#I just want her to heal and be actual person with agency

[futuretrain]

very good post, thank you. i love the idea of fuyumi, but her execution is very shallow and isolated, if it makes sense? and not in the way that the childhoods of todoroki kids were isolating, but in terms of storytelling. all of the todoroki siblings are like that, including shouto, because each of them and their experience and trauma get evaluated separately, and then they simply have to come together to stop touya. they talk for a bit, sure (like the very and i mean *very* brief discussion that shouto and fuyumi got to have after the family dinner in the endeavor agency arc), but we don't get to see them have much in way of interaction together without endeavor being just. there and dominating the panel space and sucking up all the oxygen in the room.

it's disheartening, because it leaves so much unaddressed. each of the siblings circle their recovery/processing around endeavor, when, considering how the subplot of the todoroki family started, it should have been about the siblings, together. shouto said "i forgot all about you", and that helped him self-realize for a moment as a whole person, not one part of a quirk and one part of legacy expectation.

and yet endeavor's presence entirely dominates the subplot thereon and to the very end of the story. the todoroki kids become extensions to endeavor's character and tools to prop him up as needed, and fuyumi, especially, i feel gets it terrible. she gets to say once that she feels a lot of the same as natsuo, yet she never gets to actually express it - it's just a throwaway line. what she is written to do (and what is never explored in relation to shouto himself or his relationship with fuyumi or fuyumi's mental state and thought process) is create convenient opportunities for endeavor to engage with shouto in a non-professional atmosphere. it's fuyumi who gets used to organize the family (and interns/friends) dinner during endeavor agency, so endeavor doesn't have to force his son who's just declared that he won't behave to him like his son during the internship to endure his presence in a personal setting, because that would make endeavor look like even more of a selfish insincere dick. it's fuyumi who gives endeavor shouto's phone number so endeavor can blow his phone up with messages during school hours(!!!), so endeavor doesn't have to work to obtain his number in a different and more intentional and forceful way, because that would make endeavor look like even more of a selfish insincere dick.

i feel like you may be on to something with the fuyumi-eri comparison, because they are characters who are used as plot devices/props and as ways for the story to answer difficult questions without really answering. for fuyumi, it's this. for eri, it's the unspoken question hovering menacingly over the entirety of mha: what should be done with people whose quirks are too strong and dangerous. even though i find the saving of eri very powerful and an overall very good moment, the logic itself that deku uses - saying that eri's quirk is healing him, ergo it's a kind quirk, ergo eri deserves to be saved - i find very dangerous, for the simple reason that it refuses to engage with the possibility that someone's quirk may not be capable of kind things, so the answer in the end by exclusion posits that people whose powerful dangerous quirks cannot perform good actions do not deserve to be saved. and that idea permeates the story till the end - if only toga had known love before, if only she'd been better, she would've wanted to be kind - to give blood instead of taking it. afo could've been the kindest quirk. till the end, the story refuses to consider that a person may not be kind, and still deserve salvation, and only dreams of worlds where that they were just kinder, so as to fit the profile of someone who deserves to be saved.

TW: ABUSE, CHILD ABUSE

“He wants to air this dirty laundry to the world does he…? Dabi, you fiend…you’ve been waiting for this moment…when they couldn’t prevent mass destruction…and faith in heroes is wavering.” - chapter 292

I truly, wholeheartedly, believe that MHA as a story upholds the myth of the perfect victim. I do not want to discuss if Horikoshi did that on purpose, or subconsciously because of inner bias – I find no meaning in doing so. For me the execution of an idea, in the grand scheme of the narrative, holds more value than the intention of the author. I’ve also had my fair share of people infantilizing Asian authors in the anime community for their poor writing decisions for one lifetime. It’s patronizing to both the author and the people reading it. Whether or not Horikoshi intended for his themes of abuse to paint the picture they did does not matter, because that’s how it reads as.

MHA puts victims of abuse in narrow boxes and softly dictates what’s an acceptable reaction to said abuse. Victims are continuously walking a tightrope between being deserving of compassion and sympathy and being unredeemable monsters who are too far gone and are only good for martyrdom after being put down.  

Eri fits the clean cut depiction of abuse victims that media usually gears towards. She is untouched by the cruelty around her - she preserves her innocence and kindness. She isn't assertive, but rather meek and passive. She doesn't fight back with force. And when offered help, she is receptive to it. That is not to say that Eri's depiction doesn't have a place in fiction, or that her portrayal can't be representative of the experiences of some - as we all deal with trauma and the inhumanity people throw at us differently. We see the same thing in the portrayal of Fuyumi, who shares many of the qualities discussed above. The same thing applies to her - i personally love the idea of all the siblings having different reaction to their childhood trauma and abuse. It shows that victims are not some type of monolith.

But the narrative treats the "forgiving" or "receptive to help/support" victims of abuse with more grace and with much more kindness. if you are willing to forgive, or the very least be quietly tolerant, the story grants you a happy ending. Forgiveness isn't a bad thing, it is an individual choice - but an abuse victim shouldn't have to do it for them to have a happy ending.

In a vacuum Eri and Fuyumi's character arcs and depictions of abuse are good but it becomes a problem when that's the only experience and type of victim we ever hold in high value or recognize as valid and deserving of compassion. Which the story reinforces.

Touya and Tenko's backstories aren't pretty nor comfortable or easy to sit through. Their responses to abuse aren't either. Reactive abuse is very much real.

[harley-rose25]

In which I give the longest explanation of my opinions on Eremika and why I don't like it.

If you see my other AoT post, I likely give the impression of being a hardcore eremika anti; and while I'm not clearly not a fan of the ship I also don't believe that it just came out of nowhere, or was completely unexpected; like some eremika antis seem to think. Seasons 1-3 I honestly expected an eremika ending. Season 3 I had some thoughts that maybe we were getting a erehisu instead, but ultimately I assumed either an eremika or a no-pairing ending even by the end of season 3.

This is not because I thought the ship was built up well or had really good moments pointing towards a mutual romance/love. There are some moments where Eren shows some level of care or affection towards Mikasa; but, to me, it doesn't come off like he's in love with her. It can be interpreted that way, but I felt it was more like showing general platonic care and that those more romantic feeling could be built up or in some cases like his feelings were moving in that direction. The reason I assumed it was the most likely end game ship if there was to be a ship is because of other cannon ships where one character is in love, often obsessively so with the other and the other is either oblivious, doesn't really care, or actively seems to dislike them until the end of the series when suddenly they're also in love. ie; Sakura and Sasuke, Hinata and Naruto, Aang and Katara. Eren and Mikasa dynamic reminded me of these, especially Sakura and Sasuke.

My main issues with the eremika ship are: 1. how it compares to erehisu; Eren and Mikasa do have deep emotional moment together but Eren and Historia have deep emotional moment because of each other. That is, Eren's emotional moment with Mikasa would be just as emotional even if she wasn't there, where as Historia is integral to the moments she has with Eren. In season 4 the erehisu ship is really build up by how desperate Eren is to protect Historia, how he angrily jumps to her defense, how he's shown visiting her at the farm, how he smiles at her and no one else. Even other characters notice this; in season 3 Jean tells Eren he should stop holding hands with Historia all the time (I'm aware that the hand holding was because they were trying to get more memories/activate the founding titan, but it means that Eren and Historia had a lot of confirmed off screen time together), and in season 4 Hange looks at Eren smiling at Historia and then later tells Eren that She thought He would never sacrifice Historia; strongly indicating an assumption of a deeper level of care. All in all I think erehisu had better scenes to building a relationship of mutual care and understanding and also better scenes showing that Eren cares about Historia in a way that isn't shown with anyone else (save maybe Armin) This means that when we end up with eremika now it feels a little cheap or just off. If we got more moments showing a deeper level of care and understand between Eren and Mikasa or if The moments between Eren and Historia, and Erens reactions to Historia didn't have so much weight then an eremika ending would make more sense.

reason number 2: What it does to Mikasas character; Mikasa's love for Eren seems born out of an obsession that comes from losing her parent in a violent murder/kidnapping and then being saved by him. This is then compounded when Eren's mom dies since she was like an adoptive mother to Mikasa. She's a traumatized young girl who never actually deals with her trauma and instead hyperfixates on Eren. Mikasa entire character arc is her chasing after Eren like a neglected dog until that one scene where for like 5 minutes she finally starts to see Eren for the violent psychopath he actually is and questions what she had seen in him; but never mind that because she's back to being so obsessively in love with him that even after he dies she spends that rest of her life visiting his grave with her (probably husband and kids) and also never takes off that scarf.

reason number 3: Mikasa doesn't understand Eren. People argue that Mikasa understood Eren in a different ways, that she understood certain parts of him, but that's literally just admitting that there's clearly parts of Eren she doesn't understand. Actually, I'd argue that as its depicted Mikasa doesn't seem to understand Eren on a fundamental level. Examples: When he failed at the initial ODM gear test she told him to give up being a soldier and then went on to say that he needn't drop out alone, that she would be following him; when he passed the ODM gear test she says that he's relieved that he wont be separated from her. She assumes that the reason he'd be upset about failing to make it as a soldier is related specifically to her and not wanting to be apart from her; When Connie is angry about Eren laughing after Sasha's death he asks Mikasa why he would do that and she can't answer; despite the fact that she's witnessed him laughing in an emotional and traumatic situation before and should have been able to understand that he does it as a coping mechanism. She'd also completely blind to his obvious anti-social personality disorder (psychopathy), though to be fair so is everyone else including most Eren stans. (like, I love Eren, I stan Eren but he is like text book certifiably ASPD psychopathic)

[edwinisms]

I know how it sounds at first, but I really gotta feel bad for the boys that sacrificed edwin; I mean even the term “sacrificed edwin” paints them in a more sinister light than they really deserve– considering that wasn’t really, actually their intention.

they were bullies, they were homophobic (and/or were self loathing gay boys themselves taking it out on edwin, or were equally likely peer pressured into acting a certain way), they planned something stupid and mean to do to an innocent, anxious boy with the goal of scaring the shit out of him, all because he was effeminate and an easy target. but they didn’t know or expect any of the ritual stuff to be real. they were all laughing and joking during the ritual because it was just that to them– a joke. a cruel joke, but a joke.

teenagers can be mean and stupid and they usually regret it as adults and grow out of it / grow from it. they were stifled the chance to grow out of it, at least while alive. none of those boys deserved to be instakilled and sent to hell; they’re really not that much less deserving than edwin himself. they were all just kids, after all.

[transhitman]

Ok I posted about this in anger a while back but I'm gonna say it more intelligently and actually tag it because I think it's something people need to hear. Something that bugs me about how people talk about the morality of the men in this game is that a lot of analysis totally glosses over Anya's motives and what she actually asks of people, and in doing so once again strips her of agency. Like. The reason Curly sucks isn't because he failed to properly punish Jimmy, it's because he ignored Anya in favor of her abuser. He didn't listen to her regarding how to move forward, he didn't give her a way to protect herself. No matter what he would have done to Jimmy, Anya is still traumatized and in danger, and that's the most important point of failure.

I think a lot of people are projecting a revenge fantasy on Anya, and while I'm not gonna argue about the validity of revenge here, for Anya specifically I think that's a major mischaracterization. She's the one who says that our worst moments don't make us monsters. And while yes, this could just be her trying to appease her abusers, she still doesn't strike me as a particularly vindictive person. She's a nurse, symbolically in a role associated with care and healing. Before the crash, she seems like a very soft-spoken and restrained person. Hell, she can't stand giving Curly his meds because she feels so bad for him. There isn't really a point in the game where she calls for violence at all. And even if punishing Jimmy or Curly is morally correct (subjective), saying that it's what anyone Should have done still glosses over Anya's wants and needs. It still centers the abuser, even in vitriol.

It's especially weird to see people judge Swansea on these grounds, because like... We don't know what his dynamic with Anya was like. We don't actually know what she said to him, if she even confided about her pregnancy or the SA at all! I honestly think Swansea's actions give more credence to the idea that Anya herself wanted a peaceful resolution. The whole "Oh, I'm holding it together" thing, him becoming more hostile after speaking with Anya... He waits until Daisuke AND ANYA are dead before trying to kill Jimmy. I think the obvious reading is that he wants Jimmy dead, but Anya asked him not to do anything crazy. Genuinely, I think Anya just wanted to be safe. She wanted out above everything. She didn't want more violence. The only violence she commits is against herself in the end, in order to escape this hell her coworkers made for her.

And like. Swansea is kind of the only one who actually did try to protect Anya in a meaningful way. I won't say that he couldn't have done more for her - all of the men on that ship failed her in some regard - but Swansea intentionally keeps the axe out of Jimmy's hands. He keeps the pod a secret, probably to give to Daisuke, but we can't say anything for sure. I joke that Swansea should have killed Jimmy from the start, but if we're being real that would have been an insane thing to do given what the characters know. But Swansea isn't the point of this post. Like. Idk I just think it's really bizarre that when people discuss Anya's assault, they still do it from the perspective of the men involved. It's weird and I don't like it. Like people have said before me: it's not enough to hate abusers, you have to love victims.

[ecoterrorist-katara]

“Katara deserves a quiet life after the war, so becoming a healer (who made no contributions to the field) is actually a good arc!”

It is already bizarre to me that in ATLA, Katara is this confident & combative & ambitious girl who LOVED to fight and wanted nothing more than to help as many people as possible…then comics!Katara and TLOK!Katara showed neither her previous personality traits nor a career commensurate with those traits…

but it’s even more bizarre to me that ATLA fans would defend her trajectory as if it were some kind of progressive story of recovering from war trauma.

I’ve seen multiple takes like this. “Katara is not a YA heroine, she’s not a bloodthirsty girlboss who loves fighting so it’s actually a good thing that she doesn’t have to fight anymore” “after everything she’s been through she deserves a quiet life and a loving family”

For Katara, fighting in the war was actually empowering. It didn’t burn her out. It didn’t disillusion her. It didn’t take more out of her than she can give. Katara is not Katniss Everdeen, who needed to step back and discover her own agency and a sense of peace after fighting in a war she never chose to start. Katara’s war trauma largely happened before she took an active part in it. After she chose to be a part of the war, she became a waterbending master, made close friends, found her father again, got closure for her mother’s murder, defeated the Fire Lord, and met the love of her life. If Katara were a real person, maybe she’d be traumatized, but nowhere in the text of ATLA does she exhibit the sign that she’s tired of fighting on behalf of the world. If anything, she just got started.

If you take her post-ATLA arc at face value (vs as bad writing), it’s a tragedy of a woman who has learned to minimize her own relevance and her own power. In The Promise, she begins deferring serious decisions to Aang. She doesn’t even express a strong opinion about the fate of the entire colony of Yu Dao, or the fate of her friend Zuko. In North and South, she accepts Northern encroachment of the South in the name of progress. In TLOK we see her not as a politician or a chief, but rather as “the best healer” — albeit one who apparently never established a hospital, or trained acolytes of her own, or done anything to help people at scale, which she has always wanted to do. It’s even more egregious when you remember that in Jang Hui, she was not satisfied to simply heal the sick as the Painted Lady. She wanted to solve the root of the problem, so she cleaned the river and committed full-on ecoterrorism. Just because the war is over doesn’t mean she wants to stop helping people. In fact, the problem she addressed in Jang Hui is exactly the type of problem that would become more prevalent after the war ends, judging by the rapid industrialization between ATLA and LOK.

In the original ATLA, I think Katara is about as close to a power fantasy as you can get for a teenage girl, because she gets to be messy and goofy and powerful, even though she also had to perform a whole lot of emotional and domestic labour. But post-ATLA, she doesn’t get power and she doesn’t get to make a change. She gets love and a family. That’s it. And her grandkids don’t even remember her. Her friends and peers, on the other hand, were shown doing all sorts of super cool things like, you know, running the world they saved.

It’s not feminist to say that a female character deserves “rest” when she’s shown zero inclination that she wants a quiet life. Women who want a quiet life deserve to get it — I think Katniss’ arc is perfect — but women who want power deserve to get it too, especially when they’re motivated by compassion and a keen sense of justice. There’s nothing feminist about defending the early 2010s writing decisions of two men. Like just admit that they fucked up! It’s fine! Maybe they’ll do better in the future!

[adventures-in-mangaland]

Another Dead Boy Detectives Fic Rec List

Netflix sucks and I'm sad, but the Dead Boy Detectives fandom continues to be awesome, so here are some more very quick fic recs!*

Tonight's the Night You Fight Your Best Mate's Dad by Opossum_Subatomic

Everyone's Alive College/University 5+1 things fic featuring Charles bringing Edwin coffee and slowburn payneland. Also Family/Wedding Drama involving Everyone Thinks They're Dating so acute is verges on Fake Dating. This author is seriously fantastic, everything they write is gold.

You should also check out Kissing Lessons, which is a high school AU that does what it says on the tin while also giving non-binary Monty and polyamory.

Ornithology by Rosie447

Monty gets a job working at Tragic Mick's. This one's not actually payneland, being gen and Monty-centric. I know, gasp. It's a fantastic and very sweet exploration of Monty discovering his sense of self post canon and works as a great metaphor for recovery from toxic family/relationships. Also, the ex-animal solidarity and bonding with Mick is lovely.

what some circumstance stole by Chrome

The Sandman crossover featuring Edwin and Hob being kidnapped and tortured together. Their friendship is really wholesome with eventual Father Figure and Found Family Feels for the whole agency and background Dreamling.

dandelion wine (life and death in summertime) by world_wanderer

Payneland Right Person Wrong Time AU in which neither of them die but they still meet and become friends. The May/December friendship is sweet but tragic, with a bittersweet ending. Superb.

Mirror Image by Anonymous

Charles' afterlife gets taken over my an evil shape-shifting doppelganger, leaving him with plenty of time to regret never talking to Edwin about his feelings. Angsty but with Feelings Realisation and the Power of Love and Friendship vibes.

my healing needed more than time by babyseraphim

Case fic with de-aged Charles! Baby Charles is precious but be prepared for discussions of childhood trauma/abuse.

The same author has also written I'm So Aces at Babysitting, which is a really cute two-chaptered AU featuring Charles and Edwin babysitting the kid versions of each other, with bonus Crystal and Niko doing the same. It's very wholesome and the author writes little kids really well.

Pouring into me by tragedy_machine

Love me some "Charles wants to date Edwin to figure out his feelings but gets turned down" fic. Feelings are hard, OK?

thank u, next by KiaraSayre

Edwin fucks and Charles seethes. It's very funny and also features some interesting worldbuilding with the Fae.

Like We've Never Known Hurt by dearheartdont

Just cute established relationship PWP and praise kink. So good.

all of these hollows by handwrittenhello

The boys are alive again but sans memories. Can they still find each other and prove their devotion to the Night Nurse?? While also evading heavenly and hellish forces trying to keep them apart??? Very interesting concept executed well.

Suo Gân by emryses

The agency takes on the case of a traumatised Edwardian ghost searching for her missing baby... Read it for Edwin family feels.

Where Primroses Bloom by PantryJesus

Reading aloud as a love language and Watership Down feels. Idk, I'm now convinced that Edwin is kind of rabbit-coded with the whole "if they catch you they'll kill you. But first they must catch you" thing. A lovely well written fic.

I'm so sick of online love by Hse11z5

College/University AU where the boys meet through a dating app. It's cute.

you can have the best of me, baby (and I will give you anything) by aletterinthenameofsanity

Again, it's the Friends with Benefits but with real feelings and mutual pining for me. Now has a Charles PoV companion fic.

True Love's Kiss by Asidian

In which Charles curses himself with a Sleeping Beauty enchantment in order to confirm his feelings for Edwin and Crystal is the real MVP. I love this one because the boys are both SO stupid but in very different in-character ways.

I also recommend Promised, in which they kind of play the Green card angle to keep Edwin out of Hell? Which honestly needs to be more of a trope. And Tight Quarters, starring the boys trapped in a magic circle, leading to Forced Proximity induced Feelings Realization (in more ways than one! 😉).

Something I Can Turn To by DontOffendTheBees

I love some domestic fluff, in this case as an Everyone's Alive/Childhood Friends AU in which the boys are poor but happy living together. I liked how they both survive their respective traumas, but Reality Ensues.

I also recommend Lived My Whole Life Before the First Light for a lovely but melancholy Soulmate AU that goes for the "seeing colours" trope for extra wistful angst.

Dining at the Ritz by TerresDeBrume

Meeting the Parents fic in which Edwin's parents are awful and Charles is Not Having It. This has Everyone Thinks They're Dating and autistic Edwin stimming representation, plus discussions of racism, classism and ableism. The fic is also part of a great Modern AU series in which the boys attended St Hilarion's at the same time and Charles saved Edwin from a non-supernatural but still almost deadly prank. Highly recommended!

The Case of the Couples Retreat by juliasfanart

Listen, I can't get enough of undercover fake dating/relationships at a couples retreat, OK? Some minor angst but overall very cute and fluffy.

acu (aysar cinematic universe) by ObsessedWithFandom

The agency is hired to solve the mystery of Charles' death and bring his killers to justice. I'm genuinely obsessed with this series; I love its OCs and Charles having an exboyfriend gives Edwin a fun crisis. Plus haunting Charles' killers is very satisfying and cathartic. Just imagine they're Netflix execs, y'all.

*Not actually quick, as it turns out. 😅

I love doing these lists because I always think I've only got a few recs and then I look back over my recent bookmarks and I've got a metric ton of great fics to rec. You guys are so talented. ❤️

[ohnoitstbskyen]

Since I asked you about Sephiroth, I also wanted to ask about what you think of Aerith’s character and her characterization throughout the franchise.

Hhh oh god. Yeah.

So, again, Aerith begins in Final Fantasy VII as a seemingly intentional semi-subversion of the Princess Holy Maiden White Mage JRPG trope.

Mechanically she is absolutely a classic white mage, but she's also a street kid with way more life experience than Cloud, who both connects instantly with him due to his similarities with Zack, her dead ex (because, of course, Cloud is directly copying Zack's entire personality), but she also notably pushes back against him, and repeatedly refuses to let him treat her like a damsel in distress, and takes direct agency over where the story is going and what's going to happen.

As she becomes more and more conscious of her Magic Special Lineage, she changes, of course, and... arguably falls a bit more into a straight rendition of the Holy Maiden trope. Albeit I have always quite loved the reveal that Aerith isn't killed by Sephiroth just as a big tragic fridging to advance the story through Cloud's pain, but as an intentional gambit on her part to ultimately defeat the villain. The translation of the game is famously a bit wonky, but my reading of the story is that she

realizes that Sephiroth is manipulating Cloud as his primary agent in the world and that she needs to get away from him

realizes that in order to cast Holy and defeat Meteor she needs to enter the Lifestream, so

she manipulates Jenova/Sephiroth into killing her in the one place on the Planet that has the strongest connection with the Ancients so she can take advantage of their knowledge to figure out how to make Holy work.

It also kinda seems to me like she realizes that Cloud is the best chance the planet has of a champion who can defeat Sephiroth and unblock the Lifestream for the Holy spell, and maybe she sacrifices herself in part in the hopes of breaking Cloud out of Sephiroth's influence. which, yeah, that is definitely some fridging-trope nonsense.

The original game absolutely isn't perfect on how it handles it, but Aerith is (especially for the late 90s) a remarkably active player in the story, with a lot of agency entirely separate from the male protagonist, who comes into a role that requires her to separate herself from the main party and go off to set her own plans into motion.

I am overall less fond of how she got portrayed in media after the original FF7, where she really did seem to get boxed into an entirely unironic Holy Maiden trope - especially by Advent Children which casts her as a literal lover/mother to Cloud, whose especially pure and holy influence heals the blight of Geostigma once her darling Cloud overcomes his personal conflict. And certainly, a lot of portrayals of Aerith I've seen tend to focus way more on her mystical, divine Cetra Chosen One-ness than on her actual upbringing as a scrappy sassy street kid.

The Remake games... have generally walked the line okay, I think? Aerith with the steel chair might genuinely be my favourite gif from any videogame ever,

(she's just so happy to be beating the shit out of this man)

although I do feel like her portrayal in those games make her a bit too much of a Love Interest To The Protagonist character. I feel the balance in the original focused a lot more on her coming into an understanding of her role in the story separate from her attachment to Cloud, but I also have massive nostalgia glasses on my face about Final Fantasy VII, so I recognize that I am biased here.

I'm curious how the Remake trilogy, which is a wild metacommentary on the legacy of its own original, will ultimately handle her, and I really do hope it doesn't confuse the idea of a "good ending" for Aerith with the idea of being romantically paired up to a male character, or with the idea of literal or metaphorical motherhood or some other bioessentialist nonsense.

[runawrites-blog]

Deadpool Being A Girl Dad Would Include 🌸

-Wade Wilson is the biggest Girl Dad™️ and anyone who disagrees can fight me on it

-Of course, he would have been happy about a boy just as much as a girl but when you came back from a doctor’s appointment to tell him he’d have a daughter he was overjoyed

-When you ask him if he’s crying and tell him how sweet he’s being he just tells you to fuck off and you just hug him tightly

-He buys his daughter so many stuffed toys, going through the whole animal kingdom, then buying unicorns and dinosaurs, too

-He loves painting your daughter's nails and he lets her paint his nails, proudly walking around with his colourful nails and showing off how he matches with his baby girl

-speaking of matching, he will wear clothes that match the ones your daughter is wearing and it won’t matter what colour or motives they have because he’ll gladly wear matching Hello Kitty sweaters just as much as he’ll wear a matching dinosaur shirt

-You have to lecture him on safe sleeping and not letting his daughter sleep in a bed full of stuffed animals

-From the day that he found out he'd have a daughter he was going over names every day, looking them up online, asking his friends about their opinions and overall being very imaginative

-Some of the names were better than others but eventually, you two came to a compromise

(-I personally headcanon his daughter's name to be Bea after Bea Arthur from Golden Girls because in the first Deadpool, he wears a shirt with her face on it, I just needed to share this)

-He adores dressing his daughter in cute outfits, not necessarily in the sense of dressing her in puffy dresses or clothes covered in bows, but in clothes with cute prints

-Wade gets that a baby needs comfortable clothes but that doesn’t mean they can’t have cute kittens on them or be brightly coloured or covered in a glittery print

-He would also totally let his daughter choose what she wants to wear, letting her pick the wildest mix-matched outfits ever

-When his daughter gets old enough to actually understand what books you two are reading to her, he goes out of his way to look for ones with positive female role models

-He buys books where the girl saves the day, where the female characters are strong and independent, where they have agency and big dreams because he wants his daughter to know that she can be anything she wants to be and that she can do that on her own

-That doesn’t mean he isn’t protective because if any bad guys catch wind of the fact that he has a daughter and threatens her, he’ll go ballistic on them

-Spends hours watching Barbie movies with your daughter and then dances around the flat singing along to the songs with her while she pretends to be a princess or fairy

-Wade tries to learn how to do your daughter’s hair and spends countless hours on the internet, looking up tutorials on how to do elaborate hairstyles

-He is always distraught when he can’t get it right and you have to come in and help him

-Totally has tea parties with his daughter and her stuffed animals

-He’ll also be super interested in her hobbies, be it football or ballet, baseball or horseback riding, he will let her talk his ear off about it

-Speaking of ears, when his daughter wants to get her ears pierced he goes with her and lets her sit in his lap so she won’t be afraid but it’s actually him who ends up flinching more than her when he sees her little face scrunch up in pain

-Then he’ll buy her twenty new pairs of earrings while you go on telling him that the piercing needs to heal first and she won’t be able to wear them for another month or so anyway

-Wade is the Dad his daughter's friends feel safe around, and they ask for help if anyone makes them feel uncomfortable or unsafe

-loves watching stereotypical girl shows with her, like My Little Pony or Winx Club

-listens to boybands with her

-has pyjama parties with her where they paint each others' nails, watch romcoms, eat popcorn and do face masks

-Wade is the Dad who loudly cheers his kid on during school functions, big games, dance recitals, you name it and he never misses one of these events

-If he has to show up in full Deadpool gear so he will make it on time then he will

-When his daughter gets older and gets her first period, he panics a little but when you sit down to talk to her about it he is there to reassure her, too

-never embarrassed to buy pads or tampons for his daughter and brings home her favourite sweets to make her feel better

-imagine him standing at the cash register in full Deadpool getup buying menstrual products and chocolate for her

-he is also very good at getting blood out of clothes, so that comes in handy, too

-he will teach her self-defence, showing her all the ways she can protect herself, verbally and physically

-insanely proud when she managed to take him down and slam him onto the floor

-isn't the biggest fan of going shopping but will do the stereotypical dad thing where he sits down and lets his daughter put on a full fashion show to show off her new clothes

-he knows what it's like to feel insecure about your looks so if his daughter ever feels insecure or not pretty enough he will actually sit down to have a serious talk with her and tell her how beautiful he thinks she is

-has the sweetest nicknames for her, from regular ones like "Honey" to things like "Light of my Life" or "My Little Princess"

[akutasoda]

i saw requests are reopening!! if it's not too much trouble, could i ask for ranpo, yosano & whoever else with a reader who has bad insomnia and can't sleep?

thank you ^^

sleepless nights with you

synopsis - how are they when you have insomnia

includes - ranpo, yosano, fyodor

warnings - gn!reader, reader has insomnia..., fluff, wc - 530

a/n: it's actually very ironic you sent this request as i currently have insomnia- had it for two weeks now rrr not fun :(

ranpo edogawa ★↷

↪for the greatest detective in the world, he wouldn't exactly know how to help with insomnia. all his ideas were what he would do and that probably wouldn't help you much. so he does turn to get advice from yosano.

↪his initial reaction would be to scoff at her advice. ranpo understood that you should adhere to her words but having scheduled bedtimes and such seemed boring. but it wasn't for him, it was for you. and he wanted you to cure your insomnia as quickly as possible.

↪naturally ranpo would help you as much as he could. he kept your room dark, he made sure it was as comfortable as possible - he enjoyed that the most as ranpo quite liked how comfy your room had begun, the perfect place to cuddle up with you.

↪yosano's suggested bedtimes went largely ignored by him, and you as a result. but every night without fail, ranpo always was beside you. talking with you, eating sweets and such. helping you drift off slowly but surely.

akiko yosano ★↷

↪as the agency's designated physician/doctor, she would be the best person to go to for any issue. from simple colds to serious injuries, she would always heal them for her coworkers and especially you. although insomnia isn't exactly something that can be cured in similar ways.

↪fortunately, she was still well versed in methods that could help you - making sure your room is dark and quiet, your surroundings are comfortable, following bedtime routines etc.

↪and yosano could make sure to enforce it with you. it wasn't that she was trying to be mean or anything, yosano just wanted to help cure your insomnia as quickly as possible as it definitely wasn't something you wanted.

↪she'd help set up your room to be darker and make sure it was comfortable. she'd talk to you and help keep your mind off things to then hopefully see you get tired quicker. yosano would even enforce a regular bedtime to make sure that even if you had a rough night, you got a decent amount of sleep.

fyodor dostoevsky ★↷

↪it would probably be safe to assume that he has had quite a few run ins with insomnia himself - or at least something similar. so when you approached him about your insomnia, he definitely could give you some advice (and help you enforce the ways put in place to help you)

↪he'd start insisting you go to bed earlier and he would make sure of it. fyodor wasn't being mean about it, he just wanted you to cure your insomnia as quick as possible - he would excuse all your grumbling and complaints at first.

↪fyodor also built up a habit of bringing you tea or whatever drink you'd prefer, as long as it was sensible, to then sit with you until you fell asleep before returning to work. it didn't matter if you got up again as he would just help you go back to sleep.

taglist - @little-miss-chaoss, @vi-chan07

[wannabe-cartoonist-blog]

Last Game hair style fixes, in order of who needed it most.

I've never liked the canon hair styles in Last Game. They're either hideous, or just simply don't fit the characters/style of the main series. I get its a (mostly different) art department and meant to age the characters up, but most of the time, they simply just look off-model to me. I know I'm not the only one who's got issues with the hairstyles in this movie too, so I did my best to fix them up and give them styles that I personally think suite them. Originals below cut as well as my explanations! Important to note, these are my preferences/headcanons for them so take everything I'm about to say with a grain of salt.

**Akashi isn't here, because believe it or not, I actually think his hair looks the best out of everyone in LG.

I wouldn't change it. I like to draw him with neater hair/his bangs pushed out of his face when I age him up, but for the summer after the Winter Cup - when LG takes place - the canon hair is exactly the sort of style I think he would/should have. I like the allegory that the rough chop is something he did when his mental health wasn't good, so now as his mental scars heal, it's growing back out. ❤️

Midorima

A neater/shorter hairstyle does fit Mido's character/personality, but the LG hair simply just doesn't look like the same hair type we see in the main series. Mido's hair has got the slightest wave to it (which I tend to over-exaggerate whenever I draw him).

With this in mind, I went and gave his hair some more body/volume by extending the sides. (You'll see a lack of volume/body is the key issue with the other LG hairs as well).

Murasakibara

Mura's hair in this movie looks so so flat and greasy. Now I didn't do the best job fixing it up, but this is basically how you'd go about doing it; just add more flowy strands. His hair is pretty pin-strait in canon, but there's lots of flowing strands, even when he's not moving much, which give it a clean-look.

When it's all just one limp form, like the movie does, it appears unclean as opposed to just long and sleek.

Momoi

Another victim of the lack of body/volume. The style they gave her is also simply bad, like she just took a pair of scissors and cut in a straight line. There isn't even really any style to it. Its kinda just laying there on her head, which is not what her hair usually looks like in the main series. There's always strands/some lift to it. Also Momoi has always had some sort of bangs/framing pieces in her face, so for her whole forehead to be out was just a tiny bit jarring.

I think the style I came up with is a little more mature while still having personality and life to it. Plus, LG takes place in the summer, so a shorter hair style would be more comfortable in the heat.

Kise

Kise I don't think I did a good job of fixing to my liking either. It was hard to edit it without making it look bad in general, because I really don't think this choppy sort of style suites him like at all, so it was too much to change. Now his hair is one of the better drawn ones in this movie for sure, but it feels more like a Kagami hairstyle than a Kise one to me. I just don't think his modeling agency would let him have such a choppy, hard-to-style haircut. I also think a more polished look fits his handsome, princely sort of appeal that makes him popular with girls.

Aomine

Alright, now its time for me to be playful and silly with some out-there hair styles. Aomine (and Kagami's hair) in Last Game I don't mind. After Akashi, I would say Aomine looks the best. BUT. We have NEVER seen Aomine with long hair, even in flashbacks when he's a child.

So for him to finally decide to grow out his hair - in the SUMMER HEAT - just feels like a weird move to me. Feels out of character. He strikes me as someone who likes his hair out of his face when he plays ball and just wants to roll out of bed and not worry about brushing/styling it or anything. The animators also aren't consistent in this movie and sometimes his hair looks particularly long in the front and back, which again, I don't think he'd like. This picture below and the ones above are from the same movie/take place within like a week of each other, yet look so different.

He looks cute and it definitely gives him a more youthful look; which is a weird choice, because they want to age up everyone else but Aomine in this movie. So, I think a fade would really suite him (I don't think I drew it that well tho). Keeps his hair short and out of his face but also ages him up a little more with a mature style.

Kagami

Alright, Kagami's look here is pure indulgence. @knbposting said "Kagami with a mullet" and I haven't stopped thinking about it. Sue me. His LG hair isn't bad and makes sense for his character and the time of year. But its just sorta plain. Honestly, Kise's hair style in this movie would probably suite Kagami more. I always liked how in the main series, Kagami's hair is a little scruffy in the back so I really wanted to lean into that.

Is a mullet suitable for the summer heat/something he'd like? Well, maybe not but I think it ages him up while also seeming like something he'd get at some point in his life. So here we are. I will end this with saying this is probably the longest he'd ever let his hair get.

Kuroko

Finally, we have Kuroko, whose hair I've barely changed. Now, the animators/artists do a really bad job of keeping his face on-model (eyes too beady, features too sharp) but that's a whole 'nother issue, and I managed to find a scene where they kept him on-model lol. I think a shorter, neat style is good for the summer and suites him, but a main feature of all the hair throughout the main series is the spikes/strands of hair on nearly every character - Kuroko especially - so I just added a tiny bit more here.

And that's the end! If you read all the way to here, thanks for coming to my insane-person rant.

[fernsnouveau]

I actually disliked the direction where I'd recently seen a bunch of the more reasonable S5-critical ML fandom people going. Those discussions and analyses were spiraling increasingly towards demonising Marinette over time, as we were left hanging with the s5 ending for a long time, and the fandom had nothing new to talk about.

I actually liked her flaws.

But then the canon does... this...

And I do admit, it's an in-character way to push Marinette towards a villain arc. Like, if I had to construct a darkfic scenario where Marinette goes evil and try to keep it as close to her canon personality as possible, it would look something like this. Which, I guess, means that it's theoretically easier for me to accept than, for example, S5's occasional incidents of Edgy Murderboy Chat Noir (how is that the same character who had TWO guilt-based mental breakdowns about accidentally cataclysming someone completely out of his control, including the main villain??!). I'm sure there are in-character ways to turn Adrien (or anyone else) into a villain, but Murder-Noir was Not It.

Of course another reason why the writing of Murder-Noir gives me extra heebie jeebies, was how it felt like an abuse apologia excuse, validating Gabriel's accusations for Adrien to not "deserve" autonomy, nor to experience or express any negative, inconvenient emotions. Murder-Noir feels like it's a writing choice directed at child abuse victims in the audience, who related to Adrien. "See, your abuser was right, you're horrible and overly emotional and out of control, so you NEED to be rigidly controlled for your own and everyone else's good!

Anyway.

While I admit that Marinette taking up Gabriel's mantle this way is technically in character, I cannot claim to enjoy the writing choice at all. I liked Marinette's flaws. I wanted to explore them. I did not want her demonised to this extent. She could have been meaningfully flawed without becoming better at being Gabriel, than Gabriel himself was!

After this, the only justification for the lovesquare to stay together, would be as a wish-fulfillment or "reward" for Marinette, and that's not enough for me. When I think about, if there was a real-life abuse victim in Adrien's position (minus the supernatural elements), and then they were friends with, and/orstarted dating someone who repeatedly treated them the way Maribug has been doing (and "repeatedly" is important here, it demonstrates unwillingness to learn from mistakes and be sincere about apologies – S4 was brushed under a rug as soon as Chat Noir superficially forgave!), ESPECIALLY but not only siding with the abusive parent and lying to the victim that the abuse they experienced was "not really abuse" and For Their Own Good, and demonstrated this complete infantilisation and lack of respect for the abuse victim, wanting to see them only as a palatable, innocent fairytale being who's not allowed to be inconvenient, express negative emotions, make informed choices mor generally be a complete person...

Obviously the right thing to do, for the abuse victim, would be to get the hell away from that person.

It does NOT mean that the person is irredeemable. They're just... not owed the abuse victim's forgiveness and continued presence in their life.

And I can't ignore that anymore.

We failed to get an arc about Adrien surviving and escaping Gabriel and healing. He has now been put into a position where, in order to ever be okay, he would have to survive and escape Marinette in order to heal.

I don't like this. It feels very hopeless and bleak and unenjoyable. I don't even think the story is gonna go there and free/heal Adrien (Astruc made it clear that Adrien isn't supposed to be his own character or have agency, he's supposed to be Marinette's accessory and that's never gonna change).

But as far as I'm concerned, any excuse for the lovesquare relationship to get back together after this, would have the unpalatable aftertaste of propaganda to make victims return to their abusers.

I don't like this trajectory!!!

[pilot-boi]

Whiteknight time travel Au

Pyrrha: Weiss why are we throwing away Jaunes razors

Weiss: Dear trust me give it 2 weeks and you'll never let a blade near his face... more than you already do

*weeks later*

Pyrrha: Weiss you are right it was worth it

Passing student: How could there be a not a single razer or blades in a 50 mile radius

Weiss: Did you buy all th-

Pyrrha: Razors in a 50 mile radius yes

Weiss:(kisses her) I love you so much

Pyrrha summoned them to her with her Semblance, it was deeply alarming

But also, gonna be the person to say it, Weiss wouldn’t do this to him

Fair warning, this is going to turn into a Jaune meta rant. I didn’t mean it to, it just sort of happened

Jaune growing the beard and the hair in the Ever After, no matter how attractive it was to Weiss, was representative of him not caring for himself. That’s why his armor was rusted but Crescent Rose was in perfect condition, he was putting all of his energy into worrying about/taking care of his friends and NONE into taking care of himself

And don’t say it’s because he didn’t have a way to cut it, he absolutely did. Crocea Mors was still sharp, even rusted, and if he wanted to he could’ve used that to cut his hair. Knives clearly existed and were sold, hell the Paper Pleasers had fucking scissors. If he cared about taking care of his appearance, he could’ve done so

But he didn’t. He let his physical body rust just as surely as his armor

Jaune’s whole arc is about loss of agency, and failing to live up to his own expectations

He didn’t REALLY have a choice about leaving Pyrrha, he didn’t REALLY have a choice about killing Penny, he didn’t REALLY have a choice about getting sent into the past. And then as a result of these traumas, he took agency away from the Paper Pleasers

He failed to become the hero on his own, so he doubled down on shouldering the burdens of his team. He failed to stand by Pyrrha’s side as her equal, so he doubled down on becoming a warrior. He failed to focus on protecting his friends at Haven, so he doubled down on becoming a healer/defender. He failed to heal/defend his friends and KILLED Penny, so he broke

His sword shattering was symbolic of that being the last straw. He couldn’t be a hero, he couldn’t be a leader, he couldn’t be a warrior, he couldn’t be a protector. In Jaune’s mind, he had nothing left to be

THATS why he let himself fall apart in the Ever After, in his mind he was only living to get RWBY back to Remnant. The one last thing he could do for them. THATS why he clung so hard to the role of the Rusted Knight, after so long with no purpose it was finally something he could be

That’s also why he focused so much on “protecting” the Paper Pleasers, and especially why he named them after his friends

His fragile helpful loving friends that he NEEDS to protect. Jaune knows he has more Aura than his friends (more than anyone he’s even met) and he’s meant to take the hits that his friends can’t. His weapon is a shield, and HE is a shield. The Paper Pleasers were representative of everything he failed to do for his friends, every time he failed to protect them

“Because I can actually protect these people!”

Jaune lost all of his agency when he landed in the Ever After. He didn’t chose to kill Penny, he didn’t choose to fall, he didn’t choose to go back in time. So he took away the Paper Pleaser’s AND ALYX’S agency because he was terrified of not being able to protect them

Weiss saw what happened to him at his worst, she saw what happened to Jaune when every choice was taken from him and he had nothing but failure to remember.

So no way in hell would Weiss take away his agency now, or make him think he’s failing her by not looking “mature”. She might joke with him about it, but she’d never take away his choice in the matter

[zvtara-was-never-canon]

The double standard Zutara shippers have towards Mai vs Katara is absolutely icky. I saw a post a while ago (don’t remember the user) and screenshotted all the Mai can’t vs Katara can points. I’ll paste them here:

- Katara threatening Zuko if he dares to hurt Aang is a sign of reprimanded sexual tension, but Mai joking about Zuko never daring to break up with her again it's her being controlling.

- Katara screaming at Zuko that, to make her forgive him after he proved to have changed and be a better person to everyone else, he'll need to bring back her dead mother, as if 10 years old Zuko is responsible for Yon Ra killing Kya, is fair. Mai screaming at Zuko to leave her alone after he made a scene insulting her in front of a crowd is abusive, violent and toxic.

- Katara treating Zuko badly after he saved her from being crushed is legit and deserved. Mai slapping Zuko's hand away from her in two separate occasions because he wouldn't stop invading her boundaries after a highly emotional moment is harsh, undeserved and abusive.

- Zuko mocking Katara and telling her that he'll save her from the pirates is cute. Zuko being actually cute with his girlfriend is cringe and obviously something he didn't want to do.

- Katara splashing Zuko when he was kneeling down in the southern air temple episode is justified. Mai throwing a SHEET OF PAPER at him after he broke up with her and ghosted her is abusive and violent.

-Katara touching Zuko's scar in the catacombs to heal him is cute and a moment of trust. Mai touching Zuko's scar multiple times and him not being bothered by it in the slightest (even burying his scar in her hair) is a breech of trust and consent.

- Katara having many guys who have a crush on her throughout the series means she has rizz and that she's a catch. Mai having one boyfriend other than Zuko makes her a slut.

- Mai and Zuko being childhood friends to lovers is cringe and an overused trope, but then you'll go on the Zutara tag and find multiple fanarts of childhood friends Zutara AUs

- Katara establishing boundaries and making her stance on breeches of trust well known with multiple characters is good writing. Mai breaking up with Zuko after he lied to her multiple times means that she isn't worth sticking around, and is so selfish that she'll leave Zuko in a moment of need.

- Katara had three children while Mai only had Izumi, which means Katara is a better woman (yes, I've actually come across this kind of disgusting comment.)

- Zutarians claim that Katara is apparently reduced to a housewife and child bearer with no agency as Aang's wife (she is a well known master, wonderful healer AND politician as she made bloodbending illegal in canon), and would be better off as the fire lady (????), but at the same time Mai is nothing special because she is just the fire lord's wife while Katara is a master. Like, make it make sense. Being a fire lady is either "demeaning" for both or for neither.

+ Zutara fans making Izumi Zuko and Katara's daughter, and then proceeding to make a rant on how Mai is NOT Izumi's mom despite her looking exactly like Mai and Michi PLUS having "fountain" a significant name in Maiko's love story, in her name.

I’ve been silently reading all the anti zutara here and thought of sharing my piece. I would like to hear what you think too

God, the Izumi one pisses me off the most because:

1 - Neither Katara nor Zuko would EVER just refuse to raise or even acknowledge a child of theirs. Katara's whole trauma is about having to grow up too fast after her mother's death. Zuko's whole trauma is growing up with an abusive father that kicked him out of the house. They would NEVER abandon a child of theirs.

2 - Neither Katara nor Zuko would ever forgive a former partner if said partner had a kid with them and then abandoned said child, again, because of their own traumas.

But also HOLY SHIT, zutara's brand of "feminism" never ceases to shock me. "A better woman has more kids"? Seriously? And here I thought the worst take I'd ever see from them was "Zuko needs to marry a woman of a different race because his genes are bad, but he is one of the good ones, and Katara could fix his defective genetic that makes his kind more likely to be violent - no, I never heard the term 'eugenics', what's that?"

And yeah, funny how they're constantly going on and on about how being Fire Lady would totally "empower" Katara, but the second Mai is the one to marry Zuko, suddenly that role is oppressive and disrespectful towards a woman.

[oldmannapping]

Trigger warning: Discussion of past sexual assualt and mention of domestic violence (fictional).

HC: Dick donates one of his Nightwing suits to a What Were You Wearing exhibit to destigmatise male rape.

He does a single interview with a carefully-vetted reporter in response to the media explosion.

Exerpt below.

Reporter: Despite your flashy and talkative superhero persona, you've actually been quite good at keeping details of your personal life close to the vest for all these years.

Nightwing: (chuckle) Yeah, that's a pretty big part of having a secret identity. Talk lots, say nothing. When in doubt, throw in a pun or two.

Reporter: So after, what is it, ten, fifteen years of being a public figure-

Nightwing: More than twenty, now.

Reporter: Twenty! Gosh you're making me feel old.

Nightwing: Me too.

Reporter: So after more than two decades of being in the public eye as Nightwing, you've chosen to reveal a part of your life, some would say arguably one of the most vulnerable and private parts of your life. Why now?

Nightwing: It definitely wasn't a quick decision. I think that for any survivor of crime, it's important that they take time to heal and process things. Particularly for something like rape or domestic assualt, so much agency is taken away from you and I think for me, owning my story was a really important part of feeling like I could take control back.

Reporter: And you wanted to take control in a way that helped other people.

Nightwing: Not at first. I wasn't- It wasn't something I immediately thought like, "Oh, now I can relate to victims better on the job, how can I use this for good" kind of thing. I was really- For a long time, like years, I just wanted to pretend it didn't happen. Like it was the same as any other injury I'd get being Nightwing, or Robin, or whatever, like it wasn't any different.

Reporter: But it was different.

Nightwing: Yeah. I mean for one thing, it wasn't really an injury. I mean, there's no such thing as luck here, or being more raped or less raped, but in my case, I didn't have physical injuries. I wasn't- it wasn't like I was overpowered and beaten or anything like that. So I didn't feel like there was anything to "recover" from, if that makes sense. And I think there's also a lot of shame that went along with that, as a man, as a superhero, as someone who's used to being the strong one and the one who protects people, there was a lot of shame I felt. Like, if this was really rape then it would have been more violent, and I'd have been able to fight her off, and my body wouldn't have responded... All of that.

Reporter: All things that I'm sure you've heard from other victims, over the years.

Nightwing: Yeah. And that's something, I didn't want to be a victim. That wasn't- Nobody wants to be a victim, but I've spent most of my life helping people and being the hero, so it was impossible for me, for a long time, to do that cognitive shift and think of myself as both. Like, yes I'm a hero, yes I'm strong, and yes I was also assaulted and yes I need help to deal with this.

Reporter: So it was a long time before you told anyone.

Nightwing: Yeah. It was actually my broth- It was someone in my family, who noticed some things I said and some ways that I acted, and confronted me about it.

Reporter: Confronted?

Nightwing: Yeah. That's how it felt, anyway. I was really defensive at first. I was still in denial and wasn't really in a place to talk about it.

Reporter: But you did.

Nightwing: Well, he didn't really give me a choice, ha. It was- and you can cut this out later, if he doesn't want me to say it- but it was Red Hood. He's got a lot of experience with survivors and he's stubborn as shit so I didn't stand a chance. I think part of me also, I think I was ready to tell someone. I think I needed to accept what had happened.

Reporter: So it was the right time for some tough love.

Nightwing: Some tough brotherly love, yeah.

[greenhappyseed]

did... shiggy just died i-. idk what to feel. So he is not coming bach huh..... :(. OFA is gone too....

I don’t know what to feel either, anon. We really have to wait and see what comes next. But I do think Horikoshi is trying to say something about rebirth, so the rest of this post is going to be something like an elegy for the Tomura Shigaraki we knew (and what that can mean for Izuku): Why rebirth? Why is Tomura doomed? Tomura’s entire existence was tainted by AFO. Tomura can change his name, change his hair color, kill the AFO vestige, etc., but it’s impossible for him to escape AFO. How society would view him or his “redemption” is irrelevant; it’s that HE now knows his entire life, from conception onwards, was never his own. For Tomura, a happy ending is being completely free from AFO, deciding things fully for himself, and knowing his decisions are his own. It’s not a happy ending to remove Tenko from Tomura’s origin trauma only to plunge him into Twice’s “am I really me” trauma.

What AFO’s final, awful reveal showed is that even if Tomura Shigaraki became Tenko Shimura again, it’s not a rebirth. The very first cells of “Tenko Shimura’s” being were stained by AFO since AFO manipulated Kotaro into conceiving Tenko. Tenko’s parents and childhood friends were totally under AFO’s thumb. “Tenko” has no path to freedom; he has to be rebuilt from ash, one way or another.

For my own aesthetic tastes, I would very much prefer for Tenko to have agency over this. If he was going to disintegrate, I’d prefer it to be a clear choice — like Katsuki and Toshinori choosing moves that brought them to the brink of death. I don’t like the idea that Tenko had no choice in life or death, and that disintegrating is just another indignity that AFO manipulated him into. But maybe his story was always destined to be a tragedy, no matter how hard he tried to fight it.

Of course, there are ways that the spirit/consciousness of Tenko Shimura could return in a new body, and many of them do have Tenko participating actively in the process:

Phoenix quirk — Tomura disintegrates to ash so Tenko can choose to be reborn free of AFO’s distortions. (Maybe fandom was right about this theory but wrong that the phoenix was Dabi!)

Overhaul or quirk awakening - It’s possible for Overhaul (who is very much still alive and in possession of his quirk factor) to reverse the disintegration. It’s also possible that Tenko can do it himself (or that Tenko gave Izuku a quirk to do it) since Decay is half of Overhaul. Personally I don’t believe this is likely because I think Decay disappeared when AFO took control of Tomura this final time? Unclear, the end got really rushed and messy on these details for me, but if Decay is gone then it’s hard for it to “awaken.”

Rewind - The MHA standby ever since Eri’s introduction. She doesn’t have her horn anymore, so it seems unlikely, but she still has her quirk factor. The thing here is Tenko’s agency and if he would want to be rewound back to the body that AFO built for him.

All For One - Yes, Tomura could have given Izuku a quirk when they touched. What if it’s actually…All For One? Yoichi said the AFO quirk could have been the kindest in the world…and Izuku did promise to “bring it all back”… so if Tomura’s parting gift was to give the raw All For One power to Izuku, then Izuku could Overhaul and Rewind his way into healing everyone. He could borrow any quirk needed (Recovery Girl? Erasure?) use it as a tool, and then give it back because of course Izuku wouldn’t keep a stockpile for himself (absent being told he could keep a quirk). FWIW, I’d be HIGHLY amused if this happens, because it sounds straight out of a DFO fic. :)

Aura Might/OFA shenanigans - The “heroic fire” of OFA has seemingly gone out before, only to re-emerge both in the same person and in other people. I could see Tenko emerging from this fire.

Wishing energy that twists fate - Izuku and All Might both lived when they were “supposed” to die, so it could happen for Tenko too.

However, Tenko returning in a physical, corporeal form is not the only kind of rebirth that can complete his arc. It pains me SO MUCH to say this, but there’s a real chance his body doesn’t come back. Tomura fought for someone to see what was swept under the rug and understand that hero society isn’t perfect. He wanted a hero who would save him and imperfect humans like him, and he got that someone in Izuku. (He actually got it in Nana too, because of Izuku.)

Izuku Midoriya taking Tenko’s message deep into his heart and influencing all the people watching him to care more about the misfits and “villains” that pro heroes can’t help is a form of giving Tenko a new life. In the same way that the vestiges extended their power decades beyond physical death, and the same way that Shirakumo’s heroic heart survived his death and Nomu-fication, Izuku can keep Tenko’s spirit alive long after his body died. Maybe Tenko’s spirit is a new type of “heroic fire,” and it’s up to Izuku to keep those embers burning. It’s all in Izuku’s rewound, notably non-decayed hands.

Looking at it with this framing, you can also say Izuku gets his win AND save. Because even if Izuku couldn’t save Tenko’s physical body — and how could he if Tenko was doomed before either of them were born? — choosing to carry on Tenko’s legacy IS saving everything he could of that crying boy. It’s also far more immediate and tangible for Izuku to take on Tenko’s legacy rather than being unwittingly thrown into the 200 year old OFA-AFO fight. There’s something so poignant and human about an ending with quirkless Izuku humbly fighting for what Tenko believed in compared to celebrity #1 Billboard ranked hero Izuku with OFA. After all, Tenko and Izuku are 2 sides of a coin. Tenko could have had Izuku’s role in another life if OFA kept passing in the Shimura family.

Even the fact that Izuku never told anyone outside of Ochako, Katsuki, and All Might that he wanted to save Tenko works in Izuku’s favor. Izuku can help the whole world become the people Tenko challenged them to be and they’ll never know they’re actually fulfilling the dreams of a villain. (‘Cuz they’d be too biased to do it otherwise.) Finally, you know all the complaints that Izuku’s character has been stagnant in MHA’s third act? That he hasn’t really been challenged in his ideals? Maybe that hasn’t happened yet because it’s just starting NOW.

After all, Toshinori modeled “All Might” after Nana’s ideals, and she wasn’t known to the population at large. Izuku could follow their footsteps by modeling his hero career after Tenko’s ideals. We’d have multiple generations of Shimuras posthumously changing society for the bettter.

Look, I understand how emotions are running high. I’ve loved this series for years and I cried reading this chapter. I personally don’t love it if Tenko is gone, even though I can make narrative sense of it. It’s a tragic and bitter-barely-sweet ending for poor Tenko, whose very dreams of being a hero were engineered to sow division in his family and break his psyche instead of lift him up.

But none of us will know what it all means for a few more chapters. We could still have several more chapters before we get Tenko’s real finale. It’s nearing the end, but it’s not THE end yet. In the meantime, take care of yourselves and as always, curate your fandom spaces lovingly.

[ecoterrorist-katara]

I have been thinking a lot about blood bending lately and why the writers decided to go with the storyline of it being banned. I personally do not think it should have been. Like any bending form it can be used for awful things or it could be used for great things (my first thought is always in a medical sense but I’m sure there are other uses). And then I started to wonder if part of why they did that is bc that storyline was connected to Katara more than anyone else, and maybe this was a way to sideline her/focus more on Korra and the new gang instead of exploring with the older characters along with the new ones. But I was wondering if you had any thoughts on it!

hi anon! Sorry for getting to your ask a little late. I was at music camp (okay it’s a professional development program for musicians but I think of it as music camp in an effort to remind myself to have fun) and it was a big challenge since I’m chronically ill and needed a whole apothecary of meds to get through it. (I’m fine now! But needed to pace very carefully before & after and therefore stayed away from Tumblr)

It’s absolutely weird to me that bloodbending is singled out in a world where people can literally steal breath from one’s lungs, but it’s even weirder to me that they had a whole “ban bloodbending” storyline and sidelined Katara, because like…in what world would Katara feel strongly enough about bloodbending to ban it, yet do nothing to enforce the ban? The only explanation that makes sense is that she banned it because she was so ashamed, and stayed away from all the stuff around Yakone et al because she couldn’t bear to be reminded of what she’d done. And like all interpretations of canon Katara in LOK, that is just horribly heartbreaking.

I don’t begrudge the creators for wanting LOK to be about the new generation and I don’t mind seeing the Gaang play second fiddle. But I do object to the creators putting Katara in these situations where she could something in her wheelhouse, that’s in-character with her skills and ambitions, that is in line with her cultural impact as a role model for girls…and then sidelining her. Yakone is a big example, obviously, but so is Katara’s lack of involvement in the Civil War, the Red Lotus kidnapping, etc.

Like you said, bloodbending is useful in terms of the medical implications, but I also think it’s a humane tool in battle as long as it’s only used to incapacitate and not control. I can’t think of many better ways of incapacitating an enemy without causing serious damage (it’s even more efficient than chi-blocking!). If a bloodbender can stop encroaching enemies in their tracks with a flick of their wrist — well, that actually seems more humane than freezing them into ice cubes, which is the go-to waterbender move. I mean, Katara stops Hama with bloodbending in The Puppetmaster; she doesn’t actually control Hama with it. It’s terrible to override people’s bodily autonomy and make them do things they don’t want to do, but that is a very specific use of bloodbending.

I do think, though, that Katara is not the type of person to recognize all the other potential uses of bloodbending unless someone prompts her, and unfortunately that person is not going to be Aang. It doesn’t help that Katara’s first experience with bloodbending is being stripped of her own agency; similarly, it becomes her go-to weapon when she encounters (she thinks) the person who made her feel the most powerless in her life. To Katara, bloodbending is about taking power from someone else…and on her own, she’s not likely to see other applications. Katara is an excellent fighter with a lot of raw power, finesse, and creativity, but she’s not actually all that in-tune with her element, and I think that’s another reason she was never very interested in healing in canon (Katara and waterbending could be a whole other meta). Katara would’ve been an equally excellent bender no matter which element she wields, unlike Toph and Aang, who are uniquely suited to their elements. Katara borrows a lot from the more aggressive forms of bending (fire and earth): grabs people with water tentacles, hits them with ice disks, overwhelms them with big waves. For all that waterbending is about going with the flow and using the opponent’s strengths against them, Katara doesn’t exactly exemplify that philosophy (unlike Aang, btw, who is more intuitive as a waterbender than she is; that is why he picked it up more quickly at the beginning). She addresses all her problems head-on and is more likely to meet them with raw power than anything else. If I were to guess her astrological placements, she’d be an Aries Mars, minimum, if not an Aries Sun as well (she’d be a Cancer Moon though…I have Thoughts on ATLA astrology lmao).

Anyway, all this to say: I don’t think Katara would’ve thought of the healing implications of bloodbending on her own, when she’s already been traumatized by it, and that’s pretty tragic tbh. I like the Zutara interpretation of Zuko inspiring Katara to think there are other uses for bloodbending (as a wielder of a potentially destructive element), but I think Toph could’ve had a conversation with her about other uses for bloodbending as well, since Toph is really creative with earth. Actually, I think Zuko or Toph or Sokka could’ve all had a conversation with Katara about coming to terms about doing things that one is not proud of & moving past them, but I guess Katara can only follow the rigid moral code of her Do No Wrong boyfriend. Anyway, LOK’s despicable treatment of ATLA’s female characters is nothing new, but Katara’s is the most obvious and egregious because she’s actually there. We have no idea what happened to Suki or Azula or Mai or Ty Lee, and what we do see from Toph is not great either (in what world would she retire to be lonely in a swamp when having her friends meant the world to her…). All the boys got to have cool fulfilling lives and all the girls who aren’t lost to history are sad sacks, thanks Bryke! On a non-sarcastic note, thank you anon for such an interesting question!