#wish i never started it

[chaoticrobotics]

will security alert ever come back? I just found it and i love the story. i hope it comes back :(

I didn't want to say anything because I really don't want people pressuring me (don't worry about your ask being seen as pressure, you are one of the nicer people to ask when it's coming back unlike a lot of people on tiktok), but I was going to TRY and just get through it and finish the damn story.

Unfortunately, right now I have no way to draw digitally. I am having a new tablet being shipped so whenever that gets here I will have to get used to it before getting into anything big.

So that being said... There is a very SMALL possibility that I am going to continue Security Alert. I am definitely abandoning all the other small comics I was doing, and honestly I wish I had done that sooner and maybe I would have finished Security Alert in the first place, but I didn't so I just severely burnt myself out and needed to just stop for a while on the comic.

So again. There are no definite promises that it is coming back. But I do want to finish the story. You might be able to tell though that I am not all that excited to do so in my tone.

Personally, I really do want to finish the story, because it is fun to think about the story itself, but thinking about actually sitting down and drawing the story, for a lot of people who weren't even appreciating the work I put into the story and just wanted the next part (again, not you specifically, but a lot of other people on other sites) just makes me feel sick and hateful to the comic and the game/media in general.

Literally the DLC came out and barely revived any of my love I used to have for this whole thing. The only thing it did do was reinforce my love for the Mini Music Men lol (I do wish we saw DJ Music Man in the DLC, that would have been cool).

So yeah. I am going to TRY and get through the story. The style is definitely going to be different and I might do smaller parts as well, but it's going to still be a while until I am going to do so since, like I said, I physically can't draw digitally right now. I also want to try and actually get a bunch of pages done before releasing new content so that I am not feeling as pressured to actually rush myself.

I was going to try and do all of this without saying anything to just surprise people while also not disappoint people if I never actually go through with continuing, but enough people have been following me and asking recently (most likely because of the DLC) that I am just gonna say this.

So if you came here for content, just be patient I guess. I do have the whole story planned out since before I stopped making content, and I am not changing anything because of the DLC, so some things aren't going to line up with the DLC, but I honestly don't care anymore and just want to get this story done so I can get this weight off my shoulders whenever I think about this comic.

Thanks for reading this far if you did. I'll do my best to get the comic up and running again, but again, like I said multiple times, don't get your hopes up too high. It will be a bit until I can get going again, and this time I am going to take my sweet ass time with this comic so I don't end up absolutely hating this comics and franchise by the end of it. Hang in there and hopefully I can finish this. I am one person doing this for free, so let's all hope I keep my motivation this time and actually get to the end of this story (pretty sure at this point in the story we are like 1/3 or half-way done, so if I can go with my original place then there should be quite a bit more content for me to make).

[lemongogo]

life of regret

[thebrainrotsreal]

Drew this real quick because I fucking love these two so much ???? Especially Bee. I wish they interacted more so badly. PLEASE.

Also learning how to draw these guys.. slowly.

[bioethicists]

i genuinely have no animosity towards ppl who get upset abt not being able to read academic texts + i do think we need to expand the pathways/methods of being exposed to critical concepts so that "sit + read for 2 hours" is not the only option.

however, as someone dx with adhd + incapable of sitting still for even a minute (actually right at this moment i am writing this instead of reading the book sitting open in front of me), i do feel like a lot of ppl do not realize that not all readings are designed to be read like a novel.

as in, it's ok + normal + good to need to reread a paragraph several times, to only read part of a book, to have to research or reference words or concepts in order to grasp the reading, to skip over large chunks of text which are not relevant to your expertise, to continue reading despite not understanding a concept. this is something 'neurotypical' academics do frequently + many of these texts, especially contemporary ones, were designed with this in mind.

there are many ppl with accessibility needs that are not being met by academic texts at this time! many texts (in my humble opinion) are unnecessarily complex in order to show off or hide the fact that they have no idea what they're talking about.

i still feel like many of the kneejerk reactions on this site are based on the assumption that their experience reading academic texts should be similar to their experiences reading a nyt bestseller, rather than a process of thinking, analyzing, researching, processing, returning. some of u are telling yourself that any challenges u face while reading are a result of some internal fault u have + not an expected + precious part of the experience.

[hollytree33]

Ghilan'nain

So I read the Horror of Hormak

[dunmeshistash]

Something I find amazing about Dungeon Meshi is how much "restraint" Ryoko Kui shows when telling this story. It's so clearly crafted to be the best story it can be.

By that I mean how she had SO MUCH world building for this story but still kept it as contained as it needed to be, it's a story about a few characters inside one dungeon, even if the world is expansive the story isn't. And even with the amount of characters she clearly loves so much she never got side tracked as I see so many other mangas get. The world is alive, other people exist fully with their own lives, but it stays true to the story that's being told in this universe.

I think it really shines through with how the world building relevant to the story is slowly shown to us in a non expository way, that's also something I see a lot, especially in movies, just stopping everything on it's tracks so they can info dump about the world to you, but in dungeon meshi its all so organic... magic is explained because some characters are ignorant, cultural differences are shown through cultural clashes, world history is implied through relevant conversation (monster facts are info-dumped to us but even that is in character) it's all really good and I don't think I could have gotten this into it if everything was just laid out in front of me right away.

This is all to say I'm glad we have the adventurer's bible and all this extra content that didn't fit into the story but I'm glad they weren't forced into it in detriment to the storytelling.

[vaguely-concerned]

sometimes I think of all the on-the-surface warm, well-meaning but deeply ineffectual advice and attention john gives harrow through harrow the ninth (make some soup and get some sleep! get a hobby! don't be so hard on yourself! self care harrow! as long as I need take no actual responsibility in this relationship whatsoever I would have loved to be your dad!) set up against the stark truth that with his other hand he has been staging her attempted horrific murder again and again and again like a living nightmare on the logic that it will 'put her down or fix her'. and then I find that I wish there is a hell. a special hell where twitch streamers turned necromantic death emperors go

[poorly-drawn-mdzs]

All cards on the table.

[First] Prev <–-> Next

[wwillywonka]

why does nobody talk about this fucking movie. are you seeing this shit. "come on, i need you." what the fuck

[gummi-ships]

Kingdom Hearts Union χ - Daybreak Town

[myuminji]

Ethereal - txmy

[secriden]

Just going to cry again (see: my previous post about the parallels between the storage room scene and the abandoned factory scene) about parallels and juxtapositions in the store room scene vs the one in Styles bedroom:

Both these scenes have such a tone of desperation and are characterised by an overflowing of emotions, but in drastically opposite directions.

(Note, some of what I say in this post directly relates to concepts and themes I talked about here, so it may not wholly make sense without that context.)

The scene in the storeroom is filled with frustrated desire. Fadel kisses Style because he wants Style's body and also wants to take his frustrations at Style out on his body. He doesn't need to look Style in the eye (and in fact very intentionally only does so only in small snatches) because this isn't about a connection as much as it is about a release. Fadel's kisses come fast, hard, and are intended to bruise more than to adore.

But episode 5's scene is filled with much more quiet and tender sort of desire. Style is kissing Fadel so much more slowly and purposefully. He keeps looking back at Fadel, checking in to see how he feels and whether Fadel is enjoying it. Everything Style wanted in Episode 3, he now gives to Fadel here, pours the secrets of his knowing and choosing Fadel anyway into the way he presses his lips onto Fadel's skin. His kisses linger, they carry a weight but are not gentle, and contain meaning that Fadel's kisses couldn't in Episode 3 because in all honesty they were relative strangers back then.

There's also the way there's such a ferocity and carelessness in the way Fadel starts the encounter in episode 3 that is juxtaposed beautifully by the slow, tender, almost hesitant way Style slides his lips onto Fadel's. Both of them are in such different headspaces, between these episodes and its especially evident in the way they care so much more about the other person's comfort and how intentionally they showed that to the audience.

There's hunger present in both scenes but what this hunger is focused on is so drastically different. In the storeroom, they're both mainly focused on a physical release; its primal and visceral but lacked emotional resonance. Fadel gives Style what he knows Style wants (that hint of danger, with the hand on his neck), but its not because he really cares about what Style wants on anything more than a physical level. In Style's bedroom, however, Fadel is drunk (intentionally and by his own design) and desperate to open himself up to Style on an emotional level. Meanwhile, Style wants that desperately too, but knows that Fadel shouldn't because of his own terrible secret. So this kiss is what they both will allow themselves - an honesty and a hunger for this deeper connection they can only share in act but not in words.

In the storeroom, Style wants Fadel to want more than his body but knows (or thinks) he can't push for it yet, so he remains passive, lets Fadel do whatever he wants, lets him turn and shove and place Style how he wants because at this point, this is all Fadel will give him. Here, Style is passive in spite of what he wants. But in the bedroom, Fadel is passive because it's what he wants; he wants to let Style do whatever he desires to and with Fadel's body. He wants to lay himself as bare as he possibly can, which is only physical, and so he does.

And because the encounter in Episode 3 lacked that emotional connection, the focus is merely their respective releases. There's a sense of two people trying to find pleasure and 'finish' while remaining emotionally disconnected despite actively having sex with each other. Because in some ways, they didn't really need each other in that moment to get there (there's actually a lot of truth in what Fadel says about it being easier to just jerk off alone). In sharp contrast, the scene in Episode 5 isn't focused on the destination but on the journey. Style is taking his time and Fadel is letting him - Style is choosing to worship Fadel's body, with his fingers, with his lips, to respond to his vulnerability with gentleness and tenderness and adoration. The goal has stopped being about finding a release, it's about allowing both these men to revel in the giving and receiving of pleasure.

The point of these scenes is to show to us the ways in which Fadel and Style have grown to care for and, dare I say it, love each other in ways that are so purposefully portrayed by showing the nature of their physical connection. Because the ways in which these scenes are the same and yet so wholly different showcases how their touches are now no longer merely tied to their senses any longer, but also to their hearts as well.

[icewindandboringhorror]

On average, what is the total MONTHLY amount that you spend on dining out*?

*(This doesn't only count going out to restaurants, but also stuff like picking up fast food to bring home, getting a coffee on the way to work, getting a premade sandwich from a grocery store deli during lunch, buying a quick snack from a convenience store or food cart whilst walking somewhere, ordering a pizza or any other food to be delivered to your home, etc.)

*(If you often dine out in groups/as a household: calculate and divide the costs so that you get a Per Person average. This is for YOU individually, NOT the total household/group costs)

(I'm sure polls similar to this have been made before (very common topic), I just haven't personally seen one that I can remember, so, I was curious to do my own! I was discussing this with a group of people today and it was very interesting to see how widely the number varied between individuals. :0c )

(Reblog for bigger sample size if you can, and feel free to explain your answer in tags if there's anything extra to add!)

[sunlit-mess]

consumed by the inevitable

[festivating]

i do mourn glinda's wardrobe more than anything else the movies could possibly change. every one of her costumes in the musical is so deliberate and there's so much visual storytelling done with them. her skirts get progressively longer as the show goes on because she's growing up. she goes from warm colors to cool colors because she shifts from naive and sunny to melancholic and serious. her accessories go from little purses to actual jewelry and her wand and tiara as her "public persona" solidifies. green and blue are incorporated to signify her relationship with elphaba. you can trace her whole character arc with just the way she dresses.

in the movie she just wears pink. all the time. the same shade of it. a bit of lavender if we're lucky :/

[hotvintagepoll]

I love these polls. But this feels like a weird and uncomfortable time to continue them. While we are in the process of deciding whether or not to give fascism unlimited power in the greatest military power currently on the planet, these posts feel uncomfortably out of touch with the existential threat facing all of humanity. I cannot enjoy voting in silly polls when I know that all of humankind faces the threat of extermination.

When we can return to a less horrifying reality, I would enjoy revisiting these polls. At the moment, to continue them feels like a cruel celebration of privilege from those who are insulated from the most extreme consequences of current proposed policies. It is hard to think of what level of inhumanity is necessary to continue laughing in the face of so much world-wide horror.

Of course you don't have to stay, and I won't begrudge you at all for going. But there's one point of yours here I feel is worth discussing, and it's your last one: laughing in the face of world-wide horror.

There is a difference between laughing at horrifying things and taking a break to laugh. In a world that is horrifying—and, to be honest, has been horrifying since this blog began, and long before then, and will be after it's done—you need to laugh to keep your endurance. I mean that every step of the way. You will not be able to keep fighting for the people who need your help, including yourself, if you don't give yourself a break and let yourself have joy and silliness in little dollops on the regular.

In my real life, when I'm not posting hot silly people on the hot silly people blog, I try to find ways to help change the world for the better. I've been trying for a while. And one of the key things I've learned in that while is that having a little fun and silliness does not dilute the work of making the world better—it gives you the fuel to keep doing it. Your human brain and body need a muchness. They need joy and sorrow and work and rest and laughter to keep going—and before you say, that's a privilege! yes, in today's broken world it often is. It should not be one. It is a right. You have the right to find spots of joy, silliness, time off from the world.

Stuff sucks right now, but taking ten minutes off to let yourself rest is not going to contribute to the end of the world. We need to rest and laugh if we want to keep going. I've always said this is a silly blog, and I maintain that yes! it is silly, it is pointless, this is nothing big at all. Nothing here has any consequence. And that can be a small good thing at the end of the day. It doesn't mean the big stuff doesn't matter if we have the small stuff too. We can have both. We need both.

I hope you find peace, wherever you are.