as just a weird question. 

[hollowed-theory-hall]

Harry Potter is Actually Really Clever

So often, I feel like Harry is underrated in his own series and I want to talk about how much I love Harry James Potter. Harry is my favorite character in the books and I want to showcase some moments of Harry proving the Sorting Hat knew what it was talking about when it comes to Harry possibly doing well in Slytherin and even Ravenclaw.

(I have more moments listed in my notes, and I'm in book 6 in my current reread, so I definitely am not covering everything)

Let's start then with the words of the Sorting Hat itself:

“Hmm,” said a small voice in his ear. “Difficult. Very difficult. Plenty of courage, I see. Not a bad mind either. There’s talent, A my goodness, yes — and a nice thirst to prove yourself, now that’s interesting….So where shall I put you?” Harry gripped the edges of the stool and thought, Not Slytherin, not Slytherin. “Not Slytherin, eh?” said the small voice. “Are you sure? You could be great, you know, it’s all here in your head, and Slytherin will help you on the way to greatness, no doubt about that

(Philosopher's Stone, page 88)

The Hat says Harry is brave enough for Gryffindor, clever enough and talented enough for Ravenclaw and has the ambition and thirst to prove himself for Slytherin. And the hat isn't wrong about it's assessment of Harry. Harry is clever and talented and I so often find it underplayed in fics, or ones that do include it, acting like it's fanon characterization when it's really isn't.

Harry Potter is canonically a BAMF.

So, here I'm going to talk about his cleverness and give some moments of Harry being clever from the books.

(I'll have a different post for his magical prowess.)

Harry Has Brilliant Memory

So, Harry James Potter practically has close to an eidetic memory, and no one really seems to mention it.

An eidetic memory is described as an almost perfect recollection of images or events. And Harry actually shows himself as being very capable of it:

Angelina: “…Harry, didn’t you do something to your glasses to stop the rain fogging them up when we played Hufflepuff in that storm?” “Hermione did it,” said Harry. He pulled out his wand, tapped his glasses and said, “Impervius!”

(Order of the Phoenix, page 379)

In thus scene its raining during a Quidditch match and Angelina asks Harry about a spell he used a year before. Harry remembered that moment, remembered Hermione was actually the one who cast the spell, a spell he himself never cast before this moment, and he then casts it perfectly from memory.

Harry remembers the incantation and wand movement perfectly enough to succeed on his first try.

Actually, almost every time we see him cast spells he gets the wand movement and incantation right on the first try (even his first attempt at a patronus worked, the happy memory just wasn't strong enough)

In general, they moments we see Harry fail at casting spells on the first try is when he overthinks it and fails himself like that.

Harry stared at the letters in brackets. Nvbl . . . that had to mean “nonverbal.” Harry rather doubted he would be able to bring off this particular spell; he was still having difficulty with nonverbal spells, something Snape had been quick to comment on in every D.A.D.A. class. On the other hand, the Prince had proved a much more effective teacher than Snape so far. Pointing his wand at nothing in particular, he gave it an upward flick and said Levicorpus! inside his head. “Aaaaaaaargh!”

(Half-Blood Prince, page 239)

Harry tends to fail potions, and nonverbal spells when Snape is breathing down on him expecting him to fail, though, in this example, the moment Harry feels he can succeed the spell and isn't overthinking it, he casts it perfectly and nonverbally on the first attempt.

He is the same with potions:

Snape, meanwhile, seemed to have decided to act as though Harry were invisible. Harry was, of course, well used to this tactic, as it was one of Uncle Vernon’s favorites, and on the whole was grateful he had to suffer nothing worse. In fact, compared to what he usually had to endure from Snape in the way of taunts and snide remarks, he found the new approach something of an improvement and was pleased to find that when left well alone, he was able to concoct an Invigoration Draught quite easily. At the end of the lesson he scooped some of the potion into a flask, corked it, and took it up to Snape’s desk for marking, feeling that he might at last have scraped an E.

(Order of the Phoenix, page 660)

When Snape wasn't breathing down his neck and stressing him, even without the Half-Blood Prince's superior instructions, Harry is good at potions. He accomplishes the potion to a level of Exceeding Expectations easily. The problem is never his skill, memory, or talent; usually, it's stress, being stuck in his own head, or carelessness (did anyone diagnose him with ADHD?)

Another example of his eidetic memory in OOP:

“Well, you know, they do work well on non-magical wounds,” said Hermione fairly. “I suppose something in that snake’s venom dissolves them or something. . . . I wonder where the tearoom is?” “Fifth floor,” said Harry, remembering the sign over the Welcome Witch’s desk.

(Order of the Phoenix, page 508)

When Harry describes St. Mongos for the first time (about a week before the above scene) he reads a sign that describes what is located in each floor of the hospital.

A week later, without reading that sign again, Harry can recall where the tea room is since he has that sign he read once a week ago, memorized.

Harry is Sneaky

Harry is a proper sneaky slythein and actually has more cunning moments than some slytherins in the books. Here are a few examples I have from my notes:

“Should call Filch, I should, if something’s a-creeping around unseen.” Harry had a sudden idea. “Peeves,” he said, in a hoarse whisper, “the Bloody Baron has his own reasons for being invisible.” Peeves almost fell out of the air in shock.

(Philosopher's Stone, page 197)

Harry is a good liar and scared of Peeves like this in his first year.

“…He likes to keep in touch with me, though . . . keep up with my news . . . check if I’m happy. . . .” And, grinning broadly at the look of horror on Uncle Vernon’s face, Harry set off toward the station exit, Hedwig rattling along in front of him, for what looked like a much better summer than the last.

(Prisoner of Azkaban, page 435)

But their attitude had changed since they had found out that Harry had a dangerous murderer for a godfather — for Harry had conveniently forgotten to tell them that Sirius was innocent.

(Goblet of Fire, page 24)

Again, Harry lying and tricking the Dursleys so they won't hurt him. Leveling Sirius as a threat against them.

“Not unless you can answer my riddle. Answer on your first guess — I let you pass. Answer wrongly — I attack. Remain silent — I will let you walk away from me unscathed.”

[the riddle and Harry thinking through it]

“Spy . . . er . . . spy . . . er . . .” said Harry, pacing up and down. “A creature I wouldn’t want to kiss . . . a spider!” The sphinx smiled more broadly. She got up, stretched her front legs, and then moved aside for him to pass. “Thanks!” said Harry, and, amazed at his own brilliance, he dashed forward.

(Goblet of Fire, page 629)

I skipped the sphinx's riddle, now the riddle isn't a hard one, but still, Harry isn't stupid. But he thinks he is. He even tells himself during that scene:

Harry’s stomach slipped several notches. It was Hermione who was good at this sort of thing, not him. He weighed his chances. If the riddle was too hard, he could keep silent, get away from the sphinx unharmed, and try and find an alternative route to the center.

(Goblet of Fire, 629)

But it's just Harry and his low self-esteem. He solves the riddle quickly thinking aloud near the Sphinx and he does solve it, and is amazed by it because he doesn't think of himself as smart, even though he is.

Most of the riddles to the Ravenclaw common room are probably along this line of difficulty too. It just goes to show he isn't stupid.

“There,” she said, handing it to him. “Drink it before it gets cold, won’t you? Well, now, Mr. Potter . . . I thought we ought to have a little chat, after the distressing events of last night.” He said nothing. She settled herself back into her seat and waited. When several long moments had passed in silence, she said gaily, “You’re not drinking up!” He raised the cup to his lips and then, just as suddenly, lowered it. One of the horrible painted kittens behind Umbridge had great round blue eyes just like Mad-Eye Moody’s magical one, and it had just occurred to Harry what Mad-Eye would say if he ever heard that Harry had drunk anything offered by a known enemy. “What’s the matter?” said Umbridge, who was still watching him. “Do you want sugar?” “No,” said Harry. He raised the cup to his lips again and pretended to take a sip, though keeping his mouth tightly closed. Umbridge’s smile widened. “Good,” she whispered. “Very good. Now then . . .” She leaned forward a little. “Where is Albus Dumbledore?” “No idea,” said Harry promptly.

(Order of the Pheonix, page 630)

Harry is clever enough to recognize drinking anything Umbridge gives him is a bad idea, so he doesn't. And he does so without her realizing.

“even if you do cause a diversion, how is Harry supposed to talk to him?” “Umbridge’s office,” said Harry quietly. He had been thinking about it for a fortnight and could think of no alternative; Umbridge herself had told him that the only fire that was not being watched was her own. “Are — you — insane?” said Hermione in a hushed voice. Ron had lowered his leaflet on jobs in the cultivated fungus trade and was watching the conversation warily. “I don’t think so,” said Harry, shrugging. “And how are you going to get in there in the first place?” Harry was ready for this question. “Sirius’s knife,” he said. “Excuse me?” “Christmas before last Sirius gave me a knife that’ll open any lock,” said Harry. “So even if she’s bewitched the door so Alohomora won’t work, which I bet she has —”

(Order of the Phoenix, page 658)

Harry can and does strategies. He planned how to get into Umbeidge's office. He employed his friends and actually led them. Being a leader and a strategist — rules we see him grow more into later.

Harry’s mind was racing. The Death Eaters wanted this dusty spun-glass sphere. He had no interest in it. He just wanted to get them all out of this alive, make sure that none of his friends paid a terrible price for his stupidity . . . The woman stepped forward, away from her fellows, and pulled off her hood. Azkaban had hollowed Bellatrix Lestrange’s face, making it gaunt and skull-like, but it was alive with a feverish, fanatical glow. “You need more persuasion?” she said, her chest rising and falling rapidly. “Very well — take the smallest one,” she ordered the Death Eaters beside her. “Let him watch while we torture the little girl. I’ll do it.” Harry felt the others close in around Ginny. He stepped sideways so that he was right in front of her, the prophecy held up to his chest. “You’ll have to smash this if you want to attack any of us,” he told Bellatrix. “I don’t think your boss will be too pleased if you come back without it, will he?” She did not move; she merely stared at him, the tip of her tongue moistening her thin mouth. “So,” said Harry, “what kind of prophecy are we talking about anyway?” He could not think what to do but to keep talking. Neville’s arm was pressed against his, and he could feel him shaking. He could feel one of the other’s quickened breath on the back of his head. He was hoping they were all thinking hard about ways to get out of this, because his mind was blank.

(Order of the Pheonix, page 783)

This is a bit of a long quote, but I really like it. Harry gets the Death Eaters at an impasse because they can't destroy the prophecy. Then, when they threatened Ginny, he changed tactics and got them talking to buy time.

And even when he says his mind is blank:

“What?” whispered Hermione more urgently behind him. “Can this be?” said Malfoy, sounding maliciously delighted; some of the Death Eaters were laughing again, and under cover of their laughter, Harry hissed to Hermione, moving his lips as little as possible, “Smash shelves —”

...

“NOW!” yelled Harry. Five different voices behind him bellowed “REDUCTO!” Five curses flew in five different directions and the shelves opposite them exploded as they hit. The towering structure swayed as a hundred glass spheres burst apart

(Order of the Phoenix, pages 785-786 and 787)

He's still the one coming up with plans and pulling them out of there.

And if we look at his grades:

(Half-Blood Prince, page 102)

He is very far from failing academically. Actually considering how little studying Harry actually does, he receives very high grades, even for Hogwarts' abysmal education standards. Harry is naturally smart enough and talented enough that with the bare minimum of effort, he can get almost exclusively Es (his failing being in History, an exam he didn't finish, and Divination, which Harry has only been thought bullshit in).

Makes me wish we saw him put in an active effort. I bet it all would've been Os with his memory.

Even Potions, which Harry is supposedly bad at, he got an E...

I just... Harry is just really smart and it kind of frustrates me how I don't see enough fics that treat Harry being clever and with a cunning streak as if it's canon, even though it very much is.

I don't know, maybe I'm just reading the wrong fics...

[soft-pine]

spn20rewatch: 2.20 what is and what should never be

this has got to be in my top ten episodes of all time! there is so much i love about it! it has my favorite favorite scene and then my other FAVORITE FAVORITE SCENE!!!

but before we get there it has some wonderful dean character moments.

dean's confused, withdrawn, performative kiss with carmen!

this whole scene watching his face go from performance to confusion and worry and back and forth! he is so funny and i love him so much!

but this is also a cruel foreshadowing that the next two kisses dean has are him specifically sacrificing himself and his body as a means to an end.

but we're not there yet so let's just bask in THIS!

DEAN: Well, who'd'a thought, baby. We're civilians.

or THIIISSSSS!!!

DEAN Dad's dead? And the thing that killed him was a... MARY A stroke. He died in his sleep. You know that. DEAN That's great.

or the way dean is so fucking happy to see jess and it's heartbreakingly sweet!

there is also so much that can be said about how even in dean's "dream world," he's the family fuck-up. he's never really thought much about his own future or himself but the best thing he can picture is his family (or most of them, HA!) alive and happy and safe. and i think there's a component of this where he has to remove himself (and John) in order to imagine it being possible. gutting honestly.

season two opens with dean yelling at john (though john can't hear him) and ends with dean crying at john's grave. i'm interested in the shared threads between these two iterations.

2.01

DEAN: I've done everything you have ever asked me. Everything. I have given everything I've ever had.

2.20

DEAN: Course I know what you'd say. Well, not the you that played softball but... "So go hunt the Djinn. He put you here, it can put you back. Your happiness for all those people's lives, no contest. Right?" But why? Why is it my job to save these people? Why do I have to be some kind of hero?

the speech in 2.20 is actually one of the very best explanations i feel we ever get for dean's relationship with john. because the issue is not only that john forced dean into hunting, it's that hunting saves people. like dean can rail against john and against his childhood that was stolen and against his future that will be stolen and against all the cruelty and harshness and ways he was parentified and it was subtly reinforced that his life literally mattered less than sam's or than strangers. but hunting does save people, goddammit and dean both cares so deeply about that on his own that many of these sacrifices would be freely chosen and he cannot fully hate or distance himself from his father because so much of what john did was actually just straightforwardly good.

abuse is messy. i think john winchester's characterization is perfect, actually.

dean can much more easily put to rest a father who played softball than a father who "got a bum rap around every turn. But you know what? He kept going. And in the end, he did a hell of a lot more good than he did bad." (8.12)

like dean has to remove himself and john from their family's lives to picture their family getting a happy life. but for it to feel easy, he also has to make this father one who just worked at a body shop (i'm extrapolating) and played softball.

so yes, okay this episode is a nonstop thrill ride of beautiful, cute, wonderful dean moments and utter heartbreak. so of course, the next thing i have to say is THAT THIS SCENE IS SO FUCKING CUTE!!!!! i can't stand it! (rip to the "I know how it sounds" that i didn't squeeze in because it was too long. because that line just kills me !!!!!)

but look look look!!!! he's so smooth and cunty AHHH

so it follows that what comes next is heartbreak. dean wants a future where mary is alive, where jess is alive, where sam is happy and safe and in college and alive. and it's not real and he can't have it and it will kill him but he wants to stay. so he stabs himself in the heart.

and in the next episode sam dies anyway.

... well here we are, this is already so long and i haven't even talked about my actual favorite scene. which also, i think, happens to be my favorite scene in all of supernatural....

Dean realizing one of the other of the djinn's victims is still alive and catching her as sam cuts her free.

DEAN: I gotcha. I gotcha. We're gonna get you out of here, OK? I gotcha. I got you.

the way the fact that he's in pain and weak and drained is layered throughout the desperate care in his voice here.... besties i don't have words...

all hail 2.20

[f1-stuff]

hello mal. would you share your favourite charlos moments as teammates? i would love to know what you really think is the best

Hello! I was putting this off bc it was causing me much distress just thinking about which moments I would choose, but here we are! You didn't specify how many so I narrowed it down to my all-time top 10, with a few honorable mentions.

You did specify 'as teammates', so I'm gonna leave out the infamous singapore 2018 pool, tho it is an all-time charlos moment to be sure... The order is honestly kind of random because I found it really hard to rank them (don't ask a mother to choose her favorite child!)

10. Cookie decorating!! (2022) - I love this video so much (which is why I made a whole charlos flirting video essay about it). It's just chock-full of classic ways the two of them interact and joke around (Charles trying to blindfold Carlos for him, constantly trying to steal things out of his hands, both whistling/humming the same song at different points, touching constantly...). And why were they sitting like this?? (we know why) Anyway, I don't think we talk about it enough.

9. Monza Ferrari battle (2023) - I simultaneously love and hate this moment asfghdka which is maybe why it's down so low on the list. It's the most adrenaline and anxiety I've ever had watching F1 (I was literally running circles around my living room, yelling at the TV). But I think it also just exemplifies how competitive the two of them are, how hard they race each other without crashing. Like, their rivalry is core characterization for them, therefore it had to be on the list!!

(their tyres are literally kissing) ((this was foreplay for them))

8. Bahrain 1-2 (2022) - A classic!! Their first double podium and 1-2 as teammates! Their hug in parc ferme!! Carlos trying to pour wine into Charles' mouth on the podium!!! They were so giddy and happy, and it felt like the start of an incredible year...(we all know how it really turned out 🥴) This could maybe be higher on the list, but it feels so long ago now that I think I'd need to rewatch the race to draw back up those emotions again.

7. 'Lord Perceval' is coined (2021) - This whole moment is so cute, and it became pretty iconic since the team would go on to use the nickname a lot, and it spread throughout the fandom. It's sort of funny bc they were clearly joking around, but it caught on. They became the Smooth Operator and Lord Perceval, and I think that's beautiful.

6. Monaco hug (2024) - It was actually harder than I thought to choose between this one and the Monza '24 one. They both feature Carlos being super happy for a Charles win, his patented charles hair grab, as well as charlos cradling each other heart-to-heart, cheek-to-cheek. ❤️ I went with Monaco bc it came first in the year so had a greater impact on me, and bc Charles finally broke the Monaco curse.

5. Carlos' birthday surprise (2022) - Set the standard for Charlos birthday shenanigans. Charles complaining about his legs cramping in the cupboard LOL. I just love how happy Carlos looked in all those clips... Also, they were on their honeymoon that weekend or something, because there was also the 'I know you very well' hilarious lissie mackintosh vid and the 'you're doing great love'.

4. The bracelet video (2023) - Just...iconic. Charles asking Carlos for help with his bracelet and Carlos calling him 'darling,' asking for a kiss afterward. They've never been more married.

3. THE tiktok (2022) - This might be too high on the list tbh, but for the sheer shock value of waking up to it that day and the mania it caused in the charlos community, it's a hard one to beat. 😂

2. C² song challenge in Fiorano (2021) - this one gets the place of honor as #2 bc it's charlos' favorite moment together (along with Bahrain '22). They've both mentioned a few times that they fondly remember that day, and how much they laughed. It's also at the very beginning of their partnership, and it shows how immediately they acted like giddy besties.

1. Chili plushie (2024) - Okay. I guess?? This is my all-time favorite charlos moment??? 🥺 It was my favorite of 2024, so it could be recency bias. But something about it being the start of their bittersweet end...Carlos gifting him the chili...'so you remember me for the rest of your life'...Charles in his denial era...oof. I just really love these two, and this moment made me emotional about their years of friendship, rivalry, and shenanigans soon coming to an end.

This was so hard!!! But alas, I forced myself to narrow it down, and also to try and represent all of the years of their partnership, in different scenarios (racing/non-racing). Obviously, there are so many other amazing moments, so I'll consider it a blessing that we are so spoiled for choice as charlos fans ❤️

Honorable mentions (that I struggled not to include):

Drivers' parade car with swapped names

'Jazz'

Mexico balls grab

Blindfolded sim racing bdsm hair-pulling !!

Train sandwich share

Miami start-stop challenge

'jamon iconico'

Jenga challenge (my first ever f1 gifset!!)

Charles snoozing next to Carlos during football

Goggle games

'Take off your clothes, Carlos'...

There's just so many 😌

[battlekidx2]

I'm making this post purely to shout out some incredibly talented fanfic writers from the Hazbin Hotel fandom and my favorite works of theirs.

Did anyone ask me for this? No. Will I post it anyway? Absolutely. The writers in this fandom are too good.

The first fanfic writer I want to shout out is @prince-liest (ao3 link)

I absolutely love their get cared for idiot (Alastor) series (not the official name but they called it that in one of their asks jokingly so it's now the default in my head).

Knock, Knock! It's Your Worst Fucking Nightmare! (this fic gets it!!!! This is what I meant when I said Alastor is growing a heart and part of him is raging against it. He still has ulterior motives and a massive amount of pride and part of him feels like that growing fondness is getting in the way, but he can't stop it. I need to stop before this becomes a long ramble. I've written a couple thousand words on this idea, but this fic is just a better use of your time than any meta I could ever write and way more entertaining :D )

Happily Ever After, and Other Shit Nepotism Can't Buy

The Last Bus Stop in Hell, Now Boarding (Please look at the tags for content warning. Angel and Alastor body swap story.)

They're amazing at balancing on that razor's edge with Alastor where there's a heart in there (really deep) and he's unintentionally growing attached to the hazbin crew, but he doesn't lose his edge. He's still manipulative and an asshole and can easily be the scariest guy in any room. He's in hell for a reason. A+ characterization at all times.

They're so good at writing the complicated dynamics he has with the residents, especially Charlie, and I enjoy how they expand on Alastor's potential dynamic with Angel Dust.

Anything they write from Lucifer's POV is gold too! My favorites are:

Take Two and Leave a Voicemail!

The Care and Keeping of Homo Angelus

I am also 100% here for their Aro!Alastor agenda and I'm enjoying their fic I Love Her, I Love Her Not so far!

The second person I want to shout out is @grayintogreen (ao3 link)

Their series Red Roses and Dead Things consistently gut punches me.

Just like Princeliest, they are also fantastic at balancing on that razor's edge with Alastor. A+ characterization for everyone and I love how they write HuskerDust. It's so soft, especially in the aftermath fic for Learn that Even Death May Die called If My Love Is Tomorrow, I've Forgotten Yesterday (that fic hurt in the best way).

The way they explore the aftermath of Learn that Even Death May Die is incredibly impactful. They capture the unique grief that comes from the reality that there are some things you won't get closure for so well that it's painful.

I can't say enough good things about their series. Genuinely go read it.

I found @lediz-watches (ao3 link) before the first season of Hazbin Hotel dropped (I've been a fan of the hellaverse for a few years now and have been enthralled with the Hazbin Hotel pilot since I first watched it in 2020) and I really enjoy their fics.

My favorite is Suffering Kindness. I love the Charlie and Alastor dynamic they explore in this story. I think I'm just a sucker for the Charlie and Alastor dynamic in general, but this fic hits all the right notes for me. (written pre-season 1 but man is it good. 100% recommend)

LeDiz also has a lot of one-shots/collections of one-shots that are very fun.

The Cure for Inexorable Boredom

Dollface (one-shots about Alastor theories. My favorite is the 3rd one. So fascinating!)

Choice Words (one of the few explorations of Alastor and Vaggie's dynamic that I've found in the fandom)

Don't Say It

I have to shout out @ckret2 (ao3 link) and their phenomenal fic You’ve Got a Face for Radio. This is such an amazing aroace!Alastor fic. (Embarrassingly it was this fic that made me realize I was most likely aroace myself. I’d had fleeting moments of suspecting it but it wasn’t until I saw my experiences laid out in a character explicitly written to be aroace that I put the puzzle pieces together. -_- some of these passages were too relatable.) I cannot express how much I love this fic.

I also like their fics Dumpster Baby and Bitter Grapes.

I have one last writer I want to mention because this is getting really long (whoops). The last one is tiredoflofteranditsshit and their Assume He Has a Heart series (because my favorite character and how I interpret them was not obvious enough already with the fics/authors I've recommended. I had to make it more obvious).

These fics are massive (17k and 26k words) and so much fun. Definitely worth the read. Yet another series that follows up season 1 and explores Alastor’s growing connections and how he lies to himself and pushes against it. Love this series and there’s a lot to sink your teeth into :D

[azure-firecracker]

Fic Rec Roundup!

In honor of my going off to college (my posts will be slowing down), and finishing 3 seasons of TXF, I asked y’all what sort of “special post” you wanted me to make. You voted on a roundup of some of my favorite TXF fics, so here it is! Prepare to watch me gush profusely about the phenomenal writers in this fandom.

This will be in chronological order, so first time watchers like me need not fear spoilers:)

I’m not including my own writing here, but you can find it in my masterpost.

Without further ado, let’s get into the fics!

Season 1:

starstruck by @thursdayinspace (General Audiences, 671 words): Set post-Pilot. The title says it all. This is quite possibly the cutest thing I’ve ever read.

Something Bigger Than Us by Mungo_of_Maundery (General Audiences, 721 words): A nice coda to Deep Throat after Scully rescues Mulder from the air base. Internal monologue is great.

humans in nature by @theswisscheeserag (General Audiences, 2,733 words): Mulder and Scully’s conversations post The Jersey Devil. Philosophy mixed with fluff and some laugh-out-loud humor. Perfectly captures the vibe of early MSR.

Still Feeling My Father Ascend by @cecilysass (Teen and Up, 13,073 words): Mulder and Scully share some tender moments post Beyond the Sea. Both of them have a lot of healing to do, for different reasons. Some of my favorite MSR introspection can be found in this fic, and you can tell how much thought and care this author puts into the characterizations. There’s also several excellent funny moments - a true gem of a fic!

Egit Genius Loci by snow_and_rain (Teen and Up, 21,937 words): Case fic set right after Beyond the Sea. Featuring early-onset MSR, angst, mutual pining, and hurt/comfort. A little whimsical, a little eerie, a little sad.

Between Two Truths by @agent-troi (Teen and Up, 1,621 words): Missing scene from E.B.E after Scully’s speech to Mulder. An excellent internal monologue from Mulder’s POV followed by some top-tier MSR banter.

the progression (and regression) of first names by skuls (Teen and Up, 5,421 words): A series of vignettes exploring Scully and Mulder’s relationship as it evolves throughout Season 1. Pitch-perfect Scully characterization and several moments that really showcase her inner conflict fantastically, but also many wonderfully tender MSR scenes (keep an eye out for the coffee scene - my favorite!)

never learned to read your mind by @swinging-stars-from-satellites (General Audiences, 1,071 words): An alternate version of Season 1 where Scully leaves after Deep Throat. Profound, heartwarming, wistful and a bit sad, this takes an interesting concept and really tugs at your heartstrings.

Season 2:

distractions by @thursdayinspace (General Audiences, 1,181 words): Post-abduction. Mulder does his best to help. Absolutely heart-melting, sweet and tender and a little sad too.

The Safety of Guilt by the_status_clo (Teen and Up, 732 words): Mulder’s guilt post-abduction. Do you like to feel miserable? Do you like to slip into a pit of unwavering guilt and wallow in beautiful words? Read this!

Redial by @theswisscheeserag (Teen and Up, 7,423 words): A frequent reread of mine! Set during Mulder and Scully’s quarantine post-Firewalker and told through a series of phone calls. This fic has everything you could possibly want: introspection, angst, fluff, humor, friendship and romance all mixed into one…it’s just really good in 1000 different ways. Endlessly rereadable.

until it heals by @actual-changeling (Teen and Up, 2,351 words): A post-Irresistible fic that captures all of the poetry, panic, and drama that is Season 2 MSR. Incredibly tender with some stunning inner monologue moments. A perfect coda to my favorite episode.

Authority and Gravity by Xecotcovach (Teen and Up, 2,338 words): Another excellent fic where Scully (with Mulder’s help) tries to deal with some of her season 2 trauma. Their dynamic here is very tender and their banter is just the right amount of sassy and quippy. Set after Fresh Bones.

If You’re Sinking, I Will Jump Right Over by SammyLovesASOIAF (Teen and Up, 1,642 words): An alternate version of End Game where things go…badly-but then Mulder has to confront his emotions!An interesting alternative, angst with a happy ending. Lovely poetic language; I have some lines from this that I remember word-for-word.

Our Town by @leiascully (Teen and Up, 813 words): Scully’s thoughts during and after the climax of Our Town. Very in-character, appropriately intense, really conveys the fear and desperation intertwined with Season 2 MSR.

Season 3:

Light in Dark Places by @agent-troi (Teen and Up, 2,697 words): Set in Season 3 but it’s really about Irresistible and Scully’s insecurities in general. Peak hurt/comfort, this one makes your heart hurt in the best possible way, and then it feels like a warm hug with the resolution.

Got You(r) Back by @shearmouth (Teen and Up, 4,933 words): This is THE injury fic for me. Set post-731. The hurt/comfort levels in here are unmatched. Scully’s internal monologue is perfect. Mulder is an actual puppy and Scully takes care of him and it makes my heart melt in all of the right ways.

stay close, listen by @actual-changeling (Teen and Up, 2,667 words): Post Pusher. Very angsty, but in the best possible way and with an extremely satisfying resolution. This fic definitely wins best-written: it’s essentially poetry, and its uses of metaphor and literary references are stunning. I can’t recommend this enough.

find me defenseless by @impulsive-astrophile (Mature, 7,421 words): Case fic! Do you like Mulder torture? Do you like badass Scully? If so, you will love this fic because it has both in spades (plus-spoilers-a wonderful ending to make up for the pain). Whenever I’m fed up with the show’s kidnapping ratio, I read this: it’s probably my most frequent reread. I will say that it is more violent than anything I’ve written, so be aware.

Unconfirmed timing but spoiler-free:

unravelling by @actual-changeling (General Audiences, 2,208 words): Scully wakes up to a familiar voice theorizing on her television. What follows is as sweet and humorous as it is charged and just a little tragic.

Shakespirited by orphan_account (Teen and Up, 13,670 words): A fic that I’m pretty sure was written specifically for me. Mulder and Scully go undercover in a Shakespeare troupe plagued by strange murders. If you like TXF and are a Shakespeare nerd, you will love this. Definition of a good time (but there’s some angst too-how could there not be?) I think there are some minor spoilers in here, but nothing to really tell you anything as long as you’ve seen up to Anasazi.

Sometimes You Need to Have Fun by @baronessblixen (Teen and Up, 1,192 words): Fluff written by the queen of fluff herself! Mulder and Scully go ice skating. It’s as adorable and sappy as it sounds.

Stupid Cupid by @mulderwearingglasses (General Audiences, 5,325 words): A Valentine’s Day fic! This features jealous Scully (a delight) as well as some excellent humor and fluff. Overall just a lovely time. There may be some minor spoilers in here, but nothing that told me anything.

[franzkafkagf]

okay so i want to hear about your take on aegon i know you like him and all (so do i no matter how much i wish not to) but whyy

yess thanks for asking, I love being insane about him<3

I think Aegon is such a wildly tragic character– many asoiaf characters are but I'm so drawn specifically to him; he didn't want power or responsibility or the crown. It all was bestowed upon him against his will, and he shouldn't; putting on the crown is his definitive death sentence. The coronation scene has got to be one of my favorites in the season– he is quite literally walking up to be butchered like a sacrificial lamb, there are tears streaking his cheeks in the scene! I love the tragedy of it, the way it couldn't have been avoided anyways; his fate was sealed from the very start! He was quite literally dead from the very beginning.

I'm going off a mix from the book and the show but I actually love what they did with the character in the show? The book version does have some hard-hitting moments from him that are missing ("What sort of brother steals his sister's birthright?") but there wasn't that much there in terms of characterization and relationships. And wow, did they deliver on that in the show; I'm gonna give whoever came up with his mommy issues a forehead kiss.

Because YES! He and Alicent are reflections of one another– Alicent suffered under the heavy boot of Otto, turned into the perfect daughter, turned into the perfect queen for him. She recognizes that this was wrong and abusive of him, then she turns around and does the same thing to Aegon– the poison DOES drip through, the wheel is NOT broken!! It's BRILLIANT.

@atopvisenyashill put a GREAT tag under one of my posts–

#he looks like her and he’s weak like her so why can’t he get strong like her.

While Alicent persevered, Aegon crumbled under the pressure. He is miserable when we meet him– and he should be! He is unfit for the role of king, but it is his destiny nonetheless, everybody tells him so. It destroys him.

It's so sad too and I cannot help but to feel bad for him. No one knows where he is in ep 9, I don't think he has anyone to confide in; it must be lonely. Everybody seems to have written him off already– he is a drunk and a failure at being heir, being a son, being a father. He tries to prove them wrong later, and does in some aspects.

His loneliness plays into another aspect of him that I really love; his desperation to be loved. He will never be enough for anybody, he probably knows it deep down.

"[Aegon is] desperate to be loved but destined to be hated." – Tom Glynn-Carney

Obviously there is the carriage scene with Alicent that shows this. But I also really love the moment in his coronation, where he basks in the people's affection and cheers. He is poised to bleed out in front of the throne, he was crying and fighting for his life not to take the crown just minutes before. But now he's here and they love him and he can't help but love that.

He takes the crown to protect his family (the show does hint at that with Alicent telling him as much in ep. 6– in the book it's much more explicit with Criston pressuring him on the day of the coronation itself) and then his son DIES because of it! And he drinks and rages and drinks some more; he must've blamed himself. He goes to battle, flies too high (figuratively), and he FALLS; he burns and falls to the ground. He isn't made to be king. He knows. He does it anyways.

"You have already written yourself into legend, you survived dragonfire" – Larys Strong in season 2 (probably)

He survives, he is gone for over a year, unable to do anything but he SURVIVES. He escapes the capital, takes Dragonstone, he falls AGAIN, he loses most of his family; but he still goes on. Fueled by what? Maybe anger, or bitterness or just pure lust for revenge. It doesn't matter. He must've realized somewhere on the way that this was always meant to go this way, ever since he put the conqueror's crown on. It doesn't matter.

And then he dies and it's not grand or spectacular or anything like that. He drinks poisoned wine, nobody even sees him die, they only find him after. It's so uniquely lonely.

[lurkingshan]

10 Things I Love About Only Boo!

*kicks down the door* I'm a few weeks late but I have arrived and I am here to yell about this fucking adorable show. Have you heard that it's the cutest shit you've ever seen in a fresh new package of all your favorite silly old romance tropes? Besties, this is truly the Sunday Serotonin we need. Here are the top 10 things I love about it:

The main romance is between a confident sunshine protagonist and a kind older boy working through his grief and an artistic block. Mok (Moo) and Kang are such nice boys, two cinnamon rolls too sweet and pure for this world, and I loved them instantly. They have a nice crackly chemistry between them and really solid communication right from the start.

The setting is rural and refreshing. Moo moves to Nakhom Pathom to attend school for a semester because his mom wants him to focus on his studies before she will allow him to pursue a career as an idol. Little did she know she was delivering him to a cute boy who would become the new distraction.

The crushing and flirting starts immediately, and it's mutual. They just like each other, man. Kang is (slightly) older and trying to be responsible about keeping Moo focused on his studies so he's putting up some token resistance, but it's very very token. They both find excuses to keep seeing each other after they meet.

There's a side couple with a long-term pining friends to lovers arc. The way I squealed when they revealed that photo wall. I support you, Payos, you will get your boo. These two also have a lovely, easy chemistry and seem so comfortable around each other. Their characterization also gets a fun twist in the beginning of the story.

The writing is strong and assured. This was written by the same screenwriting team as Cooking Crush, aka the best written original Thai bl of last season. These folks know their way around a smart romcom. They know how to deploy classic tropes so they feel fresh, build authentic character arcs, and make all the beats of the story feel confident. We are in good hands and don't need to worry about any out of left field conflicts or weird plot turns with this one.

A fresh new cast brings a ton of energy. I really love all four of the main actors for this show. They're young and bright and breathing some new life into an old formula. And both pairs have solid chemistry and seem comfortable in their scenes together.

Some of our old favorites are here too. They've made the smart decision to bolster the young main cast by surrounding them with more experienced seniors like our lady Milk, here playing Kang's friend and neighbor who is all up in his crush on Moo. Louis and Book are also going to show up at some point.

The show incorporates music and dancing in such a charming way. Moo is one of those kids who just has to dance, and the show mines a lot of comedy around his efforts to stifle the impulse as his mom ordered. I don't think he'll hold out for long, though, because Payos and Tae are on him to train with them. And of course the music supervisor is having a great time working in some classic GMMTV music gags (yes, Love Score and Too Cute To Handle both make memorable appearances).

It's a high school story brimming with youthful energy without being mired in immaturity. The tone of this show reminds me of My School President in the best way, in that it has all the sweetness and innocence of a high school romance without making the characters so immature and bad at communication that it's annoying to watch. As expected from the CC writers, these characters may be inexperienced but they are going to talk to each other and honesty will prevail every time.

We are only three episodes in and the romance is already well underway. This is the kind of show where we will see the main pair flirt and date and face obstacles together. The swoony moments started immediately and Moo is already throwing around the faen title. We know from the synopsis that the core conflict will come when Moo is forced to choose between his relationship with Kang and his dream of being an idol, and I expect he will be finding a way around that choice. I'll be strapped in for the ride because I already believe in these two.

[ivanttakethis]

top 5 worst ivan mischaracterizations ( aka could you list five worst traits people give him that are just totally wrong) i love to hear people complain but if you don't want to you can ignore this ask have a good day

Anon I am SO glad that you asked!

Ivan is my favorite character in Alien Stage because he’s really complex.

I could talk about him and his characterization/mischaracterization all day and still have more to say after that. Now you’ve given me the perfect opportunity to write a bunch of my thoughts down.

These complaints are in no particular order and are ultimately subjective.

Also, I’m not a Patreon supporter, so I can’t comment on anything that might’ve been confirmed or debunked over there.

Top 5 Worst Ivan Mischaracterizations:

Ivan is an unfeeling and emotionless person

Ivan was trying to kill himself and Till during Round 6

Ivan hates Mizi

Ivan is arrogant

Ivan is violent

This is going to be a long one, so I’m putting everything under the cut. Let’s begin!

1. Ivan is an unfeeling and emotionless person.

I find this mischaracterization to be one of the most frustrating because there is so much evidence to the contrary.

As a child, Ivan is described as someone who struggles to express his emotions and connect with others (imo he’s neurodivergent-coded, but that’s a whole other discussion). But notably we’re not told that he doesn’t experience emotions.

This official art kills me every time I see it because it shows that Ivan knows he’s different from the other children and that it probably makes him stick out and he wants to fit in somehow so he tries to practice/fake it so maybe he won’t be so alone (the imitating behavior is also coded imo).

Beyond all of that, we see plenty of times throughout the series that he feels things, rather intensely even. He’s wistful about the stars and meteor showers and the thought of freedom. He has a curious nature, observing others, wanting to learn more about how they work; how he can emulate them.

And then there’s all of the feelings that well up when it comes to Till. The most obvious is that Ivan loves Till, in his own fucked up way. But there’s more to it.

He wanted attention from Till (maybe the first time he’s ever wanted something in that way). He did everything he could just to get Till to even so much as glance in his direction. All of the fighting, and the bickering, and the instigating was because Ivan craved reciprocation. He grew obsessed.

When Ivan managed to free both himself and Till, he was thrilled!

And when Till let go of Ivan’s hand to return for Mizi, he was very clearly heartbroken.

Ivan felt jealous of Mizi and Sua’s relationship, knowing that he would never have that chance with Till.

Ivan felt lonely because he thought Sua was just like him, only to realize that wasn’t true (because Mizi loved Sua back) and he had no one to relate to.

Also, the entirety of Black Sorrow?? Hello??? He was yearning for more than what he could get. He was resigned to his minuscule place in Till’s life. The song is full of mourning and sadness and grief.

In Round 6, I believe Ivan knew what he was going to do.

He was desperate for anything he could get from Till in his final moments. I think that’s part of why he kissed Till. If his only goal was to deliberately lose, why not skip the kissing and go straight to choking?

Ivan was a dying man overwhelmed with emotion and he desperately wanted Till to look at him, see him, make him feel content for the first (and last) time in his life.

Even if some of these emotions are not necessarily healthy, it shows that Ivan was capable of feeling something.

So… yeah. That’s why I really dislike the emotionless characterization of Ivan. There’s so much depth to his emotions and character, but some people just skim the surface and reduce him down to nothing more than a cold and stoic person.

2. Ivan was trying to kill himself and Till during Round 6.

This one is probably more often a misunderstanding than a mischaracterization of Ivan. I think some people may have seen IvanTill referred to as “toxic” or “obsessive” love when it came to how Ivan felt and behaved around Till and thought Ivan was on some “if I can’t have you, no one can” shit, but that completely ignores the wider context of his character. Ivan was devoted to Till to a fault.

To Ivan, Till was his reason for being. Till was his universe. His god. Till was something to be revered, protected, and worshipped. Ivan couldn’t live without Till. That’s why he sacrificed himself, so he wouldn’t have to continue on in a world without him in it. But he also wanted to protect Till, no matter the cost.

Pretty much everything Ivan did was to protect or care for Till: trying to escape Anakt Garden with him, watching over him after Till was attacked by the aliens in the club, freeing him from his collar over and over and over again, every chance Ivan got.

Nothing about Ivan’s feelings or behaviors toward Till suggests that he would ever harm him, let alone kill him. There’s a reason why when Ivan was “choking” Till it didn’t look like he applied any pressure, there was no struggle for air on Till’s end (even if he had mentally given up, physically there will be some sort of reaction to having your airway compressed), and we don’t see any marks on Till’s neck afterwards.

It didn’t matter what happened to Ivan as a result. Till was the only person who mattered to him.

He would do anything for him. He would quite literally rather die than have anything happen to his god.

Ivan only ever knew how to give all of himself to Till, giving up his life was inevitable.

3. Ivan hates Mizi

I’ve seen this one more so in fan fiction, usually for angsty circumstances, but this just completely sidesteps their canon relationship, which is positive and, dare I say, friendly.

He gave her piggyback rides when they were kids! In the lead up to Alien Stage, we see them chatting and Ivan being pleasant towards her in a sort of “big brother” type way without hiding some sort of darker emotion behind it.

Now, is Ivan envious of the relationship Mizi has with Sua? Yes. Does he hate that he’ll never get to have the connect they have with Till? Yes. But Ivan hasn’t given any indication that he hates Mizi herself. And I think that’s an important element of his characterization.

Yes, he has negative feelings surrounding Mizi, but he never takes them out on her or lets himself feel negative towards her as a person.

Edit: I started writing this section BEFORE we got the official art of Ivan hanging out with Mizi, but holy fuck am I glad I took so long to finish this because now it’s canon that Ivan got along well with Mizi and they were even close as kids despite the fact that Ivan loved Till and Till loved Mizi.

In conclusion, Ivan and Mizi were reasonably close and (imo) would’ve been besties in slightly different circumstances. Ivan is NOT a Mizi hater!!

4. Ivan is arrogant

Yes and no. On the surface, Ivan comes across as mature, confident, and in some cases arrogant, but as we see more from his perspective it quickly becomes clear that the arrogance is just a mask he wears for others.

Deep down, Ivan is very insecure and his self-esteem is almost nonexistent. He views himself as insignificant, twisted, unworthy. He vilifies everything that he feels and does. (“Thank you for being a victim of my shallow emotions” anyone?) Ivan fully convinced himself that Till wouldn’t give a shit about him if he died to keep him alive. That’s not the behavior of an arrogant person. Far from it.

His arrogant mask acts as a shield to keep others from seeing the monster he thinks he is. He’s even kept parts of himself out.

I think that’s also where his tendency to be an asshole comes from. Keeping people away, not wanting or knowing how to drop the arrogant mask, internalizing everything, projecting onto others (like that whole talk with Sua about self sacrifice).

So basically:

Characterizing Ivan as an insecure person who hides behind false confidence/arrogance to keep people from seeing the real (and somewhat fucked up) him? Great. Fantastic. Love to see it.

Characterizing Ivan as an arrogant asshole “just because”? Terrible. Hate it. You burned my crops and killed my cow.

5. Ivan is violent

I don’t know how this one came about, but it rubs me the wrong way so I’ll touch on it here.

We know Ivan instigated physical fights with Till when they were kids because that was the only way to consistently get Till’s attention (not saying I condone that btw). But outside of that, I don’t think Ivan has been violent with anyone else? And would he even be violent with Till like, recently?? I would say no.

Now I do think Ivan would resort to violence to protect Till, but nothing beyond that. I don’t don’t even think he would use violence to protect himself.

He’d probably just revert back to being a “perfect” obedient pet to avoid or diffuse confrontation. That’s what he did as a child; while Till fought back every chance he got. Till’s fighting spirit is probably one of the things Ivan loved about him. Maybe in part because he couldn’t find it in himself.

————————————————————

Anyways, those are my Top 5 worst Ivan mischaracterizations! Thank you for coming to my TEDTalk 🖤💙

[scolop98]

Turns out I have too many thoughts to put this in a comment and honestly it was a matter of time before I made a post about these two.

Okay so: AMC's Pantheon. Season one episode one. Cary and Renee are playing out their whole "pretending to be in an abusive relationship" shtick. We the audience find out that this is a ruse after their shouting match at dinner, when they meet up in the garage.

Everything about this exchange—their dialogue and poses, the smirk on Renee’s face, the casualness of it all—read like flirting to me. That, combined with the general reveal that they'd been faking an abusive marriage—not to mention how Renee immediately slides back into The Role after Cary leaves—had me HOOKED. AND it was our first hint that something was seriously and abnormally wrong (= very interesting) with Caspian's life/the Keyes family, so my initial interest in Caspian's subplot was heavily tied to Renee and Cary's dynamic.

Then we get to episodes two and three... and they absolutely hate each other.

(context: first video is after he shoves her to the ground in front of their "son" and his "girlfriend" in ep2. second video, from ep3, they are picking out the hammer that (spoilers) will be used to break her arm later that night)

Every interaction is clipped dialogue and frosty glares and the bare minimum effort spent to make sure you and your coworker aren't going to step on each other's toes. At least on Renee's side—sometimes Cary seems like he's trying to connect with Renee (ex: after they meet "Hannah" for the "first" time), and sometimes he just seems pissed at her (ex: buying out the hammer) (which is understandable, she's the worst. she is such an asshole and I love her for that)

And then we get to end of episode three: The Hammer Scene

Where Renee breaks her own arm because Cary is "too pussy to do it himself" (not an actual quote), and Cary breaks down in tears after leaving Caspian. When Cary shows that despite participating in this ethical nightmare, he's enough of a decent human being to not want to break his coworker's arm and also genuinely cares about the surrogate son he's raised for the last 17 years; and when Renee shows that she is 110% committed to whatever this still-ambiguous, evil-shadowy-tech-corp-backed Truman Show gambit is that she's dedicated the last 17 years of her life to.

Also relevant (to me specifically) is that this scene is sandwiched directly between David and Ellen's breakup scenes, which are some of my favorite moments in season one and the primary reason why David/Ellen is my favorite Pantheon ship. The contrast between David and Ellen's dynamic (we both agree it's healthier to not get back together, but that doesn't mean we can't still banter about old memories) & my reaction to them (WOW is it obvious these two used to be married, instant OTP) compared to Renee and Cary's power hour (i.e. performing the most jaw-dropping, unexpected plot twist in the show up to that point) did something irreversible to my brain chemistry and single-handedly kickstarted my interest in "incredibly divorced animated parents with convoluted relationship histories" ships.

In hindsight, the tone shift in Cary and Renee's interactions in the first three episodes was probably just bad continuity or one of those "characterization was not fully fleshed out when we made the first episode" situations. Aside from the first episode, literally all their scenes in season one make it obvious that Renee and Cary were in a purely professional fake marriage and were NOT friends. Renee can’t stand Cary, and he’s incredibly frustrated with her half the time. While their garage banter did an incredible job as a Reveal Scene, it's also a clear outlier in terms of how Renee and Cary's relationship is written.

I wasn’t really thinking about any of that during my first watch of Pantheon. I was thinking: "flirty coworkers in a morally fucked up job" + "clearly pissed at each other" = "hate-to-love-you ship dynamic," and then I was thinking "HOLY SHIT SHE JUST BROKE HER OWN ARM" and could not stop rotating this family in my mind. I did notice that the garage scene didn't match their later characterization, but instead of thinking about the bad writing I kept rotating the potential of that dynamic in my mind.

Later S1 developments such as "Renee sees Cary and shoots him on sight" and "now that I've put you in this hospital bed I will gloat about everything (I think) you've lost, and also we still have to pretend to be married," and "we are in different states and still jump at the first chance to throw each other under the bus, which unintentionally reads as obsession with each other" did nothing to dissuade this train of thought, mind you.

So to synthesize all this: Cary and Renee are very clearly not in any sort of romantic/sexual/emotional relationship. Renee dislikes Cary at best, and all of Cary's post-episode-one moments of concern/sympathy toward Renee can be framed through this flashback sequence:

Cary, exasperated: "And… we're gonna be working together for awhile […] Let's. Try and make it pleasant. Deal?"

Cary (reasonably) wants to get along with the coworker he's going to spend the next 17 years of his life with, even (especially) if she's an asshole.

But that plot-critical-but-OOC moment in episode one wired my brain to think about these two being close enough to banter, and through that filter their dynamic in the rest of the season looked a lot like those sexually-charged, obsessive mortal enemy dynamics that enemies-to-lovers and hero/villain shippers thrive on. Not to mention the fact that these two have lived the last 17 years in the same house and might've been sleeping in the same bed for several years to keep up appearances (I know that everyone's favorite fake-marriage duo don't sleep in the same room but TwiYor don't have to keep their fake marriage a secret from their child). It is very, very easy for me to imagine an AU where Cary and Renee would have hate sex sometimes, and I feel like it would have practically zero butterflies on the outcome of the plot. Or alternatively, imagine if they were genuinely in a relationship while raising Caspian and how insanely toxic it would be—especially since their platonic, professional canon relationship is already incredibly unbalanced in terms of emotional labour.

And the fact that one of their most emotionally charged, status quo-changing, plot-relevant scenes was paired and directly contrasted with the most emotionally charged, character arc-relevant scene of my favorite Pantheon ship (David x Ellen) in what rapidly became my favorite sequence of season? Meant I was constantly reminded of this ship (Cary x Renee) whenever I thought about why I loved this show.

Anyways that's how a tiny bit of inconsistent characterization in pantheon's first episode turned these awful fake parents into my second favorite Pantheon OTP - not in the sense of "I think these characters should be together," but more like a "can you imagine how much worse their lives would've been if they were in an on-and-off situationship at any point in the last 18 years" that I constantly rotated in my mind for weeks after finishing season one. I hope my first attempt at a proper tumblr analysis essay was coherent, I wrote it between midnight and 3 AM. As a bonus, have this edit of them that I made last summer for a "toxic/complicated/disorienting relationships" MEP

The song is Tainted Love, covered by Milky Chance and originally by Soft Cell

Also, to clear up any confusion: just because I think Renee is The Worst and an Awful Human Being does not mean I don't like her as a character. I like her character a lot more than Cary actually. She's not blorbo material but she IS "I love to hate this character" material. She's the centerpiece of the entire fucked up Keyes Family Dynamic! From an audience perspective, she acts as The Face of Logorhythm's clone plot, given how she has more screen time and direct interactions with Caspian than Cary or Julius Pope in S1, and she's so intricately tied to Caspian's "what the fuck is wrong with my life" investigations. She's an asshole, but she's a complex, interesting asshole with plot relevance, screen time, and more personality than Julius Pope, and I loved watching how she and Caspian play off each other and how that changes over time. also she's a fucked-up and evil woman and idk i find that compelling in a fictional character, sue me.

[zykamiliah]

Tell me about Shen Yuan's mental gymnastics

oh boy where do i start

there are various sides to sy's mental gymnastics:

-his sexuality, that directly correlates to his feelings for binghe; we know how he projects his desire for lbh into the Women/Wives characters, he is in complete denial and actively suppressing his own sexuality, for quite a while and even before he transmigrated, since he has some "skeletons in his closet" in regards to past crushes. he frames his feelings for lbh and his responses during sex as submitting to lbh's charm and "technique" as if to imply he doesn't really have a choice or is being convinced into loving and having sex with lbh, which is one of the biggest misunderstandings for readers in the whole novel. for him admitting that he likes gay sex is tremendously embarrassing, and a consequence from being raised in a homophobic/queerphobic culture.

-his self-image, not in the sense that he's insecure or lacks confidence, but in that he perceives himself as inconsequential-- he doesn't expect much to come from his good actions except maybe that people will spare his life (lbh, lqg) and instead weighs his bad actions as worse than they are. even if he doesn't think about it a lot, he expects lbh to hate him and kill him for pushing him into the endless abyss, yet doesn't take into the equation everything else he did as a shizun for lbh and the other qjp disciples. this probably comes from his fandom-agreed third child syndrome, in that as such he grew up thinking his actions don't have any impact in the people around him (like him not taking into account the impact of his death in hua yue city, for example, on lbh and his martial siblings and disciples); related to that is the part where he doesn't ever talk about his own accomplishments because he thinks that's too cringe or something, so he's always downplaying himself and the stuff he does, like being a good damn teacher, and liking it! he describes himself as a lazy guy who just wants to lead a no-effort life but that's not what he actually wants or does; he's always doing something post-transmigration and in fact gets antsy and restless when he's forced to stay inside doing nothing

also related to him downplaying his good actions, is that he sketches himself as a selfish person when his actions completely contradict that characterization.

he also downplays or completely hides from the narration how much being cool matters to him lol he wants to distract the reader and himself from the fact that he's not an easygoing person who will take anything life gives him; no, no, that man taught his disciples about payback; he gets reeaally pissed off when mbj dismisses his cultivation at the immortal alliance conference. i've talked about how he projects on shen jiu here to go around those feelings .

overall he's unreliable when talking about himself and you have to look at everything he says really carefully and contrast it with his actions, what he actually does, to understand what's real and what's a lie.

and one of my favorites: he tells us he's pretending at being a lofty immortal cultivator, when in truth the transmigration has allowed him to become the best version of himself (ok there's still room for improvement but he's getting there!) the moment the OOC was off, and later when he's in the mushroom body, he thinks of himself as shen qingqiu all the time, going so far as to put finding a folding fan as a top priority, saving people just because he was around, and being unable to let cqm disciples be in danger to the detriment of his own survival. he tries to sell you a picture of himself where he's pragmatic and selfish and self-serving, but in truth, despite having a bad temper and sometimes resorting to anger as a coping mechanism (the tsundere allegations are true), he's a big softie and unconditional when it comes to the people he cares about.

[hoodedjelly]

Hi, you were looking for people to send you asks reguarding the show, so here I go. Well I unfortunately don't have any questions about Inanimate Insanity as I havent seen it, but I have questions about hfjONE, as I havent found anyone to talk to about the show with.

What is your favourite character in ONE?

Favourite moment in the show?

What did you think about Airy's death, did you think it felt natural for the show, or do you think it should of gone in a different direction?

What do you think about the investigation mini-series that followed after? Also your doodles of the characters including the ones from Inanimate Insanity are adorable.

OH JOY TIME TO YAP!!!

Fav ONE character: for like "serious" favs Liam, Bryce and Airy. Love Amelia too, but I'll explain my thought process with why i picked those 3. First i fear i constantly fall in love with the main characters of shows, but to me Liam is different. It can be so easy for him to be characterized as the always caring wants to help everyone main character. But he just isn't that, he gets mad, he gets frustrated, he argues back with Bryce. And i really love that??? He has a heart of gold but he will beat the fuck outta airy if he gotta, and he did. With all of that and him being our main character he's still mysterious, like I'm going to be thinking till the day i die about why he didn't see anyone in The Waiting Room. For Bryce, if I'm being honest I'm not always a fan of asshole characters but he has so much depth in my eyes it makes me not well. He can, like Liam, could easily just be "always the asshole one that hates everything" character but he really isn't like that at all, he's immediately caring to Bryce and Amelia, he just puts his foot down to the obvious upsetting situation he was forced in. he left ONE like it was a bad dream and tried to move on like it was one, he found purpose and he moved on, he wouldn't have known that they were still in there after a month or so. he didn't see stone write those notes, after he finally has stability (if it is just running a fast food place) then more then half a year later some random fucking "dream" guy knocks at his door telling him to do things. And omg don't get me wrong Bryce is still an asshole, just a understandable asshole, and only one cause of the situation he was forced in. For the themes of the show, i love that he is a little selfish, people aren't perfect, people can and will be selfish sometimes (that also goes back to airy's character but i look away). his development out of any character was amazing, the "I'm not in the suburbs anymore" line makes me scream and cry every ONE rewatch. Airy is just the perfect villain for a show like this, i can go on about how the writing of the "people" characters are so rich and have several layers of depth that my little autistic brain wants to pick. But this is already long and i have 4 more questions. for a show that has a concept theme of life and emotion, the villain being one that lacks emotions is just SO good it makes me want to claw on the walls. Still with that he still has SOMETHING, he helps Liam, but he also was the one that trapped him. Is he good? is he bad? well for a show that actively tries to NOT put characters in a box of "the nice one and the mean one" those types of questions are very shallow. did airy deserve what he got? was there a better way? well there's always a better way when you're looking from the outside, but inside, airy was just broken (literally haha). there's no forgiving, why would you, what airy did was awful. but you can understand, if only a little. the last line in the whole show being "when you got nothing better to do you'll find anything to occupy yourself" was so good i can keep writing paragraphs about airy but I NEED TO MOVE ON OMG. (fav non-serious characters are atom, subway seat and whippy creamy)

Favorite moment of ONE: For s1, it has to be the end of episode 4, but not the part of stone leaving, Amelia snapping at Airy. First time watching ONE i actually started tearing up at that scene, and it made me realize "oh shit this show is something different". All i wish is that the show explored Amelia more, even though i know that's the whole thing with the show, leaving things up for the audience to figure out. but i feel she got a little TOO much for us to figure out and basically nothing on her. For s2, it has to be the intro on ep 18. Every single time i watch that scene i tear up a little, Bryce's voice actor did AMAZING during that scene (and that says a lot cause the voice acting is amazing through out the whole show). The dread of already knowing what's gonna happen, the music, Bryce basically yelling at airy like he's an angry god. like OUGH it makes me freak out every single time i watch it.

Thoughts on airys death: When i first watched it i was definitely shocked, but i trusted the writing enough to know that it wasn't just "oh random shock value" moment. I love how bitter sweet it is, i love that he went back to the Waiting Room and now it looks like the exact place he trapped other people. He got his karma for what he did, now he has to sit and basically start over, fine another place or sit there and rot like toothpaste had to do. i like to think about if it was an accident or on purpose a lot, obviously it was an accident (at least to me), but was he thinking about it? why did he make the bridge so unstable? he's been there for 10 years, he made a whole house, but not a safe bridge? was he actively being careless? my friend pointed out to me that he does have a very new injury, that might have messed up his brain (even more), or his vision. I just love bitter sweet endings, i love thinking about "what next", and getting to see it, lets my brain start running.

Thoughts on investigation mini-series: OH I LOVED IT, it's more story building but it leaves the ending the same. more stuff about Taylor (the mini-series made me love her more), and background characters. it's just more of cheesyHFJ flexing his character writing and i'm here for it i will EAT IT UP!!!

Thank you so much for the questions! my GOD this was longer then i wanted, call me the yap master (im not)

heres a doodle of my fav ONE characters just for fun ^__^

[fillingthescrapbook]

Let's Talk About Misfits and Magic Season 2

I love Aabria Iyengar's mind. I love the way she creates a story that is many levels of profound--but, still, at its core: is about being good, doing good, and hoping for goodness in a world that's wrapped up in different shades of bad.

Around midway through this season of Misfits and Magic, I stopped sharing my thoughts. Not because I didn't have thought to share. It's mostly because I have complicated feelings with this show. I have not made it a secret that I didn't really care for the first season. Nor the holiday special. And I really didn't like how fans of Dimension 20 were so divided about this title because of its connection to a franchise we don't want to like anymore. Because of many reasons. This season did turn things around for me--but the feelings didn't become simple just because I liked the world and the characters more now.

When I write my reaction posts, I make a list of observations. Thoughts and reactions that I then try to turn into a coherent essay. It's really hard to do that with this season. I feel like I was working through my own history and connection with fantasy, of how I became enamored with the genre, alongside the magical misfits journeying from island to island encountering the many forms of magic. Magic that were tied down, bound, and made simple--but is allowed to be messy and unwieldly again. And, now, after the finale: magic that's allowed to be simple again, but not because it was distilled--but because it's been given a new definition. A more apt definition.

I fell in love with Danielle Radford while watching Mentopolis (and, aside: I love that Danielle remembered 57 as Alex Song-Xia's favorite number). But it's this season of Misfits and Magic that really gave her a spotlight of what she can do. Maybe only a sliver of what she can do. But from what was shared with us? Danielle is an emotional powerhouse. Episode after episode, she hits us with emotional beats that network or streaming television shows would kill for.

Then there's Lou Wilson. This may not be a well-shared opinion, but I feel like Misfits and Magic has Lou at his most reserved. And it's not a bad thing. He's letting the other players go buck wild, and he's the one who's grounding everything down. And we really see the importance of a straight man with Lou's performance. Because some of the most emotionally-charged moments of this season wouldn't have been as powerful had it not been for Lou's reactions.

Erika Ishii has always embraced the goblin-gargoyle characterization they've been given. I think that's most true with their Misfits and Magic character. And while K/Dream/Etsy Bit.ly Spider is never one of my favorite Erika characters--they still managed to make the character so engaging that you can't help but be pulled into their orbit…and want what's best for them.

And then we get to Brennan Lee Mulligan. For the man who doesn't get to play a lot of TTRPG because he's almost always behind the DM's screen--it's really refreshing to see him go balls-out with every decision his character makes. I, ultimately, still ended up not an Evan Kelmp fan after the finale--but there truly is something magnetic in the way Brennan plays him that you want to root for Evan. From afar.

That said-- I am still very against the Sam-Evan 'ship. Now more than ever. During the scene where Brennan and Danielle were trying to vocalize what happens now to their characters' relationship, and the situation and feelings that lead into this development…it kind of put into words my discomfort with them becoming a couple.

Evan is, ultimately, a broken person. Sam is too, but in a different way. Evan sees Sam as the person who brought some good into his life, and I feel like that's doing a lot of heavy-lifting in what he's feeling for her. And I really don't think that's fair to Sam.

Do the two actors have great chemistry? Yes! They're just describing scenes together and we can feel the romantic tension between the two characters! But that's not enough for me. I want someone better for Sam. But that's a discussion for, maybe, another season of Misfits and Magic. Maybe.

If there's anything I've learned with Season 2--it's that Aabria, Lou, Erika, Danielle, and Brennan are GOATs. And if they feel the need to revisit this world, we're going to get something truly magical.

I'm glad I gave this title another try. I guess I have to thank the haters who prodded the petty side of me into watching this live and not just taking a break from actual play for a bit.

That said… I really do hope that Aabria's next game on Dimension 20 isn't a sequel. Because I can't wait to see what new system Aabria is going to introduce next.

(Also, just to add: the editing of Dimension 20 is getting better and better--and it was never a slouch to begin with. And: Carlos Luna as Tabby in the last two episodes was very much missed. Aabria is great--but there's a certain mischievous sweetness in the way Carlos voiced Tabby that was just pure magic. Now, cut the feed!)

[ofbreathandflame-archive]

The Paradoxical Nature of Feyre

It’s interesting to consider just how much of Feyre’s character must overcompensate for Rhysand’s shortcomings as a character. I’ve always wondered at the impossibility of the morality involved in the characterization of feyre; in which, Feyre exists – as @feyres-divorce-lawyer has already elaborated on this this post – in this violent conundrum in which is operates as both the most qualified, but is oftentimes then characterized as the most inept to help.

To elaborate – Feyre’s character has to subsume an almost reverential when she is discussed in thorough conversations that question to her motivations, tactility, and efficiency. And because Feyre is never actually given qualities (or I should say – those qualities are never at the forefront when discussing why she is placed in these hierarchal / leadership positions) that prove she deserves to be a leader there’s no actual, tangible evidence to prove that Feyre is inherently qualified for any of these roles. When Helion asks Rhysand – “why did you make her High Lady” the story does not lean onto to any tangible reasons as to why we the reader should believe this other than ‘Rhys loved Feyre’

Here enters the actual problem with Feyre’s character: her being High Lady is a statement of Rhys goodness, not a statement on Feyre’s prowess. Because the story leans on such individualistic, arbitrary ideals, there’s nothing being said about Feyre as a character. So much of these conversations centers around Feyre being qualified but there’s nothing in the story that suggests otherwise. Feyre being reckless and brave prove that she is….reckless and brave – both those qualities don’t really make a good leader and they prove…nothing about Feyre’s skills. Realistically, of course Feyre knows close to nothing – of course she’s going to make very bad decisions and mistakes, of course her per view is limited. So much is put into proving that Feyre is the best that there’s often no conversation about how rigid that makes Feyre as a character.

Those are flaws that make Feyre a better character. One of my favorite moments when reading A Storm of Swords was the moment Davos realizes he needs to be able to read because ‘he’s a lord now.’ I love how he reflects on how hard the process is and how the children seem to read so easily and he has to sit down and sound out the words. Davos is such a good character because he represents the kind of struggles someone – lowborn, smuggler, illiterate, might have when integrating themselves into a new hierarchal world. But this also says something about him as a character – he chooses to begin the journey to learn how to read because he’s realized he needs tools in order to combat is inexperience. Even the fact that it’s not Feyre who realizes she needs to learn how to read but Rhys who forces her says so much about her character, negatively.  

So when we have these conversations about Feyre, no one ever actually proves what makes Feyre qualified to lead. Begrudgingly feeding your family because you feel obligated doesn’t prove that you can lead an entire town; it proves perhaps resilience, perhaps resourcefulness but even then id argue Feyre isn’t even that (see: she seems to not learned any other skills other than hunting, complains about her shoes instead of just mending her own or switching with Nesta or Elain; she can’t cook, etcs). Rhysand making Feyre High Lady because he loves her says nothing about her as a character. It doesn’t expound her talents and skills – and ultimately doesn’t make anyone believe the title is tangible. Even the story doesn’t believe that to be true.  Nothing about Feyre’s trials UTM prove that she is capable leader – if anything they prove the opposite (I do not mean this negatively – if anything, I’ve always felt that Nesta’s arc with the Valkyries fit Feyre much more than her own arc did. I could see Feyre being someone who operates under her own set of rules. I’ve always felt that Feyre seems to chafe under rules , so it doesn’t make sense that she would bound herself to such a leadership role as High Lady).

Back to the main point – the whole I’m making is that I believe that Feyre is talked about this way because so much of her character has to be muted to connect with Rhys. I think this conversation is always a consequence of Rhyland’s characterization and the novel's (and stans) rush to defend him. So many things have to be true about Feyre in order for her romance to Rhysand to be believable - and I argue that those changes are to the detriment of the traits Feyre's is initially characterized as having. And because Rhysand never has to undergo an actual character arc the pressure is placed on Feyre's character to align with the more negative traits Rhys possesses. Realistically, given how Feyre is characterized and given the whole “I hate the preening, gawking Spring Court” – I think its weird that she would immediately (1) do the exact thing in basically nothing with Rhys (2) allow herself to be turned into the most traumatic version of herself and (3) delight in random people’s pain. But because the story never asks Feyre to introspect she simply doesn’t talk about it.  And even if the story wants to go there – so much of Feyre’s healing hinges on affirming that she is good and so introducing these bad, carnal, selfish thoughts into the mix seem to undermine that.