An idea that I'm fond of is Hikaru Gero as an egg trans lesbian.
Like, I don't particularly headcanon him as such, and I certainly don't think it's the author's intention, but that would add an interesting layer to the story.
Hikaru Gero, living as a poison specialist, a role that was put upon him by his family. A role that he was willing to endure despite the loneliness, feeling like he doesn't deserve to live "a peaceful life with someone [he] loves", and is afraid of showing who he really is.
(Living not for himself, because happiness as himself is impossible. Living for his clan instead.)
Hikaru Gero, reconsidering his stance on marriage partially from seeing how happy his sister is with her girlfriend.
(He too wants to find love like this. Like a woman loving a woman.)
Hikaru Gero, who regularly fights by improving his body temporarily, by injecting himself with various homemade poisons.
(How easy would it be for him to make his own hormones?)
Hikaru Gero, who makes a weird face at the naming of a plan as "project prince".
(Trying to think of himself as a 'prince' just brings him chills. No reason why.)
And we have Kinosaki, who honestly is a whole subject. A "guy" looking so perfectly as a cute, feminine woman. Outside of the initial shock, and asking very early on why Kinosaki wears woman clothes, there's no comment, no tiresome joke coming back every chapter, merely acceptance.
(Because it's understandable, wanting to look like a woman, even if there's no swindle going on.)
It would just fit so well with the story.
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YJ S3 Dick, still in the midst of his fever dream, hides underneath the 'souvenir' instead of behind some boxes, and accidentally opens the airlock trying to take care of the Parademons. The others get it to close... but not before Nightwing is thrown into space.
There, he stares at the ship holding his friends and mentors. There, he wishes more than anything that he can, somehow, survive. There, he tries to live, if only so his family don't have to bury him like Jason.
There, Nightwing dies, wanting to save everyone, even with the cold seeping into his bones far too quickly for a regular section of space.
Then, Dick opens his eyes to... Earth? There's a little house, and grass, and trees, but there's a bubble of green over it all. Outside of that green was an entire castle, one that looked like it should have far more support beams than it does for even a hope that it stays standing.
And the sky was swirling shades of that same green. It makes him think of Lazarus.
"Well, that's something you don't see every day." He whips his head behind him, a bit too fast for Earth's atmosphere, but it doesn't hurt him. Past the bubble of green was a blue-skinned adult in purple robes, the insides of a grandfather-clock fitted inside their torso, and a black staff with a stopwatch on its top. Beside them was a man with snow white hair, glowing green eyes, a crown of frozen fire dancing above his head, and the most galaxy-like cloak Dick's ever seen clasped to his shoulders. He's wearing... a hazmat suit? Maybe? The twinkling stars and odd lighting of wherever he is were giving him a bit of a headache.
But in front of those two, within this bubble, was...
"DICK!" Wally shouted with unrestrained glee, a blur overtaking his spot for barely a heartbeat before Dick's stuck in a crushing hug that he reciprocates once his brain stops feeling like its melting.
He doesn't know how long it took for them to calm down, but the man with the crown spoke up after a time, as Wally was still wiping their faces free of tears. "Welcome to the Infinite Realms, Nightwing." Dick barely even registered that he was still wearing his suit, but now it felt suffocating. "I suppose you're the one Clockwork was holding out for; There shouldn't've been enough Ectoplasm around you to form a Ghost, and your physical body's still in space. I can see why you like this one, though, Clockie," he states flippantly, turning to his companion. Almost like he didn't expect Dick to pay too close attention to what he was saying.
"Either way, there's two options for you." The man didn't let Dick swallow his tears and question anything. Dick's not sure if he's grateful or not. "First: Stay in the Realms permanently. You'll see Kid Flash whenever you want and learn to be a Ghost with the denizens of the Realms. Maybe find your parents."
"But..." Dick pulls away from Wally, keeping him at arms length, eyes flitting between them. The two outside the bubble were distinctly... ghost-like, so the mentions of 'Ghosts' make sense. But Wally looked... alive. A bit pale, a bit thin... but alive. Dick can't see any of his own skin to see if it was blue or tinted that way, but the Nightwing symbol on his chest kept flickering between its own blue and this 'Realms' green. "But--What about the others? What about you? Why can't you come home?" The last two, he focuses on Wally, because now he can feel a heartbeat beneath his gloves. Wally's alive. He's alive.
His friend just shrugs. "Something about their portals not fit for the living? I'm meant to wait for someone to figure out a permanent portal, but they won't tell me how long that'll take." Wally glares at the... 'Ghosts'? There was a heat to it, but it also seemed like this was a well-worn argument.
"The permanent portal was always an 'if', Wallace West. And that is entirely dependent on if Richard Grayson takes the second option," the clock Ghost--Clockwork?--speaks up. But instead of the adult Dick was expecting, there was an elderly Ghost in their place. Still with the time motif. Was that... more literal than Dick took it?
"Yes, the second option..." The crowned man glares daggers at Clockwork. The temperature dips below comfortable. Dick tries to blink the spaceship and stars out of his sight, withdrawing his arms from Wally to try and warm himself. Tries to remember he's not in space. "The second option is that you return to your body... changed. You'll be able to protect Earth better, stay with your alive family, save the Lost Ones... for a price."
Dick doesn't know if he should ignore the plural in 'Lost Ones'. He doesn't know if he's reading too much into how, in this Realm, apparently only his parents were able to be found. Where's Jason? He doesn't dare hope, but...
"What's the price?"
The man smiles and a ring of blue forms around his waist. It splits in two and travels up and down his body, replacing the cloak and whatever clothes he was actually wearing with a NASA shirt, worn jeans, and red sneakers actually duct taped together. The blue tint to his otherwise tan skin fades completely. His hair turns black. His eyes turn blue.
He was like a taller, slightly slimmer, way hotter version of Bruce.
The man walks through the bubble, but doesn't disturb the grass beneath his feet. "You become the Ghost King's vassal." Dick flinches away and almost hides behind Wally. "Not my idea! But, well... it is either this, or your permanent death."
"What does becoming a vassal do to him?" Wally asks, gently trying to stop Dick from breaking his ribs with how tightly he was hugging himself. Does he even have ribs?
"He gains my powers. Ice, electricity, invisibility, intangibility, flight... He becomes a Halfa. He becomes what I was, in life. Just... needing to make offerings to me, now and then. Something like that, at least. I give him powers, he gives me a chunk of, I don't know, chocolate once a week. Like a warlock."
Wally keeps talking to the man, keeps getting information that he knows he should pay attention to, but something in his chest screams to accept this deal, and he can't focus on anything else.
Nightwing can protect. He can return to life and go back to Blüdhaven, be the Vigilante they need. He can visit Gotham every now and then, help with cases and stop criminals from harming others. He can see his brother. He can see his friends. He can eat Alfred's cookies, and have little get-togethers with Babs and the Team--hell, he can argue with Bruce.
And all he has to do is... give an offering to this guy? The Ghost King? Every once in a while?
"There's no other price?" The King turns his attention to Dick. His eyes had shifted to a blue-green that almost hypnotize him. The green swirls, the blue forms and melts like snowflakes, and he can't look away.
He takes another step forward and Wally steps to the side. There was familiarity between them. Wally deferred to him. Dick can't quite tell why. Though, with how Wally hasn't once looked at Clockwork, maybe it's because he's... grounded? Are all speedsters in trouble with, what, the Ghost of Time? That... actually makes perfect sense.
"I'll be honest, Nightwing: You've impressed me." The weight behind the King's words lifts the ones that've been on his shoulders since he was nine. "You remind me of myself. Maybe, if I wasn't a Halfa... If I had a mentor... I could've been like you.
"Despite Clockwork's insistence over the years that I get back in touch with the living, I've held off. When he eventually suggested that I help create another Halfa, I locked him in his tower for twenty years. I didn't want anyone to go through what I had. But, now... I see that you won't. You can't. Even if you hide this deal--our shared powers... You'll still have people by your side. Strong people. Smart people. You can already handle yourself. And I'd love to see what you can do--who you can save--with my help."
There was maybe two inches between their faces when the King finishes speaking. Dick roves his eyes across the other's face, trying to find the common and familiar ticks that show lies and deceit and manipulation. All he finds is sincerity and genuine care.
Wally plays with his fingers from the corner of his eye, gaze hopeful as he looks between the two of them. Wally, who was alive and breathing and able to leave if he accepts. Eventually. Somehow.
Dick Grayson sends a quiet apology to his parents and hopes they will forgive him for being a little bit selfish.
"I accept."
He flings his eyes open. Above him, domino mask too wobbly to be properly secured anymore, was Robin crying and begging him to wake up. His hands were sloppily placed over his heart. Batman was trying to drag him away, the firm set of his jaw screaming grief.
Nightwing gasps once he registers his lungs burning.
There's a large cacophony of noise, multiple bright suits and people hounding over him, and the distinct artificial taste of slightly-too-much oxygen that the ship with the Parademons had. That he flew out of and died. He was still too cold.
Someone moves their arm beneath his knees and shoulder and Dick passes out.
(Dick 'Nightwing' Grayson dies in space. Ghost King Danny Phantom likes this too-human Hero. They split their souls in half, take one piece of the others, and all they know is that Phantom is now Nightwing's Patron Deity. Danny uses ice, for electricity killed him. Dick uses electricity, for ice killed him. They are opposites, and yet so incredibly similar. Clockwork was looking forward to when Danny starts putting off his paperwork to hang out with his new 'friend'.)
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Okay, but let's talk about Balam's hair for a hot second
(Yes, it may have become one of my fixations)
You know, the guy not only cut it radically - and we know it's because of Iruma - he also let it grow back, and now he grooms it much better than before. Why?
While my wishful thinking headcanon is that Kalego offered to brush it after they declared their feelings for each other (they are definitely introduced as best friends, but c'mon, look at them here)
...I also recognize this is not canon, so it can't be the actual reason.
So I was wondering: why this difference? IMO it signifies personal growth, but what caused it, if Iruma led to the haircut? And then it hit me.
Meeting Iruma, again - but in a deeper way than I thought at first.
According to Balam's own words, he decided to cut his hair to appear more approachable. But why not brush it and style it as he's doing now?
Everything we know about Balam's past points to him being treated like a weirdo and marginalized, not only because he likes picture books, he was also hyperfixated with the existence of humans.
This went on all his life, from bullies at school to his own students. He was likely wounded, full of self doubt and possibly shame, so he withdrew into himself, and his hair was messy because why bother if people avoid you anyway.
So imagine finally having tangible proof that you were right all along. That's life changing, not only because of the discovery itself - it can make you reevaluate your whole story, and yourself. A radical cut was a logical thing to do, to break with the past.
But why letting the hair grow back then?
I speculate that Balam is most comfortable with long hair after all, and he feels more like himself this way (I mean, he had medium-to-long hair in all flashbacks). I like to think that his personal grooming is a metaphor for his newly found self confidence and self love: he can be himself to the fullest, he likes the demon he is, and he's not afraid of showing it to everyone else now, by making his hair prettier. He was right all along, and everybody else can shut it.
Such a small detail in the grand scheme of things, yet enormous for the single character. I love this manga so much ♡
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The infantilization of book!Wylan and show!Wylan really needs to be looked at.
This isnt a call out, or trying to hate on anyone, just an overall thing I've seen throughout being in this fandom
In the books while Wylan is a child he is also 16. People underestimate him into innocent and even younger. And while he is naive, this does not make him innocent. He has his own morals, own judgment that havent been ripped away from him yet. He is just trying to survive.
People use the "we could wake them up line" a lot snd I agree! But to also look at the full lines as well
Wylan gestured to the guards. "Is it safe to leave them, you know-"
"Alive? I'm not big on killing unconscious men."
"We could wake them up."
"Pretty ruthless, merchling. Have you ever killed anyone?"
"I'd never even seen a dead body before I came to the Barrel." Wylan admitted.
"It's not something to be embarrassed about," Jesper said, surprising himself a little. But he meant it. Wylan needed to learn to take care of himself, but it would be nice if he could do it without getting on friendly terms with death."Make sure the gags are tight."
This isnt him being ruthless. Its him being logical. He is taking what Jesper says to heart. Wake them instead of killing them unconscious. Which they do end up tying the soldiers to the pole and leaving. Him having morals shouldn't contribute to claims of him being innocent.
Wylan is worried about hurting people but will do so if nessecasry to save his friends. We can see this in the show and books. In the show he does not want to make bombs for Kaz, but does so in the end because he acknowledges he has to survive. He is worried about Alby, but goes along with the plan still.
All these are what makes Wylan, wylan. It is his fundamentals, his morals and idels. They are not however claims to see how sweet and innocent he is and how he was corrupted.
Ontop of this, while it is never y it is hevaily implied that Wylan is also autistic. (Also, correct me if im wrong please, but im pretty sure Jack did talk about this.) Autistic people get infantilizated already, and I've had my own fair share of this as well. ( I am autistic and have a learning disabilitiy, as well a speech impedament that I still struggle with.) I have to work harder to make sure people treat me as a twenty year old. Because that is my age, and there is a significant difference in attitude in how people treat me when they know im autistic, and when they don't.
And for Wylan, I feel like its the same issue. While it may not be intentional, ive been people coo over the fact Wylan has done simple tasks or teen experiences. Him having Jesper read to him, getting flustered when talking to him, Wylan not understanding social cues as well as others and taking things to face value.
You can be excited for him and think it's sweet, but to also acknowledge that there is a line between "Thats adorable" and "He's adorable." Wylan is someone who is neurodivergent. He was extrmetly sheltred as a child and was never given the proper tools to help his dyslexia, due to this he has struggles that shouldn't be overlooked or seen as "cute" when he experiences outcomes due to the situation he was in. Whenever he doesn't understand social cues, i.e., "Whos mark." People giggling and saying it's silly or cute when he doesn't understand the cues. That's infantilizating! You are viewing things he struggles with in the lens of watching a child understanding the world. Which Wylan isn't. He is a teenager, no matter the circumstances. His age should be understood.
This infantilization also effects wesper in how people view the two of them. Many people view black people as "older, the man in the relationship, rugged" while the white person is seen as the "women, younger, more innocent."
Infact, I think the show only worsned it for Wylan. As now there are faces to names.
Jack does have a youthful face, but still looks his age. I have a babyface and even now at 20 I look much older then I did at 16. The same goes for Jack. He cant control how he looks but because of his youthful features people only push for this racially hetaronormative mindset more between Wylan and Jesper (Even if its untitional).
Even Kit looks his age as well and has a baby face. He's 29 right now but was in his mid twenties during filming. Season 1 was filmed back in 2019 but due to covid post production got set back, and season 2 was filmed in the beginning of 2022. But why is it only Wylan who is infantilizated? Jesper struggles just as much with his ADHD and trauma as Wylan does.
Jack and Kit are only one year apart, the same in the books but still ive been Wylan be portrayed as the "poor innocent child who was abused." and Jesper as the "he needs to get over his addiction hes a grown man/ he's too mean to Wylan."
In society now so many black teens are seen as adults and treated as such, while white teens are seen as younger and not pushed so hard. The same can be seen for wesper.
Ive even seen people on Tiktok and other socials claim that Jesper was rude to Wylan and abusive. (WHERE???). Both Wylan and Jesper have said things that hurt the other, and they both apologized for it, and get grilled as well. In the show and books they learn and grow. The infantilization of Wylan doesnt hurt just him but plays into racial stereotypes and also microagressions. Why is it that when the white character is calling someone out its "deserved" but when the black character (who might I add had no idea) makes a side comment he is labled as cruel and abusive?
In so many shows and books the black character is usually portrayed as the joker character. Six Of Crows does this as well, which is something important to not ingore. Jesper is seen as the flirty joke character. However the only difference is soc also show more sides to his character by letting him be vulnerable. Letting Jesper show his struggles to the audience as well, how his neurodivergece effects him, letting him dress in skirts and bold colors that step away from the gender norm. So many times in media the black character is just there for shits and giggles, or is used as the villan/antagonist.
It believe its really important to understand this, and to acknowledge if your infantilizating him, or even using microagressions on Jesper unintentionally, then to learn to understand why and to grow from them.
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