#comedy analysis

[magentagalaxies]

Kids in the Archive: Episode 10

welcome back to kids in the archive! to celebrate my college graduation + KITA's 10th installment + finally honor the request i received from @oliviaskithworld multiple months ago (thank you for your patience!) today i'm going to be showcasing the classic s1e3 sketch "Citizen Kane"

even if there are other sketches that i would choose as my personal favorite, i respect "citizen kane" so much as a feat of comedic timing. the premise and dialogue are funny enough, but what puts them over the top is the perfect rhythm kevin and dave establish - fast-paced dialogue that's occasionally repetitive in its text but each repetition leads to escalation in the performance.

Citizen Kane: June 3rd 1989

I actually have two copies of the script for Citizen Kane: both dated 06/03/89, and nearly identical, to each other and to the version of the sketch that aired. There really aren't many differences to point out: some sentences are shorter or longer for the purpose of timing, and there is one specific line missing from the "white" pages that's present in the "pink" pages

i assume the version i have may not be a first draft - this was likely a scene performed at the rivoli for years before making it to the screen. or perhaps this scene was mostly created via improv, so the first time on paper was less an act of creation and more documenting what already existed. the only "big" changes are removing a section of brief physical comedy before picking up the newspaper (which was not being held by another customer).

honestly, as much as i wish i could've honored this request in a timely manner, the wait has allowed this episode to be so much better. this could have been it. i would have had to stretch these tiny differences into 3 bullet points because i just couldn't show you how the sketch evolved. except, as i write this on december 21st 2024, now i can. but we have to push a bit further...

Citizen Kane: ~2002

the kids in the hall tour-film "tour of duty" was unavailable to stream for most of this year before finally being reuploaded by a fan in november. i've previously put out a full essay with general thoughts on tour of duty, but let's examine the show's version of citizen kane.

tour of duty's "citizen kane" barely changes, especially compared to some of the other sketches in this show. sure, the words don't always line up exactly and the rhythm is a bit slower (a product of enunciating for a large theater vs recording a sketch for television), but most changes are physical. in the original sketch, a fake-arm was made for dave foley for the purposes of stabbing his hand. in this one, a prop-knife was used for the effect, freeing up both hands for motioning. most notably, this version ends with dave falling out of his chair and flipping 360 degrees before landing on the floor.

immediately following the sketch is a transitional scene with bruce and mark, where they essentially replicate the "citizen kane" bit of forgetting a name and refusing to admit you're wrong, only this time they're trying to remember the name of the sketch they just watched. it's cute.

Citizen Kane: November 25th 2024

so that's all well and good, but still not a lot of differences to parse through. what would it take for them to take citizen kane in a completely different direction?

well, what if 22 years later the kids in the hall reunited to put on a show in support of paul bellini's medical expenses, but dave foley wasn't able to attend due to pneumonia and the other kids barely had time to rehearse?

a high-quality version of the full show will be available in the new year, but recently i found a fan's uploads of a few iconic sketches from the november 2024 show, including the perfect finale to my citizen kane post, because oh boy did they go off-script. for starters, the original "citizen kane" as uploaded onto youtube is 4 minutes and 16 seconds. the "tour of duty" version (not counting bruce and mark's tag) is just under 6 minutes long. the november 2024 version is NEARLY TEN MINUTES LONG

and uniquely i am actually in a position to explain how these changes happened: scott was chosen to take over dave's part in the sketch the day of the show. they added mark walking on as "constable bobby" as a way to acknowledge dave's absence (and i was actually riffing with mark, kevin, and scott when they decided the character's name. in rehearsal, mark improvised a bit about his character going undercover as a teenager). but scott responding to kevin's "was it citizen kane?" with "yes"? bruce walking on as another officer? kevin kissing scott's forehead when scott apologized for forgetting his line? that was all truly improvised, and i was standing backstage watching it happen.

prior to the show, citizen kane was one of the sketches scott was the most nervous about since it's actually quite difficult to memorize: so much of the comedy relies on repetition and timing. i've probably watched the sketch more times in the past year than he has and even i wouldn't get it word-for-word. but once you're out there onstage, you can't beat yourself up over forgetting a line. you make that part of the gag, and suddenly the sketch becomes citizen kane on top of citizen kane: a sketch about someone forgetting something and ignoring their friend's corrections becomes about scott forgetting his lines and ignoring kevin's corrections.

there's no way the kids in the hall could've replicated everything about citizen kane on the evening of november 25th 2024: the sketch was at least 35 years old, it was being performed with minimal sets and costumes in a 1500-seat theater, and the person whose comedic voice it most represented wasn't around. but in my opinion, citizen kane 2.0 reflects exactly what a live version of a pre-existing kids in the hall sketch should be: using the well-known framework as a basis for improv while still being grounded to the important beats. this attitude carried over into the night's other sketches, even ones which didn't feature dave at all like "salty ham." it gives fans new and old something new to appreciate, and allows the KITH to focus on making each other laugh. after scott got off the stage, he wasn't upset for flubbing citizen kane. he was smiling ear-to-ear, whispering to me "i forgot how fun this was". i would take this over "tour of duty" any day

or maybe i'm just saying that because i now own 2024 citizen kane's prop-knife

oh, and don't think i've forgotten the one line that changed between my two scripts, both dated 06/03/89.

"that's a hayley mills vehicle, that's not even close"

and because of scott's role in the 2024 show, i now know that's the one line HE contributed, leading me to believe the "white" pages were just kevin and dave's writing, and the "pink" pages were after the input of the other KITH on the same day.

god, i love how things become full-circle.

...

PREVIOUS KIDS IN THE ARCHIVE EPISODES:

Episode 1 - armada finale ("do we make it?") Episode 2 - fran & gordon: the vacation Episode 3 - comfortable Episode 4 - cathy & kathi: is he? Episode 5 - danny husk: kidnapped! Episode 6 - trappers Episode 7 - sizzlers & the bank Episode 8 - darcy & francesca Episode 9 - show within a show

thanks for reading!

[michaelinprogress]

I’ve seen a few people talk about the importance of the axe, but I wanted to put my take on it out there too.

Lisa watched her mom get axe murdered, and then her life was uprooted. She had nobody there for her (except taffy but she was misguided). And this person comes along, one who knows her better than anyone, and uses an axe to kill someone right in front of her.

Only this time, the axe is used to protect her. Something that destroyed her entire life is now being wielded by the one person she’s beginning to trust and feel seen and heard by.

And I don’t think it’s wrong for her to be thrilled and morbidly infatuated by this!!! Reclaiming and healing from trauma isn’t always pretty like everyone wants it to be, especially for young women and girls.

The axe becomes something to protect her and get revenge on those who hurt her. People who were supposed to be good to her, that she THOUGHT were good to her, but betrayed her.

The axe is something that she now wields.

She gets to reclaim it. She gets to trust someone again. She gets to feel loved, seen, and heard.

This movie is about reclaiming trauma as much as it is about a zombie love story!!!

[ashintheairlikesnow]

Okay so here, I think, is why I think Red, White and Royal Blue succeeds spectacularly as a romcom, and actually to me is a better-than-average take on the genre.

First, the leads have absolutely scorching chemistry. They are incredibly believable as two men absolutely infatuated with each other. They each kiss like drowning men shown water, right down to how each grabs at the other, at hair or back or neck and face.

They each have developed their character having a specific characteristic even when flirting or kissing. Henry grabs Alex's hair, for example, every single time, in a way that makes it clear he spends serious time thinking about that hair.

Fair enough, Henry.

They also do something even goddamn better.

They are friends. They are believable as two people who could actually get along long enough to fall in love.

They are allowed to become FRIENDS.

They are given time to get to know each other before they get physical. You can feel their interest in each other growing. And, to my opinion, you can tell that Henry is feeling Alex out through texts to see if the interest might be reciprocated even though he thinks it can't possibly be.

One thing that kills me about romcoms is how the leads will have witty "sexy" banter but don't seem to actually like each other. They are enemies who fall into bed but aren't really believable as lovers.

Henry and Alex are believable, because they... Well. They're impossibly silly even when tearing at each other's clothes. They have awkward moments.

They laugh.

Alex laughs in bed. He holds Henry in a way that is romantic, openly so. Henry is overcoming the conditioned hesitation and avoidance he has, his smiles and warmth and laughter come with rare vulnerability - Alex is a man who throws himself head first into life and has no such compunctions in the moment. He laughs because this is awesome and Jesus Christ, Prince Henry is too hot to be real.

They like each other, they stumble, they laugh.

But also, another reason this works so well?

The sex scene isn't scorching.

Watching the sex scene felt realistically intimate. It felt like I had walked in one real people and needed to leave. It was intense in a way that felt like something I maybe wasn't meant to see.

It was filmed so well. So much romanticism and deeply felt adoration in a simple grasping of a hand, the look in soft eyes, a hand pressed against a back. The edge of a knee just in frame. Looking up and looking down.

It felt like we walked into their room during and saw them both laid utterly bare.

Henry's look of vulnerability and nerves and pleasure, Alex looking slowly over his face to take it all in. Moving slowly, then, when everything they do before this is hurried or hidden.

It works as a romcom because you believe 100% these two men could get to like each other, fall in love, and stay that way.

You believe Henry's very real terror of rejection from the public because he already knows his family, beyond his sister, will reject him. You believe that Alex is a headstrong idealist who is sure that you can bulldoze through any wall too tall to climb.

And you believe that between the two of them, they can find a way around the wall entirely.

This movie is a master class on how a movie can get you to suspend so much disbelief if the leads sell their characters. The importance of believable chemistry.

And also... Isn't it nice to see a queer love story in a world that is, in some ways, just a few shades better than our own?

P.S. you cannot tell me Stephen Fry did not chew the goddamn scenery in circles all around everyone during his single scene. That man was having a ball.

[blanceyblance]

Lance is such an interesting character to me in part because of how the narrative wants to portray him to the point it becomes contradictory.

His "arc" is supposed to be "cocky and immature teenager grows from his need for glory into a reliable team member"

And he does! He becomes Keith's right hand man, taking charge in battle, covering the team's backs and becoming an emotional support for other members when the time was needed.

But he is also a Comedic Relief™

Other characters have comedic relief moments too, like Hunk's love for food, Pidge's excitement about tech, Keith being socially awkward, etc.

And as aggravating as Hunk's fat jokes can be they don't contradict the fact that he is a brilliant engineer and became a brave paladin. Keith's social awkwardness doesn't contradict the fact that he became a capable leader.

But then you have Pidge and Hunk, making fun of Lance being "naturally dumb", and then a space deity calling him "the dumb one"one moment then following Lance's orders in battle and having him give emotional speeches to others the other.

The writers want us to take him seriously and see he is growing only to make fun of him when its needed for a laugh.

I feel the episode The Grudge is a good example of this:

Lance finds a way to find where they left their Lions.

Hunk and Allura seem impressed but Pidge dismisses it.

That would be the end of it until later when Veronica is talking with "Keith" (actually a hacker pretending to be him) and the says "Lance has it figured out", Veronica then in a sarcastic way says "Lance, the navigation genius".

Keith agrees and that's what clues them about something being wrong.

Is it a joke about Keith being openly nice to Lance? A joke about Lance's navigation skills?

Either way, the joke is at his expense, even when early in the episode we see him actually suggesting a way to correctly navigate.

In the end what I'm trying to say is, that the writers want to have their cake and eat it too. Showing Lance growing and being capable but also making fun of him and not really having that much respect for his character.

[discofama]

Was thinking about our Pineses different styles of comedy and I realized Mabel's and Ford's are kind of the same in a way.

Originally was thinking of who of the 4 of them was the funniest for me, and I decided it's Dipper. I can't express how much I've laughed with him. Or more like, AT him, i realized. Unlike the others, most of the comedy that involves him is at his expense. Almost every character thought bad things of him at the very least (including Ford! In his first impressions in Journal 3) and the way he's so insecure and awkward and weird, and that almost everybody bullies him, is just so funny to me. God forbid me lmao.

Stan's comedy is more aimed at how shameless he is with his criminal activities and kind of fucked up stuff he says, like "finally a good reason to punch a teenager in the face!". Most of the times the jokes that involve him are simply funny because they're sudden, mean (him to others, which feeds the kind of humor that involves Dipper and a variety of other minor characters) and/or unexpected of someone as rough as him, like crying at a telenovela. Of course we also laugh AT him many times just like we do with every character, but the fact he is so shameless, unlike Dipper, makes it very different.

Mabel and Ford are funny just because they're both insane and have extremely weird interests. You could say it's also laughing AT them but this feels of a different nature than laughing at Dipper. So i'd say it's more like laughing WITH them, like we usually do with Stan. What's funny (in the strange sense) is that Ford did share Dipper's awkwardness when he was younger, but as far as I remember, it was never played for laughs like it was for Dipper. Mabel and Ford both are reckless, absentminded and go extra on everything, which is very amusing, but they also have a riddiculous taste in everything. For example, Mabel likes toothpaste and Ford likes human blood. Mabel bedazzles her face and Ford sets it on fire. They use grappling hooks and jump out of windows epically. They are shameless too, but while Stan is unabashedly greedy and his comedy usually intentionally harms others or their property, they unabashedly just are their own strange person from start to finish. And the result is pretty funny.

[giveamadeuschohisownmovie]

One reason why I feel Wakana Gojo (My Dress Up Darling) is a step above most anime male love interests is that the story does a good job showing why Marin would fall for him. Now I’m not saying every anime has this problem, but I do feel there’s a lot of stories where the male lead is just…meh? The setup is usually that they’re this loser dude (possibly a NEET) who doesn’t get a lot of attention. But then they meet this girl(s) who fall madly in love with him for some reason.

It feels author insert-y, not gonna lie. Not that that’s a problem, it’s just that a lot of these protagonists end up being bland drips who don’t do much to earn the attention they get. Speaking as someone who has been in a relationship, no one’s gonna look your way if you’re not offering something back. And I’m not just talking about looks or manners, there’s gotta be something deeper.

That’s why Gojo is a top-tier male romcom MC since he does have a lot to offer. If you look past his timid, social outcast exterior, you have a character who:

* designs high-quality clothes for his love interest for free. For FREE.

* is happy to make clothes for his love interest because he knows her dream is to be a cosplayer

* is a good cook and cooks for his love interest, especially since she canonically is not good at that

* takes time to understand his love interest’s fandoms and interests. Not only that, he actually gets into them. This is a huge deal to Marin since Marin talks about how she would recommend her fandoms to other people, but no one would really follow up on her recommendations.

* is dedicated to making his love interest happy. For example, he was willing to design a whole cosplay over one night because he thought that Marin asked him to do so.

* is secretly smooth with his words. For example, he delivered this whole monologue about how sacred the word “beautiful” is to him, that he can only say the word if he truly meant it. Later on, he tells Marin that she’s beautiful.

This is why Gojo is a S-tier romcom love interest. You don’t have to question why Marin falls for him, the story does a good job showing why.

[raythegray]

Tbh, I think that both Saiki and Toritsuka are socially stunted because of their powers.

It’s obvious with Saiki, he can hear people’s thoughts and therefore had zero interest in properly connecting with them when he was younger. This carried into his teenage (and probably adult) years, making it hard to communicate after refusing to for so long.

But with Toritsuka, I think it’s possible that his ability to see ghosts affected his social development in more ways than one. Of course, not being able to tell the difference between people and ghosts probably led to some problems concerning his sanity… people probably thought he was either crazy or just really into playing pretend (which can get annoying). We also know that he was at least someone raised by ghosts, who have no recollection of what it was like to be human. They likely wouldn’t have reprimanded him for his wrongdoings, making him think doing certain things were okay when they weren’t. When he started talking to more real people, they obviously would see problems with his behavior, but he’s already been raised to think it’s okay. The damage has been done, and no one likes him enough to reverse it.

GUYS PLEASE TALK ABOUT TORITSUKA MORE. TALK ABOUT MEDIUMS MORE IN GENERAL. IT’S A HORRIFYING CONCEPT. MEDIUMS ARE SUFFERING AND I WANT TO TALK ABOUT IT AHHHHH

[kacievvbbbb]

I need someone that believes in magic to get ahold of Batman again. He is an overly serious man that runs around in an admitted bat suit fighting a gimmick rouge gallery. And he is doing it because he sincerely believes in a better tomorrow and somewhere along the way we have lost the plot. Batman wasn’t created to punish the guilty that is actually completely antithetical to his beliefs he is not the fucking punisher.

Batman just like wonder woman and Superman primarily wants to save people! sure he doesn’t do it in a sunny way but that is still what drives him. Hell he even goes a step further and actually builds a case he’s not just waiting for criminals to commit the crime he is shutting down smuggling and trafficking rings foiling plots he is a detective! For Christs sake it’s what made him so unique and fun as a superhero.

Also His desire to save people is literally what compels him to adopt Dick, Jason, Stephanie. Cass because he wanted to give these kids a chance, to save them in ways 8year old him wasn’t. Someone who just wants to punish the guilty wouldn’t do that, And now they have turned him into a borderline physically and emotionally abusive absentee parent all in the name of making him an edge lord. Where is the heart! Where is the fucking heart in it all! Where are the kids and the bright colors and the zaniness. Let Batman and Gotham be FANTASTICAL! I’m tired of the greys and the browns.

I’m tired of “grounding a story” meaning sucking all the joy and color out if it. Also superhero stories don’t need to be grounded in your fucking abysmal reality they are literally superheroes they exist outside of reality, let them!

A story does not have to be joyless to have depth and it does not have to be nihilist to be compelling.

I am sick and I am tired of it. 😔

[mishy-mashy]

Bruce is actually really attractive, and I have enough reasoning to make a list

He's:

Tall (. Tall enough to hit his head on the vault doorframe)

Long-legged

Has a straight nose bridge

Has high cheekbones (more noticeable in 2nd pic below)

Has a strong jawline

Sharp eyes, but they aren't small (plus eyebags if you're into that)

Overall, he has strong, attractive facial features

Has broad, refined shoulders. You can tell he works out (or he did, when he was alive)

Even has a thick, muscly neck

He has MUSCLE. Is SCULPTED. NOICE. VERY NOICE. (nice arms. Nice shoulders. Nice neck. Nice legs. Nice butt-)

(There are actually panels where you can see some of his muscles. Other than those already shown here, he's got bricky thighs-

-and in the panels where we first get his name dropped, he's got those shoulder blades too-)

The one time we see him smile, and he actually has a scary one

Has small, kinda sharp pupils, and his eyes remind me of a cat. We only ever saw him tense or defensive, so his resting/listening face is really cute

Other than the physical appearance stuff, he also:

Takes shit without batting an eye (patience, knowing it's just how Kudo is, etc)

Kudo being all "Cut the crap Bruce and give it to me straight", after Bruce tests his blood and is rightfully Concerned because they just faced AFO

Put up with Kudo's experimenting and testing over Yoichi's transferable Factor

Did ya'll see the look on Kudo's face when he realized he had Yoichi's Factor/will? Kudo was going to start in nonsense and Bruce just dealt with that.

Also something I noticed when looking back at the images here; Bruce has bandages on his arms in the void. But not when he faced AFO in the sewers.

Were he and Kudo cutting their arms open in their experimenting over Yoichi's theory? Is this why Kudo has two gauntlets instead of his one? Why we never see his bare arms in the void? That he always keeps his arms down so there's no slip?

Is smart enough to run blood tests, plus has enough common sense to pick Shinomori as his successor

He picked a guy who avoids society, has an Ability to detect danger so he can always stay away from AFO, is also a coward so he's never going to go throw himself into danger, even without knowing instinctively he stands no chance, etc.

Meanwhile, Kudo chose Bruce, who he played Hot Potato Yoichi with; but he did also trust Bruce, and put the only pure combative Ability in OFA through Bruce.

These two made their choices based on what they valued and saw the Factor needed.

Is logical, analytical, and calm.

He tried advising Midoriya on their Abilities in One For All, especially his own.

Midoriya then tried ignoring him about using Fa Jin for the first time, but found he was right, thinking: "Dammit!! I had [Lady Nagant] right where I wanted her, but... ugh! The Third was right. My parallel Quirk processes are all screwed up!" (ch. 314).

Plus, when Midoriya fixed his processing mistakes, Bruce was analyzing the way he reached his new conclusion. Pure facts, no bias, very calm, just saying it as it was.

We never see him panic. When he's caught by surprise in the sewers by AFO, Kudo, and Yoichi's little bubble event, he immediately reacts. He doesn't falter, he just knows he has to do something right now.

Was more willing to listen than Kudo to Yoichi's beckon, and probably was just following Kudo's rejection of Midoriya

While we don't see Kudo's face, we see Bruce's eyes when Yoichi calls on his heroes. Bruce was more open and receptive, or at least more impacted.

Bruce was also the one to start talking, while Kudo just kept quiet.

He actually communicates a lot

When Yoichi called them to support Midoriya, Bruce started talking to paint a picture of why they thought the way they did, so Yoichi understood where they were coming from.

(Though he seems to beat about the bush sometimes, since Kudo spoke up to be direct on how they couldn't just put their trust in some starry-eyed teenager. Plus, when Kudo tells him to just tell him what's wrong [double Factors])

When Midoriya first used Fa Jin against Nagant, Bruce came out just to tell him he knew what he was trying, but that Midoriya wasn't ready; and Midoriya found he was right. Midoriya just didn't want to listen to him then.

He asks Kudo for clarification after finding Kudo had two Factors in him after the sewer incident ("Just to be sure, All For One didn't touch you, right?") Kudo knew him well enough to go "stop beating around the bush and tell me", so Bruce was probably gonna start with questions, theories, and trying to understand everything in general, before saying "yeah you have two Factors. Don't know why".

Is strong-willed and loyal.

He followed Kudo, even to death, carrying on the cause he started until it ended with him.

Plus, when talking about how AFO needs a strong will to override OFA's own, we first see Bruce, Kudo, and Yoichi.

AFO couldn't steal OFA because the will was too strong for him, and that was back during Banjo's time. Since Shinomori never actually tried opposing AFO and just hid, we can assume the first Three (Yoichi, Kudo, Bruce) already had an accumulation of strong willpower that made OFA un-stealable. Those three are a strong enough foundation, and the main wills, that the other users just become bonuses.

Kudo, also saying that Midoriya needs allies with the same will and drive as him... hey Kudo, you're talking about yourself and your old allies, aren't you? That's why you look at Yoichi and Bruce when you say this.

Not only is Bruce attractive, but he's got good character. THE END.

[rustedleopard]

I wonder if Flowey ever just... let Clover stay dead for longer than a few seconds after they died in a fight just to see what happens. I mean, he basically is the master of their fate and would probably get bored of seeing them repeat the same three routes over and over and over again. I feel like in between trying to push Clover to fight Asgore, he'd probably find the time to entertain himself watching other characters react to Clover's death to mix things up a bit.

[descendant-of-truth]

Rise of Lyric has by far some of the most consistently expressive character animation of any 3D Sonic game ever, and frankly I think Frontiers should be embarrassed that it isn't at minimum on the same level as it, if not better.

Because here's the thing: RoL still looks awkward at times. Mouth shapes can feel a little weird, the eyebrows don't always seem to know what they're supposed to be doing, little things that give off the impression that it wasn't quite as polished as it wanted to be. But it's still LEAGUES above Frontiers, even with the progress it's made over other mainline games.

And look, I really can't claim to know how the models they're using work because I don't have the ability to mess around with them myself, but at this point I'm starting to wonder if they're just... not particularly stretchy by nature?? Because I can't imagine any other reason for them to be so stiff even when the animators are doing their best.

To prove my point, let's compare a very similar expression and pose of Sonic's from Frontiers and RoL respectively.

In both of these scenes, Sonic is expressing determination to fight in order to save his friends. In Frontiers, this is from the Final Horizon update, right after Amy, Tails, and Knuckles sacrificed their corporeal forms in order to bring Sonic back from corruption. Sonic is currently feeling the weight of that sacrifice full-force, lamenting that they gave up their chance at freedom for him, and uses that pain to push himself forward to really save them this time.

In Rise of Lyric, Sonic is staring down a robot army led by Metal Sonic as the door in front of them closes. He's already ushered Amy, Tails, and Knuckles behind him into a suspicious temple of sorts, but he's prepared to fight in case it doesn't close fast enough. He was told twice not to open the door in the first place, but he was concerned for his friends, and decided to prioritize protecting them over their own desires to keep fighting.

With such similar framing, it's hard not to see how Frontiers' expressions fall short. Both Sonics have their eyes narrowed, the bridge of their eyebrows scrunched down to separate them into two distinct shapes, and they're holding their fists up. But in Frontiers, it's not very clear what emotions he's feeling just by looking at him. Sure, he looks kinda determined if you squint, but at a glance, he looks almost more neutral than anything.

And it just gets worse the more you think about it because by all accounts, he should be having a MORE intense expression than the one in Rise of Lyric! I mean come on, the guy practically died five minutes ago and is gearing himself up for another round of Titan fights. He should be looking exhausted and utterly spent but like he's still gonna keep going somehow.

It got to the point where, halfway through writing this, I decided that it wasn't enough to just talk about what his expression should have looked like, and that I was going to put my money where my mouth was and redraw it myself.

I scrunched his eyes and brows down closer to how they are in the Boom screenshot for the determined look, made him look upwards with his irises instead of staring blankly ahead, and pulled up his lower eyelids to add an edge of desperation to him.

I kept his mouth in the same position, but tried to make it look a little more... angry? by curling it up on one side and showcasing his top teeth more. Finally, I changed the position of his body and arms a bit, to make it look like his whole body was tensing up along with his face.

These are all Extremely Doable in 3D animation - the only part I'm uncertain of is the mouth, since I tend to draw mouths with a very 2D mindset. But on principle, it should not be hard to shape his eyes to match his emotions. That is the absolute bare minimum of what you want your character models to be capable of in a professional setting.

And it's driving me nuts that Frontiers, savior of the Sonic games' credibility among the masses, is still being outclassed by what's considered the "second 06" of the franchise. What is happening over there that this keeps being a problem

[ofkithandmckinney]

Another fantastic instalment of "Kids in the Archive"!

Kids in the Archive: Episode 4

it's been a while, but thanks to the influx of new-old kids in the hall scripts i got from bruce's storage last summer and the fact that i already finished all my homework for this week i'm happy to present a new episode of Kids in the Archive! for those unfamiliar, kids in the archive is my show in which i focus on one individual kids in the hall sketch and give you a behind-the-scenes comparison of script and screen

Previous Episodes: Episode 1 - armada finale ("do we make it?") Episode 2 - fran & gordon: the vacation Episode 3 - comfortable

for our return to the archives, i'll be covering the S1E16 classic "Is He?"

this sketch is one of my favorites from season one, and one of my favorite cathy and kathi sketches altogether. i'd cite this as one of the many examples of kith being ahead of its time with regards to gay humor - i've shown this sketch to other gen z's who had no idea "is he (limps wrist)" goes back further than online memes. as a queer-comedy-history nerd i already knew about the gesture's origin, but i still was taken aback by how all these jokes feel completely timeless

The Handwritten Notes

overall, this sketch is fairly faithful to the script i received, so there aren't quite as many "alternate version" moments to showcase. however, this script does have the interesting quirk of having handwritten changes to it that don't follow the version in the tv show. other scripts in my collection have this, and i'm fairly sure these notes were made for adapting the sketch to a live show or tour. the photo above selects the walkout music as "9 to 5", and sets the scene in a break room with coffee and donuts rather than at their desks. this might be an easier setup for a live show with more limited sets, and build in time for the fan reaction to seeing favorite characters return

unfortunately the version of "tour of duty" on youtube was taken down, so i can't now compare these notes to the version in that tour recording. i do remember that i liked that version less. while i enjoyed the wordplay and euphemisms on their own, i felt they slowed down the flow of an already good sketch and distracted from the existing punchline. none of these euphemisms are present in this sketch, but there is one handwritten edit that i think weakens the writing

The "Improv"

in my previous episode, i cleared up the misconception that comfortable featured a fully improvised exchange. kids in the hall rarely improvised full dialogue on-air, even if they used it at some stage in their writing process. however, there are still small "improvised" elements to these performances that show the performers putting their own spin on the established structure. in "comfortable", it was scott replacing the "da da da da" song with "hava nagila" (for some reason, we may never know). in the case of the cathys, this improv often comes from trailed off sentences

most instances of kathi's giggle aren't specified, but during the stage direction "bruce just giggles like a ninny" scott improvises some sentence fragments to cover for kathi's awkwardness

The Ending

as i previously mentioned, there's no big difference between the script i received and the sketch that made it to air. it's a mostly faithful transcript of all the dialogue that was spoken, with some written descriptions of actions that take place. i feel like i'm just describing what any script is at this point

overall, i enjoy having "is he?" in my collection, not because it presents an alternate reality with different casting and whole other scenes like some of my scripts, but because of the indescribable feeling of having the script this favorite sketch of mine was made from. every wonderful part of this sketch started out as just words on a page, and was built upon to create something truly special. again, i could be describing any script, but damn it i love "is he?"

as always, i hope you enjoyed this episode of "kids in the archive" and be sure to stay tuned for the next one (which will hopefully be coming out much sooner this time). if you have a specific sketch you'd like to see a script-to-screen comparison for let me know and if i have it i'll make an episode and tag you in it.

[mikuni14]

The tags left under my review of first ep of WG by @italianpersonwithashippersheart inspired me to write about what I immediately thought about Dee: this boy is inexperienced when it comes to sex (although I don't think he's a "novice" in this matter) and he draws on all his knowledge - despite this that he's a doctor 😭 - from, um, pop culture? 😂 His behavior indicates that he's under the influence of a mixture of music videos of modern female rappers, old-fashioned porn watched secretly during his adolescence years and BL series (he wiped the food off my mouth = clearly it's love), because if not, the poor guy has watched hair metal bands from 80's, because of the way he draped himself over the door in this scene

honey, you're not the hot girl from the Whitesnake MV! 😭

Dee is inexperienced, or very naive with a touch of delulu, and despite everything, childish in these matters (sorry, I will insist on this 😘). Because Kao somehow managed to flawlessly point out the loopholes in Dee's reasoning, tried to help him and warned him many times, and he also leads a conscious love life himself - and they're both of a similar age! How clueless Dee is when it comes to matters of sex is proven by the fact that what he took away from the whole conversation with Ter was not that he didn't like him "like that" and that Ter was straight, but that he, Dee, was vanilla 😭

That's why I'm curious whether Dee will be shown as someone who has had sexual partners before but still has no actual experience, or whether he "saved himself for Ter for 8 years". And how his "sexual journey" will unfold with the right partner 😚

[possessedbydevils]

Love how Raskolnikov is trying so DESPERATELY to justify his actions by comparing himself to Napoleon. He's trying SO HARD to convince himself that he isn't like the old woman he killed, Pyotr who wants a wife that will let him control her, and Marmeladov who uses the money Sonya gathers by destroying herself. Bro is so delusional for saying "Wait no, I'm better than them, they corrupt the youth and are the cause of bad things in other people's lives but I'm better because l killed the cause of it. Even though l killed her sister, who did nothing wrong, too, sacrifices must be made to erase the bad. Napoleon did TONS of bad things to other people, including his country, but the good things he did had more effect and therefore he is praised instead of insulted, so who cares if l murdered a girl who wasn't like her big bad sister? My good doing(killing the evil, old woman) will surely cover the bad thing l did, which is killing her little, insulted sister... Right?". Like that's a whole other level of hypocrisy.

[pendwelling]

Helloo,sorry for the trouble but could you tell me a bit about the ending of twsb? Is it a happy ending? Do all the main 3 get to live together? I am still in 170s as there is no other eng translation out there to read ahead... 🥺. I would really appreciate your help as the curiosity is killing me.

//SPOILERS FOR TWSB ENDING!!!!!!//

I answered a similar question on twt/x so I'll just elaborate on my answer from there haha:

It's a very VERY happy ending!!!!! Think of all the struggles and desires of the main characters and imagine them finally getting peace, solace, and happiness. TWSB at its core had always been a very character-driven story where the goals and desires of the characters were what largely push the plot forward, and after all their struggles, you can tell the ending was lovingly crafted over a careful build-up of 920 chapters. They all get their resolution, and character who have went through tragedies get their second chances at living a kinder life, and the villains get their comeuppance in the fair way that TWSB tends to treat its antagonists (there's also proper trial investigations being done and etc etc, politics and court affairs in this novel is actually so interesting.)

All the characters have obtained their perfect endings in their fitting respective ways! It's a super gratifying conclusion for readers, and the thing about Sookym is that they also do a great job in making us care (or feel strong emotions towards) their large cast of characters.

In a more meta sense (since TWSB, for its genre, is surprisingly very meta)(and this is also a spoiler in regards to the universe's God), the "God" wishes for the main characters to be happy, and so the story has shifted itself so that a happy ending is something that our beloved characters are finally able to achieve for themselves without outside interference of original narrative structure forces (think of it a bit like ORV's Probability, TWSB has something similar to that). And in fact, for both the TWSB universe, AND the original QPB universe, as well. I can also confirm that the original Jesse Venetiaan gets his well-deserved happy ending, too! 🥹

Yeseo does indeed get to reunite with his siblings, too, and he ALSO gets to live with Cédric and Ham Ga-in Christelle on the weekends! (Despite pretty much being "married" into the Imperial Family and becoming Pope, this guy still chooses to work his usual 9-to-5 in the modern world LMAO.....)

There is an inter-world arrangement going on that is a bit hard to explain because there's a lot of context behind how it came to be haha, but basically Yeseo is essentially a bride that moves between households after getting married (LMAO). Everyone is very happy! Cédric especially, is very very smug that he gets to keep his beloved partner close by—he even safely escorts Yeseo back home like a dutiful partner whenever he needs to go back to his family home HAHAHA. Jung Hyunseo and him kinda have some beef over it, actually (Hyunseo: "this is his home?? why does he need an escort...." *insert smug Cédric face*). Hyunseo is really the older brother who has to deal with the antics of eccentric otherworldly in-laws and a model-student younger brother who has now grown up to be a bit of a troublemaker..... (There's a scene where Yeseo shows up and goes "Here's our baby!" while holding pretty-much-their-baby(DONT ASK WKDJKD)(AND NO THERES NO MPREG) and gives Hyunseo a near heart attack while Cédric looks so so so smug and self-fulfilled, he's such a brat..... (affectionate)).

All in all, after the war between the Riester Empire (with the allied forces of other countries + Crown Princess Elise) and the Sneijders of Venetiaan, there are award ceremonies (several characters get promoted or given new titled ranks), memorials and eulogies for those fallen in the war, and a very well wrapped-up conclusion to this huge conflict (again politics in TWSB are actually very interesting and really well done imo). It largely has to do with the Almighty God, as well, but I won't say much about that because 1.) It's a revelation that is best made while reading yourself, and 2.) It's a bit complicated to understand without the proper context anyway hahajah....

(I can also confirm that future emperor Cédric probably won't have to worry about siring an heir. Congratulations to Yeseo for essentially being the queerplatonic mother to his two partners' "children".....)(this sounds absolutely crazy but it makes sense OK trust me, but anyway, CYC are partners and I trust that they will continue to support each other for a long, long time hehe)

It's super, super satisfying, and a very happy ending for Yeseo and friends! :')

[allthebooksandcrannies]

Really loved this video essay, so I thought I'd share!