#Chloe was never getting redeemed or even properly damned

[miraculouslbcnreactions]

Sorry if this seems confrontational, but for the life of me I can’t get into your “Chloe has no growth” point when the show itself retracts growth from everyone and is inconsistent with everyone. You saying “The show just lays down basic character traits in Chloe” doesn’t make sense when her basic character traits are supposed to be her being selfish and spoiled.

S2 built off of that and despite what you say, had Chloe doing things that in S1 she wouldn’t have done. She apologized multiple times to the people she wronged, she willingly put herself in harm’s way to help the people she cares about and she was openly vulnerable to Ladybug in “Malidiktaor��. Something S1 Chloe wouldn’t have done. If there’s a distinct difference between a Chloe back in S1 and a Chloe in S2, then growth HAS taken place. But it doesn’t stay because of the formula (and the writers just don’t want her to keep that growth)

So what I’m asking is…what do you mean “Chloe doesn’t have growth”?

I can understand the “No arc” argument because an unfinished arc feels like there’s no arc at all (even though they are fundamentally not the same)

I wouldn't say that the show retracts growth from everyone. It's more that no one is ever supposed to grow. Every episode resets the cast. That's just how pure formula shows work and Miraculous is being sold as a pure formula show. The characters are meant to be static (one of the writers literally compared Miraculous to Dora the Explorer).

That static nature is why pure formula shows normally avoid giving their good-guy characters major flaws. It's the wrong medium for that type of thing specifically because the characters cannot change in meaningful ways throughout the show. They can learn little lessons that don't really change them and maybe have big change between seasons via a special or movie, but that's about it. Thus things like the season four conflict working so poorly. It's just a terrible choice for a formula show! The conflict is literally not allowed to develop properly because of the chosen format.

But sure, let's talk about Chloe and why I will die on the hill that she never demonstrated meaningful improvement even with the issue of the inconstant writing. In fact, seasons-one-to-three Chloe is one of the most consistent characters in the show. For this discussion to work, we need to start off by discussing character development and the two main forms it can take: character establishment and character growth.

Character Establishment

When the audience meets a character, they know nothing about said character. It's up to the writer to guide the introduction process. To choose when to reveal already existing elements of the character's personality, skills, and backstory. This is called character establishment. It is the writing telling you who the character is on a baseline level. Those reveals don't need to happen at the start of the story, though. They can be - and often are - held back for when the time is right.

When these reveals are delayed, it's important to remember that these elements were always part of the character. The reveal isn't changing who the character actually is. It's just changing how the audience views the character.

For example, we spend a good chunk of season one uncertain why Gabriel is doing what he does. Then, in Origins, we learn that it's all for Emilie. This is new information that adds depth to Gabriel's character, but it doesn't change him in any way. This is who he always was. We just know him better now and can recontextualize past events with our new understanding of his motivation.

Character Growth

Character growth is when writers take a character's personality or world view or even just their skills from point A to point B, allowing the audience to watch the character change and become a new better - or lesser - version of themself. This is usually part of a larger character arc where all the moments of growth add up, but it can take the form of small moments of growth that don't fit into a bigger picture, too. I'd probably still call that an arc, but we'll use the word "growth" a lot in this post, so let's just call it growth to be consistent.

Miraculous doesn't really have either arcs or growth because - once again - formula shows don't allow characters to meaningfully change, so I'm going to have to make up an example here. I'll use one that illustrates how character establishment and character growth can and do intertwine as that's an important thing to acknowledge to help guide this discussion.

Let's say that we have a character who lost their family at a young age. We'll call this character Mary. Mary's loss guides her character throughout the entire story, but the other characters and the audience are never told that this is what's going on. We just know that Mary acts in seemingly illogical ways at times and that she trusts no one.

Throughout the story, Mary learns to trust her costars, leading to a big, dramatic scene where she finally tells them - and the audience - about her past. This big dramatic scene is both the culmination of a character arc and a piece of baseline character establishment that allows us to understand Mary's character better no matter what part of the story we're reading.

Because these combo growth and establishment moments are so common in stories, it can feel like character growth when we learn new things about a character in a dramatic moment, but that's not always what's happening. Sometimes dramatic moments are just there to reveal what was always there by forcing a character to act differently than they usually do through the power of extenuating circumstances. These extenuating-circumstances moments are not character growth because, once the moment is over, the character resets to their normal self. The moment wasn't there to let them grow. It was there for the sake of the plot.

This is actually a really important thing that writers need to know how to do. Figuring out what circumstances will make a character say or do a thing they generally wouldn't say or do is part of how stories work. I have started stories with characters acting wildly "out of character" because I put them in the a situation where the behavior suddenly was in character!

Oh, you don't want to talk to this total stranger because you're an introvert with social anxiety who has yet to learn how to love yourself and open up to others? That's nice. Your leg is broken now and you're stuck in the middle of nowhere. What you gonna do sucker? Lie there in the dirt or talk to the nice lady who wants to help you? Your choice! (Spoiler: he talked to the nice lady. He even let her physically support him when he'd usually never let a stranger touch him!)

As soon as that scene was over, the character reverted because it wasn't growth. He didn't become a more open person. He just did something he normally wouldn't do because the situation demanded it. It was extenuating circumstances so that the freaking plot could start.

This is what happened with Chloe in season two. Everything that people call growth is really just extenuating circumstances that reset by the end of the episode or even by the end of the scene.

Let's Talk About Chloe

Chloe does not have a character arc, aborted or otherwise. She is never taken on a journey where we watch her change. All we get is delayed character establishment via extenuating circumstances, but it's given in ways that make some people feel like she was being given an arc. Let's talk about why that is.

Season one Chloe is a one dimensional mean girl. She has almost no depth. She's just here to be petty and cause akumas. She is not a fully realized character.

Season two takes those traits and keeps them, but also gives Chloe a lot more depth to round her out and make her feel like a real character. She's just as petty and mean as she always was, but we're finally allowed to see her in some moments that make her feel like a well of potential to become something more, which the writers basically had to do if they wanted to let her be a hero. The audience needed to feel like Chloe could be good in the right situation.

The feelings evoked by her newly discovered depth are why people go "oh, she had a character arc! My feelings about her changed in a big way!" But she didn't have an arc. You just got to know her better by seeing her in moments where she was forced to be vulnerable. That's not growth. Growth is meaningful, lasting change, not situational change. Everyone changes based on the situation! It's why the "True Selves" stuff is such nonsense. It implies that there's one set way that we're supposed to act in order to be authentic and anything else is some kind of lie which just isn't how the world works.

Let's look at some examples to drive home what I mean.

Season one established that Chloe idolized Ladybug. It's why we get things like this moment from Evil Illustrator:

Ladybug: Fine! You stay! Later! Cat Noir: What do you mean later? Ladybug: I mean, you're the one who wants to protect her, so you don't need me. So, later! (swings away) Chloé:(looks over balcony) Ahhh! Ladybug! Text me! OK!

And this confession from Antibug:

Ladybug: [Chloe] pretended she was me?! How often does that happen? Armand: She idolizes you.

So Chloe adores Ladybug and wants to impress her/be her best friend. Cool. Got it. That never goes anywhere in season one because season one doesn't see Chloe and Ladybug interact much. The most we get is Ladybug saving Chloe from akumas, which doesn't allow for deep conversations. I don't think that they're ever alone in a moment where they can actually talk.

That changes in season two. In season two, they get to interact a lot and it's often in moments where there's a big threat and no one else is around, letting us see a new side to Chloe. But that's not Chloe changing. It's just the writers revealing that Chloe has more to her than the mean girl stuff because of course she does! Pure mean girls don't exist. Everyone has depth. We simply never saw that depth before because Chloe was never put in a situation where she needed to be open. We can't say that season one Chloe wouldn't confess things to Ladybug or chose to sacrifice herself to let Ladybug win because she never had the chance to do those things!

In fact, I'd go so far as to argue that season one Chloe probably would have done the same things as season two Chloe because season two Chloe doesn't really contradict season one Chloe. Antibug showed us that Chloe was pretty desperate to be loved and welcomed the way that Ladybug is loved and welcomed:

Chloé: Jagged Stone! Jagged: (thinking she's the actual Ladybug) Ladybug! What are you doing here? Chloé: Um… when I find out you were here, I knew you'd wanna see me! I had to come say hello. (Sabrina waves at Jagged)

and Chloe has always been a stubborn girl who stands up for what she wants even if what she wants is something bad. Antibug also showed us that Chloe can be genuinely nice to the people she cares about. Her and Sabrina's relationship is shown to be complex with them often having a lot of fun together.

Similarly, Origins sees Chloe showing her father genuine affection after she's saved from Stoneheart:

[Image description: Chloe and Andre hugging and looking very happy to be together]

Origins is the baseline episode that tells us who the characters are on day one, so I never once doubted that Chloe loved Andre, but Andre didn't get akumatized because of Chloe's actions in season one. He didn't even get akumatized for something that Chloe had nothing to do with! His first akumatization is in season two, so it's not shocking that we don't get a Malidiktaor type scene until Malidiktaor.

Chloe was vulnerable with her personal hero when her beloved parent was in danger, but not before? Shocking! Who would have guessed?

Me. I would have guessed. I didn't even realize that people were reading it as some sort of character growth because it clearly wasn't. Malidiktaor didn't feel like something new for Chloe's character. It just felt like the writers were leaning into things that we'd always known about Chloe and using them to better establish her character as someone who genuinely cares about select people. She just doesn't show most of the time.

The same thing goes for Chloe's sacrifice and apology in Zombizou. Chloe only sacrifices herself when there's no one left but her and Ladybug. When the choice is to let the terrorist win or take the hit and let you personal hero save the day. Brave? Sure, but also not growth. Chloe is team Ladybug for all of seasons one, two, and three! She wants Ladybug to like her! Plus even a petty brat can have moments of goodness where they pick a hero over a literal terrorist.

This honestly would have been a damming moment if Chloe didn't sacrifice herself. She functionally had no other choice here. The entire episode builds itself to the self-sacrifice moment so that Chloe is forced to make that choice even though she's been her petty bratty self throughout the whole attack. It's genuinely solid writing.

Then, in the heightened emotions directly after the Zombizou win, we get this:

Miss Bustier: But I hurt a lot of people... Chloé: No... I did... I forgot your birthday, once again. And when I saw everyone had prepared a gift for you, I totally lost it. Because I, too, would've liked to offer you something. I'm sorry, Miss Bustier. Miss Bustier: Thank you, Chloé. Those words are the best possible gift you could ever give me. (hugs Chloé) (Chloé hugs her back, forgetting herself for a moment.) Chloé: Huh?... Uh, yeah. Okay then, we're all good.

A brief moment of vulnerability that quickly ends and does not stick around because Chloe's change was situational, not true growth. The next scene of that episode starts with Chloe being her usual self:

Chloé: Me? You want me to apologize to the entire class? Ridiculous! They should be thanking me for saving everybody.

And ends with the reveal of Chloe's gift to Miss Bustier, which was given in private via a note.

Once again, nothing new for Chloe's character. She acts as she always has, being mean to everyone while having moments of vulnerability when things get tense. Remember that hug between her and her father that we talked about earlier? Same concept. She had just almost died from an akuma attack and so she needed some emotional support, leading her to act more openly loving than she usually does when he's around. Once the moment is over, she reverts to the petty mean girl default.

Giving gifts to placate people is also something that we've seen before. A pretty similar thing happens at the end of Evil Illustrator, it's just played less sympathetic towards Chloe because the writers weren't giving her depth back then:

Sabrina: Too late. Chloé and I are doing the project together. Marinette: You mean, you're doing the project? Sabrina: Well, of course! After all she's been through... Marinette: Ughhh.... Nice new beret, by the way. Sabrina: I know, right! Chloé lent it to me. She really is my BFF! Chloé! Your geography homework's ready!

For any of this to be character growth, we need to see Chloe act differently over time. For her to be put in similar situations and get different outcomes, but we don't see that in part because Chloe didn't change and in part because season one didn't do much to develop Chloe's deeper side. We rarely see her alone or in moments of extreme vulnerability, but you need those moments to show her depth. That's why Despair Bear had Chloe crying alone after Adrien threatened to end her friendship and not before. Chloe is very reluctant to openly show depth. You have to force it out of her, which perfectly fits the character we met in season one.

Even her standing up to Hawkmoth and rejecting the akuma isn't character growth in my opinion. Chloe has always stood up to authority and demanded whatever she wants. She has wanted to be Ladybug's friend and be seen as a hero since season one, so it's not shocking that her extremely strong will would allow her to defy a terrorist. If there is anyone in this show who can stand up to a terrorist on shear "no!" power alone, it's little miss I-always-get-what-I-want. I could see a variation of this happening at any point in the show, just change Chloe's reason for defying Gabriel to match the situation. Rework these lines to be about a party that she wanted to go to and I'd still totally buy it:

Chloé: No, Hawk Moth! I am a superheroine! I am Queen Bee! Ladybug will come and get me when she needs me! I WILL NEVER JOIN YOU! (throws her photo onto the ground as the akuma exits it... and pants)

Chloe acted like a hero here because she wants all the perks of being a hero and can't believe that Ladybug would actually bench her. That's impossible! Ladybug wouldn't do that!

As soon as Chloe accepts that she won't be a hero again, Chloe stops acting heroic because acting heroic wasn't growth. It was her playing a part the same way she played a part in Despair Bear. She was doing what she needed to do to be Queen Bee again and not because it's the right thing to do. This would only be real growth if she rejected the akuma after accepting that she wouldn't be Queen Bee again, but that's not what happens. As soon as she accepts that she's out, she no longer has any reason to play nice. She never grew into a character who did what's right for the sake of doing the right thing. It's always been about getting what she wants or being seen how she wants to be seen. Until that changes, she hasn't changed.

So no, Chloe didn't have an aborted arc. They didn't start to redeem her and then change their minds. All they did was make Chloe one of the most complex characters in the show only to then not do anything with the character they wasted our time establishing, ignoring the complexity they gave her while also cranking her mean dial up to the point of absurdity where she's not even fun in her original role anymore.

I get why it feels like she had an aborted arc. The fact that the character establishment was delayed makes it feel like something shiny and new about Chloe. There's also the fact that the character establishment we get in season two is the kind of character establishment that you'd do if you were setting up for a redemption arc, but that doesn't change the fact that it was all establishment work. None of it was a true arc where we watched Chloe grow. We just saw her put in situations that revealed hidden depths.

Her showing depth is not her growing because when in the world does she show off this supposed growth? She only acts differently in the type of scenes that we've never seen her in before or around characters that we've never seen her truly interact with before. When she's around the established teen characters or in her usual scenes, then she acts the same way that she always has. We never see her be genuinely nice to Marinette or something like that. She's only nice to Ladybug and she's still rude to Chat Noir. That's not character growth! That's character establishment that can then be used to guide character growth!

Same thing goes for the stuff in Despair Bear. We learn that Adrien can push Chloe to be better, but he never does it again and she reverts as soon as he lets her off the hook, so it wasn't character growth! It was just Chloe establishing that she can play nice when she needs to. This means that she could grow if the story chose to take her down that path because we've established that she knows what being nice looks like. Fake it til you make it plot go, go, go! But the plot never went, went, went so meh?

Add in the fact that season one was a bit of a test season with lots of elements that got dropped and the fact that characterization in this show has always been wildly inconsistent from episode to episode and I'm really not seeing a strong argument for Chloe having an intentional arc that somehow got aborted. People just saw the potential for her to have one and argue that potential is the same as an aborted arc when it really, really isn't.

To give an analogy, Chloe's story is like walking into the kitchen and seeing grandma laying out the ingredients for her famous chocolate chip cookies. We get excited because, hey, cookies! Then we come back an hour later and there are no cookies. Nor is there some other sweet that uses the same ingredients. There's just ingredients, sitting unused in their original packaging, making us wonder what the heck grandma was up to. At the same time, she never really started making cookies. She just set out ingredients. They're still there, totally unused, waiting to be made into something, so we can't call them a failed cookie attempt. That implies a level of commitment that was never there. She didn't even say that she was making cookies! We just assumed she was because we, understandably, wanted cookies and wanted to believe that grandma had a purpose to her actions.

[me4ml]

Why don't you like Maribat? Why do you think it's a spite or salt ship?

This is presumably because of my Adrigaminette post or the whole Maribat being on the ship list thing.

Quick disclaimer: if you read/ship/write/like Maribat, cool! This is not an attack. This is me answering why I, personally, do not like it. It’s tagged anti, and salt, so it should be filtered. Please don’t harass me over it.

Another note before we start: a lot of what I’m about to write is based on what I’ve read, fic wise or meta, and I blocked off the Maribat tag and fandom a long time ago. It may have changed over there-I doubt it, and I have zero desire to go and look-but this is based on what I’ve seen and read about.

There are, principally, three reasons I can’t stand Maribat, why I think it’s a spite/salt ship.

1). I don’t like Damian Wayne.

2). I don’t like how Damian and the DCU are written in Maribat.

3). Maribat is a mutated salt fic.

If you want to see my reasons why, the rest is under the read more.

1). I don’t like Damian Wayne.

Damian’s not just my least favorite Robin, ranking behind any of the others who have born the name. He’s my least favorite Batfam sidekick overall.

Part of this is his introduction, where he’s a violent, murderous, arrogant, entitled, snotty little brat of a thug. Lest we forget, one of his first acts is to go out, kill a guy, cut off his head, stuff a grenade into the decapitated head’s mouth, and try to blow up Tim. This is his introduction! There are a number of other occasions, including how he treats Jon, his best friend, and the rest of his siblings.

Another part is that he believes that he deserves to be Robin simply because he’s Bruce’s son, and therefore has the blood right to be Robin, to become Batman, and damn anyone else, who are all pretenders. Doesn’t matter that those characters might have a right to become Robin, or the future Batman, he’s the bio son, he deserves it!

Additionally, Damian feels.....not unnecessary, but repetitive, in his actions/characterization. There are other characters who can perform pretty much the same way for whatever storyline is necessary, without including Damian.

Trained by an abusive family to be the best, as an assassin and warrior? Cassandra.

A killer who breaks the main rule of his mentor, which causes tension and strain in the family? Jason.

Incredibly intelligent and talented? Tim.

Damian isn’t unique in what he does, and while that can make him an interesting character, it can also make the focus on him unnecessary.

As well, so much of Damian’s actions and motivations feels like he gets away with stuff, in-universe, because he’s Bruce’s biological son, and so Bruce gives him too much slack, and out-universe, because the writers let him/the fans will defend him. He gets woobified, or leather pantsed. Which leads to:

2). I don’t like how Damian and the DCU are written for Maribat.

For all his (numerous) faults, when written well, Damian can be an interesting character. For example: How does he deal with being deeply insecure? By putting on a mask of arrogance and overconfidence.

Some more examples: How does Damian act like an actual child, when he’s never had a childhood? How can he be a hero, if he’s been trained to be a killer? Can he ever catch up to his siblings, or will he feel like they’re always better than him?

Damian’s sense of being Batman’s son, of being the heir to the Cowl, slams right up against the idea of the Batfam: that there are people who have just as much of a right to call Batman their father/father figure, people who are just as talented and skilled and capable as Damian himself is, if not more. Watching Damian develop, when he’s written right, is actually enjoyable; mainly because when it’s done right, it shows Damian actually progressing and growing, becoming more of a person, with friends and interests. Most times, seeing Damian with his pets can be adorable, same with when he hangs out with Jon.

Is he still a brat? Still sometimes a bit too much of a Demon, an al-Ghul? Yes, but that’s always going to be part of him, and as long as he’s shown to try and grow, or gets called out on that, it’s less of an issue (There’s a completely different rant to be written about how DC likes to chuck character development or backstory into the trash when it suits them for a new run. Damian gets hit with this, as does Tim, or they get handed the idiot/conflict ball, but not the space for it).

Maribat hurls this all out the window. Damian’s bad traits are all “fixed” offscreen-he’s developed, matured, gotten better, whatever you want to call it. It’s basically a writer’s hand wave to make Damian into the character who will be the lead of the story, perfectly suited for his main role of being Marinette’s boyfriend and utterly devoted to her every whim and will. He’s enchanted by her at first glimpse, and defends her against everyone who hates her, because no one can understand her like he can!

Uh, what? This is not Damian Wayne. Even at his best, he’s no broody boy, pulled from his “dark path” by the love of a gentle girl. He’s a Jerk with a Heart of Gold-emphasis on the Jerk. There’s a reason his nickname usually involves “Demon.” Is Damian trying to get better? Yes. But even then, he’s not the type to immediately fall in love. He takes a while to warm up to people, for them to earn his trust, and Marinette would not be like that?

Let’s say that Robin is in Paris for a case, he runs into Ladybug and Chat, and after they explains what’s going on, Robin gives them a stare over his mask, and goes “TT! What a worthless hero, I would have caught him already.” LB and Chat would probably want to deck him, and that’s before he keeps talking.

Same with if Damian transfers to the class, or they meet on a field trip to Gotham. Damian’s not gonna care about some random French teenagers on a tour, or if he was transferred he’s gonna be trying to figure out why his father sent him to Paris, and be focused on the mission, not making friends.

Of all of the Robins, the ones that would be the most likely to capture Marinette’s interest would be Dick or Tim, not Damian. He would remind her too much of Chloe, as Damian, and as Robin, he would be dismissive of Ladybug’s abilities, which would absolutely piss her, and Chat Noir, off.

In characters that aren’t Damian, no one seems to be written properly over in Maribatland. One huge example is that Marinette is so beloved, so pure, that she can make any character fall in love with her, and reform by her pure goodness, including a fic where the Joker-THE JOKER!-becomes her “Uncle J,” and pranks Lila on her behalf.

Uh-huh. Sure. Completely and totally something that one of the biggest, most sadistic twisted, notorious villains in pop culture would do. Maribat winds up worshipping the ground that Marinette walks on, cause she’s “Teh best evar!”

Which then leads to my third and final point:

3). The whole Maribat concept is a mutated salt fic.

Most of the themes you’ll find in Maribat? You will find in nearly every salt fic.

Maybe my biggest issue with the whole Maribat idea is that it doesn’t feel like a proper crossover, which, at their best, explore how characters from one universe and their rules would interact with characters from another universe, and the rules of that one. Putting ML and DC together is a rich opportunity to play with concepts in both worlds!

And yet, it’s mainly used to bash ML characters who the writers despise, predominantly Adrien, Alya, and Lila, with members of the class thrown in depending on feeling, and potentially even Marinette’s parents! The only “good” ML characters are the ones who are on Marinette’s side, usually Luka, Kagami, a Chloe who for some reason has been redeemed and is now Marinette’s best friend, and whatever members of the class the writer decides to throw in there.

You’ll notice it’s not called “MiracuBat”, or LadyBat and Bat Noir-it’s MariBat. It’s meant as a focus on Marinette, making her-the hero of the Miraculous Ladybug franchise, someone in-story in story who is incredibly smart and talented and the leader of her team, future Guardian-even more awesome.....by beating down everyone else around her.

Marinette is simultaneously treated as an beaten-up, beaten-down walked-on carpet, and the best person to ever exist ever, go who only needs a group of new, different, better people to recognize that and save her from the clutches of those greedy and ungrateful assholes! That doesn’t include the fics where she’s the unknown child of a superhero or supervillain, making her even more special.

It’s Chameleon salt, class salt, with pointy ears and a cape on.

Some specific examples.

Adrien: Adrien is a spineless doormat who prioritizes Lila over Marinette, or an entitled bastard sexual harasser, only fixated on Ladybug, or even both. Sometimes it’ll get worse, as Adrien will threaten or abandon Marinette if she steps off of his “high road,” and Chat will be a budding rapist, stalking or capturing Marinette after he’s learned she’s Ladybug, while ignoring her prior to that. He will, of course, have his ring stripped and handed off to Damian, who is the “true” soul of Destruction and so therefore a “perfect match” to Marinette’s Creation soul. Occasionally it will be Jason, or Tim, or Dick, but the key thing is that it’s not Adrien!

While Damian’s issues are magically fixed, Adrien gets no such courtesy. Adrien has been abused, just like Damian, and while Damian’s abuse is more extensive and extreme, abuse is abuse. If anything, if Damian met Adrien, he would probably see another abused kid, and want to be his friend/have his “adopt stray person!” Instincts go off. I can much more imagine Damian dragging a bewildered Adrien into the Batcave and yelling “Father I’ve found another one for you to adopt!” than I can Damian immediately hating Adrien, or Chat, simply for breathing.

We never see Clark taking Adrien under his wing, or Bruce, or any of the other Batfam; nor any of the other Justice Leaguers. We never see Selina try to fight Bruce over the kid, because he’s cat-themed, and Selina can train him, this one’s hers Bat, get off!

Adrien’s never treated as a kid, or given actual development. A major complaint among salters is that Adrien is treated as perfect and never develops, and in fic, rather than developing him, Adrien either remains static, with his flaws narratively exploded, or is developed negatively. He’s there to be beaten up on and punished by the writers, if not actually physically beaten up by characters in the fic.

Alya: the not-so-good friend, the cheap excuse for a journalist, the awful person who abandons Marinette for Lila and her “connections.” Never mind that Alya was Marinette’s friend from the beginning, or that Marinette’s chosen her multiple times for a Miraculous. One instance of questioning Marinette about Lila, and Alya’s a backstabbing bitch.

Maribat treats Alya as neglectful, bossy, domineering and submissive at the same time to Marinette and Lila respectively, and as a journalist, the worst of the worst. She’s played as a two-bit paparazzo, and once again, the DCU is used to punish her. We don’t see Alya get mentored by Lois or Clark-indeed, if they notice her, it’s with disdain or disappointment. Often, they’re crushing her under their heel, calling her not only a bad journalist, but a bad friend/person. This forgetting, of course, that Alya runs her blog as a hobby so far, she’s only a teenager, and that she’s had Marinette’s back against Chloe and Lila.

The Class: the dupes or allies as needed. Class salt levels depend on what the writer needs. If they’re pro-class, they’re all on Marinette’s side, aside from Alya Adrien and Lila. Chloe, for some ungodly reason, is “redeemed” nigh instantaneously, and often will become Marinette’s best friend, if that isn’t Kagami already. Kagami will drop Adrien like a wet tissue, never trying to reconcile him with the clas, or encourage him to stand up for himself, or if she does, Adrien, of course, will not listen.

If the writer is anti-class, whoo boy. Openly mentally, emotionally, physically abusive to Marinette, the worst gang of people you would ever have the displeasure of meeting, they all need to be in Arkham.

We never see any of the class make friends with the Batfam, the Titans, Young Justice-unless they’re on Marinette’s side, of course. There’s no Alix stopping Selina at the Louvre, for instance, or Max hanging out with Babs. It’s all based on how Marinette is treated as to whether or not the class is portrayed as being worse than the worst of the Rogues Gallery.

Wrapping it all up, Maribat has made me dislike the entire concept of a DC/ML crossover.

Even if someone had written an non-salt, in-character crossover, I don’t know if I would read it, simply because the well has been that poisoned.