#who has he manipulated

[ceratedfish24]

“Scott is manipulative because-“ manipulative is implying a level of effort that is. Not. There. Do you think that poor man has the energy to be manipulative. He is just trying to stay on everyone’s good list. He is just trying not to pick a fight. I don’t understand why you don’t trust his intentions of simply getting through this day without having to raise his sword to one of his friends. I would do the exact same thing. Sometimes you don’t want to fight. Sometimes you just want to let them fight each other. And that’s normal.

“But it’s for the lore-“ Scott’s lore is that he actively rebels against the watchers. Do you think being manipulative to his friends makes the watchers sad. No. They feed on that. Scott’s lore is not being manipulative. Scott’s lore is being angry and tired and over it all and grieving and so earnest it hurts. Scott’s whole thing is honor. He honors his allies and his enemies and his promises and all of his dead friends. I’m not saying he doesn’t have faults, but being “manipulative” is NOT one of them. Scott is kind because he doesn’t see the point in being anything else anymore.

[mythalism]

solas: uwuuu you disrupted my ritual and trapped me!!! now im stuck here and it’s all your fault wahhh poor little old me stuck in the fade in a prison that i designed myself within my realm that i created where im supremely powerful and can “casually reshape reality” with a thought and i have an anchor that lets me open rifts physically in and out of here BUT NOW IM TRAPPED!!!!! 🥺🥺😣😣😰😰

meanwhile solas:

[the-woman-upstairs]

Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.

Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!

AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).

Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.

All of this, of course, is why the ending hits so damn hard.

[cringefailvox]

alastor is such an insidious dealmaker because he's so reasonable. he doesn't ask for anything outlandish, especially not right out of the gate—he agrees to make a commercial so long as he's never asked to engage with anything tv-related again. he turns down charlie's soul and readily concedes to the stipulation that her favor doesn't have to hurt anyone. from the way husk describes their deal ("when you're down on your luck, you turn to anything to keep you afloat"), it heavily implies to me that husk went to alastor, not the other way around. alastor gets his foot in the door by making himself freely available, and by making it easy to tell him no the first dozen times he nonchalantly offers a deal, so by the time he starts angling for a deal he actually does want, you're less likely to notice immediately how predatory he's being, or how he's backed you into an inescapable corner. he makes himself an inevitability. you know he's a monster, you know that he's manipulating you—but he's also become your only choice, and so you don't even get the consolation of being able to say he tricked you, because you chose it

[poorly-drawn-mdzs]

Let the revenge games begin.

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[onejellyfishplease]

I wanted to do something for mermay, so here are my designs for some merturtles!

Leo is a Leafy seadragon,

Donnie is a Vampire squid

Mikey is a Epaulette shark

And Raph is a Scorpionfish!

Also heres a bonus drawing of a young April holding her little aquatic friends (dont worry they can breathe air just fine)

[bertoyana]

charles and erik with each other: oh dear, oh dear. gorgeous 🥺👐 charles and erik with the villain of the week/the x-men: K1LL YOURSELF 🔥🔥🔥

X-Men: First Class (2011) | X-Men Apocalypse (2016)

[purgetrooperfox]

tired: fox has never done anything wrong in his life he was under control of the chip he didn't mean to kill fives he would never do that

wired: fox was being deliberately, continuously manipulated by palpatine into doing anything he wanted under threat of severe bodily harm, no chip necessary

inspired: fox is a product of brainwashing and genuinely believes in the senate and the republic, which is in constant conflict with the rhetoric he hears from politicians and his general dislike of senators, but that conflict is ultimately irrelevant. he believes in the institution with his entire self. he was born to die for this system and would lose his shit if he started questioning it in any meaningful way. The Institution told him to kill fives so he killed fives, it told him to hunt down ahsoka so he did it, etc etc. conviction that this is all worth it because the republic Can Only Be Right (or else his entire existence and everything the guard puts up with are meaningless) is what gets his ass out of bed in the morning. he'll do terrible things to protect it, and by extension his sense of self, and he won't apologize for it because it's categorically Right in his brain. none of this changes the fact that he's routinely abused by this system, or the fact that he's enslaved by it, or that he has no real choice in anything, only how he personally reconciles it all

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[opera-ghost]

it's immensely funny to me how andrew lloyd webber read this passage from the book and was like yeah the journey down to the phantom's lair is this really breathtaking magical gondola ride where christine is just captivated by the strange and fantastical beauty of it all (see below)

when in the novel they're both like in a rowboat in the dark with christine scared out of her mind and confused as hell while erik is paddling like he's out for an extreme day of fishing and just staring christine down for the entire duration of the journey without blinking once . like mind you his eyes quite literally GLOW in the DARK and he's just fucking staring into her soul and silently rowing and probably not even breathing like

[verved]

Deviant Connor and guilt go hand in hand but I usually see it focused on his past actions. The ones where he genuinely didn't have control over what he did. While maybe he personally might have trouble forgiving himself, in the end, he was just as tied down by programming as any other android, and it simply isn't fair for others to judge him harshly for that.

But what about a Connor that struggles to not act like a manipulative cunt even in deviancy? Where he can't help but analyze every microexpression, the details hidden in someone's appearance, the weaknesses in their character, and use it all to his advantage. Who will switch from considerate and friendly to intimidating and terrifying on the drop of a dime, scaring those close to him, because if he can do a full 180 effortlessly, what's to say the way he behaves towards them isn't an act too?

A Connor who, while governed by compassion and goodwill for his people, still struggles on a personal level because he can't help but read and play on the emotions of those around him to a frightening degree. Who constantly sees the clear ruthless line from point A to B and has to reign in the impulse to act on it. Who has to deal with this compounding guilt, because even if he has good intentions, why do all his actions feel so calculated and exploitative?

What kind of guilt comes from being able to look into someone's soul, know exactly how to break them, and have to consciously choose not to?

[guqin-and-flute]

Something about the fact that these shots are all grouped together, one after another, visually giving them equal weight just gets me. The narrative knows what's going to happen between JGY and Huaisang at this point, knows how it's going to treat JGY at the end of everything. And it still takes time to show Meng Yao instinctively and immediately going in front of Huaisang and Huaisang instinctively and immediately hiding behind him. It takes the time--literally, showed it in the background and focused on it with the same general amount of time as the other shots--to show that this act of protection and trust are just as real and true as Jiang Cheng defending his sister, as Wen Qing defending her younger brother.

Like, I dunno! There are other Nie juniors there! They have swords and shit! Huaisang could have gone and hid behind the wall, but he hid behind Meng Yao! And Meng Yao could have moved back with Huaisang, but he steps directly in front of him!

There's a lot CQL did to JGY's character and narrative that I don't like and that flatten or just straight up erase his full complexity. But I really appreciate the lengths that it went to in Episode 4 to explicitly tell us that he does not hesitate to protect Huaisang, even though at this point he does not have a sword and definitely does not have anywhere near the same cultivation power (if any) as any of the rest of the people in the room.

Right now, after being publicly humiliated, unarmed and definitely outclassed, he is brave. Along with the rest of the characters, he's allowed to be uncomplicatedly young and loyal and just as innocent as any of the other students there.

[turtleblogatlast]

Something I like about Leo is that he’s honestly really chill? It’s easy to remember the moments where he’s being obnoxious or excitable but I feel like most of the time he’s incredibly “go with the flow” and has an overall affable demeanor.

[ddarker-dreams]

crying over the fact that from my current husband rotation (scara, gojo, chrollo, and blade), blade of all people is the healthiest person to be in a romantic relationship with 😭

[dejasenti99]

her,

[cruelplatonic]

my personal headcanon is the vees were unremarkable nobodies when they were alive. i just love it as a thematic throughline for them. they love to let the public of hell speculate on them being famed and acclaimed since before death, but the the truth is they were a d-list failed influencer that got by on cheap controversey and scamming, a broke junkie who burned every shaky bridge he ever had, and a worn-out broadcast production assistant with more rejected auditions and tossed out script pitches than he could count. nobody missed them when they were gone, nobody cared who they were until they were dead.

[poorly-drawn-mdzs]

I'm sorry I let down my guard.

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