#& supporting indie creators is the best!!

[riddlebanshee]

Does anyone have any spooky/horror puzzle game recommendations?? Preferably without jumpscares or combat!!!

[olessan]

An enormous (4k x 2k) stitched shot of my entire island in Usagi Shima as of last night!

[therealmackenson10]

If you haven't already, please check out my track, now streaming on Spotify.

“Mr. Mack- Strangers”

Days turning into nights, learning not to take anything for granted, don’t know when they’ll shut off my lights.

[rawr-monsters]

I mean, books are thankfully nowhere near as bad off as a lot of other things, but at the end of the day it's still important to pirate even indie creators' stuff if their publishers refuse to sell versions you can actually own and preserve.

Pirating for archival has different rules than pirating for media consumption. Archival is about ensuring the continued existence of a piece of work for the future.

People against piracy fail to realize that no, I can’t just ‘buy it.’ They stopped making DVDs and Blu-Rays. They’re barely offering digital copies for download. I am not spending money I could use for food or bills to pay for a subscription service just so I can always have access to a beloved piece of media. Especially not when the service will remove media on a whim without concern for how the loss of access to that piece will make its artistic conservation nigh impossible.

For example, I recently learned that Disney+ had an original film called Crater. It’s scifi, family friendly, and seems cool - I would love to buy it as a holiday gift for my little brother! But: it’s exclusive to D+ and THEY REMOVED IT LITERALLY MONTHS AFTER ITS RELEASE.

The ONLY way I can directly access this film is through piracy. The ONLY available ‘copies’ of this film are hosted on piracy websites. Disney will NEVER release it in theaters, or as something to buy, and it may NEVER return to the streaming service. It will be LOST because we aren’t allowed to purchase it for personal viewing. If I can’t pay to own it, I won’t pay for the privilege of losing it when corporate decides to put it in a vault.

So yes, I’m going to pirate and support piracy.

[thebibliosphere]

I both believe "poor people deserve art" and "artists deserve food", but it's hard to reconcile those beliefs. I blame capitalism. And I suppose it mostly matters who you're stealing from?

I don't mean to question you at all, I'm against people pirating your stories. I guess I was just wondering if you had more thoughts regarding the reconciliation the two beliefs I quoted above.

I think the reconciliation is working toward a future where things are better, and authors and artists don't have to beg people not to steal from them because they think every author is Stephen King, who wouldn't notice if you stole the pennies found under his couch when in reality most of us are hunting for spare change down the back of the couch because we are earning below minimum wage.

We need people to embrace the idea that art belongs to the working class, both in terms of consumption but also creation.

If you don't support the working-class creators, you'll only end up with rich fucks with no scope of the world beyond their own narrow view of privilege.

Indie creators are actually working very hard to change the way the industry works, and the publishing industry is shitting itself over it. They don't like the success some of us are having. It's why they keep upping prices while slashing corners on their own production (while never affecting the man at the top) to try and stay competitive within the rat race they've created.

They're not interested in the proliferation of art. They're not interested in making sure their authors can afford to live. They don't want more diversity. They don't want inclusion. They want profit at whatever the cost.

And while indie creators very much need to get paid because we live in a capitalistic society and everything is burning down around us, and a carton of eggs now costs more than what I earn per hour, our creativity is directly at odds with the type of profiteering big publishers want.

The money should go to the writers. Not the CEOs. The money should go to the workers in the print houses. Not the CEOs. No one needs the kind of wealth these people have. It's obscene. We need direct action against these conglomerates. We need unionization. We need a means to fight back so that we can make art and make it accessible.

So, how do we do that? I don't know. I'm just a very tired, disabled creator doing my best to keep my head above water. But I think getting people to realize that art and books are worth saving up for would be a good start.

That putting money in the pockets of creators is just as important as your own enjoyment of their art. Because if there aren't any artists, you've got nothing.

Getting them involved with their local libraries would also be a great start. Educating them on how the industry works is part of that. The number of people telling me they had no idea libraries paid authors is staggering. And that's intentional. It's a by-product of right-wing propaganda to make you think libraries are worthless and just sap taxpayers' money.

They're not.

If they were, the fash wouldn't be trying so hard to take them away.

Basically, we need working-class solidarity and for certain people on the left to rid themselves of the idea that just because something isn't borne of manual labor, it doesn't have worth. We need the artists and the dreamers as much as we need to bricklayers and the craftsmen. Otherwise, what's the fucking point of it all?

[drchucktingle]

Where is the best place to preorder Bury Your Gays? What is of most benefit to you?

i know other types of media have given the trot of preorders a bad way, but for publishing books i cannot even begin to tell you buckaroos HOW IMPORTANT PREORDERS ARE WHEN SUPPORTING AUTHORS YOU CARE ABOUT. i mean HECK preorders are so important i even wrote three dang tinglers about it

basically preorders are what publishers use to determine how much financial backing they will give a book for advertising and book tours and all that, but that is only PART of this way. BOOK STORES also use a preorder equation to determine how much shelf space to give a book. your preorder does not just mean YOU get a book for yourself, but basically means you are making room for someone ELSE to get the book in a store by putting another copy on a shelf

that is why it is better to put in a preorder instead of just saying 'oh i will just remember to buy myself a copy on the day it comes out'

LASTLY preorders are how books get onto bestseller lists because all the orders leading up to your book release date COUNT AS FIRST WEEK SALES. something like new york times bestseller list is close to impossible trot without preorders

think of it like a handsome surfing bigfoot trying to ride a wave. it is one thing to actually ride on the wave, but what matters most is that initial moment when you GET UP THERE and actually have the strength to pull yourself up when the wave starts. PREORDERS are the climbing up part

NOW LETS GET DOWN TO YOUR SPECIFIC QUESTION

first of all ANY preorder is great. what matters most as far as bestseller lists is actually FORMAT. the best thing you can order for an author is not ebook or audiobook, it is HARDCOVER. personally i am an audiobook buckaroo myself so please understand you should order whatever format you want, but technically speaking the answer is HARDCOVER

next is WHERE do you order. this answer is pretty dang cool actually. the best place to order for the sake of author is your LOCAL INDIE BOOKSTORE. if you MUST order at a big timer website that is fine, but many bestseller lists are weighted towards indie bookstores

so to sum it up. the technical BEST WAY to support chuck with 'bury your gays' is to PREORDER a HARDCOVER from an INDIE BOOKSTORE.

thank you for your question but before you go trotting along i would like to add one more thing

all art is important. when we create things they serve as stepping stones for us to move along our journey as artists and creators on this timeline. i have so much love for every book i have made, from POUNDED IN THE BUTT BY MY OWN BUTT to CAMP DAMASCUS

but i have to say with deep sincerity in my way, BURY YOUR GAYS is something special. i absolutely believe that if you care about fandom, or creation, or love, or fanfiction, or supernatural, or the future of media, or asexual buckaroos, or gay buckaroos, or bi buckaroos or any queer buckaroos, you will love this book. i promise buckaroo

it is the best thing i have ever written, and i think it is going to bend this timeline in incredible ways. i would like you to trot with me into the future, since we have already trotted this far together. i cannot say this enough: this one is special, and the timelines we create from here are going to make the whole dang world look up in surprise and say 'where the heck did that come from?'

so if you are even CONSIDERING preordering, take a moment a do it.

if you are one of those buckaroos who says 'chuck tingle is my favorite author ive never read' then now is your moment

lets trot buckaroos. thank you for reading and thank you for constantly proving to me that love is real

preorder BURY YOUR GAYS here

[casual-eumetazoa]

controversial opinion maybe but if you're tired of mainstream media doing constant reboots, not centering the voices of marginalized people, and making their fiction based on a list of best performing hashtags... you should support indie artists

there are thousands upon thousands of books, games, audio dramas, graphic novels, and yes even movies/TV shows out there made by independent creators that make little to no money off of it. yes you will need to look for it, maybe even search for half an hour or more, and take risks on things that no one has ever heard of. but trust me, you're much more likely to find something that speaks to you this way rather than waiting for the huge corporations to start caring about good storytelling

[making-you-in-spore]

have you checked out / do you have any thoughts on any of the recent spore-like indie games? talking about stuff like The Sapling or Elysian Eclipse

i'm not really much of a gamer outside of a select few games i've been playing for years on end, but it's cool that people are trying to recapture the charm of spore. i support them fully, and i hope they make good games with their premise.

however, unless you're really truly dedicated to what spore is as a game, none of them are going to be spore 2. spore's creature creator is only one part of its genius - it is a community, creativity oriented game at its core, and an actual game second.

if the game you're making doesn't have the extensive creation power, procedural animations, randomly seeded creatures and creations, etc- it won't be spore 2. if you don't have the ability to implement your creations into someone else's game with something as simple as a png, it won't be spore 2.

if you don't have the goofy, bouncy, janky animations and personality of spore, it will not be spore 2.

spore may not have "lived up to its expectations" as people say. but it is an absolute marvel of video game engineering, especially for its time. nothing anyone has made has ever lived up to spore as we got it. i need to emphasize that all of the data for things you create is stored in png files in your documents folder.

these pngs alone store all the data for your creations. that's fucking brilliant, considering they're only a few kilobytes in size. my entire creature folder is less than 6mb in size.

spore is an infinitely huge game with some of the best file optimization practices i have ever seen, if not downright the best.

i don't think we'll ever get anything like this again in our lifetimes, and i both mourn and celebrate that. i sincerely hope that sporelikes take off and we eventually get one that almost captures the feeling of the original spore, but it won't be very likely in this lifetime.

i hope one day they prove me wrong, though.

[maxwellatoms]

Do you have any particular sense for how it is to be (or work towards being) an indie animator right now? I'm assuming that it's nigh-impossible to follow in the shoes of someone like you, or Rebecca Sugar, or Ian JQ, or... any of my idol-esque showrunners, frankly. But it seems like there's some interest to drum up about shows like The Amazing Digital Circus or Lackadaisy or Helluva Boss. What's your input on that front?

You nailed it.

I do think there will be some original animated show creators coming out of this next generation, but the chances of a studio supporting a young creator of an original idea seems much lower than it used to. CN is making some new shorts, so something interesting may come from there. Mostly, though, I think that the new stuff will come from people who just make something because they want to make something.

That's my current, sloppy plan anyway.

Things are going to get even weirder in the future, I think, as studios continue to push to replace or overwork their existing workers. LLMs are a bad investment all-around, but we may still end up fighting them for space on the internet. Studios would love to have complete dominance over the media space, so flooding the internet with AI trash is in their best interest.

So yeah. Make something. Make it now before things get harder.

[lastoneout]

Sorry I'm just so fucking sick of people online recognizing that ads and algorithms suck and it's best to find ways you can support creators directly, how every website is sanitizing the internet and fucking over anyone who wants to do anything different is awful and evil, and how if you get money from selling out(often against your will) to corporations said corperation might just randomly decide to nuke you and everything you've ever made off the face of the earth to save on taxes or w/e like what happened to Rooster Teeth and College Humor and The Escapist, but then throwing a fucking fit when the answer to that is "yeah well it costs money to make stuff because we don't live in a post scarcity utopia, so like maybe try, you know, financially supporting the creators you love if you want them to not get driven away by said enshittifcation of the internet or sold to and then deleted by rich corporations to make their shareholders more money".

I'm sorry, you can't have it both ways. Shit costs money, and your favorite creators asking you to support them so they don't have to stop making the stuff they AND we love(or sanitizing it and filling it with ads just to pay the bills, or begging for money from investors who will demand constant growth and retain insane control over what gets made and might decide to just delete everything to save a quick buck) doesn't make them monsters. Being broke sucks but like, christ. There's a difference between YouTube and Netflix price gouging and being greedy capitalists and your favorite indie creators asking for a little money so they can keep making stuff.

(And if you can understand why Dropout and Nebula are paid services and A03 has donation drives, then you can understand why Watcher is going the same route. We're trying to save the shows you love in the forms you love while challenging Google's damn near monopoly on online video sharing and continuing to not give corporations the power to delete massive chunks of media history.)

Just like fuck man, needing money to make things/keep your favorite websites up isn't inherently evil. Asking viewers for support is the GOOD ending for stuff like Watcher. I'd rather pay to watch than watch them sell out to W.B. or die off on YouTube.

[amexicanidiot]

Do you know what is Monkey Wrench?

iam talking of:

This is one of the best indie series that are in the internet right now

and a personal favorite,

a summary of the plot, would be:

so if you like:

great animation , good comedy, cool fights ,interesting characters, amazing worldbuilding,

then what are you doing here!! Go Watch It

is free, in youtube , go watch it , and share with your friends and maybe support the creators, NOW

(yeah this is all a buch of free advertising for a series i like, this suprisingly took me 3 days)

now if you excuse me iam going to watch TADC episode 4,

cya later :)

[featherandferns]

my thoughts on the rudy/madison discourse and obx 4 generally (spoilers):

I watch obx 4 for the characters. I appreciate the actors, find their behind the scenes moments entertaining at times, and indulge in the occasional interview or Instagram post, but I do not 'follow' the actors. My fanfics are about JJ Maybank as a character, not Rudy Pankow. I appreciate Rudy Pankow's attraction, especially when playing JJ's character, but writing fanfic about Rudy himself (or any other actor) is, for me, uncomfortable. That isn't to shame anybody who does write or read such content, it just makes me personally feel uncomfortable.

All this to say: I don't care about the drama. I don't care about why Rudy left the show, whether this was his decision or the writer's. I think Rudy's girlfriend seems lovely, but I am highly aware neither myself nor anybody else knows her. Rudy is a grown man. He's in his twenties. He can decide who he does and does not want to date, and who he does and does not want to spend his time with, both on and off set. An Instagram post Rudy made on his story on Canadian Thanksgiving I think summed it up perfectly: he loves his girlfriend, and if people can't get behind that, then get out.

Furthermore, Madison and Rudy do not owe anybody anything. I don't find interest or want to engage in the toxic debate of the 'he said, she said'. They're all adults, they all have their own lives, this is all between them. The speculation and pressure from fans is cruel and uncalled for. They don't owe anybody insight into their private lives. Maybe they aren't friends anymore - that's okay! People drift apart, people fall out. Yes, it's sad to see the change from season 1 in terms of dynamics, but a lot can happen behind the scenes. That's life! Also, I don't like the comparison between Rudy and Madison, and Madison and Chase. People saying 'but the actual ex-couple can work together fine' are forgetting that every situation is different! I had an ex-boyfriend at an old job; I was pissed at him for a few months but civil at work, and then I got over it and he apologised and we became actual friends about a year after the break-up. However, I have other ex-friends and ex-lovers who I could not ever tolerate or be near, and I can't imagine what it would have been like having to work with them after a falling out. If this is the case for Rudy and Madison, that's a really tough thing to navigate! Give them grace - yes they're actors, but they're humans too! The bottom line is: it's their life, leave them alone.

Following on from that, stop placing blame! We don't know why Rudy left the show. There's all different opinions and sources about who said what, who did what, who is the 'bad guy'. Nobody knows the truth but the three involved and, as I said before, they owe this to nobody to disclose.

I think Rudy leaving the show, whilst sad, is a fair decision. OBX began filming in 2019. You do a lot of growing from there and, especially with changes in writing, you can want a change. I think actors can sometimes be too tethered to their characters and it limits their future work abilities, because nobody can picture them as anything other than that character. You can still have successful careers because of this (think Camila Mendes and Riverdale; Matt Le Blanc and Friends; Ellen Pompeo and Meredith Grey), but Rudy clearly wants to explore other areas and other characters, like theatre and Indie movies. Good for him! We should support him! I don't love this 'I'm sorry we couldn't save you from your actor, JJ' stuff, because Rudy gave his heart and soul to that character and that performance. He doesn't deserve to be punished because he craves a change. It's the same as any other job/career; we all want a change sometimes.

The writers and show creators have been getting a lot of backlash too. Here's my thoughts on season 4: was it their best season? No. Did it do some of the other seasons and previous plotlines/character development justice? No. Did JJ have to die? Not necessarily. However, it is easy to lose sight of the small picture when you have increased demand and increased budgets. Netflix like 'bigger and better'. When people are given more creative freedom, sometimes things can veer off course. We can forget the original character motivations, dreams and desires by getting caught up in the spectacle. The only show I've ever seen that really keeps the characters true and consistent, whilst developing, and never forgetting a plot point, is Bojack Horseman. To me, that is the only show. It's a shame, yes, that it veered so far from season 1's aesthetic, but that's how it is.

As a fellow creator, I feel it's cruel sending so much blatant hate to the writers and creators for making the show. If Rudy did want to leave, they had to find a way to make this work for JJ. Yes, I've seen some say 'he didn't have to die' but I sort of disagree. JJ is too loyal and attached to his friends to just 'go off' on his own to somewhere else. That would also be out of character. I think the way he died, and the build-up and plot points that didn't get resolved prior to his death, is a little annoying. I don't like how it wasn't in Kildare, in his home, and in a different country. But hey - that's just me.

I know, that if I took so much time and energy and money, working and building something that I am proud of just, just to receive so much black-and-white hate, I'd be crushed. Constructive criticisms and opinions are good - we can be upset about a character dying - but saying 'fuck you' and 'we hate you' is a bit mean, in my opinion. The time and energy and work gone into this season is astounding. The travelling and set design is incredible! I mean, the shop is the most awesome thing I've ever seen!

I also respect that they killed JJ. I'm not saying I wanted him to die. I'm saying, it pisses me off when shows give plot-armour to the main characters. It lowers the stakes. You know they're going to be fine because they're always fine (think the majority of Stranger Things - there's a really good video essay about that here btw that articulates this point a bit better). JJ's death was shocking and upsetting, that's how a death (in a show, at least) should be, but it means hey, there are real stakes here. It's not fair he died! He didn't deserve to die! But he did, oh my God. It takes guts to kill of a beloved, main character. I agree, JJ was my favourite part of the show, but I respect the choice, personally.

I liked season 4. It wasn't as good as season 1, I wish they stayed more grounded and didn't start so many plot points without resolving any/all of them, but I liked it. It was entertaining. The acting was pretty decent, though the chemistry and acting when Rudy and Madison had scenes together was a little disappointing (again, I don't want to point blame at a certain individual; it's hard to have good on-screen chemistry, especially when you don't feel like it matches your character's true motivations).

Was it unrealistic at times? Yes, but OBX usually is haha. It's a show about finding EL DORADO at this point, like I can accept that they let Sarah and JJ get swept into the sea during a storm and come out fine, without a single earring out of place. Sure, whatever, I'll take it (so unrealistic, 90% would drown and you'd at least shed your clothes to help you swim and stay afloat but WHATEVER. Also put your life jackets on guys wtf it's a STORM).

I wish there was more development on the plots, done by having less plots at once, and more conclusions for JJ before his death. I felt as though we were building up to a big blow-out/resolution with Pogues which never really came. Also, don't love how they handled JJ and his biological dad. I don't think he'd be that willing to trust a random man who abandoned him so easy. Yes, he's reluctant, but COME ON. JJ has the biggest trust issues. I just don't buy it. Also, explain, please, how Luke went from being so wonderful and gentle with JJ to full on abusive? Just a bit of explanation would be nice, please. Not a huge fan of the pregnancy plotline but hey, sure, whatever.

So, yes, that's my thoughts on everything: leave the actors alone; the writers have balls for killing JJ but that isn't necessarily a bad thing; give people grace; treat people with kindness; I'm going to keep writing for JJ; and season 4 altogether gets a 6/10 from me.

I'm open to different opinions, further thoughts, or just general musings/ideas. I hope this doesn't upset or offend anyone, I'm not trying to spark drama or shame a certain person or people: these are just my thoughts and views! So, I won't be participating in any 'who's the bad guy' discourse surrounding the actors. I'm just here for JJ and the Pogues. Take care of yourselves and spread positivity in this crazy, difficult time <3 and, of course, rest in peace, JJ Maybank <3

P.S. These are my season-by-season ratings: season 1 - 10/10; season 2 - 8/10; season 3 - 6/10; season 4 - 6/10.

[blossomthepinkbunny]

Vivzepop will always be the biggest issue with her own show if she doesn't change. And i'm not saying that because I desperately want to shit on her but rather because it's so clear that her attitude is what made Hazbin Hotel be so dissapointing after the long wait. The pilot released four years ago and Viv had these characters for much longer than that. One could assume that with this much time on her hands she would have a concise plan for how a series of her story would play out (I can imagine that having an own show is a dream for lots of creative people out there). And I get that that plan might get screwed up by a shorter episode count then expected, but she should be the one who knows her story best and who should know what stuff could also be cut out. The first season of Hazbin Hotel is so incredibly overstuffed with characters and plot that it completely looses the main premise the show was originally pitched with (the idea of a hotel were sinners are redeemed. As it is now the hotel is really not important at all). People have talked endlessly about how Viv can't handle criticism and it really sucks because criticism is one of the best ways to improve your writing, drawings, music etc. Without criticism you won't refine the thing you're working on in a meaningful way. Of course it feels bad when you put something out there you wanted to share and then people critique it, but that's part of pretty much every creative journey, or atleast it should be and Vivzepop shouldn't get a pass from this just because she doesn't like it. And there are great shows, movies or books that are rarely or almost never criticised. But the artists behind these works probably went trough years of honing what they do by being criticised for the stuff they put out. And I don't want to say that Vivzepop didn't work hard to make Hazbin Hotel, but it is hard to claim that she improves in her craft, when everytime someone says they don't like her show she throws a hissy fit. She wants the same reactions that these other amazing pieces of media get without ever listening to criticism. Which she sees as a personal attack rather than a tool that could help her to achieve the same level of writing prowess the creators behind media like that have. She believes she is already on the same level as them, just because she basically shuts anyone out who disagrees with her. There's this clip at the end of a Drew Gooden Video which I think sums up the situation with Viv pretty good (the Video is called "Leaving the YouTube Bubble"). He is talking about Lily Singh and her talk show but I feel like a lot of the stuff he says about handling criticism applies to Vivzepop as well.

(you might have to turn up the audio).

Unprofessional behaviour like that might be excusable when the creator is pretty young or they are interacting with publicity for the first time really. But neither of that applies to Viv. And Hazbin Hotel isn't just an indie animation pilot on youtube anymore. It's now a fully realized show created with a pretty prominent studio on a major streaming network and it should be held to the same standards as other shows or movies alike (not saying indie animation or animation on youtube doesn't have a standard but with more budget and support, there's obviously going to be different expectations for the show now). There have been issues in Helluva Boss and the Hazbin Hotel pilot ever since their release which could've been handled with more time and the new show. But Vivzepop shows time and time again that she isn't willing to listen to people who criticise her, which could actually lead to her show getting better. I don't like Viv or her work a lot. I think she is incredibly unprofessional and she has done her fair share of questionable or problematic stuff, which often leads to issues in her shows. There have been some characters I like, some songs or scenes that were pretty well done, very cool animation and an actually interesting premise on paper in HH and HB. There are things that make me come back to these shows to watch the next episode. And i'm obviously passionate enough about these shows to make whole posts about what I think was done badly and what could be changed. But for the aspects of HH or HB I enjoy, there are soo many more problems I have with it. Problems that won't go away unless Viv stops seeing every criticism as a personal attack. Because if Vivzepop doesn't stop acting like her writing is some unreachable stuff that needs no changes I don't really see a point in assuming that these shows will ever get better.

[wip]

just how many official tumblr blogs are there? i just recently found out that this one and changes exists which seems less than ideal

Hey, @limelocked!

Great question! We have, we hope, a great answer for you. First up is a comprehensive list of all of current active staff blogs.

You can find ’em by simply searching each name, + @, in the search bar. (i.e., @action)

@action: Highlighting Tumblr’s long-standing social justice priorities of racial justice, mental health, equality, and beyond.

@art Exploring and featuring original artists on Tumblr.

@artistalley: Supporting local artists on Tumblr by buying directly from their storefronts.

@artistpicks: Monthly curated experience by artists and creators on Tumblr.

@best-of-reblogs: A curated collection of some of the best reblog threads on Tumblr.

@bigweekon: Tumblr’s beloved podcast highlighting recent trends, memes, and more.

@blackexcellence: A showcase of things all Black, all excellent, past and present—literature, fashion, music, historical spotlights, and beyond.

@books: Exclusive interviews and curated content from authors, publishers, and book fans.

@changes: Your go-to for new Tumblr launches, bug fixes, and updates on platform.

@creatrs: A network that connects artists, makers, and builders with brands.

@emporium: The Official Blog of the Tumblr Shop™, run by Brick Whartley back from the Island.

@entertainment: Exclusive content and features from across TV, film, and streaming.

@engineering: Behind-the-scenes work on how Tumblr engineers build Tumblr.

@fandom: Home of Fandometrics, Tumblr’s weekly ranking of entertainment properties.

@fashion: Runways to streetwear and every style in between.

@featured: Featuring exclusive content from Tumblr’s many good, good blogs.

@gaming: Exclusive and curated content across mainstream and indie games.

@getloudr An in-kind ad donation program dedicated to amplifying marginalized voices.

@happytuesday: A blog dedicated to all our Tumblr Tuesdays, posts featuring users based on a weekly theme.

@humans: A blog we use so we can reply in the notes of various posts.

@kpop: Exclusive content and a curated experience of K-Pop on Tumblr.

@labs: A way for engineers at Tumblr to experiment in public.

@music: Exclusive content and features on all your favorite musical artists.

@postitforward: Supporting the community with resources for mental health, self-care, and wellness.

@prideplus: Your home for all things LGBTQIA+ on Tumblr.

@radar: Sharing four pieces of original posts from Tumblr artists per day, hand-curated by our team from across the globe.

@staff: The ultimate source for big news, platform updates, and everything that makes Tumblr, Tumblr.

@support: News, tips, and nerdy details from Tumblr Support.

@tee: A blog from your friendly neighborhood Tumblr user, Tee.

@todayontumblr: Daily curated content around trending topics on Tumblr.

@wip: Dedicated to feedback and questions from Tumblr users to Tumblr staff.

There’s more. For our global audiences, you can find all the localized Staff blogs. They’re linked here!

We also have a carousel in the feed somewhere called “Official Blogs,” but it might be that we need to make that more obvious or provide a dedicated feed or page somewhere.

Leave that last point with us, but we hope that helps! Thanks for your question, and have a good day.

(And a tip of the hat to you, @lizzieonka! Consider them tagged)

Best,

—Caragh, Cates, and Cyle

[feathered-serpents]

Ah Watcher moving to a streaming service. I have some DEEPLY mixed feelings on this.

On one hand, they've presented themselves as "anti-capitalist members of the leftist club" for essentially their entire careers. Going as far as to push anti-capitalist ideas front and center in MANY episodes of their shows. I absolutely understand how the audience they built by doing that is feeling betrayed by them doing a very very obvious financially motivated choice! It feels scummy! It feels like you've been lied to.

But I also understand that Watcher is a business.

Not only is Watcher a business, it is an independently run business, trying to make money solely off of YouTube advertisments, merch, and patreon. Given the production value of the stuff it makes, that's hard. Because the reality is it is INCREDIBLY hard to make money in this way, you are essentially scraping together as many pennies as you can through as many means as you can to try and keep everything afloat. That's for creators trying to support just themselves and a few members of their family. A whole company? Not sustainable. Not with what they make.

If they wanted to keep expanding, or maybe even wanted to stay afloat at all, their options were: Better monetize their content (streaming) or get bought out. And I think they COULD have gotten bought out, but we saw what happened to Rooster Teeth. Indies getting bought does NOT always end well and puts you under a lot of restrictions as you now need to appeal to your parent company, which could shut you down at any moment if you aren't proving profitable enough for them.

So... I get why Watcher did this. Do I think they approached it in the best way? Honestly, I'm not sure, they're leaving all their videos up, and they're still posting premieres to YouTube, so there won't be NO free content at all, but this will alienate a large part of their audience.

It's a complicated situation, but I don't think we should treat it as "corporate greed" on the same level as giants like Disney and HBO. It's hard to be indie in this world, and who knows if this gamble will even pay off. We're going to have to wait and see

[felassan]

The Game Awards 2024 winners, all categories:

Game of the Year - Astro Bot

Best Game Direction - Astro Bot

Best Narrative - Metaphor: Refantazio

Best Art Direction - Metaphor: Refantazio

Best Score and Music - Final Fantasy VII Rebirth

Best Audio Design - Senua's Saga: Hellblade 2

Best Performance - Melina Juergens (Senua's Saga: Hellblade 2)

Innovation in Accessibility - Prince of Persia: The Lost Crown

Games For Impact - Neva

Best Ongoing - Helldivers 2

Best Community Support - Baldur's Gate 3

Best Independent Game - Balatro

Best Debut Indie Game - Balatro

Best Mobile Game - Balatro

Best VR / AR - Batman: Arkham Shadow

Best Action Game - Black Myth: Wukong

Best Action / Adventure - Astro Bot

Best RPG - Metaphor: Refantazio

Best Fighting - Tekken 8

Best Family - Astro Bot

Best Sim / Strategy - Frostpunk 2

Best Sports / Racing - EA Sports FC 25

Best Multiplayer - Helldivers 2

Best Adaptation - Fallout

Most Anticipated Game - Grand Theft Auto VI

Content Creator of the Year - Caseoh

Best eSports Game - League of Legends

Best eSports Athlete - Faker

Best eSports Team - T1

[source]