#Even been getting ideas of how to draw them out too!

[multipleoccupancy]

Theo just sobbed as he tried to work out what to do, he really didn't want to leave Mauve alone in the ward, it had been hell for him for so many different and terrible reasons. He was supposed to be getting out potentially that day. He heaved in some panicked breaths through his tears, they were so many they were dropping off of his jaw as if he were a broken tap.

He gave her his hands as she took them though, barely able to see her through the blur of tears. He was quite the mess as she spoke to him and he felt horrible guilt in his stomach at the thought of leaving her behind, for the very real worry of forgetting all about her. How it is she might have been sat waiting for him to come and free her but by tomorrow he'd have forgotten her name and by the end of the week would he even remember her face or that she had been with him at all? Did she understand that?

"I'll come back. I promise you. This whole place, I'll close it down. They'll never be allowed to do this again to anyone." He drew in a shaky breath and finally plucked up the courage to look at her properly, trying to memorise her face as best he could in the hopes that something would stick, that some part of his mind on the medication would be able to recall her features. "But I will get my Mom and Dad to look into everything, I'll find a way." He paused and then seemed to come up with an idea, "Write your address on the back of your drawing to me, I can get to your parents, I can tell them and then they can try and get you out of here too, to come and pick you up or anything. Please Mauve, let me help you."

𝐓𝐇𝐄𝐎 & 𝐕𝐈𝐎𝐋𝐄𝐓 @multipleoccupancy

Violet stood up with Theo, but she didn't what to do, she didn't know how to calm him down as he pulled at his hair. So, she just stood there, awkwardly hovering next to him. With tears in her eyes. "I know," she said, "but I don't want you to be stuck here because of me. You have to get out, Theo."

She shook her head. "I can't sneak out with you, I'd be a fugitive for the rest of my life." Had she made a mistake, telling him the truth? Maybe she should have lied better! "Maybe Agent Davidson will give me a deal, eventually," she attempted to lie, almost trying to repair broken porcelain, knowing full well that the pieces would not go together, "maybe he just needed time to think about it."

Finally, she gently took his hands, trying to move them away from his hair. "I think that's a mighty fine idea, Theo. You'll come back, and you can even close this place down for good. You'll be an FBI agent, remember? You'll be able to prove how terrible the ward is, and you can even send 'em all to jail for what they've done. But you can't do that if you stay here, so you have to go."

[maysileeewrites]

distracted

Robb Stark x fem! Reader || 18+, MDNI! 

Synopsis: „How am I supposed to sit here, planning a war, when you’re over there, looking like that?“ 

c.w.: smut!! (seriously, this is really just smut with barely any plot) - piv, unprotected sex, hints of praise kink, breeding kink (never thought I’d ever tag one of my fics like that, but here we are, the things Robb Stark gets me to write …); established relationship, wife!reader 

w.c.: 1.7k || masterlist

AN: more plot-heavier Robb fics are coming soon, but I just had to write this purely self-indulgent smut fic first ... Hope you enjoy!

Usually, you’d describe yourself as a fairly patient person. 

Usually. 

However, there are certain situations in which you tend to be the complete opposite of patient - like tonight, for example. 

In your defense, you’ve been waiting for Robb to join you in bed for quite some time now. And you know that he’s not keeping you waiting to spite you - by the seven, you know that he’s got a war to plan, and thinking about that gets you frustrated even more with your own impatience tonight -, you know what’s keeping him so preoccupied, know how important that is, but somehow, you can’t help it.

Not when Robb is right there, sitting at the table in your tent, several maps spread out on the table around him, tousled curls falling into his face, wearing nothing but a thin robe that’s already started to slip off his shoulders, revealing the planes of his broad, muscular chest. 

You can’t help the soft sigh, full of yearning that escapes you then - finally earning you Robb’s attention. 

When he looks over at you, his eyes visibly widen. Suddenly, you feel your cheeks burning up and fight the urge to grab the thick fur covers lying next to you to cover up your naked body. 

You’ve been lying here in bed, waiting, for what feels like an eternity now, and with the thick furs covering you and the warm fire crackling a few feet away from you, you’d started feeling incredibly hot under the thick covers, so you’d thrown them aside. Purely for the sake of not feeling like you’re being roasted alive anymore, of course. 

Though you can’t deny that Robb’s reaction to seeing you like this is even better than the sensation of relief that washed over you after you’d thrown the blankets aside. 

He bites down on his lips, and you can see him clenching his fists. It’s too bad that the table is blocking the lower half of his body from your view - 

Just then, Robb groans, the sound low and intense. 

Suddenly, you feel even hotter than when you’d still been under the covers. 

Robb shakes his head at you, his eyes hungrily taking in your naked form. „How am I supposed to sit here, planning a war, when you’re over there, looking like that?“ 

At Robb’s words, you bite down hard on your lip, feeling your cheeks burn up. You can’t help it. 

Sometimes, when you’re together with Robb, you still feel like a maiden, young and innocent, as if you and Robb haven’t been married for some time now. 

As if he didn’t already touch you in ways that have desire pooling between your legs, just thinking about them. 

As if he didn’t already say things to you that turned your entire body to jelly in his arms. 

Thinking about that night a few days ago, when he was moving inside you, one arm slung across your stomach, pressing your back to his broad chest, while he took you from behind, his other hand drawing teasing circles over your clit, causes an all too-familiar, bittersweet ache to settle between your legs. Especially when you recall the words he whispered into your ear right after you’d reached your peak. 

That’s it, don’t hold back. Come for me. Going to fill you up- 

„What, already speechless?“ 

Robb’s teasing words draw you out of your thoughts and when you look up, you see how his eyes have darkened with desire. He’s still sitting at the table, still clenching his fists, and suddenly, an idea enters your lust-filled mind. 

Oh, you’ll show him speechless. 

Smirking, you get up from your bed and slowly walk over towards Robb, taking your sweet time with every step you take, enjoying the way Robb seems completely transfixed by you. 

You come to stand in front of him, just looking at him for a moment - his pupils have widened and his breathing has grown quite shallow -, before reaching out towards him and teasingly running a hand across his bare chest. 

Robb’s breath actually hitches. 

You smirk. „What, speechless already?“, you taunt, throwing his earlier words back at you. 

Robb’s eyes widen, but you don’t give him the chance to say anything. Still smirking, you sit down on his lap, laying your free hand on Robb’s shoulder to steady yourself. 

Robb groans and you have to close your eyes for a moment. Not just because you love eliciting these kinds of sounds from Robb, but also because the friction is almost too much to bear for you as well. There’s nothing more than Robb’s thin robe between your aching core and Robb’s stiff, erect member and if you grind yourself against Robb-

Just then, Robb’s hands settle on your waist, mercilessly keeping you in place. You want to protest, you really do, but when you feel Robb’s lips grazing over the sensitive skin of your neck, forming any coherent thought suddenly feels impossible. 

Robb seems to sense this as well, because he chuckles quietly, before his lips start trailing lower, down from your neck to your collarbone, to your breasts. 

Your breath hitches, and even though you can’t see it, you’re pretty sure that there’s a triumphant spark in Robb’s eyes right now. He loves to tease you. In fact, you think that he enjoys it just a little too much. 

Not that you particularly mind, though. How could you, when Robb’s teeth grazing over the sensitive skin of your bosom feels so heavenly? His hands are still keeping you in place, but his grip on you has loosened. 

When you try to shift forward this time, there’s no protesting from Robb. Instead, the only reaction he shows is a low, deep groan, before his lips close around one of your nipples. 

A sigh escapes you, morphing into a groan, when Robb starts flicking his tongue over your nipple, while suddenly tightening his grip on you again, only this time it’s to re-position you in his lap. Now, he has you even closer to him and when you feel his stiff cock at your entrance, a breathless, desperate whine escapes you. 

„Robb“, you breathe out, one of your hands moving up from his shoulders to tangle in his auburn curls, tugging at them the way you know always drives him crazy. 

Finally, he looks up at you. 

And by the seven, the image of him with his head between your breasts, his lips still wrapped around one of your nipples, looking up at you with a deep, dark yearning in his eyes is enough to get you clenching around nothing. 

„Robb, please“, you whine, trying to desperately to grind yourself against him, but his grip on your waist has tightened once again. 

Another whine escapes you and you bite down hard on your lips. Somehow, you feel as if you could almost cry from frustration. You need Robb, and you need him now. 

So, you tell him. „Robb, I need you, please-“

The rest of your words are swallowed by the hungry, bruising kiss Robb gives you. You’re so dizzy, so distracted, that you almost don’t notice Robb’s hands moving to lift you up - until you feel him lowering you down onto his cock. 

A surprised hiss escapes you, and your grip on Robb’s curls tightens at the sudden contact. 

Robb, however doesn’t give you any time to adjust to him like he usually does - usually, he’d also make sure to prepare you for him with his fingers or preferably his tongue, but tonight, the same hungry, desperate frenzy you’ve been feeling seems to have taken over him as well -, he slams right up into you, filling you up completely. 

Pain and pleasure mix together, and you cry out. Your grip on Robb’s shoulder is so desperate that you’re convinced your fingernails are going to leave marks, but right now, you couldn’t care less. 

Not with Robb mercilessly bucking his hips up again, one hand still on your waist, keeping you in place, the other tangled in between your hair. 

„Gods, I love it when you’re so desperate“, Robb whispers, looking right at you as he enters you again in a merciless, powerful thrust. 

You whine again, meeting Robb’s gaze. Coming up with any kind of coherent sentence in reply seems impossible, and so all you can do is look at Robb and take his powerful thrusts inside you. 

„You’re so beautiful like this“, Robb continues, just as his hand suddenly leaves your hair, trailing down from your neck to your breast and over your stomach until his fingers start to draw teasing circles over your clit. 

„Robb.“ 

„Looking all fucked out and cock-drunk, with that hazy look in your eyes and your lips swollen - makes me want to fill you right up, because you’d look even more beautiful with your belly swollen with my child-“

And somehow, that does it. You come - harder than you’ve ever come before. 

Crying out your husband’s name, you come, shaking, burying your head in the crook of Robb’s neck as white-hot waves of pleasure wash over you and you clench around him. 

Robb thrusts into you once, twice and once again, the friction nearly too much for your aching, sensitive core, before he comes as well, spilling his hot seed inside you. 

„Robb“, is all you can manage to whisper. 

You’re still shaking, and when Robb closes his arms around you, drawing you into his chest, you nearly collapse onto him. 

For a moment, you stay like that, with you in his arms and him still inside you. Robb’s hands draw gentle patterns on your skin and he starts to whisper sweet nothing into your ear, a stark contrast to the rough, dominant husband you’d witnessed just moments before. 

Eventually, you find the strength to lift your head from his shoulder again. Robb slips out of you, but his hand immediately moves between your legs again. 

„Robb, please, it’s too much“, you whimper, completely overwhelmed as he pushes his fingers inside of you. 

„Sh, love“, Robb whispers, pressing a kiss to the crown of your head. „I’m just making sure that we’re not wasting a single drop.“ 

When your eyes meet his again, he’s smirking.

„Who’s speechless now, love?“ 

Robb tag list: @justmymindandstuff @rheanyraaaa @prettydeeryess @inkandarsenic @strrvnge

[starberry-cupcake]

Here I am again, hoping this silly recap brightens your day a little bit, I'm giving you a gentle hug and a mug of your favorite warm beverage ☕

previously, in harrowcita del 9:

this happened

I somehow predicted @lady-harrowhark's tshirt in the one before that also, it was very funny, in case you missed it

CHAPTER 48

we're doing just one chapter again because this one was Eventful, fam

last we knew, abby pent was trying to lorraine warren the ghost out of harrowcita's bubble

my running theory was that the ghost was commander wake aka allegedly gideon's mom (none of that is in any way confirmed yet)

and ortus was about to say something

I said it might be poetry and, guess what?

I WAS RIGHT

you go, ortus, you recite that poetry

abby apparently takes that as a cue to do something and thinks ortus has too much faith in her

but ortus trusts her, there's a lot of polycule moments in this one

the sleeper/waker/slasher allegedly gideon's mom unconfirmed absolutely does not give a fuck about any of this, she's slaying them all with her "baggy orange suit and gun collection"

I need the suit to look like this so bad

harrow starts making constructs but killer bae starts turning them into ash in seconds

I mean, I know we need harrow to live and this woman is not supporting that idea but damn, she looks cool af

if you fought the emperor at any given point, amanda (I'm calling her amanda for now, I'll elaborate later) how did you lose?????

ortus is harmed, so harrow has to continue with the recitation in his place

so harrow continues to recite the nonius poetry, while abby chants in the background and everyone else waits while bleeding

it's a very involved artistic performance that we've got going on over here in canaan au river bubble

sleeper/waker/slasher/alleged commander wake alleged gideon's mom aka amanda (according to me) shoots harrowcita

but then abby is lifted in blue flames and seems to be holding an invisible book and everything gets all vib-ey

these are the exact vibes I'm picturing

(not because I have a print of that in my room)

so harrowcita is saved from getting shot in the head by a man with the Ninth uniform and a very stellar use of the blade

AND YOU WOULDN'T BELIEVE WHO IT IS

IT'S ORTUS'S BLORBO FROM HIS SHOWS!!!!!!!!

matthias nonius is a short king who is surprised to be speaking in meter but is very happy to be here to defend the Reverend Daughter and fight like an expert killing machine

WHERE WAS ALL THIS FIGHTING POWER WHEN IT CAME TO KILLING THE EMPEROR

but not only is matthias nonius 10/10 at fighting (as advertised), the shrine ortus has in his head for him is helping to even the playing field with the waker/sleeper/alleged commander

she can't shoot anymore

"I killed wizard's filth like you all my life. I killed them with guns, and bombs, and knives, and gas, and when I didn't have any of those I just got in real close and put my thumbs through their fucking eyes. You can flick that little skewer around all you like, boy. I'll choke you with it"

SHE'S INTENSE, we can be certain that the Harrow Only Notes were hers

"I certainly hope you're a fighter. God knows you're not a debater"

you guys I'm a certified mati nonius fan right now

ortus is drawing little hearts in his poetry book and writing Ortus Nonius in it

"If all of her cavaliers were this excited for death, she was definitely the problem"

they just love you too much, harrowcita

so mati nonius and waker/sleeper/alleged commander have the most intense and entertaining fight ever

because lyctor fights are weak and boring

but this, this is cinema

harrow thinks that, if gideon had been there, she would have loved the fight but also she'd be terrible at running commentary of it

I disagree, gideon's running commentary is one of the things that keep us together as a society

"In life she must have had few, if any, equals. Her people—whoever they had been—must have cherished her as their finest champion."

gideon got some great fighting genes from all around, if my theories prove right

I mean, if her people are the people I'm thinking, they still have posters of her, so she must have been a big deal before she crashed in the ninth

SAD SHE DIDN'T KILL DR REVEREND EMPEROR JOHN THOUGH

BUT THERE'S STILL TIME FOR THAT

LIKE AN HOUR

harrow says mati nonius is "a poem" which is very nice of her to say

you go, short king

there's a lot of blood happening, also, which could be encouraging, since before this, the waker/sleeper/alleged commander wasn't bleeding at all

the room changes to become a ninth chamber and alleged commander changes clothes from the star trek orange suit to a different yet still orange getup and a golden mask

ortus's shrine in his head built for mati nonius is rewriting the possession

because nothing can pull you from the depths of despair as fast as your favorite blorbo

"My master in life was revenge, my mission is one of—Goddamn it, I'm not going to start talking like this"

more points for the gideon's mom theory

protozoa and ortus are now communicating telepathically, they are starting to put aside their rivalry and finding out they have a lot in common

enemies to friends to lovers speedrun

mati nonius loses his sword and goes feral

protozoa throws his cunty seventh rapier towards him, mati nonius catches it and ends the waker/sleeper/alleged commander

it all looked incredibly cool

once the enemy is partially defeated (let's remember she's supposedly tethered to an object that I think is gideon's sword), the body horror starts falling from the walls

it's described as "sausages flung from a height" which is...quite the thing

like, I get what that sounds like, but also, maybe I didn't wanna know

harrow looks at the face of the waker/sleeper/alleged commander and says it's the woman from the poster of the shuttle

YASSSS GETTING CLOSER TO MY THEORY

like, I still don't know if the woman from the poster is commander wake or if she is indeed gideon's mom, but I'm going all in on this theory

now we have a little intermission in which everyone is waxing poetic about everyone else

this is the canaan house we always wanted to see

protozoa is giving heart eyes to mati nonius, mati is giving respects to harrow, ortus is saying he wants to write a poem about abby, magnus is telling ortus not to flirt with his wife as a joke but ortus looks mortified

and abby says ortus did most of the job but she also points out she corrected some of his spelling

which might have been the biggest mistake in magnus's and abby's lives because they just destroyed their polycule

you can't treat the ninth like that, fifth, they take it personally

but ortus is vindicated because his oshi, his favorite blorbo, his biggest hero, tells him nice things

harrowcita goes to check on the ghost corpse of the waker/sleeper/alleged commander and finds some tags

one of which says AWAKE

I THINK THAT'S MAYBE A. WAKE

AS IN COMMANDER WAKE

and I'm naming her amanda, as previously established

it would go well with the ancient tumblr meme

the prophecy

sure hope this isn't the famous alecto everyone keeps mentioning because it'd ruin my prophecy

abby tells harrow the only way to get rid of her for good is to destroy the object to which she's tethered to

which I suspect might be gideon's sword, so fuck all this

we're meant to lose gideon and her sword??? absolutely not

let the woman kill the emperor instead

ALSO

surprise! mati nonius is besties with gideon the first

now, for someone who was sold out to be super serious and not an extrovert, gideon the first knows EVERYONE

he knows mati nonius, he probably also knows, to some degree of intimacy yet undetermined, the commander, he might be somewhat related to our gideon

the man is everywhere

basically, mati nonius and gideon the first had the same speedrun friendship that gideon had with camilla

they fought each other once and one of them thought "you're friend-shaped :) "

so, mati nonius is willing to go help gideon the first with the beast

because, as we have previously seen, no other lyctor is currently doing what they were supposed to

so, ortus says he'll go with mati to help gideon the first

abby and magnus want him to go with them to be forever happy in their polycule, but it's too late

abby has insulted his spelling and magnus has made him feel uncomfy with his joke about the flirting

HOWEVER protozoa has told him he actually likes him AND has quoted poetry HE WROTE HIMSELF

enemies to friends to lovers to soulmates

martita, who was there the whole time, ties her sword to her broken hand and says she'll go with them

martita is actually cool for a second house person

judith, you didn't deserve her

NOW THERE'S A PROBLEM

A BIG ONE

if harrow doesn't go back to her body, she'll get lost and lose her mind in the river

if she does, though, she's gonna kill gideon for good

harrowcita has a crisis and a breakdown

(and also stops for just a second to remember gideon rolling up her sleeves)

magnus compares the situation to a breakup he had with abby one time, which I don't think really encompasses the gravity of this situation, but ok magnus, it sure is similar

I mean, the breaking up part maybe but the level of gravity of the situation? idk man

I'm sure breaking up with abby felt this dramatic to you but...it's a little different

abby and magnus leave, telling harrowcita that jeanne said to tell gideon "hi" if harrow sees her first

which is super cute of the kid tbh

so, that leaves us with real!dulcinea

who is still here because

1) much like her lyctor counterpart, is very resistant to dying for good

2) she's determined to get vanished into nothingness and disappear into the very essence of existence, which I think sounds pretty cool

"The Seventh says nothingness is the only truly beautiful thing anyway, so nyah"

3) also: "Actually, I've got something to tell you"

I SURE HOPE IT IS A WAY TO SAVE BOTH GIDEON'S AND HARROW'S LIVES

FINGERS CROSSED

and that's it for this chapter!!!! next time, I'm expecting more gideon and yandere twin antics!!!

[skeletboi]

Part 17 of the Intridmensional AU!

This one starts right at the end of the last part, so I'd suggest reading the last few lines of part 16 before diving in here!

First /// Previous /// Next

________________________________________

“Would you believe I told ol’ Fordsie here to keep his idiot brother away from his project after what happened last time, yet here you are! HAH!”

“Ford…?” Stan asked, taking a step back.

“Sixer isn't home right now! Please leave a message after the beep! BEEEEEEPPPP!” Ford said before breaking out into laughter.

“Stanford… what in tarnation…” Fiddleford asked.

Stan grabbed Fiddleford's arm and took a step back.

“Didn't I just say he wasn't home?!” Ford said, tilting his head and smiling painfully wide.

“I don't think that's Ford…” Stan said, dragging Fiddleford back another step.

“DING DING! The idiot gets one point! I figured you'd be the one to catch on first, Fiddlesticks! How disappointing! You'd think you'd be better at recognizing the man you left your wife and kid for! Hilarious! How are they, by the way?! Or did you forget them?!”

“What- Stanford…” Fiddleford said, his voice barely a whisper.

“Fidds, something is seriously wrong, that is not my brother!” Stan said.

“‘Fidds?’ Damn, lesser twin, that's cold! Ruin your brother's life then steal his ex boyfriend, too?! Hah! No wonder he hates you!”

“What are you?!” Fiddleford asked, his voice shaking.

“Haven't figured it out, specs?! Hah! I thought you were supposed to be smart! What would Fordsy ever see in you?! You noticed his ‘sleepwalking’ and ‘weird behavior’, but even when I'm right in front of you you still can't put it together!”

“You're the one who came up with the portal idea.” Fiddleford said slowly, dread sitting heavy in his stomach, freezing him in place even as not-Stanford stepped closer to him.

“DING DING! Another winner! The name's Bill! It's a displeasure to finally meet you! You humans are so stupid! Once Fordsy finishes that portal your world will be mine! And another thing-”

Stan didn't wait to hear the rest. He grabbed a wrench from a nearby work table and swung, watching in horror as Ford crumpled to the ground.

“That was still Ford.” Fiddleford said, looking seconds away from passing out.

“What else was I supposed to do?! Let him keep sayin’ nonsense?! I mean-fuck! What the hell have you two been doing?! What is this portal you keep mentioning?!”

“It's a transuniversal metavortex.” Fiddleford said quietly. “A gateway into another dimension.”

“Why in the sci-fi hell would you want to build that?!” Stan asked.

“Because! He asked me to!” Fiddleford suddenly yelled, making Stan jump.

“I thought he forgot about me, Stanley.” Fiddleford said, quieter now. “I couldn't say no ta him after he called. I reckon lookin’ back now, I shoulda said no, but he was so excited-”

“Fidds!” Stan said, drawing Fiddleford from his quiet rambling. “Blaming yourself isn't going to do anything. All three of us have made some fucked up mistakes! Right now we need to find out what the hell that thing using my brother as a puppet is before he tries to turn on that sci-fi death triangle over there!”

“Triangle.” Fiddleford mumbled.

“Yes, a triangle. Glad you caught that part.” Stan deadpanned.

“I hafta dismantle the portal.” Fiddleford said, looking across the room at the machine. “Stan! We gotta stop this! We have to stop that demon!” Fiddleford grabbed Stan's arm and dragged him towards the portal.

“Missing leg, Fidds!” Stan said, trying to keep his balance on the dirt floor as Fiddleford pulled him.

“Right, sorry Stanley. I jus’ need yer help, There’s an emergency shut off. We can shut the whole thing down, but it takes two people!” Fiddleford said quickly, letting go of Stan's arm to rummage in his pockets for a set of keys. “Take this.” he said, pulling a key off the ring and handing it to Stan. “There's a spot in the control panel o’er there. I'll count ta three, then we both gotta turn the keys. Got it?”

“Fiddleford!” They heard Ford yell from behind them.

“Shit.” Stan swore, putting the key in his pocket and turning towards Ford. “Fuck you, you weird ass demon! Leave my brother and Fiddleford alone!”

“Demon?! Stanley, what are you talking about? What the hell happened?! The last thing I remember was you and Fiddleford fighting! Did he use the gun on me?!” Ford asked, panic rising in his voice.

“You happened, asshole! Don't play dumb with me, Bill!” Stan yelled back.

“Bill?! How do you know that name?” Ford asked, dumbfounded.

“Because he possessed ya! He told us his name, Stanford! How could ya trust a demon?! What happened to the idea for this darned portal bein’ ‘hard work’?!” Fiddleford yelled, finally joining in on the fight.

“He's not a demon! He's a higher being! A Muse!” Ford said. “I gave him permission to possess me as he saw fit, I just didn't expect him to do it now!”

“He possessed ya, Ford! That sure as heck sounds like a demon ta me!” Fiddleford responded.

“He- no- he…. he's my friend!” Ford said.

“You have got to be fucking with me!” Stan yelled. “Friends don't let you possess them and then shout insults at your actual friends!”

“Insults? He- he was joking. He loves joking, that's all.” Ford said frantically, taking a few wobbly steps towards Stan.

“Goddammit, Ford. You're too smart for this!” Stan said, turning away. “We're shutting this sci-fi nightmare down.”

“No!” Ford said, running down to meet them. “Stan, you can't!”

“I'm sorry, Ford.” Fiddleford said, making his way back to the machine on the other side of the lab.

Ford grabbed Stan's arm and yanked him backwards, miscalculating the amount of force he used and accidently throwing him against the control panel. Stan glared at him and lunged, grabbing him by the collar and pushing him backwards.

“Goddammit, Sixer! We're trying to help you!” He yelled.

“Help me? You have no idea what you're doing! You know nothing about Bill!” Ford said, sounding a bit unsure and pushing Stan back.

“Uh- fellas, careful ‘round that ‘quipment, there!” Fiddleford said, but the twins ignored him.

“I know enough! I know a con man when I hear one, Ford, and that demon is the ultimate con man!” Stan yelled, trying to walk away from Ford before he hurt him again, but Ford grabbed his arm and tried to drag him away from the control panel.

“How much of a con man can he be?! He was right, after all! I should have done better to keep you away from my project!” Ford snarled.

“Fuck you, Ford. If you want to believe that fucking monster over us, than fine, but we're shutting this down!” Stan said, pushing his brother as hard as he could, sending him falling backwards onto the lever in the middle of the room.

“No!” Fiddleford yelled, but it was too late. The portal crackled to life, filling the dark lab with an eerie blue glow.

“Oh shit.” Stan said, taking a step back.

“It works.” Ford said, smiling up at the light. “It works!”

“That ain't good, Stanford!” Fiddleford said, running over to try and drag Ford away. “We need ta shut it down!”

“We are not shutting it down!” Ford said, pushing Fiddleford away.

Stan tried to pull Ford away from the machine, but forgot, in all the commotion, about Stan's new peg leg. He grew up with Stan. He had seen him stand his ground against bullies twice his size. But that was back when he had two legs to stand on, so he was thrown off guard when Stan didn't stay standing. They both slid across the ground, over the yellow line where the portal could reach, and suddenly started to float.

“What the fuck?!” Stan exclaimed, flailing his arms and looking for anything to grab onto.

“Stanford! Stanley!” Fiddleford screamed, grabbing some spare cable from the ground and running towards them. “Grab on!”

“Tie it down!” Stan yelled, as he caught the cable and grabbed Ford's arm, holding on for dear life.

“I can't!” Fiddleford said as he started to slip.

The twins were much heftier than him and his shoes were not grippy enough to keep him down. He wrapped the cord around his wrist and reached behind him, trying to grab the lever to hold himself back, but his fingers just barely grazed it.

“Do something!” Stan yelled as Ford disappeared through the blue light. “Fiddleford!”

Stan melted into the blue after Ford as Fiddleford's feet lifted from the ground.

“Well, shit.” Fiddleford said, as he fell through the portal after them.

___________________________________________

This feels a bit like a cheesy movie scene. That's all I could think while I was writing it... but hey! We made it to the portal!

There is probably some serious plot issues with this scene, like was the portal even ready? Sure it was! It's January and they were going to test it in the next day or two, so... sure it was!

Would Bill leave Ford's mind if he was unconscious? Probably!?

Does Stan not hit very hard, because Fidds and Ford were both hit, and not out for very long?! Well, he was probably subconsiously holding back a bit- this is his brother and his new friend he met a whole day ago and would fight a literal god for.

Why does Stan immediately trust and want to protect Fidds?! He just be like that, okay? Fidds is someone important to his brother, therefore worth protecting.

Okay, I'll stop now.

I start a new job tomorrow, so the updates on this might slow down a bit... sorry. I need to survive in this failing economy.

[worstdisastermaster]

The books and the shows aren't the same thing and?? That's okay?? It doesn't have to be??

Some of the artists haven't even seen the show yet, and maybe won't 🤷‍♀️ I know I've seen like. The 1st episode and that's it lol. And I really enjoyed it and I think it's really fun

But people tend to separate book fandoms from in screen fandoms, to an extent, at least, bc there ARE differences, and THATS OKAY

They are very connected but they are not the same and I don't understand why people find that so hard to accept?? Like. Genuinely I'm so confused lol

Like if someone was being disrespectful, or trying to whitewash Leah or something horrid then like. Defend her!!! (Do try to be polite tho bc people can and often do change, and they know what they have been taught until they learn more- like for example, a few years ago I had no idea ab anything lgtbq and I peob would have gotten myself canceled bc I had. No idea. Ab any of it. And despite having best intentions in heart i totally would have offended someone, and that would have crushed me, because *i didnt know*. I never would have hurt anyone on purpose, i just didnt realize what COULD hurt others on that specific topic, much less why. But now I identify with it and am learning new things ab jt every day and etc. And that's a super touchy topic for a lot of people and for good reason too! Just try to be kind first, then if they are jerks u can be a jerk back lol. Just give peopke a chnace to get better- and then PLEASE dont hold the past against them ubless they very clearly havent changed mk please please please let people grow and change and get better dont crush them before they can) anti Leah trash is. That. Trash

But why would you attack book Annabeth, just for existing? She was my childhood, and I identified a lot with her as I grew up. And guess what! I also identified with Hazel, and I do so even more now! No matter what race she will be casted as, I'm still going to imagine BOOK Hazel the way I always did. Doesn't mean I won't adore her actress, or appreciate art of the girl playing her role! But would you call me racist for drawing her as African American if her actress, was, say, Asian American? Or drawing Leo as Latino instead of Somoan? Because to me, u less I am being a jerk about it, all I'm doing is drawing the book instead of the show. Idk I'm too sleep deprived to put my thoughts into coherent words lol

I love the posts, where it's like, book Annabeth and show Annabeth holding hands. Those posts are my favorite, both because they are freaking adorable, but also. Because it's equal

They are different aspects of the same person

And

Thats

Okay

You know???

I quite literally grew up reading pjo. I read it at least once every year since I learned HOW to read, *partially on pjo*, until late middle school. I was raised on book Annabeth.

Show Annabeth is new and exciting and adorable and I'm so happy for it and I am very excited for all the people being introduced to it!!!!!!!! However, when I'm writing book pjo, I'm not swaping it out for show scenes, bc they are, in fact, different. Which, again, NOT A BAD THING. And you know what? When people from the show fandom write their scenes, they aren't going to be thinking ab the book scenes, and THATS OKAY TOO!!! And I could care less how my readers saw my characters when the read the story. I write them the way I imagine them, but it's their job as the reader to say 'no, actually :P' and swap out the appearance for one they liked better.

I did that plenty often as a kid, and i donf regeret it.

Which, ironically enough, was why my book Percy was blond until ab 6th grads XD I mixed up Luke and Percy's hair description ONCE and just. Never questioned it, though all the rereads, or looking at the covers of the books 💀 you can imagine my shock when I joined the fandom and found out Percy had black hair, instead of sandy hair like, you know, S A N D, like poseidon!!! And now show Percy is blond XD

That just proves people can imagine things how they want and jts okay- especially bc maybe, in an au, they're rifht!!! (Au being show Percy to me)

Anyways I lost my train of thought and it's almost 12 here lolll I hope I didn't say anything ill be embarrassed by come tomorrow~

Good night world :3

Hi guys, wanted to discuss something going on for a while now. What the hell is wrong with pjotwt? Like...whats wrong with this people? Do you see what they say? What they are even trying to do?

First of all, let me start by speaking about the cast. They are all wonderful children, Leah especially! She is doing an amazing job as Annabeth. But book Annabeth still exists yk? She is and she is literally white. It is not racist. But denying about a character being white in the books, even spreading hate like this...is racist. There are people out there related with Annabeth for years. People love her, every version, maybe book more maybe even the movie. How can you disrespect her like this? And most importantly, how can they attack an artist like this, with an art being so beautiful. What they are trying to do is not protecting Leah, it is spreading hate. It is awful. Making this fandom toxic, so so much.

Them trying to erase book Annabeth because she is white, trying to cover her by painting on her, shaming artists, calling people that loves her racist...What do we do about this in pjo fandom? This fandom used to be so beautiful, but now. This people are not part of the fandom in my eyes, because real fans, would respect every version of the characters, love them with their anything, even flaws. They would protect this characters because they love them, so much. And not to mention this characters are the ones Rick wrote 20 years ago, they were with us for so long.

What do tumblr think about this I wonder? Since pjo fandom is pretty active here :3

[novvabee]

The Boys in the Band

AN: I got carried away with this one, but here is the second part to the band au

word count: 2.8k

cw: language? there is nothing really bad about this one.

Since your first show, you had been quite busy. You had opened for a couple bands at The Common Room, you booked a few nights at the popular club, The Hog’s Head, and managed to snag a spot in another festival. You had become popular very quickly amongst the girls, gays, theys, and young people in the city. Each gig you noted more and more fans, crowds growing, singing so loud and dancing so hard. 

This is what you always dreamed of, performing and making people happy. You lived for the drama and theatrics of it all, dressing up on stage and singing your heart out. The girls felt the same electricity, the same passion as you. That made your bond as a group that much stronger.

Not to mention, you were all good friends. Lily had mentioned to you that she and Mary had been messing around and found out they actually sounded really good together. Then they asked Marlene if she would play drums, which she said yes to in a heartbeat. And then Lily realized they needed a front woman, someone who could sing and bring the most energy. She thought of you, your bold and fierce attitude, your flirty and fun personality. And that is how you started.

The four of you wrote all the music you performed; the fun and girly songs by Mary, the campy over-the-top songs about women by Marlene, the sad and slow ballads by yourself, and the thought provoking and experimental ones by Lily.

Mary had the upbeat, girly, pop songs down. Her personality just flowed with inspiration for them, so those were the types of songs that you mostly sang and performed. You weren’t complaining, her songs were half the fun.

Marlene was full of something you all liked to tease her about; lesbian angst. But all that angst made for great songs to perform and were usually the crowd favorites.

Lily was slightly different, she was full of thoughts and ideas about the world, and her medium to get them out of her brain and into the world, was through music and lyrics. She wrote a lot of songs for women, for rights for all and for political change. If you had to pick, you would say hers were by far your favorites. She didn’t write often, but when she did, she had a message, something to say. You loved that about her.

Your songs were all ballads and sad. The girls teased you about that too, saying you shouldn’t let a man make you cry. It wasn’t exactly your fault, you had just gotten out of a long term relationship, and were drawing inspiration from all the confusing, mixed feelings that came with that. 

You had been dating this boy, Matthew, for about a year and a half, but everything seemed to take a turn for the worse a couple months ago. Your once sweet and charming boyfriend had turned into this cold, vacant man right in front of you. You two argued all the time, about small things as well as very important, serious things. He started accusing you of sneaking around, hiding things from him, cheating on him. None of it was true, and you tried to tell him that, but he wouldn’t listen to reason.

So you had enough. You told him that if you two couldn’t work things out, you didn’t know if you could continue on. He said nothing, just agreed with you. He didn’t try to mend the broken relationship, didn't try to fight either for you or with you. You would’ve taken either, but he just walked away.

As much as you tell yourself you’re doing so much better, that you have moved on and don’t care about him anymore, that isn’t exactly true.

You leaned into the band to distract yourself, putting everything you had in it so that you wouldn’t be left with those feelings. You’re just glad you had your friends, your girls who not only could help you through it, but also help you see this band through. They ignited you.

You felt that way even just sitting on the floor of Mary’s apartment. The space was cute and cozy. You girls were sprawled out over fluffy rugs, a plush couch, and two oversized bean bags. 

Mary was nodding her head along to a beat that only she could hear, writing down what you could only guess were new lyrics. Lily was strumming a tune she had been working on for over a week. You and Marlene were talking about what to wear for your upcoming show. 

“I think you'd look good in that pink leotard with the matching cowgirl boots.” Marlene recommended.

“The pink tassels or the pink heart?” you asked.

She thought for a moment, then her eyes lit up. “The tassels, that way you can wear the boots and maybe a cowboy hat,” she paused looking at the other two, “maybe we can try out Pink Pony?”

Excited, you clapped your hands together. You had been dying to perform this new song in front of a crowd and this was the perfect opportunity. You were playing at The Common Room again, but this time it was only you. Unlike every other performance you had, this time there were no openers, and no one else after you. You got a whole set for yourselves and the whole night to perform and party with fans.

The night was going to be nothing short of magical.

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

James followed Remus and Sirius into the stage door of The Common Room.

All three boys wanted to come and see the performance that The Pixies were giving tonight. They had gained a lot of traction recently, seemingly overnight.

James didn’t feel at all jealous or threatened, they were doing just as well themselves, and they made entirely different music. He was more curious as to the fact that this band came out of nowhere.

The Marauders were used to competition revolving around the music world. They had been doing this for a while now, they understood the fight to fill spots and book sets. This band was just another contender now.

James was more frequently used to The Snakes stealing their gigs or spots in festivals, but now even they were pushed aside for this new band. The Snakes was led by Sirius’s little brother Regulus, another person on the list James hadn’t spoken to in a while. James knew that Regulus was a grudge holder, hell, he was related to Sirius, so he shouldn’t be surprised that Regulus cut all contact.

He fucked up, he knew he did. But he still wasn’t ready to think about it.

Slipping through the crowd and continuing to follow as best he could, all three boys ended up in the back of the already packed room. 

“Holy shit,” Sirius began, “there are so many people. How much were tickets?” He asked Remus.

Remus answered with a head shake. “Don’t know, Lily told me to come in through the back door so we wouldn’t have to pay.”

James’s stomach sunk, maybe he shouldn’t have come. Lily didn’t even invite him, he just tagged along with Remus. But, she had to have known that would happen, right? The boys didn’t do anything or go anywhere without each other.

“Oh my god! Hi,” came a voice from a girl to his right. “You’re The Marauders right? I love you guys. I’ve been to, like, a bunch of shows.” James recognized this girl. She was always front row or close enough, always giving Sirius a look that showed she wanted to fuck him, or at least become a groupie. “Could I get a pic?” she asked.

Sirius smirked. “Course you can sweetheart.” he said while she handed her phone to someone she was with. She stood between Remus and Sirius for the photo, then thanked the boys, obviously wanting the interaction to continue. 

James did not. He would look like such an asshole taking pictures with fans at Lily’s show.

The thought was cut short when the house lights dimmed and the stage turned a hazy pink color. James lost every thought in his head when you came out on stage.

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

Walking out onto the stage, you were met by a wall of sound, cheers and screams. Your nerves and butterflies instantly fluttered away. This is where you were meant to be, up here on this stage, in front of a crowd, making music. You had dreamed of this since you were a little girl.

You pranced yourself out in a cowboy hat and high heel boots, a matching sparkly and intricately tasseled leotard to top it all off. Your ass may be out, but that was the fun of it, the aesthetic. Especially for the new song you had prepared for the night. 

“Hello my friends.” you said, the cheers and screams somehow getting even louder. “We are The Pixies,” you introduced, “and we are here to give you the night of your life.”

You looked around the crowd to see so many faces enhanced with intricate and beautiful makeup looks, so many fans copying looks from your previous performances, so many bodies in bright colors. So many people who felt confident in what they were wearing and how they looked. 

“We’re gonna start off with a new one if that’s ok with you.” You announced you got an astounding amount of cheers, noting many phones launch into the air to record this new one. “This song is a fun one but more importantly,” you paused, the whole crowd hanging on your breath, “it is about what my mother thinks I am doing with my life. Here is Pink Pony Club!”

The girls started playing the intro and you walked to the front of the stage, sitting down, legs dangling off.

I know you wanted me to stay

But I can't ignore the crazy visions of me in LA

And I heard that there's a special place

Where boys and girls can all be queens every single day

You stood, walking back to center stage.

I'm having wicked dreams of leaving Tennessee

Hear Santa Monica, I swear it's calling me

Won't make my mama proud, it's gonna cause a scene

She sees her baby girl, I know she's gonna scream

You whipped around to the audience

God, what have you done?

You're a pink pony girl

And you dance at the club

Oh mama, I'm just having fun

On the stage in my heels

It's where I belong down at the

You started dancing and jumping around stage, Lily and Mary joining you, smiles plastered on their faces

Pink Pony Club

I'm gonna keep on dancing at the

Pink Pony Club

I'm gonna keep on dancing down in

West Hollywood

I'm gonna keep on dancing at the

Pink Pony Club, Pink Pony Club

The audience had settled into the performance, had gotten into the groove of the song, and joined in the dancing and the fun.

I'm up and jaws are on the floor

Lovers in the bathroom and a line outside the door

Blacklights and a mirrored disco ball

Every night's another reason why I left it all

I thank my wicked dreams a year from Tennessee

Oh, Santa Monica, you've been too good to me

Won't make my mama proud, it's gonna cause a scene

She sees her baby girl, I know she's gonna scream

God, what have you done?

You're a pink pony girl

And you dance at the club

Oh mama, I'm just having fun

On the stage in my heels

It's where I belong down at the

Pink Pony Club

I'm gonna keep on dancing at the

Pink Pony Club

I'm gonna keep on dancing down in

West Hollywood

I'm gonna keep on dancing at the

Pink Pony Club, Pink Pony Club

The crowd was going crazy, right along with you, until you slowed down and the girls played quieter for the bridge.

Don't think I've left you all behind

Still love you and Tennessee

You're always on my mind

And mama, every Saturday

I can hear your southern drawl a thousand miles away, saying

God, what have you done?

You're a pink pony girl

And you dance at the club

Oh mama, I'm just having fun

On the stage in my heels

It's where I belong down at the

You jumped up and danced like crazy, the crowd joining in, loving this new song. Some picked up on the lyrics and were singing them back to you, the feeling indescribable.

Pink Pony Club

I'm gonna keep on dancing at the

Pink Pony Club

I'm gonna keep on dancing down in

West Hollywood

I'm gonna keep on dancing at the

Pink Pony Club, Pink Pony Club

I'm gonna keep on dancing

I'm gonna keep on dancing

You kept dancing as Lily and Mary played the outro, out of breath and so happy. Once the song was finished, the whole building was filled with cheering. You looked to Mary, then over to Lily, they looked just as ecstatic, you could imagine Marlene felt the same. 

“Thank you, thank you!” you said into the mic. “Well, if you like that Common Room, we’re just getting started.”

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

James had never seen a concert, a band like yours. There was no way to describe it, you were just, stars already. 

The rest of the concert was filled with just as much fun, joy as the first song. The dancing and singing and laughing was indescribable. 

The boys waited after the concert, waited until the last of the fans trickled out, then they made their way backstage. Walking down the halls and to the dressing room that had a piece of paper with the word “Pixies” in bold letters, Remus knocked on the door. 

The giggling and sounds of excitement were radiating from the room, loudly even with the door shut.

They waited for a moment before the door pulled open, revealing Mary. The smile dropped from her face for a moment before she put another one in its place, this one though, was more of an uncomfortable grimace more than anything. “Hey! I didn’t know you guys were here.” Mary said, opening the door to let the boys slide through. She hugged each of them on their way in.

James made eye contact with Lily who was on the couch with Marlene. She didn’t break away. He quickly looked over to Marlene and smiled. “We wanted to come and say great show!” he said, directed at them all, but not being able to look away from Marlene, who just smirked, knowing the situation and that James was incredibly uncomfortable right now.

“Thanks.” Marlene replied smoothly. 

Sirius noted the tension and decided to break it. “Where is she?” he asked.

All eyes went to him as Mary asked “Y/N?”

He looked at her and rolled his eyes, “No, the queen.” he said sarcastically.

“Are you going to try to sleep with her?” Mary asked, not holding back.

“What, no!” Sirius denied as if it wasn’t exactly something Sirius would do. “I just want to meet her. ‘Know thy enemy’ and all that.”

Lily scoffed. “She’ll be out in a minute, I think she's taking off her makeup.”

And as if right on que, you waltzed right out of the connected bathroom and into the dressing room. Smiling, you looked at the boys standing across from the couch. 

“Here she is!” Mary ushered you over, chipper and still energized from the performance. “This is Y/N, Y/N these are the boys in The Marauders.”

Your smile grew. “The Marauders? You guys were amazing at the festival.”

Sirius smiled back at you, charming as ever. “‘I'm Sirius.” you looked to the next boy, who was glancing at a fuming Lily.

“Uh, I’m James.” He smiled, seeming to come back to reality and out of whatever thought he was lost in. 

You looked at the final boy, tall and leaning against the wall. “And you’re Remus, right?” you asked.

He nodded. “Yeah we met a while back, lovely to see you again.”

“Lovely to see you! And it is lovely to finally meet you two.” you said to the newly acquainted Sirius and James, they nodded and smiled politely. There was a noticeable tension between everyone in the room, was there really that much of a rivalry?

“I think the boys were just heading out,” Mary said to the three boys standing in front of her. “Isn't that right?”

Sirius huffed and led the other two out throwing a “See you all soon.” over his shoulder as Mary escorted and followed them out into the hallway, shutting the door beyond her.

“That was… strange.” you said to Lily and Marlene. They just looked at each other and laughed, rolling their eyes. You didn’t understand.

“They're idiots.” Marlene supplied.

“They're boys.” Lily corrected.

Taglist 💌:  @adharalikethestar @mayuwolfstar @ieatboysalive @maraudereestauderelb @bugg06 @slytherinambitious (yell at me if I forgot anyone)

[imadhatt3r]

I've been trying to nail down what exactly Aoba's problem with Koujaku's fangirls is. It's not like he feels emasculated by not having a gaggle of girls following him around- Aoba actively doesn't want to draw attention to himself; Rather, I believe that it's something slightly different: he's jealous.

Aoba always seems annoyed by the way they crowd Koujaku whenever he's working, how they throw themselves at him, how they invite him on dates... Because he want to be like that too, but he can't. He wants to be someone that Koujaku pays this romantic attention to, he wants to tell him about how cool he thinks he is, how much he means to him... But he can't. Aoba's very private, unassuming, and has much too much restraint to do something like this. He feels annoyance towards these girls, maybe even anger sometimes, because they get to do all the things he wants to do, and the worst part is that it works- they're the ones who get Koujaku's attention, affection, and time.

And sure, Aoba knows sides of Koujaku that nobody else does, so he takes refuge in that; He might not get the kind of attention he wants, but he gets a special kind of it that only the two of them share. I think that's the part of the reason as to why he was so shaken up by the Platinum Jail situation- because he realized that the bond they share might be a lie, and that he doesn't know Koujaku after all- so the fleeting tenderness they shared untill now might've been a lie after all too.

This sense of inadequacy doesn't even go away after they start dating. In the re:connect scene, Aoba mulls over how he still has a suspicion that Koujaku is inviting clients to his house. He also thinks about how the fangirls would eat him alive if they found out that Koujaku's dating him, like he is somehow a worse pick than any of the women who are infatuated with Koujaku. Among his reasons he lists his gender, which opens up a whole can of worms on how queer people are treated in-universe. We don’t see any overt queerphobia, but there clearly is some sort of a difference in how queer vs cishet relationships are treated if Aoba sees his gender as a reason he might be a "worse" pick. It's hard to say how much of it is based in actual in-universe queerphobia, and how much it's just something Aoba's blowing out of proportions due to his anxiety. I think that it's more of a "he could've had a normal, more standard/traditional life with a woman" kind of thing.

I think that he mostly just needed time, as in the drama CD that takes place after re:connect he approaches the fangirls more like mild inconveniences, and not reasons to put himself down. Perhaps he finally saw that Koujaku was serious about him and he started to trust him more as a romantic partner?

I guess I just like this slight background arc Aoba has in this route. It's presented at first as if he's annoyed about Koujaku being a flirt, but really, it's just more that he wants Koujaku for himself, and he doesn't like the idea of sharing him with anyone else, even if he isn't fully aware of it.

[nymphrasis]

Ok now I should eep xD. Have been working on drawing out one of the asks for the Kuruna blog ouo. Not quite done just yet.

I haven't been too focus and actually been feeling tired all day, so my mind hasn't plan out any asks to have Kuruna be sent out yet xD. And note that by tired, I just meant very sleepy. My fault for not being too well rested ( I forgot to take the doggo out to pee last night and she kind of woke me up at 4am. Which I did took hee out to do her business. But I couldn't go back to sleep c.c . I did took a nap at around... 5:30PM 🤔? It was for two hours. But I didn't feel too well rested because I've wanted more xD. But I shouldn't nap too long, as I don't wanna miss out on dinner qwq.

That's when I've started working on art for one of Kuruna's asks qwp. I do want to see if I can do art of most of them pwp. Which btw, thank you for the many favs, reblogs, and asks QWQ! There was a lot more peeps than I've thought <3! I let out a sleepy cheer, out of giddiness pwp.

Thank you, really!

I hope that, after I have rested, I would come up with some questions or at least silly interactions to send Kuruna out to others blogs!

Ps. I want to try to update my kofi stuff for a change and, well... I did had the idea of just posting some rough and completed Kuruna art stuff on there qwp. Since normally, the only progress art I really upload is on a private Discord ( Only very, very rarely do I post progress art publicly ) >w<. So maybe Kofi would be a good idea to try qwq/. Potential chance that I may forget about it somewhere down the road. Not sure yet tho. I say this because sometimes I forget to upload on Instagram and Bluesky, as I am not really super active on either medias xD.

[hemlockfox]

Sorry I feel the need to respond to the idea that vase scene is good actually because everyone is flawed in it. I feel like there is something missing in this analysis, and it's that much of the problem with the scene lies less in the scene itself but more in how the scene and the characters' actions within it are followed up by the text.

How the scene plays out in the text is that Winter knocks over the vase while lashing his tail in anger when Moon says Darkstalker is his friend. Winter says that he's evil, Moon responds angrily herself that Winter said he would give Darkstalker a chance, at which point she realizes and Winter confirms that Darkstalker had brainwashed him. Qibli makes the "I'd brainwash you too" comment, says sorry immediately, and then when Winter "turned to Moon as if he was ready for her apology," she turns her back on him and begins picking up pieces of the vase. She, looking to Qibli and Kinkajou but not Winter, insists that Darkstalker only wants what's best for everyone. At which point Winter angrily reveals the Icewing plague. In surprise, she says "What", accidentally steps on a vase shard, and gets a small cut. Qibli rushes to her aid, remarks in the narration that if Winter loved her he shouldn't be yelling at her like this, and then confirms the plague. Anemone comes in with skyfire, winter makes a snide comment about Moon not knowing where she feels about Darkstalker, to which Moon respond sharply that she feels lied to, and then they split up. I'd like to note that when Moon decides to confront Darkstalker, what she initially says to Winter is "Please don't break anything else," before asking Qibli to come with her.

There are three things I'd like to draw attention to:

Moon's injury is small and it's not quite as simple as "Winter injures Moon". She has an accident which compounds on a thing Winter did seemingly on accident.

Moon is not being passively absorbing Winter shouting and making snide comments. She's responding in anger herself, pointedly ignoring him (and how he was personally violated by Darkstalker), and before she leaves to confront Darkstalker, she tells him not to break anything else like he's a petulant child who will wreck the room in anger as soon as he's unsupervised.

Qibli's internal monologue only notes Winter's treatment of Moon as bad

I'll come back to point one, but the other two are not bad, on paper they are good even within a reading of this scene where it is drawing out the flaws in each character present. If these flaws were to be followed up on and the group were to reconcile, and if Moon and Winter were to talk out why each of them were hurt by the argument it would be compelling. The reasons Moon was hurt are obvious, Winter shouts at her and refuses to consider her perspective, that she's been manipulated and didn't know any of this. Winter's aren't so obvious, but still present. Upon being told that Darkstalker had profoundly violated his autonomy, Moon doubles down on Darkstalker just wanting the best for everyone, tacitly implying what Qibli had just been wrong to say outright: that it was on some level justified to do that to Winter. When she learns of the failed genocide, she's expresses being upset about being lied to, but not any of the ways Winter was directly harmed.

And then the books only acknowledge how Moon was hurt by the argument. In the epilogue, it's made clear that Moon and Winter haven't seen each other in person in some time. Kinkajou tells Winter that he should come visit Moon and apologize to her for being mean, and he agrees and says that he knew after that scene that he had ruined any chance with her. At no point after the argument ends does anyone acknowledge that Winter had legitimate reasons to be upset, that Moon had acted passive-aggressively, that reconciliation would involve all of them acknowledging that they hadn't been at their best in that moment. Only that Winter had been mean, so he should say sorry. Every direct perspective on the argument paints Winter, and only Winter, as wrong in his argument with Moon.

And when you consider the vase with this knowledge, it's just silly. It feels like a thing that is there to make Winter seem meaner, Moon more victimized, and Qibli like a nice supportive guy who would be better for her.

The scene becomes ridiculous when put in the context of the rest of the book, because half of the interesting substance from the character's flaws ends up not mattering. Moon and Kinkajou never have their actions in this scene come up again. Qibli's flaws are instantly addressed so he can resolve them onscreen and complete his arc. Winter spends the rest of the book in the doghouse for it and his actions are used as justification for why he isn't right for Moon. In the context of the book, this scene exists to forward Qibli's arc and justify Moon choosing him, and it does both at Winter's expense. It doesn't matter if everyone's flaws are on display when the book is picking sides, and deciding who gets to gets to grow from this argument, who doesn't, and who doesn't need to.

People like to complain about the scene in the NightWing palace in Darkness of Dragons, but I think it's brilliant how the scene manages to bring out all four characters' (Moon, Winter, Qibli and Kinkajou) biggest flaws, and watch them play off one another.

I think it's pretty safe to say that Winter's biggest flaw is that he's hot-tempered--if you get him mad, he gets very confrontational, and that's what happens here. He gets very rightfully angry that Moon and the others are defending the dragon who took his autonomy and is trying to commit a genocide against his people, and he flies into a rage, eventually knocking over the vase and injuring Moon. I'm not tone-policing Winter here--he had every right to be furious, however in his anger, he hurt his friend. However, he's not the only person whose primary flaws are being brought to the surface here.

Since the very beginning, naivete has been among Moon's flaws, along with a desire to believe the best in people. This is compounded by her mind-reading abilities, as she has the expectation that she understands people. There's a telling moment in MR where Qibli asks her if she loses her faith in dragons since she can see their motivations and thoughts, and she tells him that she actually believes better of other dragons because she reads their thoughts. She's settled into a complacency in her belief that a) dragons are all good at heart and b) she's so used to seeing everything, that she doesn't really compute that people can be hiding things from her or that she doesn't have a full picture. You have to remember that as much as Winter was justified in his anger, Moon didn't know what was going on, because Darkstalker was deliberately hiding what he was doing from her so that she still believed in him. She's reeling from the knowledge that Darkstalker lied to her, broke promises and is trying to do horrible, horrible things, and to her credit, she comes around to understanding Darkstalker's villainy, she just manages to hit Winter's triggers as she does so.

And that brings us to Qibli and Kinkajou, who sided with Moon over Winter. Since the beginning, it's fair to say that Kinkajou has been established as very loyal and also not exactly known for her critical thinking skills, and back in MR, she tells Winter that although he's very handsome, if he hurts Moon, she'll take Moon's part. And Kinkajou does, because Moon's her friend and Winter's angry and she isn't thinking about what she's doing.

Now, it's no secret what Qibli's biggest character flaw--say it with me now--having to be the hero and be universally liked. Now by this point in DoD, Qibli is quite smitten with Moon (something he's competing with Winter over) and she's become the apex of his 'desire to be liked and perceived as A Hero'. So, it's his instinct that when Winter--Qibli's romantic rival--is getting angry and confrontational with Moon, is to side with her against Winter, so that he'll come off as the nice guy, and the hero (and this is coming from someone who is a Qibli fan who ships Moonbli, so I'm not trying to hate on your fave).

I think it's just really interesting to analyse how all of their individual character flaws came together and clashed, creating the conflict.

.

[autisticrosewilson]

So do you guys actually think that Jason's entire story, relationship to the others, and philosophy amounts to him being a rebellious teen who wants his dad's attention? Like are you 100% serious? I thought you were joking about that but too many of you are saying it with your whole chest.

And what the fuck is this "Bruce antagonizing Jason is fanon!" Shit I've been seeing? You guys are aware that a parent can love their kid and still be a shit parent right? I know you guys don't want to fathom the thought that maybe your blorbo might also occasionally have to face responsibility for consistently endangering children but let's not start being delusional now.

Bruce does love his kids, that doesn't mean that he hasn't hurt them. And I'd also argue that for the most part he feels in the right for it, and he's said multiple times that he believes it's for their own good, so you can't even argue that he's sorry about it. It's okay for you guys to admit that your PERSONAL INTERPRETATION of the character wouldn't do that but don't sit here and pretend that it's not a facet of the source.

[sysig]

Two big softies(?) (Patreon)

[arolesbianism]

Thinking abt Sif Odile duo looping au again and I wanna be able to plot everything out more coherently but act 5 eternally looms overhead and boy I do not wanna look up

[opens-up-4-nobody]

...

[skunkes]

General oc talkkkk

I feel like i have to Do something with al once i take him off the shelf again (when my brain lets go of talon for another few months), ive been motivated to draw talon because he sits in my brain and i imagine interactions but it's much harder with al since al has been around for 10 years or more...and Al has like. Less conflict? In the sense of him just being a nice kind guy with regular human issues in a normal human world (or cow with regular individual issues in a normal furry world lol) ykwim?

Like. Talon is exaggerated he's a caricature of feelings to play with he's got lots of internal contradictions... and outside of that the whole Setting is easy to play with too, like, he's a vampire and those elements are more fun to think about and incorporate and build up in a way that requires a bit more brainpower of the fun variety (can make shit up) than Just a Regular Guy (has to be nore realistic, less fun to research), but less brainpower than, say, my abandoned Space Ocs where it was way harder for me to just make shit up, and way more to make shit up about (not as fun for me)

Idk! Its easy to imagine Talon in interactions, including ones with Al, or just self exploring dialogue....

Other than cute interactions between al and smunker its a lot harder to find stuff with him...he's a guy living in our regular world... his life has been fairly normal and he's good and nice. And i wouldnt change any of those things just to change em but there's less conflict other than the usual internal stuff all humans experience. I think if he wasnt my imaginary bf I would have shelved him more permanently like the oc group he came with...

There's something about how i very rarely make ocs, he's technically my oldest oc and talon is my newest oc, talon is what i Feel making ocs should feel like. And he's only over a year old. And he's still not even what I would call a well written character in any capacity. And yet i dont think i could very easily replicate this again ykwim. Im so bad at writing, and ..... creating....! Idk how people do any of it....i just wanna extend my ocs lives and my interest in them forever...

[sturionic]

Activism is not cold-calling.

Activism is not cold-calling, and this is critically important to understand.

I'm seeing a lot of posts on here about 'building bridges' and 'finding community,' and then (extremely valid) response posts saying "BUT HOW??" And I'm going to explain something that can be very counter-intuitive: there is strategy involved in community.

As a longtime volunteer labour organizer, I’ve taken and taught many trainings on the strategy of talking. Something that surprises a lot of people is the very first thing you do in a union campaign. You sit down with your organizing committee, take out pen and paper, and literally map it out. You draw a physical map of the workplace: where are the entrances, exits, break rooms, supervisor offices. Essentially, ‘where is it safe to have a union conversation.’ Then you draw another physical chart of your coworkers. You sort out who is union-friendly, openly hostile to unions, or somewhere in the middle, and then you plan out very deliberately and carefully who talks to whom and in what order.

Consider: If Vocally Leftist Jane walks up to Conservative David and says "hey what do you think about unions," David is going to shut down immediately. He's not inclined to listen to Jane. But if Jane talks to Moderate Jason and brings him into the fold, then Jason is a far more effective strategic choice to talk to David, and David may actually hear him out without an instant reaction.

IMPORTANT CAVEAT: If Conservative David turns out to be Alt-Right David, and could be dangerous to follow organizers, we write him off. We are not trying to reach Alt-Right David. We are trying to reach Conservative David, who may actually be persuaded to find solidarity with other employees as fellow workers. Jason is a safe scout to find out which one he is. It does no one any good if Leftist Jane (or even Moderate Jane who is a visible minority) talks to Alt-Right David and puts herself on his radar. Not only has she done nothing to convince Alt-Right David to join a union - she's probably actively turned him against the idea - but now she's also in danger and the entire campaign is at risk. NOBODY WANTS THIS. Jane was NOT a hero for doing this. The organizing committee was foolish and enacted a terrible strategy to everyone's detriment.

Where you can make a difference is with people who will listen to you. You having a conversation with your well-meaning but clueless Centrist Democrat Auntie, and maybe gently helping her understand some things the media has been glossing over, is way more strategically useful than you marching up to MAGA Neighbour You've Met Once and trying to "build community" or "understand" them. They don't care. They're impervious, dangerous, and cruel. But maybe your beloved auntie will think about what you said, and then talk to her friend Anna who IDs as "fiscally conservative" but didn't vote because she can't bring herself to get on board with Trump. Then perhaps Anna talks to her brother Nic who has MAGA leanings but isn't all the way there yet. Proto-MAGA Nic would not have listened to you, nor would he have listened to Centrist Democrat Auntie, but he might absorb some of what his sister is saying.

This is not a cop-out or an echo chamber. This is you spending your time and energy strategically and safely. You are not a useful activist to anyone if you’re dead. Anyone who is telling you to hurl yourself directly at MAGA assholes like cannon fodder has no understanding of the strategy behind community building, and you should feel comfortable writing them off.

Last point: If you are tired, emotionally devastated, and/or in danger: take a break. This post is for people who would feel better jumping into action, not for people who are too overwhelmed to even think about it right now. You are worth so much even if you’re not actively Doing Activism, and your rest is worth more than “a break period so you can recharge and Do More Activism.” We all deserve the individual dignity of being worthy of comfort, rest & safety just on the basis of being human, outside of whatever we're doing for others' benefit. To deny ourselves that dignity is to devalue ourselves, and that’s the absolute last thing any of us should be doing right now.

[gentleladyproject]

the chapter ACCOMPLISHMENTS from THE LADIES' BOOK OF ETIQUETTE, AND MANUAL OF POLITENESS Florence Hartley lists several skills and interests becoming for a young lady who is already well-educated. these accomplishments serve to impress others and delight oneself. she suggests to strive for the following ✧ conversing well, which is aided by a deep knowledge of literature ✧ music, played on an instrument and accompanied by singing (she explicitly recommends easier pieces for the less experienced in the company of others) ✧ drawing, sculpture and similar arts ✧ riding elegantly ✧ speaking french, german, and italian, as well as spanish ✧ dancing all fashionable dances ✧ reading out loud and reciting well ✧ arranging tableaux vivants ✧ crochet, knitting, tapestry work, embroidery, bead work, and many more