#the metatron

[gleafer]

I may do a series on how many different ways Crowley can get rid of The Metatron.

[sighed-the-snake]

You know that moment when The Metatron was giving Crowley the death glare?

I just caught that Crowley was sneering right back at him.

This was the look on Crowley's face when the camera cuts back to him. It wasn't coming from just The Metatron, they were giving each other a prolonged look of very personal hatred.

[inafever]

Oh my god I've been so stupid

GIVE ME COFFEE OR GIVE ME DEATH

It was an outright goddamn death threat

You either take the coffee, or take the death

Metatron you nasty little piece of shit

[tampire]

♪ Everyday, it's a-getting closer ♪

♪ Going faster than a rollercoaster ♪

♪ Love like yours will ♪

♪ Surely come my way ♪

♪ A-hey, a-hey-hey ♪

Gabriel and Beelzebub eventually survive the consequences of The Metatron and Satan

Bonus:

[idreamofsleeping]

GOOD OMENS SPOILERS.

So I've been thinking a lot about Muriel. About how they're sweet and naive and sort of dumb, and they're a 37th class angel.

In fact, Muriel’s level of naivety is nearly the same as Jim-level naivety/dumbness. And Jim was supposed to be a 38th class angel, after being demoted from Supreme Archangel and having his memories removed.

And when this was revealed Muriel says 'I didn't know there was a class below me', what if Muriel is just a demoted angel? What if Heaven just keeps demoting any angel who goes against God’s (the Metatron’s) Plan and making a new, lower class for them? Instead of making them fall, they just keep taking memories and demoting angels so that there wont be a perceived ‘institutional problem’. Which there isn’t. Right?

[viceandmature]

Queens of plotting behind their Bosses' backs in elevators while their Cuntresses waits for them

[vroomvroomwee]

The way the Metatron uses food/drink to tempt Aziraphale. The same tactic Crowley uses when trying to convince him to do something.

Only Crowley always asks. And even when he doesn't, Crowley knows what Aziraphale likes. Sushi? Check. Crepes? Check. The Ritz? Check

He simply knows him.

Meanwhile, the Metatron gives him the coffee point blank. He didn't ask how he likes it or if he even likes it AT ALL.

Something about the Metatron using Crowley's method, that's born out of love and is always well intentioned, and turning it into something twisted. Turning it into a threat.

[saryasy]

#yet another manipulation tactic by the devil himself #i mean the metatron

[ilovemosss]

anyway obviously the metatron wants crowley out of the way and aziraphale under control. cant wait for s3 when this backfires with aziraphale constantly in the way and crowley completely out of control

[ineffableigh]

Wait what the hell is Aziraphale mouthing here. Lip-readers sound off!!

This is RIGHT before "The Metatron! I don't think he's as bad a fellow - well I think I might have misjudged him."

His line was: "I, um... [mouthing something]" THEN the above line.

This can't be nothing. Can it? "We need to get out"??? Not sure. EDIT: I agree with @maximumpenguinpuppy here, I think he's saying

"WE NEED HELP."

Further deep dive on the most painful conversation I've ever seen:

Azi makes the most INTENSE EYE CONTACT I'VE EVER SEEN during "I think I might have misjudged him."

"PLEASE HEAR WHAT I AM SAYING TO YOU RIGHT NOW."

After a few intercuts with the flashbacks we get to the really painful bit.

"He said that I could appoint you... to be an angel." His voice is so strained and high pitched even for him, here.

"Like the old times, only even NICER!"

The super nice old times where you couldn't be together at all, eh?

Crowley starts his confession and we get the "What the blazes is he doing?" face as he starts to realize Crowley is NOT picking up on any of this. Azi's breathing heavily here, revealing how very stressed the fuck out he is.

After this point is when things get really hard to interpret. Aziraphale sounds so genuine about "Come with me!" and "We can make a difference, I'll run it and you'll be my second in command." It feels like Crowley starting his very real confession broke through the charade of 'The Metatron knows something and we're in fucking danger'.

He blathers about Angels and Doing Good before breaking again, letting the "I need you!" slip. We get this HALF A SECOND look of the most profound sadness right before the "I don't think you understand what I'm offering you."

"You idiot. We could have been us."

Azi looks like he can't believe just how badly this went. This is right before he looks away.

OH NO NOW I'VE SEEN CROWLEY'S FACE RIGHT WHEN HE STARTS TO GO OVER FOR THE KISS AH MY FEELS

Azi is not hiding his emotions well, right before the grab:

Then of course we get the I Forgive You, which sounds like his most bitter one yet. A flash of anger and resentment, frustration, immediately followed by remorse and grief.

Having seen all that, my best guess now is:

Metatron made the (barely) veiled De Facto Partnership threats, implying he knows about the body swap and, implicitly, threatening Crowley with Holy Water, at least to some extent.

Aziraphale tries his damnedest to communicate to Crowley that Something is Fucking Wrong and they Have to Go to Heaven to Fix It.

Crowley, having been primed by the various chats with Nina and then the 2v1 chat with Nina and Maggie RIGHT before this, clearly timed by the Metatron, fully misses all of this and takes it all at face value.

Crowley starts to give his confession and Aziraphale realizes what he's trying to say, tries to adjust his Heaven Pitch to hinge on staying together as a team to fix things."

"You cannot leave this bookshop." "Nothing lasts forever." Azi has chosen the worst way to make another attempt at saying he has no choice but to leave the bookshop. I don't think this is about the Second Coming, given his reaction to the info later.

Everything deteriorates from there as Aziraphale tries again to imply something is Fucking Wrong by going back to the "Angels! Doing good!" shtick, but it's too late. It's always too late.

"I don't think you understand what I'm offering you." He doesn't but Azi is also communicating it very badly, likely because the Metatron is indeed watching.

Crowley thinks this is all real so he gives his No Nightingales line, etc etc. Aziraphale can tell there's no fixing this, gives up.

Crowley swoops in with The Kiss as a last ditch effort to get Azi to listen. Azi WAS listening, but cannot respond other than in anger and frustration that Crowley, in his view, refuses to listen to him again, has called him an idiot again. This happens multiple times throughout the show so there's history to fuel that assumption.

This is the precise outcome the Metatron was vying for, to split them up and emotionally/psychologically weaken them, to ensure there was no chance of a united front as there was for Armageddidn't.

My heart hurts, ow.

[gleafer]

The ending we ALLLLLLL wanted.

[alivedean]

good omens crack → 8/?

[servantserah]

Crêpes part 3

Previous | First | Next

This was supposed to be the final part but I hate unresolved angst so I think I wanna continue it a little longer. Would you be interested in a few more parts? 👀

Anyway, Crowley blames himself because of course he does and Azi is having a wonderful time in Heaven masking 24/7 and surrounded by his toxic peers 👍🏻 Everything's just tickety-boo.

ℹ️ You can find a guide with all my Good Omens AUs and comics >>here<<!

[tampire]

"Give me Coffee or give me Death"

[skullfragments]

soooo i've been real busy this past month and change working on this monster of a painting! it was originally for the GO Ref library study club but clearly took much longer than i anticipated😅

for those of you who don't recognize it, this is based on one of my favorite historical paintings, Judith Beheading Holofernes (1620) by Artemisia Gentileschi. i love the Baroque period and this painting (as well as her other works) makes me insane. here it is Good Omens style so maybe all of you can be insane with me <3

"Aziraphale (and Crowley) Beheading the Metatron"

(non-bloody and non-glowy versions under the cut)

[azfell-ajcrowley]

Something we didn't notice (part 2)

part 1

Overall, the meta is based on close observation of Aziraphale (for the most part) and Crowley. Without speculation or trying to guess what we haven't been shown (well, almost).

The Metatron makes it clear that he is watching Aziraphale delivering the "good news". Aziraphale looks back at him.

The first thing I'd like to explain. The Metatron is talking to Muriel, and then he stares at the window of the bookshop duplicating that gaze toward Crowley. The frame changes and we see Aziraphale looking out the same window, just for a second, but he will do it repeatedly.

As Crowley starts his monologue, Aziraphale tries to stop him by gesturing for him not to say too much, while looking out the window himself. Aziraphale continues to turn to the window with every meaningful attempt to speak.

Let's also note that Aziraphale doesn't usually behave in a similar way in conversations with Crowley. Yes, Aziraphale is characterised by active gesticulation, but the constant pauses, averting his eyes from the interlocutor, nervous and jerky movements - these are messengers that angel is holding something back, hiding or simply doesn't want to tell. Most often we see this Aziraphale in conversations with the leadership - God and Archangels.

https://commonmexicanname.tumblr.com/post/734305363759890432/good-omens-thoughts

Here's a prime example, comparing his interaction with Archangels when he's caught off guard and frantically trying to figure out how to get out of the situation.

I don't think Aziraphale is just lying to Crowley here, no. He just has an audience beyond Crowley. He tries to tell everything, knowing he has more than one viewer.

When Aziraphale mentions the Metatron, he is not just hinting, he points his index fingers - one at the window, another at Heaven, and then in a distinctly active quick motion once more at the WINDOW.

And again - turns his face to the window at the words about Gabriel failing, and then tilts his head towards the transparent panes of the bookshop.

The conversation with the Metatron is important, among other things, to assess Aziraphale's behaviour when Crowley is mentioned by his superiors. At the words about their partnership Aziraphale looks frightened: his facial muscles are tense, his forehead and eyebrows are furrowed, and there is a terror in his eyes.

When the God's spokesman concludes his really suspicious speech, Aziraphale swallows nervously and averts his eyes. He certainly doesn't look like someone who's been offered the fulfilment of his cherished dream. And not like someone who believes it.

Aziraphale looks like someone who has just found out what an enormous amount of incriminating information is in his opponent's possession.

"Tell me you said no. Tell me you said NO." Crowley is definitely shocked and horrified, he thinks the best of his angel. He can't believe what's going on (and he isn't supposed to).

Aziraphale turns his head towards the window again as an answer.

He actually said:

And

We see him right before he walks into the bookshop, he never says yes to the Metatron.

Aziraphale utters his most delusional words while looking out the window. Of course, they're not meant for Crowley. Aziraphale hasn't believed it for a long time, Crowley even more so.

And then Crowley says "Oh, God", without correcting himself afterwards, because this demon can only hope in God here.

For a second Aziraphale has a look of hope on his face that Crowley has realised what he's getting at. Then Aziraphale realises that Crowley is trying to confess. He's waited for so long not to realise. He was about to confess too.

Aziraphale already knows everything Crowley is about to tell him, but more importantly, literally everyone already knows it. It's impossible to stay and start pretending again that there's nothing between them.

Aziraphale has a completely blank stare past Crowley, and then he looks out the window. Again.

And then the most interesting thing happens. Crowley starts his line "And I would like to spend…" But he turns his head and finally looks out the window, where Aziraphale has been pointing so hard since the beginning of their conversation.

Maybe that's the reason Crowley doesn't complete the sentence. And he begins to pick up different words. Maybe not, maybe the sun from the outside is preventing him from seeing the Metatron.

In the final part of their conversation, when they move closer to the bookshop's door, Aziraphale looks towards the window again.

After "no nightingales" line he turns away to hide his feelings and pain.

The cherry on the cake is the kiss, Aziraphale is falling into the abyss. He averts his eyes trying to figure out if the Metatron could have seen what just happened.

When Crowley leaves, Aziraphale thinks he's lost him. But then, even when the Metatron walks in and says devaluing words about Crowley, Aziraphale can't tear himself away from the window, because now he can see Crowley there. Maybe not everything is lost.

Aziraphale retreats back to the clock - to the very spot where Crowley was standing a few minutes ago. He looks out the window at Crowley, as if to say, "I stand where you stood, you stand where the Metatron stood."