#and so she decides to care back

[critterbitter]

Language divides and building bridges.

Elesa’s feeling homesick. Emmet, bless his heart, tries to help by infodumping while Ingo frantically runs off to find water (crying is a very dehydrating experience).

((Would you look at that! The kids are picking up kantonese and galarian from each other!))

BONUS:

Heh. Callback.

Want to see more? Here’s the masterpost for submas!

[rbvcdeluxe]

something something max's main color being red with blue highlights something something grace's main color being blue with red highlights something something motivations something something alive and dead something something

[sincerely-sofie]

What if the lamb and narinder swapped places?

BEHOLD: Narilamb but make it vaguely Wind Waker / Ponyo and even more tragic.

[kagoutiss]

as if it was never there at all.

[sugarcarnation]

society isn’t ready for this take i fear but actually kouyou is also not a mother figure

[666silco]

So I only JUST caught that Silco said “Her name is Jinx” muffled with the mask on as well in s1e9. I always thought it was not actually able to be heard, but listening to the episode with my headphones on I caught it. It was quick, not as aggressive, more matter of fact and bossy. Idk. It doesn’t really change much, but an interesting thing nonetheless

[invinciblerodent]

Replaying from the beginning, I don't think I'll ever get over the fact that Astarion actually expected us to not immediately clock that he's a vampire. And I know this has been said before, but it's so hilarious.

He's over there, thinking himself suave and secretive, with such decor as...

A clearly bloody glass cup sitting right in front of his tent, in a puddle of blood, as the very first thing you see

another bloody goblet at his feet, with stains that do not look anything like wine on his white carpet

jars of blood inside his open tent, complete with a very clear bloodstain on the pallet under his bedroll

this clearly labeled bloodbank jar, covered in bloodstains, just on the table right next to him

this veritable dinner table napkin covered in blood, and of course, the pièce de résistance,

the fucking mirror in clear view, angled perfectly so that if he wasn't a vampire, you should be able to see his ass in it in premier plan when approaching from the campfire.

Not only is he very clearly a vampire, but he's also an excessively messy eater, which honestly makes the fact that he is only revealed on the third night a downright humiliating admonishment of the party's collective intelligence.

(Though, armed with the knowledge that he cannot seem to keep blood in his mouth, there is also some real potential here for the first act of physical tenderness he experiences in centuries to be the player character just... absently wiping a drop of their blood off his chin with their hand after a feeding.)

[grimmseye]

Every day I lament what Chloe Bourgeois could have been.... Every day I think about her seeming character arc in which she briefly practiced compassion and self-sacrifice, in which she showed stunted appreciation for her only friend and even protected her in a moment of danger.... I miss you "still influenced by her toxic upbringing and the constant enabling from adults but slowly learning how to care about people in a way they understand" Chloe Bourgeois..

[fisherrprince]

wait are elezen tails not part of their spine? or is it like a lizard tail situation? or was alisaie's tail just yanked really REALLY hard

I SHALL DRAW A DIAGRAM

To clarify, no! They are not like lizards or some kinds of au ra, they are just fragile. Strong enough to withstand tugging and stepping on, not strong enough to withstand warmachina ripping the skin or a very heavy door breaking one of the bones. The bones don’t even extend all the way to the tip of the tail, so tailtip injuries are easier to fix, but blunt or shear trauma, not so much. The only reason Sharlayan has so many tailed elezen is because they’re stuffy academics. Ishgard has hardly any.

[thebirdandhersong]

Lol

[lesbianbanana]

Hera's relationship with Apollo is something that should be studied, in this essay I-

[tricoufamily]

visiting the hometown

(want everyone to know this edit came to me in a dream and i changed the lore just to do it)

[alicentsaegon]

Beron & LoA Mates au part 3 (?)

[shidoukanae]

Hello to the Buddyfight fandom it's been a hot minute but god do i miss this show and have been making fanart for it in the background so i thought i'd post to tumblr too ^^

I swear every year I end up coming back to this show and wishing that it kept going, that it got rebooted, that i could just erase my memories of this show and just watch it all over again from the beginning to enjoy everything once again from Tasuku's own sense of justice twisting against him to Gao's suffering of PTSD and how heartfelt it was handled.

There's something very special about this show that I haven't been able to find replicated elsewhere. It has the most perfect world to exist (so much so that i'd love to be isekai'd into it if i could!!!) and while i have my own gripes with it (hi S3+) i honestly sometimes wish i could go back to my high school years of watching this show just to relive it all again :'D

Anyways!!! I hope there's still people out there who enjoy this show even ten years later who'll like seeing new funny artwork for it!

I wanna add too that i'm hoping to create a rewrite of FCBF (ft. seasons 1-3 + Ace) or at least create more artwork for my interpretation of it and its world!

Because, sincerely, this show is one of the few that, for all its flaws, hasn't disappointed me in the years that've followed unlike many other things i've seen and i wanna try to keep the spirit of it alive while I can thanks to that. And if there are any fans still in existence who love it, i wanna provide some food while its once again in my orbit because damn do i adore this show <3 <3 <#

[androdragynous]

thinking about how my one cat learned that her claws hurt so she only cuddles when I have a blanket she can knead + is very very careful to keep her paws still when she touches my skin instead... I love her

[hephaestuscrew]

I'm still thinking about that scene in Victoriocity S3E7 where Fleet runs back towards the Beast so as to lure it into the path of the train...

Clara's exclamation of 'Teamwork, Fleet!' after Fleet says he's got a plan reflects her conviction that any plan that Fleet has will be a shared plan, something they do together.

This conviction is a kind of trust, and that trust is part of the reason Clara takes a moment to realise Fleet has headed back towards the Beast. She trusts that he's following behind her. She keeps talking to him, her words full of optimism.

When she realises Fleet isn't there, she immediately realises what that must mean he's done, and her voice sounds more small and scared than I think we've ever heard it before.

Fleet's attempt at self-sacrifice is a kind of betrayal of Clara's trust, but when he echoes her celebration of their teamwork in a more somber tone, I think it suggests that he understands the weight of that betrayal.

If Fleet's plan is that Clara won't realise he's gone until it's already too late, then he thinks "Teamwork, Clara" will be the last words he'll ever speak to her. In what he imagines will be their final conversation, Fleet affirms Clara's understanding of them as a team who work well together, even as he is making a choice that rejects the possibility of their teamwork in this scenario. It's a recognition of what their dynamic has meant. It's a goodbye and an apology, even if Clara doesn't understand it as such at first.

I don't think Fleet sounds scared as he initially faces down the train. When he shouts "Yeah, this way, you stupid machine! Come on then!", he sounds defiant and grimly determined.

In fact, I don't think he sounds afraid until Clara appears, until she might be at risk of being in the path of the Beast or the train as well. It's when he shouts "Clara, stay back for God's sake!" and "Please, get back!" that there's real fear and desperation in his voice. He can confront the idea of giving his own life, but not the idea that doing so might put Clara in danger.

Another thing about these lines is that the move from 'stay back' to 'get back' suggests that Clara didn't obey his first instruction but got closer to him (and therefore to the path of the Beast and the train) between those two lines.

Then Fleet gives what might be another attempt at his last words: "I'm sorry! I'm sorry."  A repeated apology before an attempted self-sacrifice is an implicit acknowledgement of how much losing him would hurt Clara. He regrets causing her pain.

Even so, he's accepted that he is about to die and that it'd be worth it to destroy the Beast. But Clara very much hasn't accepted either those things. She's still trying to yell over the noise of the train; she's pulling off her ring to throw at him.

I think it's a good illustration of how Clara's optimism is a kind of strength. She always believes that they can "make a new plan" and that it'll be one in which no one has to die. I think Archibald Fleet needs someone like that, someone who'll tell him to drop to the ground when his death advances from both sides, someone who - even in a dark tunnel with an murderous metal monster and a speeding train - won't stop shouting that there's hope.