#I LOVE CHARACTER PSYCHOLOGIES!!!!!!!!!!!!!!

[couldeatthatgirlforlunch]

Yandere batfam or justice league with a reader who’s afraid of strong people/men due to a past abusive relationship? She never wants to feel that powerless and weak again so she actively avoids interacting with anyone stronger, bigger, taller any more than necessary. She doesn’t hold it against other ppl she just has a lot of trauma that she’d rather not work through and feel safe in her little bubble

Hit me Hard and Soft

Synopsis: You get saved by Robin, but not everything is as it seems.

Pairing: Yandere!Poly!Romantic!Batboys X Gn!Reader

Tw: All characters aged up, of course; Mentions and descriptions of violence, including physical, psychological, sexual and financial abuse, and Damian fighting criminals (I'm particularly proud of the action scene I wrote); Drugging and being unconscious; Mentions of death of minor characters and suicide; Mentions of past grooming (Reader's ex) and age gap (Reader’s ex, Reader X Bruce, and the batboys age is not mentioned); Implied stalking; Mentions of kidnapping; Reader's very traumatized and weary of everyone; Reader doesn't trust the police; Mention of a panic attack and descriptions of actual panic; Guns and knifes; Mention of cigarettes; Implied needles; English isn't my 1st language.

Requested? Yes.

Extra notes: Wish I had more interactions between Reader and the batboys here, but I'm more than willing to make a part 2 with the right idea.

General masterlist

He's back again. You wish you could say you didn't know why he always came back, but you did. The food wasn't that great and it wasn't that close to where he told you he worked or lived. It also didn't help that he always made sure to be served by you. And that he flirted with you.

— Evening, (N/N)! Is there something as sweet as you on today’s menu? — You gave a small and polite laugh.

— Strawberry pie… As always…

It was kinda sad, but mostly scary. If it wasn't for your ex, you would be thrilled to have gotten the attention of Dick fucking Grayson. The whole city knew he was handsome, rich, talented and charismatic. Gotham's sweetheart, Gotham's golden boy. And from your daily interactions, he lived up to the expectations. He was polite even when flirting with you and asking you out. Yet, something held you back.

— Nice! Since you get out in a few, why don't you bring in two slices? One for me and one for you, it's on me, of course. — You shook your head quickly, with an empty heart, just wanting to get away from him as fast as possible.

You were with your ex since you were 17 to 26. Almost 10 years wasted on a dirtbag. He convinced you to leave your friends, to leave your family, to leave your job. As soon as you started living together, you were completely dependent on him. Sometimes you blamed him, sometimes yourself, sometimes the people you had around you, but back then, where you came from, people weren't questioning the imbalance of powers between a 17 year old highschooler with no job and a 23 year old man with a steady job and living alone.

He convinced you that going to college and ending your relationship was the worst decision you could take. Then, that you didn't need your family, he could take care of you. One day, he decided you couldn't have friends.

He often locked you inside the house, cursed your skills and appearance, neglected your overall health, intimidated you, screamed at you, broke your things that he did and didn't pay for. He hurt you physically, even sexually. You knew both dating him and leaving him was hard, you just expected living with the scars was going to be easier.

And it was! You decided to run away from him and to Gotham when you received the news that your mom died and he didn't even want to let you go to the funeral. The grieving made you reflexive and you realized how shitty your situation was. For years you just thought that it would eventually get better, that you just needed to be strong, that he showed he loved you when he wasn't being an asshole, that you couldn't get anything better, that he made you feel special.

You couldn't even go to the police, he was a cop, you knew the chances that in any scenario you would lose. So you ran.

You knew it was dangerous, but you had nothing to lose. If he didn't kill you, you would do it yourself. You made a plan, drugged him, took some of his money, used his house keys, left everything behind for the second time in your life. You didn't waste time asking for help from the people you knew. You took the bus and went as far away as you could.

Your paranoia was so bad that for almost a year, you would settle in a city, work to save up enough, and leave again, rinse and repeat. Eventually, Gotham seemed big and far enough to go by unnoticed.

Or that's what you thought, until Dick Grayson stopped by the diner you worked to have breakfast before going to work, as a cop, and decided you caught his attention.

Since then, he came back everyday. Either breakfast, lunch, dinner, or just to hang out with some family member, usually one of his brothers, his dad appeared with him sometimes too. Your boss loved the attention Bruce and Tim attracted, the two most media active ones, since they both led Wayne Enterprises.

Eventually, even them started appearing multiple times a week. You thought you were healing, until you found yourself crying for almost four hours at home in a panic attack.

You didn't want their attention. Not only was it weird, but they were just so… Superior to you.

They were all taller, more muscular, faster, smarter, richer. It was like reliving the beginning of your relationship at 17, plus 10 times worse. Five because they were five people mirroring your ex, and more five just because of your trauma, experience, negativity and lack of naiveness.

Also, why were they ALL into you??? And they were aware of it! It was weird! Why??

Bruce Wayne was disarmingly charming in his dilf way. Dick was surprisingly accessible. Jason was soft spoken despite his resting bitch face and leather jacket. Tim was cute in a nerdy way. Damian almost made you laugh with his sarcastic humor.

Either way, you never wanted to feel as little as you felt before, so you just did your job, acted polite, but ultimately kept your distance.

Freedom has its difficulties, one of them being that you need money, and for money, you need a job, which means sometimes you have to stay until closing time, at 11 PM, in Gotham.

You're not the only employee to stay so late, but you and your co-worker live in opposite directions, so walking alone it is. They're taking the bus, but you only live two blocks away, so you gulp down your anxiety and keep walking. One hand on your pocket, holding your taser firmly, and keeping your head up, turning to look at every sound.

It's cold, and the street is empty and dimly lit. Some places are so dark that you wonder why you're even paying taxes if the streetlamps won't work.

Two men turn the corner a few meters in front of you, one at least a foot taller, the other, two inches max. They're wearing hoodies and their hands are on their pockets, the light behind them creates a shadow that doesn't allow you to see their faces, nor where they're looking at, but they are coming in your direction.

There's a car, parked between you both. Some people might think at this point it's just paranoia, but you’ve heard stories of people walking next to cars, getting pulled inside by someone who was hiding in there, and getting kidnapped.

Your first instinct is flight, so you turn around, ready to run, even if you look weird in case those guys weren't planning to do anything with you, just to see other two guys emerging from the other corner, those two almost as tall as that first guy. Aside from the smaller one, they're all broad, even with their thick clothes covering them.

One of them has a cigarette on his mouth, which he throws on the ground when you turn your attention to him. Your fear might have caused you to hallucinate, but you're almost sure he's smirking.

You freeze for a second, your only escape is to run to the side, and pray their long legs don't get to you first. You think you hear one of them start hollering at you.

You only take a step to the side, when a loud crash startles you so hard that you have to look behind, while walking backwards to the street. You take a second to process the sight.

Robin is standing in the middle, just a few steps behind where you were standing a second ago. He's at least half a foot taller than all of them, and a lot broader. He's holding the tall one by his neck with his right hand, repeatedly hitting his head against the car’s window.

You're shell shocked, torn between staying put to watch this disaster, as interesting as a car crash, or running away. Gotham is so big that you never thought you would encounter one of its heroes, you weren't sure if you even wanted to.

When the guy seems to stop moving, Robin throws him against one of the other tall ones, the guy practically flies across 2 meters before hitting him, and when he does, they both fall to the ground. You remember all the times when your ex pushed you to the ground.

Your eyes are wide, horrified, watching the shortest guy take a pocket knife out of his pocket. Your throat locks, even if you want to scream for Robin to turn around, you only manage to stare and stay in place, however, the vigilant turns halfway around just in time to grab the guy by his wrist and his arm, just as he launched to stab him. He uses his body’s impulse to push the guy forward, the knife going to the fourth guy's shoulder, you hadn't even seen him get so close to him.

You look at the man from the car, he's still unconscious, the one who got tackled with him, however, is already standing and walking to the fight.

Everything’s happening too fast, you turn to the side to see the guy with the knife on his back on the ground, groaning and twitching in pain, while Robin is punching the shit out of the other guy, movements faster than you could ever dream of achieving. You remember being on the receiving end of someone's fists before.

With a final elbow to the cheek, the guy stumbles to the ground, you don't know what level of consciousness he’s in, by his posture before, you knew he was already compromised since the first hits he took.

Robin doesn't move, doesn't even turn to look at the guy who just fell, he's just looking forward, and when you notice this, you look at the remaining guy.

He's pointing a gun at him.

You don't think you can watch someone get shot in front of you, and you know if he gets rid of Robin, it's over for you. Logically, you knew these vigilantes somehow never die, still, it's counterintuitive to think he won't.

And he doesn't, in the blink of an eye, Robin's on the air, his right boot kicking the gun away, while still on the air, he wraps his legs around the guy's head, bends backwards, puts his hands on the ground, then launches his whole body to the front, the guy getting thrown over him. He falls to the ground, Robin stands on top of him with perfect balance. You don't even have time to process what just happened, the coolest and scariest thing you saw your whole life, when Robin punches him one last time. Now, he's definitely unconscious.

You’ve felt like a bystander this whole interaction, it felt like ages, but in reality all of this couldn't have taken more than 20 seconds, maybe even less than 15. You don't know what to do now. You're theoretically safe, but Robin’s still too big, too strong, too fast. He knocked out four guys without getting touched a single time. He broke a car's window. He threw around two guys who weighed at least 80kg. He's not even panting. And now he's looking at you.

A whimper gets stuck in your throat. You don't know if you should thank him, stay silent, or yell at him to stay away from you. When he takes a step in your direction, your instincts get the better of you and you turn around, running.

You hear him call your name, although your brain doesn't process it. You see headlights and look towards it. It's a car. You don't trust you’ll get help, but at least you're not alone. You run in it's direction, waving your arms and screaming bloody murder.

The car almost hits you, but you don’t process that until the last minute, but you get tackled to the ground just in time by the hero from before. You scream again, he's too close. Now, he's trying to hold you down. You keep screaming and trying to escape. You look to the side and the car just kept driving away, likely the driver wouldn't stay behind to be another victim to Robin's hands. You know you're not being rational right now, those guys are known for helping people, he just saved you, he's still trying to stop you from getting hurt, but you're scared. You've been scared since you were a teenager.

Your eyes burn, your arms and throat hurt, but adrenaline doesn't let you feel anything. Not even the invasion of a needle on your side.

— Was it really necessary? — Tim deadpans Damian, who growls.

— You would have done the same, Drake.

— No, I wouldn't. You were supposed to use the psychological first aid approach and (Y/N) would've calmed down and trust us more in the future. But of course, you never use your brain. — Damian growls, stepping towards Tim, but he is stopped by Dick’s hand resting on his chest.

— Damian, calm down, Tim’s right. You knew better than to sedate them. You knew of (Y/N)’s trauma and you knew the route we wanted to take. — Damian's brows furrowed and he crossed his arms.

— I knew your feelings toward (Y/N) would make you become impulsive again. — Tim looked at Bruce, who was silent, with hands intertwined and elbows on the table, focused on your vitals on the screen and the sight of you laid on the bed on the medbay. — Will you now consider just letting you, me and Dick keep an eye on them during patrol? — Damian and Jason scoffed.

— Why you aiming at me now? It was the demon who gave that guy brain death! — Jason protested and Tim looked at him.

— Just to be sure you won't freak out like him and kill thrice as many people, on purpose this time. — Jason glared at him.

— B, you better add more security measures around (Y/N), before Timbo tries to clone them or something. — He muttered with snark.

Dick shook his head and sighed, going to stand on Bruce's side, crossing his arms and looking at you through the camera with him.

— What's the plan now, B? They're probably waking up soon. — Bruce hummed, relaxing his stance and resting his back against his chair. The silence lingered for a few seconds, everyone just looking at you, waiting for the oldest’s opinion.

Bruce turned around, looking at them.

— … Damian, Tim's right. You were impulsive today and you killed someone, even if it was an accident. I stopped expecting that from you since you were 12, you're an adult now. You not only broke our trust, but (Y/N)’s already shattered trust. They need to know they're safe with us, and drugging them, instead of puting to use more time and effort to bring the comfort to them, is not going to do that. You weren't much different than the man who hurt them tonight. — His father's words were like a punch to Damian's stomach, leaving him speechless. Dick pursed his lips, not turning around as to make it easier to not comfort his brother just yet. Bruce turned to Tim. — Tim, I understand you want to take measures seriously. But you need to give Jason a chance. That was unasked for. — The mentioned blinked, still unacostummed with the treatment he received from his dad when he followed his rules. Tim looked away. Bruce turned to Damian again. — Damian, no patrolling around (Y/N) until you prove we can trust your temper again. — He waited for a confirmation, which came with a sneered lip.

— Yes, father.

Dick looked back a Bruce.

— What about (Y/N)? — He bit his lips. Bruce hummed, turning to look at the monitor again.

— … What do you all think?

— Well… Damian said their name, they might not remember it, but they can't just wake up at home. They’d try to flee from us. We could bring them home earlier, but our ideal plan was to make them come willingly, in the period of at least two years, in the best case. We could leave them at the hospital, and just keep our plan going. — Dick listed the possible strategies they could take. Bruce hummed.

Tim piped up.

— I already altered their phone's algorithm to send the job application as my assistant at Wayne Enterprises to them. And the Wayne Foundation’s application for the internship at Gotham Uni. — Bruce nodded.

— Damian? What do you understand about that? — It was clearly the beginning of his test.

— The more secure in their independence they feel, the easier it is to heal and open themselves up to new opportunities. — Damian exclaimed with confidence. Bruce nodded.

— Jason, are you still interested in college? — Everyone looked at Jason surprised, he was also surprised, he hadn't talked to Bruce about college since before he died.

It took a few seconds to processes what it would mean.

— Uh… I think so?! — Bruce nodded.

— What about me, father? — Damian spoke inquisitively. — I also want more opportunities to get closer to (Y/N)! — Bruce narrowed his eyes at him.

— We will think about that when you're in the clear.

— But-

— That's final. You reap what you sow. — Damian huffed and nodded begrudgingly. — … Now, since Robin was the one to save them, take the batmobile and leave them in the hospital. Then come straight back home. Understood? — Damian clenched his jaw and nodded silently, leaving to get your unconscious body.

Moments later, when you were both out, on the way to the hospital, Tim fiddled with the computer, the scream showed the batmobile’s tracker, your tracker, Damian's tracker, Damian's contact lenses’s camera and the car’s camera. They all looked at him.

— … It's just to make sure…

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[rey-jake-therapist]

"Sauron is not enough evil and scary in Rings of Power"

Because he was scary in LOTR?! That thing is scary to you?

I'll tell you what : Sauron's eye in the movie NEVER scared me. Not even a little bit. I remember that the first time this big ridiculous eye appeared on screen, we all chuckled because... "That's it? that's Sauron?" . And the least that we can say, it's that in terms of personnality... Well he has none, right? The conversations must be nice:

"Hey Sauron, how are you today?

Sauron: RING! RING !!! AHHhrhzjjjjjjj RING!!!!!!!

Oh yeah, the ring, sure Boss. Anything else you need?

Sauron: RIIIIIIIIIINNNNNNNNNGGGGGGGGGG!!!"

Fascinating.

I hate to break it to you, but movies Sauron is BORING. He's boring because he's hardly an entity. He's more a concept, and at the end everything about him rests on what the characters tell us about him: that he's extra evil, very cruel, a tyrant, obsessed by the One Ring, yada yada. But since he's no more than this giant eye on a tower, he never becomes tangible. We believe he's evil because that's what everybody says and also because of what his unpaid employees do, but he never gets to do anything himself, so we don't really see it.

Shelob scared me. The Nazguls terrified me. Heck, I was more afraid than Gollum than I was of Sauron. Don't laugh, did you see his teeth? I would be at least afraid to catch an horrible disease if he bit me...

In ROP, however, Charlie Vickers nails it as Sauron. He may not be literally on fire, but his evilness and his cunningness are palpable in season 2. I mean, the way he treats Celebrimbor?! If that's not sheer cruelty I don't know what it is, and it will get even worse in the episodes to come. Sauron doesn't take no for an answer. He tortures Celebrimbor, not physically but psychologically to bend him to his will. Since day #1, he lies constantly to Celebrimbor, flatters him, tells him what he wants to hear, gaslights him, isolates him from his people, nearly drives him to madness and only at the end, threatens to destroy his city if he doesn't do what he wants... That's not evil enough for you?? Oh, and add "creepy" on the list too, for this poor girl he keeps being weird with.

And as for the scary side of Sauron: Charlie proves to be an excellent actor when he manages to express his moments of contained rage through his micro expressions. For example, every time Celebrimbor resists him, his face changes enough for the audience to see he would tear the poor man's eyes out if he could, but it doesn't last long, blink and you miss it ! Same in the last episose 6, when King Durin refused to deliver more mithril to him; it was so obvious he wanted to kill the old man on the spot, but he's patient, he'll let the Balrog do it for him. Because yes, he's vicious and likes to keep his hands clean, so he tells animals do the job for him when he can!

But it's there, and we already got to see a glimpse of the sheer fury that can possess him when he loses control : in Numenor, when he beat the shit out of the men who had mocked him, and on the raft when Galadriel rejected him. That was probably just a forestate of what we can expect from the next seasons, folks.

By the way, I wrote all this with love. I love that TROP made Sauron tangible. I can see the threat he is now. I understand why everyone during the LOTR is terrified at the idea that he may come back. And I don't want anyone to fix him, mind you...

TROP Sauron, stay as you are, get much worse, PLEASE!

[punkeropercyjackson]

Clear ups and headcanons on the Big Three Kids + alternative subcultures(by an alternative person who's autistic and has Pjo as a lifelong special interest)

Nico isn't emo.No i'm not joking,he's too optimistic to be emo and i'm not joking on that explanation either because once you stop taking his edgy front at face value,you see he's actually a very hopeful and soft boy.Nico is goth-Dark aesthetic,dower attitude and macabe traits heavily dealing with death and the darker supernatural

Hazel is goth too as an even grimer child of death and there's nothing more gothic than dying and getting ressurected to haunt your own narrative.Hazel shows a preference for light femininity so she would most likely be pastel goth specifically if she took up the aesthetic

Percy is the ultimate punk and it has nothing do with vague mentions of him skateboarding.Percy is punk because he fufills every requirement for being part of punk culture-He's a gender nonconformist who does direct action against a corrupt system as his entire motivation as a hero,hates the rich and talks shit to authority figures,performs activism in both his worlds,grew up a bully beater so hardcore he got kicked out 6 schools by 12,an intersectionalist that looks out for all his fellow minorities including the 'villains' of the franchise that got ropped into it against their will and even took in Nico and Hazel as his younger siblings and pseudo-kids for a double whammy as a huge part of punk is children's rights,textually an anarchist('the sea does not like to be restrained'),literally psychologically incapable of selling out as confirmed in a Tkc crossover short story and implied to listen punk music on multiple occasions.And sorry but Percy'd never be into grunge-It's too boring aesthetic for him and grunge as a music genre isn't Percy-coded at all and the only reason it's said to be is he's a 2000s kid and people are basic.Percy gives solarpunk and metalhead

Hazel is canonically punk for the same reasons Percy thanks how alike they are but also an additional reason is she is canonically darkskin black and punk culture is black culture as we created it.Percy is afrolatino-coded so he should be potrayed as such in punk!Percy or else you loose a big chunk of what makes him so punk and Nico may've been described as white but nothing should stop you from potraying him as black too as it's better writing for all three of the Dead Sea Siblings to be black and black Nico makes sense as he's got a lot in common with 'the black sunshine softboy who's also a little shit' characters(Gus Porter from The Owl House is just Nico di Angelo as an animated character down to his design tbh).Nico's physically disabled as he canonically has chronic fatigue and probs would develop chronic pain at this point so combined with his closeness to Percy and Hazel he realistically would go goth punk

Also not joking again:Percy is the My Chemical Romance obsessed one,not Nico.He's a millenial from New York with undiagnosed autism that was bullied at his schools with no friends and transfem bigender so Mcr is Percy-coded and he grew up on it along with Korn and Paramore for an alt trifecta.He introduced Nico and Hazel to it as bonding and punk mentorship and refuses to let them go to Hot Topic or even hear about it in favor of diy lessons and family thrift store trips with Sally.They still love Domo though(including Percy when i say this ofc)so that's how they get their Domo goods

Thalia is explicitly goth punk.Her style is described as a mix between the two,Green Day is a goth punk band and her attitude and actions match up the ideals of goth punk people,including that like Percy,she is gnc but in the opposite direction-She's a girl but masculine presenting and uncomfortable in traditional femininity.There's some pretty good hints that tie to trans lesbian Thalia even without her being butch and with her being black now it all comes together WITH an even better addition that there's a black version of Riot Grrrls called Sista Grrrls(Riot Grrrl for those who don't know is lesbian feminist punks and music)that Thalia would absolutely be one of,especially with the similarities between The Hunters and Riot Grrrls

Percy harrasses Poseidon for money for Nico's mobility aids and chronic pain meds,Hazel collects Blythe dolls and mixed media is her favorite artform to do and she runs a supernatural based bussiness website her brothers help her out on,Thalia cooks cosmic brownie edibles and Sally and the Dead Sea Siblings run a family bussiness called 'Familia Jackson Beach Shack' and Sally put the ball in the court of Percy going solarpunk with her love for the sea she passed down to him manifesting in a deep care for enviormentalism

Piercings:Percy has an eyebrow piercing,forward helix on both ears,a spider bite and a tongue ring,Nico has angel bites,a septum and snugs,Hazel has stacked lobels,double cheeks and a pink nose ring and Thalia has a nose ring,snake bites,ear gagues and an eyebrow piercing on the the opposite side of Percy's.Percy did Nico and Hazel's piercings for them and Thalia did her own and had them paper clip lookin' earrings in Ttc

Hair:Percy has long locs and his gray streak faded to white and he dyes his hair the mermaidcore style,Nico had an afro he occasionally put in afropuffs or an afro ponytail until he turned 17 and now he has slightly past the shoulder dreads with a loose bun in the back,Hazel is just like Percy yet again with a different hairstyle in each book as she had star-shaped afropuffs in Son,cornrows in Moa,twists in Hoh,sisterlocks in Boo and butterfly locs onwards and Thalia started with bantu knots before upgrading to an afrohawk

Perce has the caution tape on this bedroom door 2000s older brother requirement,Nico and Hazel attend the Special Ed school Percy was supposed to but melted down so badly over when he overheard Sally planning it when he was 9 she never brought it up again and he convinced them to go out of remorse and grief at what could've been and Nico is known as the outspoken activist nerd boy(affectionate)and Hazel is the IT Girl everybody loves and looks up to for her self-love of her weirdness and helping others feel the same and Thalia likes hanging out in abandoned places but never on her own as it brings up bad memories and rather takes Reyna with her so they can do it as dates to reclaim it and show her how much she loves her enough to trust her with that

Percy takes his siblings/kids to basement/underground shows and charity/community service on the regular and protests/riots too once they get old enough and they're all big into video games but only play secondhand,indie and free games on anti-capitalist principal.Their game nights go hard and they do graffiti and skatepark visits are every other day and Percy's sporting lipstick and eyeliner tears whenever he feels up for doing his makeup,either black or glittery blue(for both)and Nico looked up tutorials for tradgoth makeup to do and Hazel came up with pastel punk makeup styles all on her own to test her artistic ability and as a baby transfem confidence boost.Not an alt thing but it's very important to me they also got to the local cat cafe often and are the only reason it's still in bussiness🙏🏼

Thalia keeps things secret not because she wants privacy but because so many things she does break multiple realms' laws and she's got a gnarly tattoo sleeve.She's the loose canon fanon thinks Percy is and Percy still lives at home with Sally but before that,he revolutionized the greco-roman mythos world after graduating from Goode High,a year after Hoo and it lasted 4 years in 4 books in the sequel to it Tales of Dead Seas aka Tods

And Percy is heavy on sharks while Nico is batkin and Hazel has catlike aspects as a side effect of her ressurection and Thalia developed an unnervingly sturdy body structure from being a tree.Percy and Hazel are real into energy drinks and Nico perfers weird flavor sodas and Thalia loves crushing cans on her head after downing the whole thing and burping as long as she can

Percy is also 'I'm Just Your Problem' from Adventure Time-coded but the Ashe cover specifically and Hazel has a pair of pink skull headphones she's always wearing to listen to her authentic Lo-Fi Beats(read:by black artists),breakcore and nu metal songs and writes them in her digital diary too and Nico curiously enough enjoys trappunk the most.Thalia's been mistaken for Edith Victoria so many times she's started lying and saying she is her for the bit

And i said Hobie Brown is Percy-coded?I'd be objectively right

Also i just wanna say as the send-off:Normie/'Prep' Jason's not real.That's an entire black biracial man who's character was outgrowing his militaristic and golden child upbringing to befriend queer people and poc and definitely has wolf/werewolf therian shit going on seeing as he was raised by Lupa herself and is only not autistic and transmasc if you're illiterate.Jason's not punk but he follows the beliefs and listens to indie pop and dad rock and dresses like a faggy 80s horror movie jock and eats whatever weird food combo he can get his hands on on impulse and deep dives into lost media and has a lightning bolt fade and studed ears.Jason's not punk but he's a weirdo and a freak and he rides for and with us so we(Dead Sea Siblings + Thalia + irl alts)ride for and with him

[thecoolerliauditore]

Pls tell me about Scott's views on women in general pls I'm begging you

o7 and I'm sorry

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

fyi, the post itself isn't NSFW, but I'll be getting all gender theory in this bitch so I'll be referencing a lot of things and putting in pictures of naked ppl sometimes. maybe skip this one if you don't like that

(long post)

Disclaimers

An explanation for the tweet up there

I usually don't write these because I assume the people on my blog have enough sense to realise when I'm talking about the characters vs the CCs or are comfortable enough being a little confused, but I feel the need to extra-clarify here and expand on how I specifically view C vs CC because I think it differs a little from the average person.

To me, C and CC are two separate entities but not entirely disconnected. What differs (e.g. the exclusion of irl relationships -- their wives, kids, etc.) is poignant enough to severely detach them from the people they originated from, at least in my eyes, but there's also the fact that these are not scripted characters, just creators being themselves with a hint of behind the scenes drama-adding and improv thrown in.

For example, CC Pearl is a car nerd. So I assume her character is too.

This is where I state very clearly that yes, a lot of these thoughts come from things I've seen on Scott's twitter, which is undoubtedly the CC and not the C. However I, to me, am still talking about the C because any observations/judgments I could make on actual irl youtuber CC guy Scott Major would be tabloid at best and slightly invasive at worst. I'm seeing these statements within the context of "the death game guy would say this too and I'm writing this based on that", not "this is the inner psychological workings of the youtuber because I, as a fan, can totally tell".

TLDR I don't consider this post RPF but you might. This is a little more RPF-y than my usual stuff. If you don't rock with it we cool.

Everyone is weird about women, and that's okay

One short-hand I've used in the past to talk about Scott and women is just by saying that he's "weird about women" which I'm sure isn't exclusive to him.

(shitpost I made awhile back)

I see a lot of people now who love "villains" and "evil" but when it comes to any traits resembling real life evil (e.g. misogyny in this case) they suddenly become insecure. Just a couple of days back a saw a post on twitter essentially asking for permission to continue liking CC Scott in spite of the "bad things" he did.

And I think, in order to present an analysis like this, I must address that mindset first.

This is not a judgment on Scott's morality, nor is it trying to dissuade you from liking him. This is not saying that he is any more misogynistic than any other player in the series. This is just me pointing out Scott's attitude towards women and what I read it as, nothing less or more.

The feelings that me pointing these things out - be they apathy, disgust, anger or, what I would hope to see most, interest - are your own. I'm not here to tell anyone how to feel and never will try to police that on my blog.

Scott's Relationships with Women

aka. oh yeah this is about minecraft.

Scott and Cleo || "Yeah, you can kill me."

Scott and Cleo's alliance is arguably the strongest in the entire series, spanning through all five seasons and remaining unbroken with no (serious) drama attached. You'd expect from this that they two have a very settled and stable understanding of eachother, yet this isn't a case.

Their power dynamic shifts dramatically from one season to the next.

3L's initial Widows Alliance began on fairly equal footing, built on the mutual agreement that they were waiting for their respective partners to die. Both understood they were eachothers' "plan B" and felt comfortable in that arrangement.

Come LL, Cleo does what she couldn't in 3L, and initiates that plan, going to Scott after her last alliance, the fairy fort, fell apart. Scott requests nothing from her in return.

DL is the longest the two spent as eachothers main ally. Cleo is the one who initially proposes teaming up to spite their "cheating" soulmates and Scott agrees. Cleo admits to Martyn in private that she's aware she's taking advantage of Scott (which I've always interpreted as her talking about all seasons, not just DL). Due to the time they spend together, it's here where it becomes apparent that their initial assumptions during 3L were not entirely accurate, as Scott shows a level of gameplay competency much higher than Cleo's (e.g. teaching her how to axe-crit) but despite this Scott never berates her or thinks any less of her value as his ally.

LimL is probably this pairing at their most unhinged, as Scott, despite once again asking for nothing (or very little -- I'll be honest I'm a bit fuzzy on this) in return from Cleo, allows them and their allies to butcher him repeatedly for time. He gives more time to the Clockers than he does to Martyn, his closest ally that season. Despite this, Scott is never ever considered as a "family member" by the Clockers, despite them giving that title to even temporary allies (like the Bad Boys being their cousins) -- even Martyn gets a title with Scott completely unattached.

SL is relatively more chill, but shows that the two inevitably end up teaming together even despite their oath to avoid eachother that season.

The point being -- again and again, we see Scott literally and metaphorically making sacrifices for Cleo, with the only real transaction he requires from her being that she continues having his back when times get rough. This is despite that he's aware she isn't any more capable than he is and the fact that so far it has only been Cleo in rough times (LL, LimL and SL) and never Scott.

Speaking from a purely transactional perspective, Scott is not getting a bargain here -- and even Cleo seems acutely aware of it, judging by her comment during DL as well as the way she tends to speak of her survival capabilities very lowly in general ("rubbish pvp skills and spiffy one-liners"). I'm speaking in this sense because I've seen discussions in the past about the transactional way Scott views relationships but rarely does Cleo get brought up.

This is at stark contrast to how he treats Jimmy, whose predicted death was what spurred on Scott and Cleo's alliance in the first place.

Scott assumes Jimmy is "incompetent", where he assumes Cleo is capable. When Jimmy messes up, he reprimands him, when Cleo struggles to crit him, he patiently teaches her. When LL begins, Scott's first instinct was to look at Jimmy's lives and note that he was "useless to (him)", but holds no objections to Cleo joining his alliance despite her already having enemies being a potential liability. In SL, he jokes about how Cleo and him being allied is a given and pretty much expected of them, whereas in LimL he explicitly requests from Jimmy a recognition that he still cares ("say love you back!") before he will help him.

Scott and Gem || "You HAVE TO kill me, Gem,"

In SL, Gem settles in very easily in a leadership position within Gem and the Scotts due to her trying to live up to her reputation but also due to Scott and Impulse's more laid back, passive playstyles.

Both Scott and Impulse let Gem kill them for extra health this season, although Scott is arguably much more subservient than Impulse is, with him not only insisting that she kill him in the final episode but also not fighting back (and only yelling for her to stop) when she starts hitting him with a sword during the episode where her task was to literally kill everyone on the server.

Once again comparing her to Jimmy, Scott in 3L had a tendency to brush aside Jimmy's concerns over alliances (e.g. Jimmy questioning if they could trust Cleo) while in SL Scott runs his plans by Gem (and Pearl and Impulse) in terms of who he wanted to team up with (specifically excluding Joel from the potential mounders alliance) implying he held her opinion in some form of regard.

Before this becomes less of an analysis of Scott's treatment of men vs women and more of Scott's treatment of Jimmy vs everyone else, I think it's notable enough to mention that he and Martyn also lacked this sort of communication in LimL. He would inform Martyn of his plans, but rarely was it ever framed as a request.

SL almost feels as if Scott has slid Gem into the slot he had previously designated for Cleo in 3L (his girlboss ally) as he provides her and pretty much forces onto her by the end the acts of service he'd become accustomed to performing for Cleo.

Scott and Lizzie || "You killed her! I don't.. I don't know what to even say!"

Relatively shorter section because this is the one woman he hasn't teamed with, but there's still some interesting stuff I wanted to touch on.

In LL, one of the first thing Scott does is yell at Pearl to revenge-kill Joel for boogey-killing him. Pearl does as she's told and Joel's wet miserable pathetic LL life gets worse from there.

Several episodes later, the roles are reversed -- Lizzie lies to both of them and manages to isolate and boogey-kill Pearl. Scott, instead of reacting with the anger he had for Joel, is almost in a state of shock as he asks Lizzie to let him down so he could collect Pearl's belongings. He doesn't act aggressively towards Lizzie at all, with his most antagonizing act against her being to lie about his intentions when giving her a wither skull.

In SL, he's the only one aware of her early permadeath, but keeps quiet about it almost as if he's in a state of shock akin to when he saw Lizzie kill Pearl in LL. It's not until the others have noticed when he finally brings it up.

Scott and Pearl || "Tilly death do us 'part"

I wrote a whole post just for their relationship alone so for the sake of my sanity I'll be leaving this here.

So now I get to dedicate this section to the meat of this post -- how the way Scott treats women in general impacts his relationship with Pearl and how I view his heel-turn on her as seeping with relevance to Pearl's perceived gender.

In all three of the previous sections, the running theme is that Scott is 1. kinder and more patient with women, regardless of their competency and 2. someone who likes to be in a supporting role to women, occasionally aiding them more than he aids himself and his closer male allies (e.g. Jimmy and Martyn). As shown with Cleo, he assumes that girls have it together, but even if they don't it's not a big deal. When a girl's actions are truly disastrous, such as with Lizzie's, he goes into a state of shock and doesn't really react, preferring to swallow it down and not acknowledge it.

With the amount of times he sacrifices himself, I don't think it's a reach to say that Scott values his own life less than he values the lives of his (female) allies. This specific point actually does extend to his male allies too, shown when he's happy when Martyn literally backstabs him in LimL, but just as with the Martyn post where I point out his victim status-ing doesn't end at only women but includes all the women, Scott has pedastal-ed all the women he's teamed with.

Lizzie is, once again, the exception here due to his limited interactions with her. However that's actually somewhat patched over if you look at adjacent series (such as x-life) where he definitely shows her a level of admiration and respect.

Back to Scott and Pearl.

Their relationship during LL is very standard of how Scott treats women. While the power dynamic between them is obviously more caused by the initial life trade agreement, I don't think it's a far reach to say that Scott is somewhat comfortable in the arrangement.

However, this is also the first thing that sets their relationship apart from Scott with Cleo or Gem -- Pearl is the one making sacrifices, not Scott. She is the one "sacrificing" her lives to him, just in a more non-violent way as allowed by the season's mechanics.

When viewed through this lens, Scott trying to make it up to her and wanting his effort acknowledged makes even more sense. This is suddenly uncharted waters for him. His assuming that Pearl doesn't value him as a person goes hand in hand with him valuing himself less than her.

What Scott has with Cleo or Gem, situations where the other party is clearly uncomfortable with how he treats himself (Gem) or actively aware they are taking advantage of him (Cleo), is equalized to him because he is inherently worth less. What he has with Pearl, on the other hand, looks more equal to most people (lives vs labour) but is wildly imbalanced to him.

It's one of the many factors I see going into Scott's weird decision to abandon her in DL.

An Interlude, Before We Get to DL

La Pieta, Michelangelo

So this has been a lot of words so far and some of you might be wondering at this point: why say Scott is "weird" about women when so far this has been describing how he values women more, is kinder to them, is more patient with them, etc.? How is any of this behaviour remotely misogynistic?

And I would feel horrible if I forced you to read through all of my DL thoughts before I clarified this -- Scott is not your classic wifebeater "women are lesser" misogynist, Scott is someone who subscribes to misogynistic schools of thought and probably considers himself an ally to women, when in reality his beliefs are still rooted in dehumanizing them and these beliefs end up harming the women around him as well as himself.

After all, seeing women are your superiors is still not seeing them as your equals.

I know it's a bit of a meme on this blog at this point. But. Sigmund Freud identified what we know refer to as the "madonna/whore complex", which he described as a pattern of behaviour in men who separated women into being madonnas (pure, holy and admirable) and whores (debased, sexual, deviant). We'll be focusing on the former, the madonna, as it is more relevant to Scott's character.

Freud proposed that the madonna figure was something men projected onto women as a replacement for maternal love. These women are sacred and untouchable, literally as the projection of the maternal role onto them also makes it so that the sufferer cannot feel any sexual attraction towards her (keep this in mind for later).

Scott projects the madonna figure onto his female compatriots -- they are to be protected, served and supported. They are goddesses, queens, but they are never human. The madonna role in of itself is not inherently harmful to the woman, as seen with Cleo who takes control and advantage of it. However, it is enforced, as seen with Gem who at first revels in the superiority but almost breaks down when Scott offers him up as her sacrificial lamb one last time.

I linked this Utena AMV awhile back when vaguely talking about Scott and women, and this was the point I was alluding to.

Girls are beautiful and pure. They don't spit on the street, they don't piss on the street, they don't build hierarchies -- they subvert all the expectations of masculinity that I hate having to deal with. They are my escape.

But what about the girls who do spit on the street? The girls who piss on seats? Who build social hierarchies, who size up their competition?

The girls Scott interacts with are all painfully human. Cleo weaponizes his beliefs and take advantage of him. Scott is smart enough to know and accept this. Gem's playing into a role she has been assigned into by not only Scott but everyone around her. Scott supports the character she plays. Lizzie reflects traits he hates in Joel and Jimmy, but for her, he looks the other way.

Are they "demons", as the song says, or are they no longer girls at all?

(demons, gods, but never humans)

Weaponized Femininity and Women In Total Control of Themselves ;)

Hylas and the Nymphs, John William Waterhouse

Historically, weaponized femininity I'd argue is one of the oldest tropes in storytelling. Whether it's nymphs or sirens or witches or succubi or even more roundabout cases like Helen of Troy, there's countless stories of men's sexual attraction to women leading them to disaster.

One way to view these stories is to see them as warnings, don't let womens allure be the end of you.

There's a lot of good writing done on the femme fatale trope both in the context of weaponizing femininity and as a sexist way to argue against victims of sexual assault, as these stories often say that men who experience attraction to these "evil" women no longer have agency over their own actions.

Look at the painting above, for example - is it the nymphs who are responsible for drowning Hylas, or is Hylas climbing into the lake of his own accord?

Despite the fact we all know sirens, nymphs and succubi aren't real, the belief that men will simply lose control of themselves when encountering a particularly alluring woman persists to the modern consciousness. That there's something inherently dangerous about women and attraction to them.

(this is not 100% applicable to Ninja saying he won't stream with women, but it's the real life example I felt most comfortable putting in here)

Now, let's combine this with what's been said so far -- let's say you don't hate women. You love women, in fact, and you hate the way men treat women. You hate men, in fact.

Yet, you still believe in this inherent power women hold by being female and the loss of agency that men experience when attracted to them -- how disgusting.

It quickly becomes easily to not only demonize men for sullying the holiness of women, but also men, masculinity and attraction to women as a whole.

(apologies for using twt discourse in the meta post but this flew by my TL and i had to grab the irl example of mens non-violent attraction to women being used to frame them as misogynistic before the stupid app refreshed and i lose everything forever)

"To Venner" is a student film exploring a world set within this belief, where all the women have vanished and the men have become monstrous figures as a result of their pent up sexual frustration. fyi this is one of my favourite student films (and ive watched a bunch), but I do think its messaging is worth breaking down (especially its juxtaposition of dirty horrible monstrous sexuality vs pure and beautiful romantic love)

NOTE: this film is super graphic, lots of violence and nudity. have fun. or not

I admit this section is a bit hard to gauge as everyone in the series is gay as fuck. The closest in-series example I can think of is Scott reacting to Martyn's antics in DL with a sort of indigence but otherwise I can't really think of an example of a man expressing attraction to a woman at all, let alone one Scott reacted to. However, I do think it's still worth talking about because it opens up some interesting trains of thought in regard to Scott and Pearl.

For Scott, he himself has never been part of the picture. He's gay, after all, which gives him an edge over the bad straight men who objectify and assault women. Likewise, there's little evidence to suggest he finds the expectations of masculinity frustrating, but I don't think it's too far a reach considering how common of an experience that is for gay men and his adapting of more feminine mannerisms.

Double Life and Corruption

As mentioned in my previously linked post about Scott and Pearl's relationship, I do think Scott experiences what he would name as attraction towards Pearl, so my writing will reflect that.

Pearl is. ahem. not like other girls.

Not actually. But to Scott, she probably isn't like other girls.

She remains unaware of his different standards for her (how could she when she had nothing to compare them to), she acts out, sometimes violently, against Scott's urging (such as when she stole from Scar's wagon). She maintains their already irregular dynamic, and while she appreciates his care for her, she never quite falls into seeing him as a source of subservience the way Cleo or Gem do.

At the end of LL, right before the 1v1v1v1, she monologues to herself that she no longer has to feel bad for killing Scott. Which, in turn, implies she expected Scott to give it his all against her as well.

She entirely fails to embody the madonna with her immature naivete and her questionable morals. She is unpredictable, she doesn't take what she is owed, she is a monster in a lot of ways.

Scott, too, is a monster, to himself, for how he feels about her.

The very foundations of your understanding of yourself being ripped apart aside, let's rewind to the madonna/whore complex. To sexualise the madonna is to corrupt her and make a monster of yourself. Suddenly, you are no better than the men around you, the ones you've grown to hate. Suddenly, you are the grotesque figures in films like To Venner. You are Hylas and she is the nymph. And you are so stupid. Your worldview crumbles around its flawed foundations.

Scott is, however, immune to this corruption. This is a theme that appears in Empires as well, but throughout the traffic series he's prided himself on being loyal and kind and good. His monologue leading up to LL's 1v1v1v1 summarizes it quite well.

He can't let himself or anyone else see this side of him, but the energy needs to go somewhere. To defy fate, abandon your soulmate, is to admit you had a fate in the first place, is to acknowledge that she was your soulmate in the first place.

I've previously talked about how fate and romance are very ingrained in Scott's belief system, if it was anyone else it would've been amazing. He could've been like Bdubs and Impulse or Ren and Bigb, diving into domestic life and performative romance with a stranger. Or the world could've made his happy ending from 3L real, as he got to be Jimmy's husband all over again. I think it says something that he accepts Cleo as a "soulmate" before Pearl.

So what do you do with all that energy and tension, clearly apparent to yourself and everyone else, when you can't let them observe your feelings?

You project them.

Shout-outs to @/legally-allowed-to-slime for pointing out Pearl's comment early on in DL that she "feels like (she's) been broken up with" confirms she never saw Scott in a romantic sense. The "crazy ex-girlfriend" and "this is why I'm gay" comments really did come out of thin air, or perhaps insecurity.

Pearl is the crazy one. She's insane, because she wants me. She wants to be with me, so she does all this crazy stuff. She's lost control of herself because she wants me. She's disgusting.

I mentioned before that Scott is not your classic misogynist, but this is where the gears start turning. Scott's views of Pearl echo that of other players, most prominently Ren and Martyn, that Pearl has been overcome with some sort of corruption. She has become the witch, the demoness, the whore, in their eyes. Scott does not want to be the same as these men and I think his overcorrecting his behaviour in SL makes sense when you view it from this angle, but for now he has to rely on more traditional misogyny in order to navigate this new obstacle.

"Corruption" also implies that she had to have been pure (or at least pure-er) beforehand, something Scott personally knows is not true, but it falls in line with defaulting women to being "madonnas".

This is a Scott post but. shout outs to Ren for being all of this about Pearl but without the complexity of Scott like he literally accuses Pearl of seducing Bigb what the fuck man.

Pearl is, of course, none of that. But she plays into the role of being the witch much better than she fared playing into the role of the madonna.

Sidenote: I know I'm looking at this from a Scott/Pearl POV but I do feel like you can omit Scott's attraction if you look at it from a purely "pearl not performing to standards of femininity I expect and she makes me realise I don't view women as a whole as human which makes me feel weird so now we have to do this" POV. Like idk I think the exact reason he abandoned Pearl is going to be lost on everyone forever so any analysis I could perform is going to suffer at least a little bit of making-shit-up-itis.

I do also think there's something to be said about Pearl being pushed until she performed a role, any role and generally failing at Being A Girl tm but that's another post i think. yknow shes um. a bit. 🏳️‍⚧️ (but also very much not at the same time idk that's gonna need its own post)

anyway yeah uh the minecraft movie looks crazy huh

[styx142]

Okay so like, I've been thinking about an Adventure Time teacher AU and why does it work weirdly well???

Here's the current staff list

Finn: Gym coach who's currently also working as a math teacher due to a shortage of staff and the previous one (Billy maybe?) quitting. He's absolute shit at math but he's super excited about it all the time so the students love him anyway.

Jake: At first I was thinking gym coach too, but I feel like he'd be a great counselor honestly. He's constantly advising his brother and I think he'd work well

BMO: The computer teacher! Kinda obvious but yeah

Neptr: Robotics/engineering teacher. Due to the nature of their jobs, BMO and Neptr work pretty closely together. Neptr loves this, BMO not as much.

Princess Bubblegum: The science teacher who is kind of running the place at times, because the principal won't do anything so she's decided to do what she can to keep this place running smoothly.

Marceline: The band director. She is 100% playing pranks on her students all the time. Also whenever the band is practicing she is standing on her band tower with a little umbrella or something for sun protection.

LSP: Drama teacher. Kinda obvious, she's already directed a play in the show so she works well as a drama teacher.

Simon/Ice King: History teacher! I got the idea from my AP world history teacher whose classroom is packed full of artifacts and replicas from different cultures throughout the world. Figured it'd be fitting for Simon

Flame Princess: English teacher. My whole thought proccess was "freestyle rap. Creative. Poetry. English?" and I think it works well. Her dad was the previous English teacher who left to open a chipmunk sanctuary.

Lady Rainicorn: I was thinking either art or Korean, leaning more towards Korean simply because I have another idea for the art teacher.

Jermaine: Art teacher!

Lemongrab: Psychology. This man has such a weird brain that I think it'd be fun to have him teach this. I can imagine him writing office referrals that just say "UNACCEPTABLE" on them

Fern: The new math teacher who shows up halfway through the year and has to deal with all the students complaining about missing Mr. Mertens.

Betty: Another character who shows up sometime later during the year. She'll be our principal, taking over for the previous principal who quit mysteriously.

Prismo: Vice principal, kinda bad at it and doesn't know how he got the job

Scarab: an admin who was hoping for vice principal and was really pissed when Prismo got the job instead of him

Golb: The principal

The lich: Previous vice principal who was fired for unknown reasons. Fired at the same time Billy quit.

Peppermint butler: I can't decide whether I want him as a student or as a secretary or just as someone who works in the office

I think I'll have all the candy citizens as students, as well as probably some minor characters who get a few appearances or only one episode.

This is partially why I originally wanted PB as the principal, but I found it funnier to have her as the teacher who is going insane because Golb will not do shit for the school.

I'm considering turning this whole thing into a fic, possibly focusing on PB? Possibly a bubbline fic? Not sure quite yet, this AU is still very much in development

[fandomwe1rd0]

I really like how Rick and Morty shows that even if someone has friend and family that love them, even if they are extremely smart and can do basically anything, except those things you can't do because of those pesky morals, but despite that, you can still be depressed.

The majority of depressed people in the media have no friends, neglectful or abusive family, and just an all round shitty life, again not saying that this never happens, but that's not all depressed people.

Rick and Morty shows that you can still be depressed even if you have what most people would want, because depression goes so much deeper than what you have, it can be internal, which is what's going on with Rick. He suffers from intense trauma, self-blame, and self-loathing, which is so SO gripping, and it is seriously not protrayed enough! I love how realistically Rick and Morty shows these things.

Rick Sanchez is SUCH an important character and has really fancistinating psychology, his situation kinda reminds me of the Bojack Horseman quote, I'll edit it slightly to show my point (it was originally directed at Bojack):

Rick, You're a genius scienetist who can make anything, do anything, you have access to infinite dimesions, planets, and universe, with a spaceship, and you have friends, family, and grandkids who loves you. What more do you want? What else could the universe possible owe you?

I... want... to feel good about myself. The way you do. And I don't know how. I don't know if I can.

[rose-morose]

I've been on a superhero kick since finishing The Boys season 4 finale and I finally got around to watching the Harley Quinn animated series, or at least the 4 seasons that are currently out as of writing

a bit heavy on the meta comedy for my taste, but over all I enjoyed it, and I have some thoughts, so I'm here to bring you the amateur analysis nobody asked for or wanted

(very long Harley Quinn spoilers below cut)

(seriously it's so fucking long don't hit the cut if you don't want a wall of text on your screen)

at its core, Harley Quinn is a show about relationships, and I don't just mean romantic relationships, I mean human, and occasionally non human, relations of all kinds: family, friends, coworkers, lovers, enemies, nemeses, etc. it's an exercise in the concept of the social and how each person interacts with and relates to other individuals and groups

I think it would be fun to take a closer look at some of these relationships and analyse them from the perspective of a confused aroace loser with exactly 6 friends so here we go

the show centers on two individuals who, by the beginning of the show, have quite literally never had anything even remotely resembling a healthy relationship in their entire lives, which is not hyperbole in the slightest, and again is not just referring to romantic relationships, but relationships of all kinds

the focus is on DC's titular Harley Quinn, and her only friend turned best friend turned girlfriend (minor spoiler but not really) Poison Ivy, and the evolution of their relationship, as well as the relationships of many prominent DC characters around them, and also Kite Man

this is going to be quite a long one with many parts, so you'll have to bear with me for awhile or just give up now you have been warned

part one

the (toxic) insane clown posse (duo)

the show opens with the infamously toxic romance between Harley Quinn and the clown prince of crime, the Joker himself

episode one opens with a showcase of the well documented abusive relationship between Quinn and Joker and just how abusive the Joker truly is as he leaves her for dead yet again

Poison Ivy, powerful supervillain and only friend of Harley Quinn, goes to great lengths to help Harley see that her relationship with Joker is not as perfect as she believes

it's clear there is already a lot of love between Ivy and Harley, and despite the fact that Ivy is a well known misanthrope with a burning hatred of humanity, she has made a singular exception for Harley due in part to her tenure at Arkham as a psychiatrist during one of Ivy's stays

Harley spends season one attempting to escape the telltale psychological hold of a manipulative and abusive relationship, which is easier said than done and not simple in the slightest, but by the end of the first season she has made a considerable amount of progress

part two

emancipation, the crew, and new friends

of course breaking off her romantic relationship with the Joker does not free Harley of his hold, the process is far more strenuous and takes considerably more time, but now she has an opportunity to start some new positive relationships in her life to help her through, and that takes the form of her new crew which consists of Dr. Psycho, Clay Face, King Shark, and Sy and she befriends Ivy's plant Frank and the Queen of Fables as well

as I've mentioned Harley has no experience with healthy relationships, and her initial transactional attitude and emotional neglect towards her new friends is quite telling, but she is in the process of learning how to truly connect with people, a challenge her background in psychiatry seems to lend a foundation to help with

each episode of the first season follows her uncovering a new facet of how a genuine friendship is formed and maintained, all the while battling her own selfishness to be the best friend she can be

the friendships seem to fall out of touch over the course of the show, but there remains a rapport between the crew even after their professional split

the later seasons spend a lot less time exploring friendships, a decision I'm not too thrilled with, but the exploration of relationships continues regardless

part 3

Ivy, Kite Man, and the most baffling romance I've ever seen

I genuinely hate this relationship so much that I made an entire other post about it here

it's really god damn long, probably not as long as part 4, but fuck I just want to throttle Kite Man to death with my bare fucking hands

it's less the relationship I hate and more just Kite Man himself, he's not even necessarily a bad character he just fucking sucks and gets away with it every time and it pisses me off

though I do still hate the relationship

part 4

Harley, Ivy, true love, and possibly the best written romance I've seen on television

Harley's season 2 meeting with Mr. Freeze tells us a lot about what she thinks of love

she sees Mr. Freeze's affection towards his cryogenically frozen wife Nora as creepy and exploitative, and when Mr. Freeze gives his life to save his wife, Harley comments that his actions are 'insane'

admittedly Freeze's expressions of affection do seem very creepy, but Harley's subsequent outburst on how love is bullshit indicates that Freeze's behaviour isn't her real issue

Harley seems to believe that true love was a lie that the Joker sold her to keep her under his control, and, having no other experience, assumes that everyone is just like her and the Joker, and are only trying to get what they want from a relationship without consideration for others

but Nora's reciprocation of Mr. Freeze's affection when Harley unfreezes her quickly begins to cast doubt on her previous notion and challenges her perception of love itself

and then she finds her own true love and everything changes

enter the beautiful mess that is Harlivy

"I love you, in a very odd, hard-to-articulate way." - Ivy to Harley in episode 1

it seems clear from a writing standpoint that these two were going to be together romantically from episode 1 and on, the build up to which is noticeable yet sufficiently subtle, and I do think Ivy fell first and by first I mean before the show even begins, and if these two aren't the fucking definition of the fell first/fell harder trope

and Harley falls HARD

early on, her true feelings for Ivy, unexpressed, seem to take up every waking moment of her mind, and she struggles to avoid ruining her relationship with Ivy, while also desperately wanting to take a risk that could ruin it for good, after all, Ivy is marrying and committing to a hetero monogamous relationship with fucking Kite Man for some fucking reason

"You're here, and you're queer. Get used to it!" - Harley to Ivy after Ivy cheated on Kite Man with her

did Ivy already know that she is queer? based on her Catwoman anecdote, yes, and it seems like Harley was also aware of her own queerness, it is odd to see a queer relationship in media where no one involved is overtly struggling with their own sexuality or gender, it's not necessarily a bad thing, nor is it something completely new, it's just unexpected

unfortunately, we do have to talk about the giant kite-shaped elephant in the room, except, just kidding, no we don't, fuck that guy go back to part 3 if you care, his whole relationship was nothing but an obstacle in my opinion, but I should bring up the infidelity

in a monogamous relationship, when one partner engages in sexual or romantic pursuits with a third party without the other partner's consent or knowledge, that is categorised as 'cheating' and is widely seen as a profound breach of trust and a betrayal of the highest order, I think this is because monogamous relationships are built on exclusivity and trusting that your partner will not break their vow of exclusivity that they have sworn to uphold under any circumstances (sometimes there are exceptions I guess whatever)

to my understanding infidelity is often indicative of a want that falls beyond the boundaries of monogamy and is often not communicated properly for lack of courage, lack of will, or simple adversity to change

Ivy's want seems to be Harley, and her challenge seems to be adversity to change and a lack of self confidence/courage

from what I understand, it's the same as someone you thought you could count on more than anyone else in the world breaking an important promise that they made to you with utmost sincerity, and that shit sucks for anyone regardless of sexuality or circumstance

I have already spent way too much time on probably unnecessarily explaining adultery, but I'm aroace so I am just trying to work through it and understand it myself and am not actually certain if my understanding is accurate so please correct me if I'm wrong this is all third hand information

moving right along, we can finally watch the romance begin, enter the eat bang kill tour

Harley and Ivy have, up till this point, still not had a single healthy romantic relationship, and it really shows, but quite crucially they are improving every episode and trying their best to work it out

Harley, having never really experienced real romantic love before, is desperate to feel as loved as possible, and once she has felt it for the first time, she never wants to let go

she prolongs the eat bang kill tour as long as she possibly can, showering Ivy with gifts and doing crazy stuff that only serial killers would find fun, just trying to keep that high of the 'honeymoon phase" alive for as long as she can

Harley does not want to exist without Ivy if it means potentially losing the amazing feelings that she is experiencing for the very first time in her life

on the other hand, Ivy is very reserved and submissive, she has trouble voicing her true feelings to Harley and suffers for it, a similar pattern of behaviour that she exhibited with Kite Man

Ivy just can't say no, she also does not want to lose that high, but has a different approach to maintaining it

"A big part of being in a relationship is not always telling the exact truth. And that way, you can get what you need without hurting anyone's feelings." - Poison Ivy

this line is incredibly telling of Ivy's past relationships, and it will become a challenge that she must overcome if she wants any hope of actually forming a healthy relationship

and hey, maybe a little lie here and there isn't so bad for a relationship, that's not for me to say and I honestly don't know, but Ivy seems to use the technique excessively to her own detriment

but I mean, what would a compelling dramatic romance be without serious communication issues?

and all these little minor contentions and miscommunications finally build up to the first major conflict in Harley and Ivy's relationship, Edin

it turns out Harley and Ivy might not be on the same page about the whole extermination of humanity, and their failure to communicate that ends in horror as, despite Ivy's wishes, Harley makes a sacrifice that forces Ivy to choose between Harley's life and her own dream

Ivy chooses Harley of course, but this moment rattles their relationship dynamic dramatically and Harley panics, deciding that she wasn't being very supportive of Ivy, and still being desperate not to lose her newfound happiness, she lapses back into her behaviour from when she was with Joker, Harley goes right back to doing exactly what she's told without question and with great enthusiasm in spite of her own personal opinion, because that's how she has handled conflict historically, that's what has worked and she will do anything to hold on to that feeling she has had being with Poison Ivy

Ivy mistakes Harley's new found enthusiasm as genuine, and it takes the Joker himself to point out that she is doing exactly what he did to Harley so long ago, so Ivy asks Harley what she really wants

and now comes my favourite part, the very problematic Valentine's Day special

in spite of the many problematic events of the episode, there will never be a sweeter moment than Ivy sharing her favourite Valentine's Day with Harley, it just melts my heart every time I watch it

as for the problematic part there's nothing new, it's some standard self aware hijinks that affirms that the writers are aware of the unhealthy behaviours exhibited by the two leads and exploring that dynamic is all part of the story, mostly centering on Harley's fixation on being the best partner possible mixed with lasting psychological damage, all from her time with the Joker, but the resolution is adorable

I can't really describe Ivy's favourite Valentine's Day, you just have to watch it, it honestly is the most wholesome and genuine moment in the show, and I can hardly think of any other moment in any other show that can top it either

entering season 4, Harley and Ivy's latest challenge is to set up professional boundaries and segregate their own personal lives from their work lives seeing as they are now each working on opposing sides of a conflict

it's a struggle to be sure, and each partner is terrified that without their shared proclivity for villainy, a rift may form in their relationship

the fear is certainly justified, but despite the challenges presented by their professional split they manage to find other ways to connect

that's pretty much all I have to say on them so far, I think their romance is by far the best part of the show, and I personally believe it to be incredibly well written in spite of what others may think, but it's time to move on

"I mean man. You know me better than anyone." - Ivy

"You're easy to celebrate." - Harley

"And you're fun to celebrate with." - Ivy

part 5

found family vs blood relatives

"You people are not my family, and you know what? You're not even worth it." - Harley to her parents after they tried to murder her

there's no doubt that Harley's family fucking sucks, and you'll be hard pressed to find a family that doesn't anywhere in this show

Ivy's parents were abusive, Harley's were manipulative, Kite Man's are assholes, Batman's are dead, as are Nightwing's, Dr. Psycho is intentionally a terrible father and unintentionally a terrible husband, Sy locked his sister in a basement, Barbara's father is an alcoholic deadbeat and her mother left, King Shark hates his asshole father and killed multiple of his brothers, Robin's father is an emotionally repressed billionaire playboy and his mother is a sociopathic assassin that wants nothing to do with him, the list goes on

every blood family has fallen apart and some of the members have scattered to various found families

the show initially centres on one found family in particular, Harley's crew, but later shifts much of the focus on the bat family as well

both of these families are as dysfunctional as the next, but there is a sense of love and belonging that they bring to each member that families are known to have

what really makes a family? it's hard to say, I think it's like a sort of community that always has your back, even when you're wrong, and maybe you don't like each other all the time, but there is still a sort of love between everyone

families spend time together, but if they live together they're always trying to get away from each other, they support each other, but they will rescind their support if they think you're doing dumb shit that they don't like, they love each other, but may not often express it, sometimes they get along, and sometimes they don't, there is a certain dichotomy to a familial relationship that doesn't really exist in most other relationships

where as you might need to like your friends in order to stay friends, families can maintain a bond in spite of quarrels and disagreements, not everyone will like it, but it's what you've got

in this sense, families are the only relationship that you can never really seem to escape, Dick came back to Gotham, Robin left with his mother, Ivy tore the city apart to rescue Frank, Harley always rescues her crew, and they always rescue her

but the familial aspect does not define a relationship, other relationships will exist between family members that are not inherently related, you can be friends with your family, mere acquaintances, even enemies, or something else entirely

Batgirl and Harley are both new to the bat family, but despite their short tenure, both are given a sense of family from people they know very little about

in my experience, found family often comes from where you least expect it, Batgirl was probably the only person not absolutely shocked to their core to see Harley Quinn herself joining the bat family, and Sy was just Harley and Ivy's landlord before he sacrificed his physical body for them, Frank is a fucking plant, who would expect that their best friend would be a sentient fucking plant?

at some point Nightwing seems to heavily backtrack out of nowhere and stops treating Harley as part of the family, this, to me, seems to be just a poor writing choice seeing as Nightwing was previously very enthusiastic to have Harley in the family

while his concerns may be justified, it's weird that they are only just now being expressed

part 6

Nora Freeze, Batman, Bane, Jim Gordon, Batgirl, Alfred, Poison Ivy, and loneliness

Catwoman is the only lonely character that can tolerate being alone, she even prefers it

whereas Nora, Batman, Bane, Jim, Barbara, Ivy, and Alfred on the other hand each contend with their own particular brand of loneliness and each cope with it in their own unhealthy ways

Nora is grieving, Batman is reluctant, Bane is desperate, Jim is self sabotaging, Barbara is insecure, Ivy is traumatised, and Alfred is purposeless

but for this part I want to focus on Nora

in light of her supposed incurable disease, subsequent coma, and the loss of her husband, Nora has never been more alone

she has no one to turn to, and no one to support her as she grieves for all that she has lost, and I don't mean to imply that Nora's husband was what gave her life value or meaning, in reality it's only a small part of the life she left behind

Nora expressed that her fundamental life changes have left her alienated from all of her previous relationships, her friends and family all expect her to be someone that she no longer is

Nora seems to turn to drugs and alcohol for relief, she seems lost and doesn't know what to do, she just kind of eventually stumbles into her new job working for Ivy, and doesn't take it very seriously

she is understandably put off of serious relationships, and seems to just engage in sex for fun, which is not actually a problem though some characters may disagree

the people of this world have never been lonelier than they are now, and Nora is hardly alone in her isolation

Batgirl's earnest demeanor and nerdy vibe make it difficult for her to make friends, and her deadbeat parents don't pay any attention to her, though things seem to be even worse on the occasion that they do

Jim is married to the job as they say, though this is largely comedic he shows no signs of improvement

Bane is just not very bright and no one takes him seriously, though he does find someone in the end

Ivy hates humanity, but she still seeks companionship from those few she deems worthy, the only trouble is how few she deems worthy, and it's difficult to say whether this is her fault, or theirs, but she does find people she can connect with, and is definitely happier for it

why she deems Kite Man worthy will forever be a mystery to me

part 7

the Joker takes a stab at healthy relationships

after season 1 the Joker is presumed dead, but Harley and Ivy soon discover that he survived, as a basic bitch white suburban amnesiac with no memory of his true identity

his confusion provides the catalyst through which the Joker begins a romantic relationship with the totally unsuspecting Bethany, and by extension he becomes the step father to her two children

the relationship continues for a short number of months until Harley, in a desperate bid to save the city, violently reminds Joker of his true identity

this time around Joker remembers his own life as well as the life he had lived as an amnesiac and is immediately disgusted with himself

he breaks off his relationship with Bethany because she challenges his perception of his own identity and that scares him

however, upon realising how much happier he was as an amnesiac living with Bethany and her children, he decides that maybe he can give the whole true love thing a shot, after all, lots of dads are serial killers

and thus the true romance of Bethany and the Joker finally begins, it's honestly kind of surprising that Bethany still wanted to date the Joker and not the other way around, but I suppose it's understandable if you've already spent so much time together, plus Bethany and her kids were excessively eager when Joker announced to them his return to crime so maybe they were kind of into it the whole time

part 8

Jim Gordon and his (seemingly) one sided friendship with the Batman

Batman is self admittedly "not good with feelings" and by extension, personal relationships

he is incredibly insistent that he "work[s] alone"

he is dismissive of Jim's constant insistence that they are friends and not just coworkers, but in spite of this attitude Harley is able to convince Batman that Jim Gordon is not just a coworker, but might just be his one and only friend

the idea that they are friends is further compounded by the comedically timed screen saver of Batman's computer that shows him and Gordon together celebrating

after Harley's intervention their friendship remains very one sided with Gordon constantly seeking Batman's validation and approval, but Batman at the very least has acknowledged the truth of their relationship

part 9

can people change

can Harley become someone reliable and dependable?

can Ivy count on and trust someone other than herself?

can the Joker become a suburban dad?

can Psycho stop calling women cunts?

can Kite Man do anything right ever?

can people change?

according to the show, the answer is yes

Nora Freeze spent years in a cryogenic coma, and upon her revival, lost the love of her life

her friends all expected her to be the way they remembered, but the experience had a deep impact that spurred a fundamental change within her

she didn't just lose her husband by waking from the coma, she lost her entire life as well, she feels like an entirely new person, and it leaves her lost and lonely, but it wasn't her husband's death that left her all alone

Harley and Ivy are both forced to undergo changes in order to make their relationship work, but they don't just change for the sake of each other, they change for their own sake as well

these changes are what allow them to form all kinds of new positive relationships, but failure to change promises severe social consequences

Jim Gordon's failure to change guarantees the continuation of his misery, he could have had a loving family and admits that he loved being a father, but he ultimately decides that change is scarier than loneliness

part 10

Ivy and Swamp Thing, the end of friendship

"You never let me express myself, Ivy! This is why we stopped being friends." - Swamp Thing in a fit of rage

many of us have had that one friend that would whinge for hours on end about their problems, but would suddenly have something better to do when it was our turn to complain, unfortunately some of us have even been that friend

it can be incredibly frustrating for the listener, and the whinger often doesn't even realise that they're doing it

Ivy was that friend to Swamp Thing, and until now she never even knew the true reason they stopped being friends in the first place

it's tough to know when to give people a chance, and when to cut a toxic friend out of your life for good, Swamp Thing had to make that call for his own sake, and it seems to have paid off

their hiatus apart allowed Ivy the time she needed to grow, so that she could be a good friend for a change

it's also an example of the idea that the end of a relationship doesn't always have to be for good, people and circumstances change, and sometimes reconnecting can lead to a better relationship than you ever had before

so it's finally done, I have been writing this post for fucking ages now even though no one will ever read it, but at this point it's mostly for me anyway so no harm done, this blog is basically my diary as it is

I didn't even talk about everything I wanted to but it has been months so I'm finally just going to post it

[superawesome40]

Okay, so I have to confess, I haven't actually read the comics, but recently I've gotten really into the DC fandom, and I have a kind of weird request.

I've always had an interest in teen heroes, particularly the psychological and physical impact that comes from doing something so dangerous at such a young age, and often for years. I've been doing some research into the teens, particularly Conner, Cassie, Tim, and Bart, and when I found out that both Conner and Bart died, it made me wonder: how many heroes died as teens? How many came back?

So, for the request. Actually, technically it's two requets.

The first: could DC fans, of any kind (comics, shows, movies, etc.) tell me any of the deaths they remember? I know of a few (Bart, Conner, Jason, Damian), but I don't know if there were others. More specifically, would you all be so kind as to format it like this:

[name]-[age at death]-[cause of death]-[revived?] Ex: Jason Todd - 15(?) - Killed by the Joker - Revived

It doesn't have to be too specific, just enough to give me a base for further research. Honestly, just put as much info as you want.

The second request: how many teen heroes have there been? They don't have to currently be teens either - just how many started off younger than like, their early 20s? (Yes I am well aware that's older than teens, but I count them anyway because they were young.) I know there are a handful (the Robins, Teen Titans (?), Young Justice), but I don't know who they are, and every time I look it up, it feels like it changes.

Also, just out of curiosity, who i your favorite DC character, and why? Mine is Bart Allen (today) because he is a little goblin, and I love him He's precious.

Thank you so much to whoever comments!

[bittersweetresilience]

one of my favorite things to do in limited perspective is write sentences about the things someone doesn't do. he doesn't open his eyes. he doesn't reach out. i LOVE sentences like that. if it's describing the narrator, it's a reflection of their desires, something they're holding themselves back from. there's a tension between urge and action. it makes you ask why they wanted or felt compelled to do that, and also why they ultimately didn't. and if it's describing someone else, it tells you about the narrator's expectations. how they perceive that other person or their relationship. what they thought the other person was going to do, or thought the other person should have done, but failed to. negative action sentences are everything.

[noknowshame]

always a fun time when real life people are doomed by their own narratives. like guys you know it doesn’t have to be like this right? this isn’t a stageplay the foreshadowing isn’t real until you make it real

[chihirolovebot]

on a real note that bit near the end of the video was genuinely haunting. hearing somerton talk about how gay writers are erased from history was one thing (with all the irony being that he stepped on the backs of numerous underpaid, underprivileged and uncredited queer writers to build his youtube channel) but when h revealed it wasn't even somerton's quote in the first place? the worst, most crushing sort of irony. how do you lament about the erasure of gay people and gay writers in history... whilst erasing a gay writer and taking his words as your own?

[femd-archive]

Ken Sato into breastsucking? I can see him sucking breast when we're napping and he lays beside us whispering if it's okay to breastsuck us (it's okay if u don't wanna do it btw 🙃)

yesss😫😫😫

kenji already loves cuddling with u so much, nuzzling his face on your neck or your chest as he hugs your waist and his legs are thrown over yours, double points if u run your fingers through his hair

though one day, as u were cuddling watching a movie, he keeps on playing with the collar of your shirt, taking a peak of your tits once in a while. and of course u notice, but u decided to play dumb so he would ask for it

"baby?" he finally calls u and, suppresing a smile, u look down at him.

"mmh?"

"could i..." he hesitates, a faint blush spreading on his cheeks. a few seconds pass in silence before kenji looks up at u again, those puppy eyes staring into your soul. "could i suck your tits?" he whispers, his fingers caressing the fat of your hips.

u chuckle as your hand reaches his hair, running your fingers along it. "you're so cute" u leave a kiss on his forehead before agreeing. "yeah baby, of course"

kenji watches as u lift your shirt up, revealing your breasts covered with your bra. his hands are fast to push the cups down, leaving a kiss on top of the areola before taking your nipple in his mouth, making u sigh at the feeling of his warm tongue around u.

his body relaxes in your arms once again, and u see how he closes his eyes as he wraps his arm around your waist and snuggles closer as he keeps on sucking. 100% sure he's gonna help u with the wet mess between your legs later ദ്ദി ˉ͈̀꒳ˉ͈́ )✧

[sunnymainecoonx]

How many people witnessed softie food addict horror who needed something in his mouth or he would actively kill and turn to cannibalism 🧍‍♀️ or was that just me.... anyways honestly it was silly.. he'd maybe get along with cook horror... I just like fanon crossovers guys*sadge

Anyways canon horror is also silly(really silly. What an asshole, man)(no seriously he's actually such an asshole.. I might love him for that but-) I don't think he would get along with the others(loser)

[thetardisisnotourdivision]

Ok I mean absolutely no offence to anyone but;

All the people saying that making Susan a villain would be a bold move - have you SEEN the classic series??? This autistic teenage girl has more feral energy than any other companion except perhaps Leela and was TERRIFYING when she wanted to be. She tried to stab Ian and Barbara. She fucked up a bunch of cavemen and put a human skull on a flaming torch for comedic effect.

Not to MENTION the amount of trauma that girl has. Time War? Losing her entire family twice/three times?? (Because she'd have outlived her human family on Earth. The third family is Team TARDIS btw). Abandonment issues??? It's not a huge leap to assume that something traumatic happened on Gallifrey, given how she acts. She's also related to the Timeless Child - god knows how many times she's regenerated - for all we know, she discovered a long time ago that she is incapable of dying, and she has no idea why. Couple that with violent tendencies and an extreme talent for telepathy (even the Doctor was surprised by how strong her abilities were) and you've got an extremely messed up character.

Make Susan the villain! Show kids that if life fucks you up, sometimes you fuck up too, and that doesn't mean you're unworthy of love! Have her commit atrocities to try and get the Doctor to come back to her! Let her fuck shit up!

[aurae-rori]

hey rori is there any genuine reason to like jade other than oooh dom mommy thing (which is... [gagging])

I think she's genuinely a well-written villain. She's morally grey, but leans heavily towards being more of a bad person than a good one. Her deals do technically benefit the people that she makes deals with, but on the other hand, it is simply a moment of satisfaction before everything falls to pieces. She's an incredibly well-written manipulator, giving Topaz a sense of trust and understanding in herself all while using her in order to further her own goals. She creates a sense of false safety in order to further manipulate others, or seems more kind and understanding to clients in order to make them more willing to give up something of value. The way that she maneuvers around her clients and her fellow Stonehearts reflect real manipulation tactics, and are executed in a way that is horribly realistic in the way that it is subtle and not noticeable if you don't squint hard enough. I love her because of how fucking awful she is, and how good she is at picking people apart and understanding what they want, and how good she is at persuading people to give up a part of themselves for her.

She's good at what she does. She provides people with what they need in the moment, all while taking something precious in return. She smooth-talks her way in and out, and perfectly manipulates the situation in her favour. She's a perfect businesswoman, an amazing professional at what she does - she really is a snake, isn't she?

I like her because of the fact that she's evil, and good about using real verbal cues and social cues to her advantage. I like her because she is fucking evil, while her morals are grey, she, herself, is fucking evil.

The first step in turning someone into your pawn is making them think they have equal ground with you, after all. Jade is good at making people feel assured. She does it with Topaz - praising her, leaving jobs to her, and bought things for Aventurine when he was nothing but a slave. Jade is good at people.

That's what makes her so damn terrifying. And in return for being terrifying and earning respect from her coworkers, I love her character because of how well-executed she is.

[ddenji]

i really enjoyed this bit of the chapter. two victims of control stand against each other. one of them made it out, certainly not unscathed but still able to find the good in life; the other is still searching for that control, the safe feeling of having no choice and the promises that were made that will never be delivered now. barem acknowledges that he’s still under makima's control, or at least his heart is, which symbolizes a more emotional connection to his relationship with being controlled. he feels robbed that her forced peace never came about. his anger is directed at denji now, the one who ‘got out’, because he’s been living in peace in barems eyes, while having destroyed barems own idea of peace. they are both victims, but denji is the victim who got to move on and barem cannot do that. i just really enjoy looking at part 2 from the angle of "who made it out and who is still trapped by the dreams of a dead woman", because makima does cast a shadow over the whole narrative.

(p.s. i'm not absolving barem of anything, he still sucks, but it would be so absurdly incorrect to me to not acknowledge that the other hybrids are victims of makima too, even if they dont see it that way, and how that affects their character arcs.)