#I need this to happen at least once

[technorganictierboskat]

Need a taller girl to use me as an armrest, and then tease me when she sees that I'm blushing.

[burningfunobject]

S2 arcane spoilers!!

Anyone else notice how dim viktors eyes look in the new season like

And it's like this for nearly every other shot

Compared to his eyes in s1

And he's rlly out of character too

And sure that could be the trauma of EVERYTHING that's happened

But I feel like it's more than that

The hexcore is controlling him obviously so maybe we'll see him try to fight against it??

I really hope he does bc I don't think the whole magic arcane Jesus thing is really working for me tbh

OR if he doesn't manage to get free of the hexcore maybe he decides to lean into it by baking himself even more robotic buy powered by hextech or whatever the new equivalent would be

I've also been thinking maybe he'll start upsetting the chem barrens?? But it seems kinda unlikely

[forgetful-nerd]

Sometimes I get just a tiny bit sick of the whole “the team had a falling out and now they can’t stand the sight of each other, but now they have to come together to face off against a new big bad” trope.

I need a healthy dose of overly-attached, traumatized turtles bros to balance it out

[justaz]

merlin being so overwhelmed by everything he’s been put under, crumbling under the weight of destiny and being pulled in so many different directions he’s being torn apart, going to the one person who can offer him the most comfort out of everyone, his best friend, his other half. arthur who doesn’t realize whats happening until he turns and sees merlin’s desolate expression and tear filled eyes. merlin going “i know you are king (or prince) and you refuse to call me your friend, but you are mine and i really, really need my friend right now.” and before arthur can manage a word, merlin is stumbling forward into arthur’s arms and pulling him into a desperate hug, muffling his sobs as best he can but arthur can still feel the tears soaking his shoulder. arthur not asking any questions and just wrapping his arms around merlin while he breaks down.

[celtrist]

Controversial opinion: Vox's design sucks

...

Because he should be wearing a NORMAL TIE. not a BOWTIE. It would:

Add to his businessman persona

Give a place for that wifi symbol to go that isn't awkward

Be a good opposing design to Alastor's bowtie

Potentially give the idea he's moved away (or attempting to) from Alastor. Especially if they had it that Vox USED to wear a bowtie.

Also, we joke about it but seriously, why does everyone have a bowtie when it doesn't make sense for some characters like Husk--

I rest my case your honors.

...

Rebuttle:

Vox having the bowtie could signify him latching onto his past with Alastor and not being able to move on

[aroaceleovaldez]

i think a lot about how early-series, demigods are referred to pretty equally as "demigods," "half-bloods," and "godlings," - the last used particularly by gods at demigods - but after that "godlings" is almost exclusively used to refer to minor gods.

something something i am literally always chewing on the concept of the line between immortals/demigods/monsters/etc being thinner than it appears

[psychohelmet100]

i knew this would happen

[yourfingeronmytriggers]

So I got something in my head that my brain won't let go of and thought I would inflict on share with you. :D

Imagine with me for a moment-

Lucy and Cooper on their New Vegas journey and they have a "moment" when he tells her about Janey and the way he's been looking for her for over two hundred years. And finally saying it out loud to someone has him getting stuck inside his own head and he starts thinking...

How he's not even fit to fill the role of parent anymore. Even back then, remembering how the public talked and whispered then shouted and booed, ending his career. How his wife turned into someone he didn't know and left him to die with a broken marriage and a broken heart in a broken world. How the media labeled him a threat to the public, turning him into a pariah almost anywhere he went. How Barb's powerful connections almost persuaded the courts to rule him "unfit", which nearly resulted in him losing all custody and never seeing his daughter again. How he's only become worse now, how he's a monster and a killer and if his daughter saw him now she'd probably scream in terror--

And then suddenly, just--

Lucy: "You're a good father."

And it's the first time he's heard those words in lifetimes.

[spaciebabie]

at first getting diagnosed with cptsd was like, "yay my trauma has been validated (it always was valid)!" and i really thought that was going to be it, but then i started to do research as i do whenever i realize i have something and learned that!! the way i experience socialization is!! quite horrid actually!!

[curioscurio]

not to be a freak but I think when Trump loses he will either kill himself or Putin will let loose the real assasins. it's just the smart move like he knows too much and he's losing all the power he used to have lol. like if I were putin I'd be worried about what kind of information a desperate man like Trump is willing to surrender once he's caught 👀

[topaziraphale]

"Stop saying Crowley won't help Aziraphale in S3 he'd go back to him in a HEARTBEAT and nothing would stop him" I get it no one likes the idea of Crowley being bitter after what happened for a long period of time but like can we at least acknowledge that he's currently going through probably the most emotional pain in his life since falling? Can we agree that he's opened his heart entirely - something you couldn't pay him to do unless the world is literally ending and he's desperate - to Aziraphale, and got shot down? Can we understand that he did it AGAIN only to lose Aziraphale again? Not that what Aziraphale did isn't without Crowley's own shortcomings (hiding the truth of Heaven's cruelty from him) but like,,,,

The appeal here isn't Scorned Crowley Doesn't Love Aziraphale Anymore, or Never Wants To Help Him Again, the appeal here is Crowley learning enough self respect to not just walk back right to Aziraphale like nothing happened after Aziraphale has had a pattern of consistently refusing him. Going years ping-ponging between "We're not friends I don't even know him" to "That's what friends are for right?" and "We're friends, why would you even say anything?" and "Friends? We're not friends. We are an angel and a demon!"

Like I get it, Crowley is a heartbreakingly forgiving person. Of course he's gonna forgive Aziraphale, I'll be surprised if he didn't forgive him by the time he walked out the bookshop door, but gdi he could at least grant himself the luxury of being at least a little irritated for longer than however long it takes to make a globe and some books float and angrily cry out to God in his flat. But due to the change of pace and dynamic that is establishing part of the conflict for Season 3, I just really like the idea of him for ONCE prioritizing himself and being like "Okay, fine. We'll get back at it when you're ready, then," instead of just taking Aziraphale back like his words and actions meant nothing to him, when clearly they have an effect on him.

What is Aziraphale going to learn if Crowley just accepts what he did so quickly, like he always has the entire time they've been friends? Idk maybe I'm just projecting too much darkness on their dynamic but I mean, if the pattern of Aziraphale pushing Crowley away/disrespecting him one day and then being fine with his friendship the next + Crowley never stopping to be like "Hey, that's not cool, at least give me a little credit" or smth was fine all along and will continue to be fine in the future, then why, after 6,000 years of being friends and loving this demon, can Aziraphale still not accept that Crowley is just fine the way he is, and instead got excited to promote him to an angel in a heartbeat once the opportunity presented itself? You can't blame all of it on Heaven when Aziraphale has demonstrated his free will/defiance to Heaven so many times. Or, I don't know, I guess maybe we can? Maybe I'm just craving too much angst to the point where I'm letting it cloud my analysis of canon. Idk.

[arttsuka]

Do you ever feel like you need someone to hug you very tightly, enough so that your bones would crack? Someone to lay on top of you so you can feel their weight crashing you?

[cluescorner]

I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc

[snowshinobi]

hear me out: divorce ceremonies. divorce cake and divorce outfits. toasts to the uncouple spoken by the Worst Man and Maid of Dishonor (gender neutral). separate piles of gifts for the freshly parted, stuff like nice sheets and Target giftcards and cookbooks. marriage gets to have all this ritual attached to it and by god divorce deserves some of that action

[seaofreverie]

Sparkstember Day 18: Balls (Bullet Train)

Sometimes (oftentimes) it's true that all you need are Balls. I personally absolutely love Balls. I'm a big fan! Ekhem. Today I'm using the help of (I mean, copying most of the passages from it) my earlier Balls rant that I have written down after my first listen of it back in January. I really love this album and I don't want to completely skip over saying a couple words on it at least but I really don't think I have the headspace to write anything very good for it today. I'll still try though!

So yeah, Balls. It's a great album, fun and chill (in my sense of what I call and consider chill anyway), consistent, as Sparks albums tend to be, and as I suspected / hoped it does fit this specific vibe of driving around at night somewhere city-like and illuminated. Or being on a train deep at night and looking at the world zooming by (if you'd even see much of it on a train at night anyway.....). And I do think that it's not so dissimilar to Gratsax (I'd say now that it's definitely darker and moodier than its predecessor...). So it's interesting to think about how it's considered to be one of the "weak" ones (by music reviewers at least) while Gratsax is so beloved in comparision.

I will admit, I don't really know what the big problem with this album could be. As I said, it's fun, it has the melodies, it has the energy, it has the theatricality (I like seeing how more and more orchestral instruments such as strings are being incorporated into the music, in a way the jump into Lil' Beethoven two years later doesn't come of as THAT much of a shock because of this. The evolution of sound here is fascinating!) I really like the intense beats, just as much as the more laid-back and moodier pieces. And there's lots of gold to be found in the lyrics department as always.

One more thing I wanna say is that at some point I wondered if this music sounds older than it is. Maybe it does? But then I remembered that this was 2000 and honestly when I think about it, there just IS something about this album that fits so well with the Y2K image and vibe and all. Sparks 2000 and all that.

Favourite songs (and other highlights):

Balls: I mean. It's Balls.

Scheherazade: absolutely LOVE this one and I had the strangest impression of it sounding very familiar when I first heard it. Months later I found out that it was just briefly featured in TSB so I think that explains it (I will talk more about my TSB viewings on TSB day. EVERYTHING has to be explained in excruciating detail, lmao)

The Calm Before The Storm: bugsonas 4ever. Song itself is amazing too

How To Get Your Ass Kicked: how can a song about getting your ass kicked be so pleasant and relaxing, it always keeps cracking me up, how perfect that is actually

Bullet Train: I love it how introducing the topic of the song with a "It's the [topic of the song]" is a reoccurring theme on this album. Thank you Sparks for this ode to technology and art (these lyrics always have me giggling). And also it just goes hard as heck

It's Educational: a perfect fusion of / sequel to I Thought I Told You To Wait In The Car and Progress (it's mostly the vocal delivery that reminds me of the latter)

The Angels: such an odd one here but I still like it a lot, I apparently said that it sounds "surprisingly mainstream for Sparks but somehow in a positive way". It's very sweet and I absolutely love how Russell sings here, it's so different from what we're used to but that only makes it hit you even more in the feels, lol. And I actually prefer the alternative version of this song that's featured as a bonus track, and I do think that's in big part because you can hear Russell better on it (or that was my first impression of it at least and it kind of stuck)

[chimerahyperfix]

You’re looking for something— no, someone, too, aren’t you?

(I can’t comprehend how you understand what’s going on, with your lifeless shell. Craft as you are.)