#why so many bad decisions this episode

[befuddledcinnamonroll]

Can Pia please come and run my life? Look at her! So competent. Rawr.

Goddamit Boss! Look at what you did to Tul. Now he thinks you were faking your interest. You made a very sexy man think he is not sexy!

Speaking of sexy...

These two are so damn cute

and I just love their aesthetics together.

You know, I just can't say enough for Tinn's portrayal of Tul. We've gotten zero backstory, but the way his pain is just seeping through as he talks to Boss...

This is a man who has such a core of loyalty, yet you can tell he has been abandoned before and thinks himself unworthy of love. And despite his resistance to Boss' flirting, he was clearly weakening, and starting to feel wanted.

I'm also 100% on Tul's side here. Regret and apologies are a good start, but people have to show they are sorry via action & behaviors or it means nothing. Get to work Boss! Gotta prove that love! Tul deserves it.

Hmm, interesting that they're giving us backstory on Kenji.

So presumably the psychopath was always underneath, and came out once he had a bit of power... definitely a big contrast to Tul, and how despite having reasons to be loyal to Tew, Kenji only sees him as competition.

Oh ffs Tew. You're a gangster, and you didn't make sure he was dead?!

Also Wahl is being super sus here. I do not trust.

Hmm, Wahl, almost like the two you DON'T ALIGN!?!

Oh goddamit, this is one of the tropes I hate the most!

Blerg. Love in Translation did this too. I loathe the "I'm going to fake being an asshole who doesn't love you to protect you" bullshit, because 1) it never fucking works to actually protect the person, and 2) if you were honest and talked it all over with your allies you could actually come up with a decent plan to deal with your problem.

Oh, goddamit Boss!

I'm not going to get super mad here, because abuse dynamics are complicated and I get that Boss has been Kenji's victim for a while. But I'm still annoyed on Tul's behalf. That man deserves someone who will fight for him.

Also, dammit Wahl! I was so close to giving him some credit for acting like an actual friend.

and then you had to start moving in for the kiss. You don't do that when your friend is vulnerable, you little shit!

Guy needs to just go hang out with the gaming crew, screw both Wahl & Tew. Poor innocent little muffin. He just wants to love and be loved.

[sskk-manifesto]

Ep 10!

[avelera]

*whispers* Viktor never once says anything mean or belittling to Jayce after they become partners. Not one insulting "you" statement, not one disagreement where he doesn't remained focused on the point of contention. He never makes ad hominem attacks, he never insults Jayce's appearance or intelligence.

Literally the single meanest thing he says to Jayce that could be considered a "you" statement is "Your mind has become rigid." Basically, he's saying that Jayce has suffered so much recently that it's closed his mind to broader intellectual possibilities like, that is barely an insult, and clearly Viktor just means it as a statement of fact, if not a challenge for Jayce to joyously consider possibilities again. And by the way? That statement is when Viktor is in his full his villain arc. It's remarkable because it's the only time he's pointed out a perceived flaw in Jayce since the night when he questioned if Jayce signed his notes out of being egotistical.

From the moment Jayce told Viktor about how beautiful magic could be, arguably once Jayce became a person to Viktor rather than a subject of academic discipline or skepticism, Viktor has not once leveled a personal attack against him as a person. Not even during the fight on the bridge. Not even when he called Jayce's Councilor work a waste of our time. Not even when Jayce was considering making Hextech weapons, Viktor still remained focused on the substance of the argument, expressed incredulity, anger, even disgust that Jayce would consider making weapons, but he never said it was because Jayce was stupid or privileged or blind. He pointed out specifically that he knew Jayce felt trapped by the decision, he knew Jayce was being manipulated, and then, in a very pointed manner, Viktor reminded Jayce that there's always a choice, challenging Jayce to stand firm and do what was right.

Even when they parted ways in 2.02, Viktor didn't say there was anything wrong with Jayce. He just said their paths had diverged, again not saying anything was wrong with Jayce, or even his choices, but rather that they're two different people who had stayed together longer than their diverging goals normally would have allowed because of the affection they held for each other.

I don't know, I get why people write Viktor as catty or mean or dismissive of Jayce. There's definitely some quotes from the day they met, before they become partners, that lend to the idea that Viktor can be quite dry and sharp with others. And conflict is the stuff of good fiction so again, totally get putting some conflict between him and Jayce in fic.

But I also think there's a tendency in derivative works like fic to Flanderize the characters, or worse, put them into narrow archetype boxes that are vastly different from their more interesting and nuanced canon selves.

How many times have we seen a wiggly man/straight man or blue vs. red personality partnership duo? How often have we seen those partners not be able to fucking stand each other, who are bickering all the time, who are snide or backtalk, or are perpetually sarcastic?

It's so common that I get why people see it with Jayce and Viktor but that's why it's so damn fascinating to me that they aren't like that.

Jayce and Viktor don't suffer each other unwillingly at any point, even when they're having a goddamn flying superhero fight in the final episode they're talking about how they're happy to see each other and praying that the other will please step away from this destructive path! They don't want to hurt each other, even verbally!

During the years of their partnership, they're constantly delighted by the other's presence, they are instantly comfortable together and never have a bad word to say to or about each other. They actually don't bicker! When they have disagreements, they stay entirely focused on the point of the disagreement and they never dip into personal attacks of any kind.

Even the tone of the time Jayce yells at him on the bridge, arguably their most acrimonious moment in the whole first season, isn't an actual argument, no more than a parent yelling at their child for running into traffic is an argument. Jayce says awful things but it's clear his anger comes from fear for Viktor and for their precarious situation. And it's clear this is a deeply unusual moment for both of them, Viktor is taken aback at how unusual it is, Jayce once called out backs down immediately, arguably because it's so unnatural for them to fight at all that it takes the wind out of the sails of Jayce's anger instantly when he realizes he's crossed a line.

No one can drag a bad word about Viktor out of Jayce, and vice versa! When Singed implies that Viktor might lose loved ones over his choices, Viktor immediately (and correctly!) states that Jayce will understand.

They are rigorously protective of one another too. Arguably all the times Viktor excludes Jayce from his Hexcore experiments in S1 is to protect him from his reckless and likely illegal experiments (as well as not wanting Jayce to stop him and wanting to live, but it can be many things). Jayce constantly cites Viktor as his partner and constantly reiterates that Viktor is his priority in life, that saving Viktor comes first. Jayce overthrows the goddamn founder of the city in order to protect Viktor!

Jayce's love for Viktor is so extreme that literally in S2, the only person who can convince Jayce to hurt Viktor, after seeing the post-apocalyptic Hell of a future that is caused by him, is Viktor himself. Jayce doesn't even get mad at Viktor after he learns Viktor is the cause of what he saw! He is instead desperate to get back, to avert the damage caused by their joint work in Hextech, and saved Viktor from the fate worse than death that is Mage Viktor's total isolation in the aftermath. And every step of the way, even knowing what he knows it's clear he's in agony at the thought of having to raise a hand to Viktor at all.

Now of course I'm getting into just how insane their love for one another gets in S2, but I just feel so baffled sometimes reading fic where Viktor is constantly undercutting, insulting, or belittling Jayce every which way. He never once does that after the partnership begins. And it makes me so insane because we have so many partnerships in media that do devolve into sarcasm, cattiness, and backbiting but Jayce and Viktor aren't one of them and that's really really fucking interesting and worthy of exploration I think.

[danganronpadespairtime]

As you may know, Chapter 2 of Danganronpa: Despair Time has finally concluded, after a long 3 years since the end of Chapter 1. Thank you to the staff members who made this possible and thank you to everyone who has stuck with me during this long journey! I was very nervous about a lot of things, so I hope that chapter 2 has been received well.

This is unfortunately where I have to talk about some bad news. DRDT is going on hiatus. In fact, it will probably be quite some time before I even begin work on chapter 3. I know this is probably disappointing news for many, I am terribly sorry. I will talk about some of the reasons behind why.

I felt as if there was a lot of mixed response to this chapter. Please know that I take your complaints seriously, I want to produce a work that can be enjoyed by everyone. In truth, I have no experience or education in writing or producing, and I do not even consider myself a "writer" or "producer." This is the first story I have attempted to write. I hope you can acknowledge that it is a long learning experience for me, and be lenient with the amateurish first work that is full of flaws. Even though DRDT has become a popular Fangan, it doesn't mean that in turn I have become an experienced creator. Because of my lack of experience, I have little confidence as a creator. When fans are dissatisfied with something that happened recently in DRDT, I worry about how they will respond to future episodes of DRDT. It is difficult to maintain faith in the decisions I make and I keep second-guessing myself, worrying about how something will be received. Working on chapter 3 in this state is too difficult.

I am also burnt out from working on DT. Even though it was once possible for me to draw multiple sprites in one day, now it is a struggle to even make a single sprite of a small face modification. Nearing the end it was difficult and painful to draw such things like the execution or closing argument. So it will probably be a while before I am even capable of writing or drawing for the DT main story again.

TL;DR: I don't foresee myself even beginning to work on DT Ch3 (including bonus episodes) for a very long time. I apologize for delivering this disappointing news. With this in mind, I will be working on and posting things that are not DT CH3. Some of this will relate to DRDT and some of it will not. I ask for your patience as I continue to create and gain experience as a creator. I hope that you can support these works too.

Thank you again to all those who have supported me and enjoyed my work. Please support the amazing staff who worked on DT as well, I am eternally grateful for their work. If my work was able to inspire you or move you or bring you enjoyment even a little, I would be happy.

[sad-trekkie-life]

Ok, but this scene… You could see the genuine FEAR in Kirk’s eyes, his realization he cannot control his body. Poor Jim was SA’d multiple times during the show, but this scene made me even more uncomfortable, it is notable by creators focusing on his face.

SA on males is still a topic people do not talk about often enough nowadays, and during many decades male SA in media was either downplayed, or even showed as something desirable or funny. So for me it is interesting to see scenes like this in TOS, where this type of situation was clearly portrayed as disturbing & wrong, and the female abuser was clearly a villain, not just a sexy chic.

Generally TOS is weird about this topic. We have The Enemy Within with some pretty disgusting implications, but we also have The Gamesters of Triskelion where the scene with Uhura was made in such disturbing way I literally had to pause… I didn’t expect it, and Kirk’s hopeless screaming made the scene even worse. But I was happy to see that she was able to fight off the creep. Could tell the episode was written by a woman.

This particular episode showed some interesting female character, where she was clearly an antagonist, morally gray character, although a sympathetic & understandable one, but also a victim of war, and of society - she was clearly as smart as men, why should she rely on drugs to make men listen to her?… Although I wanted to punch her multiple times, she didn’t deserve what she went through, her fate was shown as scary and tragic. This episode is one of the few with a clear bad ending (well, it was a commentary on Vietnam War after all) and where all of the characters (including Nona) make morally ambiguous decisions.

Interesting how TOS is both outdated and ahead of its time.

[noctqrnxl]

my thoughts on the watcher update:

i am happy with this apology.

i will not let my guard down

i GENUINELY hope they learn to manage their finances better in the future

if they read through the comments then i hope they saw the thousands of people talking about how ryan and shane's banter >>> high quality content

i hope they get a little less out of touch??? and understand their audience??? and do some research before taking such a big decision????

i definitely hope that they find a balance between the high-quality content they want to create, doing so within understandable budget restraints, and the content WE want (which is mostly banter/talking. i used to hate anything horror-related but i loved bfu supernatural because SHANE AND RYAN MADE IT LESS SCARY!! I HAVE MADE POSTS ABOUT THIS BEFORE AS WELL!!)

contrary to what most people were saying, i actually liked steven the most at some point. when i'd watch too many spirits episodes it was steven's chaos (and eventually him and ricky's banter) that i looked forward to. i liked dish granted as well! yes i love shane and ryan, honestly who doesn't atp, but i always had a soft spot for steven. (i haven't seen a single worth it ep btw. the most i've seen of steven has been on watcher.) that's why the backlash against him specifically has been... tough to see. i acknowledge what people are saying and i also agree with it, but still. ykwim.

they look WRECKED. either they are very good actors all of a sudden or this was a more terrible weekend for them than i thought. (not to mention the bullying and harassment a lot of fans have done.)

as a lot of people have been pointing out, isn't WatcherTV basically Patreon??? i haven't signed up for either because, well, i'm an international fan 🙊 but still, it feels weird to have both??? idk (edit: they've closed up patreon for now)

i still think WatcherTV is a bad idea but hey, at least we will see the content on yt as well, right?

i hope one day we'll all joke about this. (i don't mean to say i want us to feel good about it, because i don't think we ever will. but still...)

[idolomantises]

What do you think of The Owl House? Like, I liked and respect Dana a lot for what she's accomplished, but I also feel like everyone is just pretending that the show doesn't have any problems, as I felt that the cast was always very poorly developed from the beginning.

I like the show, I don't love it, but i think it's pretty good. TOH has a lot of really cool world building and lore, but I also found a lot of the characters really lacking. Three of my biggest annoyances were Luz, the characters having altered personalities after one episode and the underutilization of Luz's friends.

I think Luz is actually a great protagonist, my issue is when the show really loves to tease her as this flawed and morally complicated protagonist when... she isn't? any time she does something bad, its completely accidental. It's funny when the show first came out and people negatively compared her to Mabel because Mabel actually did make a lot of selfish and careless decisions that she had to grow from.

The show also had a bizarre habit of giving characters new personalities after their first appearance, and I think Amity is the worst offender of this. Her first appearance she's the generic mean girl bully, and this is used to create conflict and for Luz to befriend Willow. But then after that, all of a sudden she's super "cold" and keeps to herself, and the characters act like she's just the popular quiet girl? and then the show has the audacity to blame a lot of the bullying Amity did on her friends and parents. I have no clue why the flashback episodes portrayed it like Amity just watched as her friends bullied Willow, SHE was a part of that! Similar issue with Hunter. Introduced as a snarky brat, and then his next appearance he's incredibly angsty and depressed so the audience could sympathize with him. Willow and the Collector were also ones that stuck out to me, but it was a change that was subtle enough that I didn't notice.

I don't know why writers do this. I like it when your characters are messy and flawed, give them unlikable traits so we can watch them slowly be better people. Don't tell me someone is flawed and then don't give them flaws and don't tell me to sympathize with a character by just giving them a new personality.

I think everyone is pretty aware of how poorly utilized Luz's friends are but there are seriously so many episodes where I was like "why aren't Willow and Guz taking Amity's place". They really feel like a studio mandate.

Also Lumity is kind of boring but honestly, I don't really think its as big of a deal as some fans think it is. Lots of cartoons have straight couples that quarrel, get together and their relationship isn't the most compelling in the world, but its still pretty cute. If anything I do wish Amity would work through her issues more than have what little personality she had disappear when she dated Luz.

With your point about how fans handle criticism, admittedly I think part of the reason why people don't want to admit the show's problem is because Disney fucked it over MASSIVELY and it feels like punching down (at least to them). I think there's a very common mentality of "is it fair to criticize a show that never really got a chance to fully find its stride?"

But I also know this is just a massive problem with shows that have queer characters in general. There's just this prevalent attitude that if you have a problem with a piece of media that also happens to have queer characters, it means you're "ungrateful" or trying to insult it on purpose. Though personally, I think TOH fans are a lot better at handling and giving criticism.

[khruschevshoe]

How Behind-the Scenes Issues Affected the Writing of Doctor Who (Both Good and Bad)

Doctor Who is such a fascinating show to look at from a Watsonian v. Doylist perspective. Like, entirely just from an episode writing point of view:

Twice Upon A Time feels so slow and meandering and even boring in places because Chris Chibnall didn't want to start his run as showrunner and Steven Moffat didn't want the show to lose the coveted Christmas timeslot (ironic, I know) so he bumped the Twelfth Doctor's regeneration from the end of The Doctor Falls (where it makes sense) to the end of the Christmas special

Boom Town (my beloved) only exists because originally there was going to be an episode in its spot explaining that Rose had been molded to be the Doctor's perfect companion (by the Doctor, gross) and the writer didn't have the time to commit to the show

The ending of Last Christmas feels like one inside-a-dream too many because originally Jenna Coleman was questioning whether she was going to leave the show or not and the ending was rewritten after the first readthrough when she decided she wanted to stay for another season

The first five episodes of Season 7 feel like each one takes place in a different genre because that's literally how Steven Moffat pitched it to the writers; for example, A Town Called Mercy was literally pitched as "Doctor Who does a Western"

Not so much a weird one but one I find cool: Eleven's first words and Thirteen's first words were literally written by Moffat and Chibnall respectively, as they were brought in to write the first words of the first Doctors of their runs so as to make it cohesive

The reason why Fourteen isn't wearing Thirteen's clothes when he regenerates is because Jodie Whittaker is much shorter than David Tennant and Russell T. Davies didn't want it to look like he was making fun of the genderfluidity of the Doctor (still think he made the wrong decision, but eh)

Wilfred Mott isn't in the Runaway Bride and Donna's father isn't in Partners in Crime because the actor who played Donna's father, Howard Attfield, died after filming several scenes for Partners In Crime, leading to the character of "Stan Mott" from Voyage of the Damned being written into Partners In Crime as Donna's grandfather

Astrid Peth doesn't die in the original drafts of Voyage of the Damned, but Russell T. Davies wrote what is generally considered one of the most emotional deaths in Doctor Who just because he wanted Kylie Minogue to be able to focus on her music career

Originally Oxygen was written as a prequel to Mummy on the Orient Express, where a corporate representative appeared on a monitor. Said representative was fired for his fumbling of the station and would later live on as the company computer, Gus

During Season 11, Chris Chibnall had to do some major rewrites for many of the one-off episodes, therefore The Battle of Ranskoor Av Kolos ended up being a first draft that made it to screen. He later admitted it was his least favorite episode of the series

And this is only a fraction of what I found in terms of major behind-the-scenes writing reasons. Though I am still totally willing to critique the product that made it to our screens, finding out the reasons behind some of the more badly written episodes of the show really made me feel sympathy for every showrunner of the show as well as appreciate a lot of the good episodes that ended up here despite the short production schedule/unexpected problems (once again, Boom Town my beloved AND everyone's favorite companion Wilfred Mott only exist because of unforseen problems). Absolutely bonkers, isn't it?

[bunnyshideawayy]

a rumored bastard and a proven, disinherited, legally illegitimate recognized bastard are not the same.

Rhaenyra’s sons are rumored bastards, i know the show has a lot of team green stans feeling bold but just as in the books, they are never legally considered bastards in the show either. they are speculated to be via their physical features and Laenor’s apparent sexuality, but since Laenor and the KING (btw Westeros is a absolute monarchy, meaning the king IS law) both claim all three boys as legitimate heirs, unless someone demands a medieval dna test, those kids are legally Laenor’s true sons.

this is apparently a very hard concept to understand for some, hell even Alicent in the show says something like “we can all tell” which fair point, but that is not proof enough. looks, accusations, and rumor are not the same as actual proof of adultery or bastardy.

someone i was having a “discussion” with used Joffrey as an example to point out a flaw in my logic, but ultimately proved my point. Joffrey was a rumored bastard. Ned himself had no more proof than Alicent does, just hair color and a hunch, so Joffrey was never legally disinherited from the line of succession. I hate to defend either of these men but King Robert never publicly disowned him and called him bastard, which is why Joffrey ascended to the Iron Throne. now the rumors did hurt, and caused huge political issues leading to the War of 5 Kings, which is exactly why Alicent and Team Green is so insistent that Rhaenyra’s children are illegitimate, they know they cannot legally or physically prove her children are bastards, especially when Laenor and the King are claiming them are true born, but they can spread the rumor and call into question Rhaenyra’s honesty and morality. think episode 8 when team green takes their chance with Vaemond to attempt a coup of sorts for the Driftmark Throne, why would the succession of Driftmark need to be settled if Rhaenyra’s sons are true born? why would Alicent / Otto need to make this decision in place of the sick king and mia lord of tides who both had already been stating Luke would inherit for years. it’s all apart of the scheme to tarnish Rhaenyra’s reputation as Vaemond has no other proof either, and promptly loses his head (both metaphorically and literally) by calling the recognized heir to the throne a whore and her children bastards with no proof in front of the whole court.

it is a political scheme on both sides, Alicent cannot prove anything, and Rhaenyra cannot disprove the rumors no matter how many times they are claimed as true born sons. Rhaenyra has to live in the comfort the law gives her, as legally her sons are seen as legitimate, and thus legally they are protected. and from an unbiased pov with both in universe and historical references, those kids might be bastards in actually but not legally.

Rhaenyra goes through hell to keep her children legally protected, not only for their sake but for hers because should the truth come out both her and Laenor would be seriously punished, i wouldn’t go as far as executed but that would depend on if Viserys was old and bed ridden or dead. which is why im making this incredibly long post repeating myself in every point. you can argue all day about Rhaenyra’s children and their parentage but i am making this to make it clear that her children are not *legally* bastards by Westeros law. in order for Jace, Luke, and Joffrey to be illegitimate bastards Laenor, Rhaenyra, Harwin, and/or Viserys would have to publicly acknowledge them as such and disinherit them. no, Laenor and Viserys dying do not magically make Rhaenyra’s children legal bastards either. they would, again, need to be claimed and proven as such and disinherited.

and at the end of it all, true or not true, the rumors made a lasting impact on the story. so much so this fandom is still debating this topic, and frankly i am dreading the season 2 release when all the bad takes and bad faith arguments start up again.

anyway other famous rumored bastards are in Targ history are:

Maegor

Daeron II

[spxdyr]

im going to try to be nice because bucktommy's are going to inevitably see this and im not trying to start shit.

i'm seeing a lot of confused bucktommy's about the breakup. claiming it was a last minute decision, it was because lou didn't want to keep dealing with it (wtv that means), that it makes no since because of 8x05, and a lot of other spiraling bs.

i even saw someone say that buddie is never going to happen because oliver said eddie is straight...

i'm going to break this down as clearly as i can, because i've historically had issues with bt's and comprehension skills.

1. the bucktommy breakup was inevitable from the moment they got together. if for no other reason than tommy himself. from the beginning of their relationship, tommy has decided if buck was ready. not buck. tommy left buck standing on the side of the road aftet their first date because tommy decided he wasn't ready. because buck was nervous to come out to his best friend in public. tommy decided that buck would break his heart and that he wouldn't be buck's last. tommy came into that relationship assuming it would end. not buck, and not the audience. we were just picking up on what tommy was telling us. especially, given the fact that buck was fully ready and able to move past the abby clark of it all. tommy was a bad partner to buck, that's why they broke up.

2. i said this after 8x05, it wouldn't have made since to give us an on screen breakup if the only thing we saw of tommy was the thirty second birthday scene in 8x01. 9-1-1 loves a three ep arc and buck's side of whatever realization he might have started on 8x05. we needed to see more of tommy so it made sense when he broke up with buck. throughout all of 8x05, we saw the seeds of doubt being sowed in tommy. from the hospital scene after denny, to the closing one, tommy realized he didn't fit or at least wouldn't for long. because he never got that built-in family. he doesn't trust/believe that anyone would have his back like that. and he made that choice all on his own.

3. lfj is fine. he's a mulit-million dollar nepo baby. one whose been callled out for negative past behaviors and some people consider that bullying. lfj knew how long he was going to be on the show when he signed the contract to come back. the networks choice not to renew that contract had nothing to do with buddie stans. his storyline was over.

4. i can't even be confident that he's gone. there was a lot of stuff left unsaid or moved past too quickly. now 9-1-1 has a history of bad writing in that regard but they also have a habit of dropping things to only come back to them episodes or even seasons later. if he's really gone well thank god, but if he's not im not totally shocked.

5. i don't know how many times i have to say this. if eddie is gay or bi or demi or wtv, the cast wouldn't be able to say so because it would be a MAJOR spoiler. does no one remember andrew garfield and tom holland lying their asses off about spiderman ffh??? actors are liars, its like the whole bit. buck was straight until he wasn't. let's stop being dense and accept that maybe they aren't telling us everything because that would the defeat the purpose of the show.

look at this point im not just in this for buddie. im in this for an eddie that gets to be unapologetically himself. and im going to emphasize one more time how dangerous and disrespectful it is to force eddie back into the proverbial closet because it doesn't fit your ship.

[electricsoul-rpg]

Netflix's 3 Body Problem

I tried watching Netflix’s American adaptation of Three Body problem. I watched five episodes and boy, is it painful.

(Full disclaimer: I really liked the Chinese adaptation by Tencent, I read the book after I watched the drama, and I am a European of Chinese descent, so I am definitely biased.)

The general whitewashing and westernization of the story is already pretty bad. Why take a Chinese story if you’re going to make it so blandly American?

Everyone is horny and thinks about sex, relationships based on ideals are reduced to attraction and sex. Everyone is so vulgar and crass. IQ seems very low.

Ye Wenjie. What did they do to Ye Wenjie. She’s a brainless horny fanatic woman now. And Shen Yufei is replaced by a generic unhinged lady. All the scientists seem supremely dumb.

White characters explain or emphasize things in Chinese, for Chinese people, when their Mandarin is bad. Not gibberish bad, but still pretty bad. Please just use English, your white actors clearly can’t speak Chinese. Your Chinese characters can understand and speak English. Don’t hurt our ears like this. It might be cool and exotic for the average Western audience who doesn't understand Mandarin but it’s cringe and painful for us.

A small thing but since I lost my father a few months ago, it struck me pretty hard. What was that altar in Clarence Shi’s house? Just two big pricey candles and one stick of incense? This is so cold and lifeless. Where is the FOOD??? The drinks??? The flowers/plants??? You're calling your wife and you're leaving her starving and depressed!

(For info, a normal small home ancestor altar should look more like this. As you can see : FOOD. Take care of your ancestors!)

The cast and setting is supposed to make this adaptation more "international"...but two British dudes decide everything when, in the novel and the Chinese adaptation, it is truly an international decision and an example of global cooperation. Five Oxford alumni of different skin color does not make this more international!

And so so so so many more things that are wrong. I feel like there is not a single Chinese brain cell in this.

All in all, I did not expect anything good, but I am still disappointed. It is so bland. No build-up. No mystery. No menace. No ambiance. Nothing. Everything is said straight to your face. They must think the audience is stupid, I guess.

Watch the Chinese adaptation

Did you like the ideas behind the Three Body Problem, either the book or the Netflix series? Are you ok with reading subtitles and watching something not in your language? Are you ok with seeing something set in another culture, with another culture's codes, not simplified and westernized for your sake? Are you ok with not being able to binge-watch it in one weekend? Are you ok with more complex characters, a slower-paced plot? Then try the Chinese adaptation. It's on Youtube and Viki, with subtitles. Legal and free.

[the-mighty-e]

I finally managed to understand V's entire "mission" (and consequentially J's and N's) in the Solver's plan.

So, starting off with, I still have two doubts, and that is when each dd discovered that Tessa was already dead.

So basically this analysis might be wrong if my order of knowing is wrong :')

We start with J, I'm positive that she was the first one to find out, working with Tessa and adoring her so much probably made her the first to find out she died. As J said "it tricked me too." So let's assume she didn't find out in the best way ever, but already knew when she and "Tessa" met with the trio.

Second to find out was V. N was last, and he, of course, found out when we also did, in Mass Destruction, so as we see here he's still pretty traumatized to see her

Now onto V. Throughout the whole show, many fans started off with disliking her, only to slowly learn more about her reasonings, that were made 100% clear with the finale.

V's main objective was to keep N safe, away from the Solver. He was still the nice golden retriever robot that V adored back in the Mansion. She wanted to protect him.

But we thought that was simply a thing she decided on her own. We thought that she was the only one with her memories and that she simply decided to hide everything from N and protect him from the sidelines

And just to note, I'm pretty sure she thought that N remembered everything. That's why she was so shocked here, not simply because he snapped

She realized he didn't have his memories so went even more on defensive mode.

With the new episode, it's actually revealed that V wasn't the only one with her memories, but instead, N was the only one WITHOUT.

Even J knew about it. And V thought that the original plan was doing their jobs and living a good rest of life. Not helping it and risking their life in the end.

When V saw the N projection, she decided to tell the truth

As the second image suggests, she had no idea about his memory being bad or good, she didn't know how much of his memory about the past remained. Sadly though, she wasn't supposed to say all that.

What we all thought was V's own decisions, was actually the Solver's. It gave V the option to stay quiet and in exchange she and N would be safe.

That's why V wanted N to stay away from Uzi. She was a possible Host and V didn't want it to kill her and N. Because him going against the orders wasn't in the plan.

A bit more proof that V knew who "Tessa" was:

She gave Tessa a lot of dirty looks in episode 6 for someone who was literally saved by her. She already knew that she wasn't Tessa and she was extremely wary of her.

TLDR: V's plan to keep N in the dark wasn't hers, but it was a bargain with the Solver. And N was the only one without memories and knowledge of Tessa's death.

[epiphainie]

why do you think bucktommy has been "hitting differently"? i love them don't get me wrong, but i don't think it's been written much differently than buck's previous love interests (yet)

Hi anon, 

I don't think I agree with you there. Well, first of all I think talking about all of Buck's previous romantic relationships as one thing is doing injustice to those different arcs and Buck's character journey. All served different purposes, all were written differently from each other. When I make the distinction that BuckTommy has been "hitting differently" what I mean is that it has what worked in those previous relationships as well as what was lacking. And I think the reason is twofold: the writers being intentional with their choices and how it's all been executed. 

Intention:

Just to be clear, I don't mean anyone has had endgame BuckTommy intentions. Tim has been very clear about how he doesn't plan that far ahead and it's hard to talk endgames with a procedural format like this. But we know they wrote the bi Buck arc with more care, hence being more intentional with their choices than some of his previous relationships. We know that their first kiss had taken multiple shapes before it ended up being this gentle, surprising but still mutual kiss. We know that they wanted to create a story where Buck felt connected to this guy but also safe and light. We know that they wanted to make Tommy a character who can be understanding and lead Buck as he stumbles. We know that Tim thought Lou's buy was important because he didn't want to repeat the same mistake of creating a LI who didn't fit with the rest of the cast etc.

Now you can say some of these fit previous LIs one way or another but it brings me to execution:

Many people talked about this before me, obviously, but I think the execution of everything they planned with Tommy has been great. I mean before their first kiss, this guy goes out of his way and shows up at Buck's to "clean the air" with this virtual stranger because he believes he caused bad blood between him and his friend. Not just that, he reassures Buck about his place in his friend's life and apologizes for making him feel excluded. Now as the audience we know Buck is the kid who'd get hurt on purpose so his dad would pay him attention, he's the guy who sued the fire department because he felt pushed out and isolated, but Tommy doesn't. I think an LI addressing one of Buck's core insecurities in such a direct and reassuring manner before even knowing him is a great way to set up why Buck would feel safe with and understood by him.

Another is that Tommy immediately meets Buck at that vulnerable place when he admits to being jealous of the 118's bond and Buck reassures him back. This for example, is something Abby had done with Buck imo but Buck back then didn't know himself enough to embrace his own insecurities and at a maturity level to address Abby's despite his best intentions. With Taylor, their whole issue was that they couldn't be honest and vulnerable with each other. BuckTommy in this aspect feels different because from the get-go as they're being honest and are on the same frequency when it comes to this.

Episode five, we see them on their failing date, then we see Buck being nervous that he fucked it up in the coffee scene. We've seen this Buck before, when he got into that anxious mode to make sure Abby knew he wasn't cheating on her. Obviously, the context and the stage of the relationship are very different and they both reassure Buck about it not being his fault. Great on both Tommy and Abby.

But then, the immediate follow-up in Abby's case is that she's leaving for abroad. I don't think Abby is being evil or mean with this decision (where I have a problem with is when she starts ghosting him and doesn't just end it, but that's another topic) but again knowing what we know about Buck as the audience, we know this is a big deal. We know this - and later Ali leaving - adds on his issues of feeling like he's not worth it, we know it leads to him basically trapping Taylor because he's so afraid she'll leave. Again, Tommy doesn't. But Tommy gives him a second chance and then shows up at the wedding.

You can say showing up on one date is not proof that Tommy will always be there for Buck, but I think the execution is so good in painting Tommy as very reliable concerning this. Because Tommy doesn't just show up. If the writers' only concern was to write Tommy out of the A plot of episode 6, he could just come to the ceremony and be like "my shift just ended". No, Tommy says he'll try his damnest to make it to the wedding and then he enters the hospital all rushed, haphazard, covered in soot, hair a mess. The dramatique of that entrance immediately validates in the audiences' mind that yeah this is a guy who will do his damnest to be there for Buck. It, again, addresses a core insecurity of Buck's.

Back half of the season doesn't do anything different but we again see Tommy notice Buck's emotional state, meet him in that vulnerable place, and also match his flirty vibe. They're comfortable; it feels earned even in such a short span because of the well execution of their initial arc. This to me what Buck said about Natalia when they thought the show wasn't coming back (and before that relationship was recontextualized as being a dud), about how he feels seen and comfortable etc. Only this time, there's intention, effort, and execution.

One final note in execution - and this is very ymmv because I've seen even from some BuckTommys that they wished they did this differently - I genuinely love how little BuckTommy there is in 7x03. More specifically, I love that Tommy's reintroduction to the series is not through being Buck's potential love interest. He's there in that episode for Hen, Chim, and Bobby. In 10 mins screentime he's quickly established with motives and personality quirks, is involved in the main plot, bounces off of other characters. Again, great execution of a thing Tim intended to do: a love interest who can fill more roles than just the love interest. This basically makes him in his own category in how purposeful and functional he can be as a character in the greater narrative. So yeah I think both as a person in-story and a character, Tommy has been hitting different.

[lovielied]

mine, all mine ♡ toji fushiguro x reader

୨ summary ୧ : three weeks after a messy breakup with your ex-boyfriend, toji fushiguro, you decide to go out in hopes of finding someone new. as if he'd let it be that easy.

** this was initially posted on my ao3, lovelied. **

wc: 3.4k

It’d been just shy of three weeks since you’d broken up with your ex-boyfriend, Toji Fushiguro. As you’d told your friends time and time again, it’d be easier to list what he’d done right as opposed to what he’d done wrong. If you were to go on about how much of a deadbeat asshole he was, you wouldn’t be finished for hours. 

Despite the fact that he was flakey and overall a bad person, you weren’t the type to refrain from giving credit where it was due. After all, there were a few things that were good about him.

Well, one thing— his dick, if you were to be blunt.

Even you had to admit that it would be hard to compare to him in that regard while exploring the dating pool. He knew how to use it, and he was certainly aware of that fact. You weren’t a good girl by any means, yet you had your dignity. No matter how good his dick was, you refused to let him laze around and expect you to take care of everything in the relationship. 

So, you left. 

Toji didn’t put up most of a fight, in fact he seemed almost amused that you’d suggest such a thing in the first place. But you were serious, and he’d soon realize that when he returned to your apartment the next morning to see messily stuffed bags of his personal belongings strewn along the porch. 

To your dismay, the first few days without him were actually difficult to get through. You missed him more than you’d care to admit, though you’d profusely deny that fact to your concerned friends. You had found yourself in a depressive episode, flaking on plans and hardly ever leaving the confines of your bedroom.

He was an asshole, but there were times when his presence had been comforting to you. You would never admit it, but you missed the feeling of being cradled in his strong arms while you fell asleep against his chest, or the teasing grin that would tug on his lips before he’d kiss you. You missed the way his cologne smelled, the way he fit perfectly on your couch when he stretched. 

And, perhaps most of all, you missed how expertly he would fuck you. 

Toji probably knew your body better than you did. He’d make you cum every time without fail, working you perfectly no matter what he was using— his hands, his mouth, his cock, even one of his (far too many) toys that he’d purchased solely with you in mind. You’d scolded him more times than you could count about the fact that he’d blow an entire paycheck on dildos and vibrators, despite the extent of his already existing collection.

Not that he cared, of course. He easily silenced your protests when it came time to put them to use. 

In the weeks following your breakup, you found yourself missing his body more than you did him. Was it selfish? Absolutely. But he hadn’t necessarily been any better of a person even when you were together. It wasn’t like you wanted to miss him, either. 

But during nights when you were alone in your bed, desperately chasing relief with your fingers even though you knew Toji would have brought you there within seconds— what were you to do but miss him?

It wasn’t really your fault.

After nearly 3 weeks of moping around, you decided that he wasn’t worth the heartache. Why should you stay inside and grieve what could have been? Determined to start getting over him, you’d decided to go out for drinks after work on Friday evening.

When it came time to actually follow up with this decision, however, you had a few reservations. It wasn't going to make you feel any better about what happened, you figured. 

Nevertheless, you argued with yourself to the point that you had practically forced yourself into going.

Squeezing into the skimpiest dress you could find, you dragged yourself to a quaint, sleazy bar on the corner of the street. It was the only bar you knew of, and most likely the only one in town. You hadn’t been inside since long before you had begun to date Toji, and your memories of the place were fuzzy. All you remembered was that your roommate in college spoke highly of it, and apparently it had been good enough to get you both drunk that night.

Not like that’d take much effort, of course.

The smell of alcohol and sweat slammed into you like a brick as soon as you stepped inside. Immediately, you began to regret even considering the idea to leave your apartment, but you couldn’t find it within you to turn around and make the walk of shame back to your battered mustang. 

For the first few hours, it wasn’t too bad. You adjusted to the smell quite quickly, and loosened up once you got a few drinks in. You’d even managed to catch the attention of one of the patrons, a decent looking man with a nice smile. He offered to pay for your next round, so it wasn’t hard to make small talk and enjoy the company he provided. Apart from a few short calls from your friends throughout the weeks, he was the first person you’d spoken to since the breakup. 

As the night stretched well past the midnight mark, you began to notice the bar getting more lively. An increase of people were coming and going, the music was growing louder, the lights dimmer. The ambiance of the place had changed drastically since you’d arrived earlier that evening.

However, you were comfortable enough with the man you’d met, finding it easier and less overstimulating to focus on him and not the people around you. He made good conversation, you’d realize— his ability to make you laugh so easily was almost relieving, especially so when your laughter had been so persistent that it generated the urge for you to use the restroom.

You excused yourself apologetically from him before slipping past a large group of people, navigating the crowded room until you found the bathroom.

It was unisex, you noticed. Stupid idea for a bar, you thought to yourself before pressing open one of the double doors. By the time you've taken four steps into the bathroom, you freeze in your tracks.

No fucking way.

An all too familiar chuckle fills the small space of the restroom as you swivel on your heel to turn around, yet before you’re able to reach back up for the door, a large palm is wrapped around the base of your wrist, tugging you back inside.

“Well, well.” Toji purrs, his grip on you only seeming to get tighter as he grins down at you with amusement. 

“Let go, Toji.” you huff, refusing to even look him in the eyes. You knew you shouldn’t have left your stupid apartment! 

“Why?” he drawls, snaking his hand further up your arm as he cocks his head. “So you can get back to your new boy toy out there?” 

“Bingo.” The syllables are dripping with sarcasm, your face just as unamused. 

“Not gonna happen. Been meaning to talk to you, anyway.” 

You have to force yourself not to groan, a roll of your eyes emphasizing your annoyance as you attempt to tug your arm out of his grasp— to no avail, of course. “Not interested.”

“Sure you are.” he taunts with a smirk.

“I’m not, I assure you.”

He cocks his eyebrow and releases your arm, folding his own arms over his chest as he takes a step back from you. His eyes sweep over your frame, and the hunger that’s visible within them makes you squirm. 

After a minute of agonizing silence, he clears his throat expectantly. “For someone who isn’t interested, you’re hanging around an awfully long time, aren’t you?” 

You feel your face heat up, shooting a half-hearted glare at him. “Just talk, asshole.” 

Pleased that he’d called your bluff, he chuckles heartily, leaning casually against the bathroom wall. “That’s what I thought.”

“You don’t even like alcohol. Why are you here?” you spat at him, still refraining from looking him in the eyes.

“Figured you’d show up around this hellhole eventually.”

“You’re fucking crazy.”

“Didn’t have much of a choice, did I? Someone decided to dodge all my calls.” he points out, tapping the prominent muscle of his arm idly. 

“Blocked you, actually.” you clarify with a mumble. 

He runs a hand through his hair with a worn sigh, giving you a look of annoyance as it falls down to his hip. “Quit being difficult, will you?”

“You know a lot about that, I bet.” you retort, refusing to let him get the satisfaction of talking down at you.

You were frustrated that he was here in the first place, but even more so that he had apparently been here every day waiting for you to come. There were certainly downsides to living in a small town where every recreational spot was well known. He knew you liked to drink, so it was a no-brainer that you’d go to the only bar in town eventually. It was truly a shame that he wasn’t as stupid as you thought he was.

Lost in thought, you hardly recognized that he hadn’t responded to your little remark, his body language making it clear that he wasn’t very amused by it. However, as you finally looked up at his eyes, you’d notice that they were fixed directly to your chest. 

Face growing hot, you self-consciously tug your dress up, shooting him another glare. 

“Pervert.” you scoff at him.

He remains silent, his eyes grudgingly dragging up from the flesh of your breasts to meet yours. 

“Wouldn’t have to be if you weren’t dressed like a whore.” he retorts, his voice thickly laced with sarcasm, though you knew he wasn’t quite lying.

You had intentionally picked out the most risqué dress you could, in hope of attracting a decent amount of male attention. It wasn’t like he could blame you, though. You hadn’t had sex since you broke up with Toji, and the thought of masturbation hadn’t even crossed your mind. While dating him, you didn’t ever need to masturbate. He made you feel better than you ever could by yourself, it was almost underwhelming to do so when you had him easily ready to satisfy you. 

Toji knew this, of course. You had made it quite obvious during your relationship just how much of a slut you could be for him, so malleable and compliant to him. How could you not be? With the way he had you feeling, you were more than willing to allow him to do as he pleased with you.

Perhaps that’s why he wasn’t subtle about the way he looked at you, or why he seemed so amused that you didn’t leave when he released your arm. 

He knew he’d fucked up, but he also knew that you’d come around. Your facade of annoyance would dwindle, he just had to ease it from you.

“How I’m dressed is none of your concern.” you hiss under your breath, heat spreading throughout the bridge of your nose and the flesh of your cheeks.

“Really? Whose concern is it, then? The scrawny little prick you left waiting out there?”

Your palms curl into fists at your sides, the frustration radiating from you as you glare up at him. “It’s not your problem.” 

“Mhm. Hoping he’ll dick you down half as good as I can?” 

Blinking rapidly, you can feel your breath catch in the canal of your throat. The statement is so blunt, it’s almost enough to make you forget your frustration. But you don’t, your brows furrowing into a frown as you scowl at him.

“He’d probably do it better.” you knew that wasn’t true, but you’d rather die than admit it to him. 

Though, the statement didn’t offend him as you intended it to. In fact, it had the opposite effect— an obnoxious guffaw rumbling in his chest. He was.. laughing at you.

You felt your face get hotter. 

“You’re an awful liar, baby.” 

And hotter. “Don’t call me that.”

Toji’s laugh dies down, though he has the audacity to clutch his hand against his abdomen as if the laughter had been hurting him. 

Hopefully it’d kill him..

“Come on, who are you fooling here?” he manages between chuckles, pushing himself out of the casual lean he’d maintained against the wall as he took a few steps towards you. 

You took equal steps away from him, backing toward the wall opposite to him. “I’m serious.” You lie, your wobbly tone a spotlighted contradiction.

He’s unfazed by your movements, continuing to walk in your direction with an amused expression. “I think we both know that you’re not.”

Admittedly, he adored the subtle reactions he so easily drew out of you. He loved the way you nervously dragged your gaze away, wedging your pouty lip between your teeth as you backed into the wall behind you. Toji mirrored you, moving in closer until he was mere inches away.

“I am.” you squeak out again, the sound of your voice shrinking as he grows larger in size the closer he wanders towards you. 

Your knees felt weak below you. It was almost surreal how easily he rendered you so helpless, all you were able to focus on was the feeling of your heartbeat ramming repeatedly into the inner lining of your chest. 

“Yeah?” he whispers, the heat radiating off of his immense physique suffocating you. The smell of his faint cologne filled your nose, and that scent alone was nearly enough to drive you crazy. Knowing him, he’d intentionally worn it to have this very effect on you, to have you gazing up at him so desperately while maintaining that stubborn look in your eyes. 

You swallow the lump in your throat, nervously chewing at the plush of your bottom lip without even realizing it. The gleam in his hungry gaze had you weak, his proximity causing you to feel small. He caged you against the wall with his arms at either side of you, his head dipping down so he could observe your reaction. The black strands of his hair fell synchronously, yet they didn’t shield his piercing eyes from you.

“You’re serious, right?” he mumbles, the warmth of his breath fanning against the flesh of your neck making you painfully aware of just how close he was to you.

You nod, almost helplessly. You were most definitely not serious, and he knew that. He knew it by the way your thighs pressed together, a sign he easily recognized as an effort to prevent your heat from spreading from the confines of the space between them.

“Stop me, then.” Toji whispers, lowering his head further and pressing his lips against yours. 

The little gasp you let out allows him to slide his tongue into your mouth, prodding it against your own wet muscle with ease. A calloused hand slides down from the wall and hooks against the fleshy handle of your hips, tugging your melting frame into him. His knee easily parts your latched legs, a soft and surprised whimper filling his mouth as the cap of it presses easily up your dress and against your clothed cunt.

He’s kissing you lazily, his mouth uncharacteristically languid as it pressed against yours. You were overwhelmed by his taste, the prominence of his tongue fulfilling an ache you didn’t even know that you had. So overwhelmed, in fact, that you almost whined out in protest when he withdrew for a short instance to catch his breath. 

“Stop me.” he repeats with a whisper, the warm sensation of his breath grazing your lips. Without giving you a moment to protest, his mouth is gravitating back into yours, a low grunt of satisfaction rumbling in his throat.

Despite your stubborn reservations, you knew you didn’t want him to stop. He always knew exactly how to work you up, and it’d be outrageous to pretend that there wasn’t a part of you that’d missed him for that very reason.

Toji uproots his wet lips from your mouth, pressing them instead against the sensitive flesh of your throat. Easily locating your pulse point, he nips at the skin, the sound of your whiny little moan making his cock twitch. 

“You want me to stop?” he taunts, his tongue prodding into the dull bite marks he’d created.

Your response is evident, a desperate back and forth tugging of your head.

His mouth, which had been moving in tune with your whimpers, slowed expectantly as he felt you shaking your head so frantically. “Didn’t hear you.” he grunts, threatening you with the possibility of his departure.

“Don’t stop..” you plead with him in a broken voice, your eyelids heavy with arousal as you felt his knee teasingly dig a little harder against your heat. 

He smirks against your throat. “You gonna quit whining and be a good girl?” 

“I will.” you assure him, the desperation in your voice leaving no room for doubt that you were more than willing to submit to him once again. 

“Say it.” he urges, his knee digging further up between your legs as he tauntingly dragged the cap of it against your clothed heat.

“I’ll- ah! … be a good girl!” you huff out in a soft hiss, your thighs squeezing around his leg as you pant out from the contact. 

You hadn’t even realized just how much you had missed him. 

With a groan of acknowledgement, Toji suddenly pulls away from you. You cry out softly in protest, slightly lifting your head up to reveal your pleading eyes to him. You’d promised to be good, hadn’t you? Why did he stop? He’d taken a step away from you, dragging his knee out from where it’d been wedged between your legs and giving you space to move from the bathroom wall. 

You whine out his name in a breathless whimper, subtly poking your lip out in a pout. 

“Not here.” He huffs out, motioning to your surroundings. Given how crowded the bar was in the first place, you were lucky someone hadn’t entered the bathroom sooner.

“Who cares?” You huff, unable to disguise the impatience in your tone as a familiar cork of arousal winds deep within your gut. He was the one who’d gotten you like this in the first place, anyway.

Toji lazily weaves his hand into your hair the next moment, a sharp tug of his wrist pulling you forward before you could process it. A gasp of pain flutters past your lips, but you’re too stunned to protest as he lowers his mouth down to whisper into your ear.

“I don’t want to hear you complain.” He murmurs, his voice low with warning as he gauges your reaction. 

Your lips parted as you prepared to protest, but the creak of the door swinging open immediately had you pressing them closed as you straightened your posture. 

He doesn’t seem nearly as bothered as a tall woman struts in, the sound of her heels clicking on the tile overbearing the awkward silence that filled the bathroom. 

“Excuse us.” He purrs, allowing his hand to fall from its original position in your hair to instead lock around your waist. “We were just leaving.” 

The woman’s petrified expression immediately reminded you of your disheveled state— your slightly unkempt hair and the crumpled dress that’d been rolled up above your thighs. You scuffle to rearrange the clothing, your face hot as you shoot her an apologetic look. 

Toji notices the silent interaction, however, and doesn’t hesitate to butt in with a smirk. “Sorry about that.” his tone was sincere, yet he was unable to mask the amusement in his expression. “She had too much to drink. Couldn’t hold herself together.” 

You bite your tongue, forcing yourself not to shout at him as you give the woman a sickeningly innocent smile. 

“She’s very sorry, isn’t she?” He continues, to your horror. His eyes travel back down to you, a taunting gaze within them as he squeezes your waist. 

“Yes, I’m sorry.” you mumble through gritted teeth. 

The woman waves her hands dismissively and hurries to an open stall, not a word from her. Embarrassed beyond belief, you swat Toji’s leg as hard as you can, tugging free of his grasp as you scurry out of the bathroom. 

“You’re such an asshole!” you hiss at him, huffing out in frustration as he wraps his arm around your waist again. 

His stupid grin only widens as he navigates the crowded room, assumingly headed for the exit. “And you’re still leaving with me.”

[beware-of-pity]

I need people who would die on the hill of "Fire and Blood is completely unreliable, therefore we cannot trust anything that's written in it" to open their eyes and read a book that is similar to the structure that Fire and Blood uses to realize how wrong of a statement that is. I know that this will probably be received as a very hot take but I do not believe that everything needs to be analyzed or has to have a deeper meaning behind it. The curtain can be blue and there doesn't have to be a reason for the curtain to be blue other than the fact that it's just blue (hope someone gets the reference). Ryan Condall obviously disagrees with that, because in his quest to recreate his own 'magnum opus' of a 'Shakespearian tragedy', as he always likes to refer to it as, he has instead created the equivalent of a dumpster on fire next to the other bigger dumpster on fire that was Game of thrones.

Bland, whitewashed characters with little to no turmoil or agency going on are revered as complex and nuantical on Twitter. And if you even dare to disagree, you're immediately sentenced to the stake. Characters like Alicent and Rhaenyra could literally not even be in the episode and nothing would change. Rhaenyra was in episode 4 for not even 5 minutes and with everything going on in it you wouldn't even have noticed that. She should have been there, leading the council as Cole marched on rook's rest, her only available connection to the mainland in the crownlands, apart from Claw Isle, after duskendale fell to the greens and instead her only scene in such climactic episode is her walk of shame returning home and her, rightfully, getting scolded by her son for thinking that she could still sue for peace with Alicent, the mother of her son's murderer. The show makes the decision to have Rhaenys volunteer instead of having Rhaenyra send her there so that later when Rhaenys dies Rhaenyra cannot be blamed for it. The fundamental changes of characters like Alicent don't work because the writers are not able to sustain such changes from the source material they are deriving the story from. Going from leading the council that would place Aegon on the throne, to never even being in on the plan to usurp Rhaenyra, that her father created, is such a letdown for such a political savy character like book Alicent.

Aging her down, to Rhaenyra's age, and making these two childhood best friends, was a mistake.

What is very evident is that the showrunners have no clue, so far, what to do with a character like show Alicent. If she's not going to lead the council when Aegon is bedridden and Aemond is off to fight in the Riverlands, why doesn't she just leave?

Going from an active participant in a usurpation from somebody who needs to miss-hear or misunderstand her dying husband for her to get in on the plan, only so there is an excuse to get her on the war council is bad writing.

Making people believe that Rhaenyra was usurped because of a misunderstanding, and not only because she was a woman, is bad writing. And going to the extremes, of having these two 'betray' each other in order to have a reason to make Rhaenyra look bad in the eyes of her rivals is bad writing. Rhaenyra could have been the perfect heir, and even only because she was a woman, Otto and Alicent would have usurped her either way.

Going back to the point of this post; Timelines, ages, events, who got married to who, how many kids they had, things that you can quantify are not something that can be made up, used as rumors or form of propaganda in a history book. What you make up as a rumor is sexual escapades and a young girl seducing her sworn shield who has watched over her since she was seven. Things that can make a person look bad to glorify or uphold the good of someone else alongside all the other stuff that happens behind closed doors and makes you question where the information is coming from.

I find it so odd that the aggressive marketing team for the second season was all about choosing your side. Lol, what is there to even choose? Choose between the overly sanctified Rhaenyra, who god forbid is still searching for the peace that has already been thrown over the cliff long ago, and is not allowed yet to make a mistake. Or, Alicent, the pathetic hypocrite who made her bed and is not willing to admit it. Anything interesting about these two women is completely being cut so that Ryan Condall and Co. can continue to spread the "men are bad and violent, women are the gentle peacemakers that don't want war." which is leaning a little too heavy for my taste into gender essentialism which would make every choice they have ever made about these two characters more misogynistic than any of the action of the actual misogynistic characters in this story. Taking away the very little agency these characters had and constantly making them the perpetual victims of the patriarchy and completely sidelining any sort of character traits that they may actually develop through their actions had they actually been taking any, doesn't work for me.

This show was a mistake.

[utilitycaster]

One of your recent posts talked about the way BH have essentially "run out of plot" in following the Red Moon/Predathos plot and the way that the PCS are being played.

I was also curious about your thought on the interparty dynamics in the end game, particularly with recent developments. One of the issues I've had with Bell's Hells for a while now is the way they don't challenge each other (or at least not in the way previous parties have)

Yeah; they don't. And honestly I think this is a combination of just...luck of the draw of the characters they created combined with that lack of room for those characters to develop because they've been in an environment that hasn't allowed much time and space for anything but rushing to the next task. Like, as mentioned, a lot of characters are kind of here to hang out or have goals that aren't specifically tied to personal change, if they have specific goals at all. That's not a bad thing! Grog, Jester, and Fearne all share that quality and are all fantastic executions of it - and Grog and Jester do change quite a bit despite that because the story gives them many opportunities to do so, and yes, because their fellow party members challenge them. But it feels like the bulk of Bells Hells if not all of it is kind of in that boat.

I remember an early panel in which Marisha said "I don't want to think anymore" and I know Travis has mentioned something similar for Chetney, of wanting to play someone much more chaotic after playing someone so highly controlled as Fjord. Liam also talked about stepping back from being a major decision maker at some point, and built Orym to be someone who had a viewpoint but didn't specifically assert it (as we've just seen). Like, I think most resentment C3 fans have towards C2 is just jealousy and bitterness but perhaps a fairer grievance is that the cast really brought their A-Game to the Mighty Nein with a lot of incredibly complicated, driven, messy characters and due to the smaller nature of the company then combined with the scaled back production of the pandemic focused intently on them; and then nearly all of them made a bunch of fairly go-with-the-flow or chaotic characters as a breather and (not unfairly or unreasonably!) thought they'd be in a story that would give them space to become something else or that would suit them, and it didn't. As someone who likes actual play I think if nothing else this serves as a look into how fantastic overall cast chemistry doesn't translate into compelling party dynamics.

To be clear, I think Bells Hells like and care about each other, but none are really the type to both strive to be better and challenge those around them to be as well. Even their defenders in the fandom are kind of leaning on the party of NPCs line from very early on [which is funny because a lot of people HATED that line at the time; I got hate over thinking it was apt] but the thing is yeah at this point in the campaign, they shouldn't still feel like a party of NPCs. Perhaps this is a personal preference, which, to be clear, does not in any way invalidate it as criticism, but as someone with a bit of a comics background, I've never been terribly into "Suicide Squad"-esque stories but I am into stories of Person Who Has An Opportunity And Rises To The Occasion Despite Not Being The Best Choice On Paper. Ultimately, my issue isn't that Bells Hells come from humble backgrounds and tragedy (this is also...not untrue for the Mighty Nein, incidentally; in fact they had even less endorsement from powerful groups. Molly died 26 episodes in and he just stayed fucking dead because no one had Keyleth's phone number so this is another case of "your defense just makes me think the Mighty Nein achieve this in a far superior manner"); my issue is that, as Laudna put it, they kind of just walk through doors because they're in front of them. I don't need them to become classically heroic; but I do need them to have some sort of intention. And they don't. Why are you walking through doors? "Because they're there" doesn't cut it. You're here because the Exandrian Accord gave you a whole bunch of support so don't play that "i'm just a nobody with nothing" shit anymore, it's demonstrably untrue.

I had this in the tags originally and I decided, perhaps unwisely, to move it into this post because I think it's relevant, but: in case it's not apparent, I think "You! Are! Valid!" culture is fucking awful; this is what that weirdo who thinks I'm from Reddit is mad at, I think (honestly I'm not sure if they're angry, they might just be very unwell). Like, it has roots in something true and helpful; you are valid for things like your race, gender, sexuality, ability/disability, and things that have happened to you in the past. But actually no one is automatically valid for their actions. Being incurious or inconsiderate or incapable of taking constructive criticism, even if this is tied to your past? not valid. Your trauma and pain is valid; what you do in their name very much might not be. And I think a lot of people who love Bells Hells do not like this message (which, Bells Hells don't like this message, hence the repeated "whatever you do is fine" conversations) and kind of romanticize a "NO ONE IS ON OUR SIDE WE MUST DO WHAT IS RIGHT FOR US THERE'S NO GOOD ANSWERS" state in which one cannot be held responsible for action nor inaction and that's a lot of why they respond so dramatically to the increasing sense within the fandom that this party lacks the juice and does judge them for inaction. Like, I've been talking about character agency and how a lot of people's enjoyment of Bells Hells hinges on how they HAD NO CHOICES and I think we're seeing the fallout, which is that a TTRPG story (ie, a medium defined more so than anything else about player choices) about characters who were stripped of choice kinda sucks ass, and anyone who doesn't look to actual play D&D to valid their personal morality (which, in this case, usually is "the world is unfair so I can do whatever I want" anyway) would rather see a story about a character who fucking had a viewpoint and did things with it, even if it were a "bad" viewpoint. I know I'm hard on villain stans because a lot of them are actually people who are like "what if the VILLAIN were the HERO...I am very intelligent," but actually, this is the crux of why Darth Vader was very popular. It's not because people thought he was a good person; it's because he drove the story more so than the heroes much of the time, and people responded to that. Purely reactive characters are boring and to get back to your original point do not challenge each other unless someone else starts the reaction chain, and there just haven't been too many opportunities of the external nor internal variety to do it. It's mostly bad luck and again, a session zero could have fixed this, but it is what it is.