#.....except that show had a better pilot there i said it

[jakeroo123]

Thank you to everyone who voted! This kind of... blew up way more than I expected it to. As promised, here are the answers and the episodes in which everything occurred.

Firstly, I'm going to reveal the status of the winning option, which was "Pikachu devolves into Pichu and becomes a literal Pocket Monster.": It is real, that actually happens, and I will give more context below.

Second, the trick behind the quiz is that all of the weirdness is real. Everything strange or impossible actually happened. For the actual answer, I simply changed the context around said weirdness. In this case, I swapped out one running gag for a very similar one.

Which means the correct answer is...

Brock falls in love with an old lady who uses ninja magic to look young.

While the old lady who uses ninja magic to look young is indeed real, first appearing in XY099, The Legend of the Ninja Hero!, Brock hadn't been part of the main cast and had not physically appeared alongside Ash for two hundred and forty episodes by then. Instead, it was Bonnie who did her whole "you're a keeper" thing.

Thoughts:

A few people did figure out that Brock not being in XY was the key to the whole thing. I was really surprised at how many people voted for Pichu the literal Pocket Monster, though, I thought that one was better known. It does break the established rules, yes, but there was an exception that allowed for it to happen! I will explain it in the context section.

Team Rocket winning was another popular choice. That option was included because it was just too funny not to include, I expected most people knew that one was real. Kudos to anyone who voted it solely because it was funny!

Out of all of them, the option that lasted the longest with zero votes was Ash getting turned into a Pikachu, which managed to last the entire first day with no one voting it. I expected people to know this one was real, but it's a shoo-in as far as lists of weird stuff in this show is concerned.

The Misty vampire hunting gear was a last-minute addition. I originally had something else there, about Ash entering the dreams of an unhatched egg and seeing its memories with no explanation, but I deleted it once I confirmed that I misremembered it. The egg had already hatched by the time that happened. I mean, there was a completely separate instance where an unhatched egg talked to him, so maybe that was where my confusion came from.

I mentioned in a reblog there was one I slightly misremembered and so stretched definitions a little, that one was "Ash, Pikachu, and Team Rocket help some aliens fix their crashed spaceship.". While you could describe Team Rocket as "helping", it wasn't quite willingly, and so I wouldn't have worded it the way I did had I remembered that detail.

Screenshots, episode numbers, and context below the cut!

Pikachu devolves into Pichu and becomes a literal Pocket Monster.

JN090, Showdown at the Gates of Warp!

Dialga's powers caused time to reverse, which in turn caused Pikachu to devolve back into Pichu. Ash puts him in his pocket to carry him, making him a literal "Pocket Monster". Interesting note, Ash never actually refers to him as "Pichu" during this time.

On his way to school, Ash somehow ends up in a parallel universe instead.

SM100, Battling the Beast Within!

Weirdly enough, this didn't actually happen because of an Ultra Wormhole, Ash just met Tapu Koko on the way to school, challenged it to a battle, and then Tapu Koko opened a rift with the help from the parallel universe's Tapu Koko. This was actually the first half of a two-parter, Ash only makes it home at the end of the next episode and it turns out that no time has passed.

Pikachu, Meowth, Piplup, and Croagunk pilot a spaceship for evil Togepi.

DP142, Where No Togepi Has Gone Before!

... Just watch the episode.

Pikachu nearly catches Meowth as his first Pokémon.

XY079, A Frenzied Factory Fiasco!

Meowth got a hold of Pikachu's Poké Ball while in a Poké Ball factory, and keeps trying to return him to it. At one point, Pikachu hits an empty Luxury Ball at Meowth with his tail to stop this. Meowth is very annoyed at how Pikachu nearly caught him once he breaks out of the ball. Pikachu even says "Pi-Pikachu!" (roughly "Gotta Catch 'Em All!"), the same thing he says when Ash catches a Pokémon.

May and Meowth bring a man back from the dead with a time-traveling locket.

AG157, Time Warp Heals All Wounds

The locket sent them back in time, and they change the past so that the locket's owner's husband doesn't die in an accident by preventing him from boarding a train. No, I do not know why the locket can do that. No Pokémon did this, it just happened. And then May's Eevee hatched at the end of the episode.

Ash gets turned into a Pikachu by a witch's magic potion.

EP241, Hocus Pokémon

It was actually supposed to be a spell that let him read the minds of Pokémon temporarily, but it went wrong and he turned into a Pikachu instead. Ash freaks out until he learns that it's temporary, at which point he decides to just have fun and play. It wore off at the start of the next episode.

Misty brings vampire hunting gear to a ghost fight.

EP020, The Ghost of Maiden's Peak

I don't really know why she did this either. Everyone else, including the talking Gastly that she brought the gear to fight against, was also very confused about this.

Ash and Goh have a rap battle that results in a golden pot of noodle curry.

JN097, An Evolution in Taste!

In hindsight, my description makes this episode sound much more normal than it actually is. I should have, instead of mentioning the rap battle, mentioned the fact that the noodles and curry start out separate and do a fusion dance with glowing and morphing and everything to become a giant golden pot of noodle curry.

Ash and Pikachu die and comes back to life by possessing their own corpses.

EP023, The Tower of Terror

I'm not sure they actually died, it was really unclear, but that's how I mostly see people describe this. Their spirits were definitely separated from their bodies for a good while after they got crushed by a chandelier.

Ash, Pikachu, and Team Rocket help some aliens fix their crashed spaceship.

BW133, Capacia Island UFO!

The Beheeyem are actual aliens, and, well, they crash landed. They hypnotized everyone on the island to help look for the missing part of their UFO, though due to being idiots Jessie, James, and Ash were immune to the hypnosis (Pikachu wasn't but Ash snapped him out of it). Ash agrees to help, and... well, Team Rocket didn't agree, exactly, but they were the ones who found the missing power source.

Ash actually loses a Pokémon battle to Team Rocket.

SM012, The Sun, the Scare, the Secret Lair!

After catching Mimikyu and Mareanie, respectively, Jessie and James actually manage to beat Ash's entire current team for the first time ever. And then Bewear jumps out of the water and takes them home before they're actually able to do anything with the victory.

Which of these didn't happen in Pokémon the Series?

So, this is an idea I had based on seeing someone do one for a different show a while back. Out of all of the options in this poll, eleven are real things that have happened over the course of Pokémon the Series during Ash and Pikachu's stints as protagonists. One of these is fake, and I want to see how many people can figure out which one! Or who are big enough nerds to have watched everything and know which one isn't real.

[vi0lentquiche]

I vaguely remember reading this and watching the interview with Bryan and Hugh at some point but can’t find any traces of it here, so to commemorate the heroic sacrifices of everyone working on Season 1 and to preserve the McDonalds bit especially:

For the first season, it was interesting, 'cause I wrote the pilot and it was so closely tuned to what Thomas Harris had written, and there was so much from the books that was going into it. Then I think we had four or five scripts, and then I saw the pilot, and I saw the work that Hugh and Mads were doing, and I saw the work that David Slade was doing, and I looked at those four or five scripts that we had written, and I said that they weren't good enough, and I threw them out. And then we started over. I think we shut down for two weeks between the pilot and the rest of the show. So, after seeing the pilot and going, 'This is actually really good, and this cast is phenomenal and they deserve better material,' [we changed our approach] because the four or five scripts that we had done were very procedural, and very sort of strange.

One of the episodes was about a mass shooting in a McDonald's, and we were trying to make this commentary on fast food culture and gun culture. Now, looking back on that, I'm like, 'What the fuck were we thinking?' 'cause there's no way to skin that and not be offensive to somebody. Not that I care about offending people, but it just was sort of inelegant and cheap and not necessarily elevating the genre. I feel a deep responsibility to try to elevate the genre of whatever I'm doing. So we tossed all of those scripts out, and then it was a scramble for the rest of the season.

And it was really hard on Mads because English is his second language, and a lot of the shit that Hannibal is saying are words that I have to look up, to go like, 'Is that right? Is that a word?' So it was really difficult for him. The first season was insane, it was very depressing, and it felt very much like I was in Will Graham's head a little too far. And I remember there was one time when Hugh and Claire [Danes, Dancy's wife] and I were walking around a park and it was just nice to be with people who weren't expecting something from me that I knew I couldn't give them. To just have general support and go, like I said, when Hugh and I had our first dinner, I was like, 'Oh, this is gonna be my friend. This isn't just a working relationship, this is somebody whose company that I adore.' So those moments kind of got me through the complexities and the real hardships of season one. And then after surviving something you go, like, 'Oh, I can survive.'

bonus:

Truthfully, in the chaos that we experienced and that Bryan was kind of in the frontline of, in retrospect it didn't compromise for me the ability to submerge ourselves in it. I honestly don't know why that should be, except for the fact that... he, and we all, felt that responsibility, right? Not even to anybody else, just to ourselves, right?" Fuller finished Dancy's thought for him: "As artists."

[ettadunham]

idk who needs to hear this other than kaos netflix, but licensing a song to play every 5 minutes in your tv show does not make up for actually writing some scenes. also, there's almost always a better way to do exposition than through narration, unless you have a clear purpose and/or do it sparingly enough.

[madlori]

On Tommy Kinard

"It's not that I don't like Buck and Tommy, it's just happening so fast, he's underdeveloped!"

*clears throat*

Here is a recap of what we know about Tommy. And this is just off the top of my head, I didn't rewatch anything.

He was closeted at the 118 before and found the atmosphere repressive. He (probably) acted like a dick to fit in. When presented with the chance to make things better, he took it, and developed positive relationships with Hen, Chim and Bobby.

He was in the army and trained there as a pilot.

He knows Muay Thai and has a set up in his house.

He likes to work on cars and has a lift at his house (where TF does he live is my question - he has some nerve being agog at Buck's loft if he has a muay thai gym and a car lift)

He is down for violating departmental policy at the drop of a hat (has done so on at least two occasions) to help a friend and has no problems fucking with the fire chief.

He is a nerd. He likes pub trivia and has incorrect Star Wars opinions, and can keep up with Chim in the movie-quoting department.

His favorite movie is "Love, Actually" and he likes craft beer and monster trucks.

He came out when he transferred to Harbor and felt comfortable enough to stop lying about who he was.

He follows MMA and has friends in Vegas who like him well enough to hook him up to a frankly insane degree.

He'll risk his own life and engage in helicopter skulduggery to save people he doesn't know...I mean, apart from doing that for a living.

He'll take time out of his day to give a tour to the cute boy who called him up and offer to give that boy flying lessons (a significant time investment) which was probably maybe about more one on one time with said boy.

He yearns for the belonging and found family that the 118 became after his departure and probably befriended Eddie hoping to earn a plate at the cookout, aside from just clicking with him.

He likes Eddie and Chris a lot and they like him. Chimney also likes him.

He was attracted to Buck right away and was emotionally aware enough to pick up on Buck's jealous feelings over Eddie and his friendship, even if he was surprised that it was him Buck wanted to get to know.

He respects and values Buck and Eddie's friendship and wanted to make sure Buck knew that.

He's brave enough to shoot his shot by planting one on a dude.

He's a lil bitchy but also generous and ready to throw in with this insane guy who's inviting him to a family wedding after 0.5 dates.

He showed up to a bachelor party when he was on call because Buck asked him to, then showed up in turnouts after fighting a fire for like 12 hours yadda yadda we all know this part.

He has got it BAD for one Evan Buckley, who he only calls "Evan" which according to LFJR is a conscious decision by the writers, which fascinates me.

He was willing to take a chance with a man just discovering his sexuality BUT wasn't willing to put himself through that if the man in question wasn't ready for it. When Buck showed him that he was, he was all in.

He does NOT take his coffee like that.

Oh and

He's a beast.

This is VASTLY more information than we knew about ANY of Buck's previous girlfriends with the possible exception of Abby. Even Taylor did not get this much development over 20 episodes (things we knew about her: she was an ambitious and ethically flexible reporter, did not eat fudge, had a dad in jail, and sometimes jogged for exercise, she was capable of being nice and did love Buck, I believe). And as for it being fast? Sometimes it just be like that? A relationship doesn't have to have year(s) of buildup. Sometimes people do just meet, like each other, and start dating, in fact in the real world that's usually what happens. It's in TV Land that you have to have eighteen seasons of UST before pulling the trigger. Most of the time in reality people just vibe off each other and decide to go out and THEN they learn about each other.

And they've got a great start. You'd think they'd barely spoken by how a few naysayers are talking about it - the loft scene was like a solid five minutes of very open conversation, the Cringe Date seemed to have gone well and again, open and honest (if cringey) conversation before Cockblocker Eddie showed up, and the coffee meetup was again....open and honest conversation. They're not gonna show us long scenes of them exchanging firefighting stories and workout preferences (I mean, I'd watch that, but it's not what the show is about).

In conclusion, anyone saying he's poorly developed or the relationship is "out of nowhere" either is being willfully obtuse or has ridiculously unrealistic expectations for relationships and/or what constitutes character development.

As for whether they have chemistry, that's a matter of subjective opinion. Given that a TON of people watched that harbor tour scene (even when it was posted as a sneak peek) and started going "wait...what's going on here...are they flirting??" might be a clue. People were talking about Bi!Buck maybe happening with Tommy based solely off that clip of the harbor tour and what they were seeing between them. And imho that loft scene was crackling. But we all see things through the lenses of our biases, myself included.

Got that off my chest, whew.

[thelostconsultant]

Secrets

pairing: Lestappen x reader

summary: Charles convinces you to join his relationship with Max.

warnings: Well, not much, except for mentions of sexual activities, unprotected sex (wrap it, guys) and pregnancy.

note: Just little snippets stitched together to give you a glimpse into their life.

The plan began to form in Charles’s head when it was announced you would become his race engineer from the 2024 season. As you got closer and got to know each other better, he began to flirt with you, making it quite clear that he wanted something from you, and when he kissed you for the first time, feeling it in his bones that he got you, he finally told you the truth. 

“There’s something you should know,” he told you softly with his hand resting on your cheek. “I’ve been in a relationship for a good… three years now, but me and my partner are looking for someone to play with, someone who would be willing to be a part of our little secret.”

“Why do you keep it a secret?” you asked him, flashing a curious look at him. 

Charles let out a long sigh as he thought about what to say to that. “We are trying to avoid a scandal.”

“So it’s someone people know. Hmm… If I was held at gunpoint and they told me to name one person you might be in a controversial relationship with, my first guess would be Max, but–” When you came to a sudden halt, he knew his expression gave away his surprise that you figured it out on your own. Well, he wasn’t that good at keeping a poker face after all. “No way,” you said slowly, your voice suddenly dropping. 

He smiled at you after shaking off the bad feeling he had. You wouldn’t rat them out, he could tell, but now he was worried you would say no and it would change the way you work together. “Now you know, but please, this has to stay between us.”

You nodded your head a few times. “Sure, I won’t tell a soul.” There was a short pause, but then you looked back at him and said, “So how long have you been looking for a third member for this relationship?”

“We weren’t actively searching. When I met you, I found you attractive, then I got to know you better and realized I like your personality too. Max heard a lot of stories about you, and he was also attracted, so we just came to the rational conclusion that we would love to have you,” he explained. 

You agreed pretty easily. Sure, you did point out that it was only a pilot period, you wanted to see if this could even work, but that was more than enough for Charles. And soon enough you fell in love with them the same way they fell in love with you, and being together in this relationship became the new normal for you.

During race weekends the two of you could spend a lot more time together, easily slipping into his driver’s room to have some fun, but times like this you usually put extra effort into showing Max how much you loved him when you got him in your company again.

Charles was in an extremely good mood in the evening, and when Max finally arrived, he was immediately pulled into a hungry kiss, his back pressed against the now closed door. “Good drive today, pretty boy,” the Dutchman praised him as he placed kisses along his jawline. “Wish we could talk a little more.”

“We can talk now,” he said before letting out a short laugh and slipping out of his grasp to move towards the kitchen. 

Max shook his head with a smile as he glanced into the living room. “Where’s our princess?” he asked with a confused look as he followed the other man.

“Left to take care of something. Actually, it’s good that she’s not here, because I need to talk to you,” Charles said as he passed his boyfriend a glass of soda, who seemed much more interested in what he was about to hear. Rolling his eyes, Charles reached out to take his hand. “Hey, don’t give me that look, I’m not planning to break up with you. I was thinking about why she wanted to go on a date. Do you think she wants to leave us?”

“No, I don’t think so. But… I don’t know, I once overheard a conversation she had with a friend or relative, and she was trying to explain to them why she hasn’t been in a relationship for a while,” he admitted. 

As he sat on a barstool, Charles let out a thoughtful hum. “It’s a good thing you mentioned this, because my idea could actually help this issue,” he began, earning a questioning look. “Maybe it’s time to make things official for our sake.” Max shook his head, but before he could say anything, he went on. “Not us, dummy. I know we agreed to keep it a secret for a few more years. I’m talking about you and her. Just hear me out. I can be seen in her company because she’s my race engineer and we’re friends as far as people know. But you? You’re on a different team, people think we don’t like each other. So if she was dating you, you wouldn’t have to feel left out even on race weekends, and I could jump over to meet her, even if she’s with you.”

With a thoughtful hum, Max rested his forearms on the kitchen island. “That’s… actually… not a bad idea,” he said slowly. “Have you told her about this?”

“No, not yet. I was waiting for you,” came the response. 

Nodding, he moved to stand behind him and wrapped his arms around his body. “Are you sure about this?” Charles let out a confirming hum in response. “Well, if she’s on board, I say let’s do this,” he replied before placing a soft kiss on his cheek.

Max woke up to the sound of you vomiting in the bathroom. He quickly jumped out of bed to see what was up with you, and when he opened the door, he saw you sitting on the floor with tears in your eyes. With a worried look, he kneeled next to you and kissed the top of your head. “Stomach flu?” he asked you softly. But you shook your head at this, carefully avoiding his gaze. “Tell me, what’s wrong? You’re hiding something.”

“What’s going on?” came Charles’s groggy voice from the door. When Max looked over at him, he saw the way he was rubbing his eyes, but then he focused on the two of you on the floor and quickly woke up. “You okay?”

You groaned, then flushed the toilet and went to the sink to wash your face. “I’m fine,” you replied defensively. 

“What are you hiding from us?” Max pressed on, knowing you well enough to sense there was more to the story. 

A minute or two passed in tense silence while they waited for you to finally speak up. Charles moved to be by your side as support, but he was stopped right away. He meant well, but this wasn’t the time to play nice. Max wanted answers, and if he had to be harsh to get them, he was willing to do it. And his strategy worked, because you finally took a deep breath and turned around to rest your hips against the sink. 

Your eyes moved back and forth between the two of them as you said, “I’m pregnant.”

Charles gasped next to him, barely able to hide his bright smile, but Max was hesitant. You had been with them for almost a year, and you had been publicly dating him for a while too, but this? This he wasn’t expecting. It’s not that he wasn’t happy, because he was. But you looked scared and maybe even ashamed, and this was killing him. So he quickly rushed over to you to cup your face with a smile on his face. 

“Are you sure?” When you nodded, he kissed your forehead. “I love you, sweet girl.”

“You’re gonna be a great mom,” Charles added as he joined you and put his arms on your shoulders. “So… I’m gonna ask. Who’s the father?” he wondered out loud with raised eyebrows. 

Shrugging, you looked down at your hands. “I don’t know. I’m on the pill, but both of you doofuses tend to forget to use a goddamn condom, so it could be either of you,” you mumbled. 

Max looked over at his boyfriend as he bit on his lower lip, feeling guilty since they had agreed at the beginning not to do this. But based on the look on Charles’s face, he wasn’t the only one thinking about this. Of course, this was nothing new for the two of them, they had discussed their preference to fuck you raw countless times, but they never explicitly told you about this. But you weren’t stupid, you just probably loved them enough to let them do what they wanted as long as you all tested yourselves on a regular basis. 

“Are you mad at us?” Charles asked cautiously, but you just shook your head. “Then what’s wrong? I can see there’s something else you’re not telling us.”

“That’s not how you wanted to become parents,” you eventually told them. 

The sentence made Max’s heart clench, and he could tell Charles felt just the same based on the look they exchanged. They had told you about their plan to one day either use a surrogate mother or adopt a child depending on how things stood in their lives. Adoption seemed to be the winning option at the time as they couldn’t decide whose biological child should it be if they chose the surrogacy option. 

But things had changed since then, a lot of things happened and their feelings also changed. Once the Monegasque nodded, Max took a deep breath and prepared to tell you what they were both thinking about at the moment. 

“We love you. Yes, we did have different options in our heads at the time we talked about this, but now you fully belong to us. Our gorgeous and smart girlfriend is pregnant from one of us,” he said with a smile as he tipped your head to make you look at him. “It’s so much better than anything we could dream of. You should be happy now. We’re here, we love you, we’re going to support you the whole time.”

On his side, Charles let out a quiet chuckle, then kissed your temple. “You’re not getting rid of us, baby, don’t even think about it.”

note2: I just wanted a little glimpse into their lives. I don't know if I should write more about them, little snippets or text or idk.

[red-bat-arse]

Working on a BillFord fic I'm internally calling my delusional au lol but I think I'd actually title it the Have A Heart AU

Wherein Fiddleford leaves the project but Ford doesn't confront Bill, and since Bill is very happy things are going well he decides to start actually flirting. His way of doing this is to give Ford gifts of possessed rats, hurt his body in controlled ways, and talk about dangerous things they could do together...

Oh, and be so distracted by infighting in the Nightmare Realm that when Ford starts spiraling into scared paranoia over the -to him -literal torture, he doesn't notice until Ford throws him out of the mindscape.

So now he's got to figure out how to fix what he broke, or he'll never get the portal running, sure, but worse than that is he'll lose Ford for good. With Stan on the way to the cabin, looks like he'll have to make a deal with Specs of all people so he can have a body to pilot -if Ford doesn't want him in his mind, they can talk on more even ground. And maybe Bill can start making up for his mistakes along the way.

Excerpt and rambling underneath;

Bill looked down at the nail wound and tensed up -what if he made it worse? What if he got it wrong again and Ford woke up and thought he did it on purpose, thought he just wanted to- what, torture him?

Did Ford think Bill hated him? Or did he assume this was all some sort of prank like his childhood bullies would pull, a betrayal like his oaf of a twin committed, or plain scorn like nearly everyone else showed him for his big ideas? For the mind that Bill thought was exceptional and shone like a star- and-

-and why was this so hard? Why was Bill even second guessing himself? He was a god! He could take care of Sixer any way he wanted and he should be glad he showed him that much care. Any other being with Bill's amount of power would've taken Ford and made him into a mere pet, would've wasted his potential instead of cultivating it, and this was stupid! Bill should already know how to put Ford back together! Ford was his! Ford was supposed to-

Bill caught his reflection in the mirror and snapped out of his spiral. The battered, unkempt body of his author stared back at him, blood slowly leaking from his eye as Ford unconsciously fought against Bill's possession.

He hadn't ever done that before. Bill wiped at the blood but just ended up smearing it around, so he grabbed a new looking washcloth and wet it, taking Ford's glasses off to get at the stain better. He cleaned the blood away carefully and closed the eye once it looked like it had stopped leaking, and when he rinsed the cloth out the water ran down the drain pink.

Ford was supposed to be fine.

"I think I screwed up," he said out loud, and it was then he realized if he didn't fix this, properly, he'd lose everything.

He'd lose any hope of the portal being completed, sure, which meant sooner or later the Nightmare Realm would finally collapse in on itself and kill everyone inside. Granted, with how bad he was feeling at the moment after thousands of years of nothing, dying like that didn't exactly sound like the worst option. Sure, Ax would be sad for a bit, the old sap, but there wouldn't be anyone actually mourning him if he went out that way.

Not even his author, not even Ford, because he'd probably be relieved. The being Bill thought he would spend the next eternity with was terrified of him and if he didn't fix it he would be relieved when Bill died. He would be glad for it and die at 92 of a petty thing like a heart attack and then they'd both be written out of existence, and that would be the end.

If there was one thing Bill hated at this moment, it was thinking about Ford ending. He'd caused so many others over the years after that first unintentional one, after bringing Euclydia to an end, and he hadn't cared at all, had reveled in it even, but with Ford the notion was wrong, was awful. And the idea of Ford dying hating him and being glad to be rid of him, it made his entire shape seize up in distress.

Ford had rejuvenated him, brought him back from an apathetic husk of a being through nothing more than his mind and his charms, and look how Bill had repaid him.

Notes;

explores the idea of Bill not really understanding why humans work the way they do -such as hallucinating after days without sleep and reacting badly when the being possessing their body starts hurting it without explanation -but having to reckon with it if he wants to keep Ford

he's from an extinct dimension and's been around for millennia, and Ford is the first being in general he's ever actually liked -this is not a recipe for well-meshing love languages. i was like "what if Bill actually thinks giving someone a wound they can easily heal is like, the highest form of showing love"? what if he saw the aftermath and went "oh shit i fd up" and wanted to fix it? could something like that even be fixed? not with canon Bill, certainly, but i saw someone point out that if Ford were a touch worse of a person or Bill were a touch better, they probably could have been happy together, so in this AU -spoilers -i think it could be fixed

will be posted on my ao3 later today

[thoughts-i-have-had-in-passing]

The Spock Universes Theory of Star Trek

Recently I made a very quick, late-night reply to a post in which I mentioned my ‘Spock Universes’ theory which to my surprise ended up being somewhat popular with the people, and so I have decided to give it its own post.

The theory is simple. Every time Spock is played by someone different on screen you are watching a different universe’s timeline.

Why does this work? First off it is canon that there are different universes. For one, the Animated Series was disavowed by Gene Roddenberry as not canon, which by extension means it had to have taken place in another universe, but we also have the mirror universe  which continues to exist even when we occasionally wish it didn’t. So Star Trek was doing a multiverse from almost the very beginning. So what is the easiest way to tell them apart?

Spock.

Spock is the key to the whole multiverse. Behold:

TOS: Nimoy Spock, Prime universe

TAS: Voiced by Nimoy but disavowed by Roddenberry, ‘Animated Prime’ universe in which everything that happened in Prime Universe also happened here, but everything that happened here did not automatically happen in Prime.

Star Trek Movies I through VI: Nimoy Spock, Prime universe

TNG: Nimoy Spock appeared in Unification Parts 1 and 2, therefore TNG is in Prime universe

Star Trek: Generations: No Spock. NOT PRIME UNIVERSE.

The evidence: In the TNG episode Relics the crew discover Scotty, played by James Doohan, trapped in a transporter buffer on an infinite loop. This is considered god-tier engineering by Geordie, who did not believe it was possible despite 70 years of advancements in the engineering space (more on that in the SNW section).

Scotty makes a comment that he thought Kirk got the original Enterprise out of mothballs to come looking for him, and was saddened to find out this was not the case. In Generations, Scotty is present when Kirk get pulled into the Nexus and everyone think he is dead. In Prime universe Scotty was not there or he would not have made this assumption, however there is one person who has to be there in order to determine if the universe is Prime: Nimoy Spock.

Who was originally supposed to be there according to the original script? Nimoy Spock.

Who forced a change to the universe by not showing up? Nimoy Spock.

In Prime universe Spock was there instead of Scotty, who had not delayed his retirement to see off the Enterprise B and instead was already on his way to the Norpin colony when Kirk was ‘killed’ the news reached the colony but not the ship, which because it never made it meant Scotty never knew Kirk was gone.

It is important to note that everything else happened the exact same way, except Lursa and B’Etor got hold of a much better ship solely because I said so.

DS9: In the episode Trials and Tribble-ations, the crew was thrown back in time to the days of the original Enterprise, in which Nimoy Spock appeared, even without the various TNG crossovers it’s still Prime universe

Voyager: No Spock, but pilot episode crossed over with DS9, and the character of Barkley crossed over from TNG on more than one occasion. In addition, in the episode Flashback there was an appearance by Captain Sulu, played by George Takei, who was last seen playing his character opposite Nimoy’s Spock. Most likely Prime universe

Enterprise: Predates the Spock schism and therefore theoretically belongs to all universes. It has been referenced in several of the newer series in various ways, however there is a continuity issue in regards to the Klingons, which may mean that the event which lead to Spock being played by someone other than Nimoy happen even further back in the timeline, with the majority of changes being negligible by the time of Enterprise other than the Klingon ridge thing, which Discovery and SNW do not follow

‘Kelvin’ movies: Two Spocks. Nimoy Spock is specifically stated to come from the future Prime universe and the events featuring Quinto Spock are now a new, branched timeline. Further proof for the theory.

Discovery: Peck Spock, new timeline. Other notable changes include the style and advancement of technology and the fact that the Klingons appear to have solved their forehead ridge-flattening troubles, plus added extra for good luck.*

SNW: Peck Spock, crossover with Discovery. Peck universe. This also means that major continuity changes like the Gorn being both known and evil monsters are due to the different universe. In addition, Dr. M’Benga hides his daughter in a transporter buffer to slow down her illness. As previously mentioned, this was god-tier engineering when Prime Scotty did it in 2294, however in this universe technology is more advanced as no one bats an eye at the doctor’s technical prowess when they find out what he did.

Prodigy: Nimoy Spock facsimile which uses Nimoy voice recordings, Prime universe

Picard: No Spock, pick your poison. Basically because there is no Spock this could be Prime or it could be the same universe as Generations. Clearly there are a lot of similarities between Prime and Generations universe, but as the ending shown in All Good Things is not the one we see in Picard, it’s possible, likely even, that we have crossed universes again. I blame Q.

Lower Decks: Somehow exists in a universe where all shows are simultaneously canon, including TAS, probably due to some weird phenomena  

*Challenges to the theory and how it has adapted.

It was pointed out to me that Michael Burnham watches a recording of old Spock once she goes to the future, and that this recording was of Nimoy Spock, and so I have had to alter my theory slightly.

The Spock Checkpoint can only be done when Spock is a young man. This is because once Spock approaches old age, regardless of who has been playing him, he begin to morph into Nimoy Spock. As Mr. Nimoy himself claimed in his second autobiography: I am Spock.

Dude wasn’t kidding.

Personally I find that this theory helps me deal with the more extreme continuity issues that NuTrek has brought to the show. It's easy to pretend that Turnabout Intruder's claim that women can't be captains never actually happened, harder to believe that everyone met the Gorn except Kirk, and that somehow they demonsterfied in about five to ten years, or that a doctor could rig a transporter as well as a master engineer with technology forty years more advanced. Spock theory has calmed my mind and soothed my soul so I can better enjoy Trek. I hope if you felt the same way then it can do the same for you.

Thank you for reading my waffle.

[genericpuff]

Hey so I have a question-

Is Rachel even contributing to LO's art anymore? Like, at all?

CAUTION: MILD FASTPASS SPOILERS AHEAD !!!

I've talked at length about the 'tells' of each assistant and artist, and while it doesn't guarantee that I can tell exactly who drew each panel, there's one thing there's been a lot less of in the most recent episodes that have caught my attention - things that I know Rachel would typically contribute.

And most of it comes down to her lineart.

The shading was always her, no doubt about that, you could tell with how consistently awful it is, how she would take actual decent flats from her assistants and proceed to butcher them with muddied shading.

AmyKim89's flats vs. after Rachel's gotten her hands on them:

(seriously Rachel why tf did you darken Persephone's legs here, it looked so much better before ??)

But there was also her lineart which, at first, I didn't realize who was drawing it. It didn't show up super often in LO but it was always very noticeable when it did so I knew it had to be someone on the team doing it:

The thickness of the lines and the extra little strokes added in along the knuckles and bends, that wasn't something that was really common in LO at this point... at least it hasn't been since S1:

And when comparing it to the lineart she used to do in The Doctor Pepper/Foxglove Show:

(look at the mouth in The Doctor Foxglove Show vs. Hera in the pilot version of LO, they're literally the same)

So yeah, it was certainly the revelation to discover that that one instance of "weirdly detailed lineart" wasn't one of her assistants having a little extra fun, it was Rachel herself. It was already so uncommon for her to contribute all the way back in S2 that her contributions seemed to be more of the exception rather than the norm.

And since seeing the art that's been in the newest FP episodes following the return of the series... is Rachel even drawing at all anymore? Because lately the lineart has felt very thin, in a way that I can't tell if it's her assistants just doing all the lineart now or if she's trying to emulate S1 LO more by using less lineart. But S1 didn't have thin lineart, it had very thick lineart, BUT only being used where necessary to emphasis shadows and depth.

Now the lineart feels very... dinky? Especially when you look at the eyelashes.

That said, there are moments from S1 that had similarly 'dinky' lineart, so take this with grains of salt. It still didn't feel as dinky though as it does today where the lines are practically non-existent in how thin they are.

There are also times when you can tell they're really trying to emulate that S1 look, the pieces are there but they aren't being put together very well:

So yeah at this point I wouldn't even be shocked if all Rachel's doing at this point is scripting and roughs. And considering there are definitely times where she'll just draw without knowing what to write, the 'scripting' is also practically non-existent. It's just her leaving her roughs off to the last second for her assistants to whip out with very little time to pay attention to what's being submitted.

Once again it's Rachel fundamentally missing the point of the criticism that's being made of her work. She's trying to forcefully emulate something that she didn't even have a process behind. I can attest as someone who's been trying to do studies of her past work to recreate it as faithfully as possible through Rekindled, it's very difficult to achieve the 'old LO' look because 'old LO' was literally just Rachel slapping down brush strokes until they looked good, there was no specific process or guidelines that she followed, she just made things look textured and colorful. Everything else was basically up to her figuring out what actually looked good, with panels often having their own vibes separate from others in isolation of one another.

Now she's trying to replicate that look while missing the point entirely that it's not something she can really replicate anymore. Though we do get the odd panel that's way closer to the point, those panels have one thing that she's clearly not putting into the comic as a whole anymore - love and effort.

(fr this panel is so gorgeous but I feel like at this point it was more sheer luck because of how rare it is to see panels like these nowadays, this feels like an accident LOL)

Case in point, this honorable mention towards Persephone's outfit which is literally just a color-swapped version of the sketch that Rachel posted to Blue Sky that got meme'd to death in the ULO sub:

Did you catch that though? The weird dark patch over her boob and the gap in the lineart of her cleavage?

That's because they copy pasted the first panel and then erased out the hands, but missed the part of the hand shading that was overlapping the breast and the gap in the lineart.

I shit you not, Rachel coming up with memes on Blue Sky that she's scraped out of shows she watched 20 years ago is basically the full extent of her writing at this point.

Haha take a thing and make it bigger! So funnyyyy!

(seriously Rachel's 'humor' feels like it's stuck in 2010)

Yep, you're really earning that #1 NYT Bestseller label that you haven't even gotten since Volume 3, Rachel. Put your hand down, there are no high fives for you here.

[pinazee]

Weekend warriors is one of my fave episodes for a multitude of reasons

The way Shawn flirts with Sally Reynolds at the briefing was fantastic. Shes such a memorable one off character and she doesn’t really do much. I credit that to Clair Coffee and her dazzling smile.

One of the best moments of Shawn showing just how amazing his memory is, and the little montage was wonderfully set up. But Gus really shouldn’t be surprised by now. Out of everyone (except maybe his dad) he should be the least amazed by his gifts.

It has my favorite most stupidest joke i still laugh at to this day actually ive been promoted. Its Captain Crunch now.

I have a deep appreciation of this show for never shying away from the fact that Gus is black. It seems like a lot of 00’s shows simply avoided the topic altogether (if they even had a black main). Starting from the pilot when gus placed his hands on the dash when the cop pulled them over. It goes to show how important it is to collaborate with your actors, particularly if your writing room demographics don’t correlate with your acting talent.

The fuck are you talking about henry. It took him 4 months after he was born to smile at you and thats when you acknowledge him??? I mean, i think they both know thats crap, but still lol

Solid Juliet moment. I love that they showed she was scared, but was brave enough to continue. Too many shows try to do feminism by making their female characters not feel fear for some reason? Or like, they’re kind of crazy and seek it out. Idk. Its nice that shes allowed to be afraid and vulnerable. It makes her feel like a real person.

THIS!

That end scene is the saddest fucking thing ive ever seen, and might be the most heartbreaking little shawn moment in the series. Im going to word for word this because i need ppl to share in my awwws

Shawn: Gus, when we grow up, think ill ever be as cool as you?

Gus: You’re better at kickball

Shawn: Not what I asked

Gus: We talking about your dad again?

Shawn: mm-hmm

Gus: Come on dude, the guy respects you

Shawn: Not like he does you

Gus: I’m not his son. I mean, he might like me okay, but he loves you

Shawn: Did he say that?

Gus: No.

Shawn: Well then how can you be sure?

Gus: You mean he’s never said it?

Shawn: Come on Gus, we’re guys.

SO MUCH TO UNPACK HERE but i’m going to do that in my henry analysis ep. Theres just too much to say.

[lover-of-mine]

Lady Whistledown. I totally understand if you don't post this. Huge no worries because honestly, their fandom is on fire, and it makes me sad the hate they send you. Like it's a damn ship, people. Just stop.

But to get where we are now you sort of have to go back to the beginning of epsiode 4 last season then repeat after every sentence their copium after 24 hours of rage was "well duh the Buddies are crazy so of course ". Oliver only posted he and Eddie for his coming out episode. Oliver never followed or promoted Lou and now they even admit there is bad blood. Oliver never talked to them only Lou took the money. Oliver gave too much attention in the BTS of the medal ceremony to Ryan. Oliver didn't talk about bisexuality in regards to Tommy only to the fact he is. Oliver never promoted interviews. Oliver posted more of Gerrard this season. Oliver flirts too much with Ryan. They didnt get Hen approval scene. No JLH scene after she said they filmed in the same building. They never got the family scenes of Christopher with his 3 dad's. Got more Eddie and Tommy. More Tommy and Eddie. Tommy was supposed to be a main. And as always they would throw Buck off a bridge to get Eddie and Tommy.

So now we lean into Narnia. They had a high after the first episode. OK he's there. But honestly after the initial time. It was a nothing scene. It was about Eddie. It could have been 2 friends teasing each other. Then everything fell apart after that. He wasnt with Athena. He didn't save the day. He didn't have a double date breakfast with Bathena the day after. The worst? They used his truck and he wasn't even there. There is a lot of chatter of the story is narrowing. All they wanted was a 118 family dinner. But he was iced out. Now it's pretty excepted he's not part of the 118. He will be regulated for however long to just Bucks partner. Saw one rage that at least they used Taylor in her job and they couldn't here. We are clearly going into Eddie's isolation arc. They hate his interviews that came out today. He won't be the one to get Christopher back. They basically lost all of their hopes. His story now is how Buck resolves Gerrard issues. Oh and weird fact they seriously thought that when Lou came out of hiding for ABs birthday that it was proof the Athena Tommy connection. She had his back. And well we know how that worked out.

Back on grass. Its been sort of wild to see them keep lowering their bar to make themselves feel better about the story. Well we didn't see Karen sort of thing. Oh but also an annoyance at Josh with Maddie. Apparently in their world there's a limit to queer people and it can only be BT and Henren.

Hello my love 🩷🩷

This made me giggle, ngl. Each episode proving their spec wrong was awesome lol. He was there for 30 seconds and had 2 lines and they were expecting him to be everywhere. It was extra sweet to see a black child do the thing they were convinced he would. He wasn't on the plane. He wasn't on the highway. He wasn't lowered through the hole in the cockpit. He wasn't on top of the truck. Buck didn't even mention a little plane fact he learned from him. He was only in the story when he was on screen and he was barely there. And now the conflict with Gerrard can't be good for the relationship considering his past. Of course they hate Oliver even though Oliver is the main character and he's made it very clear where he stands when it comes to them, but the flirting too much with Ryan made me scream. They are so mad they rpfing. I kinda love that they want more of Tommy and Eddie but even though he was in a scene about Eddie, he did not interact with Eddie, not really. I guess living of "you're a vision in a cone" is not good when there's a plane emergency and he's not there. And yeah, the show did find a way to incorporate the journalist, if they wanted to incorporate the firefighter pilot, they would, too bad they don't. I did not see the bathena breakfast spec, that one is funny as hell. I wanna say I can't believe they actually thought the comment was a message but, I totally can, and that obviously didn't go anywhere. And of course they are turning on Josh, why wouldn't they. I will say their cope has been glorious to read, like my god you guys are so close to the point and missing it. I can't imagine how mad they must be behind closed doors.

[samiiola]

How can anyone hate her 😭😭??

I just saw a tt that said "cry harder uzi" while showing Alice torturing uzi. She didn't do anything 😭😭

Some others are saying pilot uzi is better and that uzi rn has changed. They're also saying she's a pick me.

The angsty uzi we know from the pilot had no one. She had no one to care for her, except for thad. That's until N showed up, and then V started to care for her in ep 6. Uzi just found people who actually cared for her and they're breaking her angsty teen shell.

also, @toomanyhyperfixationsinmybrain thanks for pointing out that Uzi is getting blamed for V's "death" We're not gonna forget that her arm got CHOPPED off and that shes getting possessed by the absolute solver. She was also laying down in the elevator because she was too weak since her arm got chopped off and the absolute solver possessed her for 5 seconds at least. Not just that, she coughed up BLOOD. Not oil. Uzi isn't at fault, Doll is.

[dragonform]

Lurking on some Ninjago communities is driving me batty, so let me just get this out here.

"oLd NinJaGO wAs BetTeR"

"JuSt LeT nINjaGo dIE"

Look, buddy. Lemme tell you a story. (Buckle up, this is gonna be a long one.)

Last year, my kid Ry was six years old. Prime Ninjago age. He had already started watching Lego shows, and in fact already loved the dragon sets from Ninjago (we got him the sets for 4+ years the moment he was old enough to follow the instructions), but was a bit hesitant to start the show because some of it looked scary.

We started with Dragons Rising, because it was new at the time and Netflix was pushing it. As we watched, we got the sense that there was a lot of history behind it. My husband and I already knew Ninjago had been around for a while, having seen the sets in shops. So I looked up the history of the show to see how much we needed to catch up on.

"15 seasons!?" I yelped to my husband.

"Has it been around that long???" he responded.

We were happy, of course, that Ry had found a nice long Lego show to watch (we generally love Lego shows in this house, they all seem to be of much higher quality than other kids' tv shows out there. But I digress.)

We started from Season 1. Somewhere around Skybound (yes, ok, I know), it dawned on me that not only was Ry enjoying the show, I was enjoying the show. The scenes looked ridiculously cinematic, larger in scale than what Lego Minifigures should reasonably deliver. The action and fight scenes were ridiculously complex and fluid for little square plastic people. The faces far more expressive than what's basically an emoji printed on yellow plastic should allow for. And the characters and writing? Light years more compelling than any Hollywood superhero movie in recent memory.

"This show is ridiculous," I said to my husband, amazed.

One year later, we've collected almost all the sets we could find, and Ninjago is officially our favorite show in the entire household. Not Dragons Rising. Ninjago. All of it, from beginning to end, including the pilots and Day of the Departed (in both English and Chinese), all of it. Ask Ry if he prefers "old Ninjago" or Dragons Rising, and he'll tell you old Ninjago without hesitation. But he will cheerfully rewatch DR anytime. (We're rewatching DR S1 for the fourth time as I write this.)

What I'm trying to say is, you (imaginary OG Ninjago fan) may not like Dragons Rising, but it's how kids nowadays are discovering old Ninjago. To say it should end just because you don't like the changes? Is basically saying you're so selfish you don't want to share your childhood with the kids of today. Old Ninjago isn't going anywhere. You can rewatch it anytime. I hate New Ducktales because I grew up with Old Ducktales (jeez, now everyone knows how old I am) but I don't wish they never made New Ducktales. There's a whole new generation waiting to discover the same joy and wonder you felt watching your favorite shows. Let them watch it.

And before you say my kid and I are the exception, have you been to Legoland lately? The Ninjago rooms and ride haven't been updated since the Tournament of Elements. That's 2015 - almost a decade ago. And you know what? At our Legoland, the Ninjago rooms still go for a premium because the demand is so high. The Ninjago ride still boasts one of the longest queues in the whole of Legoland. The kids' t-shirts sell like hotcakes.

Just yesterday, at the mall, I watched a random girl, about 8 years old, sit down and pull out a copy of The Book of Elemental Powers (released in 2021) and read it. Ry has a copy of the same book.

Kids nowadays love old Ninjago AND new Ninjago. I don't know who needs to hear this, but it's right here for whoever does.

Ninjago is amazing and I wish it many long years ahead for the generations to come.

[nose-nippin-fun]

Hazbin Hotel Episode 4 Discussion:

I’ve seen a lot of nasty posts floating around today criticizing Vivzie and the show. I’m not here to discredit your feelings, but I think that the darker tone of episode 4 merits some constructive discussion beyond a knee-jerk, pearl-clutching reaction.

From what I’ve seen, the biggest complaint from viewers, myself included, is that this emotional episode with some fairly intense depictions of SA/r*pe was not prefaced with a content warning aside from the usual small text in the top left corner. I truly do believe Amazon should correct this going forward so that viewers can feel better prepared for tone shifts between episodes. That being said, here are my defenses of the show.

Hazbin Hotel has had a huge fan following since the pilot release back in 2019, which set the tone of the show. Between the pilot and Addict music video, people had a pretty clear indication of the adult themes that would be present in the project moving forward. The show is set in Hell, the place where the world’s worst sinners are trapped in the afterlife. This is not an excuse, this is an explanation. There are going to be several characters with tainted morality, some of whom are irredeemable. That’s why they’re in Hell. This show is not meant to glorify sins, but to shine a light on flawed, relatable characters who will grapple with ethics and other struggles and come out changed in the end.

“I can’t believe Angel doesn’t leave his situation and stays stagnant.” Have you ever lived through/witnessed abuse? It is never this easy to sever ties with an abuser. They position themselves in power to control and manipulate, and many times, it’s not physically safe to get away from them. Also, this has been ONE EPISODE, you cannot expect a character with deep trauma to be totally different after a 20-30 minute episode. Angel’s character arc will take time, but his interaction with Husk at the end is an important first step in that direction.

“So Angel is supposed to just get over his trauma because he and Husk sang a song about it?” No. If that was your takeaway, I’m truly sorry you missed the point. Husk is the only person who’s been raw and blunt with Angel (on screen) about dropping the Angel Dust persona and being Anthony. Angel is used to having to put on a flawless, sexy act at all times, so much so that that’s how people really believe he is at all times. Husk sees through this mask Angel developed to protect himself and tell him through their song that imperfect and broken as he feels, Angel isn’t alone in struggling with feelings of powerlessness and addiction. He’s not comparing his loss of overlord status to Angel’s horrible SA, he’s finding common ground and empathizing (the best way a Hellbound soul can). This song wasn’t a solution, it was a gateway to vulnerability and the beginning of change for both characters.

“We’re expected to just ship Huskerdust after Angel has done nothing but sexually harass and push Husk’s boundaries?” No. That’s absolutely the wrong reason to ship anything. While it’s true that in the first three episodes, Angel sees Husk as eye candy who might be able to distract him from his suffering, episode 4 brings a necessary shift in their dynamic. Angel is used to everyone around him wanting Angel Dust, the pornstar. But for the first time, someone doesn’t want that coveted persona, and he can’t comprehend this. Angel has no control over anything except the act he keeps up, so he clings to it as a false sense of power. It’s only after Husk tells him that he likes Angel for everything he is off camera that Angel starts to treat Husk with respect, which will pave the way for any future Huskerdust shipping.

You don’t have to agree with what I’ve written, and I absolutely don’t blame you if you’ve realized this show is not content you can comfortably consume, but please understand that depicting difficult material is not the same as glorifying or excusing it. This episode was hard for me too, because I care about Angel Dust, and I am so eager to watch his growth as the show continues. My heart goes out to anyone struggling from triggering this episode caused. I hope you’re able to safely navigate away from this show while respecting the viewers who continue to watch.

[jasongotdrip]

i had a thought. again. this may be one of my biggest yaps. +2 tiny arts included. Except it’s all horrible. It’s 2:30 am and I’m running on just straight brain power😭

wtf was charlie doing walking around during an extermination💀)

I had a daydream except it’s 2:30 am so night dream except im not really asleep but whatever. I imagined charlie found her and brought her back to the wherever and she just started YAPPING. Because she’s excited to have someone around, probably. She’s a lonely lil princess. I was thinking of a lot of different scenes this could happen in but I thought of this one the most. Charlie knows Vaggie is a “sinner” so she just casually mentions how she’s the princess, knowing (but not caring) about how most sinners disrespect her while even knowing her rank. So like she doesn’t care because she knows ‘this person won’t treat me better’. Or smth. Idk. Anyways. Keep in mind they’re not in the alley, but instead they’re… somewhere. Does charlie own the building of the hotel yet? Idk but we’ll just say yes for now because I don’t know where else they would be. Not Lucifer’s place, obviously.

but still, how/when did vaggie find out that the random girl who picked her up off the street was the literal PRINCESS OF HELL

P.s. charlie probably clipped vaggie’s hair out of her face for the sake of the bandage but i was too lazyz to draw it

CAN I JUST SAY??? CHARLIE WAS KIND OF ASS IN THE ALLEY SCENE. LIKE. WHY ARE YOU TUCKING YOUR HAIR BEHIND YOUR EAR. YOU CAN NOT BE DOWN BAD ALREADY LIKE I KNOW VAGGIE IS HOT AND SMEXY BUT GODDAM. LIKE YOU FIND THIS EYELESS WOUNDED GIRL IN THE STREETS AND ONE OF YOUR FIRST REACTIONS ARE LITERALLY WATTPAD LOOKING. (*tucks hair behind ear cutely snd looks away*) LIKE SHUT UPPPPPP.. I LOVE CHAGGIE BUT… THAT JUST IRKED ME. CHARLIE WOULD BE “OH NO I HAVE TO HELP THIS PERSON BECAUSE CLEARLY THEY GOT HURT FROM THE EXTERMINATION!! I HAVE TO GET HER PATCHED UP OR SHELTERED!!” NO!?? INSTEAD, SHE JUST TURNS FRUITY. OF COURSE SHE IS FRUITY.

i am.. so sorry for that. um. Anyways.

I like to imagine Charlie took Vaggie home, washed her up and they have a slow burn starting somewhere in there. Vaggie probably listened to all Charlie’s rants and dreams, while helping her slowly kick start the hotel’s physicality. They become better friends and begin to trust each other. because like, they’re all they got. Vaggie has no where else to go and charlie has no one else as loyal as Vaggie. So naturally they become dependent. Then romance ✨

. I know what i said about charlie tucking her hair behind her ear, but she was probably just noticing how pretty she was or sum. But still, you are in the middle of a warzone honey please stop being gay for a second 😭

but who had feelings first? Charlie, maybe because she already thought vaggie was pretty. But there’s also vaggie.. like of course she’s going to grow fond of someone who picked her up and started taking care of her when no one else would. Maybe they both started at the same time lol

No one really knows when they met Angel Dust but obviously before pilot right? I thought of a funny interaction that would kind of help the feelings be more known, if they weren’t established before they met Angel. Like there definitely are feelings in the air but they’re brought to attention by something snarky Angel Dust says when they first meet

THERE ARE SOOO MANY THINGS I COULD PUT FOR HIM TO SAY BUT I JUST CHOSE THIS CUS HE DOESNT HAVE A NOSE

Vaggie: CAN YOU SMELL MY FIST IN YOUR FACE??

then chaos. But like.. charlie and vaggie think about it. Then idk. That’s as far as my brain will take me. Hyperfixations help me yap a lot but it all stops at a certain point. There are so many ways chaggie could have been developed so it’s hard to just say one. So i kinda jjst want to see how it goes and how much they’ll show us of their backstory. I’m sorry for yapping.😭😭

[gremoria411]

*The following contains spoilers for Mobile Suit Gundam: Requiem for Vengeance*

This is a follow-up post to my earlier one covering the first two episodes of Mobile Suit Gundam: Requiem for Vengeance. I’ll link it here but I’ll probably be covering a lot of the same points

I’m also going to completely give the game away right now: I don’t find Requiem for Vengeance to be a good show. Probably the nicest thing I could say is that that the designs are nice. It has some good ideas, it just really mangles the execution.

A lot of these are notes I made as I was watching the episodes, and I specifically rewatched episodes 4 and 6, because I’ve got a lot to say about them relative to everything else.

Characters

Is the only reason they made Iria a mother so they could justify her empathy towards the enemy pilot!? Like motherhood isn’t a necessary component of caring about other humans. You can just do that.

Follow-up: Iria doesn’t really express much affection towards her actual flesh-and-blood child during the show. He’s presumably in Zeon somewhere, but he never appears except in photograph. But her actions at the end of the show….. really don’t help.

Major Ronnay’s odd. Because he kinda feels like the only sensible character/the only character who’s aware of the wider situation - the war’s starting to turn against Zeon, and shifting to shepherding his resources to compensate for disrupted supply lines feels like a good decision at this point, not picking fights with the Earth federation’s newest prototype. Ronnay also marshalls the group’s evacuation from Earth. Yeah, he’s mean to the protagonists, but he’s under a lot of stress and he’s in charge of a worsening was situation. It’s just quite odd to see the only character who indicates a wider understanding of the conflict presented so negatively. That said, it’s not like he’s really immune to the bad acting and dialogue. When talking about dead civilians in episode 4, he sounds more bothered that they died for something so measly, as opposed to the fact that they were innocent people caught up in a war that had nothing to do with them.

I really don’t like Captain Zydoss. He kinda just exists to verbally explain other characters backstories, or to tell other characters that they’re in the right. There’s no real character here. Man straight-up says: “Those soldiers? They were just doing their jobs.” That is not a line I’m really enthused about hearing in a show like this, because it makes me question what the fuck the writers were trying to say here.

I kinda already made a post about this, but I really don’t like Yuri Kellerne in this. The design’s awful, he only shows up to say to the viewers “Yeah, Iria was right, also she’s a cool dude who doesn’t afraid of anything”. He doesn’t really do anything, and it just feels like a “see 08th MS team fans, it’s that character you like!”.

To be honest, I didn’t really have strong opinions on the other characters. There just isn’t a lot there to care about honestly.

Story

Okay, so “War is Hell” just isn’t a theme here. That’s kinda the main problem. There’s no real attempt to humanise the Earth Federation or present them as anything other than largely faceless. I’ve noted before that “War is Hell” is kinda the main thing that makes Gundam work in my opinion, because it’s really noticeable if it isn’t there. It’s just a very by-the-numbers military series. There’s no real “hook” or idea that it’s putting forward. It might’ve helped if Iria’s squad mates had been better characterised, so there’d be a sense of them having actual plans beyond the war. But, ultimately, they die because of the federation’s new mobile suit - not because war is an ultimately horrifying and tragic thing. The presentation just doesn’t line up for me at all.

I do think the emphasis on the watch is good, because it emphasises that time is running out for Zeon. But it never really comes up again after the first two episodes.

The voice work really brings it down, because there’s just no way for the scenes to have any real gravitas or impact when the voices are this poor.

I think another problem is that the opening episode(s) with the Gundam sell it as a threat too well - it effortlessly wiped out Iria’s entire team, as well as numerous other Zaku’s that challenge it while Iria’s scrambling around in recovery. It shrugs off machineguns, bazooka’s, a fuel tanker…… so any attempts by Iria to bring the fight to it just feels utterly stupid, because there’s no real reason it shouldn’t just wipe out another two Zaku’s. The fight in episode 4 is particularly obvious - the Gundam just slowly approaches, it’s doesn’t exhibit any of its trademark speed and never presses the advantage. There’s never a sense that any damage dealt to it is “earned”, it just takes a hit because the plot demands it.

Okay, the dress turning to blood thing was ambitious, and if it had worked would’ve been really cool. But fabric and liquid are hard to animate at the best of times, so one to the other in a show like this was never going to pan out.

You can really tell this was made by former transformers alumni. Not that that’s necessarily a bad thing, just some of the shots are very transformers-esque.

Wait, doesn’t Iria’s comment about not shooting disembarking pilots directly contradict the actions of the federation forces earlier in the show? Also didn’t she just tell her squadmate to kill him? Oh, getting out of his mobile suit and trying to escape in order to come back in a fresh suit? Oh well, it just wouldn’t be sporting to kill him now, better let him go.

“I wasn’t aiming to take out the pilot! This is our best chance to take out the Gundam!” “At what price, lieutenant?” I dunno, two enemy combatants that were just trying to kill you? And have killed your allies? In a warzone? Seems like an odd time to develop a conscience, Iria. It’s not necessarily off-brand for Gundam, but it’s just so hackneyed. Iria recognises the Gm pilot and later the Gundam pilot as human exclusively, but the infantry and tank gunners were apparently fair game.

Follow-up: Iria also randomly spares a Guntank in episode 6. A Guntank that could very easily shoot down Zeon HLV’s that Iria is currently defending. I feel like that was unwise.

To be clear here, I’m not criticising the decision to have Iria spare characters, I’m criticising the decision to present it in this way - it causes Iria to come off as hypocritical and careless to ignore active threats, and the rationale of why she’s sparing them never comes up.

The URMC guy helps the cast attack the enemy (such as in episode 4). Doesn’t that kinda spit in the face of his neutrality?

Oh hey, I was so busy talking about the poor character writing that I almost forgot to mention the false flag operation. Y’know, that thing that is illegal under wartime law? That the characters commit when they dress up as Federation forces in order to steal the GMs? Yeah, that. Like, I know it’s par for the course in shows like this (like 0080), but it still feels odd to see it presented in such a heroic fashion. It just would’ve felt better if the characters had acknowledged that it was a sketchy/desperate thing to do (like 0080), rather than playing it completely straight.

It kinda feels like they came up with the title first, and then introduced elements to fit with it - Iria being a violinist just feels very vestigial, and vengeance…… either isn’t a theme or it’s badly executed enough that I didn’t notice it (characters talk about it a lot, but not to any real purpose).

Okay, the combination of character animation, voice work dialogue and the fact that Iria probably has a concussion makes the fact that Iria decides to pilot her Zaku in episode 6 (unintentionally) really funny. Because she’s giving this big dramatic speech with swelling music, but it genuinely just feels like this is the shock and concussion talking, so I just expect her to step on to the truck and fall flat on her face.

We can swear now, great, good for us. That isn’t an excuse for the dialogue to be as bad as it is.

Alright, I fully fell off on episode 6. I’m sorry, it crosses the line from plain old regular bad to hilariously bad for me. It’s like the hyper-realistic faces coupled with the absolutely terrible animation and voice acting just blends together into something completely farcical.

“Machineguns are not effective, aim for the treads” *continues firing*. Also, did they just forget that guntanks have missile launchers?

There’s kind of no real sense of flow to the fights either. Everything moves as fast as it needs to. Stopping stock-still in the middle of a combat zone is a death sentence, so it’s really noticeable how frequently Requiem for Vengeance stops fights so its characters can have dramatic conversations. This is very, very noticeable in episode 6.

Wait hang on. Iria: “The Earth Federation’s Won, We’re just trying to retreat, please let us go” Gundam Pilot: “Then surrender, if we let you terrorists go you’ll just attack us again later” Iria then proceeds to not surrender. Furthermore, Zeon is withdrawing military personnel and war material like mobile suits, which they will use against the Earth Federation in the last months of the war. Isn’t the Gundam pilot completely in the right here? But the presentation of the scene seems to be trying to put Iria in the right. But what the Gundam pilot’s saying is correct. Zeon did start the war, and will continue attacking the Earth. So it feels like the narrative is presenting the Gundam pilot as being in the wrong simply by their nature as a child soldier thrust into this war. They didn’t have a choice, they need Iria (who’s a mother, by the way) to tell them they have a choice. The narrative places the fact that they’re a mother and child over the fact that they share a common humanity. It’s such a stupid choice.

“Zeon forces were driven completely out of Europe and Asia” that’s a funny way of saying “we were driven off the entire Earth”.

Other stuff (mostly Setting and Visuals)

I do like the little Zaku ears, they’re nice.

So why is the character covered in highly identifiable Zeon tattoos considered for an infiltration? Just a note.

The mobile suits are pretty dang gorgeous.

The Gundam pilot has a Nintendo switch.

Sooooo…… no mention of why they’re going to Odessa? No reason that might be relevant to anything?

I will probably do a small post on Loum. Because this is gonna annoy me.

Can the Gouf’s fly in this? It’s really throwing me. Because they shouldn’t be able to, but it looks really cool? Maybe they just didn’t want to model Gouf flight types.

Yes, Requiem for Vengeance, I enjoyed the Gouf Custom in 08th MS team as well. Can I please have literally any other mobile suit. (Yeah, it’s cool, but it’s not cool enough to carry your entire show).

Follow-up: it feels like the writers wanted to emphasise that the Gouf Custom in 08th ms team could totally have beaten the Gundam if it had needed to. Like yeah, but that’s not important. The point of that scene (in 08th Ms Team) isn’t some kind of dick-measuring of mobile suits, it’s to emphasise Norris Packard’s character and skill, that he made those decisions in service to the wider objective (and to iterate on Ramba Ral and Amuro’s relationship from 0079). It’s not there to demonstrate how strong the Gouf is. I mean, yeah they want you to buy the models, but come on.

In case the ratio of criticism-to-praise above didn’t give it away, I really didn’t like Requiem for Vengeance. It just fails to engage with the theme I consider central to Gundam: “War is hell”. It also doesn’t really humanise any of the opposing side, which while not a deal-breaker, certainly doesn’t help its position. There just really isn’t a lot of character on display here, so there’s little to distract from the bad dialogue, stiff animation and near-comedically poor line deliveries. The human animation and writing really kill the series for me, since they just cripple the shows ability to deliver any kind of impact on its points. Then again, when its points are “The Earth Federation is just SO MEAN you guys”, it’s probably best the delivery’s as poor as it is. I don’t really know what the shows trying to say but it certainly doesn’t seem to be “War is bad”.

It feels like the writers were able to grasp gundam’s thesis of “child soldiers are bad”, but took that to be “people who use child soldiers are bad”, not “the circumstances that war creates will eventually cause children to take up arms for a cause they don’t fully understand, leaving them to have short miserable live of perpetuating the harm they have suffered upon others, as just one part of the horror that war visits upon its victims”. This is emphasised by the ending, which is pretty shit. Despite the opportunity to return home and retire, like multiple other Zeon aces did. Iria instead fucks off and joins the Zeon remnant in Africa, while stating that many of the other soldiers there “don’t have a home to return to, are consumed by hatred or yearning only for a glorious death on the battlefeild”. THEN WHY ARE YOU THERE. Why are you perpetuating the conflict by throwing in with remnant groups? How the hell is this supposed to prevent child soldiers from happening? Go home.

Plus, the way Zeon’s presented here seems kind of…… dishonest. Like it’s not incorrect or canon-breaking, it just seems to skirt around a lot of details in order to paint Zeon as, for want of a better term, “less evil”. So, we have characters mention The Battle of Loum, without mentioning what Loum was. We have characters note the worsening war situation, without engaging with why Zeon’s on the back foot. The characters retreat back up into space, but it isn’t stated what they’re retreating from. You’d expect someone to mention the actual wider war situation. I know they’re soldiers, and they’re likely fed a steady diet of Zeon propaganda - but then why not let us see that propaganda, note how the characters engage with it. Do they agree, disagree? Do they take it as gospel, accept that the principality is covering up some things or rage that it’s blatant lies? How does Zeon, the nation, its leaders and its governance affect these characters? The choice to completely ignore it seems wrongheaded and, as above, dishonest. There’s no hint of Zeon’s fractious command structure here, that the upper brass are too consumed by infighting to heed the wider war situation. There’s no mention of Garma Zabi, late commander of the Earth Attack Force, who presumably the characters would have a lot of opinions on. Requiem for Vengeance doesn’t exactly paper over Zeon’s failings, it just doesn’t mention them. I find it interesting that of the “big three” Zeon Earth Commanders (Garma Zabi, Yuri Kellerne, and M’Quve) we only see Yuri, who’s arguably the softest of the three. Like, M’Quve is right there, you guys. There’s even a Tony Takezaki illustration that could be used as a basis to adapt his design to the new style:

And M’Quve would have been the perfect opportunity to showcase Zeon’s fractious upper command. So his omission just feels glaring (much like the illustration). Major Ronnay’s perhaps the closest to being a member of Zeon High Command, but he’s essentially the stock “Commander whose orders the protagonist disregards” archetype. I *could* describe him as the most humanised out of the cast, but that feels like I’m reaching. There is Joshua Stein (the commander in the first episode, who originally calls the Red Wolves in), but he feels more genuinely incompetent, rather than saying anything meaningful about Zeon as a whole - his failings are more personal, rather than symptoms of a wider problem with Zeon Command (and in any case he’s only got around three scenes, so it’s difficult to glean anything from him).

Slight follow-up, but we’re also not told anything about the Battle of Odessa. I noted in my posts in the run-up to the release of Requiem for Vengeance that it takes place shortly before the Battle of Odessa, which was the big turnaround for Zeon’s fortunes on Earth, leading to a mass retreat back up into space. This is a *big thing* in the wider war, because it is where the Federation finally gets its momentum (and mobile suits) going and essentially forces Zeon into the back foot, a position they never really recover from. For all the series loves to bang on about Loum, it never mentions Odessa. Part of this is excusable - Zeon would likely downplay its loss as Odessa to keep morale high, and the characters may not have received accurate reports yet, but I’d just like someone to mention it - “seems Odessa didn’t go to plan” or just something like that. Because it’s the whole reason they’re retreating in the last few episodes and no-one says anything.

I’d ordinarily be pretty easy on the whole “Zeon’s War for Independence” thing, since it’s an example of how the populace of Zeon was motivated to fight, but it’s a lie. It’s a lie told to justify the One Year War (and subsequent acts of spacenoid aggression). Like, there’s no problem with the characters believing the lie, but presenting it completely straight feels off. Like, if there was just one instance where it was acknowledged that maybe we shouldn’t trust the motivation of the guys who declared war and dress like space nazi’s, then cool, but the series doubles down on this impression by Iria’s statement at the end that the war didn’t really end as far as she’s concerned. Again, no problem with Iria believing that, by all accounts that’s how a lot of Zeon Remnant Groups saw the situation but it just reads oddly when talking about the One Year War. It kinda makes the series feel like in-universe propaganda or revisionist history, because at no point does it acknowledge that maybe Iria isn’t that reliable of a narrator.

Iria: “and so, to prevent more children from becoming child soldiers, I became a deadbeat mom.”

So yeah, Mobile Suit Gundam: Requiem for Vengeance - the mechanical design and opening’s pretty nice, but they really can’t carry the rest of the show and over time the dull plot, uninteresting characters and awful voice acting really just sap away any initial goodwill I possessed. The fact that it seems utterly unwilling to engage with *why* the war happened and *why* Zeon lost is particularly irritating, since (by its nature as a Zeon-focused show) it’s in the perfect position to talk about those questions.

[nanomooselet]

Episode Zero: High Noon At July

So anyway, Vash is right about everything.

Yes, I'm exaggerating. There are plenty of caveats to Vash's ideals. There are hard ethical questions surrounding humanity's relationship with the Plants, and those will have to be answered or neither species is going to survive much longer. But nothing's going to get better if all they have is Vash, busy getting shot at, and Knives, busy getting his brother shot at. What Vash has been struggling with from the opening minutes of the show is that he's been assuming all the blame for what Knives does, taking punishment and abuse from him and from humans without a word of protest, simply because he believes it's what he deserves.

And it's not. It never has been. He's never been to blame. It is, unequivocally, something Knives did to him.

From those same opening minutes, Knives has been the twin with agency. Never mind that he caused the fleet to crash and instigated the entire plot, or that he was also the one who actively sought to discover Rem's secret; I mentioned before that he offered Rem a choice before escaping in the shuttle. But what I noticed the second time was something equally crucial. Nai is the one piloting the shuttle. Vash is just a passenger, carried along as Nai steered, subjected to his decisions and forced to bear the consequences for his actions. And Nai didn't exactly... ask to be one piloting. He just sits in the chair and takes the stick, not a word said. He assumes agency for himself and for Vash both without room for discussion.

When Nai offered Rem a choice, and she refused, he resolved to give no one else he loved a choice, ever again. But Vash never got a choice, not with Nai. And that became a pattern.

When Nai told Vash: you're my accomplice, you're the one who gave me the program access code (I'm all but one hundred percent certain he means that when Vash accessed Tesla's records, Nai remembered the code he entered), Vash started to run. He fled. He couldn't bear the culpability - it's pretty much the instant he began to engage in suicidal ideation. He ceased to exercise his agency because he believed it lead to this unimaginable horror. The die is already cast: he's Nai's accomplice. It's decided.

Or rather, Nai decided.

Did Vash really keep running for a hundred and fifty years? Well, no, not quite - Knives (naturally) called time-out when Vash pointed a gun at his face. Just wait for a short while...a mere century or so. I promise I'll build a world of Plants. Even he, I think, realised slicing off Vash's arm was a bit of a dick move and had to regroup. But a hundred years later the game was back on and Knives's next move was founding his cult, stealing Plants, committing murders and framing Vash, and Vash was just as bereft of agency as before.

Vash the Stampede is a name that humanity gave him, but they gave it to him because of Knives. Note how it fits the naming scheme of the other members of his cult. Zazie the Beast. Elendira the Crimsonnail. Nicholas the Punisher. Livio the Doublefang. Monev the Gale. E.G. the Mine. A stampede is a herd of running animals too scared to think about the damage they cause as they flee for their lives. And that doesn't really apply to Vash, but it describes the twins as a combined force - Vash flees, Knives follows him bringing destruction. Vash is afraid of facing Knives; Knives is afraid of being without Vash. And between them, complete and utter ruin is left in their wake.

So what changed?

I said before that Meryl is the only other character besides Knives with agency, with a couple of exceptions, and I'll say right now that Vash isn't one of them. In this game, Vash's agency - really Vash himself, his power, his soul - is the prize. People want to have Vash. They desire him. And he doesn't think he has a choice but to fulfil those desires in order to make up for his sins, which is why he went to confront Knives in July - despite knowing, deep down, that his brother will not be convinced and he's walking to a hideous fate, perhaps his death. Vash is an Independent, but he doesn't seem to think he has free will. It's been beaten out of him so viciously he attributes all his hard-earned skills to luck and his compassion to some instinctive bodily urge, as though he's a trained animal. Which Knives takes just the most disgustingly cruel jab at - You need to smile, show your charm, and behave like a harmless pet./They only love your charm, your tricks, and the tightness of your leash. Imagine if Rem had ever heard him talk that way to his brother. (I'm curious how the translation worked there.)

Ah, Rem. We see so little of her. We know almost nothing about her, save that she was an imperfect woman who did her best, who loved both her children as hard as she could. Who chose to love them. Who told them that as long as you can make a choice, you can choose a better future.

I think that was a belief she privately struggled to hold, personally. Knowing that by her inaction an innocent child was subjected to a worse fate than death, it would have been hard to imagine there could still be a future for her. I hope that in the end she came to forgive herself, even if only a little, and not just because of the twins. But we'll never know.

And after Rem, Luida. Who told Vash he was a survivor rather than a coward and he deserved to live, and who survived herself because of Vash - the very last time he stood by, frozen, as Knives tried to take away someone he loved. Who, with Brad, showed that humans can change and learn, and that though they still need to rely on Plants they need not consume them. Who began to take real, practical steps towards that chosen future for both, who gave Vash his coat and built him his hand - a protective memory and the part of the body that reaches out to another that his brother cut from him. Because of them he found contact with his own kind, and began to bridge the gap that had always existed between the two species, and the two sides of his own nature.

And finally tiny Meryl. Inexperienced, sheltered, easy to knock down, easy to pick up, unarmed, all alone, and absolutely filled to the brim with rage. Meryl's way of caring for things is by getting righteously, furiously angry about them. I wonder how long it's been since anyone knew and cared enough about Vash to be in the position to get angry on his behalf, over what's been done to him. Knives didn't take the slightest bit of notice of her (except to dismiss her as "another parasite" because he's a bitch like that) until Vash responded to her. She wasn't even supposed to be there - Zazie just thought it would be funny. Zazie is the best.

(I always wonder if the song Vash sings was him trying to answer Meryl's frantic cries for him to wake up. If he somehow how meant to lift her closer or build the path she climbed to reach him. Conrad said he couldn't speak human language anymore. What if that was the only other way?)

These three women all shared faith in Vash and his ideals, and loved him, rather than what he's "supposed" to be or what he could do for them. All helped form him into the man he is now. Each of them had agency and made choices, even hard ones. And so in the end, Vash's victory over Knives's cruelty also belongs to them. Vash awakens because the connection forged by these women allowed him to pull himself free of the pit of corrosive pain Knives plunged him into - breaking chains of guilt his brother had forged to keep him by his side forever. When the question is asked, "Whose side are you on?" the answer is neither the side of humans nor Plants, despite what Knives thinks. It's the side of Vash choosing his own future, inspired and supported by the women who loved him, rather than being trapped and frozen in the past. Inevitably there will be mistakes, losses - even horrors.

And it'll still beat any future this asshole chooses for him.