#And strangely healing

[coral-skeleton]

A silly little tv show is giving me so many feelings

[wu-does-art]

thinking about Nico adjusting to letting himself miss and long for the people he loves. based on these bits from the sun and the star:

" As Nico and Will followed the trogs, he thought about how much he missed Hazel. He was learning to make peace with that feeling. It was okay for him to miss people because that meant he wanted them around in his life. That idea was *very* new for him- he was used to either pushing people away or watching them recoil from his presence." *

" That was the most surreal thing of all... Was he happy? Nico wasn't very familiar with the sensation, but he couldn't deny that he felt wonderful in Will's presence. He even longed for the son of Apollo when they were apart. A funny thing had happened as the two grew closer: Nico suddenly understood all those cheesy, sappy love songs he'd always hated."

[starry-bi-sky]

Out of Context Stuff for a Danyal Al Ghul au i haven't posted - Pit Beast Danyal

Damian, 13: Look, Danyal, -- I am so sorry for everything that happened between us in the League, I hope you can forgive me.

Danny, 10 (allegedly): (has been secretly plotting to murder Damian this whole time, is still gonna do it obvs, but is going to make it significantly less painful now)

Danny: I-- of course, older brother. :]

--------

Bruce: what do you have there, Damian?

Damian:

Danny: (a hulking 10ft pit beast standing beside him, growling idly with ram horns gouging out his eyes and a second set of horns jutting into the air, spines down his back, and a long, spiked tail with an animalistic, skull-like face)

Damian, who smuggled him in (they've made amends): a smoothie, father

----------

Damian: this is my little brother Danyal, i murdered him when he was five. He festered in rage for the last half-a decade, took over a League mountain base in Switzerland, murdered everyone inside and then tried to murder me when I went to investigate with Drake.

Danny: hello!

Damian: we're cool now

----------

Damian: thoughts on resurrection

Danny, (a full ghost): i will succeed in murdering you if you try it

Damian: we'll put a pin in it then

----------

Danny (still instilled with League values): why don't we just murder him??

Damian, on patrol (Danny followed him): we don't murder people, Danyal

Danyal:,,,,are you sick, Dami?? Have you been possessed? Why not!?

(There is raucous laughing through the comms)

----------

Danny, five, pre-death: Dami! :D

Danny, dead, vengeful: Older brother (:

Danny, post-forgiveness: Dami! :]

-------

For some actual context: Danny is fully dead in this au, its a result of the classic DPxDC Demon Twins "death duel" trope but instead of Danny getting revived, he stays fully dead. Danny was five, Damian was seven. His ghost lingered though, and due to the proximity of the pits his ghost steadily absorbed the ambient energy it was letting off. The pits are not corrupted ectoplasm in this au, it's just liquid ecto.

Which means Danny's corruption from an angry and hurt little ghost boy to an unrecognizable monster is from his own doing. It's a result of him stewing in his hurt and anger for years, it physically warped him. He's very powerful. Danny can travel between League Bases but chose a small, out-of-the-way base in the Swiss mountains to fester in and then just. Never Left.

His influence steeped into the very foundations of the building, allowing him to transform and warp the rooms and hallways for his own bidding, Meaning he could turn it into a seemingly unending labyrinth if he so wished to, and block the entrance.

Eventually, blinded (both metaphorically and physically) by his own rage, Danny grew powerful enough to appear physically in the living realm and attacked everyone in the base, slaughtering them all and leaving the base abandoned. He attacks anyone who dares enter -- whether that be other league members, or the unfortunate hiker who stumbled across the base. His conscious is steeped into every nook and cranny of the building, there is nowhere you can hide where he can't find. Nobody leaves without his explicit say so. Nobody ever does.

Him appearing as ten years old before Damian in the skits above is his own physical doing. First it was to prevent Damian from being suspicious of him. Damian initially thought Danny was revived with the pits, he was too busy with his own training afterwards to notice that Danny never showed up again, and when he did notice, he assumed it was because Danny was too ashamed of his loss to face him. He'd always forget to ask about him.

Then it becomes a personal choice to appear as ten. It's how old he would've been had he been alive.

danny forgiving Damian is kinda for an offshoot branch of the main au. Whereas the main au takes the form of a ps4 first person horror game where Damian and Tim are investigating the Base for Plot Reasons. There's no sign of the rumored "monster" living inside until the end, where Danny, who was found inside the Base and has been happily "helping" them look around, manages to persuade Damian into splitting off from Tim in order to "show him something."

This something turns out to be Danny revealing that he never really forgave Damian for that fight, and he reveals through a horrifying transformation, that he was the monster the whole time. Which the game subtly hints at throughout as Danny's strange behavior becomes harder to ignore.

First from his insistence to only refer to Damian as "older brother" (when before the duel he always called him Damian or Dami), to him right off the bat denying the existence of a monster when questioned. ("There's no monster here, older brother. It's just me.") To other various things, like his knowledge of the outside world not matching up to modern times or things going on with the league outside of the base, or what happened to the other league members.

This whole idea was inspired by the song "Scylla" from Epic the Musical, with Danyal being the voice of Scylla as well as Odysseus, while Damian stands as Eurylochus. The instrumentals after Scylla says "hello" is him turning into the pit beast, and Scylla's "drown in your sorrow and fears" part is danny, as the pit beast, snarling at Damian while he attacks him.

There's a Good Ending, a Bad Ending, and a True Ending. The Bad Ending results in Damian being killed by Danny, it happens when Damian decides not to question or suspect Danny and treats him kindly. The Bad Ending is a cutscene, where Danny kills Damian quick and painlessly.

Meanwhile the Good Ending is Damian killing Danny. This is a boss fight, and it happens when Damian treats Danny coldly and suspiciously the whole time. Danny as a result, decides to make Damian's death painful as he had planned to, which is why it's a boss fight because it only causes him to double down on his anger.

The True Ending is Damian escapes with Tim. It happens when you treat Danny warmly up until the last minute, where when Danny proposes to Damian that he wants to show him something, Damian goes to talk to Tim and finally, reluctantly agrees that something is off with Danny, and that he'll be careful going in. It starts off with the boss fight until a third through, where it then changes to a cutscene where Tim manages to get the door open and Damian escapes out. It's then a chase scene down a never-ending hallway as the building actively works to keep you trapped inside. But you eventually make it to the exit so long as you avoid all the projectiles and doors.

Remember when I mentioned that Danny only lets people leave when he wants them to? That's where the treating Danny kindly throughout the game comes into play. It causes him to second guess himself and, eventually, reawaken and strengthen the love and admiration he had for Damian prior to his murder. It's why in the Bad Ending he kills Damian quickly -- because by then, he loves him enough that he doesn't want him to suffer, but is still so consumed by his rage and need for vengeance that he kills him anyways. That quiet part is what allows Damian (and Tim) to find the exit, because some part of Danny still loves Damian enough that he wants him to live.

The True Ending ends with a cutscene of Damian and Tim tumbling out into the snow/grass outside of the base. Damian looks up back to the entrance to see Danny standing there. But rather than a ten year old boy, there's a little five year old Danyal Al Ghul instead. He stares at Damian emotionlessly, blood seeping from his chest, staining his clothes, and little, bloody sword in his hands and tearstains on his cheeks, before he turns away and disappears back into the building.

[slfcare]

I’ve started chanting “I’m so safe, it’s kinda strange” to myself when I’m in scary situations, like having to cross a busy intersection on my bike or walking home in the dark, because leaving it at “I’m safe” never quite worked for me (and this almost rhymes, so I don’t forget). I’m so safe that anyone who knew just how safe I am would think it’s strange. And I’m so safe that it’s a little unbelievable! And I’m so safe that filmmakers would fight on who’d get to make a documentary on just how safe I am. If you tend to get afraid of these types of things easily, maybe this little chant could help you, too. You’re so safe, it’s kinda strange..

[euphorictruths]

Mk Cooper; 2024

[sciderman]

avenging spider-man #13

[dutchs-blog]

Only Share With people Who Interested In Healing

[firelise]

immediately saved for future use, lmaoo

[theblue-hairedarcadian]

(SPOILERS!)

content warning ⚠️ subtle implications of assault.

yes, i am still not sold with the sequel.

i do agree that ‘double exposure has an interesting plot and new characters AND it could’ve been written better or it didn’t include max at all to sell the game’ can still exist in the same sentence.

but i have to admit that this video i stumbled upon tiktok today exploring max’s trauma back in the first game was beautifully made and devastating to witness at the same time. (i refuse to watch the whole scene because i personally think it’s so corny, i might take back my statement.)

hannah’s performance as max—especially when she is raising her voice; breaking out from her “shy, nerdy, camera geek” person that she constantly boxes herself in—always sends a chill down to my spine.

this is the same girl who watched her best friend get killed in the junkyard and was also drugged during that process, who had to hold the burden of knowing almost every single female student in blackwell is also a victim of the professor he looked up to, who had to rely on no one but her destructive rewinding powers at the age of eighteen, reliving it all over again after how many years.

“no, no... never again!”

“once is all you get!”

my heart breaks so much for you. i love you, max caufield. 🦋

i just hope that the deck nine developers treat you and chloe price better in the next game.

[moons-among-distant-stars]

you know what’d be sad?

if once when chloe’s older, she dreams of rachel as she was in life, not cold and scared and alone. and for once she is in her own body, as it now, older, bearing new scars and some more weight on her bones, hair a faded green. and she sees how young rachel is. how terribly child-like her face looks. it glows like the sun but it looks much too young. and she just sits there for a while, chloe and rachel, on a train to nowhere, nothing wrong. and when she wakes she is crying, and max is there, and chloe says to her “she was so young, max we were so young” and max knows, chloe doesn’t have to explain anything, she holds her close, lets her cry. and later in the morning, when the feeling passed and she’s drinking coffee and looking out the window. chloe price sees a deer outside, a doe. not a faun stumbling along but a doe, calm and happy in the morning sun. “hi rach” chloe says and the doe looks up at all, stars in her eyes. They stand there for a moment, just chloe and the doe. in the morning sun, going nowhere. but after a while the doe turns and bounds off into the forest. and chloe price lets her go

[thestarlightforge]

Why “I’m Billy Maximoff” Mattered to Me — A Queer Disabled Person’s Journal

10/17/24

***

Call it silly if you like. But I feel actually healed. Because these stories, they’re not just “superheroes”—they’re modern mythology. They’re how we teach each other and our children who deserves a place in the world.

When I watched WandaVision, like a lot of people, I identified with Wanda’s grief/depression/trauma journeys. And of course saw myself in the queer kids she gave a loving home, more so the more Young Avengers books I read. But with the WandaVision versions of Billy and Tommy in particular—more so even than the comic books—I also read into it the disability/childhood terminal illness allegory. It’s something on Schaeffer’s mind while writing them—leaked audition tapes from actors not cast as the boys revealed as much—even if it didn’t occur to all the viewers.

But I wasn’t supposed to live, either. Wasn’t even supposed to be born.

I don’t talk about it a lot because it’s hard to talk about. But when my mom was pregnant with me, doctors in Tennessee (pro-life peons they claim to be; it’s all an act) tried to get my parents to late term abort me, all because of a genetic condition they suspected I had—which I don’t even have lol, turns out I had a different handful of impairments, but anyways. A lot of people with the genetic conditions I DO have die within two hours of being born. My whole childhood was spent ducking in and out of hospitals, I had eleven major surgeries and almost died a dozen or so times before I turned twenty… I am so pro-choice it’s insane, but I was one of the “inspiration porn” kids that white, southern Republicans used in their crusades, screaming their “pro-life” BS at the Democrats who gave MY mom the right to choose my life.

I know. It’s WILD.

All that to say, though: It hit me in a particular place when Wanda married her trans husband, had queer kids who the entire world screamed at her (either weren’t real or) shouldn’t have been allowed to live, and then believed in them and loved them. With her everything. Thanked her queer, disabled kids for the honor, for choosing her to be their mom. (And Multiverse of Madness asked us to hate her. It baffles me to this day.) She didn't give up on them, did everything in her power to rescue them on the faintest hope they had survived (calling out for help in the Darkhold), even as some of the most powerful mages on SEVERAL worlds gaslit her for years... And when the gaslighters finally convinced her they were right, she destroyed the artifact that could be used to hurt anyone like her boys ever again.

For years, since Schaeffer had to relinquish creative control to the Multiverse of Madness team, I have felt that “the only creator amongst my favorite stories who feels like I belong has had to let us go, and the people who follow her don’t even believe we deserve a chance… we’re crazy, imaginary, and the world is better off without us.”

A slam-the-door narrative, Doctor Pandemonium & Avengers: Disassembled come again, the likes of which Byrne & Bendis would be proud.

But Agatha is an anti-hero/anti-villain story about ALL misunderstood, outcast people who deserve a second chance, no matter what the world may think.

The fact that Billy’s story in the MCU is now a meta-commentary on that publication history narrative… That Schaeffer took the episode to say, “I don’t know how many times or in how many different ways I’m gonna have to spell this out for y’all, but Wanda’s kids are HERS. They are and were REAL. They have their OWN SOULS and they BOTH DESERVE to FIND THEMSELVES and FIND LOVE and LIVE.”

I can’t think of a better way to have honored us. 💙

“It’s nice to see you again, Billy” 😭

(for the record, Agatha saying this totally genuine and with tears in her eyes—she will never be a villain to me, not ever again 💜🖤)

Thank y’all for listening. ❤️

This one’s for Tommy 🥹💚

[snailvibes]

Redid my Max design!!!! Also enjoy a lil timeline of her and her appearances!!

[rinzay]

*Stomps my foot* That's it! I'm makin my own Bracken lore!!

hehe lil 'guy,

ooo look! He's gonna have company!

as long as the company ain't letha-

ah

[sysig]

Just keep getting back up (Patreon)

[highly-flammable]

IDK if people will come for me for saying this but not showing how Sauron took control over the orcs for the sake of surprising the audience was not good writing.

Also, why was Galadriel just standing there watching Adar get stabbed? Asking for a friend.

[gaywarcriminals]

Torn between the homoeroticism of YQY killing QJL to free SJ, and the fact that SJ reallyyyyy deserves to kill QJL himself