#you deserve ALL the love on your work!!

[fallinallincurls]

I don’t even think you know how happy it makes me when I see you rec’ing my fic and the comments you leave it’s just so 🥹🥹

Thank you so much, it means a lot!! 🩵

ohmygosh of course!!! your fics are incredible and i think everyone deserves to know that so my comments/reblogs are to show you and your writing that love!! 💞💞

[cordiallyfuturedwight]

seventeen months of kim seokjin messages for @jinstronaut

inspired by jin's monthly messages and em's daily gif series ♡

[starflungwaddledee]

⭐🎀🏆🎉 a wa wa winner! 🎉🏆🎀⭐

i'm running late on getting this out, but i'm still reeling over the results of the @kirbyoctournament! i can't quite believe that starstruck- my pint sized waddle dee- made it all the way to the tippy-top against such intense competition. the roster was full of such an incredible selection of wonderful, loveable, and creative characters!

it's heart-warming to know that people out there really love my little wanya and her story, and i'll carry that with me always! 🥰💖

i am so grateful to everybody who voted for and supported starstruck (and i!) throughout the tournament, and i'd also like to give my thanks to everybody- moderators, participants, spectators- who made this community event as cool and fun as it was!! i met many new people and learned about so many wonderful new characters!

this piece in particular is dedicated to and features all of starstruck's competitors in the tourney, starting with jakkle doo from round one, right up to valfrey in the final round. it was a fantastic honour to compete against all of your OCs, and i look forward to hopefully seeing them around plenty more in the future!!

thank you again!!

characters are listed from bottom to top; round 1 vs jakkle doo by @ninjakirkki, round 2 vs galacchio by @tatonslice, round 3 vs atlas by @unleashedsonic, round 4 vs mama d by @chibifox2002, round 5 vs parhelion knight by @aseuki, round 6 vs techie by @ivynajspyder, and the round 7 final vs valfrey by @gethoce

[naamahdarling]

Labor, on its own, has no inherent value. The willingness or ability to labor does not translate to virtue. It can confer financial value, since everyone should be compensated for their labor, but it absolutely does not have inherent moral value.

Disabled people are not obligated to perform for you. They are not required, morally, to break themselves in order to earn some sort of personal value and prove their "worth" to society. They do not need to exhaust every possible means of survival to warrant aid, or spend the entirety of their existence pursuing the same amount of production as others even though it takes everything they have and leaves no room for anything else. They are not obligated to push their limits.

If that pisses you off because YOU have to work to the limit, or beyond, your problem is that you are not being paid enough or you are being asked to do the work of more than one person. Not that disabled people get help for "nothing".

You deserve better, too, you lovable dingus! Every single thing that benefits disabled people will benefit you and the ones you love, either immediately, or eventually. All of it!

[sandushengshou]

happy birthday, @yibo-wang! please enjoy barbie from your shows <3

[decarath-s]

Listen ofc all of the Unreal Unearth songs are amazing because it's Hozier we're talking about but holy fuck-

Personally the song in this album that smacked me across the face at first was Abstract (Psychopomp), and I can't believe more people are not going feral over it like I am, look-

H U H

I saw you perform this ultimately fruitless yet incredibly significant, humane and selfless act of kindness. You put your own life at risk for something others would have considered "too small". I saw you run into moving traffic, stain your own hands, just to offer a little comfort to this poor animal in its dying moments. I was terrified, I knew I had no choice but to love you.

[screechingfromthevoid]

@disastertourwaterdeepedition

Sorry for the weird fucking post but like tumblr straight up ate your ask?? I had to search and screenshot from my email??

Its like super fine I love big rants and big feelings (especially about the blorbo of the month).

Whoa buddy if you wanna talk about a rant. This got so long I'm putting it under a read more.

I'm not sure any of this is above board conscious thought process. When he looks to Orym, when he thinks about how he feels about Orym, I think Dorian, king of compartmentalizing, gets a rush of all three of the things in the post. He gets a little too lost in thought looking at the way Orym's hair now tries to curl against his ear or how well tailored the armor is to his body, he first gets hit with the Will guilt. Then he thinks about "ohmygodtheresawaron" and he'd shovel all of that down. Because its not time to think about Orym and him. But he knows by the way Orym watches him "sleep". He knows by the way Orym refused to be princess carried in Aeror. (Seriously dude Dorian princess carries everyone. It would have been less suspicious if you let it happen). He knows because Orym didn't see his husband when they were in Zephrah. But when he dares himself to actually think about a possible future together, he uses the big three to shove it down. And no, he has no clue that Orym thinks he doesn't return his feelings. (Wow you're right. Pronouns are hard)

Lol to finally answer your question: I'm not sure! Because the thing is! Orym has gone down twice in a battle with Dorian there! And honestly if Orym being on death's door doesn't make either of them confess, i'm not sure what will! (thats a lie I do have an idea). But like Orym went to the moon and back and almost died on the moon and all the count communicate to Dorian was "I miss you"!! Orym nearly died twice in one battle and he didn't think to give Dorian a sloppy, "If I die again I want to have kissed you once" kiss before going in for another round of getting hacked on. Dorian watched him go down and had to bring him back from death's door (one failed save scared the shit out of me) and he didn't think to give Orym a "We need you, I need you" kiss.

My unfortunate thought process, which I can't decide if I want it to come true or not, is that Dorian has to get hurt. Like when I say hurt I fucking mean it. Taken down in a round or two, two failed death saves, hurt. Because then Orym will have to face losing Dorian again. Face losing the man he loves, again. He pours a healing potion into Dorian's mouth because warlocks don't have a single healing spell. (Just checked). Orym feels so helpless in saving Dorian, because a healing potion isn't nearly enough to keep him up. He starts to cry over Dorian's (now conscious) body. He whispers between sobs "Not again, not again. Dorian you can't leave me. I love you, please, I never got to tell you, please stay alive." and Dorian, having heard all of that, reaches up to cup Orym's cheek and says. "Alright, just for you though."

Or something like that.

As much as I would love for them to be adults and just talk to each other. I know thats not going to happen. (Please, Robbie, Liam, prove me wrong.) So I think major tragedy will be the reason they confess to each other. Because they're idiots in love with a lot of weight on their shoulders.

[miraculouslbcnreactions]

Sorry if this seems confrontational, but for the life of me I can’t get into your “Chloe has no growth” point when the show itself retracts growth from everyone and is inconsistent with everyone. You saying “The show just lays down basic character traits in Chloe” doesn’t make sense when her basic character traits are supposed to be her being selfish and spoiled.

S2 built off of that and despite what you say, had Chloe doing things that in S1 she wouldn’t have done. She apologized multiple times to the people she wronged, she willingly put herself in harm’s way to help the people she cares about and she was openly vulnerable to Ladybug in “Malidiktaor”. Something S1 Chloe wouldn’t have done. If there’s a distinct difference between a Chloe back in S1 and a Chloe in S2, then growth HAS taken place. But it doesn’t stay because of the formula (and the writers just don’t want her to keep that growth)

So what I’m asking is…what do you mean “Chloe doesn’t have growth”?

I can understand the “No arc” argument because an unfinished arc feels like there’s no arc at all (even though they are fundamentally not the same)

I wouldn't say that the show retracts growth from everyone. It's more that no one is ever supposed to grow. Every episode resets the cast. That's just how pure formula shows work and Miraculous is being sold as a pure formula show. The characters are meant to be static (one of the writers literally compared Miraculous to Dora the Explorer).

That static nature is why pure formula shows normally avoid giving their good-guy characters major flaws. It's the wrong medium for that type of thing specifically because the characters cannot change in meaningful ways throughout the show. They can learn little lessons that don't really change them and maybe have big change between seasons via a special or movie, but that's about it. Thus things like the season four conflict working so poorly. It's just a terrible choice for a formula show! The conflict is literally not allowed to develop properly because of the chosen format.

But sure, let's talk about Chloe and why I will die on the hill that she never demonstrated meaningful improvement even with the issue of the inconstant writing. In fact, seasons-one-to-three Chloe is one of the most consistent characters in the show. For this discussion to work, we need to start off by discussing character development and the two main forms it can take: character establishment and character growth.

Character Establishment

When the audience meets a character, they know nothing about said character. It's up to the writer to guide the introduction process. To choose when to reveal already existing elements of the character's personality, skills, and backstory. This is called character establishment. It is the writing telling you who the character is on a baseline level. Those reveals don't need to happen at the start of the story, though. They can be - and often are - held back for when the time is right.

When these reveals are delayed, it's important to remember that these elements were always part of the character. The reveal isn't changing who the character actually is. It's just changing how the audience views the character.

For example, we spend a good chunk of season one uncertain why Gabriel is doing what he does. Then, in Origins, we learn that it's all for Emilie. This is new information that adds depth to Gabriel's character, but it doesn't change him in any way. This is who he always was. We just know him better now and can recontextualize past events with our new understanding of his motivation.

Character Growth

Character growth is when writers take a character's personality or world view or even just their skills from point A to point B, allowing the audience to watch the character change and become a new better - or lesser - version of themself. This is usually part of a larger character arc where all the moments of growth add up, but it can take the form of small moments of growth that don't fit into a bigger picture, too. I'd probably still call that an arc, but we'll use the word "growth" a lot in this post, so let's just call it growth to be consistent.

Miraculous doesn't really have either arcs or growth because - once again - formula shows don't allow characters to meaningfully change, so I'm going to have to make up an example here. I'll use one that illustrates how character establishment and character growth can and do intertwine as that's an important thing to acknowledge to help guide this discussion.

Let's say that we have a character who lost their family at a young age. We'll call this character Mary. Mary's loss guides her character throughout the entire story, but the other characters and the audience are never told that this is what's going on. We just know that Mary acts in seemingly illogical ways at times and that she trusts no one.

Throughout the story, Mary learns to trust her costars, leading to a big, dramatic scene where she finally tells them - and the audience - about her past. This big dramatic scene is both the culmination of a character arc and a piece of baseline character establishment that allows us to understand Mary's character better no matter what part of the story we're reading.

Because these combo growth and establishment moments are so common in stories, it can feel like character growth when we learn new things about a character in a dramatic moment, but that's not always what's happening. Sometimes dramatic moments are just there to reveal what was always there by forcing a character to act differently than they usually do through the power of extenuating circumstances. These extenuating-circumstances moments are not character growth because, once the moment is over, the character resets to their normal self. The moment wasn't there to let them grow. It was there for the sake of the plot.

This is actually a really important thing that writers need to know how to do. Figuring out what circumstances will make a character say or do a thing they generally wouldn't say or do is part of how stories work. I have started stories with characters acting wildly "out of character" because I put them in the a situation where the behavior suddenly was in character!

Oh, you don't want to talk to this total stranger because you're an introvert with social anxiety who has yet to learn how to love yourself and open up to others? That's nice. Your leg is broken now and you're stuck in the middle of nowhere. What you gonna do sucker? Lie there in the dirt or talk to the nice lady who wants to help you? Your choice! (Spoiler: he talked to the nice lady. He even let her physically support him when he'd usually never let a stranger touch him!)

As soon as that scene was over, the character reverted because it wasn't growth. He didn't become a more open person. He just did something he normally wouldn't do because the situation demanded it. It was extenuating circumstances so that the freaking plot could start.

This is what happened with Chloe in season two. Everything that people call growth is really just extenuating circumstances that reset by the end of the episode or even by the end of the scene.

Let's Talk About Chloe

Chloe does not have a character arc, aborted or otherwise. She is never taken on a journey where we watch her change. All we get is delayed character establishment via extenuating circumstances, but it's given in ways that make some people feel like she was being given an arc. Let's talk about why that is.

Season one Chloe is a one dimensional mean girl. She has almost no depth. She's just here to be petty and cause akumas. She is not a fully realized character.

Season two takes those traits and keeps them, but also gives Chloe a lot more depth to round her out and make her feel like a real character. She's just as petty and mean as she always was, but we're finally allowed to see her in some moments that make her feel like a well of potential to become something more, which the writers basically had to do if they wanted to let her be a hero. The audience needed to feel like Chloe could be good in the right situation.

The feelings evoked by her newly discovered depth are why people go "oh, she had a character arc! My feelings about her changed in a big way!" But she didn't have an arc. You just got to know her better by seeing her in moments where she was forced to be vulnerable. That's not growth. Growth is meaningful, lasting change, not situational change. Everyone changes based on the situation! It's why the "True Selves" stuff is such nonsense. It implies that there's one set way that we're supposed to act in order to be authentic and anything else is some kind of lie which just isn't how the world works.

Let's look at some examples to drive home what I mean.

Season one established that Chloe idolized Ladybug. It's why we get things like this moment from Evil Illustrator:

Ladybug: Fine! You stay! Later! Cat Noir: What do you mean later? Ladybug: I mean, you're the one who wants to protect her, so you don't need me. So, later! (swings away) Chloé:(looks over balcony) Ahhh! Ladybug! Text me! OK!

And this confession from Antibug:

Ladybug: [Chloe] pretended she was me?! How often does that happen? Armand: She idolizes you.

So Chloe adores Ladybug and wants to impress her/be her best friend. Cool. Got it. That never goes anywhere in season one because season one doesn't see Chloe and Ladybug interact much. The most we get is Ladybug saving Chloe from akumas, which doesn't allow for deep conversations. I don't think that they're ever alone in a moment where they can actually talk.

That changes in season two. In season two, they get to interact a lot and it's often in moments where there's a big threat and no one else is around, letting us see a new side to Chloe. But that's not Chloe changing. It's just the writers revealing that Chloe has more to her than the mean girl stuff because of course she does! Pure mean girls don't exist. Everyone has depth. We simply never saw that depth before because Chloe was never put in a situation where she needed to be open. We can't say that season one Chloe wouldn't confess things to Ladybug or chose to sacrifice herself to let Ladybug win because she never had the chance to do those things!

In fact, I'd go so far as to argue that season one Chloe probably would have done the same things as season two Chloe because season two Chloe doesn't really contradict season one Chloe. Antibug showed us that Chloe was pretty desperate to be loved and welcomed the way that Ladybug is loved and welcomed:

Chloé: Jagged Stone! Jagged: (thinking she's the actual Ladybug) Ladybug! What are you doing here? Chloé: Um… when I find out you were here, I knew you'd wanna see me! I had to come say hello. (Sabrina waves at Jagged)

and Chloe has always been a stubborn girl who stands up for what she wants even if what she wants is something bad. Antibug also showed us that Chloe can be genuinely nice to the people she cares about. Her and Sabrina's relationship is shown to be complex with them often having a lot of fun together.

Similarly, Origins sees Chloe showing her father genuine affection after she's saved from Stoneheart:

[Image description: Chloe and Andre hugging and looking very happy to be together]

Origins is the baseline episode that tells us who the characters are on day one, so I never once doubted that Chloe loved Andre, but Andre didn't get akumatized because of Chloe's actions in season one. He didn't even get akumatized for something that Chloe had nothing to do with! His first akumatization is in season two, so it's not shocking that we don't get a Malidiktaor type scene until Malidiktaor.

Chloe was vulnerable with her personal hero when her beloved parent was in danger, but not before? Shocking! Who would have guessed?

Me. I would have guessed. I didn't even realize that people were reading it as some sort of character growth because it clearly wasn't. Malidiktaor didn't feel like something new for Chloe's character. It just felt like the writers were leaning into things that we'd always known about Chloe and using them to better establish her character as someone who genuinely cares about select people. She just doesn't show most of the time.

The same thing goes for Chloe's sacrifice and apology in Zombizou. Chloe only sacrifices herself when there's no one left but her and Ladybug. When the choice is to let the terrorist win or take the hit and let you personal hero save the day. Brave? Sure, but also not growth. Chloe is team Ladybug for all of seasons one, two, and three! She wants Ladybug to like her! Plus even a petty brat can have moments of goodness where they pick a hero over a literal terrorist.

This honestly would have been a damming moment if Chloe didn't sacrifice herself. She functionally had no other choice here. The entire episode builds itself to the self-sacrifice moment so that Chloe is forced to make that choice even though she's been her petty bratty self throughout the whole attack. It's genuinely solid writing.

Then, in the heightened emotions directly after the Zombizou win, we get this:

Miss Bustier: But I hurt a lot of people... Chloé: No... I did... I forgot your birthday, once again. And when I saw everyone had prepared a gift for you, I totally lost it. Because I, too, would've liked to offer you something. I'm sorry, Miss Bustier. Miss Bustier: Thank you, Chloé. Those words are the best possible gift you could ever give me. (hugs Chloé) (Chloé hugs her back, forgetting herself for a moment.) Chloé: Huh?... Uh, yeah. Okay then, we're all good.

A brief moment of vulnerability that quickly ends and does not stick around because Chloe's change was situational, not true growth. The next scene of that episode starts with Chloe being her usual self:

Chloé: Me? You want me to apologize to the entire class? Ridiculous! They should be thanking me for saving everybody.

And ends with the reveal of Chloe's gift to Miss Bustier, which was given in private via a note.

Once again, nothing new for Chloe's character. She acts as she always has, being mean to everyone while having moments of vulnerability when things get tense. Remember that hug between her and her father that we talked about earlier? Same concept. She had just almost died from an akuma attack and so she needed some emotional support, leading her to act more openly loving than she usually does when he's around. Once the moment is over, she reverts to the petty mean girl default.

Giving gifts to placate people is also something that we've seen before. A pretty similar thing happens at the end of Evil Illustrator, it's just played less sympathetic towards Chloe because the writers weren't giving her depth back then:

Sabrina: Too late. Chloé and I are doing the project together. Marinette: You mean, you're doing the project? Sabrina: Well, of course! After all she's been through... Marinette: Ughhh.... Nice new beret, by the way. Sabrina: I know, right! Chloé lent it to me. She really is my BFF! Chloé! Your geography homework's ready!

For any of this to be character growth, we need to see Chloe act differently over time. For her to be put in similar situations and get different outcomes, but we don't see that in part because Chloe didn't change and in part because season one didn't do much to develop Chloe's deeper side. We rarely see her alone or in moments of extreme vulnerability, but you need those moments to show her depth. That's why Despair Bear had Chloe crying alone after Adrien threatened to end her friendship and not before. Chloe is very reluctant to openly show depth. You have to force it out of her, which perfectly fits the character we met in season one.

Even her standing up to Hawkmoth and rejecting the akuma isn't character growth in my opinion. Chloe has always stood up to authority and demanded whatever she wants. She has wanted to be Ladybug's friend and be seen as a hero since season one, so it's not shocking that her extremely strong will would allow her to defy a terrorist. If there is anyone in this show who can stand up to a terrorist on shear "no!" power alone, it's little miss I-always-get-what-I-want. I could see a variation of this happening at any point in the show, just change Chloe's reason for defying Gabriel to match the situation. Rework these lines to be about a party that she wanted to go to and I'd still totally buy it:

Chloé: No, Hawk Moth! I am a superheroine! I am Queen Bee! Ladybug will come and get me when she needs me! I WILL NEVER JOIN YOU! (throws her photo onto the ground as the akuma exits it... and pants)

Chloe acted like a hero here because she wants all the perks of being a hero and can't believe that Ladybug would actually bench her. That's impossible! Ladybug wouldn't do that!

As soon as Chloe accepts that she won't be a hero again, Chloe stops acting heroic because acting heroic wasn't growth. It was her playing a part the same way she played a part in Despair Bear. She was doing what she needed to do to be Queen Bee again and not because it's the right thing to do. This would only be real growth if she rejected the akuma after accepting that she wouldn't be Queen Bee again, but that's not what happens. As soon as she accepts that she's out, she no longer has any reason to play nice. She never grew into a character who did what's right for the sake of doing the right thing. It's always been about getting what she wants or being seen how she wants to be seen. Until that changes, she hasn't changed.

So no, Chloe didn't have an aborted arc. They didn't start to redeem her and then change their minds. All they did was make Chloe one of the most complex characters in the show only to then not do anything with the character they wasted our time establishing, ignoring the complexity they gave her while also cranking her mean dial up to the point of absurdity where she's not even fun in her original role anymore.

I get why it feels like she had an aborted arc. The fact that the character establishment was delayed makes it feel like something shiny and new about Chloe. There's also the fact that the character establishment we get in season two is the kind of character establishment that you'd do if you were setting up for a redemption arc, but that doesn't change the fact that it was all establishment work. None of it was a true arc where we watched Chloe grow. We just saw her put in situations that revealed hidden depths.

Her showing depth is not her growing because when in the world does she show off this supposed growth? She only acts differently in the type of scenes that we've never seen her in before or around characters that we've never seen her truly interact with before. When she's around the established teen characters or in her usual scenes, then she acts the same way that she always has. We never see her be genuinely nice to Marinette or something like that. She's only nice to Ladybug and she's still rude to Chat Noir. That's not character growth! That's character establishment that can then be used to guide character growth!

Same thing goes for the stuff in Despair Bear. We learn that Adrien can push Chloe to be better, but he never does it again and she reverts as soon as he lets her off the hook, so it wasn't character growth! It was just Chloe establishing that she can play nice when she needs to. This means that she could grow if the story chose to take her down that path because we've established that she knows what being nice looks like. Fake it til you make it plot go, go, go! But the plot never went, went, went so meh?

Add in the fact that season one was a bit of a test season with lots of elements that got dropped and the fact that characterization in this show has always been wildly inconsistent from episode to episode and I'm really not seeing a strong argument for Chloe having an intentional arc that somehow got aborted. People just saw the potential for her to have one and argue that potential is the same as an aborted arc when it really, really isn't.

To give an analogy, Chloe's story is like walking into the kitchen and seeing grandma laying out the ingredients for her famous chocolate chip cookies. We get excited because, hey, cookies! Then we come back an hour later and there are no cookies. Nor is there some other sweet that uses the same ingredients. There's just ingredients, sitting unused in their original packaging, making us wonder what the heck grandma was up to. At the same time, she never really started making cookies. She just set out ingredients. They're still there, totally unused, waiting to be made into something, so we can't call them a failed cookie attempt. That implies a level of commitment that was never there. She didn't even say that she was making cookies! We just assumed she was because we, understandably, wanted cookies and wanted to believe that grandma had a purpose to her actions.

[fernlessbastard]

hot take moment cwilbur is literally just psychotic as all hell and i think people got way too comfortable villianizing the shit out of a man who was clearly portraying signs of severe mental illness. cwilbur was like im so fucking paranoid and scared and i think everyone is out to get me and hurt me and ive spiralled to the point i cant reach out to the people closest to me because im so afraid and lost in this spiral and im having constant panic attacks and hurting myself because i dong know what to do with myself and the only way out for me is to die. and everybody was like EVIL MAN WHO ENJOYS HURTING OTHERS AND IS ABUSIVE ON PURPOSE AND A VILLAIN AND SHOULD NEVER BE TRUSTED AGAIN. and then he came back and was like im still deeply troubled and afraid but im desperately trying to make up for the wrongs i did in the past and the people i hurt in my own way and communication is really hard for me but i hope people know that im truely sorry and i love them. im going to try my hardest to fix this in the only way i know how and then respectfully remove myself from the situation because i feel thats the kindest thing i can do to the people ive hurt. and people were like ABUSER ABUSER ABUSER EVIL MAN ABUSER. like girl

Yeah no based true real no questions asked

I'd hope I manage to portray Wilbur the way he deserves in my content, cause that man is heavily bpd coded and he just needs therapy and someone who genuinely loves him but also can handle his bullshit (which has exclusively and reliably been Quackity like, canonically)

But yeah no completely agreed. The man has issues and has definitely fucked up a lot but at the end of the day he really does need love and care and patience, but also boundaries (and therapy and meds, obviously)

[spittyfishy]

Thoughts on the Typhlosion allegations/pokemon teraleaks?

Okay, here’s what I’ll say about that. (And fair warning, it is nothing positive)

I think the fandoms reaction to these “leaks” has been absolutely ridiculous. They are not canon, they do not change pre-existing information present in the games and anime. Concept art is interesting, but things that were scrapped and did not appear in the actual media should not be regarded as fact.

Especially the Typhlosion thing, it’s like if jk Rowling said ‘oh yeah at one point in the writing process I thought Harry Potter would be a girl, but I changed my mind’ and the fandom went ‘oh my god Harry’s been a girl this whole time!’ Like no, a lot of work and ideas go into the concept and development of works like these, and then creators pick and choose the best of their ideas and use that, but I think it’s very problematic to judge them on the concepts that they themselves already decided weren’t good enough to use.

I have very strict opinions about what counts as canon, and that very simply is ‘what is in the work itself’. Unused concepts, things a creator said years later online, and really popular headcanons don’t count. They’ll never count, sorry but that’s not how language works, you can’t just redefine canon to encompass anything that maybe could have been a part of the project. It can be super neat to look at what changes could have been made, but it needs to be understood that that does not impact what the actual game is like.

This Typhlosion thing especially, it *could* be neat if people just took the scrapped stories to go “oh yeah the Pokémon world could have had myths and legends similar to our own! That will be interesting to explore in fan works!” But that’s not what the majority of people did. Instead, people took it to mean that somehow all Typhlosion are secretly evil and shouldn’t be left alone with children and anyone who has one or likes that Pokémon should be ridiculed based on nothing.

Because the stuff that in those leaks (baring things about unreleased games) are nothing. Looking at them in the sense of seeing ‘How It’s Made’ is interesting, fine go for it yeah sure, but they have absolutely no bearing on the actual franchise itself. And I have no patience for the people taking them as gospel and insisting they be considered more true over the actual canon.

[philsdrivinglicence]

Thinking about how we know dan and phil (or at least phil) are considerate of their neighbors while filming in hotels. But in this last video dan was full on YELLING and phil said nothing. Meaning they are confident that they are far enough away from other people they can act out of pocket and not get yelled at.

Life isn't fair I wanna win at capitalism by accidentally creating an entertainment empire with my barely legally twink bf and then blow ££££ on extravagant holidays but Phil Lester got there first.

[ruvviks]

The Dobrynin family is a corpo family through and through, rooted in Arasaka and Orbital Air going back by several generations; though their powerful position within the corporate world ends with the children of Nadya and Matvey Dobrynin. With Vitali and Daniil fired from Arasaka and Kang Tao respectively— the former indirectly getting his parents fired, too— and Roksana having refused to set foot within a megacorporation from the start, the family begins crumbling apart at the very seams when clashing interests lead to grudges, betrayal, and pointless acts of revenge. ↳ read the unrevised fic here if you're interested!

taglist (opt in/out)

@shellibisshe, @florbelles, @ncytiri, @roseeway, @stars-of-the-heart;

@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;

@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;

@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree;

@kanos, @swordcoasts, @ordinarymaine, @claudiawolf, @strafethesesinners

[bonefall]

So, your Clear Sky post is absolutely horrifying, but it was very needed, so thank you. What are your general thoughts on tackling his abuse for the AU? Like you've said, pretending he's a good guy is not the way to go, but are you planning on toning down *some* of the situations, just to give some of the cats a break? Clear Sky is a very realistic depiction of abusers, but that seems to come across even without victim number 25, yknow? I'm very curious about how you'd like to go about this.

My most recent big change was bringing Slash back into the fold, because I realized that it was actually a disservice to not address where DOTC's themes dip into Colonialism. It's a hard topic, and I'm still trying to work out the details, but I realized it was important.

With how BB!DOTC is such a MASSIVE overhaul, to properly address abuse and the ways it impacts you, ableism and its violence, and xenophobia broadly, a huge reworking of Slash belonged here too. He's one of the greatest examples of how badly WC demonizes non-Clanborn cats. I shouldn't dance around it.

That's what I need to do with Skystar.

MANY of his victims have happier endings than canon, though. Bumble is one of the most famous, bumped up into a major character and directly responsible for the formation of ThunderClan. Bright Storm is taking most of Gray Wing's roles. Birch and Alder are getting examined, with either a father who wants his kids back or Milkweed as the mate of Misty.

A lot of people will die because of him, even more will be hurt, but I see BB!DOTC as a story about victims and survivors.

Others might grab POVs here and there, but as a response to canon which I feel is Clear Sky's story told in many parts, I center this rewrite around Thunder Storm. The path of kindness he marches down, with love and with anger, and the people he helps.

So BB!Star Flower...

Previously I was playing her as ENTIRELY just manipulating Clear Sky. She was loyal to One Eye and trying to get at Skystar to bleed him dry for 8 lives to sacrifice; but connected to Thunderstar over recognizing him as a victim who deserves her idea of justice. So, she offers Thunderstar the final kill, so her father will be grateful to him and he'll get power AND the death of his abuser.

(When Thunderstar looks upon Skystar, pathetic and neutralized down to one life, he thinks about the collateral damage that will descend upon the forest if he accepts the deal. He decides that he has found the line between Justice and Justification. Of course he wants the power to make his enemies cower, protect his people, and eliminate Clear Sky so he never threatens them again; that's not the problem.

He can still do these things. He wouldn't NEED the power of a war god to do so.

But if One Eye returns, he will be endlessly hungry, ruthlessly dedicated to revenge, and set out to devour the whole forest. Everything would get worse, and even more people he loves would die. It's where his desire to destroy a monster would lead to him BECOMING one.)

Even on its face, it was previously missing an element. There's a step between "Starf decides to bring One Eye back" and "Starf offers Thunderstar the final kill" that was bare. This is the piece that was missing-- That she, herself, is trying to reach out to the only person who's ever really understood her.

But more importantly... I do feel this topic belongs here, in BB!DOTC. Abuse is a MAJOR theme. SKYSTAR is a monster already. He's harmed two wives in BB (Bright Storm and Falling Cry) and played toxic games with all three kits (Thunder Storm, Pale Sky, Tiger Sky).

And I'd avoid Star Flower being abused... why? Because it's uncomfortable to confront the pattern that Clear Sky displays? That in-canon, he tries to cut all his victims into the same ideal shape, from Storm to Thunder to Star Flower? ...it should be uncomfortable. Everything that I described in Clear Sky Is A Monster is rooted in the same desire for control, power, and punishment most abusive people share, he just happens to be a severe example.

Yes. That includes how he treats his child and romantic partners. The parallels that are drawn between Starf and Thunder are there because he wants power in the form of obedience. Starf replaces the son as a narrative award for his "growth" of not killing random people anymore for a while.

A cookie cutter is an effective tool because IT ONLY MAKES ONE SHAPE.

You know what's more uncomfortable? Reading canon!DOTC and seeing someone who hurt you reflected almost perfectly in the character the writers think did nothing wrong. Because of "good intentions" that were not there.

I will say though, just to be clear; I don't see a purpose in being more than PG-13 about serious topics for this project. I promise none of my intentions have changed. Nothing will be more graphic or gorey than canon WC-- just more intentional.

I'm keeping the sacrifice because it's dope. No one is taking this from me. Girl Moment: Killed her awful husband 8 times to count as 8 sacrifices and offered the last life to her buddy as a show of good will. How else do you make friends outside of high school

But I know now that Star Flower NEEDS to keep the canon fact she has very little agency, UNTIL that moment she snaps.

She's sacrificing one abuser to try and bring back a bigger, badder one, because in spite of everything, her father One Eye always made her feel safe. Even though he promised her off to Skystar, and expected her to be willing to die for him. She's followed every command, every order, past the death of his mortal vessel.

The first, and only, selfish choice she's ever made was in reaching out to Thunderstar to offer him the power of her father.

Thunderstar's Justice is a story about a Thunder Storm at the pinnacle of his arc, how the survivors of his Clan are settling into the new normal after the carnage of The First Battle, how Skystar's arrogance brings a violent god to the Forest... and the connection Thunderstar makes with the daughter of a monster.

[fatuismooches]

Reader is always sitting on dottore’s lap.. but what if dottore say on readers lap instead?I love the idea of reader holding one of the segments while they work just sitting on their lap <3 They will get antsy and flustered but you can easily fix that with a peck!! 😌

Something about being close and up and personal with dotty makes me feel so fuzzy and warm! I want to cup his face, kiss him all over, tell him I love him again and again!!! I just really really love the closeness for dottore :(

This goes for the segments as well because they deserve all the love too. Especially webttore!! Give that man a hug during one of his passion rants, no questions asked just do it.

And when I think of akademiya zandik & reader, I think of so much BECAUSE THAT WAS THE HONEYMOON PHASE!!!!! Just two dorks being in love and defending each other and trusting one another. Imagine reader with zandik after he tells them a bit of his past, his childhood, (A bit OOC but perhaps that could be the first instance where reader sees zandik cry for the first time..?) with reader reassuring him whilst embracing him.

I’d love to come back here and talk more!! Can I please become 🎨 anon? I do have troubles with speaking so I am sorry if this is a bit wonky. :1

There are certain words that you simply do not refer to Il Dottore as. Cute and submissive are two of these words, but you? You use them anyway. Because they are cute and submissive when they're all comfortable (although terribly embarrassed and defensive) in your lap. In the beginning, when you suggest the idea, Dottore and the other segments laugh at you because they think it's an amusing joke but, nope, you're 100% serious. It takes... a lot of perseverance and bothering and begging and pleading but!! Soon you'll have the segments fighting over who gets to sit in your lap, because well... it's comfy and soft and they get to be held by you for hours on end as they do their work... (Prime and Omega are obviously the last to give in, their egos are not handling this embarrassing treatment.) You always wrap your arm around him and ask him about his work! Giving him kisses when he starts to get irritated and working your hands into his shoulders and back... :( You're good at repelling the oncoming stress and headaches in this position.

Webttore's ego literally blows up whenever you show such blatant affection and interest in his rants, like yes please keep indulging because he WON'T stop as long as you keep doing it. You could be on the verge of falling asleep and all you hear is him continuing to tell his stories in the background. He wouldn't even notice at first because he gets very into his storytelling as to how he casually demolished a few dozen camps of enemies but then he realizes you aren't commenting anymore... oh you fell asleep :( all of this was probably too much for you to handle all at once...

HONEYMOON PHASE AKADEMIYA ZANDIK AND YOU... :( ugh you're so right 🎨 anon. That was when times were so much simpler... sure school is a pain but!! It was fun. It was when you two found love. Finding comfort, finding each other. It was when you two could simply be Zandik and [Name], no other titles getting in the way.

Zandik despised opening up about himself, much less his past so, he'd only tell you after like many years, and even then he kept it brief and acted like he didn't care and it didn't affect him, because he didn't want to be pitied, he doesn't want your comfort. And so you don't push the topic, but you know he was hurt by it, hurt by being called a monster since birth, being run out by the people who were supposed to be family. So when he does end up crying about it, you don't say a word, you just hold him even as he tries to cover it up, even as he curses you for being like this, because you love him.

[elizabethzoopzoop986]

I miss Mei so much you don’t understand :( bring her back AidaIro. Also Yako and Hakubo

I hate how the school mysteries (other than Hanako, Mitsuba and Akane) get there one arc where you really get to know them and care about them and then they just go away forever. GIVE THEM BACK PLS AIDAIRO LET THEM OUT OF THE CLOSET THEYVE DONE NOTHING WRONG

[calamitoustide]

"am i too late?"

I gotta be so honest I forgot about the prompt list and was very confused for a second 😭😭 but I remembered! and had an idea so I thought I would just write it now

speak now - jegulus - microfic - 1k

Regulus wasn’t even going to go. He was invited, of course, James said he really wanted him there, but he didn’t beg when Regulus said he’d be busy. He wasn’t busy. In fact, his only plans for the day were to sit in his apartment rotting away in bed while constantly refreshing his Instagram to see all the pictures of the party streaming in. He’d see her in her perfect dress and perfect hair. He’d see James lovingly gazing into her eyes, beautiful with the ocean behind him. It had to be a beach wedding. Of course, it had to be. James always had his thing with the ocean. He’d drag Regulus there every single summer to his family's place. Well, every single year until she came along and then Regulus wasn’t as inclined to go. 

Regulus was still James’ best friend, but Lily Evans was… well his everything else. His girlfriend, his fiancé, the love of his life. Now she can  add bride and wife to that list of terms. 

Regulus isn’t at all upset over this. James chose his life. He had his choices and Regulus wasn’t even an option, and that’s fine. He’ll still be apart of his life. He’ll watch his home from the outside, peering into windows and occasionally being invited in for family dinners in a family he’ll never truly be apart of. He’ll be uncle Regulus and nothing more. The guy who comes around occasionally. So no, he wasn’t going to go to the wedding of all things. He doesn’t think he could handle it. He can’t watch the life he wanted go up in flames because he was too stupid to say something. He didn’t say a word and now James is going to be happily married, or well… he wasn’t going to go. 

That was before Sirius called him drunk the night before. It’s a destination wedding, and they all went out the night before as a pre-celebration or whatever you’d call it. It was clear that Sirius had too much to drink, especially when he kept spouting on about how this was Regulus’ last chance. Apparently he had enough of Regulus’ pining and his inability to actually talk about his feelings. He kept going on and on about how Regulus was obsessed with James since he was small. From the moment James walked up to him grabbed his hand and said they’d be best friends forever he’s had Regulus. Even if they were young. Even if Regulus knew nothing of what love meant, he was spoken for. James was it. There was no other light. No other love. He handed over his heart that day and he’s never even asked for it back. Sirius never mentioned it, or at least not since Lily came into the picture. Regulus isn’t sure what made him last night. He’s also not sure what made him buy a last minute plane ticket to Greece of all places. 

He’s late by the time he gets there, and when he’s in the first car he could get traffic is blocked up too far, like an idiot he runs all the way to the venue. He’s sweaty and out of breath by the time he makes it there. He’s definitely not dressed for a wedding he looks awful and his clothes are all wrinkled from the flight but none of it matters. He makes it to the beach. He finds the arch just in front of the beautiful waves, but there’s not a single guest to be seen. It’s vacant. Nothing but the sand and ocean water. 

“Am I too late?” He mumbles, more to himself more than to anyone. After all this time of running behind it really shouldn’t a surprise that when he finally got it together he was too late. He’s always too late but the ache in his heart is the same, like a slice through his liver, and cracks in his ribs. 

“Depends on what you’re here for.” 

Regulus eyes widen as he turns around, to find James behind him on the stairs. Still in his suit, beautiful coated with the colors of the setting sun. “You’re still here.” 

James shrugs, “Had no where else to go,” he says, walking passed him to the sea to stand under the arch. He picks off flowers from the sides of it, watching as the petals fall to the sand, “I couldn’t go through with it.” 

“Oh?” 

James smiles sadly, looking down to the ground as he says, “I thought…” he shakes his head, “When you said you couldn’t make it for a second I was relived, you know,” he says, “I thought I could actually go through with it as long as you weren’t here too. As long as I didn’t see you.” He looks up finding Regulus’ eyes through the aisle, “Without you though it was just so much clearer what I was missing I couldn’t—I couldn’t go through with it.” 

“James…” 

“I understand,” James says quickly, “If you don’t feel the same way. If this is completely out the blue I just—I didn’t love her like I should and it has to be right. It has to be right and I tried to make myself believe that it was but I—“ 

Before James can finish rambling Regulus is already down the aisle and grabbing the front of his shirt bringing him down. Regulus really hates the cliche but deep down it feels like he’s a teenager kissing James now, back when they should’ve figured this out. They were so fucking stupid, and while kissing James, Regulus swears he can feel sparks fly against them; it’s a firework show. 

James pulls away, a smile tugging at his lips, “Oh.” 

“Oh,” Regulus giggles, he fucking giggles, like he’s thirteen or something. He’d be embarrassed if it was anyone but James. Hell, James is giggling too. 

That is until James takes a pause and questions slowly, “Wait, did you come here to break up my wedding?” 

Regulus opens his mouth but no words come out, truly there’s nothing to be said. No defense he can take. So he rolls his eyes instead, tugging James down again, “Shut up.”