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ohnoitstbskyen · 3 months ago
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Could you talk more about sephiroth and clouds dynamic/relationship? Especially about sephiroths feelings towards cloud since I personally haven’t seen many people talk about that aspect.
Well, it sort of depends which version of the Final Fantasy VII story you're talking about, because certainly in the original game, Sephiroth actually doesn't care very much about Cloud at all.
During the events in Nibelheim, Sephiroth has a relationship with Zack as a friendly coworker (arguably an actual friend), but Cloud is just some Shinra goon nobody whose name and face Sephiroth doesn't even know. It's not until Cloud confronts him in the Mako reactor and successfully kills him that Sephiroth even sees his face for the first time. Sephiroth doesn't even know Cloud's name in the last few moments of his life, he just sees this enraged kid suddenly find the strength to overpower him and throw him into the reactor core out of nowhere.
After Cloud kills him, well... I would make the argument that Sephiroth never actually comes back. He dies in the throes of a psychotic break where the Jenova cells inside of him are using his emotional anguish to manipulate him towards her own ends, promising him all the love and family and fulfilment and sense of identity that Shinra violently abused out of him. And when he dies, whatever parts of Sephiroth's mind that were left are fully replaced with Jenova's single-minded superobjective to consume the planet and move on to parasitize again.
And so the version of Sephiroth that haunts Cloud for most of the narrative isn't actually Sephiroth the man. Almost every part of that person is long gone. Just like how Jenova used the psychological hook of Sephiroth's mother to control him, "Sephiroth" is mostly the Jenova cells using the hook of Sephiroth's influence over Cloud to try and control him.
And that's why Sephiroth seems so fixated on Cloud - not because Sephiroth the Person actually cares about him, but because the Jenova cells that are spread out across a thousand organisms are calling for Reunion, and they will use whatever psychological hook or crook that can manipulate their hosts to make it happen. The other Jenova victims presumably saw visions just as vivid and personal, urging them on towards the Northern Crater.
Sephiroth seems obsessed with Cloud because Cloud is obsessed with Sephiroth. Sephiroth is this avatar of his trauma, his self-hate, and his deep internal identity crisis, the representation of his every doubt and insecurity. Hence Sephiroth's gleeful constant accusation that Cloud is merely a puppet, Cloud has no personality, Cloud isn't real - these are Cloud's own fears being verbalized against him by the Jenova cells. And it's deeply ironic because the only puppet here is Sephiroth, being piloted by Jenova like an ant by cordyceps.
Hence the very final battle with Sephiroth which takes place not in the depths of the Northern Crater with the party confronting Safer Sephiroth, but in a black and undifferentiated void-space at the end of a psychedelic mind-trip, that Cloud undertakes alone to confront the ghost of Sephiroth in his mind and banish his influence forever. Like, that final moment really is the most This Is Only Happening In Cloud's Mind-ass final boss confrontation imaginable.
But that's the original Final Fantasy VII. The extended FF7 universe pivots hard off of the popularity of Sephiroth as an Iconic Villain and goes about building out him as the central antagonist of the entire universe, and centering him almost obsessively in the extended narrative of Final Fantasy VII.
Advent Children basically retcons the end of Final Fantasy VII, where it turns out oops Cloud didn't actually fully reject Sephiroth's influence over him, here's some Geostigma to represent the haunting malice of this singular villain and here's a 1-to-1 recreation of the final scene from FF7 where Cloud destroys Sephiroth with Omnislash extended out to a gratuitous anime fight scene that ends with an even more awesome ultra-final ultimate Super Omnislash... but then even THAT isn't enough as Sephiroth promises ominously to "never become a mere memory" and he's going to haunt Cloud forever and ooooh maybe he'll be coming back for another seven sequels or something, because the franchise is never ever ever going to let Cloud move on, heal or get better, not so long as Sephiroth is this popular.
Same deal with Kingdom Hearts, which represents Cloud's character as basically revolving entirely around Sephiroth, and Sephiroth as almost romantically obsessed with Cloud, while games like Crisis Core get into the Star Wars Extended Universe business of attaching portentous mythological weight to originally inconsequential objects like the Buster Sword, and building out a grand conspiracy of gene manipulated One Winged Angel People all chasing the coat-tails of Sephiroth's popularity.
All of this comes together in the Final Fantasy VII Remake games, which try to reconcile the extended post-FF7 narrative with the original Final Fantasy VII story, adopting the idea of Sephiroth as the singular operatic puppet master villain of the story, rather than Shinra or Jenova who were the original game's thematic central villains as representations of parasitic and extractive capitalism.
So in these games, Sephiroth is obsessed with Cloud, and seems to see Cloud as his own best chance of salvation from his fate, and there's deep homoerotic tension between the two as Cloud struggles between wanting to kill Sephiroth, and wanting to be with or become him.
Oh, and to be clear, I do love the extended FF7 universe and all the post-original fluff that gets attached to it, I do love Sephiroth and Cloud as this pair of Doomed By The Narrative romantic lover-enemies fated to Toxic Yaoi each other to death forever, and I'm very fond of my good boy Zack, who deserves all the love the games have shown him. I cackled like an absolute hyena when I realized just how far the Final Fantasy VII Remake was going to go in rewriting the story.
It's just also hard not to see Square's treatment of Final Fantasy VII after it became The Iconic JRPG™ as anything other that corporate self-mythologizing and Star Wars style brand management, obsessively building more a marketable facade around the original game focused on its most popular surface-level features, at the cost of obscuring a lot of the subtler themes and ideas of the original game.
Sephiroth is not the main villain of Final Fantasy VII. Extractive capitalism is, and it is embodied by Shinra in the first half, and Jenova in the second half, and both of those antagonistic forces use Sephiroth as a puppet to do their bidding, and a veil to hide the primitive brutality of their consumption. But nobody would ever think that seeing how Sephiroth has been elevated as King Bad Guy of Villain Mountain in the aftermath.
I'm sorry I think this went kind of off the rails from the question you actually asked lol
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ohnoitstbskyen · 3 months ago
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Since I asked you about Sephiroth, I also wanted to ask about what you think of Aerith’s character and her characterization throughout the franchise.
Hhh oh god. Yeah.
So, again, Aerith begins in Final Fantasy VII as a seemingly intentional semi-subversion of the Princess Holy Maiden White Mage JRPG trope.
Mechanically she is absolutely a classic white mage, but she's also a street kid with way more life experience than Cloud, who both connects instantly with him due to his similarities with Zack, her dead ex (because, of course, Cloud is directly copying Zack's entire personality), but she also notably pushes back against him, and repeatedly refuses to let him treat her like a damsel in distress, and takes direct agency over where the story is going and what's going to happen.
As she becomes more and more conscious of her Magic Special Lineage, she changes, of course, and... arguably falls a bit more into a straight rendition of the Holy Maiden trope. Albeit I have always quite loved the reveal that Aerith isn't killed by Sephiroth just as a big tragic fridging to advance the story through Cloud's pain, but as an intentional gambit on her part to ultimately defeat the villain. The translation of the game is famously a bit wonky, but my reading of the story is that she
realizes that Sephiroth is manipulating Cloud as his primary agent in the world and that she needs to get away from him
realizes that in order to cast Holy and defeat Meteor she needs to enter the Lifestream, so
she manipulates Jenova/Sephiroth into killing her in the one place on the Planet that has the strongest connection with the Ancients so she can take advantage of their knowledge to figure out how to make Holy work.
It also kinda seems to me like she realizes that Cloud is the best chance the planet has of a champion who can defeat Sephiroth and unblock the Lifestream for the Holy spell, and maybe she sacrifices herself in part in the hopes of breaking Cloud out of Sephiroth's influence. which, yeah, that is definitely some fridging-trope nonsense.
The original game absolutely isn't perfect on how it handles it, but Aerith is (especially for the late 90s) a remarkably active player in the story, with a lot of agency entirely separate from the male protagonist, who comes into a role that requires her to separate herself from the main party and go off to set her own plans into motion.
I am overall less fond of how she got portrayed in media after the original FF7, where she really did seem to get boxed into an entirely unironic Holy Maiden trope - especially by Advent Children which casts her as a literal lover/mother to Cloud, whose especially pure and holy influence heals the blight of Geostigma once her darling Cloud overcomes his personal conflict. And certainly, a lot of portrayals of Aerith I've seen tend to focus way more on her mystical, divine Cetra Chosen One-ness than on her actual upbringing as a scrappy sassy street kid.
The Remake games... have generally walked the line okay, I think? Aerith with the steel chair might genuinely be my favourite gif from any videogame ever,
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(she's just so happy to be beating the shit out of this man)
although I do feel like her portrayal in those games make her a bit too much of a Love Interest To The Protagonist character. I feel the balance in the original focused a lot more on her coming into an understanding of her role in the story separate from her attachment to Cloud, but I also have massive nostalgia glasses on my face about Final Fantasy VII, so I recognize that I am biased here.
I'm curious how the Remake trilogy, which is a wild metacommentary on the legacy of its own original, will ultimately handle her, and I really do hope it doesn't confuse the idea of a "good ending" for Aerith with the idea of being romantically paired up to a male character, or with the idea of literal or metaphorical motherhood or some other bioessentialist nonsense.
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