#I hope it helps a little!

[iamhereinthebg]

Hello, How are you? I remember reading a long time ago that you are working in Animation and I wanted to know if you have any tips to get into an animation school.

Sorry for the weird question, I don't really know who to ask

Hello hello! I am fine thanks I hope you are too Anon ^^ No worries this isn't a strange question I am happy if I can help :))

Unfortunately I won't have much advices to give for some stuff, especially 2d animation schools.

I am specialized in 3d rigging and my school was for 3D/Cg animation and in France, so I know it can't apply on schools in other countries since all of them have their speciality.

I personnaly had a big entrance exam, where I had animation history, English and General knowledges tests + an essay to pass for writing. An oral test with a teacher/professional where you have to show your portfolio etc and storyboards and still drawings (here it was objects) to do in one day. But it depends on each school so if you have one in mind (especially if it's in the US) you can find some portfolio reviews on youtube really easily ^^

I do think there is wayyy more tutorials/reviews for 2d animation school (if you want 2D check for Calarts, Sheridan and Les Gobelins for example there are tone of videos for them ^^)

(here you go for example, and most of the time people answer question in the comments sections too :))

For 3d/cg hmmm it's great to have started a little bit 3D before school (blender exists now it's free yayy) But otherwise you don't have to have insane drawing skill to go in compared to 2d animation schools (I mean of course but voila ahah) The school is here also to let you learn, so of course you don't have to know everything about 3d before but it's nice to know some stuff before. Knowledges of the history of FilmMaking/Cinema and animation is always great!

If you wanna start with great basis, I think for 3d artist it's of course Anatomy for sculptor that comes first which explain really well sculpting (and topology too If I remember correctly) They are also a lot of tutorials on youtube for blender and maya

I will be really honest but I am mostly specialized in 3D rigging which required more technical skills rather than artistic ones, compared to Texturing/Shading or Compositing for example.

In 3D you have differents jobs which can be classified like this (to take with a grain of salt of course, all specialities are both technical and artistic) and the more technical jobs you will have the more learning Coding is important too (but this can come after, just if you reallyyyyyyy want to do really advanced 3D/CG learning Python is always great)

For more general advices, I will say to just be curious ^^ Life isn't just about your job and people are always interested if you do sports/you go to museums/you watch movies etc. Idk for other countries but it was also pretty important for my school

And be aware that what is asked to the students change each year for the entrance exam (I passed mine when I was 17 so it was a long time ago already :') a lot of stuff must have changed)

Idk If I answered your question but that's all I can say for now. If you have more advanced question on CGI/3D I would probably be able to answer but not so much for 2D animation. And be aware that some jobs exist in both pipelines too! Like Storyboarders or Concept artists

I hope it helps a little and I hope you will get to go into this school ^^ Good luck!!

oh for 3d I definitely recommend this channel I love this guy a lot! He explains really well the basis for 3D animation and even if you don't wanna do that I do think it's interesting ^^

[badolmen]

WARNING 18+

19

[novelconcepts]

I Saw the TV Glow is such a uniquely, devastatingly queer story. Two queer kids trapped in suburbia. Both of them sensing something isn’t quite right with their lives. Both of them knowing that wrongness could kill them. One of them getting out, trying on new names, new places, new ways of being. Trying to claw her way to fully understanding herself, trying to grasp the true reality of her existence. Succeeding. Going back to help the other, to try so desperately to rescue an old friend, to show the path forward. Being called crazy. Because, to someone who hasn’t gotten out, even trying seems crazy. Feels crazy. Looks, on the surface, like dying.

And to have that other queer kid be so terrified of the internal revolution that is accepting himself that he inadvertently stays buried. Stays in a situation that will suffocate him. Choke the life out of him. Choke the joy out of him. Have him so terrified of possibly being crazy that he, instead, lives with a repression so extreme, it quite literally is killing him. And still, still, he apologizes for it. Apologizes over and over and over, to people who don’t see him. Who never have. Who never will. Because it’s better than being crazy. Because it’s safer than digging his way out. Killing the image everyone sees to rise again as something free and true and authentic. My god. My god, this movie. It shattered me.

[hansoeii]

let time pass.

[lilybug-02]

Pain is a great motivator…

Part 26 || First || Previous || Next

—Full Series—

Meanwhile Toriel:

(Loud noises don't wake her up usually.)

Artist note: I’m so proud of this :))) I know it’s a lot of dialogue and reading, but dialogue is grueling work for me. I’m glad with the art and for the amount of pages I made in such a relatively short time span -w- page 5 was super fun to work on. A lot of blood, sweat, and hours here... :) The backgrounds were a big bore tbh, but I finished them! Yippie!

[pocketgalaxies]

It feels good to be able to help. (for @overnighttosunflowers)

[critterbitter]

Language divides and building bridges.

Elesa’s feeling homesick. Emmet, bless his heart, tries to help by infodumping while Ingo frantically runs off to find water (crying is a very dehydrating experience).

((Would you look at that! The kids are picking up kantonese and galarian from each other!))

BONUS:

Heh. Callback.

Want to see more? Here’s the masterpost for submas!

[cosmos-kitty]

Do you have any tips for painting with gouache? like how do you get it to stay a nice solid color over a large swath of paper? and how do you blend it so seamlessly?

Of course, here's a few pointers off the top of my head:

1. I've used gouache for this in the past so it's possible, but the flat backdrop on my latest WIP is actually acrylic! A nifty thing I've found about putting a layer of acrylic down, is that it creates a barrier once dried and essentially makes the paper waterproof. This means you can work in gouache on top without it mixing with the background, and you can wet a section and completely wipe it clean with a cloth/tissue and it won't disturb the acrylic layer underneath. It also makes the paper more resilient, and you don't get as much pilling/tearing from the moisture

To get an even wash it's mostly getting the right consistency, I add just a little water - enough that the paint is less "tacky" as you drag your brush along paper, but not so much that it's runny or translucent. It takes a couple of attempts sometimes!

2. Also for the current WIP that I posted earlier, like the vast majority of my traditional pieces, keep in mind that it's mixed media. So I assume you're referring to the blue-green gradient on the bird and wondering how I got the gouache to blend like that - it's actually colouring pencils! I'll often switch between dry and wet media, even layer them back and forth, whatever makes the most sense to get the effect I want 😁

3. On that note, when you're working with paint, or any medium really, I can't recommend enough having a "test" sheet that you do both before and during a traditional piece. It allows you try out different medium combos, see what shade your gouache will dry into, and catch any issues before it ends up on your artwork. I often see artists being encouraged to just Bob Ross their way through a piece, the idea being that you'll just have happy little accidents that you'll naturally work into the piece - maybe, but you'll also possibly irreversibly wreck your hard work and have to start again. I don't know, I'm just a methodical person I guess, but seeing someone just directly apply something to the page when they're not sure what it's going to do makes me wince - no two art supplies are the same! All of those paints and pens have different chemical makeups, there's an unlimited number of ways what you're using could interact, good or bad.

Since it's already there, I usually reuse one of the leftover failsons from the process of making the wash background, then test everything on top of that. That way you can see exactly what shade the paint will dry on top of whatever colour the background is:

Doesn't need to look good, nobody sees it (usually) and you can also test the thickness of your brushstrokes while you're at it.

Anyway, I hope this helps!

[heartorbit]

bugs when you lift up a rock

[my-autism-adhd-blog]

The Autism Urge to be Helpful

The Autistic Teacher

[graysbullshit]

I have been vacinated about 30-45 times in my life. Do you know how much I paid for it? Not a dime.

My great-aunt had a tumor and had to treat it with radiotherapy and chemotherapy. She was fully recovered. Do you know how much she paid for it? Not a dime.

One of Brazil's most famous tv show hosts who has been in show business for over 40 years with over 30 milion views had a kidney transplant this year. Do you know how much he paid for the transplant? Not a dime.

When my mother is bored she walks a block up to the public health center and gets a check up. Do you know how much she pays for this? Not a dime.

My mother has been going to the psychologist. Do you know much she has paid? Not a dime.

Does this enrage you? It should. When Luigi said "this" was a insult to the American people's intelligence he probably meant the mediatic circus around his person, but if we're to be honest you could say the same about USA's healthcare politics. Do not let them tell you it "has to be this way" and "there is no other way." There is. You CAN have better healthcare. You DON'T have to sell your house to pay your medical debt. They are MAKING you do this ON PURPOSE. Don't forget that.

I don't usually have any kindness to spare USAians, but we are with you in this one. The world is watching. You CAN turn this around! Don't let them desincourage you.

[zeldalizzy]

Mulan and Legend!! This one was so much fun! I definitely challenged myself with the background, but my favorite scene from the original Disney cartoon was the scene where Mulan's father sits with her on the stone bench beneath the cherry blossoms and encourages her. So, I kinda wanted to honor that in this one!!

I think that Legend would really respect Mulan; not only is she caring, smart, and kind, but she is also super tough and strong and a brave warrior!! She definitely could hold her own as Hero of Courage. So I think that Legend would really listen to her advice and her words of wisdom.

Sooooo I know the LU fandom loves to torture poor Legend, but I wanted to give him a break here 😂 He deserves it for sure!! Also, the pink flowers would perhaps remind him of... someone else, which would be a bittersweet moment for him.

I imagine that in this scene he kinda opens up to her about his own troubles and she encourages him with her own stories of her trials and successes, and how it all worked out in the end!

Anyways, sorry to ramble! I hope you all like it!! Thanks so much for your support!! Have a wonderful day/night! 🩵

[misstoodles-doodles]

Safe & Sound 💙

I just really wanted someone to give Echo a blanket so why not let it be Rex

Closeups T-T:

Bonus Doodle:

[hansoeii]

Hullo! I’ve been watching a bunch of your Timelapses and I was wondering how do you always come up with the colours for your pieces? They’re always so cohesive and pleasing to look at (I almost exclusively work in greyscale so if I’m using colour it’s always a lucky guess and it never looks quite right)

Hey there!

I have to be honest that most of the time I don't actually know what I'm doing and that I have no idea how most of my pieces are gonna turn out. My work process is usually based on "Fuck around and find out", haha. I'm happy to know that it apparently doesn't come across that way, though.

A lot of it comes very naturally to me simply because I've been drawing non-stop for so long, but I can give you some small tips that really help me:

1. Have as many references as possible!

Here's what my reference sheet looked like for the Jayvik piece:

It helped me a lot to understand the overall color scheme I wanted to convey. Lots of very cold tones, pinks and very light blues and greens. These colours sorround Jayce and Viktor throughout all of season 2 and I wanted to keep them, especially since in my piece they are lying in the glowing hexcore.

Don't shy away from using references, get as many as you possibly can! Look at other poeple's art too and try to understand how they work with colours.

2. Work with complementary colours!

Since I paint a lot of romantic illustrations I want them to look pleasing and comforting, which I can accomplish by using complementary colours! You see this a lot with couples that are blue and red coded, for example. And I wanted to do the same thing in the Jayvik piece! For that I used the highlights in their hair!

Viktor's highlights are a soft pink hue.

While Jayce's are a soft blue hue.

The colour wheel works perfect for figuring out if two colors compliment each other because they are literally right across from one another!

3. It doesn't have to be true to life.

Pretty self-explanatory, but I thought I'd add it in here anyways. It's important to understand how colour and light works, but you don't always have to follow the rules. Does the rim light look cool but it makes zero sense? Who cares! Keep the cool rim light! Just have fun and fuck around.

4. A little trick to make your life easier!

I'm not excatly the best at colour theory, I still struggle with it quite a bit, but here's a little trick I like to use from time to time:

If you want all your colours to look coherent, take one specific color as your flat colour. Choose a hue that you would like your piece to have. Like this:

Now you choose whatever colours your characters have and paint them in. For example, here are the skin colours I chose for Jayce and Viktor:

Looks off, right? These colours don't fit the overall piece at all. So what do we do?

Turn down the opacity! It's that easy, wahoo!

I went from 100 Opacity to 72 for this specific illustration. And look at that!

It's so much nicer already! Now you know what colours to use as your actual flats! Just repeat this with every other part of your illustration and you'll have a great starting point. :)

I really hope this was helpful! I'm not an actual teacher and I don't have a proper illustration degree, so some things might not be completely accurate, but I thought I'd try my hand at this anyways!

[lilybug-02]

Dewi needed Hornets help OKAY.

Bug Fact: The Planthopper insect can accelerate from 0 to 12 miles per hour in less than a millisecond. Video/Pictures Below

First || Prev // Next

Masterpost

The Planthopper essentially vanishes from view.

They are also an extremely diverse set of insects morphologically!

Interested in learning more? True Facts About Leafhoppers and Friends <- very humorous and educational video :D PG-13

[smellroy]

The Terror but it's Geronimo Stilton

Bonus: