#I also think of it maybe once a week

[sergle]

EXACTLY why the rcdart post makes me laugh so hard bc I can’t Not think about that: the worst insult I’ve ever been given

[egophiliac]

this is basically what happened, right?

(these guys are very lucky that everyone at NRC 1) has the combined intelligence of a sack of bricks, and 2) is easily distracted by shiny things.)

[surreal-duck]

es rarepair week 2024 day 1 | AU/future

lil ghostic au of mine!!! yuzuru and the rest of fine are long since trapped souls in an abandoned mansion of which rst come across while looking for shelter during a storm :] it doesnt um. particularly end well

[ricky-mortis]

Curtwen Week Day 6: Happy Ending

[inkskinned]

it is all chaos and entropy. the thing is that the chaos and entropy make it beautiful and lovely.

yes, it's true that nature and the universe are uncaring and unspecific, and that is terrifying. i have lived through some of the unfairness - i got born like this, with my body caving into itself, with this ironic love of dance when i sometimes can't stand up for longer than 15 minutes. i am a poet with hands that are slowly shutting down - i can't hold a pen some days. recently i found a dead bird on our front porch. she had no visible injuries. she had just died, the way things die sometimes.

it is also true that nature and the universe are uncaring and unspecific, and that is wonderful. the sheer happenstance that makes rain turn into a rainbow. the impossible coincidence of finding your best friend. i have made so many mistakes and i have let myself down and i have harmed other people by accident. nature moves anyway. on the worst day of my life she delivers me an orange juice sunset, as if she is saying try again tomorrow.

how vast and unknowing the universe! how small we are! isn't that lovely. the universe has given us flowers and harp strings and the shape of clouds. how massive our lives are in comparison to a grasshopper. the world so bright, still undiscovered. even after 30 years of being on this earth, i learned about a new type of animal today: the dhole.

chance echoing in my life like a harmony between two people talking. do you think you and i, living in different worlds but connected through the internet - do you think we've ever seen the same butterfly? they migrate thousands of miles. it's possible, right?

how beautiful the ways we fill the vastness of space. i love that when large amounts of people are applauding in a room, they all start clapping at the same time. i love that the ocean reminds us of our mother's heartbeat. i love that out of all the colors, chlorophyll chose green. i love the coincidences. i love the places where science says i don't know, but it just happens.

"the universe doesn't care about you!" oh, i know. that's okay. i care about the universe. i will put my big stupid heart out into it and watch the universe feast on it. it is not painful. it is strange - the more love you pour into the unfeeling world, the more it feels the world loves you in return. i know it's confirmation bias. i think i'm okay if my proof of kindness is just my own body and my own spirit.

i buried the bird from our porch deep in the woods. that same day, an old friend reaches out to me and says i miss you. wherever you go, no matter how bad it gets - you try to do good.

[bacchuschucklefuck]

and! barbarian!fig! its her

[floccinaucinihilipilificationa]

Hello may 31th anon! Look at that, another year behind us and a new one to come. Have a nice day! ₍՞◌′ᵕ‵ू◌₎♡

[bisclavret]

like many who have suffered at the hands of bbc merlin before me, i recently indulged in a thought experiment in which i outlined my own version of seasons 3-5 that stay thematically and tonally in line with the show (except they're less fucking stupid). but then i quickly realized that focusing on details is pointless: all you need is to solve the one Big Problem the show has, and the rest will follow. the problem in question? ✨morgana✨

i like the first two seasons. s1 achieves what it sets out to do and has fun while doing it, and s2, while flawed, sets up a ton of potential that the following seasons unfortunately squander, beginning with the insidious season 3. you can only distract me with cute knights and goblins and fart jokes for so long before i start seeing through you, evil, evil season of television.

my hypothesis is that if the writers had crafted s3 morgana into anything more sympathetic than a violent half-alive poltergeist that can never be reasoned with because she's suddenly terminally off her rocker, everything would've fallen into place. a sympathetic morgana would've made real, valid arguments against uther (and arthur) that wouldn't just be the ramblings of a woman possessed. her betrayal of arthur would have stemmed from her feeling increasingly morally superior to him because of his complacency in the face of their father's tyranny. under morgause's guidance she would stop believing that arthur is capable of change, and the whole point would be that she might actually be right. arthur would have to actively try and prove her wrong, instead of getting praised for doing the bare minimum because the bar is on the floor.

furthermore, morgana's prophetic dream about arthur and gwen becoming king and queen and her decision to prevent this however she can is a direct parallel to merlin learning about that same prophecy and making it happen by any means necessary. merlin's desires about his and arthur's futures are subtextually fueled by gay love and devotion, so why couldn't morgana's be? why couldn't she properly express her bitterness that arthur gets to be with gwen in a way she can't "took gwen away" from her, instead of suddenly declaring that gwen is nothing more than a servant, after two seasons of demonstrating again and again that she loves, values, and respects gwen more than anyone else in that godforsaken castle?

following this, an angry and emotionally volatile but still sensible morgana asking gwen to stay by her side during the coup of the castle in the s3 finale and gwen going behind her back to help arthur and the knights would've hurt like a bitch. double-sided betrayal! gwen having a real plot! the proper beginnings of a toxic yuri that would shape a generation!

then there's the utter hubris of having morgana shoot arrows at the same civilians she worried herself sick over for 2 seasons — even morgan, her medieval counterpart that was rooted in every sexist trope in existence, doesn't just go around killing senselessly but instead has (often petty!) personal vendettas against gwen, arthur, and the knights. morgana had every right to be sick of the pretensions around chivalry in camelot (she was always quick to mock it, even in s1), and to lash out at the knights and soldiers after years of feeling powerless in a castle full of armed men that blindly followed her oppressor. the show conveniently forgets that morgana was victimized as a woman as well as a sorcerer those first 2 seasons.

but like i said, this is not just about morgana. allowing her to remain a real and multifaceted character even as she betrays everyone in pursuit of her ambitions would've given the rest of the core four more interesting conflict to work with: merlin because he would have to experience real consequences to his actions, arthur because he would watch his sister go against his father (and his knights, and his birthright) and experience some actual internal dilemmas about it, and gwen because she would be forced to choose between morgana and arthur without the pretense that it's an obvious or easy choice for her to make.

even morgause and gaius would come off more interesting as mentors: neither one inherently evil or inherently good, both jaded by events that happened before our protagonists were even born, both heavily influencing morgana and merlin into fulfilling roles that they think are appropriate, but that morgana and merlin may not have chosen for themselves had they not been under their care.

you get the gist. if the show followed its own setup, morgana's mistakes wouldn't lie in cheap and senseless acts of violence but in alienating the people she loves because she is too hurt and jaded to trust them. meanwhile, everybody else would feel guilt over "failing" her and yet they would be too caught up in their own (sometimes flawed!) beliefs of right and wrong to truly see her point of view.

arthur would convince himself it was sorcery that corrupted her. merlin would know that isn't true but he wouldn't be able to argue without confessing everything, which is the defining conflict between him and morgana and it's cheapened when she's just an evil witch caricature and merlin is framed as inherently virtuous in contrast. gwen, too, would become a more active participant in her own life by choosing arthur over morgana and choosing to rule camelot with him instead of just waiting politely to see where things go.

and, of course, uther's downfall and death would be quick, final, and completely earned — when and why did the show even decide he of all people was the sympathetic villain, anyway?

lastly, and perhaps controversially, i think morgana should've learned merlin's true identity by season 4. her being the first of the main characters to find out makes perfect sense considering their shared history and their interconnected and mirrored arcs. even the show seems to agree, considering she does find out a little before arthur. but the narrative itself tried pointing flashing neon arrows towards this way earlier — there is a whole entire episode in s4 where merlin being emrys is repeatedly spelled out for morgana and she still isn't allowed to see it. that episode makes her look like the stupidest person to ever live, which is pretty funny im not gonna lie, but also another frustrating thing in the endless string of frustrating things that make up this show.

morgana learning that merlin has magic would've transformed the source of merlin's anxiety from a crippling fear of being outed someday to the crippling fear of knowing she could out him at any moment. this would make him want to beat her to the punch (perhaps he'd consider killing her for a minute and decide against it because she isn't a cartoonishly insane evil person in my version of events) and maybe he would even feel some tentative excitement at the idea of coming clean, now that it seems inevitable. after all, he always intended to tell arthur eventually! and i think gaius would have to admit outright that he does not want merlin to tell arthur he has magic because he, gaius, simply cannot risk such a gamble. it would be so interesting to see gaius and merlin clash and disagree once it becomes obvious that it's not merlin that isn't ready for the reveal, it's gaius. delicious!

with morgana's knowledge looming, things would inevitably spiral into a magic reveal by the end of season 4. i picture this season as an absolute mess of miscommunication between everyone at camelot, which is, y'know, canon. growing increasingly cunning and vengeful, morgana would use this tension to her advantage, destabilizing the court from the outside while she creates alliances with other sorcerers outside of camelot (instead of living alone in a hovel for no reason — morgana le fay i'm sorry i'm so sorry they gave you agravaine instead of your all-female entourage oh my god).

and here's where the events would change beyond recognition (aka here's where the meta becomes the fanfic i refuse to write). picture it with me: a militia of sorcerers infiltrates camelot and arthur and gwen have to set aside their differences (assuming gwen kissing lancelot and arthur overreacting happens, which it should) for the good of the kingdom as well as for love. picture high priestess morgana in her element, side by side with a bunch of misfit sorcerers that aren't so easily vilified, chopping down camelot's soldiers and knights and assuredly making their way to the newly-minted king.

then, just as it starts to seem that all hope is lost, in swoops merlin (the actual merlin, not his old fart disguise) on dragonback (kilgharrah hates morgana so much i know his sexist ass would stoop to anything to stop her)!!! imagine merlin showing off the extent of his powers in front of everyone and preventing the sorcerers from getting any further, declaring loud and clear that camelot is protected by him, by emrys. imagine that display of power alone being enough to send everyone home.

imagine the loyalties clearly drawn: merlin on arthur's side, morgana on the sorcerers'. imagine arthur, feeling confused and betrayed by everyone at this point, banishing merlin despite everything he's done for him in the angstiest, most emotionally dysregulated scene the show had ever put to screen. imagine merlin starting season 5 free at last but very lonesome, an embittered dragonlord like his father. imagine the absolute mess camelot would become without him, even with gwen — now queen guinevere — there to pick up the slack. imagine arthur actually earning merlin back, finally growing into his role as king as he does so. imagine the reunion.

all this and more could've been not just possible but inevitable if morgana was allowed to remain a complex character that is neither inherently good nor inherently evil: it was undeniably the biased and one-note treatment of morgana's downfall by the writers that set the precedent for literally everything else that happened after merlin chose to poison her. the show wouldn't have even had to jeopardize its tone or the monster-of-the-week vibe, all it would've had to do is admit that even the "good guys" are capable of mistakes and what makes them good is the ability to feel remorse and change for the better. (as opposed to uther, who was miles beyond redemption since way before the pilot and deserved to lose everything and die alone. OBVIOUSLY???)

in a world where morgana remains multifaceted and sympathetic, mordred would get a better arc as well, so if we really wanted to, we could still end on the same tragic note that the show ended on. with so much harm inflicted onto so many innocent people by the pendragons for so long (including mordred and the many druids and sorcerers that raised him), it could realistically end up being a little too late for anything more than one shining glimpse of king arthur and the sorcerer merlin's short-lived golden age before fate catches up to them. glimpsing that reality just to immediately lose it would've been far more satisfying and far more tragic than whatever the writers thought they were doing with all that pointless carrot-dangling.

and finally, an ending in line with morgana's new and improved arc. in this version, rather than bleeding out on the forest floor alone, she would channel the morgan le fay we know from the legends: sobered up by the reality of her brother dying, she would use her high priestess status (and perhaps also her pendragon status) to be granted passage over to avalon alongside arthur on the boat — a one-way ride — just to make sure he gets there safely. this is her penance for the harm she has caused, the same way arthur's penance is to die and leave the true ruler of camelot (gwen) behind to achieve everything he was too slow and indecisive to build while he still had time.

merlin's penance, then, would be to stay behind and watch them cross over without him, waiting and waiting and waiting until they come back or until he can finally join them. which is a bit fucking harsh if i'm honest, so i'd at least make it slightly more faithful to the legends by having him return as an old man and letting him take a long nap under a tree by the shore, his body slowly enveloped by vines like the cobwebbed fisher king in 3x08, never fully sure if he's dreaming or if there really are strange shapes fading in and out of the fog over the lake. still tragic, but nevertheless a little more open-ended and whimsical than [TRUCK NOISES] THE END!

[chalkscrub]

chalkrub stuns in new oc-tober prompts

it's a text-heavy update...i love rambling

day 11: symbolism/themes/visual metaphor i.e my favourite things in the world - eng lit nerds make some noise!!!!!

goin back to day 11 with my favourite thing in the world: an unfinished sketchy concept. and also SYMBOLISM and themes and metaphor…and also dark green

so mika and heidi's story is haunted by one time they happened upon a drowned fox and pheasant in a disused canal, something which came at a weird time in their lives and which heidi made weirder by making cryptic suggestions about the whole thing, especially playing on mika’s (former) religious beliefs about spirit connections. Over time, it’s infected mika with budding paranoia in the form of nightmares, hallucinations and latent aquaphobia, all of which she begins seeing as premonitory

shan’t overexplain the symbolism even though my brain wants me to, but this was all inspired by seeing literally the exact same thing on a walk with my great aunt when I was like 6 or 7. the canal water was all covered in algae/pondweed so i’m guessing the fox chased the pheasant, they both mistook the canal for grass, then fell in and drowned together. even as a little kid I was like wrow this is so poignant and tragic and heavy with the potential for on-the-nose symbolism….. or alternatively it just looked cool as hell and felt kind of rare and special. either way, like 15 years later I was developing a new direction for a couple of initially completely unrelated ocs, i.e mika and heidi, and at some point in their story development, I was like now wait a second….this is just like that one time I saw those animals who chased each other into an early shared fate and drowned together…… and it fit them really well and also made everything click into place for the main story, it was kind of uncanny. Thank you nature for showing me cool things every day, and rip to the fox and pheasant you live in my mind forever and always

day 12: future

BEAS!!! beas i love you beas. initial beasley flavour on the left and future flavour on the right. his whole deal is he wants to start a cult, so he ventures to The Big City to make a name for himself. then he realises imps like him are a dime a dozen in the city and nobody cares about him, so he has to scrape by working a minimum wage job as a cashier in a tiny corner shop. he’s from a comic I (partially) made for uni, idk how his story goes exactly but I guess it probably ends with the typical sappy message of being yourself for yourself and not for fame or fortune or whatever. he gets up to hijincks, feels sad and depressed, and goes through the torment of living with his own mediocrity in a world that demands greatness. imps grow with power, not with age, so at the start of the story, even though he’s an adult, he’s still as small as when he was born/summoned/spawned/whatever. he’s got some shapeshifting prowess, so his future form is more an example of the kinds of feats he can pull off when his powers stabilise, and also his cool badass flaming eyes.

day 14: inspiration.

here's a convoluted block of text explaining the heretic's main inspiration, which isn't very apparent in the design at ALL but nevertheless: they’re kind of inspired by the concept of a closet costume. like how you can throw a bedsheet over yourself and cut out some eyeballs and voila. You’re a ghost. Or put a big furry coat and a mask on and you’re a werewolf now. almost all of their design links back to this in a roundabout way: the fur is meant to look like a rug/coat/furry thing draped over something. I used to have a sheepskin rug when I was a kid and I’d always hide under it and crawl about and pretend to be a monster lmao…this is what i looked like in my head maybe. The normal shoes poking out are the human element – like how halloween costumes will sometimes be mostly themed but the shoes are just practical, or you see shoes poking out beneath one of those two-man horse costumes. The face is meant to look mask-like – the glassy unfocused eyes, the fixed toothy grin, the simple cone shape. The black eyelids are meant to be like those Halloween masks that have eyeholes above/below the eyes, covered with that black fabric to make it less obvious there's eyeholes. And the ears are floppy to be like socks or something; they have those two black lines because they remind me of loose stitching. Also just some animal influences thrown in – possums, goats and bulls…..none of the closet costume stuff is meant to be noticeable or apparent in the design, so why did I put so much thought into it? who know… but this thing is one of my favourite designs I’ve made so maybe it was all worth it

[daily-odile]

if it has not been suggested already and you are okay with drawing it-- maybe Odile teaching Bonnie how to make onigiri??

the duo ever!!

[yu-ziyuan]

chengxian getting back together au where yanli makes them attend the incredibly specific event that im at rn bc the tickets were expensive and they bought them pre-breakup and one of them (probs wei wuxian) goes up onstage and gives this whole speech and asks jiang cheng to take him back and its cutesy & fun & sillay

[mazojo]

The way Leah has a Tweet for every situation lmao

[spaciebabie]

at first getting diagnosed with cptsd was like, "yay my trauma has been validated (it always was valid)!" and i really thought that was going to be it, but then i started to do research as i do whenever i realize i have something and learned that!! the way i experience socialization is!! quite horrid actually!!

[spirkbitch]

so does the enterprise have a hairdresser?

don’t get me wrong yeoman rand is slaying with that basket weave beehive but i’m just wondering about the logistics of her doing that herself

[milolunde]

Weeeeeeeell, Timmy is kind of 10? There was that whole thing about his wish to stay a kid forever and then it was revealed that he kept everyone in town the same age for like 30 years so he's only kind of 10?

I dunno tho I've only seen videos talking about this

Yes BUT ☝️

The only reason he made that wish is because he is 10.

He likely wasn’t able to mature in that time, permanently 10 and just knowing he made the wish out of fear of losing Cosmo and Wanda (and Poof? I don’t remember when in the series this happens) the only positive adult present in his life forever, not even allowed to remember them. His life before Cosmo and Wanda was living in a neglectful home with an abusive babysitter which went unnoticed because the ones who should have been there to notice, his school teachers, were also abusive— and the only people who would’ve been able to realize the abusive staff, his parents, were neglecting him, it’s a cycle.

Even if, being aware of the wish, Timmy knew it had been 50 years of being 10, 50 years of experiencing life, his body and brain were still stuck at 10 years old, physically incapable of realizing the detriment of “I’ve trapped everyone in a time loop” beyond his personal detriment of “my godparents, my only family, are going to leave me and this is the only way to keep them.”

Timmy Turner was JUST 10 YEARS OLD!!!

[sparky-is-spiders]

Aromantic Jon who doesn't know they're aro who treats romantic relationships like yet another chore they have to do now that they're an adult. They're in their twenties now. They've put it off for long enough but they're going to have to do it eventually, it's just what adults do. They sort of approach every relationship like an obligation they're checking off of their to-do list. People keep breaking up with them for it. They used to think everyone else also felt like being in a romantic relationship was a huge burden, but after a few comments landed weird they now suspect it's just yet another short-coming of theirs (they've never been good at understanding other people anyways).

They don't think about it for most of the plot of the podcast, due to the. Everything. Until maybe around S4. But by that point they've basically decided that that doesn't matter any more. Too much time, effort, and risk for anyone not already involved (and no one who IS involved is an option). It's a massive weight off their shoulders. They draw no larger conclusions from this.