#I have no idea how you drew this and animated it

[snippit-crickit]

when i first saw felix's coat few months ago i honestly thought it was a fluffy creature that moves/has personality like doctor stranges cape. i have to say that i absolutely love his diva look with it and how much it changes the silhouette (HE LOOKS SO SMALL OTHERWISE, natural intimidation technique)

thehe i dont blame you considering i often drew him with an uncanny scarf with an eye, thats kinda a leftover from the 2021 era of this oc;] but HEY YAY youre the first person to point out how the coat is like an intimidation technique xd its kinda the thing, bro really wears it for his persona and to look more mysterious because he is cringefail actually however in animation, i did have an idea that his coat would puff up like all these ghibli girls when theyre angry or scared

[mumms-the-word]

Reminder that these are all ideas and arts thought experiments during the early stages of the game—when everything is a fun idea to explore but not necessarily something that can be executed by the very specific and unique challenges of designing bodies and tech and environments via Frostbite

I love these ideas. They’re ambitious, they show a love for the franchise and wanting to explore new ideas and bring back old familiar faces. But it’s disingenuous to say “here’s everything that they took from us” or “here is what DATV was supposed to be”

These are ideas and not all of them even work together (the book itself is like “we can’t do espionage with a big ass ship on top of the wave”). Several times in the artbook, even in these screenshots, you see “we explored” or “one early concept was” or etc. This is the fun stage of game development, where any idea is viable so long as you can create an art for it, and it looks great! But that doesn’t mean every idea can go into the game.

These aren’t ideas we were supposed to have, as if we were entitled to these and then some evil mustache-twirling CEO said “I don’t want the kids to have fun! Eliminate it all!” These are concepts the team came up with and pitched to higher ups (other devs, their colleagues) and then had to sort through to see a) what could be created using frostbite, b) who has the manpower/staffing to write, design, build, animate, and polish these characters/items/environments, and c) how much time it would take to do all of that. There is so much more that goes on behind the scenes than “look I drew a dragon submarine, too bad there was a meanie pants CEO at EA that said no”

Veilguard has its fault and plays it too safe when it comes to Thedas and its characters. But the artbook is a love letter to the franchise and a glimpse at the ambitious game dev teams are allowed to have before the nitty gritty of finances and technology get in the way. These ideas are cool, and I love them, but we were never going to get all of this, not even if the game had launched years ago without the development hell that it went through

What Veilguard Could Have Been

Very saddened to hear the news about Bioware. As much as I was disappointed with Dragon Age The Veilguard, it was a fun game and I did not wish for the series to end. That being said, for those of you who haven't seen the artbook, I want to share the initial ideas and concepts of the team behind the game. Here's what Veilguard could have and should have been.

Characters from Previous Games

Morrigan, Dorian and Isabela were supposed to be our advisors. They also had better outfits.

Sten, Cole and Shale were some other characters featured in the artbook. An early idea for Cole was to act as a compassionate voice to Solas.

The Divine was supposed to make an appearance, sending out ships to hunt Solas in the hopes that his capture will restore peace to Thedas.

We were supposed to receive assignments from the Inquisitor.

Another idea was for us to return to the Fade and rescue whoever was left behind in Inquisition.

Solas as a True Leader

Elves from all over Thedas were supposed to answer Solas' call, as presented in the ending screens of Inquisition.

Solas' appearance was supposed to be more of a surprise.

Solas was supposed to return like a regal figure out of the distant past.

Game Mechanics

The game was focused more on espionage and sneaking around. We were supposed to go on cool missions, like infiltrating the Archon's throne room.

Another idea was for us to ride adult griffons, hunting dragons.

Or to go on secret missions in Tevinter, accurately depicted here with slaves and slavers.

Story and Setting

The dwarves were supposed to be fleeing the underground by the thousands. Cause is left unknown.

We were supposed to go to Par Vollen, the home of the Qunari.

Companions had the option to betray us.

We were supposed to go in disguise to a ball in the Necropolis.

Another idea was for Solas to interrupt our mission, wiping half of our team off the board and forcing us to make an unlikely alliance.

Solas was supposed to summon a Titan in the final battle.

We were supposed to get a happy ending with our love interests.

Headquarters

And last but not least, our base was first supposed to be a ship, sailing to all the places we would visit.

We would have a war table room, similar to Inquisition.

The ship could get stolen and we would have to get it back.

However, thematically, boats don't line up with the spy theme. They're too easy to spot and attack. So the ship was transformed into a submarine.

The submarine was already named The Dumat, after an Archdemon.

These are just the parts I found most interesting from the artbook, which has more than 200 pages. I wonder who saw all these ideas and went nah, let's scrap them. I guess we'll never know.

[asnowperson]

Takemiya Keiko interview about Kazeki OVA (1987)

Here's another short interview from platypus's stack of old magazines with cool interviews: Takemiya Keiko talks about Kaze to Ki no Uta Sanctus: Sei Naru Kana in the 1987 December issue of Puff.

Translation is under the cut, and please let me know if you spot my mistakes.

Kaze to Ki no Uta – OVA is finally on sale!

Takemiya Keiko Interview

“It will not ruin your image of the work, so please watch it!”

Let us first hear your thoughts on finishing this project.

Mr. Yoshikazu was sitting at the director’s chair. That alone assured me that everything would go smoothly, and I left everything to him. He read the manga thoroughly and gave the work his own interpretation. I had nothing to worry about. I didn’t have to ask him not to do a certain part in a certain way, or to avoid including too many “risqué” scenes. I can feel that he gave the work the treatment it deserves. Even the animation style was not too flashy and anime-like. The movements were more orthodox. Everything worked out perfectly, so I have nothing to say.

The background art was amazing. Did you ask them to draw them that way?

Both Mr. Yoshikazu and I thought that she’d be a  good fit, and suggested having the same person who was the art director for “Natsu e no Tobira”, but we couldn’t get a hold of her. We found out the reason later: The producer thought she was too slow, and we should give up on working with her (laughs). But when we said that she was the only person who could draw the backgrounds, she was hired to work in the project. However, she was too late to turn in the drafts. We really were in a tight spot. She might have been slow, but she really is an artist. When she can’t draw something, she just can’t. She gave it her all… Even though it was something that’d only be on screen for two seconds… If we couldn’t ask them to do something, I said I should go ahead and do it myself.

So, I gather that you drew some key animation yourself. Are manga and anime too different to draw for?

Both mediums are used basically to capture “movement,” so I think they are the same. You go with the flow, trying to capture “movement”… You think about how original you can express it. That’s a really fun undertaking. For example, even if it’s just a scene of a character turning to look back, if you strive to give it a little touch, you can really bring out an erotic feeling. That’s the stuff I’m talking about. If I had a lot of money, I would dabble more in in-between animation. I now understand why Otomo Katsuhiro-san was so obsessed with it (laughs).

I’ve seen the OVA. It felt like reading one of your works.

Do you think so? I didn’t ask him to do it, but to keep close to the atmosphere of the original work, Mr. Yoshikazu outlined the key points. He put the same things as my drawings in those scenes. But if you looked closely, you could tell that they were different. When I saw the whole thing, I thought “wow, it’s the same!” However, upon closer inspection, I found out that such scenes did not exist in the original. I even thought maybe something was wrong with me. The same also goes for the lines. “Did he ever say that? He might have said that…” But when I re-read, I see that no such line was uttered. I had so many moments like that.

What was the fans’ reaction to this OVA adaptation?

When I said it was happening, I received an equal amount of positive and negative reactions. Well, that’s only to be expected. So, like I thought, only when I said that Mr. Yoshikazu was the one directing it, I saw the real opposition. The animation director was decided on, but the VAs weren’t cast yet. When news of the production got out, I received letters saying “it’s too late, I give up!” (laughs) They said stuff like, “Here we are, so against this idea, but you still say that you’ll do it! I don’t care anymore!” I can say that there are people who definitely won’t watch it. It makes me happy to see the work being loved that much, but when people are that obsessed with it… It’s kind of scary. I sometimes go as far not seeing it as something I myself created. But well, there are still a lot of people who say “I might cry and whine, but I’ll still watch it.”

Can we have Ms.Takemiya, the creator herself, do some advertisement for the OVA?

The OVA didn’t embarrass me, so I’ll keep promoting it. I don’t think it’ll ruin your image of the work. But I know that there are people who are too nitpicky and say stuff like the lines of a character’s profile is kind of off and they hate it, or that their legs are too thin  or that their feet look weird (laughs). In that sense, we paid extra attention to the movement itself and tried to animate the characters in a natural manner. “The Poem of the Wind and the Trees” makes you think of subtle movements, right? We can’t have them move too briskly, and even the fight scene is nothing too serious. Because Mr. Yoshikazu didn’t want to create too vivid of a scene. Rather, he didn’t want it to stink of “masculinity” that much. And people who’ve only seen the character designs might think that they look nothing like the manga, but when they are in motion, they do look like their manga counterparts. As for the voice of the characters, I don’t know the actress of Gilbert, but we have Nobita-kun for Serge (laughs)! People who are into anime will recognize her voice, so they might be a little bit of put off by that, but she doesn’t sound like Nobita-kun here. Not at all! The more you listen to her acting, the more you enjoy it! There are parts that reflect Serge’s character, so I’m really content with the result.

Can we consider this as “episode 1” of a series? Do you have plans for a continuation?

If this OVA sells, it might happen. If this one gets a positive reaction, I think we can make another one. The producer said that’s what he thought would happen. If you ask Mr. Yoshikazu, he says it’ll be at least 6 episodes long, but I doubt that. I can’t bring myself to believe that we can make that many episodes. Anyway, to think that we won’t be working with the staff who brought it to life with such resemblance feels so sad. But I also think that if we ask them to do it again, they’ll simply run away (laughs). We’ve already done Yoshikazu-san’s favorite part right off the bat, so what remains is the hard part. He says he can’t decipher a character like Augu (laughs). Maybe another director might do better.

And what about the future of the story in manga?

There’s the stuff about marriage and children problems, how to reach enlightenment, and everything in-between until Serge’s death. But even if I drew that, that would have no meaning for people who are only here for what Gilbert and Serge had (laughs). I don’t have any plans to draw any continuation for the moment, but one day, if I ever get the chance… If the are conditions right, I think I’d like to draw it.

Can we have your final message for Puff readers?

Watch the OVA. Please do it. I believe that if you watch it once, all of your worries will be washed away.

[alexa-yukiyu]

Unfit Babysitter ft Sukuna

A/N First one to go! I can’t remember if I came up with these or if they were dreams but here they are, I think I have three or four ideas already written down, just have to fledge them completely

Reader here is replaced by Dokucha which stands for reader in japanese for the enjoyment of both reader and oc character readers

Sukuna looked bored at the child running before them, playing around with a wolf-like curse. The two ran in circles, the child trying to catch the curse, giggling escaping them as they did.

“Sukuna-sama,” Uraume called, catching the man’s attention, his eyes glancing at his subordinate letting out a hum in response.

“The village downwind has sent a group of sorcerers to our location; provided they don’t die on the way, they should arrive within the next hour.”

“Are they any good?”

“Their techniques were quite unique. However, they lack the talent to master such abilities.”

His disappointment was soon cut off as he dismissively turned his sight back on the child only to let out an annoyed grunt at the lack of said child in front of them.

“Should I retrieve them?” Uraume questioned, watching as the sorcerer stood up and made his way into the forest past the clearing.

“No, I will be getting the brat myself this time

“He was right; these maggots have not the first idea how to use their techniques in an effective way; it would have been fun to play with one that knew what they were doing,” he tsked, dropping the severed head of the sorcerer

“And you,” he growled, turning around to face the curse that stood next to Dokucha, dread filling their animal features as the sorcerer slowly made their way closer to them, a taunting smile on his face as he did

“I should have known better than to have allowed a measly cursed to live,” he drawled as he drew closer,

“Here I thought even a pest like you could be useful, but you aren’t even capable of keeping tabs on a brat,” he spoke, the malicious grin on his face growing at the fear growing on the animal as he raised one of his hands to strike them down stopping his attack as Dokucha stood in front of the wolf protectively

“Go away, Kuna!”

“Ha?! I saved your ass, and you dare say that to me?! Move,” he snarled.

“No! Mr. Snuggles protected me!”

“Who the fuck is Mr. Snuggles?!”

“Mr.Snuggles!” Dokucha exclaimed in glee as she gestured to the wolf curse, who nervously shook his head. Sukuna’s attention shifted to him being anything less than thankful for the ‘praises’ of the child.

“He’s the best! Much better than you, Kuna!” They gloated, placing their hands on their hips in a proud stance. The wolf looked their way, silently begging the child to cease their words, comedic tears sliding down its snout as their situation worsened with each second.

“Is that so?” Sukuna growled, sending a scathing glare to the curse.

“Mmhm, just like me! You’re no match for me, Ku! Give up, and I will show you mercy!” they called with an exaggerated laugh, escaping them, only to pause and let out a small squeal as the sorcerer easily reached them and took hold of them.

“HA! A weakling like you is nothing more than an insect compared to me! What do you take me for?!” He Cackled as he looked at the child now dangling from one of his arms by their feet.

“Y-you’re, You’re, a-a-a”

“Can’t even speak properly, and you speak about defeating me?!”

“You’re so mean, Kuna!” They snap a frown on their face

What do you think? This one is kinda meh

[springsketches]

He’s very tired, TLQ has more decisions to make… Oh hey, the pristine cut comes out tomorrow! Have a last minute picture I did! This was surprisingly difficult ha ha ha, I don’t know how many times I’m gonna draw the shifting mound again... Congratulations Abby and Tony for their time and efforts! I look forward to playin it tomorrow!

It’s exciting!! I’ve been waiting a while for this one! I hope people have been as excited as I’ve been! Maybe sometime I’ll create a more detailed/flushed out drawing, but for now I’m happy with this drawing given the short amount of time I gave myself.

Being loosely a part of this fandom has definitely helped me in my art journey and inspired me to become a better creator.

Also, if I may be a little self-indulgent, I’m gonna show my oc clapping for them! She’s excited too

[hellspawnmotel]

epsilons

[all-my-ocs-are-evil]

Grojband, but as a band from an early 2000s shoujo manga

[socially-awkward-chocobo]

Tada!!!! I made three more stain glass-ish style drawings! (Here's the Kido-Seto-Kano ones I made)

[cargoshortsenjoyer]

This is Herbert West about to experiment on Jeffrey Combs. The concept originally came from @heliojip on here. He hasn't released his image yet though.

I had begun jokingly brainstorming how Jeffrey Combs would react if he was transported into the Reanimator universe and met Herbert. I think he'd escape with his knowledge of how horror movies work and how to act if you wanna be the survivor, and then go eat some keebler fudge magic middles (discontinued). Then Herbert would find him and Jeffrey would have to make up a reason why they look so similar, and he'd tell him that he was his REAL biological dad; the sperm donor to his actually adoptive father. Anyways if you want more of this headcanon tell me, it was fun

[hide-your-bugs-away]

hearing Alan talk about how much he liked Albert Grossman and Eric talk about how much he liked Brian Epstein makes my tiny emotional brain implode like GHGhHhh the Animals' actual manager was Not Good!!!!!!! they were actively looking at the managers of their contemporaries and wished they could've had that instead!!!!!!! 🥹

[joannes-journal]

=+=+=+=+=

I was going through one of Jo's old journals while settling down at our new place. It's this beautiful cabin out in... well...a forest. Bifrons was a sweetheart and helped us move in. He even sat down and colored with the kids for a bit and told them about the local plants.

Jo said before that she couldn't get photos of DISC0RD without the camera distorting. Her solution? Draw the beast. The journal was wedged between a copy of Stephen King's IT (the book) and an empty journal.

=+=+=+=+=

[science-lings]

I wish I knew how to draw birds bc I have so many ideas for how I want Phoenix!Phoenix and Phoenix!Ryunosuke to look but animals in general are hard and I feel like I can never quite get the results that I want no matter how much I try and one of these days it's going to drive me crazy

[eggmeralda]

just woke up from the best film I've ever watched in my life only to realise it was a dream

[stump-not-found]

i wish i had my tablet i feel like words cant do justice to how i felt seein this for the first time this is insane

imagine a blue barrel . now imagine that blue barrel has been replace by a wet slop on the ground . because i've exploded and i was the barrel, but now the slop

theseus' guide chapter 8 spoilers !!!

an overly dramatic visualization of the chapter finale that i got way too ambitious with enjoy

[elodieunderglass]

hi! i was just wondering if you’re getting a piece of this pie. https://www.kickstarter.com/projects/voidrealmminis/rise-of-the-eldertubbies?ref=profile_saved_projects_live

Oh my goodness! Haha thanks for showing me! And no, of course, this guy is still selling my dream while claiming it’s totally nothing to do with me. I hadn’t heard about it so thank you.

For those just joining us, here is the saga of the elder teletubbies:

1. in 2017 I posted a dream I had on Tumblr. In the dream I discovered that the childish teletubbies shown on BBC’s Teletubbies are merely the children of a species that grows up to be forest cryptids as adults. The post contained a detailed character description explaining how the children’s simple antennae become more complex antlers; their coats become thicker hair; their eldritch screens are unknowable; here, look:

The adult Teletubbies have more branching, complex antlers and shaggy coats. They are less brightly coloured. They are terrifyingly large. Their strangely human faces, emerging from the thick fur, are unquestionably adult; remote, serene, reproachful. Their television screens are glitchy, esoteric and unknowable. They are cryptids whose public exploitation has undermined their rarity and their strange, alien dignity.

That’s a pretty clear description.

2. The post quickly gained attention and many people drew art, made sculptures, designed in-depth character concepts, and even made DnD character sheets and entries with detailed notes. It was 2017. The post got over 90k notes. It had an extremely clear description of the cryptid in it. This wasn’t at all obscure.

3. The post and four pieces of the concept art, including the first piece by were screencapped and posted on r/tumblr. The post included this art by the now-deactivated @finoliatav which is, I think, the first piece of art. Most screencaps don’t show that it’s animated! Once you see it you can no longer pretend that any more work needs to be done in designing these characters, really - they’re all variations on a very clear theme.

4. A guy called Jars started drawing the BBC Teletubbies as adult Teletubbies. He noted on Reddit that his inspiration for the first one was the r/tumblr post but after that, he considered it entirely his own creative work. He drew each of the 4 BBC Teletubbies as adults using my character description and wrote a little story about how his character had stumbled upon them in the woods. He’s a good artist and his work went viral on Reddit and instagram. Those places being separate from Tumblr by the walls of the enclosure, they quickly believed the Jars was being highly original and praised him for it.

5. jars got carried away by his fame and started merchandising for all he’s worth. He’s selling elder teletubbies placemats. He got a collaborator to help him make and sell plushies.

6. Plushies of my character design applied to BBC characters. Jars sells them. To people. Who buy them. He sells these.

7. I think this is like… his job.

8. It has been years of this. I don’t think he has actually come up with anything else to sell by himself. But given that he now has millions upon millions of views on platforms I don’t use, let alone dominate (Instagram, YouTube, Reddit, TikTok) he seems to have fully subscribed to the idea that this is his THING.

9. After a while I wrote him a friendly email expressing that since my original dream was very much about discomfort with how the teletubbies were being exploited, I didn’t mind him selling his own art but that I wasn’t happy with him selling plushes based on my writing.

10. He wrote back along the lines of it all being his original intellectual property and absolutely nothing to do with me, etc, so jog on and don’t interfere.

11. I’m not entirely sure where the original intellectual property is when taking BBC characters and drawing them according to someone else’s detailed description of how to “evolve” them (branching antlers, shaggy coats, eldritch screens, serene adult human faces) especially having drawn them after seeing four separate detailed reference photos to base your own drawings on; especially when they’re the existing BBC characters from the show and not even your own. Like, Jars, you were given an entire detailed brief, several sets of references, an entire concept and a television show: the only artistic choices made here were to pick up your own personal pen and do the drawing. You have never deviated from my description, which you did not come up with yourself in any way. But okay Jars. You did some real intellectual heavy lifting here, this is Intellectual Property suddenly, and I guess this is your day job!

12. I myself actually have a day job, am capable of generating lots of other original material just for funsies, have never asked you guys for money, and I’m not generally huge jerk I don’t think. Also, I’m uncomfortable but have never been clear on how to stop him - I don’t think I can. So I don’t do much about this, apart from occasionally scream with hilarity with you guys about it.

13. Like this is the opposite of Goncharov. This is a guy making his wage on a 2017 tumblr collaborative shitpost insisting that this is the beautiful fruit of his only brain. And millions of people believe him.

14. There are now YouTube documentaries with millions of views and TikTok lore about Jars, and his lore, the Elder Teletubbies, which apparently he invented. People are making their wage talking about the history of Jars and his teletubbies lore. These documentaries are, if you can’t tell, not especially well-researched, as it is not difficult to find the original elder teletubbies art on the internet, which is all timestamped. Occasionally hilarious people from Tumblr point this out in the comments (thank you, you guys are hilarious) but the juggernaut is unstoppable!

15. Jars is now, apparently, doing a kickstarter to raise money for some kind of DnD sheets using the grown up BBC teletubbies.

16. I will point out that tumblr made and played with DnD teletubbies in 2017 for free and nobody had to pay $3000, but again. The juggernaut is unstoppable.

I have never, ever known what to do about this guy.

I have always been open to advice but genuinely never been able to articulate how it “damages” me, apart from ethical discomfort about how much I hate my writing being monetised by other people, especially when it was about my discomfort with exploitation. The juggernaut is unstoppable though. He fully intends to get thousands of dollars from this. He almost certainly will!

[koobiie]

bestowing my highest honor as an artist to ffxv (drawing the characters in fun outfits)

thoughts under the cut

RREAAAGHHHH SO EXCITED TO BE DONE WITH THIS!!!!! it took me forevarrrr but i soldiered through as an act of love. now excuse me. yap time

OKAY SO the concept behind this was originally specific fashion subcultures for everyone!l ike noct emo ignis dark academia etc. but then decided i didnt want to pigeonhole it all and just freestyled outfits i thought would look nice on everyone

noct - i do think noct would still be emo-ish but also opt for comfy baggy stuff a lot. something you could just fall asleep in on the spot. note the details of bass pro shop shirt (of course) XV necklace, little moon + stars accents, carbuncle + fish keychains. i also wanted his metal band logo shirt to spell LUCIS but i forgor some letters but its not very readable anyways

ignis - ignit ooohghh ignos ignaurs. sorry i made him serve so much cunt it will happen again. i drew him first cause that kind of inspired this whole thing i love him so bad if i didnt draw it id explode. not much detail to note except his collar pins are like his double blade thingies

luna - lunaaa the concept was “clean girl aesthetic” idk if that happened but im actually really happy with how it came out! might be my favorite of the bunch just because she looks so pretty and happy. your honor she should have been able to just be a normal girl and just. chill

prompto - prompotoooo i had trouble picking his vibe!!! my first thought was techwear?? because weeheeeehee he loves tech and well... you know... but then i realized i didnt really like the look of anything i saw + it was so bulky and dark and serious for him! ending up going with some more youthful and baggy. i was considering something more loud and colorful but ended up not going with it. i feel like in canon he'd be too nervous to have such a flashy fit and would want to just look "cool" to fit in with the boys lol. itty bitty details here - chocobo keychain, pompompurin and bi miku buttons, and his lanyard is kings knight themed! i also thought it was funny to write LUCIS on his shirt like you know those shirts that just say BROOKLYN or TOKYO or SAN FRANCISCO and thats it. thats what its like

gladio - okay i know this is going to sound like a lie but im not horny for gladio like at all, hes my least favorite, i think he's just alright. but also i KNOW in my heart of hearts that he would LOVE being a leather daddy and so i had to make it happen. main detail to note here is that his tank top has the motifs of a cup noodle! i didnt know what else to add cause you know.. hes the cup noodle guy.. but also i didnt want it to be so in your face about it with a big as logo so kept it subtle!

(side note the leather daddy gave me an idea for a post where its like noct and prom go to a gay bar all nervous but then they run into gladio and its like "p: GLADIO YOURE GAY?" "n: nevermind that PLEASE dont tell ignis we snuck out" and then ignis walks up and theyre all like WHAT THE FUCK!!!! caption would be "the gang finds out theyre all bisexual." probably wont draw it but i think its very funny lol)

iris - iris my sweetheart.... definitely leaned into the scene vibes here and also that one image of the blonde emo anime girl. details here - of course the moogle big ass backpack and keychain (can you tell i love keychains), but also her buttons are an iris (the flower) and also a crown with hearts (haha symbolism)

anyways oh god i didnt mean to write an essay down here. usually i keep this in the tags but this time i just had Too Much To Say. can you tell i put a lot of thought and love into this . anwyays. *walks off into the sunset and fuckig dies*