#360-degree flip

[techdriveplay]

DJI Avata 2, Goggles 3 and RC Motion 3 Give Beginner FPV Pilots the Skills of Professionals

DJI, the global leader in civilian drones and innovative camera technology, today introduces the DJI Avata 2. Boasting an all thrills, no frills experience, users are presented with a safer, fully immersive enhanced FPV flight experience, an upgraded sensor to improve image quality and increased flight time. “Just under two years ago, we helped people embrace and explore the almost out-of-body…

[moonilit]

Self Immolation chapter 17, Holy and Jote for @itsjustliah

[shigayokagayama]

as funny as a statement "teru meets mob and does an 180 degree personality flip" is we need to acknowledge that it was a 360 degree personality flip. teru realized his powers didnt make him special and went from there to "me knowing that my powers dont make me special makes ME special. and kageyama-kun too he's even specialer because he's known it longer 💖"

[fuckingrecipes]

How do you cook a pancake? When I do it, it tends to fall apart when I try to flip it, and it's yellow with black spots instead of that nice brown you see in pictures.

If there's black, your heat is up too high. You're burning it.

(Either that, or some of your nonstick coating is flaking off the pan and you need to throw away the pan. Check that. Don't eat those, it's super bad for you.)

The even color is from having a thin layer of butter or oil. Like, drop a little oil in, coat the pan, and then use a paper towel to remove the excess blops. Spotting with brown is usually from excess oil in the pan.

You want JUST ENOUGH oil to make the cake unstick itself once cooked, and you want the oil to be just as hot as the pan before the batter goes in.

Pancakes require some patience. It's panCAKES. You're kinda baking them. You want the surface temp of your pan to be about 350-360 degrees. You can get a lil kitchen thermometer (they're cheap, don't worry) to be perfect.

I usually make sure my pan is on MEDIUM, not High.

Pour the batter in.

Let it cook UNTOUCHED until the whole surface of the raw batter is showing bubbles forming, and the edge around the circumference of the pancake is drying out a bit from cooking.

Then flip.

Let it sit UNTOUCHED for a good 2 minutes, until you see the edges around the circumference look totally dry.

Then you can check the color. You can always leave it in the pan to brown a bit more.

[shadowsndaisies]

dogfighting 101: 02 - let's rock and roll

wc: 1k

synopsis: It's been a long time since I rock and rolled, It's been a long time since I did the stroll, Ooh let me get it back, let me get it back, Let me get it back, baby, where I come from

main masterlist

athena-verse master post

“Anyone got eyes on Maverick?” you ask, eyes scanning both your radar and the terrain too.

“No visual,” Harvard confirms.

“He’s here somewhere,” you note and then you realize.

Never only think what’s expected, kid. 360 degrees, all the time It’s something your dad told you were little, he and Ice, they wanted to teach you lessons to help you, things they learned too late. Little tests, quizzes, making sure you were well prepared for whatever life threw at you. Part of you was positive that Ice always knew where you’d end up.

Keeping that lesson in mind, you decide to change your perspective.

“Athena!” Yale’s shout echoes when you invert, a slow roll, completely safe, but not anticipated by your teammates.

Of course, your hunch pays off when you spot your dad from where he'd been shadowing you from below the hard deck, below your radars reach.

“How’s it hanging, old man?” you ask, smiling under your mask, looking through the canopy at him.

“You’re catching on to my tricks too quick, kid,” he throws back and you can practically hear the smirk.

There's a “Oh shit,” over the line from Harvard, but you shake your head as your dad comes up ahead of you both and you flip back once again.

“I know you too well, Sir,” you offer in response.

“Let’s to put that to the test,” he says, “time to turn and burn aviators, fights on!”

He shoots up and you spare another look at the foxtrot team on your right.

“Break right, Yale,” you shout over the line as you peel off left trying to find your Dad again.

“Breaking right,” he confirms.

You both loop around and eventually you find him, he’s already on your ass and you’re trying to shake him off.

“Tally Tally, he’s on your four-side Athena,” Harvard shouts.

“I see him!” you confirm increasing your throttle and turning up in an attempt to loop back around.

Your dad though, is hard to lose.

“I can’t shake him,” you huff, eyes squinting down as you pull evasive maneuvers.

“Athena, how long would you need to get tone?” Yale’s question comes suddenly, and you spot him looping back around, you see the move he’s planning to make, the way he’s positioning himself.

“Not long,” you assure him.

“Get ready to Rock and Roll,” Yale decides.

“I hate the Rock and Roll,” Harvard mutters, and you can’t help the small chuckle that slips out.

“Would you prefer the Do-Si-Do?” you ask, amusement shining through as you turn to set your self up.

“Fuck, no, and you fucking know it,” Harvard denies vehemently, you can hear Yale laugh as you finally get yourself right where you want to be.

“I’m ready to Rock,” you confirm and suddenly you stop the evasive maneuvers.

“Then let’s Roll!” Yale shouts, shooting up.

You, on the other hand, straighten out, and right before Maverick can get tone, Yale dives down in a controlled but fast barrel roll in the gap between you both, it’s not the tightest gap, easily manageable, but enough to give Mav pause, and while Harvard and Yale slowed to avoid the hard deck, you accelerate straight up and then tip back in a vertical roll, it pulls more G’s than you’d expected during your first training run of the detachment, but you manage to level out and get tone on your dad.

Unfortunately your tone comes right after your dad caught Harvard and Yale.

“Shit,” you huff, dejected as Yale pulls up parallel to you.

“Shit,” Mav agrees, flanking your other side, though he sounds more impressed than anything else.

“Harvard, Yale, go see Hondo about your push-ups,” Mav calls, and the foxtrot team starts their descent. “Athena,” he calls, and your gaze jumps out the canopy and at your dad. He hits the glass, pulling his mask off and offering you a rare smile, real and proud, like he did at your high school graduation. “Not bad, Kid,” he says and you smile despite yourself, beginning your own descent.

Harvard, Yale, Hangman, Phoenix, and Bob are all stood on the tarmac when you land.

“I have a need,” Yale yells holding up his hands as you get out of your plane.

You roll your eyes but play along, “A need for speed!” you shout, high-fiving him and then Harvard who was stood behind his pilot.

“Not bad, ‘Thena,” Hangman drawls, a twinkle in his eyes.

“Don’t be too sad when you don’t get tone, Hangman, we always knew I was the better pilot,” you smirk, winking at him as you walk past.

You shake your head walking with Brigham and Yale, and when they stop by Hondo, you do too.

“You got tone, Athena, no push-ups for you,” Hondo says, frowning when you ditch your vest and gear, rolling your flight suit down and dropping to the ground in line with Harvard and Yale who had already done the same.

“I did,” you confirm, taking a plank beside the two men.

“Athena,” it’s Yale’s voice this time, looking at you with what can only be described as fondness, but also exasperation.

“We’re a team, you got shot down, we all do push-ups,” you say seriously. Then you turn to look up at Hondo, “on your count, Hondo,” you prompt.

“Hold that!” the evident smirk in the voice had your held tilting up and there was your dad. “A deal’s a deal, kid. You got tone, I owe 200 pushups,” your dad smirked down at you, as he dropped to the ground on the other side of you.

“You sure you can manage that? You’re getting up there in years,” you tease.

“Ice would have your head if he heard you age-shaming me,” he shoots back.

“Ice would laugh and join me,” you challenge.

Your dad simply smiles in defeat, turning to Hondo, “like the kid said, on your count, Hondo.”

“If you insist,” he nods, and then, “Down! One! Two! Three!” and the count went on, the four of you doing your push-ups.

...

everything: @butterfly-skinnylegend

athena’s tags: @omgbrianab @smoothdogsgirl @bazellawriz @sbrewer21 @inky-sun @djs8891 @rory-cakes @geeksareunique @je6291

[maybeelse]

The surgeon is sprawled out on her living room couch when you arrive, flipping through screen after screen of beautiful people on her ancient phone. One of her housemates answered the door and let you inside, their too-perfect smile drying into a polished mask as they realized why you were there. The last words they said to you before they fled were a quiet "good luck."

She's really not much to look at. Chubby and long-limbed, with oily shoulder-length hair. You can see her split ends from the doorway; it's obvious that she's never bothered to put proper care into them. Her clothes show a similar lack of effort, just loose grey sweatpants and a tank-top that barely contains her breasts.

The only part of her that's really noticeable—the part that catches your eyes and makes you hesitate at the enormity of what's about to happen—is the smooth plastic casings covering the ends of segment of her limbs, and the strangely spiky balls connecting them. The hum as she stretches, the faint whir as her fingers swipe left on another profile, a faint frown dancing across her lips—it's almost too much. The house is so quiet.

She yawns and shifts, glances up; sees you watching her.

"Yeah? Who're you?"

"Oh! I'm sorry, I'm, uh, Alex? We talked online?"

"Oh yeah. Was wondering when you'd get here," she shifts from lounging to standing in a way that would dislocate half your limbs if you tried to mimic her, "if you'd wuss out."

"… does that happen a lot?"

"Eighty-twenty. Lots of people online talk big but can't back it up, y'know? Hah," there's something sharp and brittle in her laugh, "sometimes people try to back out when I've already got them on the table. Can't deal with the reality of it. Weak."

"I … I see."

"So. You ready, Alex," she scowls, "or are you just here to gawk at the freak?"

She punctuates the question by rotating one of her hands around, wrist grinding as it completes the full 360-degrees. You're staring, gawking, but you can't help it; it's not like your sleepy little town has many—any?—other augs. They cluster in the cities, in the old world's radioactive junkyards, in the places where baseline biology isn't enough. It was astonishing to find one so near, much less a trained surgeon—her lips are tilting into a frown. She must think you're just a fetishist, a chaser, unworthy—

"No!" you practically shout, "I mean, uh. I'm ready! I'm ready."

"Yeah? Fine. Keep up."

The house looked normal from the outside, just another of the mass-produced mid-western two-story single-family trash-piles with attached two-car garage and optional backyard deck that the Kessler Belt's half-mad corporate agents carpet-bombs across the plains at irregular intervals. A GMO-turf lawn midway through being colonized by herbicide-resistant native plants, sprinkled with the telltale signs of the southwestern swarm's outriders; gnawed leaves, bright-carapaced aphids, and piles of plump rock plants marking the exact point beyond which baseline humans could expect fucking around to lead to finding out.

In short: it was a house like any other.

The illusion fails as you follow the surgeon deeper into her home, beyond the living room's pastel-patterned walls and focus-tested furniture. The interior layout had already struck you as a bit odd—the walls weren't in quite the right places, there shouldn't have been a step three feet inside the front door—but perhaps that could be explained away. Minor variations are normal.

The thick bulkheads and stained metal walls are not minor variations. Nor is the cavernous staircase plunging down where the ground floor restroom should be. A grinding scream echoes up as she leads you past it into what could almost masquerade as a normal garage, if not for the thick plastic sheets draped along its shelves and shrouding its ceiling or the polished metal table standing proudly beneath the garage's single light.

You can't tell what color the stains on the concrete floor are. Could be dark oil, could be dried blood. It's hard to ignore them.

"Here we are. Up on the table, Alex."

"Uh. Aren't there restraints, or, uh. Something? This is a bit …"

"Nah. First thing I'm gonna do is stick an AP filter in your neck." She grabs your neck, twists it; you gasp. "C5-C6 gap, probably, doesn't look like you've got anything weird going on. You don't, do you?" A pointed question. You can't shift your head, can't look her in the eye.

"N-no! My parents wouldn't," she releases you, waits while you rub your neck, "they're hardcore naturalists. Like, most people are, here? But they're …"

"That so? And here you are," she says, a hint of hunger tinting her words, "asking me to ruin daddy's perfect little all-natural—"

"Y-yeah."

"And then, what, you're going to run away?"

"Yeah. I have bus tickets," you pat your pocket, checking that they're still there, safe in your wallet, "for tomorrow. I just. Don't want to arrive with nothing, you know?"

She laughs, abruptly, startling even herself. "Oh, they're just going to eat you up, you know that, Alex?"

"W-what do you—"

"Don't worry about it. Just get on the fucking table already. Oh yeah," she grins, "you should strip first. Don't feel like cutting the clothes off you."

She doesn't seem particularly interested in watching you strip, at least, just leans against the wall and flips through her phone. Doesn't look away, doesn't stare at you, just lets you get on with it. She's being professional, you suppose, and even if she's not kind it's still better than high school locker-rooms. Anything would be better than that.

You still blush.

You're not sure where to put your hands, when you're done. Part of you wants to try to cover yourself up, to hide yourself, to hunch down and keep her from seeing, but … well, she'll see soon enough.

The table is unpleasantly cold under your ass, and you let out an involuntary squeak at the sensation. No doctors-office padding here, no disposable paper covers, just hard, cold, metal. She glances up at the noise, finally taking an interest again.

"Ah? Oh, right …" Her eyes sweep over your body, and you ball your hands in your lap, trying to keep her from seeing. "Well. I've worked with worse."

"I-I'm sorry, I, uh …"

"Don't worry about it, yeah? S'just raw material, who gives a fuck. Anyway," her joints grind as she starts to move, making her steps unpleasantly jerky, "let's get started. Give me a second …"

You flinch away as she pulls your arms away from your crotch, not understanding, but she's strong enough that your resistance hardly matters. Your arms positioned, she wraps her own arms around you. It's a strangely tender motion, but perhaps that's just because it's been so long since someone last touched you; certainly there is nothing except impersonal focus on her face.

"There will be a slight pinch," she says, and then, with a noise like shears closing on meat and bone, a noise that is exactly what it sounds like, there is pain.

You can't feel your body.

You're lying on your back on what must be the same table you were on a moment ago, before you passed out, and you can't feel your body.

The light above is shining directly in your eyes, and your entire head is tingling, and there's still a horrible pain in the middle of your neck, and you can't feel anything below it. There's a sharp smell in the air, and the sound of dripping, and—that's piss. You pissed yourself. Good thing you're naked, huh?

Thinking about that doesn't help with the pain.

Somewhere in the room, outside the narrow scope of your vision, you hear the surgeon tapping on her phone. Dialing a number. Waiting while it rings …

"Hey, hoss. Yeah, just started. Wanted to check the order priorities before I—yeah, I'll send you a picture." The click of a camera's shutter, exactly the same as your own phone made, back when you still dared to use it. "Mhmm, yeah. They breed them strong out here. … yeah. Yeah. I'll see—", a burst of static as the call ends, "—well fuck me for wanting to say goodbye."

The surgeon's feet click against the ground. She leans into your vision, eyes bright and eager, head limned against the light. "Guess what, Alex? You're going to be an assault drone."

[lightaflaem]

𝐃𝐀𝐘𝐋𝐈𝐆𝐇𝐓 [𝐨𝐧𝐞]

content warnings: heavy gore, zombies, infectious disease, mentions of blood, hospitals, cheating, profanity, violence, usage of weapons and guns, mental health problems, implied anxiety attacks, explicit smut, oral (f!receiving), fingering, protected sex

word count: 5.5k

summary: just when everyone thought that the flu-like virus which led to a global outbreak four years ago had finally settled down, a new variant struck that escalated rapidly and became out of control. with limited supplies and life at stake, you were left with no choice but to team up with your ex-boyfriend, oikawa tooru, to navigate and seek shelter.

keiya.speaks: this is an entry for @pixelcafe-network 's 2024 spooktober event 🎃

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You wished that all of this was just inside of your head.

You begged the ups that once you open your eyes, you’ll be in your favorite figs scrub suit, caressing your Beckman Coulter DxH 900 hematology analyzer, praying that the reagents would be enough for your hospital’s bed capacity as your laboratory supervisor forgot to place an order for this month’s supplies.

Or maybe wooing your Cobas e601, hoping that your quality control would be in the range of the mean so you would be able to run all your chemistry specimens smoothly. Maybe when you finally open your eyes, you’ll be back inside the laboratory, signing all your patients’ results as a Medical Laboratory Scientist.

However, when your eyelids unfolded and a baseball bat swung towards you that nearly grazed the tip of your nose, you were back in this stinking reality.

“I swear to fucking hell, Tooru, stop spinning the bat like that, you nearly hit me again!” you hissed, trying to avoid the piece of wood for the nth time. Your eyes caught a glimpse of the nip of skin that has been hanging around the bloody barbed wires wrapped around it for heavens knows how long and instantly, you felt your insides turning upside down, nearly throwing the acid of your stomach in disgust. 

“Aww, chibi-chan is annoyed, you’re too cute to be annoyed. You can’t be annoyed at me, darling. You’re stuck with me.” Tooru smiled, his eyes turning crescents while grabbing a few cans of easy-open tuna paella and throwing it into the creaky shopping cart.

You’re back in this reality where everyone around you has turned into a living dead—basically zombies. People might think that this is just a foolish tale told by someone like you however, it wasn’t. When everyone thought that the Corona virus that set the world into a pandemic four years ago had ended, well it hasn’t really ended that well yet.

A new variant mutated and current vaccines didn’t work that much into protecting the people. Eventually. Everyone started getting sick again and the cases doubled, tripled, and continued proliferating like hell. Hospitals were full of patients with flu-like symptoms and quarantine was implemented once again. With the lack of research and scientific approach, never have you ever imagined that the simple flu virus that was once contained will mutate into something more damned, something more hellish—and that is taking over its host’s nervous system and respiratory tract, owning it completely just like the mad cow and rabies disease. At this point, you didn’t really understand it that much because there’s a lot of factors and unknown elements. With that, the once feared virus has already taken over the world again but this time, much worse than the first one.

Two weeks since the virus has flipped Japan 360 degrees, 14 days of being stuck to survive with Oikawa Tooru, your ex-boyfriend. 

Shit happens for real, right? But when that menace, caramel-eyed, 6 footer guy who dragged his best friend, Iwaizumi Hajime, into his shenanigans suddenly showed up in your workplace with a bouquet of flowers 3 years after your break-up, you felt your blood boiling as the last thing you wanted to see is his face.

And another shit happens is that the very same day he showed his arrogant face to you, that’s also the day when the whole city went rabid and everyone suddenly started biting each other as the undead symptoms manifested in most of your emergency room patients. It was like a trigger that suddenly detonated, sending signals to all of the infected to attack.

That’s how you found yourself in an abandoned grocery, picking up some goods before you eventually hit the road to seek a temporary shelter while looking for a permanent one with your ex-boyfriend, who’s now taking advantage of the life or death situation to get closer to you once more.

“Phew, looks like we got everything we needed.”

Your gaze shifted to the items inside the cart. Canned goods, instant meals, protein bars, biscuits, some snacks, bottled waters that could probably last up to a few days depending on the consumption, energy drinks, basic medicine and first aid, batteries, ropes, some toiletries and personal necessities, and a box of condoms.

Box of condoms?

“Oikawa Tooru, you perverted sex animal!” you felt your face heating up despite the broken air conditioner kept on running, setting the whole area into freezing point.

Tooru was laughing his ass off as you picked up and threw the packets of rubber on his chest. He was bursting so much that he dramatically wiped his fake tears.

“We’re in the middle of a fucking apocalypse and you still have the time to pull shitty pranks just like that!” you exclaimed, face puffing in vexation. “If you don’t have a goddamn thing to do—”

“GRRAAAGH!”

“Fuck!”

A squeal leaped out of your mouth as you saw a flesh-rotting guy approaching Tooru from behind. It let out a deafening howl, echoing in the empty store. Its skin was pale, almost white with purple veins popping in its throat up to its face. The pieces of tissue that were decomposing and filled with maggots were falling into the floor, scattering everywhere. Eyes were bloodshot and scarlet red blood was pouring out of its mouth, approaching the both of you with speed. It can fucking run?! 

In an instant, Tooru secured you behind his back and gripped on the bat’s handle with force. As the raving undead approached, he swung the piece of wood with full strength, leaving a huge missing chunk on the man’s head as the muscle flew away due to the impact. Blood spurted out everywhere and you could see pieces of its brain being tangled in the barbed wires. It fell on the ground convulsing before becoming motionless, indicating that it’s already finally dead again.

“Are you okay, Y/N?” Tooru’s eyes landed on you, checking you from head to toe.

You were frozen in your place, still trying to comprehend what happened. It wasn’t the first time that you were attacked yet you could still feel your insides being scrambled whenever you’re placed in the exact situation. You felt like you’ll seriously never gonna get used to this scenario.

“Y-yeah, I’m alright. A-are you okay?” you questioned, meeting his brown orbs back. Tooru just laughed hysterically, pushing his hair back and settling the wood just above his shoulders.

“Of course! It’s the grand king after all.”

Piece of shit. You thought. He’s already 27 yet the silly nickname that he was given way back in his junior high volleyball days were still fixated on him. He’s a serious menace.

“C’mon, Iwa’s probably wondering why the hell we’re taking too long. As much as I wanted to say that we took this precious time to make out, I’d rather not.” he commented as he pushed the cart forward. You could see from his back how his gaze changed, sensing if there’s still a threat around you.

When the both of you exited the store, you were greeted by your two companies.

“Y/N! Are you alright?” Tobio hurriedly went towards you, examining your physical state. “We heard the noise from outside. We're ready to barge in, you know?”

“Oi. I’m here. Why didn’t you ask me too?” Tooru sniggered in annoyance as the black-haired man continued ignoring him as he was not existing at all. Of course, the former did not let it go and started a childish, rivalry eye to eye against each other.

It was just broken when Iwaizumi squeezed himself in between to check the items inside the cart.

“You guys forgot my snickers, you fuckers.” his forehead creased when he did not catch a glimpse of his favorite chocolate bar that he clearly instructed earlier. You mentally slapped your head as you realized it just now.

“Now Iwa-chan, this is not the right time to freaking enjoy a chocolate bar.”

“Shut the fuck up, you trash. I’ll stuff this cart into your mouth.”

“And I love you too, Iwa-chan!”

Both you and Tobio stood there with a facepalm on your faces as you watched the two best friends bicker with each other in the middle of goddamn ruins. Some people wouldn't be convinced that they have been friends since high school but they really are.

One of the few good things despite the catastrophe is that you somehow luckily ended up with the people you’ve already known. When your workplace turned into madness, Tooru and Hajime managed to pull you away from the crowd of insanity to hide and ended up escaping together safely to the hospital’s parking lot. However, little did the three of you know that there’s also a few undead lurking there. You felt the numbness taking over your body as you recognized some of them as your colleagues—Yamaguchi Tadashi, a nurse on the 6th floor and Sugawara Koshi, a pediatric resident. They were moving mindlessly, drool dripping on their lips as they no longer recognized their own self.

Before Tooru could drag you away from it, a familiar Suzuki Jimny in solid kinetic yellow stopped in front of you. The door flew open, revealing Kageyama Tobio, a phlebotomist and your college friend, screaming to the three of you to get inside the car.

And that’s how you ended up navigating the now ghost roads of Miyagi with these three. The first instinct is to drive to the government facilities in Tokyo to get help; however, it is nearly impossible to reach your destination when you’re unarmed, have no supplies, and do not know what terror lies ahead on those roads. Good thing is that there’s still electricity and water, however, cellular phone signals and wifi are now down so you couldn’t get any help through local authorities. With that, the three of you decided to stick with each other to gather and prepare everything you needed and move little by little at a time.

“Man, you seriously have horrible taste in color.” Tooru spoke to Tobio as he closed the door of his Suzuki Jimny, clearly provoking the younger one instead, all he received was a scoff, ignoring his remark.

“Tooru, stop it.” you berated your ex-boyfriend and blew you a kiss instead that made your eye roll heavenly.

In no time, you’re back on the road with Hajime driving, Tobio on the passenger seat, leaving you and Tooru in the backseat. Your itinerary for today is to find a house to stay in for a few days before finally driving out of Miyagi for good since the last house you went to got infested with undead.

Every night, you get nightmares from the images of the undead. Whenever you dream about it, it’s always detailed to the point that you could smell the malodorous odor of the rotting bodies. The terrifying screams were also echoing in your eardrums that sometimes sent a strike of headache on your head. But sometimes, you also dream about your life before all of this happens. Your happy life whom you’ve worked hard to achieve. Somehow, you managed to pull yourself together otherwise, you’ll lose your sanity and even worse, become one of the undead. However, you really don’t know how long you could still hold yourself in one piece.

“A penny for your thoughts?” Tooru managed to tickle your sides as your mind was hastily floating in cloud nine. You turned to him and saw his soft gaze locking on you. You noticed how his hazel hair that matched the color of his eyes is now cropped into a shorter one compared to its length when you were still dating him three years ago. He’s also wearing a graded specs now whom you did not recall him having one before. His pointed nose and chiseled jaw are now more prominent due to the weight and baby fats he lost. Arms and body became more muscular, skin got a little tanner than usual probably because of his training in Argentina as a professional volleyball player.

Tooru’s really handsome. He’s got the type of attractiveness where you’ll look over your shoulders to glimpse at him once again whenever he passes by. Despite his childish personality, he’s really kind and a gentleman that made him easy to penetrate inside the heart of his crowd. He’s got the aura wherein he can bring the best out of you when you’re with him. He's like the daylight you’ll see when you reach the end of the night sky.

Your relationship with him was stable. You fight but all the arguments are talked and reflected thoroughly. He always gives you whatever you want and need. Handles your tantrums very well and does not hold grudges against you or anyone else. He makes sure that he can show and make you feel all the love languages he could ever think of. He’s the best boyfriend and best friend you’ve ever had. It was so strangely stable to the point that you thought that he’s the one you’ll marry. However, when he accidentally left his phone in your apartment and you caught a glimpse of a contact with a picture of a girl asking if he had fun last night with her on his text messages, your dream of marrying him and being each other’s end game shattered.

He tried calling and chasing you for almost a week after that but you didn’t give him a chance to explain, knowing that only bullshit will come out of his mouth after he blatantly cheated on you just like that. After that, the only news you heard about him is that he’s flying to Argentina to turn his dreams into reality of becoming a professional volleyball player. He never tried contacting you again after that, not even once.

Three years later, he finally achieved his dreams as he’s all over the news as the best setter CA San Juan has ever had and now he’s suddenly back as if nothing happened between the two of you, alive and kicking. 

“Nothing, just tired.” you lied, not having any energy left to converse with him. You felt a calloused, warm hand placed above your left elbow, thumb caressing your skin. Your eyes flew and saw Tooru’s bruised and wounded hand attempting to soothe yours. “What the hell—”

“It’ll be alright, Y/N. I promise you. We’ll get through this, just like we always have.” he left out a soft yet reassuring smile before releasing your arm. You don’t know why but you felt like a hope ignited inside you. A sense of solace hit as you felt that Tooru never once had second thoughts in you. 

You find yourself erupting a small smile. There’s indeed hope despite the darkest times.

Standing in front of a 2-storey modern house, you clutched your baseball bat as you prepared yourself for a possible undead atack. It wasn’t that big but it’s enough for a family of three to live in. The exterior has a monochrome color palette with wooden doors and tinted glass windows that reflect your worn out states. It also has a balcony that has a few clothes hanging on the railing.

“Do you think it’s safe?” Hajime looked up at the towering building.

“I hope so.” Tobio answered, leading towards the door.

Slowly, Tobio twisted the automated door knob that surprisingly opened without any difficulty. The four of you exchanged looks, swallowing the balling lump in your throats as you set a foot inside the house. You were greeted by an eerie silence upon entering the abandoned house. It was decorated with lavish interiors and monochromatic palette, matching with the exteriors. The floor is made with oak wood and the walls are marble that added extra fire to the aesthetics. The second floor has a bathroom, one master bedroom, a guest room with two beds and a balcony that faces the streets. Overall, it’s a nice house and seems like the owner is well-off based on their residence.

Hajime and Tooru checked the second floor and found nothing but a few pieces of clothes that seemingly belonged to a man. However, inside the closet of the master bedroom, they found a leather bag of guns, ammunition and a copy of the firearm’s registration. You were not knowledgeable that much in firearms but you immediately recognized AK-47, M16, and the famous Smith & Wesson Model 27 that you once saw in the anime Banana Fish.

“Damn, so those really exist in real life.” Tooru made an exaggerated comment as the weapons were carefully being laid in the long coffee table by Tobio.

“We’re already in an apocalypse, you shithead. Guns like these are more realistic than this fucking hell situation.” Hajime retorted, blood is always boiling at his best friend’s idiocratic remarks.

“Let’s just keep these in one place and take it once we’re moving away. For now, let’s stick with our current weapons so we can utilize everything at once.” you proposed, earning quick nods from the boys.

“Ah, my darling is so clever! Come and give me a hug.” attempting to cage you in his chest, you quickly dodged your ex-boyfriend's arms and pointed the baseball bat a few inches away from his face.

“Don’t you dare touch me, Oikawa.”

“Why? You loved my touches. You were begging for my touch—”

“Shut it!”

You shused him by swiftly covering his mouth with your right hand. You could feel his lips twitching against your touch, eyes forming a curve as he smiled infuriatingly.

“Love birds, take your business upstairs. Me and Tobio will share the guest room, the two of you in the master bedroom so you can make peace with your demons. Don’t think of bitching up because I ain’t taking any shit today.” Hajime firmly said before grabbing the weapons one by one to store them in the small compartment under the coffee table. You felt your face being flushed with much embarrassment as the two guys witnessed your bantering. Tobio was about to appeal but he met the death stare of Hajime, making him pursed his lips.

You couldn’t even remember the last time you shared a room with your ex-boyfriend. The whole 14 days with him, you either get your own space or share a room with all of them. That's why your vital organ is now leaping so hard that it might jump out of your ribcage.

After arranging and dividing the supplies so that it can last for a few days, the four of you improvised a barricade on the door and covered the window so that you wouldn’t see the streets outside that holds a few abandoned cars, splurt of blood on the road, decomposing human pieces, and some bodies that are unrecognizable.

Seeing the first-aid kit that you grabbed earlier in the kitchen counter, the memory of Tooru’s wounded and bruised hand suddenly flashed in your mind. Without a second thought, you found yourself getting ice from the functional freezer and wrapping it in a clean cloth before wetting the piece of fabric so that the cold temperature could easily penetrate. In no time, you were now standing in front of the master’s bedroom, slowly peeking to see if Tooru’s awake.

You saw him sitting on the edge of the bed that is facing the door, clutching a polaroid film in his hand. His face is blank yet a void of sadness was swarming in his brown eyes as he sighed and kept the picture back in his wallet. Your lips parted as you recognized that he’s still using the wallet you gifted him on his last birthday before you broke up.

“Tooru?” you spoke, casually pushing the door. “Can I come in?”

He let out a chuckle. “Of course you can.”

With that, you slid your body inside the room. His eyes were fixated on you as you sat down beside him, placing the kit on your lap. Your hands were trembling as you reached for him, which he willingly lifted without any question, gently patting the iced towel on his bruises that he probably got from mishandling the baseball bat.

“Wow, never have I ever imagined that I’ll get a special treatment from a medical laboratory scientist. You know you can just kiss the boo boo and it’ll go away instantly.” he winked, making you roll your eyes at him again.

“Shut up. My treatment fee is really expensive for idiots like you.” picking up the disinfectant, you slowly rubbed it on the sides of the small cuts with a clean cotton ball, earning a winced from him as the sting penetrated the wound.

Tooru was silent the whole time you’re icing and dressing his hand. He knows that whenever you're doing something healthcare related, you don’t want to be disturbed as you pour your hundred percent concentration into it. He knows this better than you.

“You never gave me a chance to explain myself, Y/N.” he opened up when he saw you finished sealing the wrapped gauze pad around his palm. “At least let me explain this time. I cannot swallow the fact that we’re already in the middle of this goddamn situation and you still haven’t got the peace of mind you deserve.”

You could feel his stare burning at you. When you met his eyes, it was full of perseverance as if he’s not going to let you exit the room without listening to his explanation. To be honest, you really don’t know to yourself why you’re refusing to hear his side. Maybe you’re afraid of the confrontation. Maybe you’re scared of the fact that he cheated and he’s going to confess it in front of your face. Maybe you’re rejecting the reality that Oikawa Tooru did cheat on you with somebody else.

Gathering all your strength, you let out a deep exhale before speaking. “Give me a reason not to kick you out of this room.”

Tooru’s demeanor changed when he heard those words. It was hard for him to gain your trust once again after everything but if he’s given the chance, he will never let go and prove himself to be worthy of your heart once again.

“It was a prank.” he started, making your face puzzled. “It was a fucking shitty prank pulled by my teammate, Kindaichi. I remember him doing the same thing to Kunimi before but we all laughed it off since Kunimi’s single. I don’t remember when he did it but I think when I left my phone in the locker. He changed his number’s contact photo and name into a girl’s name. After that I went straight to your apartment. I seriously forgot the existence of my phone that day since we’re really having fun and I was late for my practice the next day. When Kindaichi heard that I left my phone somewhere, he texted it and that’s the part where you saw it and thought that I was cheating on you. I confronted him after that with Iwa-chan. That's why I know all of it and he said sorry. I never spoke to him after that.”

He let out a sad smile. “That’s basically everything. I tried contacting you, calling, messaging, and waited outside of your apartment for three hours but you weren’t there. I really wanted to talk with you because we both know that I’ll be leaving for Argentina in a few weeks but yeah, it happened and we can’t really change anything about it anymore.”

Tooru’s bandaged hands slowly made its way to yours, clasping both of his palms on your hands. “I’m so sorry that I let it go just like that. I know that I’m three years late but if there’s anything that I can do to make everything right again, I’ll prove it to you in any way you want just to trust me once again. Even as just friends…Y/N, you’re the best girlfriend and best friend I ever had in my whole life and thinking about everything that happened between us and how it ended just like that puts me in misery.”

Fuck. you thought. You don’t know if the world is playing with your vulnerability right now but after hearing everything, you feel like you’re stoned in your place. You feel like your insides are being scrambled and you wanted to vomit every single thing you ate for the last 14 days with him. All this time, it was a prank. A fucking prank that caused so much damage in both of your lives and relationship. A prank that made you lose your former significant other. And the most fucked up thing about it was you could’ve done something to prevent your relationship from crumbling down. It was completely in your control yet you let him slip away from your finger. If it wasn’t for your stubbornness, Oikawa Tooru is still your partner until today.

“Shit! Y/N, I—sorry! Fuck, please don’t cry.” Tooru panicked when he saw the pooling liquid in your eyes start streaming down your cheeks, eventually wetting both of your hands. You didn’t even realize that you were already a crying mess as you hollow your cheeks to prevent the pitiful sobs escaping your mouth.

With much fragility, Tooru enclosed your trembling body into a warm hug that instantly melted all the pain you’ve been feeling. You could hear your hearts beating together against each other’s chest.

“It’s okay. We’re okay now. I finally found you again. I love you so damn much, Y/N.” he whispered in your ear, right hand caressing your back.

After a few minutes of staying in that position, you finally calmed your hurricane. You pulled away, greeting his worried eyes with your puffy and red ones. Upon meeting his gaze, you felt your heart soften as Tooru’s caramel ones penetrated in yours. His lips formed into a small smile when he saw the way you looked at him.

He will never forget those doe eyes of yours. The very first time he saw your eyes, he instantly fell in love and he knows deep inside that he’ll keep on falling in love with you in every chance he gets. In every universe and in every lifetime, his heart only belongs solely to you.

Your faces acted on their own, slowly moving towards each other until your warm lips clasped with each other. The tension that was middling the two of you finally broke today. It started gentle, lips moving together in sync not until Tooru’s hand grabbed your jaw, lightly turning your face to the side to deepen the kiss as he explored the cave of your mouth that he hasn’t tasted for years.

You pushed yourself above him, finally straddling his lap and wrapping both of your arms around his neck as the innocent kiss suddenly turned into a heated one. Tooru would lie if he said that he didn’t miss all of this. The feeling of being intimate with someone that he hasn't given a chance after your break up because he doesn’t want to do this thing if it’s not with you.

Grinding yourself against him, you felt the growing bulge that was now poking your heated core. You couldn’t help but to let out a soft moan that made Tooru halt his action. It turned him on.

“Y/N, do you want to do this?” he asked, eyes now filled with lust. You nodded, wiping the corner of your mouth. You could feel your cheeks firing up as embarrassment crept in your soul for wanting him.

“Words, love. I need your consensual words.” he commanded you.

Despite the awkwardness you’re feeling, you couldn’t help yourself especially when you felt him fully erected under you. “Y-yes, Let’s do this.”

That’s all it takes for Tooru to gently place you in the bed and continue kissing your unattended mouth. His hands started roaming around your breasts, squeezing both of it tenderly that earned another moan from you. You felt him smirking against the kiss before he humped above you, aligning his clothed bulge that was restraining against his jeans and rubbing it against your clothed pussy.

It ignited a pool of wetness as you felt the hardness being rubbed in you.

“H-hgggh…Shit,” you cursed, eyes shutting from the luscious friction.

“Fuck, Y/N. I’m so hard for you.” Tooru said as he massaged your core with his hand. He felt the wetness leaking from your clothes that made him bite his lip in horniness.

He went down from his position as he pulled the hem of your scrub suits down, completely removing your bottom garment that revealed your wet panties. Tooru mentally cursed at his view. All he did was kiss and teased you and yet, you’re already a pooling mess for him. The way how your body reacts to you is driving him insane.

Slender fingers started circling around your clothed core that sent a jolt of pleasure in your body, making your back arch. Tugging the only piece of your bottoms down, he successfully removed the clothing swiftly. He was welcomed with your dripping pussy for him. He didn’t waste another second and devoured it hungrily, tongue nibbling your clit.

“Ahh!” you let out a loud moan as his warm muscle made contact with your pussy. He was licking and placing soft kisses before alternating it with sharp circles by his tongue. The way he glides his mouth against it was driving you in nuts, almost making you see stars.

“Shit shit Tooru, it feels so good!” you did hesitate to let out another moan when he inserted a finger inside you. When he felt that your walls adjusted to it, he slid another one before moving his digits in and out.

You don’t know what to feel due to the intense pleasure that was being thrown at you when he started scissoring his fingers inside. You felt like you could cum with just his fingers. Tooru’s eyes never left your sight and watched how you’re taking his fingers really good.

“F-fuck, Tooru. Please! I want you…Fuck me! I want to come in your dick,” you pleaded messily as you felt your stomach being tied in knots.

With that, he took his fingers out and started stripping his bottoms. His aching hardened cock finally freed itself and slapped against his abdomen. This wasn’t the first time that you saw Tooru naked and this wasn’t definitely the first time that you saw his member but shit, its length and size never fails to amaze you.

Quickly grabbing his wallet, he took out a piece of rubber which you quickly recognized.

“You really took the condoms earlier?” you asked, eyeing at the packet of condom that is now being torn from its packaging.

“Just a few pieces. For emergency.” he grinned as he slid the rubber on his dick without any problem. You laughed as you already expected that from him.

Positioning himself between your legs, he grabbed the shaft and started rubbing the tip against your pussy, almost teasing you. The damn idiot was smirking the whole time and slammed his dick inside you that made you yelp.

“Fuck! Tooru, what the hell?!”

“You like it rough, don’t you?”

He started rocking his hips slowly before picking a consistent pace that made him groan in pleasure.

“You’re so fucking tight and wet, Y/N. Fuck love, I love you and your pussy so much.” he said in between the thrust like he’s worshiping your whole self. You let out a chuckle that was replaced with erotic sounds as he started thrusting in a much faster pace. You felt your walls being stretched out but at the same time, it felt so good that his dick’s the one who’s stretching you out. Tooru found your g-spot in between the thrust that earned you a loud moan as the waves of electricity slammed your body.

“Yes! There! I-it’s so good! Y-you’re so good!” you moaned out as the same spot was abused by his dick repeatedly.

You felt that he’s nearing because his thrust became incredibly faster and impatient. His face was now grunting as beads of sweat rolled down his forehead, lips parted in pleasure. Your stomach starts hardening as your core feels like it’s going to combust anytime. Your insides are tightening so much, indicating that you’re also nearing.

“T-tooru, M’gonna c-cum,”

“Me too, love. Me too.”

He replied incoherently, thrusting a few times more before pulling his member out, coming inside the piece of latex. You also released the coil that is forming inside you before he could even pull his dick out.

The both of you were panting so hard with your legs trembling and chest heaving. Tooru collapses on your top with a smile, kissing your lips once more before burying his face on your neck.

“I love you, Y/N.” he said, which made you let out a genuine smile.

Meanwhile, across the wooden door of the master’s bedroom, Tobio was standing with two cups of your favorite 3-in-1 iced coffee that was meant for you and him, right hand completely frozen on the doorknob’s surface as he listened to the alternating erotic moans launching from each other’s mouth while making love.

© lightaflaem. do not repost on any platform.

[silvantransthranduiltrash]

Silvans are used to fighting 360 degrees.

Because they move through the trees, fly through the air (curtesy of flinging themselves from one branch to the another) they know damn well that an attack can appear from all angles.

This results in their fighting style having more flips and and other such movements in order to be more aerodynamic.

Meanwhile the noldor, sindar, etc are more used to ground based combat because they usually fight in open fields and even of they are in a forest they stay on the ground.

What i’m saying is that the first time a silvan flips over and slams their sword down on a sindar/noldor in a sparing match, they have to take a second to go wtf.

[scoobydoodean]

the way dean gives so much love and receives love in return always makes me so soft 😭

people love him and connect with him because he's always reaching out - he tries so hard to bond with people and make them happy and he's so thoughtful and kind. truly, genuinely, kind. he's not ~nice~ (nice people are fake!) he's honest and real and beautiful and true and everyone he meets responds to that. his milkshake really does bring everyone to the yard and thank you for the reminder!!!

Think even of how many times Dean has snapped people out of mind control! John, Bobby, Cas, Rufus, Sam, Mary. How many HUGS he’s given how many people he’s said “I love you” to without saying it. Think about how he got through to Lucas in 1.03 and got him to begin communicating with him when no one (not even his MOM) could by empathizing with him and telling him he was listening. When he pulled John out of mind control with a simple plea. When he pulled Bobby out of mind control by telling him Bobby’s like a father to him and he won’t let him die. When Bobby was suicidal and Dean sat down with him and when Charlie was grieving her parents and Dean saw and he listened. When he perpetually cooled Sam’s self-destructive desire for revenge in 1.21/1.22. Think about Dean and Victor’s instant, easy camaraderie in Jus In Bello. Think about Dean instantly gaining Ronald’s trust in Nightshifter. Think about the lawyer he convinced to help him and Sam in “Folsom Prison Blues”, or the cops in “The Usual Suspects” and “The Benders” who he got to believe him just by being sincere. Think about Crowley lovesick flipping through Flickr albums and Dean talking him through his toxic relationship with his mom. Think about Cas being tortured and conditioned to kill Dean thousands of times but not being able to do it when the time comes because of a simple plea. Think about Dean fighting through 360 degree combat looking for Cas even though Cas abandoned him and didn’t want to be found and Dean was the only source of fresh meat around. Think about Jo and Lisa swooning and Dean and Cassie accidentally breaking each other’s hearts. Think about Dean cleaning wounds and putting blankets over Sam and Cas’s shoulders when they’re sick and making people food, and sharing movies and music he loves with his best friend. Think about Dean kissing Charlie on the top of the head and cooking Kevin eggs and cooking Sam soup and burgers and cooking a birthday cake for Jack and making a Winchester Surprise with Mary and playing Words With Friends to try and connect. He’s the most loving guy in the whole wide world everyone wants to be loved by him or to be him or to hold him or be held by him there is blood and dirt under his nails he gets called a killer but he loves so so fiercely so so deeply he uses his hands to nurture and care for others he hugs so so tight and while the people he loves are beating him bloody he is reaching out to them snapping them out of it with love. He saved the world with love TWICE.

[baron-fromthebaronies]

Baron Headcanons:

(Cause that is what we are all about here)

((There are some I have already said but they deserve to be on the list too))

If Baron were to befriend the Bad Kids, he would most definitely refer to him like Starfire (from Teen Titans) refers to her friends

That is to say they would call them "Friend Fabian" or "Friend Adaine"

People from the Baronies don't talk like that, it's just him

They take unnecessary pauses while talking

On the flip side of the last one, at times he also puts no spacing where there definitely should be spacing while talking

While we are on the subject of speech patterns, they will emphasize random words in a sentence (it gets especially difficult to understand what they mean when emphasis on the word changes the meaning of the sentence)

Hates water

Imitates Riz when he doesn't know what to do

Does NOT understand how organic beings work. Like, what do you mean you can't turn your head a full 360 degrees!?

Not comfortable in the outside world just yet. Prefers to stay in the briefcase, mirrors, or nightmares

Gets very upset when their clothes or anything in the Manor get messed up

[tightjeansjavi]

𝕓𝕝𝕦𝕖 𝕛𝕖𝕒𝕟𝕤 𝕟’𝕋𝕖𝕩𝕒𝕤 𝕕𝕣𝕖𝕒𝕞𝕤

𝕡𝕒𝕣𝕥 𝕠𝕟𝕖

♡ 𓃗 ♡

Pre! Outbreak Joel x horseback riding instructor f!reader

A/N: as a horse girl/equestrian, this story is very special to me. I hope you all enjoy Joel+Clove/Clover (bc you’re his lucky charm) and their cute lil horsey love story ♡

~word count : 2.3k~

Summary: Joel Miller, single father; total soft dad has an astronomically enormous crush on you, his daughters horseback riding instructor.

Warnings: soft! Joel, shy! Joel, fluff, flirting, slow burn, eventual established relationship, single! Father Joel, protective! Joel, he’s so sweet your teeth will hurt! Joel, eventual smut, some angst, no y/n, +18 minors dni !

blue jeans playlist:

Austin, Texas

Joel Miller, 34; single father and a total softy, only for his kid of course. Sarah was his absolute sunshine. His baby girl. After her mom was no longer in the picture, Joel took on the full responsibility of being a single father, with the help of his brother Tommy too. Sarah was an adventurous kid. She always wanted to be outside. Whether it was hiking with her dad, playing soccer, or any other sport she could fathom. Joel would do anything and everything for his daughter. He’d lasso her the fucking moon if he could. When she wanted to try out for soccer, he became her coach. He researched all the drills, got her the best cleats he could afford, and attended every single one of her practices, and games. Yeah, you could say he was easily the most unashamedly supportive dad out there.

It came as no surprise to Joel when Sarah came to him one day after school going on and on about horses. Her class had watched the movie ‘Spirit’ that day, and she was absolutely hooked. It was the only thing she wanted to talk about when he picked her up. Joel loved to see his kid talking about the things she loved, so passionately.

“Dad, the movie had me in tears! It was such a beautiful story, I can’t stop thinking about it!”

He chuckled, bringing his arm around the back of her seat as he backed out of the parking spot he was currently in. “Yeah? Think i’ve heard of that movie before kiddo. It’s a good one.”

“Would you watch it again?”

“With you? Absolutely!”

She had rolled the window down, letting her arm rest on the side. She had purple nail polish on, her favorite color. “So Dad, what if I said I maybe wanted to look into taking some horseback riding lessons? I already grabbed like 6 different horse books from the school library! Did you know that horses can sleep standing up? They only lie down to sleep when they feel safe, and there’s usually another horse watching over them just in case!”

“I had no idea about that kiddo. You got any more horse facts for me?” He tapped his hand lightly against the steering wheel, Linda Ronstadt’s ‘Long Long Time’ crackled through the old radio in his truck. “You wanna look into getting some horseback riding lessons? Sure, sweet pea. I’ll look into it for ya.

Sarah was already pulling out one of the horse books from her bag, flipping through the pages. “Oh! Here’s one, did you know that horses have a nearly 360-degree field of vision? They have two blind spots, one directly behind them, and other directly in front of their head.” She looked over at her dad in the passenger seat, she was beaming when he said he would look into riding lessons for her. “Really? Thank you dad, you’re the best!”

“Is that why you’re not supposed to stand behind ‘em cause they’ll spook? No problem kiddo. Might have to take an extra shift with Tommy but it’ll be alright.” He spoke while pulling into their driveway and as soon as he was parked, Sarah was unbuckling her seat belt and giving him a big hug and kiss on the cheek. “I think so? Bet the book I'm reading will have all the answers! I’ll do the dishes extra this week and anything else you need help with, okay?”

He hugged her back, giving her a soft kiss on the side of her head. He loved his daughter more than anything in the world.

“I appreciate it kiddo. Whad’ya want for dinner? If you say pizza again I swear–”

She giggled as she pulled away from his hug shortly after and hopped out of the passenger seat. “I was gonna say that we should switch it up a bit, so how about some chicken fingers and fries?”

“Kiddo, you gotta get some vegetables in there! How about broccoli?”

She made a weird face at him. “Broccoli? Really dad? That stuff is nasty!”

“What if I smother it in butter and cheese?”

“Now we’re talking!”

He chuckled to himself, cutting the ignition and hopped out of the driver's seat. “Damn kid never wantin’ to eat her greens.” He muttered to himself.

Sarah had cooped herself up in her room with her horse books spread out on her bed. She barely even heard her dad hollering that dinner was ready because she was that immersed in it. The second time he yelled, she closed up the book and headed downstairs.

After dinner and a couple episodes of ‘The Saddle Club’ were watched, Joel had carried a sleeping Sarah up to her room. He gently tucked her in under the covers, kissing the top of her head before he gathered up all her books and quietly placed them on her desk. He took one last look at his baby girl, who was peacefully sleeping before he softly closed her bedroom door.

Joel found himself sitting in his makeshift office, looking up horseback riding facilities in their area. He got distracted by this neat little website called, ‘breyerhorses.com’ There he found that the website was for toy figurine horses called model horses. As soon as he recognized the two horses from the movie ‘Spirit,’ he didn’t hesitate ordering them for Sarah. He ordered one for himself as well, a Quarter Horse in a sliding stop position. He admittedly had no idea what the horse was doing, but he recognized it from a rodeo he attended way back when.

After the model horses were ordered, he was back on the hunt. Most of the horseback riding facilities in their area were way out of his budget. They also came off as being elite, a little snobby, and definitely not for beginners. He was just about to give up when he stumbled upon your website. Thank the heavens, he thought to himself as he clicked the link. Right away he was liking what he was seeing just based on the words, ‘family owned’ and ‘non-profit’ The title of your facility was ‘Dream Riders.’ He read in the bio that every horse on the property was rescued, and that you were big on horsemanship skills. He also liked to see that lessons were offered for all ages, skill level, experience, and riding style. What really sold him was how affordable the prices were, and thank fuck for that because all the other hunter jumper barns he looked at, had a starting rate of $60-$100 per lesson. Who in their right mind was spending that much on a horseback riding lesson? Not Joel Miller. Each of the horses had a little bio as well including their breed, age, and personality. He admittedly skipped over that section and went right to your bio.

He could tell just from your smile alone that you were a decent person. You had kind, soft looking eyes. The photograph you had posted was you with your horse, your arm draped around his neck, giving him a hug. Joel couldn’t deny that you were pretty easy on the eyes as well. Not that it really mattered. He was only looking to make sure that his daughter would be in good hands. It just happened to be a bonus that you were attractive. Nothing more, and nothing less. He scribbled down your name and phone number onto a torn piece of paper.

He called you the following morning after dropping Sarah off at school, holding the phone against his ear as it rang. He tapped his fingers along the steering wheel as he waited.

You had just finished bringing the horses in from being out in the pasture all night when your phone rang. You had reached into your back pocket pulling it out to answer it and of course, Javi P chose to be a dickhead to his brother, Javi G, yet again. The tall, chestnut OTTB, (off the track Thoroughbred) let out a mean squeal over the side of his stall door. His ears were flattened against his head as he pawed at the wood aggressively. “Would you cut that shit out man? You’re gonna get your grain in a minute, pal. Eat your hay and stop making faces at your brother, dickhead.” You walked over to Javi G’s stall and reached your hand up and gently gave his velvety nose a gentle pet. “He’s always so grumpy in the morning huh? Who took a shit in his oats?” You gave him a quick kiss on the nose before finally answering your phone.

You said your name first before Joel even had the chance to get a word out. “Dream Riders, how can I help you?” You didn’t have a Texas accent like Joel had expected, and he could tell that you weren’t a local by any means.

“Hey, this is Joel. Hope i’m not botherin’ you or anythin’ just was looking to get my daughter some riding lessons–”

Javi P had kicked the side of his stall door, making a loud thump with his heavy hoof.

“Joel? Just gimme a minute, yeah?”

“Uh sure–”

You pulled your phone away from your ear as you gave the tall Thoroughbred a warning look.

“What did I just say? I’m on the phone, can’t you see that? You want me to turn you into glue? Don’t think that I won’t. Kick the door one more time bud, go on. See what happens.”

You brought the phone back to your ear with a small huff. You had no idea that Joel had heard the entire thing.

“Sorry about that Joel. You were saying that you were looking to get your daughter some riding lessons?”

“Yeah, I-uh–I was. Listen, you aren’t actually gonna turn that horse into glue, are you?”

You were visibly mortified, and felt flustered that Joel, a potential new client, heard you threaten to turn a horse into glue. You lifted your middle finger at Javi P then before rubbing your hand over your face.

“Oh god, did you hear that entire thing? I’m so sorry about that. Just was scolding one of our lovely horses. I swear, I will not be turning him into glue.” You nervously laughed.

Joel let out a chuckle as he leaned back against the worn leather seat in his truck.

“Oh, well that’s a relief. I didn’t mean to eavesdrop or anythin’ like that. Just couldn’t help but hear that part, y’know?”

“No worries at all, Joel. I should have been more aware of my surroundings. Anyway, what skill level is your daughter at?”

“She’s a beginner. Never been on a horse in her life. She just came to me yesterday actually after watching the movie Spirit, and said she really wants to take some horseback riding lessons. I spent all night lookin’ for the right place and then stumbled upon your page. Thought there was no harm in given’ ya a call.”

“Ah, I see. So she got hooked by the horse girl bug right away, huh? Well I'm sure you’ve already seen on our page that we’re entirely inclusive. All ages, skill level, experience, and riding style. I happen to teach all the beginners myself so your daughter would be taught under me. If you are interested, come on by anytime tomorrow and I'll give you both a tour?

“Yeah, that was honestly one of the main things that had your place stickin’ out from the rest. That and the price range.”

“Hunter jumper barns can cost a bitch-in-a-half. I used to take lessons at one years ago. Thought I was gonna have to take out a loan just to pay for lessons alone.”

Joel chuckled against the receiver. You had a mouth on you, that was for sure.

“Well, I think I’ll definitely take up your offer to get a tour of the place. You said anytime tomorrow? We’ll swing by sometime in the late afternoon. Does that work for you?”

“I really shouldn’t swear in front of potential customers, huh? Yeah! Anytime tomorrow works. Just give me a call when you’re on your way and I'll make sure I'm presentable. Looking forward to meeting you, and your daughter, Joel.”

“Perfect, I’ll let Sarah know. She’s gonna be stoked. Thank you again for your time darlin’ and see you late tomorrow afternoon. Take care now. I don’t mind the swearin’ by the way. Got a sailor’s mouth myself.”

Calling you darlin must have just been a Texas gentleman thing, right? So why did Joel Miller have you feeling red hot like a mushy tomato, on a hot summer's day already? You hadn’t even met this man yet, and just by his voice alone, you knew he was attractive.

“You got a sailor's mouth too? Well shit, never would have guessed that. Take care now, Joel. See you tomorrow.”

You ended the call and slipped your phone back into your jeans pocket as you walked down the row of stalls. You stopped in front of your own horse’s stall. Ezra was a 16 hand high Hanoverian. You rescued him from slaughter 5 years ago and you have been inseparable since.

“Hey fella,” You gave him a good pat on his soft neck, reached into your pocket and pulled out a carrot, holding it out for him and he gently grabbed it from your fingers. Chewing the treat happily. “Do all Texas men end first time phone calls with ‘darlin'?”

Your horse nickered in response, rubbing his face against your shoulder affectionately.

“Yeah, that’s exactly what I was gonna say bud.”

You gave him a good scratch behind his ears and one more carrot.

You were definitely a little too excited to meet this Joel Miller tomorrow. You couldn’t wait to put a face to his name.

Joel was feeling the same way about you as well. Except, he luckily had your website photo to go off of. Man, were you a pretty little thing.

Part 2:

[teyvatairconditioningco]

Beel would see one stupid thing on tiktok and want to do it immediately

Just walks in, flips you 360 degrees, and walks away

[marreddream]

Housamo Fic - Two Dog Warriors Walk Into A Cafe

Ding-a ling~

Shinya Tennoji is picking up empty cups and plates from the tables when he sees a small pink and a large brown Therian enter his cafe. Hazelnut strawberry and matcha dark chocolate. They make a rather charming pair, he thinks.

“Oh my, Tanetomo and Yasuyori! It’s so nice to see the two of you again!”

Yasuyori beams. Tanetomo scoffs. 

“We’re just here to use the coupons you gave us. We happened to be close by, so we figured we’d scope your place out.” 

Shinya’s glad to see them, and glad they hadn’t shown up until a good amount of time after the Valentine’s Snowball Fight Shinya had met the two at had passed. Days after an absence of his at the cafe were always busier than normal, to speak nothing of a missed Valentine’s Day shift. 

“Aw, I’m happy to hear that! Yes, see what on the menu you’d like, and order at the front when you’re ready.”

“Shinya Tennoji. I hope for your sake that what you just said was a simple case of you automatically rattling off whatever generic customer greeting phrases first popped into your brain when you saw us, and not you assuming me to be so moronic I never learned how to order from a cafe.”

“Ahaha, it was most definitely a case of the former, Tanetomo.”

“Well, perhaps Yasuyori might have needed the assistance, so good on you for being such a diligent and attentive employee.”

“Counselor! You have seen me function perfectly well at the plenty of other establishments we have been to together before!”

There are some minimally subdued rumblings from the regulars about the fresh faces who have entered the cafe. 

“At least...not fawning…Shinya, but…” “Treat… more respect…holes…” “...think they’re …type?” “… are pretty cute…”

Tanetomo’s ears twitch at the last comment. He does a hair flip and a whimsical 360 degree twirl for the crowd as naturally as he draws breath, which is to say: effortlessly yet with intention, before returning to scanning the menu. 

Taromaiti is at the cash register. She observes this action without judgment or reaction. Hermes isn’t here today, but it’s what you could call a slow day, so Shinya doesn’t particularly mind. Kalki is busy preparing food and cleaning dishes in the back, so he does not get to witness this 10s-across-the-board maneuver.

Cafe Asterism’s patrons tend to get upset when Shinya isn’t the server or cashier, but he wishes he could be on cooking duty during cafe hours more often sometimes. Oh well. He wishes for a lot of things that can’t come true. He returns to what he was doing before hand, and Tanetomo and Yasuyori make their order.

“Iced coffee. Grande. And a bread pudding.”

“Could I have… a venti sized matcha frappuccino? Five Monte Cristos, and two shortbreads, please.”

Yasuyori pays for them both, and they take a seat. 

“Oh, 1 hour seating?” “Well, we won’t be staying long. Anybody who could find something in here even remotely interesting enough to justify spending over an hour in this place (aside from the presence of yours truly, of course) would have to be quite the simple minded kook.”

It’s a subtle dig at Shinya, and the corners of his lips curl up a little. But, for somebody whose goal was to win over Shinya’s “adoring throng of fans to show them who was truly worthy of their love”, as Tanetomo had put it, Shinya wasn’t quite sure if…ah, what was it called? If, “negging”, was the right direction to take.

The people seated nearby Tanetomo and Yasuyori smile upside down. There are definitely some unsavory feelings to be felt in the air, but romantic rival nor direct threat to Shinya’s life/ego (it’s the same thing to them really) Tanetomo does not yet appear to be, so they keep to themselves.

Shinya drops off crockery in the sink, and Kalki has already completed the preceding order for Shinya to serve. Kalki’s insane multi-tasking skills are one thing, but that combined with his four, rugged, heat-resistant arms puts him on a whole nother level when it comes to cafe work. Shinya could sing his praises about Kalki all day long, but not out loud. Kalki would explode the world from embarrassment before any of Shinya’s fans could do it for him in a fit of an envious rage. So Shinya settles for a simple ‘thank you Kalki’ and serves Moe-chan her order, who smiles and says thanks.

When Tanetomo and Yasuyori’s orders are completed, Shinya brings their food over.

“Wow! It looks so good! Thank you, Tenn-”

“Taste test for poison.” Tanetomo spoons a scoop of pudding into Yasuyori’s mouth, and then a strawful of iced coffee. 

“Gulp. Delicious! No poisons identified, Counselor.” 

Shinya wonders if this is Tanetomo’s roundabout way of sharing his food with Yasuyori, some sort of twisted display of dominance, or if poisoning attempts really are frequent enough to be something they actually needed to watch out for. Regardless, it’s a somewhat endearing scene, in a darkly comedic sort of way. 

They are in dangerous territory too after all, Shinya acknowledges. He smiles at the two and leaves them to go attend to the other customers.

Yasuyori takes a small sip of his frappe before setting it down on a coaster. The drink is now already half empty. 

“Give me some of your drink.”

Tanetomo has already snatched it before his sentence is even finished and tries some. He drinks a quarter of it, and Yasuyori nibbles on one of his cookies before giving it to Tanetomo.

The two of them efficiently dine and chat. As Tanetomo consumes the bread pudding and his drink at a surprisingly fast yet visually refined pace, Yasuyori piles three Monte Cristos on top of one another to impressively bite down on all at once, and then hands the remaining two to Tanetomo who proceeds to do the same.  

Wow. Shinya can already feel his jaw locking from just looking at them, but it also kind of makes him want to try it out as well.

Yasuyori finishes his sandwiches and cookie first, and then stares at the one he had given to Tanetomo. Tanetomo purses his lips and tells him to go buy some more for the both of them to-go. Yasuyori complies.

To Shinya’s surprise, Tanetomo calls out to him.

“Don’t think I haven't been seeing you side-eye us the entire time, Shinya Tennoji.” 

Oopsies. Looks like Shinya Tennoji got caught. He wasn’t bombastically ‘side-eyeing’, as Tanetomo had verbally interpreted it as, but he really thought he was doing good about not being that obvious observing them. He hopes the other customers haven’t been as perceptive and paranoid today as Tanetomo is in general, but he’s been pretty good about personably interacting with everybody so he thinks it’ll be okay. 

“So was the entertainment of our dining in your establishment to your satisfaction?”

“Aha, sorry, sorry. It’s not like I wasn’t looking, but the two of you seemed like you were having a lot of fun. I always want to see my customers having a good time at Cafe Asterism.”

“Hmph. Is that so.”

Well, yes. That is so, Shinya thinks. He most certainly does not like to see people having a bad time at Cafe Asterism, when the reasoning for most everybody gathering here tending to be because of him.

“Ahhh… could it be that... that wasn’t the case for you two today?” 

His hands come up to his chin. It’s an endearing pose that he finds tends to quell agitated customers, but it only serves to scrunch up Tanetomo’s expression even more. Shinya holds back a smile.

“The atmosphere here is not to my standards. The interior design doesn’t help either.” 

Shinya’s proud of his quaint little cafe, but he knows it’s just that. A quaint little cafe. That also attracted a lot of… rather strong-willed habitué . So he can acquiesce to that opinion. And besides, Tanetomo was not saying Shinya’s decorating was making the atmosphere worse! He can take that part as a compliment.

Anyways, the only opinion on his cafe that truly mattered was Retail Food Health and Safety Code’s opinion, and Cafe Asterism was up to snuff.

“Aww…. Tanetomo, I’m so sorry to hear that. I’d love for you and Yasuyori to come again sometime… but if you’ve lost all interest in returning to Cafe Asterism, then I completely understand.”

He doesn’t want them to never return again. But it’s not a bad thing to let people run while they still can either.

“I’d be significantly more incentivized to return if I had some more coupons to use at a next visit. The food is up to par, I can at least say.”

“Hehee. At least that can be arranged.” He pulls some from out of his apron pocket. “Here you go, Tanetomo.” 

He smoothly plucks them from Shinya’s fingers and looks them over. 

“You just give these out to whoever asks?” “When I feel like…I have extra, I guess.”

Shinya feels a presence behind him and turns around. Oh, it’s Moko.

“Sh…Shinya… sorry, cuz’ I overheard…but could…. I have a coupon, too…?” 

Moko gets the words out just audibly enough for only Shinya to hear, but Shinya knows it’s only a matter of time before people will begin to gather round, and Tanetomo seems to sense this looming phenomenon as well.

“My, one’s heart can't help but be tugged at by such pitiful displays of desperation…”

Yasuyori returns with a paper bag of confections in hand, and Tanetomo gets up to leave.

“I’m off.” He spins, his hair elegantly following in a curve, and heads to the exit.

“Farewell Shinya!” Yasuyori gives a friendly wave goodbye, and Shinya turns around to reciprocate.  

When he turns back to respond to Moko, and Sumael, Amon, and Rue who have also begun to crowd around Shinya, he hears the bell of the exit door ring as it is opened and Tanetomo calls out from behind.

“Customer service wasn’t bad either. Give my regards to Miss Taromaiti and the chefs.”

The door closes shut. 

“I was still right here to give regards to, you know,” Taromaiti remarks amusedly from the front register. 

Shinya proceeds in the distribution of coupons to his patrons who have circled around him.

[sonkitty]

The Pocket Chain Rainbow Connection Part 4 (Good Omens 2)

Last Updated: 04/18/2024

(For reference, start here: The Pocket Trick - Basics | The Pocket Trick Visual Representation | GIFs | The Pocket Trick - Tied Hands)

Main post:

The Pocket Chain Rainbow Connection

Here are Parts 1-3:

The Pocket Chain Rainbow Connection Part 1

The Pocket Chain Rainbow Connection Part 2

The Pocket Chain Rainbow Connection Part 3

This part covers The Door Trick and The Door Catch.

Theory. So much theory.

Problems

I will admit freely, my understanding of what is happening here is quite limited.

Still, I will share it as I think it's enough to hold some value nonetheless.

There are two left hands with desirable traits that pass by Crowley's right.

One left hand has a left thumb joint touching a lapel edge. Another left hand has a full set of visible digits. Both of these things are requirements in The Pocket Trick touches of a similar nature.

I believe using both of them requires a full 360-degree flip of the imaginary mirror for the Tied Hands while at the same time trying to make sure that Orange goes to Yellow and Yellow is what connects first, not Green or any other color. That means hitting Yellow twice in a row.

Because of such complications, there is something akin to a color wheel with humans and their bags fully pocket-framing the "Life begins after coffee" sign. It's not a full color wheel because it lacks green and has such limited blue, but one human who is probably representing the Tied Hands in Crowley's place with her arm swinging, has a blue-green strap on one of her bags and blue-green stripes, of a lighter shade the than the bag strap, on part of her shirt.

There are 4 non-rainbow shades around that do various things in this Rainbow Connection mechanic. They are Black, Brown, Gray, and White. I think there is a findable poem that goes:

Black blocks.

Brown borrows.

Gray shades.

White keeps.

I'll go over it more with the elevator itself later.

As things are now, I don't know the precise mechanics for how colors shift, but I believe the result is changing the direction of the connection with a skip to Purple and back up to Yellow.

Orange does get to Yellow, but then because of the skip-and-back to hit Yellow a second time, the next intended color is Orange again instead of Green. The goal for the main characters is not Orange again. The goal is to hold onto Yellow until Crowley's Green is ready. So, that requires a deflection that lets the connection redirect back down instead of up.

Such a thing is inadvertently resolved by the Metatron. It took some time for me to get it, but there is a hidden message about him in this part of the game when considering the word play mechanics: "The Metatron makes mistakes". That's alliteration and a rhyme. Without that message, I've described the Metatron's play as feeling like "cheating without realizing it or the story is not letting him play fully, just partly."

Without meaning to, he sets the connection back on track. That's why Aziraphale is stuck at Yellow for so long and what the blinking red lights mean. Aziraphale himself doesn't seem aware through his voice and manner of what is happening, but the actions he takes do otherwise look like an effective stalling tactic for the Rainbow Connection.

I am pleasantly taken aback by that hidden message, but I still think it's there since it fits within this puzzle.

Alright, here goes...

The Door Trick

Orange.

Crowley's pants are reflected in the Bentley, I think. Although Orange is not visibly reflected in the Bentley's surface yet, it will be. At the start of the cut, the Orange of an orange bag is visually touched by one of the Bentley's mirrors. I think Car Mirrors is Crowley's Pocket Frame for this Trick and contributing to so much of what is happening. The hood ornament looks like it's trying to be important for its role to play as well.

I think the Tied Hands' imaginary mirror flips, here, based on the right thumb CMC joint of the human furthest to the camera's left, the orange reflected in the Bentley, and the overall positions of the shoes on the background humans.

In the initial two touches of The Pocket Trick, each has something I consider over-the-rainbow touches, and I have long struggled to find the over-the-rainbow touches here.

Here, there is at least one of the car mirrors touching over the Orange at the start of the cut. Crowley's legs are crossed with one of his shoes over the shoe of a different human behind Crowley's shoe.

For my guess on that flip, the human walking behind the one holding the orange bag has his leg over the shoe of another human going the other way, toward the camera.

So, these tactics are considered sufficient, along with anything else I missed.

Crowley's left hand fingers look to be claiming Yellow, Green, and Black for use. The index finger is visually over a Green and Yellow sign. Zoomed in, I can't actually tell if the index fingertip is on one more than the other. His other fingers are visually over a human's Black attire.

Because of how things work out, that's to help Crowley's use of Black do things other than block and what he wants from his own imagination.

The human holding the Orange bag might be the "Fish" in looking for Bullet Catch magic word references. The pattern on her skirt looks like scales. My instincts had been to look at the cars and a human on a scooter, but visually, this pattern still looks like the closest match. I can't find the fish anywhere else. Because of the other guesses and references I found, I also think these are all supposed to be done no later than Aziraphale being linked into the Pocket Chain. The "dash of nutmeg" will be last even though the order before it will not match the exact order the words are said in the 1941 minisode.

...

There is an actual rainbow found between the left side of Crowley's torso and his left forearm. The rainbow places itself over closed rear car window, the open front car window and well past the edge of the left forearm, questionably all the way to the other edge. This rainbow helped emphasize something happening with the shoes I will not cover here, but this part also looks to be the game's cue that this rainbow is either what allows the incoming flips or is telling an audience player that the over-the-rainbow touches are due to how Crowley's apparel-to-car pocket is structured.

According to this post, the rainbow "doubles up," and there is two of them. Honestly, that's not what I see. The second seeming-rainbow is almost certainly contributing for whatever it is because great care is taken with the lighting overall, but I personally would not fully qualify it as an "official" rainbow because I can't distinguish its color set well enough, even with some tweaks in trying to edit the screenshot with brightness or saturation. Still, there is going to be a link to the Pocket Chain, and two characters are going "up" later.

...

Red alert. Although a red alert is given, the available Yellow is limited. The car itself blocked the nearby yellow lines to it before the red alert was on. The main Yellow on screen is like an Orange-Yellow on a license plate to further add to the confusion. More clearly later within this Trick, Gray will be shown as what can shade a color to a proper form in the Rainbow Connection. There is no nearby solid Gray to this license plate.

Otherwise, there are some yellow lines near the pub and the letters for The Dirty Donkey. I don't know which factors are keeping them at bay, but I do believe that's happening and can at least point out a few things. For instance, there is a human on a scooter between the car giving the red alert and the one with the orange-yellow license plate. This human is making a pocket with their legs and hinting at whatever is going on with the shoes. They have a patterned shirt and black pants.

The human with the black hat is who I call "Nutmeg" though her colors are strongly associated with Black and some Red. She is who is going to link the Pocket Chain to Aziraphale later. I'm making this Bullet Catch reference based on the color of her bag strap and the small part of that strap that will link to a pocket user near Aziraphale.

Since I suspect Yellow is hit twice later, it is my very uncertain hope that something here is delaying the switch long enough for what needs to be done. That most likely seems to be the red alert being boxed in by Nutmeg and humans on the other side of it. Black can block under the right circumstances, and Nutmeg has notable Black. There's a human wearing purple in front of the car with the red alert. He's probably important here for the eventual skip-to-Purple-and-back, and he is definitely important later for Aziraphale's part.

If you look behind the human girl with the cell phone and a light pink sweater and the man with a cell phone next to her, you can catch glimpse of another human with a Black hat. I don't know if she contributed to this Connection part or not, but she is, I believe, the "Gorilla" in Bullet Catch magic word references due to her movement within this cut itself. She wears mostly Black and was hunched over as she hurried along early on into the cut. Every other found reference contributes, so I would think she does too.

As she passes by, the human who I suspect will help with the Tied Hands and representing more flips visually passes "Gorilla". Using my imagination and playing with the words, I'll go with the play of associating "Gorilla" with "Tarzan," and then "Tarzan" with the name, "Jane." I'll name the human with the swinging arm, "Jane."

Orange. The human with the orange jacket has a lovely touch between her left thumb joint and the lapel edge of her jacket. The blur thing on the car is probably putting in a pass for her, so we can take that touch in with the first hit to Yellow. I believe she is "Shoelace" when searching for magic word Bullet Catch references. She is relevant to the non-rainbow thing happening with the shoes. Her shoelaces aren't visible here, but they are visible later. If the shoe links to the Rainbow Connection, I haven't figured out how, and it's a lot to go over. So, for now, I've set it aside. But it is happening, and it is relevant to something I'll mention further down.

While Shoelace is by Crowley, a pocket user wearing a yellow shirt and dark gray open vest is in a window pane reflection near Crowley and Yawning Yellow. His reflection is going to appear again in the upcoming window pane for him. The main clue his reflection isn't causing the switch here and now is there are no red alerts, and there is going to be something soon. So, this part is, just guessing as usual, preparing for that first switch to Yellow. Due to the shade of his yellow and visible left arm, I think of him as "Banana" when looking for Bullet Catch references.

The tie strands are never shown as moving with Crowley standing so still, but they do move while off camera between each of the three cuts given from in front of Crowley. That can be found through comparing screenshots of each cut.

Orange. This part is probably linking up the human fully blocking Crowley's left hand, who I named Jane earlier, with his tie strands, so she can represent their swinging in how her left arm swings.

Usually, a switch to a color and a mirror flip are not simultaneous, but given how the play goes, I've long assumed they are simultaneous for Yellow here without realizing I was doing such a thing. Still that's what I think happens, probably related to Crowley's Pocket Frame being Car Mirrors.

Yellow #1. Orange is reflected in the car with red alert lights at the same time. The earlier thumb joint touch is received with the switch. With the suspected 360-degree flip, this part is the 180-degree place in between, and something about the color wheel will finish the trickery rather fast. The human who seems to be most likely responsible for such trickery is the one wearing a purple jacket and holding a yellow bag. He has a little bit of blue visible in the collar of his shirt.

The visual cue for this being the 180 is mainly Yawning Yellow's right hand becoming visible, further supported by the nature of the arm-swinging happening by Jane.

For over-the-rainbow touches, the same mirror that was over the orange bag is now over the yellow jacket. While the actual rainbow from the first front-facing cut of Crowley is gone, this one does show the car hood ornament in front of Crowley, acting as the bottom of his top apparel-to-car pocket and being over a front edge of the car itself.

Yellow #2. Jane is pocketing the yellow of a yellow bag, holding the line for it and sending it over through the connection. If White is needed for that hold, it can be found with the visual touch on the white letters to the "Life begins after coffee" sign. Yawning Yellow has a lighter shade of Yellow in her jacket, and the Gray in her pants is compensating for it to still qualify as a proper Yellow. The black in her jacket may be doing something too. She is further assisted through Banana, whose reflection can now be found in the other window pane near her.

A human wearing Black and White, including a white turtleneck, is further solidifying things where they need to be. I am yet to find a relevant pun or word play with what a turtleneck does for pocket trickery, but I assume it does something because Crowley wore a Black turtleneck for the first two touches of The Pocket Trick. Conceptually, turtles are slow, so maybe it slows things down. Something probably worth mentioning is that in Terry Pratchett's Discworld, there is a very famous turtle, the Great A'Tuin, that the four elephants holding up the disc of Discworld stand on.

Anyway, Banana's reflection can be found in the window pane behind Yawning Yellow. The big blurry head on the right of the screen is probably giving Green a pass, so it's not sent too early. Yet another human has a mirrored-head thing happening behind Yawning Yellow that probably does something too.

The human most directly behind Crowley has a brown jacket and an excellent alignment of his arm with Crowley's existing pocket between himself and his car. That human's elbow is like the other side of a diamond from what can be seen of Crowley's left hand. I think of him as "Diamondback". He's also a pocket user himself.

So, if his Brown is necessary for the following wording to borrow, it's there:

Yawning Yellow lends Crowley a hand with a full set of visible digits.

Yellow. Here is the actual link to the Pocket Chain from Crowley to Aziraphale. It's through Nutmeg and the pocket user wearing a white fur coat. There isn't much yellow here, but there is a yellow light that is going to be Aziraphale's overhead light eventually...but not yet. The blue car goes on a stronger red alert after this part. Due to how things go, that alert is probably more for getting the Metatron linked in as well because he looks to be putting his hands in his pockets at that point.

There are also yellow lines touching Nutmeg, but as noted, Black can block under the right circumstances. Are those circumstances here? If they are, the overhead light makes up for it because there is going to be Yellow on display for quite a bit in the incoming cuts.

The "Donkey" sign is questionably yellow as well, but there's no nearby solid gray to assure that to be the case. The Metatron's coat could look dark gray in the lighting, but it's actually a dark brown.

So, given all of the surrounding circumstances, my own guess still looks to the overhead light as the Yellow of relevance for everything that's about to happen.

Please take a look at this post: More evidence.

I have a lot of thoughts I haven't fully processed on what that thing is, but I do believe it is generally relevant to this particular cut. I suspect Aziraphale puts it back in his mouth after Nutmeg passes by him visually and before the actual link to the Pocket Chain.

Yellow for both Aziraphale and the Metatron. They are sharing the connection. Each one is going to keep having a touch on Yellow for a bit. Aziraphale receives focus, but the Yellow is visually touched by the Metatron, not Aziraphale. The Metatron is allowing himself to be visually touching Aziraphale here.

Yellow for both Aziraphale and the Metatron. The Metatron receives focus. Aziraphale visually touches the Yellow, not the Metatron. Aziraphale is not visually touching the Metatron as the Metatron did for him. A human wearing orange passes by behind the Metatron though yet another human passes by more closely to the Metatron. The orange is gone from the cut by the time the cut itself finishes.

Yellow for Aziraphale. He has Green nearby and not ready. He also has some Orange up near his head. With both him and the Metatron having visually touched Yellow, Aziraphale now has yellow lights visible by his head. He's visually touching those this time

The Green is touching that Yellow too. Aziraphale's still stuck on Yellow for awhile though. A small bit of Yellow touches the Metatron during the cut. Meanwhile, someone wearing what seems to be Black is pocketed between the two by the end of the cut. I can't figure out what they might block in this moment. Instead, it might be relevant to how Crowley's touch will be on Black between edges in his own final cut for The Door Trick.

Yellow for both Aziraphale and the Metatron. The Metatron receives focus. Aziraphale visually touches Yellow without the Metatron again. He is not visually touching the Metatron again either. The Yellow starts to walk away.

Deflection. I suspect due to the nature of the game and the trick with the words that deflection happens first here, redirection happens in the next cut of the Metatron, and disconnection happens in the cut after that.

The red alert lights blink once, giving a warning about the status of things. The Metatron starts to turn around while they are blinking.

The Metatron has no Overhead Light. He was not seen with Green in his front view shots after being linked through the Pocket Chain. He doesn't block Aziraphale's head completely, but he does block Aziraphale's face. Aziraphale's right ear is still visible, which probably helps with Aziraphale's own overhead light later.

The shadows of the green leaves hit the Metatron's face. That's the front. Crowley had help from "Diamondback". Aziraphale was linked in with his back to Crowley. Aziraphale's back is what's going to get the shadows later.

The red alert lights blink again with their warning. The blink is done before the end of the cut with Orange still visibly on the screen. Hopefully, that's the deflection.

A switch to Orange for Aziraphale does not happen. Did it happen for the Metatron? I suspect not because they are still connected. It was technically on screen by the end of the cut, but the Metatron was making mistakes in the process.

Yellow. Aziraphale's still on Yellow himself thanks to the deflection. He's still not ready yet, so again, he probably needs a redirection. Two sets of red alert lights are on. There are yellow lights by Aziraphale's head and a human with blurry yellow clothing. This time, with the Metatron out of the way, the blurred clothing touches Aziraphale behind him. The first set of red alert lights go off with that blurred yellow behind Aziraphale. When the yellow reappears on the other side of Aziraphale, the second set of red alert lights go off. Yellow has been properly received or maintained. Aziraphale does his mixed emotions facial expression. The red alert is still off at the end of the cut.

Redirection, I hope. The Metatron is heavily lacking in rainbow colors. There is maybe a little blue in his tie, which is not enough, or with mechanics as complicated as these, is actually just blue enough to move things where they need to go for the incoming disconnection. The camera work and movement suggest that the redirection in this cut is from the patterned interior of the Metatron's coat. Look at those shadows on Aziraphale's coat that will somehow help keep Green later.

Disconnection. If the blue helps disconnect, it happens here. Another contributing factor could be the visible darker straight lines on the white shirt.

Yellow. Even though this cut does not have blurred yellow clothing as others have done, it still seems to be enough to maintain Yellow thanks to the Metatron. Orange passes and is gone. Another shade that's hard to really call yellow passes the other way. Due to its timing, it and the yellow lights near Aziraphale's head are enough. That might have been helped by the gray in the elevator and its more colorful buttons not being shown yet. Aziraphale's bow-tie being tartan probably helps something somewhere.

Aziraphale turns his head with the red alert light still on by the end of the cut. This time it's for the look to Crowley. I really don't think the Rainbow Connection switches to Green until after we see Crowley.

Yellow. Despite the nearby reddish clothing and orange-ish clothing, no switch happens here though Green is being gathered or kept for the incoming switch through the nearby humans. I assume Aziraphale is maintaining Yellow thanks to the Overhead Light.

The human with the white shirt and brown backpack is probably helping or the extra blurs from humans in the foreground are helping so that said brown-backpack human can help later. He's blocked in the shot I chose, but he is there.

I consider this moment, Ground Zero for The Door Catch. It has not truly started until we see Aziraphale's shoes on the ground. That's part of the shoes thing I mentioned earlier. A lot of effort is being put into the shoes not being shown to help communicate this Ground Zero moment.

The challenge from the game is to guess what he's thinking or saying, and many audience players will opt for "Trust me" because of The Bullet Catch. That's an understandable choice because this Magic Trick is so deeply inspired by The Bullet Catch. The sequences at the end are designed to give the audience that impression. You'll find it is one of the most commonly played puzzles people remark on in the entire thing.

But it's a Trick. So, the answer is not "Trust me". Crowley is already trusting Aziraphale by setting the stage for him. The answer is actually, "Here goes nothing."

Sure, that's still a guess, but it is one of my more certain guesses the more I play the game.

One of the rules I've noted in the Threshold Tricks is, "Never do the same trick twice."

So, "Trust me," was already done. Been there. Done that. It's a no-go move. Yes, I'm playing with the words on purpose here.

Here are some other reasons I grow more and more sure:

The concept of zero or null is showing up in my readings of Terry Pratchett's work. I suspect that particular line, "Nothing lasts forever," is significantly linked to this answer to the puzzle.

In one of the "Episode 0" Behind-The-Scenes specials for Good Omens 2, Neil Gaiman says something to the effect of he is trying his hardest to tell people "absolutely nothing" when they ask what's going to happen.

Moving past the hidden "Here goes nothing" line, Aziraphale's right ear is not visible. It was shown earlier with the deflection and the cut between the deflection and redirection. On the redirection, it was not clear. Aziraphale was blurred from the back. However, the Metatron had two because his right ear was shown and reflected in the window pane. Then for the disconnection, the Metatron's right ear disappeared from view. Meanwhile, Aziraphale's right ear was shown in the cut after the disconnection.

That last part was the cut before this Ground Zero moment.

In addition to all the ear things happening above, the two humans who pass over him both have their right ears available.

All of those things are supposed to help allow—or even require—Aziraphale to not show his right ear with the Overhead Light on screen.

Green. Crowley's Green is ready. Not long after this part, Crowley has an illusionary touch on Black to the bag being carried behind him. That touch will be between edges, which is unusual. That moment is Aziraphale's cue to begin.

...

The Door Catch

Green. Aziraphale's Green is ready. The overhead light is gone—or moved. There is some yellow light near his head, but it's not the same and through a different window. This cut is the official beginning of…The Door Catch.

Blue and Purple together. There was a small pocket of light that this pair of humans reached together. The one with the darker blue pants is who covered it fully with one of his legs. That light suggests that the blue and purple switch at the same time with these guys looking like they have three legs for two people.

The Blue connects to one of Aziraphale's shoes. The Purple connects over by Aziraphale's right hand and various parts of Aziraphale's clothing, including notably the edge where the coat meets the pants.

In the previous iterations, there was a double purple in The Pocket Trick's Double and then a possible double red in The Pocket Trick's Single. Since a skip-to-purple-and-back already happened with The Door Trick, connected to The Door Catch, my guess then is that a double purple to start going back up is not required.

I don't think the Rainbow Connection is at Red or Yellow despite those colors being on-screen in this cut.

This part is for Aziraphale to take a deep breath and make sure his bow-tie touches his skin.

Remember that thing from earlier that I said I thought Aziraphale put in his mouth?

My guess is it's a shrunken version of one of Crowley's own "thumb joints" of his Tied Hands, so that Aziraphale can have one here.

I don't know a lot about the logistics, but here are clues for why I think that. When I first saw that post, a clasp "thumb joint" was my first guess, but then I contemplated those things are too big.

However, in reviewing the minisodes for other reasons (my Sideburns Scheme posts), I noticed that Crowley uses his tongue when readying himself to make himself bigger in The Resurrectionists. He also used his tongue to make himself smaller in season 1. So, if he can shrink his general self, he could theoretically shrink this special part of himself.

This possible "thumb joint" lines up with the knot in Aziraphale's bow-tie. When the bow-tie touches the skin, that is when it is most shiny.

Since Aziraphale's not going to have his actual hands doing certain things on screen, he's going to have to rely on his own version of his own Tied Hands. This thing being where it is suggests Aziraphale's Tied Hands are going to need at least one thumb joint. He might even need only one thumb joint because the other hand is "tied behind his back" for word play silliness. Only his left hand was visible by the end of the preceding cut, for example.

For Crowley's touches, Crowley himself needs a clothing contact on his right-partly-pocketed hand for his own touches.

So, this is something like that. A crucial mistake the Metatron is going to make is not having a thumb joint visible in a particular cut.

If the Yellow serves a purpose, as well as the colors on Aziraphale's own clothes, it's to help reach for the Green from earlier.

The red alert is off before Aziraphale is shown to enter the elevator.

Green. Somehow, many things leading to this moment are letting Aziraphale keep his connection at Green, thanks to the shadows on his coat. The words that come to mind are "stretch" or "share". The "stretch" seems more likely because I think of it as Aziraphale reaching back for the Green. See, his back on screen is even telling me so. I mentioned other "back" things earlier.

Pocket Frame. This video frame contains Aziraphale's Pocket Frame. It also contains the Metatron's Pocket Frame.

However, thanks to the disconnection, the Pocket Frames themselves are different.

I believe Aziraphale's is Elevator Edges. Thanks to the Metatron's pocket use and finger being exactly where it is, he is such an edge himself.

Meanwhile, the Metatron's Pocket Frame is Doorknobs.

The Metatron is properly framed between doorknobs of the pub doors, but...the Heaven elevator buttons are the equivalent of doorknobs for its threshold. The framing from the scene itself is strongly suggesting that to be the case due to how the buttons are shown with the Hell button further to the camera's left and visually behind one of the doorknobs where they all generally are on the camera's right.

The Metatron's finger is on the Heaven button. He is touching his Pocket Frame with the tip of his index finger. I suspect that is a mistake on his part due to the implied message from the game that's what he's doing in general. While we're at it, he never revealed a thumb shown from his right hand on the clothing when using his right coat pocket.

In the window pane, there is a reflection of Aziraphale's head over the Metatron's.

I am missing some valuable words I wish I could tell you about this significance. I sense from the nature of the game and what is happening with this special Magic Trick, that reflection is supposed to be to Aziraphale's advantage and the Metatron's disadvantage.

During the cut, the reflection switched from the Metatron's head being on the window pane closest to him to being the one closest to Aziraphale. His reflection is caught in a specific place with the back of Aziraphale's head in a move called The Door Catch.

The manuals and tutorials this game provide are hard to read, especially in the later stages. At this point, I'm mainly looking to past patterns and precise framing to guess at these types of things. My imagination and my word play skills can only get me so far, and right now, that's as far as they get me.

As for why I'm talking so much about the framing here, it's because there is a little more to this Rainbow Connection, I am led to believe.

As a reminder, non-rainbow shades and colors do things. I don't get them as well as I would like and will go over that in further detail soon. For now, here is some of the older wording of this post before I add the newer stuff.

Black-and-white together seem to do something like a trap. Meanwhile, gray seems to allow some leniency on a lighter or darker shade counting for a proper color. Brown does something like borrow. Even though brown is in this screenshot, something about it is supposed to be wrong. That something is probably that the thumb joint of the hand seen—and the only hand seen in the cut, becomes extremely close to being seen and doesn't quite get there.

The elevator has plenty of Gray, but the Heaven button is a full circle Black filled with White and a Gold "H" button. That "H" would qualify as Yellow thanks to the Gray if it weren't for the black or black-and-white blocking it out.

So, when that button is pressed, the gold is disqualified as a yellow and trapped. Hence, the Rainbow Connection is further maintained at Green.

...

Now here's the newer stuff that is some review of the above in a lot more detail:

Well, it's been weeks and this bit is the best I've got, so here we go.

In the Heaven elevator with the Metatron, I do believe the following is supposed to apply:

Black blocks.

Brown borrows.

Gray shades.

White keeps.

I like "white keeps" in the rhythm better than "white holds," but that is the same general idea and why I've said I think Muriel's white helps hold things for assisting Crowley in other Threshold Tricks.

There are two huge problems I encounter with this idea, but I can't let it go. It still sticks with me.

The first one is that I cannot figure out what Black is blocking in Triple Part 3 and the Single of The Pocket Trick. Inside the elevator, the Black is blocking out the elevator's Gray. I am as sure as I can be that's the intent.

The White is holding the Gold to keep it as Gold.

Together, that allows the Black and White to effectively trap the Gold, so that it cannot be switched to Yellow despite so much Gray outside the Black circle.

There actually is a little Gray in the White but it's not enough or inaccessible because the Metatron makes the mistake of using a close-up touch and not showing either, or enough, of the two types of thumb joints he has on the hand doing the touch. So, the dark Brown he wears can't use the Gray to qualify the Gold as Yellow.

However, if I go and look at The Pocket Trick for what Black might do, I struggle to figure out what it's blocking. In Triple Part 2, I think it's helping trap the Green for eventual use in The Door Trick. It's part of how I got the idea that Black and White together can act as a trap. What needs to be blocked to make the trap? By now, I think it helps block in the rainbow.

Crowley and Aziraphale stall Blue switching to Purple for the Double, and the lighting is not setting Crowley's clothes to Black as obviously as it is in Triple Part 2. Maybe there is White helping that time but not Black.

The problems go on from there in similar ways. In Triple Part 3, that's where I got the idea because I was like "Okay, I guess the human wearing suspenders mean the Black and White suspend something". Well, they do in that part at least. Then the word is "suspend" instead of "block" though it's based on the idea of the trapping.

In The Door Trick, Crowley's illusionary touch is on a Black bag between edges and it essentially acting as a cue for Aziraphale to Begin. So, then, it doesn't seem to actually block anything. There are three other words other words that start with "b" around though! Between. Bag. Begin.

So, the Black's meaning itself switches, depending on what one's imagination requires it to do or I'm just incapable of finding what is being blocked.

That imagination part is the second huge problem. So long as I can see pockets in the right places and a goal in mind for what Crowley might want to accomplish, it doesn't seem to really matter. I mean, it does because I'm supposed to find the logic and the patterns. I wouldn't know these shades do what they do if they didn't show up in certain places at certain times.

But in both Triple Part 1 and the Double, I can say that the color didn't switch until a given time because of how Crowley and whatever assistance he got managed the timing, framing, and pocketing. If non-rainbow shades happen to be there, that's fine. I still don't know what Black is blocking or White is holding a lot of the time, if anything. I don't really think Brown is necessary to borrow either. Is there someone on-screen using pockets while Crowley himself has something he wants from his play in the game? Then it's done!

So, this poem:

Black blocks.

Brown borrows.

Gray shades.

White keeps.

This poem is more like a default with a limited imagination or limited available pocket assistance.

It's not exactly that way though because Aziraphale gets someone with White and Brown. What does that do? What does he need to borrow that needs a hold? The Green from the nearby humans in the preceding cut until the shadows on his coat can do the Trick?

I guess!

The thumb joints also matter. I can imagine what the Metatron would want—if he even knew this part of the game was being played—but since he's making mistakes, my imagination isn't going to fix it for him. He's not getting it done because I've progressed enough to figure out the pocket touches "hinge" on things for the thumb joints.

So, if my play further improves, I'll update accordingly.

I sincerely believe the 1941 minisode does actually give clues on these shades as well.

For Black, the miracle blocker blocks the turnip from turning into an inkwell. Ink is black. Black blocks. In this case, black is blocked, but I still think that's the clue. There are other colors involved, including a white handkerchief, but, again, I still think that's the clue for the Black.

For Brown, the clue is gross—and I am not a fan of gross things, so you're really going to have to use your own imagination because I am not going to spell it out completely. The old man the zombies kill is singing about farting. They kill him and one of them ends up borrowing that guy's voice to sing some more. You figure it out from there. Okay, fine, I will give you one more hint: it is a crappy joke. Nonetheless, Brown borrows.

For Gray, the clue is much more pleasant and is found near the end of the minisode at a lovely candlelit table while Crowley and Aziraphale are drinking wine. The "shades of gray" are mentioned in conversation, including darker shades and lighter shades. Gray shades.

I'm not as sure on the eventually named clue here for White. Aziraphale waves a white handkerchief around with "prestidigitation" in his dialogue when offering to help Crowley to Mrs. H. With the miracles being blocked later in the minisode, the problem keeps happening while he uses the white handkerchief over the turnip. White keeps.

And that concludes this updated part about these shades.

...

There is possibly some word play or joke in here to be made about leprechauns and their pot of gold at the end of the rainbow. I generally leave off the leprechauns part and just say it like this from the main post: "The Rainbow Connection ends at Green thanks to a pot of gold at the end of the rainbow."

Nonetheless, the button being pressed is theoretically the end of the The Door Catch despite the two extra cuts of the Metatron and Aziraphale after that moment.

If you missed my simplified post of notes, my theory is that the green leaves by both Crowley and Aziraphale represent Earth and their shared love for Earth.

The Green is shown to be a maintained connection because of the plants being on screen with Crowley while playing the nightingale song during The Window Trick, then again during the credits.

The emotions at the end are, I believe, still supposed to be real. There is supposed to be heartache. The message from the hidden games is that even with this heartache, things are not as bleak as they seem. There is a bigger plan happening in the background. These two have been doing things separately together during Good Omens 2, and they will keep doing that after. They have made and maintained a connection.

[madcatdaderpydrawer-blog]

I’ve only thought of a few things about how the librarians twisted form would work.

1) his head opens like up like a mouth for his attack. It can also rotate around 360 degrees and flip horizontally. (If you can’t tell, his neck is super fucked up.)

2) makes almost no noise, even when attacking. The one noise he does make consistently is the cracking sound that happens when he rotates his head unnaturally

[y2klostandfound]

New Game Express - Jet Set Radio Future on Game Players Vol.28 (Video Game magazine) (Hong Kong, 2002)

XBOX

February 22, 2002

SEGA ACT

6800 Yen DVD-ROM

1-4 Players

Graffiti on the street again with the boots on

The street graffiti game "JET SET RADIO", which has been well-received for its excellent gameplay and rich American comic style as the game stage, has been launched with the release of the Japanese version of Xbox, and its latest work "JET SET RADIO FUTURE" is also logically registered on the Xbox. This game not only greatly improves the picture quality, but also improves the game system and adds many new elements and new characters. In terms of gameplay, it also aims to put on roller shoes and graffiti around the streets, and it also provides 4 people to play the game at the same time. How can such an excellent work be missed?

Changes in different abilities of different roles

The number of characters appearing in this episode has greatly increased to 20 compared to the previous one, and the ability values of each character in the game have also been slightly changed. The items are divided into physical strength, spray amount, painting range, maximum gliding speed, turning reaction and waist twisting The seven angles, although the influence of these values in the normal game is not obvious, but in the battle mode, it will affect the relationship between victory and defeat. As for the gameplay, when the player is graffiti near a specific POINT, he will fight with the hexagonal police group led by the police department. At this time, an electromagnetic curtain will be opened around the player's position, and the player must knock them down within this limited range to continue the game.

Action types you need to know!

GRIND - The action of sliding on some wire or wire-like terrain.

AIR - This action can be made by sliding down at a certain speed.

WALL RIDE - You can jump on billboards or walls.

HAND PLANT - Press the X button on some green side to make this action.

TURN - Press the Y button while walking to turn around.

BACK FLIP - Make a 360-degree turn.

SHUFFLE - Press the left ANALOG STRICK during walking to reduce the speed.

The game's packaging cover. The 3 characters in silver color with a bright red background are very festive for the New Year, so you won't miss it when you buy it!