#yes this about a fic I just read

[delicatefury]

It doesn’t happen often, but sometimes fanfic writers try to actually write Catholic characters as Catholic. However, it’s obvious that some writers are not Catholic and they get some details wrong. So here’s some stuff every Catholic knows even if they don’t know they know:

1. Traditionally, in America, Catholics receive First Communion in second grade. That means 8 year olds will go to the altar and participate in the Eucharist each mass.

2. No one receives First Communion without having already had their First Reconciliation. If you see an 8 year old receiving the Eucharist, that 8 year old has already gone to confession at least once.

3. One of the first things we learn is the Seven Sacraments. And the first four are always learned in the same order because they are first received in that order: Baptism, Reconciliation, Communion, Confirmation. Of the last three, two are (usually) mutually exclusive life paths (Marriage and Holy Orders) and the last is usually for when you are suffering/dying (Anointing of the Sick).

4. This means that it’s pretty much impossible for a cradle Catholic, raised in the church, who is debating whether or not to take communion, to have never gone to confession/have been too young for reconciliation before they left the church. Even converts go to confession before ever receiving Communion.

[patolemus]

It’s very humbling when you’re reading a book —part of a trilogy, very acclaimed— and the only thing you can think of is ‘the fanfic I read the other day was better’

[shirajellyfish]

So many writers put so much work into their robot lore and how the robots work and where the components are and meanwhile I'm just like

High research writers with actual notes on how robots work: I both respect and fear you. And most of all love you.

[khruschevshoe]

There's just something very specific about homoerotic character-enveloping friendships from around 2010 where they're semi-aware that gay people exist but queerbaiting isn't quite a thing yet sp their relationship consumes the narrative and changes them both irrevocably forever and they end in tragedy but the ending is JUST open enough for the fic writers to wriggle into that just makes me go fucking FERAL

[ri-afan]

Soulmate au - first words on skin

“Woah, hey, you probably shouldn’t be doing that.”

“…Are you my conscience?”

Person 1 is a vigilante helping someone with a probable concussion after an attack of some kind.

Person 2 is a person who’s had many a philosophical debate on whether or not the words on their skin made them reckless or if they were reckless all on their own.

[hellsquills]

Disclaimer: I know about the duffle bag Filbrick threw at him, but you can ignore that if you want

My thoughts below the cut! (this turned into a whole ass fic lmao)

My personal headcanon is that Filbrick is as much of a coward as he is of an asshole. Therefore, he wouldn't have kicked Stan when he did in canon. Probably not for a while after that.

However, he does try to send him to military school. He keeps talking about how this kid needs to learn discipline and respect, and if he's not gonna bring money to the house, then he should at least bring some honor to his family.

Stan obviously does NOT want to go. Not only because it's a pointless war ("what've the vietnamese done to us anyways?") but because he remembers his mother's face when Shermie got drafted and he will NOT make her go through that hell again. Also, he doesn't wanna die!!!! Hello?????

He talks it out over the phone with Ford, who's obviously just as against it as he is. He tells Stan that, if he gets into a PhD program, he could skip military. Stan laughs in his face. It'd be easier to jump off the plane without a parachute.

And so, he comes up with a plan. When he goes to take his physical, he tries his best to botch it. If he is bad enough, if it looks like he can't do it, maybe he won't have to. Unfortunately, the recruiters are far too used to this by now, and they don't buy it. Stan goes home with a recruitment letter hidden in his jacket.

Everything goes downhill after that. He runs away from home, changes his name several times, does some crime here and there... The military is after him, and it doesn't take rejection kindly.

Stan stays out of contact with his family for a few years. He can't risk getting them involved in this mess. They don't deserve it. So he just leaves, without saying a word, in the middle of the night. No phone calls, no notes, nothing. Not even he knows where he's going. But if it just looks like he abandoned them, maybe they'll hate him. That will make them sound more believable with the police. They aren't covering for him, because they genuinely have no idea where he is. It's the best way to keep them safe.

In that time, Ford doesn't stop looking for him. He finds him every once in a while, but only his phone number, and he knows that could give away his brother's location and get the family in trouble. So, against his deepest instincts, he doesn't call.

One, three, five, seven years pass. Stan has been around almost all the country, and is genuinely considering leaving it. Maybe going to Mexico, or Colombia. Those sound nice. Maybe they'll be nicer to him.

He's passing his time and thinking about this in a small town restaurant in wherever he's in (somewhere he's not banned from, yet), when a family enters. He doesn't make eye contact, but he can't help but stare at them: a man and a woman, probably in their 50s, with 7 kids; one must be older than him, the second one around his age, the third one a little younger, the fourth one a teenager, and the last three between 10 and 15, no more. Except for the last three, they're all taller than him, even the mother, and they have various degrees of blond hair. Their clothes (overalls and plastic boots) suggest they must work in one of the farms he's seen around the state. They don't wear any accessories, except for the glasses that the father and four of the kids have. They're talking loudly and laughing. They look exhausted from a morning of hard work. They seem happy. They... look nothing like his family, and yet, he can't help but think about it.

He can't help the sob that comes to his throat. It's loud and messy from trying to suppress it, which obviously makes it worse. He covers his mouth immediately, and at that point he notices the tears that have run down his cheeks. "Great", he thinks, "that will make it easier to hide, for sure".

He doesn't move. He wants to escape, but that will draw even more attention to him, and he hasn't even paid for the food yet (normally he'd leave without paying, but the old waitress was kind enough to give him some extra food when she saw how little he ordered). He settles for not moving, lowering his head and covering his face, hoping that no one heard (unlikely) or cared (very likely).

"Ya'lright, son?"

The voice startles him. I wasn't very deep, but it was close enough to send his body into immediate danger mode. He looks up at the man towering over him, who's standing in front of him at a prudential distance.

"Y-Yeah, yeah, no worries."

He hates how broken his voice sounds. He's spent more than enough time sweet-talking his way out of trouble, he should be better at this by now. The man looks about as convinced by it as he is himself.

" 'lright then. Can I help ya?"

Damn villagers and their welcoming demeanor. If he wasn't a wanted man, he would appreciate it. But right now, it couldn't be worse timing.

"Come get ya food, kids!" The waitress' yell yanks him out of his thoughts.

"No", he blurts out, and he turns to the man. Least he can do is show him some respect and look him in the eyes. "I'm fine, thank you."

The man smiles lightly and nods. "Okay. Welcome to the town."

Stan watches as the man goes back to his table. He wishes he had been more polite, the guy was just worrying about him, but he can't afford it. They already know his face, he can't risk anyone else recognizing him-

"Sweet Mother of God almighty."

Stan turns to his right. One of the kids, the one about his age, is looking at him like he just grew a second head. He's frozen in place, his eyes wide as plates behind thick glasses. He doesn't say a word, and it's getting increasingly unnerving. Was the bruising on his face still visible? Maybe it's more apparent in broad daylight than in the shitty light that last motel had in the bathroom.

"I'm sorry, I- Can I ask your name?"

The fuck?

"No", answers Stan. Considering how nice his dad was, this guy is pretty rude.

"Son, leave him alone." The mother seems to have manners too, good to know.

The guy does pretty much the opposite. He comes closer to him, until he's right in his path, blocking his exit. That can't be good. Stan feels trapped.

"Are you Stanley Pines?"

Well, that's about it.

Stan tries his best to stay still. This guy doesn't look like a cop, not even an undercover one. But he knows his real name, so maybe someone in his family or friends works in the police; or worse, in the military.

"Listen man, I don't know who you're talking about, but that isn't my name. See?" He reaches for his wallet. He pulls out an ID, with a very clear Jackson Cage on it. He makes a mental note to change it soon, just in case his hunch is right and this guy has connections. "Now, if you excuse me, I'd like to pay for my food and leave. Move."

Stan is already on his feet, but the guy hasn't moved. Stan looks him up and down, trying to appear threatening despite his face probably still being a little red from before. He also gauges how feasible it'd be to escape if things turned bad; the dude is taller than him, sure, but he's also as thin as a toothpick, and by the anxious look on his face, he doesn't seem eager for a fight. The real problem would be evading the restaurant's staff and the other costumers, which include eight carbon copies of the guy in front of him. Probably better to try to de-escalate the situation.

"I- I can't let you leave. Please. I know who you are."

This man is making it really difficult to believe he's not a cop.

"No, you don't. I'm new in town. Move."

"Listen, I-"

"Move out of my way."

"I know your brother."

The words are like a bullet between his eyebrows.

"You look just like him-"

Against his better judgement, he quickly grabs he guy and pins him to the wood in between the booth benches, arm to his throat. If he knows Ford, he knows too much. God he just wanted to have lunch.

The commotion is immediate. He doesn't break eye contact with the guy who's grabbing his arm, whose strength is frankly surprising. He can hear, however, the screams from the dad and the siblings, as well as a couple of gasps from the other costumers. This is not going to go well, but fuck that. He's escaped worse.

"Stop!", the guy shouts as he keeps Stan's forearm from blocking his airway. "Don't hurt him! Don't get closer!"

It takes Stan a second to process what he said. The first part, sure, who wouldn't shout 'stop' when you're being attacked? But the second half doesn't make sense. Is he protecting him? The attacker?

Whatever it is, it works. The family stops in their tracks, still very ready to attack if needed. Out of the corner of his eye, he can see the three younger kids moving closer to their mother. For a split second, he feels a pang of remorse for the scene he just caused.

"Hang up the phone, Clarisse, it's okay. Please."

Stan looks in the direction the guy was talking to. Right behind him, the waitress reluctantly puts the phone down.

He looks back at the guy. He looks a little shaken up, probably from the impact his back (and his head?) made with the wooden plank, but he doesn't look scared. He almost looks... sympathetic? Stan is confused as hell.

"I know who you are", the guy whispers, low enough for Stan to hear alone. "You're Stanley Pines, and you have a brother named Stanford. I know him, okay? He's my friend. I met him a few years ago in a quantum physics congress and we've been talking ever since. He told me about his family in New Jersey, and about you. About how he hasn't seen you in years, and how he was trying to find you, to no avail."

Stan is gradually loosening his grip on the guy's neck, who takes a deep breath. He should know better, but- shit, hearing that Ford was looking for him was not what he expected. Even if he doesn't know yet if this guy is lying out of his ass, it's enough to make him doubt.

"I know you were called to Vietnam. He told me. I spent a week with him in his place when he found out, he was unconsollable. When you ran away, he called me. He knew what it meant for you and he thought he'd never see you again, whether you got caught or not. All because of that stupid war." Stan is now trembling a little, he knows it. This guy must know it too, with how close they are. If he stays here any longer he'll break down, but he can't move. Anything to hear his brother's name a little longer. "I know what it's like. Three of my cousins were drafted last year, and I know at least one of them won't be coming back home. Please... let me help you."

Stan meets his eyes. They're green and brown-ish, not unlike the immense fields he's seen in his last journey, the one that led him to this town. With the years, he's learned not to trust beautiful eyes, because they are better at hiding. These ones, however, seem serene and honest, just like his words, and he can't help but believing them. This guy, whoever the fuck he is, knows just about enough.

Stan lowers his right arm. The guy still has his hand on it, but this time is much less defensive and much more comforting. He doesn't complain.

"My name's Fiddleford McGucket, and I'm gonna help you find your brother."

______________________________

Essentially, after this Fidds calls Ford as if nothing happened (per Stan's request, since he's still paranoid about the police tracking his calls) and asks him to come to Tennessee. Ford argues that he's very busy and all, but Fidds convinces him in the end.

Obviously the twins have a dual breakdown and cry their heart out. In this AU they're much less emotionally constipated lol

Ford tells Stan that he's gonna build a house in a small town in Oregon as a part of his research, and asks him to move in with him once it's finished. Stan, of course, accepts.

In the meantime, Stan stays in the McGucket farm and helps them out as a way of laying low. He has a great relationship with his family, and they're very proud of him for what he did (i believe that the McGuckets are hippies at heart, and they're VERY anti-war, especially when it already took three of them)

I don't know how much of the canon storyline would this AU follow, but it's pretty much your average Mystery Trio AU with some different backstory

[lupiinist]

i like the idea that lily is one of the smartest people in hogwarts but she's also just like

very clumsy. she drops things, she trips on air, and she's very unlucky too, gum sticks randomly on her hair (mary or marlene always cuts the tips of her hair every month or so because of that), and everytime something like that happens, she makes an odd sound as she snorts and laughs.

because yes, she's clumsy and unlucky, but she's surprisingly positive about it, she finds everything to be very funny, and mary and marlene are so used to it by now that they're always ready to hold her before she falls, take her out of the way of something that's being thrown, or just hold something she dropped before it breaks.

i like lily being a bit of a mess, let her be a bit of a failgirl as a treat, she's adorable, and she's a genius!!!!

(also, mary can't help but look so, so fond and in love with her whenever lily laughs when she trips on the hem of her robes, like she makes the entire day brighter just by smiling)

[viperwhispered]

Rest

Guess what? I've got more Jamil x reader for y'all. You can also find this on ao3. No warnings, just 866 words of kinda fluffy(?) caretaking stuff with gender-neutral reader.

At this point, you know Jamil’s schedule almost as well as he does. So, when you have the chance, you head to Scarabia’s kitchen, hoping to spend some time with Jamil while he and the other students prepare dinner. 

However, when you enter, it takes you but a moment to notice Jamil’s uncharacteristic fumbling and the tired look in his eyes. The way Jamil’s chopping the vegetables has you worried about him cutting himself with that knife he’s usually so adept with, and it seems it’s only force of habit that’s keeping him on track.

You frown, and when your eyes meet Jamil’s, you can already see him put his guard up.

So he knows what state he is in, huh? And still, here he is.

It seems Jamil is reading your thoughts, all of him telling you drop it before any words are even said.

At least he still lets you lean in and give a quick kiss to his cheek in greeting.

“Hello love. Do you still have a lot on your agenda for today?” you ask, keeping your tone low for at least some semblance of privacy in the busy kitchen.

“Nothing I can’t handle,” is the response you get.

Of course.

It takes a little more pestering before Jamil actually answers your question. Your lips purse. That list is far too long to your liking.

You take a moment to think, juggling your own plans and to-do list against the urgency of the things Jamil mentioned.

“Will Kalim be eating from that?” you ask, pointing at the food Jamil is preparing.

“Yes.”

“Alright, I won’t be touching that one, then. I’ve gotta do a few things but I’ll be back when you’re done here.”

“Don’t,” Jamil says with a glare, clearly aware of what you’re thinking.

Yet even his disapproving look doesn’t have the usual weight behind it.

“Yes. I will,” you say firmly, even as your heart curls inwards with another bout of concern.

Really, when did he get so tired?

And how did you not notice it earlier?

You leave the kitchen before Jamil can protest further, hurrying through the dorm corridors to find Kalim.

Soon you have an enthusiastic – and concerned – supporter for your plans. You have Kalim point out a few reliable Scarabia students to help with a few of the most urgent matters Jamil mentioned – cleaning up the common areas, delivering some paperwork to Crowley, preparing some dorm-wide notices – while you see to Kalim getting his school supplies in order for the following day. You even recruit a couple of third years to help Kalim with his homework.

You’ll see to the rest tomorrow – after all, you do also have a boyfriend to look after.

Your conversation over dinner can hardly be called anything else than an argument – despite Kalim’s best attempts at acting as a moderating force between you two. It is very tempting to ask Kalim to tell Jamil to take the rest of the day off – it’s not like Jamil would be willing to openly disobey a direct order. Still, you really don’t need to remind Jamil of his position on top of everything else that you’re already doing more or less against his wishes.

Eventually, however, Jamil’s had a square meal, the most urgent things on his to-do list are being taken care of, and you’ve managed to drag him to his bed.

“I really wish you wouldn’t push yourself so hard,” you murmur, your arms wrapped tightly around Jamil. You’re telling yourself you really do just want to cuddle, to offer some respite to Jamil. Still, there might also be a part of you worried that if you were to let go, he’d just jump up and get back to working himself to the bone.

Yet, for all his protestations, just the fact that you’ve gotten Jamil to lay down with you speaks volumes of his current exhaustion.

“I can’t just leave my duties, albi. You know this.”

“Making yourself too indispensable, is what you’re doing,” you protest.

Oh, you know it’s not so simple. Not with his background, not with all the expectations and assumptions.

But sometimes you really wish it would be.

Jamil merely scoffs in response to your words.

Still, it is undeniable that he is slowly beginning to relax in your arms, slowly bringing his head closer to yours. His eyes are starting to flutter, too.

“I will still need to help Kalim with his homework, at the very least.”

You wonder who he is trying to convince more, you or himself.

“Amin and Khalil are helping him. They’re basically top of their classes, aren’t they? I’m sure they’ve got it.”

Still, Jamil frowns.

You sigh. He really is not letting go, is he?

“Do you want me to go supervise?” you ask.

And leave you, unsaid yet hanging there right after your words.

“Don’t,” Jamil eventually says, the word barely more than a breath.

It seems he has accepted his fate.

You softly caress Jamil’s hair, listening to his softening breathing.

And when you wake up, wholly unaware of having been lulled to sleep in the first place, it’s to the lightest of touches from Jamil’s fingers.

Tagging @diodellet @twstgo @crystallizsch @jamilvapologist @jamilsimpno69 as per request If you'd like to be tagged for any future works, let me know!

[boviform]

Okay, sorry but is anyone else going insane over the new longform on the latest Patreon livestream?? I absolutely love the dynamic of weird mortician and lonely assassin - literally 'me and the bad bitch I pulled by being autistic'. And the whole confrontation at the end!! I mean, can you imagine what could've been if Pyotr had agreed to give up his ways?? They could have been so happy! I want them to go on holiday around Europe and hold hands!!

[mikakuna]

the way people care more about jason fighting tim than like any other rogue fighting tim during his robin run is...!

"they're brothers! jason is so horrible to attack his little brother."

aside from the obvious twinkification of tim, stop pushing the family narrative on two people who did not see each other as siblings at that moment.

[breadandblankets]

read Wayne family adventures and want a more accessible path into comics than a billion issues reading lists?

scared of what you heard about Bruce in comics?

curious as to what duke fans get all huffy about when a new wfa issue comes out?

introducing:

[mstormcloud]

I think applying tropes commonly found in Sonadow fics to other sonic ships is very funny

Like today I saw the cute posts by Blu-ish about how hedgehogs circle and headbutt eachother when courting and how Sonic and Shadow would do that and I agree.

However I think the implication that mobian hedgehogs do this is HILARIOUS when applied to ships that only involve one hedgehog.

Like Silver starts circling around Espio one day and lightly shoving him with his hip or his shoulder and Espio is like: ???? What are you doing??

Or even Blazamy like- Amy keeps circling Blaze and the less Blaze reciprocates Amy does it more to try to get Blaze to react. Blaze eventually just tries to politely tell Amy to stop cause it’s hard to hold conversation while she’s moving all around.

But later Blaze talks to Silver and is like: “I have no idea what she is trying to do…perhaps she is finding a weakness in my stance? Should I fear her hunting me for sport???”

And Silver is like: uh. Well. I think she’s hitting on you? It’s a hedgehog thing.

And Blaze just freaks out because WHAT DO YOU MEAN AMY WAS FLIRTING WITH HER

[fumifooms]

Thinking about them…

[marimbles]

It seems to be pretty well established that most fanfic authors don’t mind when readers leave comments on old fics and in fact welcome it. But what about authors replying to old comments?

Do readers care in general whether an author replies? Is it expected and seen as rude if they don’t? Is it nice when they do but not expected? Is there a time limit to the welcomeness of replies? Like is it nice if they respond within a few weeks but if it’s been months or years it feels awkward because you don’t remember the fic anymore? I’m curious!

[sundropcass]

my favorite part of reading just lovers for the first time is getting to what you’d think is the fic’s climax only to realize you’re not even halfway done

[kjones-fandom]

I will be a fox truther until I die. I love the sunshine court but you can rip my foxes out of my cold dead hands. I hope they win every single championship. And they all become more well known and more famous than every other exy player in the world.