#I mean it COULD just be the main character special treatment

[serenanymph]

meme monday

Tagged by @scribbling-stardust, gonna gently tag @loopyhoopywrites, @space-writes and @talesofsorrowandofruin!! I have next to no meme ideas so most of these are incorrect quotes hhhhhhh

beast taglist: @sapphos-scientist, @allianaavelinjackson, @arctic-oceans, @space-writes, @reneesbooks

[tocomplainfriend]

VIV is constantly criticized by her own fault.

TW: Mention of: SA, Rape, Transphobia, fat phobia, Antiblackness.

(Hey, i'mma probably do a post eventually about episode 4. Btw, awfully shit, worse than I thought it could be... BIG TW OF R-PE AND SA IF YOU'RE GOING TO SEE IT. AND TW of the minimization of those topics too.)

(SORRY FOR BAD ENGLISH IN THIS POST TOO)

BUT I NEED TO CALL ATTENTION TO THIS! One of the reasons I criticize a lot of Viv specifically is because of how much she puts herself out there. She sees something she posts on Twitter about it a shit ton (even on "threads" lol). AND because of how lacking of improvement she has being. (I personally know people I have considered terrible when we were teens, but I have seen legit improvement from them in recent years. They seem like people who struggle, but got to grow up and made up for any problems (or pain caused to me or others). People have the ability to change and become better. Something that matters at pointing out issues or discussing-is the idea of creating change on others. It is better to get someone to change for the better than to cast them into the forever jail of nothingness (unless, IDK, they Sexually Assaulted someone, for example). Specially when they are young people. Doesn't mean YOU have to stick with other people that hurt you, no. Doesn't mean people get to do what ever and get away with it.

BUT All of this problem I have seen from Viv are from age 19-30. (you can change at anytime btw) And see constantly repeats herself and her actions. Seems to have never accepted criticism (said by herself too), and never able to see her own faults. The fact that is a continuous behavior is a problem, how she always responds is awful. My post of "Viv has being transphobic for 10 years", was to signal that. If she really had changed over those 10 years to a genuine thing- I could've taken that! But no, the shitty double standard against trans men... the weird treatment. THE MANY STORIES OF EMPLOYEES GETTING MISGENDERED HEAVILY, TOO.

(I know people who were transphobic [When they were teens mainly], that Genuinely improved and changed their beliefs. Now they treat trans people with respect and care! And still learning about gender-fluid people, too!)

It just seems to be further and further away from getting better! The fact that she only decides to take in account voices from SA victims that agree with her- it's painful as a victim, my self!

And yes, people who sent gore or dumbass shit to Viv (or the team) don't help. And go get help why you're looking and sending Gore to anyone. (Also, stuff like this does lead to people not listening to others people genuine callouts). The fact that I criticize something doesn't mean I agree with the people that go and do shit like the thing I just mention above.

AND ALSO A IMPORTANT THING HERE!

This drawing was created by DollCreep. BUT ALSO FUCKING REMEMBER this was done in response to the shit that Viv drew of him.

If you didn't know Viv drew a transphobic caricature of DollCreep using the name Jojo (his old nickname). This put together with a shitty anti-sjw meme video. DollCreep is a transman, Viv drew a character based on him. A furry wolf girl, If you can see in the image the main thing listed below the character name is the fucking "Sex=♀️". SO ON PURPOSE, CHRIST. Like... AND YES-is shitty from both to have drawn this (even if it was in respond) mainly immature in DC part. But that, or any toxicity coming from DC, doesn't delete the transphobia here. (imagine drawing a racist caricature of a poc person, because they are shitty to you). THE POST LINKED ABOVE SHOWS THE SITUATION, and in the end of the day. Viv says that DC is an abusive shitty person to her, but never realizing her own faults or anything she could'be possibly done wrong! (and again, any wrong done by DC in general can not be deleted by the fact of having being treated badly. If he did shitty stuff himself, that doesn't delete the wrong done in general to him or to others by viv)

Here about transphobia:

(this is like 8yrs old too)

Again, she never acknowledges anything that she might have done wrong. "She is a thoughtful person, that wants tor write queer and disabled characters! She wants to tell empowering stories of..." It doesn't even feel close to that when people bring up actual problems in her writing that are stereotyping or bad, and she just yells and cries. It all feels like empty sticks she is only interested in in the surface level, she doesn't want to actually deal with.

When she says "This characters is black guys ♡♡♡" and then the fucking 7th, a grayish character with zero black features. She can not actually try and draw a black person with a different hair texture, she'll faith is hair isn't straight and spiky (has done this so much too). She is all for positivity and diversity (can not draw more than 1 character that isn't a fucking stick with the same stupid face).

She can not write relationships in general. She cannot do gay couples, then don't lean on the stupid old uke uwu defenceless x big rough seme protector stuff. Again, all the interactions with Husk and Angel are sexual harassment. They are already a revealed future couple (and episode 4 is terrible for them, specially with that song). Stolitz is toxic, and predatory. That is not acknowledged, and all Stolas's predatory behavior and power dynamics are put in the background, cause- "look how sad Stolas is :(! HIS DAD IS SOOO MEAN, HIS WIFE IS A BITCH". All her gay characters are in pure surface: over-sexual twinks that are assholes, which also fit into the top/bottom as personality boxes.

Any other point includes sexual harassment as a joke. BUT KNOW SHE WANTS TO BE LIKE "GUYS SA STORIES MATTER, LOOK AT WHAT I WROTE" as if she didn't lean back into the problem of the diminishing of SA and r- (in general and done to men) with her jokes in HB. With all the sexual harassment that Angel Dust puts on Husk and others. (AND YES THERE IS NO WARNING IN EPISODE 4, FOR ITS HEAVY TOPICS! I do believe all series/movies with this need it. SPECIALLY IF IT'S SO GRAPHIC! "Sexual content" is not the same as a warning for SA or R-pe. An adult can see a movie with sex or sexual nutidy- when they see that- but it's different to get straight assault on screen. Victims can watch movies/series with sex in them all good, you cannot just group consensual sex in the same assault or R-pe...)

The thing where Mammon (the only fat character that isn’t from the fucking background.) is like FIZZ YOU NEED TO LOSE WEIGHT. AS IF SHE COULD EVEN DRAW ANY DIFFERENT BODY SHAPE WITHOUT DYING. Like there is only Mimzy (hasn't appeared yet, not given any importance. In the female lead show). Mammon the piece of shit (does the same as Blitz, but he is actually fully bad.) His design is done with 80 fucking layers on top. Like all the test of the skinny character's clothes suck up to their body except for Mammon. His body is hidden in layers upon layers of clothing (that's all you got?). All you main guys need to fill "the skinny have nothing men" and "skinny woman with big hips and legs, but no fucking stomach"?

AND YES! VIV DOES DO THE FUCKING, "FAT = FOOD LMAOOO". You know the thing HH fans and hater where like the "Bee needs to fat thing is bad, cause of fat = food (only food) is reductive and shitty"

(Can I refer to how the show Bojack H, make Diane gain weight cause of anti depressants- and it wasn't a joke! And she was happier too?)

(mine, from post right below)

... like is a bundle of issues. And Viv will never accept that she might be /or is wrong. That's why it hits the fan with stuff. -And again I liked many of the little concepts and stuff in HB and the original pilot of Hazbin. Shit- I still like Sir Pentious and Nifty. I do like Mammon as much as he is a pack of problems to call out, I fucking love the piece of shit Australian jester- The artist work hard on it, and I'm happy it's an openly queer! (as limited as it gets, too....). I liked Huni-cast, I loved the original voice cast! -and that happens! I could be writing this about other stuff too, not only Hazbin... if I created this blog earlier- IT WOULD ALL BE ABOUT RWBY, DANGANRONPA, even svtfoe...Ladybug... or Agretsuko's ending too. So yeah, sorry for the long post (as if all my post weren't)

[sunshine-zenith]

I never been this invested in fairly oddparents before. Like I'm so nervous about what's going to happen with Dev and Peri by the end of the season because if they get separated that would be the worst thing for both of them or if Dev gets his memories erased, he won't learn from any of this.

So to distract myself, I'm gonna think of what would happen when this show is renewed for season 2 (and it WILL be if I have anything to say about it!) like:

Peri getting embarrassed by his parents for not acting normal when they're humans in public because it's like winter and they're still in their regular clothes when outside, so he has to poof them up himself.

Dev getting invited to join in on holiday festivities with Hazel's family because we all know that's not gonna happen with Dale.

More time with Hazel, Dev, Jasmine, and Winn as a group.

Even more wacky neighbor shenanigans with Peri involved.

Same, my dear Anon, saaaaame. I remember FOP being one of my favorite shows when I was little (I remember being in elementary school and somehow stumbling upon the first couple seasons online, meaning I could watch it whenever, and to this day I still laugh when I remember the “Where did you get that?”-“Uh…. Internet?” bit, but there’s something so special about these characters I grew up watching and their silly hijinx and sweetheart new godkid getting into serialized shenanigans

I seriously hope we get at least one more season (or even TOH treatment where while the crew is put in the unfair position of having to rush through their story to wrap it up, but at least they get to wrap it up *cries in Infinity Train*)

I want all of the above, especially Dev getting to hang around Hazel’s family and getting exposed to a completely healthy family dynamic, and seeing Hazel, Jasmine, Winn, and Dev as a friend group in O:BT was absolutely delightful (I’m still sad the original show fazed out Chester and AJ over time — give our main character friends and let them keep them!)

Some other potential stories that I’d love to see

Another episode about Hazel’s hair. Diana actually grew on me (metaphorically) by the end and I wouldn’t hate if she became a reoccurring character. Plus it was amazing seeing an episode about a black character’s natural hair without it needing to be A Special Episode. They made that joke about “relaxing” and it almost flew over my head but when I got it I had to pause the episode because of my delighted laughter

An episode where Peri (who finally has his own human disguise) somehow gets roped into solo babysitting Hazel, Dev, Jasmine, and Winn (because for some reason kids really like me and whenever I visit my sister’s family I somehow always end up at an arts and crafts table talking about Ninjago with a bunch of 3-7 year olds and I need Peri to go through the same I Need An Adult — Oh No I Am The Adult emotions)

More Hazel and Antony shenanigans — maybe she visits him at college and wishes she could experience college life herself (knowing the types of jokes this crew likes making, there should be at least one student loans joke that makes you cry as much as it makes you laugh)

For that matter, even if it’s a long shot, I would love an episode that features the Wells Siblings and the Turner-Cosma-Fairywinkle Siblings. One set could have the A plot and the other could have the B plot, or they could all get up to shenanigans together, idc I just know that there are so many obvious parallels between Antony-Hazel and Timmy-Peri (the nearly identical age gap, the close relationship that had a wrench thrown into it when the older sibling grew up and moved away, the way the younger sibling looks up to the older one, etc) that I need to see explored somehow. Plus, maybe we could even get Peri and Antony bonding — since he’s a fairy, the way Peri aged is probably super weird, but developmentally he’s probably close enough to Antony that they could be peers. Give👏Peri👏A👏Friend

Does anybody remember that episode from the original series that was a back door pilot for a Crash Nebula spin off. It was one of my favorites as a kid and I would love if they did something like that with Prime Meridian Love — it could start with Hazel and Dev learning their favorite manga getting an anime adaption and doing everything they can to watch it premiere in English (or the crew could have the majority of the episode in Japanese and even make a sub vs dub joke)

Listen Peri was OP as a baby, and I need them to bring that up somehow. I don’t know, the could have him lose his wand and have to fight whatever the bad guy of the episode is with his bare hands and show off his martial arts skills. I can just picture Dev and Hazel’s reactions and I need to see it and see their faces when they learn he taught himself how to do that as a baby

[amphitriteswife]

What’s your opinion on lore Olympus?

Hate it. I read it because i wanted more stories about Hades and Persephone. I will state some reasons for why i strongly dislike it.

hades is like over 3000 and Persephone was 19, I get that Persephone was a lot younger than Hades but RS could’ve made her older.

Demeter was shown to be a tragic character herself but is made a villain for absolutely no reason

Hades was mean to Demeter and expects her to be like ‘yo even though your a jackass and a groomer you can still marry my daughter’ like no brotha

Hades cheated on Minthe when they were official.

Persephone is not the only victim in LO and the creator made her a mary sue

Persephone doesn’t have a personality, she used to have one but it was thrown out the window.

Persephone was drawn as a toddler in many panels, yes short women exist, i am one myself, yet her features were also made childlike.

The story tells you that Persephone is this and that instead of showing it, for example, Aphrodite is beauty herself. Yet everyone compares her to Persephone and says she’s better

Persephone uses her status to Threaten others for no reason.

Hera is rude and mean just like minthe but gets praised because Zeus is a cheater and you’re supposed to like Hera and not Minthe although their personality wise the same

Persephone killed innocent people and the story wants you to forgive her because she is the main character. ( Demeter was shown to support Persephone but they still made het the bad guy)

The story Justifies things that shouldn’t be justified. Like grooming, emotional abuse, toxicity, cheating ect

Persephone expects to be an exception for everything because Hades gives in and gives her special treatment.

Those are a few reasons. Also i hate that they made apollo a bad guy because they needed a villain. Hate LO I personally think it’s garbage. Just the story. RS’ art was unique and you could see her passion in it. I mean things like background and color popping. Not characters, because they are almost the same

[raven-at-the-writing-desk]

Hey Raven, hope your doing well. I was rewatching book 5 and something struck me. Crowly stills does his thing to get yuu/mc to host the NRC tribe at Ramshackle. But compare to previous chapters hes seems a little nicer, i guess? He offering renovations and upgrades ( a positive), instead of just threatening to cut yuu's food budget or something (a negative).

Where im going with this is, do you think Crowley may have felt a tiny tinge for his (in) action in book 4? Or atleast, realized he actually screwed up. He did give Yuu in case of an emergency.... and promptly ignored it (or just turned it off) when he went on break. He likely had to have heard what happened over the break...an likely saw his missed calls and put 2 and 2 together. Sure he may not feel bad enough to apologize (at least openly), but he does seem to make himself scarce early in b5. That could just be him being, well, the headmage. Maybe he's just not sure how to deal with MC or how they'd react to seeing him? So instead of threatening Yuu, he offers them something instead? Idk, maybe im reaching. Crowley relationship with Yuu is complicated. I do like to believe he has some empathy or regret (or maybe he just has more respect for yuu by b5?) After everything up to that point

Like i said, i may be reaching here. Wanted to get your input. Sorry for the long ask. Have a good one :)

In many fandom depictions of Crowley, he often serves as Yuu's guardian who is incompetent but well-meaning. I'm also guilty of doing this, Crowley is considered my OC's father figure (even if my OC isn't a Yuu). That's how we choose to engage with the characters and the world that we love! However, I don't believe that Crowley has that sort of tenderness for Yuu in canon, whether at the start or as their relationship develops over the course of the main story. Now, that's not to say that I think Crowley is cold or hateful towards Yuu. Far from it! He does care for them, but in the same way that a teacher might care about nurturing their students and preparing them for the world beyond graduation. Crowley demonstrates a similar attitude towards other NRC students, with one very clear example being in his Raven Jacket vignettes. In those stories, he likens his students to apple trees that he raises and nurtures, hoping that one day they might bear fruit. He does not particularly grant Yuu special treatment unless it's a scenario where he wants them to do a favor for him. (Though here I would also argue he does the same for other students when he wants them to resolve an issue in his place, which happens frequently in event stories; in Fairy Gala, he warns the boys they'll be held back if classes cannot proceed due to the wacky weather. In Ghost Marriage, Crowley shames the boys for not expressing interest in rescuing Idia, etc.)

I also want to set the record straight regarding how exactly Crowley gets Yuu to comply with his requests. Reviewing all avaliable books in the main story, Crowley rarely outright threatens Yuu if they refuse to help him:

Prologue — Crowley does not initially ask anything of Yuu, but he does provide them a temporary home and food until they can sort something out. During Yuu's stay, they are meant to do handiwork to earn their keep. However, Crowley tries to expel them after their involvement in breaking what is considered a precious chandelier. In this case, his anger is somewhat justified but it's still the one major example of Crowley leveraging something to force Yuu to act in a way that he desires. The thing is, it's revealed in chapter 19 that Crowley did not believe Yuu could acquire the magestone he asked for and was all set to finalize the expulsion papers. So really, he wasn't serious at all in giving Yuu a chance to redeem themselves and was going to expel Yuu anyway (until they happened to prove their "usefulness"). Whether this counts as an example of Crowley "threatening" Yuu, then, is up to individual interpretation.

Book 1 — Crowley makes no specific request to Yuu. He shows up late in the book and suggests to the frustrated Adeuce that they fight Riddle to claim his seat as dorm leader, but does not tell Yuu to do anything in this situation. Recall that it was Ace that marched up to Ramshackle's front door and demanded that he be allowed to stay overnight; Crowley had no part in that.

Book 2 — In 2-7, Crowley asks Yuu to investigate the strange string of accidents that has befallen the students set to play in the upcoming inter-dorm magift/spelldrive tournament. There is a part where Crowley says he "never promised to cover living expenses". You, as Yuu, have the option to ask him "Is that a threat...?" to which Crowley never properly responds. Interpret that how you wish. He then offers Grim and Yuu a chance to participate in said tournament if they succeed, seeing as they lacked the 7 players needed to form a team. Crowley even says he will find 5 other players to fill in their missing team seats for them.

Book 3 — Here in 3-6, Crowley never actually threatens to cut off food. Instead, he is trying to earn pity from Yuu by guilt tripping them and emphasizing that he, the headmaster, is so busy with his tasks (like finding Yuu a way home) and will provide them with the funds they need regardless because he is so very kind. He's trying to tug at their heartstrings by pointing out the things he selflessly does for them, so they feel obligated to do something for him in return. Once Yuu agrees to help, he lavishes them with praise and says it is "expected" of someone he personally chose.

But!! I want to add that in the Episode of Octavinelle manga, this same scene is depicted as Crowley threatening to cut their food budget. I'm not sure if this is just a different interpretation (since Yuuta seems to prepare more food than is usually implied in the game; this would explain why their food costs go up significantly) or if Crowley truly was also threatening to cut the budget in the game.

Book 4 — Crowley makes a reasonable request in 4-2; he asks Yuu and Grim to tend to the fire fairies over winter break since it's a task no one else will be present to handle. In exchange, he says he will give them a banquet of tasty foods (which is not an empty promise; in 4-39, the Ramshackle Ghosts tell Yuu and Grim that the headmaster has left them with a ton of food as thanks.

Book 5 — Crowley appears in 5-21 asking that Yuu allow the NRC Tribe to stay at Ramshackle for their month-long training camp. He explains that Vil and Rook are willing to give up their share of the prize money if Yuu agrees to these terms. It is then that Crowley adds that he will help with renovation too, most likely to sweeten the deal with his word.

Book 6 — Crowley does not ask anything of Yuu. He does, however, call in STYX in 6-2 because he becomes concerned about the threat that Grim poses after consuming multiple crystallized blots. After Grim is taken, Crowley instructs Yuu in 6-4 to wait until Grim has recovered and been evaluated by a third party to speak with him again.

Book 7 — Crowley makes no specific requests to Yuu.

You can see in almost all instances that Crowley uses a variety of tactics to get his students to do what he wants them to. He bribes, shames/guilts them, points out very real consequences if the problem at hand is not resolved, and, yes, occasionally makes what can be interpreted as a vague threat. Despite this, the fact remains that he was always nice, not just post-book 4 (in fact, Crowley was also nice during book 4). I don't see the circumstances as "anything before or during book 4 is him being negative and threatening to punish Yuu and anything after book 4 is him being kind and positive to Yuu". In most cases with Yuu, he is offering them something they would want. His go-to strategy isn't threats, it tends to be the promise of a reward.

I wouldn't tie any of Crowley's actions to feeling a sense of remorse or guilt on his own part. While it's true we don't really get to see inside of his head, from what we see of him... this man is utterly shameless. He's willing to resort to emotional manipulation to convince literal children to solve problems that he, the powerful mage and adult, should be dealing with. What's more, he praises himself for Yuu's competence and willingness to step up. That's him placing a lot of faith in his students, and I don't think he feels any guilt in doing this. Why else would he send them into dangerous situations over and over again? He must, to some extent, believe they can already handle themselves just fine, otherwise he's creating tons of legal liabilities for himself by purposefully throwing children of tons of affluent families into the line of fire. Besides, he's a highly skilled mage himself--if any true, TRUE danger were to befall them, surely he could save the day himself. My thought is that he has sort of a "tough love" approach where he tosses his students into the fires and sees how they get out of it in one piece, but it's just presented in a "devil-may-care" way because of his lackadaisical attitude.

Regarding book 4, I personally see Crowley giving his cell phone number as just a means to provide reassurance to Grim and Yuu, since they (especially Grim) are protesting about him seemingly leaving on vacation. It's an empty gesture so he can have his getaway without much of a fuss; I totally believe that Crowley did not ever intend to answer his phone. When he returns in book 5, he's already asking another favor of Yuu, so I get the sense he isn't really bothered by what happened. I would even say that Crowley still has several major appearances in book 5, not that he has made himself scarcer. He appears to ask the favor, appears again to evaluate their performance, and then a third time at the cultural festival to speak with the headmaster of RSA. Crowley gets plenty of screen time here, much more then in books 6 and 7. If he truly felt bad or actively wanted to avoid Yuu, he could easily just tell other students (ie Vil) or even school staff (ghosts, teachers, etc.) to relay the deal for him.

Again, I want to be clear: THIS IS NOT CROWLEY BASHING. The only thing I am expressing in this post is that while I do love this bird-brained goober and think he cares for his students, I don't believe it's done in the conventional sense you're thinking of. Crowley can be selfish and callous and throw his students into danger, and that's okay! Sometimes we want to love a useless man who's trying his best, even if his best is pretty lousy/j

Whew, that was a lot of brain dumping! I hope I properly responded to all your thoughts and that you found this read semi-entertaining~

[erriga]

i don't the have the willpower to write essays right now so here's just a simple numbered list of things/details I love about Mouthwashing

(SPOILERS)

The use of mouthwash itself as a multilayered symbol is so genius. Because not only is it a perfect represantation of a product for a manufactured need (calling back to how Listerine "invented" halitosis), which really works in tandem with the overall commentary, but it's also a perfect metaphor for Curly's inability to commit to anything other than his own sense of right and wrong. Too much sugar to be effective, so to speak.

I love how Anya is not particularily special in any way. She is just a person, just like eveyone else on the ship and the game treats it as an obvious thing. That that in itself is more than enough to justify her humanity and make (mostly but not only) Jimmy's treatment of her all the more reprehensible. This shouldn't be a high bar but still. Bonus points for her character model being just as exagerrated as everyone else's.

Speaking of Anya, multiple people have pointed out how her SA plotline fortunately avoids several trappings of how this topic is often depicted in media (objectification, treating the victim's suffering as "deep" and artistic in nature, torture porn-inness, reducing the character to their biological functions and trauma that comes with them, etc). I do wish we could get to see the situation from her perspective, but I also respect the creators' decision to focus on how she as a person is overlooked in the multilayered system of abuse that governs the ship. All in all I think they managed to avoid the issue of portraying a problem (in this case absive treatment of women but more in general, maginalized people) without recreating it, while also highlighting that the issue is deeply systemic and not just the result of one bad actor we have to punish and everything will be ok guys, fr.

The world building - it's specifically not a science fiction narrative (even though there is nothing wrong with sci-fi ofc). This situation could happen anywhere, but the outer space just hightens the sense of hopelessness (it's almost lovecraftian in a way now that I think about it). There's no discussion of space exploration, no shiny gagdets, no talk about some great government cospiracy, just a bunch of average people, working in terrible conditions for a company that is only ever so slightly exaggarated. I think that's one of the reasons why the narrative feels so human - it doesn't allow the player to get distracted by specifics, only ever alluding to them.

I find this one just kinda amusing but god WHY is the captain the only one allowed to do literally anything? The lack of agency it leaves all the other characters is just aaaaa. I mean, it reduces them to children who have to wait for an authority to enact any sort of change. Everything is controlled. Only one person can take responsibility. The hierarchy in this is insane.

if I think of anything more I'll update it but those are my main observations

[a-couple-of-notes]

OKAY what a finale, folks! Deliberately not reading everyone else's thoughts until later (although I did chat briefly with @kshaar -- thank you for enduring my walls of Discord text), but I'm beginning my processing by writing this out.

I have a few issues with how all of this played out, as I'm sure many of you do, but I mostly really liked this finale. I'm so, so aware that it's hard to stick a landing--especially in a fandom as theory-heavy as Marvel, with the dedication of the queer fanbase on top of it. I think it's commendable how much they executed well, and how deliberately they aligned it with their vision of the show, not the one that would make everyone happy (if there is such a thing).

To the stuff I liked: unpopular opinion, but I like the order of the episodes as it is--final big boss fight first, quiet intimate flashback as the finale. Or, at least, I see the vision--I'm still iffy on whether the pacing actually feels good, but that probably needs another rewatch. This show has always been about unpacking Agatha, peeling off her masks until we get to some kind of truth, ugly or beautiful or both. Of course the ending is the truest thing we've ever gotten out of Agatha--the real story of her son and his death.

I loved everything about Nicky, Rio, and Agatha in the flashback. It is so beautifully mundane. A mother's love. A natural death. Selfishness. Grief. Anger. It's gorgeous, and the version of the ballad we got felt so, so fitting.

Everything about Jen! That unbinding spell...whoo. Sasheer Zamata knocked it out of the goddamn park with her performance--the joy, the sorrow, the agony of relief. Man. Even if the rest of the finale flopped on its belly (which it didn't), that alone would have been worth the price of admission. (Also ALSO: Agatha hate-flirting with Jen over confession of horrible traumatic action that fucked up Jen's whole shit! The Jen/Agatha truthers win!)

Alice. Alice my beloved. Ali Ahn, you do so much with the little screen time you have and I applaud you for it. I'm very grateful their cap on her arc was "I could make my life mean something/you're a protection witch. You died protecting someone" and not "you get to see your mother again" because, as I pointed out in the tags of one of my previous posts, that's the real tragedy of Alice. Her life, her freedom, her potential.

To the things I'm mixed on: that final battle, man. I think they did an admirable job of focusing what could have been a generic Marvel magic-blast-y slugfest into distinct character beats, but there was a lot going on in that fight. And compared to previous Rio and Agatha interactions, their big climactic one felt a little...weightless. Those factors make it much less clear why Agatha and Rio are fighting--like, on an emotional level; I understand intellectually why--which means that what also feels unclear is...

...The not-a-sacrifice. I like 90% of this. I like that Billy is finally able to communicate with Agatha via mind powers, because he's started to accept how alike they are. I like that Nicky is once again Agatha's turning point. I even can get behind the sacrifice as the creators' intention--not what I would have preferred, but a solid narrative choice nonetheless. Still, I am super unclear what, exactly, Agatha is thinking when she turns around. Is she just remembering Nicky himself--how much Billy is like him and how ashamed she would be if she left? If so, it feels odd that Agatha's version of sacrifice is kissing Rio so honestly. Later, we learn that Agatha was taking a risk to become a ghost. So when Billy asks how Nicky died, is Agatha remembering how Rio gave him time--the kiss as a fucked-up version of recognition, the risk being Agatha relying on Death's special treatment once again? That would be a better end to Agatha and Rio's arc, but there's no expository line, no echoing "I can only offer time." And Agatha and Rio. DON'T. TALK. IN PRESENT-DAY EPISODE 9.

This is my main gripe. I am aware I am griping with Megalopolis and FFC, not the show or its creators. But goddamn if more Aubrey Plaza would have fixed almost everything in that finale--and I mean this in a narrative sense, not just because I love Aubrey Plaza. It would have clarified where Agatha is ending re: her relationship with Rio (and Nicky), and it would have bookended the first episode so well (the three-player drama returns!) I am actually irritated about this.

Ghost Agatha looks so goofy. Like, I understand the vision here--the parallels to her mother, and of course Agatha would find a way to piss off Rio in her own domain. It's iconic. Still. There's something about Ghost!Agatha that's so much harder to buy into on a gut level, a kind of emotional distance created in such an emotional, tactile show.

Billy. Oh, Billy. I like your arc. I like its execution, while heaving a grudging sigh of "yeah, that makes sense for this story but I'm still kind of disappointed" re: the creation of the Witches' Road. I love the idea that Billy's ultimate arc was to accept the darkness in himself, and all the things he's capable of. But I really, really wish Agatha had had one more conversation with...not you. (Agatha naturally falls into a mentor-type role for Billy, which isn't necessarily bad or not part of her arc, but does at least lead to me feeling like we don't get an endpoint for Agatha in present day that's entirely her own.)

And I suppose that's the crux of my mixed feelings: the show began with Agatha asking who she was, before Billy even came into the picture. The viewers get to see a glimpse into Agatha's real self in the Ep. 9 flashback. But at the end of episode 9, Agatha is still running from it. She's barely touched her own grief (yes, yes, insert joke about Rio here), and we don't see her making that choice. I emphasize that because I am not categorically opposed to Agatha not completing her grief arc; god knows 9 episodes would have struggled to do that. I'm fine that they left some threads hanging. It's just that something in between Agatha (not-)sacrificing and Agatha coming back as affably-evil Casper is missing, and it feels like a gaping omission.

Other notes: Billy dramatically charging up the hex to create a memorial was great--another way the finale lets us into the beauty of the mundane. It's not to bring everyone back, or go down the Road again. But it's important, this act of remembering.

Though I'm disappointed we didn't get found family coven true, I'm at peace with how that thread wound up. This was a show about Agatha; the coven as individuals act as foils and reflections of her. They break and succeed in similar ways as Agatha. And they were a coven--a messed-up, broken coven who tried their best. It wasn't enough to save them, but it was enough for them to grow closer to the people they wanted to be. Agatha using something from every witch in her coven--Alice's protection spell, Lilia's divination, Jen's healing--in the fight was truly poignant, and tells me she'll remember them and carry them forward. (Also, the contrast against the flashback! "I cannot heal, I cannot protect you from what's coming, and I cannot divine when she'll come for you." Agatha needed them to be her coven! And they were. And they were.)

Final thoughts: (This is a misnomer; I'm still digesting.) Agatha All Along became a more complex, difficult show than I thought it would be pre-Episode 5. Occasionally this meant it disappointed me, had places where its budget, scheduling, Marvel-ness, and decisions regarding exposition struggled to connect things, but overall, it's a damn good show. And I would rather see a funny, challenging, ambitious show made with love for the craft than a safe, big-budget, chopped-up Marvel movie in a blender. And hey, it was super gay! (Please don't come near me with the "Bury Your Gays" stuff. Please. It's not that, I promise you.)

[yourlocalgrass]

Listen. Listen. Hear me out ok.

I LOVEEE Thirteen, Mephisto and Raphael ok, I would die to date any of them.

But the thought of them becoming dateable, as much as I want to date them… not so much, honestly… gives me constant anxiety, like… big time.

I mean the devs couldn’t even handle the SEVEN main love interests in S1 or S2. I mean cmon who doesn’t know how Asmo and Beel were the devs obvious least favourite. There are times where all the brothers get a kiss except Beel or Asmo.

And then when 4 more characters entered the intimacy system, they handled them really good actually, amazing even. S3 was great imo, for the new dateables that was. But again, half of the brothers were forgotten to be love interests. But, they did do the new dateables good.

But then, by S4 they all literally reverted back to being side characters again and not dateables from what I could see.

Diavolo seemed the exact same as he was in S1 and S2 except maybe in one romantic scene with him. Solomon was only playing the role of a teacher and almost nothing more. If you played S4 without S3 context, you wouldn’t have even guessed that they were a dateable. Same goes for Simeon (even though almost the entirety of S4 was centred around him) Barbatos just became a more romantic dateable so, we did get one kiss by the end but… felt really rushed.

And don’t forget before we had the spotlight events how bad, cliche and repetitive the events were? Because we had to make sure we kissed all of them (except luke ofc) so an entire event chapter was dedicated to making sure we spend time and kiss all of them. And then even then there were characters who weren’t kissed or got fair time and treatment.

Finally, in Nightbringer, during S1 Solomon had a lot of spotlight for once and some Diavolo, while Simeon didn’t even exist. When it came to S2, we got Simeon spotlight but Solomon and Diavolo just went -poof- and vanished just like that.

Don’t forget that every near to end of a season, we kiss all the dateables right? And for some very weird reason, we kissed every character, but you know who we didn’t? Diavolo. And what’s even more weird is that, there was no reason not to because we’ve already kissed him previously, and the scene was in perfect timing for an MC option to kiss him, we talked to him, but just didn’t… kiss him? It’s just so… confusing.

Oh right, don’t forget how the brothers went through their special arc or whatever you’d like to name it, with MC who’s helped the brothers through and through of course, so we get to kiss them each at the end, except you know which brothers didn’t? Asmo and Beel. That’s right. Even in Nightbringer the devs never changed. Well, actually, they got even worse. You know who else didn’t get a kiss? Belphie, who we know isn’t the fandoms favourite brother, so of course… no kiss either… that’s now another brother who the devs are starting leaving to the side.

So, the entire game is a current mess and if Solmare couldn’t handle 7 love interests properly, and added 4 to the mix, which upturned everything into chaos, adding another 3 into the dateables section… is it reeaaalllllyyy a good idea? I mean to let the devs handle them…

Again it’s not like I don’t want them to be dateable but just like… how are they going to handle it? You know… considering they actually can’t handle it?

There will have to be more romance in the story, or people would complain, they’d have to fit 15 characters in, and they can’t make the lessons short, which they already do, there’s a chance we’ll get to kiss some while others won’t even get screen time, Thirteen, Raphael, and Mephisto can’t be set to the side during events either otherwise there would be complaints, and there’s no way writers won’t get tired of writing Devilgrams for 15 characters so other characters will be bad, while others who always get the top will have a decent Devilgram story. I bet the writing for almost everything will go into mess…

And that’s my only problem cus I love them and I do want them to become dateable but I also want the game content to be good even though it’s… not… really. Ok ngl it’s already a mess. And that’s just something I feel very anxious about when thinking what’s gonna happen when there are more dateables…

[trekmupf]

"We're all mad here" 🐇👸🔫🐯

Pro

The famous massage intro

Sulu and McCoy taking a lovely little walk together

Sulu is such a botany nerd; I love these small character moments

McCoy thinking he's loosing his last marbles

Spock literally thinking that humans go on shore leave to run up and down meadows like dogs

The way Kirk smiles when he thinks Bones is pranking him is lovely

Kirk's facial journey when he realizes McCoy and Spock played him

The first time Kirk calls McCoy Bones

The way the running is filmed and the way they run – and boy do they run in this episode

Sulu, gun enthusiast

The easy friendship between Kirk and McCoy- the way they joke and laugh with each other is so beautiful

McCoy is so beautiful in this episode, I could screenshot every second. He smiles so much and is so at ease, I mean

Continuing what we know from E3 Kirk wasn't the super cool Bro at the academy but actually the bookworm people bullied

Kirk saying that Ruth hasn't aged a day since they last were together ages ago, and the actress being the same age as Shatner when we see her... canon Kirk being into older woman okay.

McCoy rolled a natural 20 on charisma

me @ yeoman Borrows being super into McCoy's flirting: same girl same

Also I actually like that for once McCoy is the one having a little romance and getting to flirt / be desired, which is rare (because he's older and not the leading man; Tumblr, of course, disagrees)

every time the tiger is on screen I remember that Shatner literally wanted to fight it and it makes me laugh

fake character death trope! (also Bones is a beautiful corpse)

Spock like no offence lady, I'm to gay for this, Spock out

“Did you have fun guys?” “Yes we did Mr Spock” wink emoji implied, like you guys know it sounds like you had group sex right

the setting and scenery is beautiful and a nice change

the score underlines the whimsy and lightness of the episode

the premise is so silly but works well. I miss episodes like this on modern TV, just some downtime with no large scale danger, war or plot, just silly crew shenanigans that gives us more time to spend with our guys

sometimes Sci-fi has great special effects, and sometimes they just hold an antenna really close to the camera and call it a day and I love that

I'm Yeoman Borrows; Look at him being all happy

Con

McCoy's death has no lasting impact on anyone, it's just a short time plot device and then gets shelved for more adventure / silly time; Even though he does come back, I wish it wouldn't have been so trivialized here

weird wind chime sound effects of the planet

Finnegan as a character is super obnoxious and too over the top (which is saying something in the episode with Alice in wonderland)

especially the second confrontation takes ages, especially as we now have more pressing matters in the narrative

treatment of yeoman Borrows (We already know weird things are going on based on what McCoy saw, yet Kirk doesn't believe her and shows zero empathy towards her distress), also her main purpose is damsel in distress

Kirk is a bit slow to unravel the mystery and almost stupid at times? It might be excused by him using the opportunity to let go of his responsibility and being with Angela / letting out his anger with Finnegan

the amount of references and jumping between visions is too jumbled and all over the place, which is why the pacing is off. some bits are so short, they'd better be cut (Rodriguez side adventure) and some just go on (Finnegan)

Counter: Shirt rip Kirk

Quote: "You've got your problems, I've got mine. But he's got ours, plus his, plus 430 other people" - McCoy about Kirk Moment: Opening Scene, where Kirk thinks Spock is massaging him and being super uncomfortable when its a female crew member

Summary: Silly and light episode with no deeper meaning but some great character moments, funny scenes and further development of the interpersonal relationships

In another universe this is a classical painting

Previous Episode - Next Episode - All TOS Reviews

[mdhwrites]

Do you think Boscha was treated unfairly in the context of the show? I know you've said before what you would have wanted her characterization to be, but what do you think of her character as we have it in TOH - and do you think fan and narrative treatment lines up with this?

I'm going to ignore the fan element. Fandom is going to fandom after all. However, I can easily say where her narrative treatment went wrong in the show!

She should not have been in S3.

This is always a fun topic to me essentially because I am pro-Boscha. You ask me what her character is, the potential of it, etc. like that and I can give you reams of thoughts. However, I also said, before S2 came out and I was working on a fanfic where Boscha was quickly becoming the main character, that I didn't think Boscha should show up again. The reason is pretty simple too. TOH already had a lot of threads to pull and Boscha's narrative use was over. Honestly, Hexside was essentially was used up by then.

Boscha is a minor supporting character to the main character's love interest. Not a major supporting character, a minor one. Amity's family is MUCH more important to her character than her one bitchy friend. The only use Boscha had narratively was to both contrast how Amity was changing and to also allow Amity an antagonist to overcome as she made her way to being on the side of good. Her being a one note bully is perfect for that and exactly how she should have been written. Winging it Like Witches capitalizes on this and fulfills both of her purposes and Amity cuts Boscha out of her life so... Why are we still seeing her? She is no longer even a supporting cast member to the love interest, she is just a floating character in the background.

And in S2, we get a fine answer for that. She's essentially one of the townsfolk of Wartwood in Amphibia. Someone who can show up for a quick gag but doesn't take up too much time. We're not trying to progress her character, we're just taking advantage of the fact that she's not gone. She's a gag but it's genuinely rooted in her character unlike the one joke that King or Hooty have that we're just supposed to mock. This worked. Period.

Then S3 tries to give her an arc. Why? Well... Because it doesn't want to be a kid's show. Kid's shows after all, like Amphibia, have characters who don't have some deep backstory or brooding complexity, they're just... Fun. They're nice. They aren't complicated. Boscha, WAY too late, was made to be complicated during a shortened season so the show could claim it had one more redemption? So it could claim its shallow bully character wasn't shallow? And she takes up a good amount of time in this episode for this when you have THREE SPECIALS. The stress of the world ending isn't enough to cause Willow to lose control, she needs one more push from Boscha. We finally have to acknowledge that what Amity did was a complete dick move to her best friend and then not actually acknowledge it because Amity gets to just be morally superior instead of a decent human being to this girl having a mental breakdown. It's awkward, clunky and does NO favors to Boscha besides just kind of making her look pathetic, which is a pretty common trick in TOH for trying to redeem someone. Boscha isn't so bad because she's actually a loser and not as bad as someone else in her nearby vicinity.

Why? Why do this? Why do this TWO SEASONS after Boscha was no longer narratively useful? It is just pointless to your overall story so it should have been cut. THAT is Boscha's biggest problem in the show and if anyone told me they couldn't forgive her for adding filler to S3, I couldn't tell them they're wrong.

I love Boscha. That means I know when to let her go, something the show should have learned if they actually cared about her. See you next tale.

======+++++======

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[ser3nityst4r]

Vil’s Backstory

The scent of lavender and chamomile hung in the air, a sharp contrast to the bitter taste of disappointment that settled in Vil's throat. He slumped against the worn velvet curtains, the stage lights casting long shadows on his face. He had done it again. Another audition, another villain role. Vil, the boy who dreamt of standing under the spotlight for longer than anyone else, was perpetually confined to the shadows.

His father, a man of gentle wisdom and calm demeanor, had always reassured him. "Vil," he'd said, "a villain is a special role that requires a particular kind of brilliance. It takes a certain je ne sais quoi to embody the darkness." But even his father's words couldn't assuage the sting of rejection.

Vil had dedicated his entire life to perfection - a perfection that was defined by beauty. From the tender age of five, he had endured grueling training regimens, enduring painful treatments to achieve the ideal appearance. He had sacrificed his childhood, his carefree days spent honing his skills, chasing the illusion of a flawless visage.

But despite his relentless efforts, he was always relegated to the antagonists. He had been a bullying prince, a jealous witch, a manipulative mastermind. Each time, he had poured his heart and soul into his performance, capturing the essence of the villain with such chilling realism that even children on the streets recognized him.

"Look over there! That guy was the bully in the drama I watched yesterday!" a young boy had pointed at him, fear in his wide eyes. Another child had shouted, "He must have a really bad personality if he can make it look that convincing!"

There was a strange irony in it all. Vil, the boy who yearned for acceptance, was perceived only in the distorted lens of his villainous portrayals. He was admired for his ability to convey darkness, his chilling demeanor, but never for himself, for the vulnerable heart that beat beneath the perfectly sculpted exterior.

One day, after another grueling audition, Vil found himself the target of a group of children who had mistaken him for the villain he had played in a recent movie. "He doesn’t look pretty strong," one whispered, "Let’s get revenge for the hero!" Just as the group began to advance, a boy with wild, unruly hair burst through the crowd.

"HEEEEYYY!!! Stop ganging up on one kid, you idiots!!!" The boy, Jack, stood in front of Vil, his stance unwavering despite being outnumbered. The children scattered, leaving Vil and Jack alone.

"You recently moved in around here, right? Are you okay?" Jack asked, his voice trembling slightly.

"I am quite skilled in boxing and fencing," Vil responded, a hint of a smile playing on his lips. "I could have made it home safely even without your help."

"I-is that so? Sorry for doing something so unnecessary," Jack stammered, his face flushed.

"It’s nothing to apologize for. Thank you," Vil said, his gaze softening for the first time that day. "I find it hard to believe that those children couldn’t separate fiction from reality… They must be quite daft."

"I don’t really watch TV a lot, so I don’t understand what they’re going on about…" Jack confessed. "But doesn’t this mean that your acting was super realistic?"

"Maybe so," Vil chuckled, a glint of mischief in his eyes. "I promise to play the main character’s role next time. I’ll make them cry their hearts out."

As he walked away, Vil couldn't shake the unsettling feeling that his pursuit of perfection had somehow led him astray. He had become a prisoner of his own creation, trapped in a cycle of playing villains, his dreams of being a protagonist fading further with each passing day.

He wished he could escape the shadows, to step into the light, to be seen for who he truly was, not just the reflection of his dramatic roles. But as the weight of his ambition pressed down on him, he couldn't help but wonder: Was the hero's journey truly meant for him? Or was he destined to be forever the villain, the one who watched the happy endings from the sidelines?

[stickyricewithmangosauce]

idk if i sound pessimistic when i say this but there are also lots of charcters in naruto that have no purpose right 😭 the many female charcters of kishimoto who had a lot of potential but who cares right it's your typical shounen shitshow. i get mad whenever i think of kurenai or anko like yeah we get it kishi you don't want women unless its for fanservice

I don't think it's pessimistic at all, just realistic. I mean, Ibiki? In theory he should have such an important role in Konoha, but he's unimportant after the Chunin exam. Or the entire ninja population in war? Why raise an army and create big scenes with it when Jesus Naruto saves everyone's ass?

And the women in Naruto… If you want to piss me off in less than five words, all you have to do is remind me of the treatment of female characters in Naruto and Shounen in general. I hate the excuse But Shounen is for boys, they don't need female characters! Even if Shounen was only for boys, that doesn't mean you should throw out all female characters except, as you said, for fan service. God forbid, if boys learn early on that women can be just as complex as men. A nightmare!

Kurenai's genjutsu should basically be on par with Itachi's(as was stated before in Naruto OG)! And instead of a cool fight, she gets that one scene with Itachi and then becomes a mother. She's just as much a Jonin as Asuma or Kakashi or Gai and each of them had fantastic moments, but Kurenai. She's the mother of Asuma's child, that's her biggest role. Especially in the middle/end of Shippuden it would have been so cool to see Genjutsu, which comes up right away with the Sharingan. Just to make the Uchiha not completly almitghy, because why even bother if your fate is decided by birth(oh hi neji...)?

Or Anko, who was cast out as Orochimaru's student, but just keeps doing her shit. Who brings grown men to tears as an afternoon hobby. And now imagine an Ino, who specializes in mind technique, is trained by someone as ruthless like Anko.

Or a Hinata who isn't particularly good at fighting, but understands politics and all the more important politicians because of her background. A Hinata who is always underestimated, but perfekt as a diplomat of Konoha and always gets the best deal. Who, together with Neji, overthrows the Hyuuga system before the main branch even notices it.

A Tsunade who is supposed to be just as strong as Jiraiya and Orochimaru, as has been mentioned several times, but crouches on the ground in despair when Pain attacks the village? How about a Tsunade who fought in the second Shinobi war, who turned the entire war against Suna in her favor just through her intellect. Who is seen as having experience in battle and in her decisions as Hokage.

Or Sakura, who is supposed to be the best Konoichi of her year and the second smartest person of the Konoha 12. Right after Shikamaru. No joke, according to canon she is smarter than Sasuke, Neji, Shino, Ino. She is said to have an IQ of 174. So, in our world, she has a higher IQ than Stephen Hawking and is estimated to be on a similar level to Albert Einstein. She could have been an inventor like Tobirama Senju, but instead her entire character is designed to look after the boys and men in the series. Like almost all other female characters in Naruto, Sakura's entire world revolves around the male characters in her life and how she can somehow be like them.

I love Naruto, but as a woman I find it's getting harder and harder to ignore. Naruto in general has the problem of caring too much about Naruto and Sasuke and ignoring everything else, it's just that it's most evident in the female characters.

As much as I like Naruto, as woman it tends to get frustrating to watch when you have all that potential in front of you, but it is just not getting used.

[bigbrotherben]

Edge of Sleep thoughts, spoilers ahead

Written while actively watching

There is a lot to be said about visuals in the show, it takes almost an analog method with a lot of the world building and dream parts

There are also a bunch of changes from this and the original, such as the veteran being cut

The symbology from the original is very much there, stronger because of the ability to make small visual references

I love that they atmospherically use older technologies and music, adding to the atmosphere quite well

The soundtrack is very strong, and uses some recognizable tracks aside from the older songs used for vibes

There are a lot of minor adjustments and pacing changes, but it seems to be telling the same story overall

The Condition is, I mean distinctly supernatural, and I do have some mild problems with how it falls into the "Mental illness is black magic" stuff, obviously not as bad as shit like Split, but still not good™

Mateo is my guy just like the original, realest man alive

The special effects could use a little bit, but are pretty great for as indie of a production as this is

The addition of the old woman with cancer makes an interesting additional survivor, and depending on how they play a later scene is going to make things hit hard

Dave's inability to communicate certain things is fascinating

Doctor Castaneda is a fantastic character I love him deeply he's not changed since 1973 and I hope he never does

The show seems to be avoiding a lot of the tribal fetishism the show fell into

POOR BABY DAVE WHAT THE FUCK NOT THE DOCTOR

this version puts more of the blame on Dave and his decision to try "protecting" Katie from what he saw ending the relationship, which I do like

Modapholist feels like less of a deus ex machina, and more like a natural effect of the slightly different medical technologies of this world

They skipped the easy Inception joke, which is good evidence of how the mechanics of the show don't fall into the trap of MCU-ing away the tone of the story as so many modern horror productions do

It feels more like a total restructuring then just a port of the show to a new medium, to its credit

This is paced more like a long movie then a television show

Fuck amazon for definitely trying to drown this, I hope it reaches number one

Subtle references to the plot of the original show, like the cutting off testes comment in the dream

The performance from Mark is really intricately emotional, heart wrenching at times

The thirst scene from the original is so well translated

The situation feels actually more hopeless without a human antagonist early on to hate, same is true with the Zombies being removed, having so much more of an intangible threat makes things feel more inevitable

I was always a little unsatisfied with how things ended with the original show, curious to see what changes

Mateo's self doubt in flying feels very real and tracks well with himself overall

Losing Katie hit, the emotions on that felt very raw, especially with cutting the theme music the episode after

I don't think I really communicated the epicness of a lot of the shots, not necessarily anything daring, but absolutely great

The tensions don't ease with landing on the island, and that's good, feels like more of a struggle overall

Dave's previous experience not giving him any edge, but giving him experience feels right

There being other survivors feels good, allowing the world to have some grander chance of recovering almost

Dave feels so real in being pissed at the situation still not being over, Dave just generally Feels real

Linda is incredible too, our main cast is all so powerfully human

OH FUCK THE ZOMBIES ARE A THING

With Amazon's treatment of the show I doubt that we're going to get more, and I don't know if I want there to be more, in the modern sequel culture we're really not getting a good old fashioned "The End...?" Like a lot of classic horror had

[theintrovertbean]

I bet you can't tell which one of them is my favorite (sarcastic)

I'll make another post later about Nadia because I love her so much I might need therapy 😭

I'm participating in brainrot's Vesuvia Weekly prompts and I'd like to encourage eveyone to join ^.^

Also, brainrot has a Discord server now, so if you're interested in getting to know others from the fandom and bond over our beloved character, I kindly recommend that you join. It's a safe place for every simp 💜

The Arcana Main 6 x Dara relationship dynamics

Asra: There is some romantic potential between the two, but it's not very much. They were childhood friends and are still very close. Because of that, people often mistake them for lovers. When I say they are close, I really mean it. Asra has no problem hopping into Dara's bed for some cuddles and he's one of the very few people who are allowed to touch them. They pretty much go everywhere together and even though they have separate beds in the shop, they often end up sharing. He's invited to every family gathering and special occasion. Dara can be a little oblivious when it comes to how others feel about them (coughs coughs Nadia coughs choughs), but Asra, being the cheeky person that he is, doesn't shy away from letting them know that a certain Countess might be in love with them. Asra was the first person Dara kissed, btw.

Nadia: Oh I could talk about these two all day. True love. That's it, true love. They met during the plague and quickly fell in love with each other. However, they didn't confess their love until after Nadia woke up from her coma. Dara is introverted but warm and patient, which is something that can be said about Nadia as well. Their relationship is as comfortable as it is passionate, filled with affection and care. They're both givers, which means they spoil each other 24/7 with gifts and all forms of affection. Neither of them trusts easily, but since they're both patient and kind, opening up was not a big issue (except that one incident but that's gonna be explained in Wounds of Magic, Scars of Love.) Nadia is Dara's favorite person in the entire world and they're giving her the special treatment. They seem like an open person, but there's still so much that they hide about themselves. Not from Nadia, tho. Nadia is the only person that Dara tells everything. They have some trauma, and so far, Nadia has been the only one they completely trusted with it. Whenever something happens, Dara's first thought is that they have to go and tell Nadia about it. No one is allowed to touch Dara without asking for first (except Asra and maybe a handful of other people), but Nadia is always an exception. Actually, Dara wishes she would touch them all the time. There is something about the Countess that makes Dara feel things that no one else ever has before. It's a relationship based on lots of love and mutual respect. When it's just them, everything feels so easy. They can be just Nadia and Dara with each other and I think that's beautiful. There's no pressure, no expectations. Just love. If there was a love story about a star and the moon, it would be about them. Hand in marriage when?

Julian: Dara can't really decide how they feel towards Julian. On the one hand, they'd party with him. On the other hand, they're giving him a bombastic side-eye. Julian is not bad and Dara is okay with hanging out with him once in a while, but they can't imagine getting any closer to him. However, sometimes they hang out at the Rowdy Raven and chat over some drinks and they worked together during the plague. When they share a common goal, they're willing to work together towards it.

Muriel: Sweet Muriel is a childhood friend of Dara. They drifted apart but later rekindled their friendship. Or more like, Muriel tolerates Dara more than he would with other people. Dara isn't someone who would force anyone, which is something that Muriel appreciates. However, Dara makes sure that Muriel never feels forgotten. Whenever Dara goes somewhere, they bring him back a little gift or occasionally show up at his hut to say hi, bring some goodies, and pet Inanna. Whenever there's an occasion, Dara invites Muriel and sadly, he often says no, but Dara lets him know that they could hang out later. Just the two of them. They both like chickens. Dara sometimes asks if they could hug Muriel.

Portia: Besties. They bake together and gossip together. When Dara and Portia sit down, they simply can't resist spilling all the latest tea. You know what TikTok trend about whoever brings up xy has to pay first? Yeah, it's them. I swear to gayness, they're like two grandmas. They pet and feed stray cats. Maybe occasionally bring them back to the Palace until Nadia says it's enough. Portia is someone that Dara trusts and considers a true friend. Lots of inside jokes and uncontrollable laughter. They also think that she's cute.

Lucio: Another character with romantic potential. At first, Dara just wanted to punch him. Now they want to punch him and then make out with him and it really confuses them. They're still salty about the way Lucio treated Nadia, but they also understand that Lucio is in some serious need of a therapist. With that being said, Dara is someone that Lucio can talk to about his past. As soon as they begin to understand why Lucio is the way he is, their judgement and hatred for him starts to disappear. When Lucio had the plague, Dara did their best to ease his suffering. If he ever needs a shoulder to cry on or just someone who listens, Dara is always available. They want to get drunk with him.

[charthanry]

OS2xBBS: My Overall Thoughts

This is severely overdue, but I wanted to distance myself from these episodes to make sure that 1) regency bias didn’t seep through and 2) my thoughts don’t get clouded by the cute, swoony moments (all the kissing!) in an attempt to mask deeper plot and characterization issues, and 3) with some difficulty, I try to set aside how desperately I wanted OhmNanon’s reunion with PatPran to live up to the OG series.

So, to address the last item, for the most part OhmNanon’s chemistry was still alive and well, save for a few hiccups. This is a testament to two very experienced professionals. That said, my biggest gripe with these special episodes was the treatment of the Pat and Pran characters that has nothing to do with the actors.

It didn’t feel like a true crossover of two beloved series but instead felt like Pat and Pran’s presence were more like afterthoughts thrown into an ATOTS script. Pat and Pran were merely there to serve Phupha and Tian’s story and that is were I take great issue. In this case, Ohm and Nanon should not have been billed as main leads but rather supporting characters that have extended guest arcs in an ATOTS sequel.

Maybe setting plays a larger role here. I’ve asked myself if I would feel this way if Phupha and Tian got thrown into Pat and Pran’s university life instead. But I can’t imagine a storyline where the inverse of what we got makes sense since PatPran are the more established couple and PhuTian have no reason to leave PPD.

My wish was that instead of a crossover, P’Aof would have let BBS stand on its own even if it meant we got two fewer episodes out of it. While we did get glimpses of Pat and Pran’s life three-years into their relationship, it felt watered down because they weren’t in their own environment but a borrowed one. So, really, more like seeing them while on vacation than anything truly concrete. A lot of ‘what have Pat and Pran been up to and where are they in their relationship’ was left to viewer interpretation, which is all fine and well if what P’Aof had to say about the state of their relationship made any sense.

Fake fighting and cute hijinks aside (Ohm and Nanon can sell these type of scenes in their sleep); what I’m after is the meatier stuff like the end of EP4, the entirety of EP5, EP10, EP11 and EP12. Where is the Pran that got choked up when Pat revealed he ran after him with his guitar; who gripped his hand when Pat volunteered to fake break up to win back Pran’s friends and wordlessly said I’m here to stay. Where is the “but I care about you more” Pran? 

And where is the Pat who communicated so openly with his man? Who served as a walking advertisement of what it means to be a soaring green flag to all those who came before and after him? Why was he reduced to an amalgamation of Harry and Lloyd from Dumb and Dumber? Make it make sense, P’Aof. Pat never, ever, not once, came off as a dumb himbo in the OG series, so why was he reduced to that here?

The script could have been so much better, tighter, just more substantial. And we can't even say that P'Aof didn't have the space to include a meaningful story for them; I call bullshit on this notion. There's so much story that you can tell in a single hour. We've seen him do it with the BBS pilot.

It felt like so very little thought went into the BBS side of the story. Does P’Aof not know how to write established relationships in a compelling way? I know this can't be true because he gave us EP12, but why did it feel like he phoned it in with these bonus episodes? It’s like P’Aof knew he had both boys for a limited time and just threw the entire kitchen sink at them and anything that stuck made it into the final cut. Like, he relied heavily on the actors to bring it home for him. And that really wasn't fair to Ohm or Nanon who really did the best they could with what they were given.

I mean, even if he wanted to show the (realistic) cracks in their relationship, there were so many better ways to show this than have Pran essentially running away, avoiding Pat (basically regressing to who he was pre-relationship) and then treating Pat like a bumbling Barney Fife for following him? There was no fire in either of them to fight for or with one another. They were shown to have grown complacent (and dare I say taking each other for granted?) which is so at odds with what we got in the OG series that I was confused at what I was watching onscreen. It did not feel like a continuation of EP11 leading to EP12, in fact it felt very disconnected from their origin story.

Pat Jindapat. What they did to my guy was a travesty. They took away all his depth and cast him in the role of a bumbling idiot. Don't get me wrong, OG Pat had his comedic moments but I felt like OS2 veered so far into the extreme of 'lets bring the funny' that it fell completely flat. It was NOT funny. It was disappointing and sad to see one of my favorite characters reduced to this cartoon version.

More than senselessly reducing Pat to cannon fodder to merely serve as comic relief, I'm upset that Pran's growth from the series was essentially negated to where he became, in some ways, unrecognizable. More than once, it felt like Pran was just tolerating Pat's presence rather than basking or gravitating towards it. Again, so inconsistent for a guy who longed for his man for literal YEARS.

Gone are the days of "I'm done adapting" or adoringly staring at the space Pat used to occupy with heart eyes. I just don't get how we went from that Pran to this Pran to the Pran who readily committed his life to Pat in EP12. This in-between Pran is a stranger to me.

Final words: I'm both grateful that we got extra scenes with our boys but at the same time wish P'Aof had left them untainted.

[ooops-i-arted]

I am so tired of Ahsoka!

She wasn't needed and now she is literally everywhere. I go on on any social media and serach for Prequel Trilogy stuff and I can't go 1 minute without seeing something about her, when she wasn't even in the films. I honestly am so mad that I wasn't part of the fandom before Ahsoka was created because she kinda becomes "the most important person for Anakin (fuck you Obi-Wan and Padme)".

It's a bit sad since she could have been a cool character. Just make her master someone else and don't make her the most special and powerful Jedi. And if they wanted to make her a padawan of a "special" master than maybe introduce a new Jedi who idk maybe left the Jedi Order long ago and now they return because of the Clone Wars. This would mean that: a) Ahsoka still has a "special" master b) because she is trained by a master who only recently returned to the order she has training different than any other padawan c)due to her master she has controversial opinions on some Jedi customs. This could be a good point of conflict for her character (do I listen to my master or the Order) and also doesn't make unnecessary changes in the story of film characters (Anakin, Padme, Obi-Wan and others).

Honestly, I think that when you do a serial for a beloved film you should ensure that the characters you fit with what the films tell us. The Jedi Council didn't want to make Anakin a master, so why would they give him a padawan. As ignorant as they could sometimes be, I think that connecting "Anakin is not mature enough to be master" with "Anakin is not mature enough to have a padawan". It's really something I think they would notice.

I 👏 HAVE 👏 BEEN 👏 SAYING 👏 THIS 👏 FOR 👏 YEARS 👏

She is COMPLETELY unnecessary to Anakin's story and always was. Every story beat she supposedly fulfills is already fulfilled by another character. I kinda wonder if it was an attempt at whitewashing Anakin's character (Lucas was involved in TCW and apparently wanting Anakin to be more appealing from what I heard, and this was back when the prequels and Hayden were NOT as loved as they were now because my generation wasn't as huge a fandom voice as the old OT-loving guard) and making him more appealing but no. Anakin is a human garbage can and that's what makes him such a compelling and interesting character!!!

I honestly would probably be a huge Ahsoka stan if TCW was envisioned as its own thing and focused on her as a character on her own instead of making her Anakin's Most Specialest Beloved Padawan Who Is Best At Everything (She Can Even Fight Grievous omg!!!). Back then we were so starved for female characters, we had Leia and some Padme mainstream but that was it (you only knew about Mara Jade in Legends and she wasn't in the mainstream merch or anything from what I recall), and much as I love a good dies-of-sadness joke, Padme is often simplified to that and shoved aside even though she's a really cool and complicated character in her own right. I will give Ahsoka credit for blazing the way for female characters to be more included in Star Wars, but it falls flat when she's just propped up as Coolest Wisest Bestest Jedi-but-not-a-Jedi-actually-she's-better-than-the-Order Girlboss. Now we're back to Only One Female Character Above All Others. (Rey and Rose were ruined with bad writing, Hera and Sabine are wonderful but definitely not mainstream (and probably being butchered in the show), Gina Carano ruined our chances of any more Cara content, Peli was just a cameo last season, and Bo-Karen also got the Always Right Beloved TCW Girlboss Treatment.)

Imo the Council was pretty much always on the money with Anakin (at least with what they knew of him - they didn't know of the Tusken murder spree for example) and there's no way Anakin was ever ready for a Padawan or that anyone in their right mind would give him one. In MY episode III fanfiction when Favored Main Character Got A Padawan, Obi-Wan got the Padawan because he had more experience teaching, even at 12 I knew Anakin had no business teaching anyone. Also, it was NEVER previously canon that Padawans were assigned. Masters chose them as in the Jedi Apprentice series. I will NEVER let that go. Ahsoka being assigned to Anakin was so contrived.