#while also being her own character is actually fucking impressive writing

[jedi-enthusiasm-blog]

The Reva/Vader parallels are killing me

Two people are walking out of the Tatooine desert, approaching the Lars' homestead.

Anakin has chosen revenge over mercy. He has murdered all the relatives of those responsable for his mother's death, including the children. However, despite having failed his family, both the Jedi and his mother, he doubles down on his actions "They were animals so I slaughtered them like animals.", and takes his first step towards the Darkness.

Reva has chosen mercy over revenge. She's been desperately chasing the son of her family's murderer for a long time in order to hurt him, to make him suffer, yet when she stands in front of Luke, she can only see a defenseless child, like she once was. She sobs, feeling like she has failed, and yet she has given her family peace, honored them. She has followed the Order's teachings, she has remembered lessons long forgotten, and Reva takes the first step on the path to return to the Light.

Reva, once again, proves that, no matter how much one has fallen, no matter what you've done, no matter what you've been through, you can make the right choice. It's never too late, no one's ever really gone.

"Have I become him?"

"No. You've chosen not to."

(GIFs are not mine. Credit to @david-talks-sw )

[cynthiav06]

Ok, so I am HOWLING with laughter.

So, have you heard? People are comparing Percy and Annabeth to................Odysseus and Penelope.

When I heard this, you don't know how funny it was to me. I almost choked on my spit. LMAOOOOOOOOOOO

Penelope would NEVER hit or insult Odysseus. She doesn't play mind games with him and they communicate properly.

Odysseus and Penelope are not toxic. Percabeth is.

Also, Rick Riordan is LEAGUES worse than Homer. Like, the guy cannot even compare to the ACTUAL GREEK POET.

And people are actually comparing the two.

Percy Jackson IS good at times, but it will NEVER compare to Homer's compositions. Literally never.

TBH that's just my personal opinion.

Also, Homer actually composed many of the Greek epics that we still read today.

I get why people would want to compare them, but there is no comparison, really. It's so fucking funny to me.

Anyway, what are your thoughts on Percabeth compared to Odysseus and Penelope?

That comparison alone has ruined the New Year for me. It's an insult to the Odyssey. Hell, it's an insult to the recently released Ithaca Saga of Epic the Musical.

But seriously, are these things actually being said? Cause that puts Percabeth stans from delusional category to brain dead.

Homer's Iliad and The Odyssey are one of history's most reputed myths of all time. And the primary source of Greek mythology for many people. I am certain Rick himself referred Homer's works for ideas and references. Even Riordan himself would be ashamed to compare his writing to Homer, in even the slightest manner.

Now to Odysseus and Penelope; the greatest couple of all time, truly and undeniably. The orignal eternal love. Even Hera, the goddess of marriage and family, considers Odysseus and Penelope's marriage bed sacred. Which Odysseus carved out of a living tree as a symbol of their undying love and so that it could never be moved.

Odysseus crawled through hell to get to Penelope and Telemachus. He survived and won the 10 year long Trojan war, defeated/ tricked a Cyclops, countless mythical monsters, Circe, Calypso, and even Zeus himself and at last Poseidon. That alone is beyond comprehension. Because Odysseus isn't a demigod or any specially blessed being. No, he is just an ordinary mortal, a genius mortal, one trained by the wisdom goddess but an ordinary mortal all the same. Yes, he is one of a kind genius, but these are literally eldritch creatures compared to him.

Let me put it this way, Odysseus is the OG Batman. He is who all smart fictional human characters aspire to be.

The Odyssey is literally about the all transcending power of human will. Of Odysseus's sheer fucking will to get back home, to his wife and son. That's it. A common desire of a common man, yet so miraculously burning and indomitable in Odysseus's mind that it alone outshines his extraordinary genius.

He quite literally died on his way there. Had to hitch a ride through the Underworld and then some.

Then he had to sacrifice his ENTIRE CREW, HIS FRIENDS, HIS COMRADES to get back to Ithaca. Mind you, Odysseus had the record of getting every single one of his 600 men alive out of Trojan War. The only one to have done so. And he had to lose some to the tragedies and then WILLINGLY SACRIFICE others to get back to Penelope.

I don't think there are words enough to encapsulate Odysseus's dedication.

Now Penelope. The thing is, she is just as bloody impressive. The Queen of Ithaca and a Spartan Princess, she is also one of a kind. Throughout Odysseus's departure and the suitors' invasion , not five, not ten, 108 SUITORS, Penelope held her own, keeping the castle, her son Telemachus and herself secure. All the while, raising Telemachus and running the kingdom on her own as well.

She tricked the suitors into an eternally futile game of trying to lift Odysseus's bow and shoot with it. Tricked them by telling them she was weaving Odysseus's shroud, which, when finished, would signify that she is picking a new husband. Each day, she would weave for all suitors to see, and each night, she would unravel the shroud. All in an attempt to stall. Among the many other ways, she did so. Including STEADFASTLY DENYING EACH AND EVERY SUITOR CONSTANTLY FOR YEARS AS THEY ASKED FOR HER HAND, NEVER ONCE LOSING HOPE OR FAITH IN ODYSSEUS.

When Odysseus returns, disguised as a beggar, she not only immediately recognizes him but subtly helps him in killing the suitors, which then Odysseus and Telemachus proceed to do.

All 108 suitors dead in a night. Add that to 600 men under Odysseus's command. 708 lives murdered and then some all for Odysseus and Penelope to reunite.

And this is me abridging the whole thing. Imagine the struggle, the suffering, the mental and physical trauma. 20 years straight. You can't fathom it.

I don't think I have words enough to state how repulsively disrespectfully wretched this comparison is. I would use an analogy, but it's so horrendous that I don't think there's one that suffices.

I literally have more than half the posts dedicated to dismantling the delusion of percabeth being a perfect ship, so I won't preach to the choir, but I mean Annabeth's fatal flaw is Hubris and Percy's is Personal Loyalty. Go figure.

If that isn't enough, Percy jumped in Tartarus for Annabeth. She fell, but Percy jumped, among the many other ways he has saved her from countless deaths. And Annabeth offers him what in return? It would have been alright if she gave him nothing in return, but somehow, the situation is EVEN WORSE.

Physical and mental demeaning. Toxic and controlling attitude and of course BLAMING HIM FOR GETTING KIDNAPPED AND HAVING HIS MEMORY WIPED BY A GODDESS. WOW, THAT SOUNDS SO SIMILAR TO PENELOPE AND ODYSSEUS.

Not to mention, Penelope accepted her husband, as he was. Even after being so completely changed by his tragic journey that he was quite literally NO LONGER HIMSELF.

And Percy when had to CHOKE AKHYLS WHO WAS DEFINITELY GOING TO KILL HIM AND ANNABETH, WAS KILLING HIM AND ANNABETH, OUT OF SELF DEFENSE AND SHE BLAMES HIM AND FORCES HIM TO PROMISE NOT TO USE HIS POWERS TO DEFEND HIMSELF???

WHAT THE FUCK??? And sure it would have been ignorable had it not had any long term effects. BUT NO PERCY ALMOST KILLS HIMSELF OUT OF KEEPING HIS PROMISE TO ANNABETH.

Call them whatever the hell you want but DON'T EVER COMPARE THEIR RELATIONSHIP TO ODYSSEUS AND PENELOPE.

PERCY DESERVES INFINITELY BETTER THAN ANNABETH. Enough said, really.

[1moreff-creator]

DRDT CH2 EP16 First Impressions

We’ve reached the end of the chapter! A bittersweet feeling, finally getting closure on this chapter while also ushering in a new hiatus. Still, congrats to dev for making it this far! Hope they enjoy their break, while we enjoy whatever they’ve cooked up for the ending!

Without further ado, let us enjoy peak.

Spoilers for the entirety of CH2 (hell yeah). CW: Execution, suicidal thoughts.

It’s Aceover.

ONE vote for Teruko! Do we think Ace voted for himself? Did the mystery voter from Trial 1 repeat their vote on Teruko? Or did they not, and the vote’s just Ace? {Hindsight: It’s CH1 Mystery Voter probs}

MonoTV: “You got it right!” IT’S ALL OVER.

Okay wait it’s actually kinda weird to see the new David sprites outside of the Trial. Like it’s trippy idk why. That’s crazy.

Eden: “Why her of all people?” Poor Eden, at least give her an answer! Even if it’s just “it was the easiest option” man.

Whit: “I really thought that no one would repeat what happened to Xander and Min.” Is this the very first piece of anti-Whit Time Loop theory evidence? Or is he just lying? I don’t believe the theory, so I’m passing that one to the defenders.

Ace: “I killed her. And if you can’t forgive me for that, then there’s nothing I can say.”

Hey remember when Nico said they didn’t see the point of saying sorry if they wouldn’t be forgiven anyways? Yeah.

The foils are foiling :O

Both Teruko and Eden blaming themselves in their own way (Eden mentioned it in Ep10 “just like Min!” and now Teruko’s bringing “misfortune” into the conversation), man we are in for some sad times with these two. And everyone else ig.

Hu: “How could you say it’s just misfortune?” And Hu is very against this idea, interesting.

“So we can’t blame ourselves for failing to prevent something like that.” Ah, there’s the ticket. She’s trying not to feel guilty about it, which is kinda fair, Arei’s death is 99% Ace’s fault.

Eden: “The Ace I met for the first time wasn’t a murderer.” Oof, Eden hitting us with the full highlight line. She’s so great for this honestly. Everything she says afterwards is also great for her character, I love her (and I don’t need to read her lines with suspicion!!! I’m free!!!)

Veronika. And she’s still smiling. Go worst girl! /affectionate

“The only thing anyone can do in this killing game is to shatter.” We are… getting worryingly close to secret quote wording here.

Rose: “Are you saying Ace was pushed into killing because of things like almost being killed?” (Paraphrased) Oh God she’s gonna feel guilty too because she let Nico get the turpentine! Even if that doesn’t work if Ace had already chosen to kill Eden, still! How much self-blame can we have this trial?

Teruko: “No.” Yeah thank you.

Ace: “Did you all get the Veronika virus or what?” God I’m gonna miss him so much actually.

[To Levi] “Shut up for the rest of your life and kill yourself!” Holy SHIT he’s going out with a bang. {Hindsight: I didn’t realize how accurate this would be}

David: “You still have it in you to throw stones in your glass house.” Did this motherfucker correctly use the idiom Ace fucked up earlier? He’s such a piece of shit /affectionate.

Ace: “I don’t care if it made me a hypocrite!” AGH-! New sprite and the voice acting continues the hot streak of being absolutely fucking stellar! Holy hell!

[To Levi] “I just needed a reason to stay mad at you!” Ouchie!

[The whole Levi v Ace thing] This is just fucking incredible. Levi still doesn’t understand, Ace just wanted to stay mad so he could live with his betrayal, just peak character writing all around. And peak VAing, of course.

Teruko: “I need you to do a favor for me. It might just save your life.” YOOO I CALLED THIS!!! Blackened Blaze of Glory let’s fucking goooo!!!! Thanks to shinycrows for asking me that!!!

“Kill MonoTV for me.” Alright so. Not the best plan ever, but then again, it’s not like any plan against the killing game will work on CH2. Also the way she said that was great.

MonoTV: “Yeah, more murder!” Why’s it so funny for?

Teruko: “Arei died because you’re a coward, Ace!” YO why’s she going so hard right now?! This entire scene is incredible, I don’t even have any words for this much peak. The emotion in her voice, holy fuck- Oh yeah because Arei’s crying reminded her of something! In the playground! So Teruko does have a small connection with Arei so she’d feel real bad (for more reason than just death of someone she knew)! I didn’t put that together till now.

[Ace punches MonoTV] PEAAAK! Oh shit it actually broke! That was so fucking awesome! Let’s fucking go Ace!!!!! Also MonoTV is definitely just coming back, right?

That broken MonoTV sprite though!

Eden: “Finally, it’s over—“ The lack of music is making this really impactful, even though we know it won’t work. Holy shit.

MonoTV: “A fatal error has been detected” We breaking out different fonts?

MonoTV: “Now loading the default XF-Ture personality drivers.”

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AND THE CROWD GOES FUCKING WILD!!!!

Now we have the question. Was MonoTV created by XF for the game? Or did XF just create the AI, and someone repurposed it for thre killing game?

Also what are these defaults going to be?

…Wait whose voice is this? Someone we know? Please tell me I’m bad at recognizing voices! {I think it’s still MonoTV’s VA, just doing a different act, but I’m not sure}

[MonoTV speech] Didn’t expect MonoTV of all damn characters to have a badass moment, but I guess this is the world we live in now.

“But there is no reason to punish Ace a second time.” UHHH Chat are we cooked?

The death of every participant? This is about rule 14, right? “All murderers must be held accountable”? The “everyone is responsible for Mai’s death and must be punished” theory seems to be gaining ground.

It’s also saying this is why it was created, so XF likely did have a direct hand in the killing game. Min MM not looking so implausible all of the sudden.

“I will pass the punishment…” chat we’re actually immensely cooked what.

“I will now proceed with the execution of Teruko Tawaki.” UHHH LUCK BETTER COME IN CLUTCH!!!

[Machine Gun] BRO?!?!?!

Charles: “That thing will surely kill you!” Even Charles is sounding extremely distressed here, damn! But I guess Teruko is relying on her luck maybe?

Whit: “Charles! Stop talking and cover your eyes!” I mean yeah good advice but you know- More pressing things atm

Teruko: “No :)” Why’s she so silly coded?

Teruko: “Killed? I doubt it. As if something so kind could happen to me.” AAAAAAH!!!! The suicidal tendencies return with a vengeance!!!

[Her speech] Holy fuck holy fuck this is crazy she’s actually doing the unhinged Lucky Student thing of relying on luck she’s going in I’m so terrified for what’s about to happen.

“I’ll show you all what it means to be the Ultimate Lucky Student.” Shit boutta go crazy.

[LEVI DOES THE THING] OF FUCKING COURSE!

Bro I was not ready for this. I wasn’t ready in the slightest. This motherfucker better survive against all odds or it’s all over.

Bro that sprite- He’s so cooked.

MonoTV: “His injuries are not fatal” Wait are we saved? Arturo look I know you’re not a doctor but for the love of God tell me you can do something about this holy shit. I wasn’t ready for this.

VERONIKA. Holy shit she’s actually insane.

Arturo: “He could live…” Please??? For me???

Wait now that I’m thinking about it. He hasn’t said his secret quote. We might be saved.

[Whit sprite] … Huh??? Bro what the fuck is happening this episode.

Ace: “Execute me right now!” Ough this shit insane!!! I can’t- I genuinely can’t react. I’m just overcome with emotion at this point.

“I’ll have a third death in my hands!” … Wait the math. Unless he’s counting himself… does he blame himself for Taylor’s death???

[The entire Arturo - Ace debacle] I…holy shit???? The genuine distress in Arturo’s voice when he says he can’t save Levi??? Ace clinging to the hope that he can??? Bro what the fuck??? This is insane???? I can’t- I can’t compute- This is actually insane. This is so much. Levi better not fucking die after this I swear to god-

Ace: “I don’t want to die…” Holy shit dev did it. I’m feeling just as bad for Ace as I felt for Min. Bra-fucking-vo. Holy fuck. No words.

[Thanatophobia]

(Fear of death right? Fits)

… Okay, so. I know someone brought up this term in relation to Ace. Genius, first.

Second, that might just be one of the greatest executions I’ve even seen, if not the best. I usually don’t care much about how good executions are, but this… this is incredibly good. The music was banging. The execution method was unique. It wasn’t related to his talent, but his character, which makes it better imo.

(Also are the “unexplained illnesses” related to Xander’s family?)

And even through all this… dev showed the corpse. When they didn’t show Min’s. Why would you allow me to cope even further? You drop XF and show a corpse- holy shit. I just can’t even process anything.

And he didn’t say his quote. He never said it I don’t think. Levi better survive.

VERONIKA. Holy shit she’s actually getting more and more unhinged by the second the hell-? Yeah remember when she looked unnerved by Min’s execution?!?! She ain’t looking unnerved no more!

Hu: “The elevator is open!” We’re just- gonna ignore- Alright, I guess it’s fair. Surely Levi survives right?

Rose please tell me you looked away. I know you saw Levi so it’s not looking great either way, but still.

Teruko: “Go on without me.” Is she going to talk to David maybe? About the secret?

“Everyone was gone.” Alright no, she’s just going to mourn or something?

[Teruko reflects on her similarities to Ace and Arei] I really like this moment, it’s nice of her to say what the audience was probably already thinking.

MonoTV: “I must convince everyone that I’m the villain.” And what does this mean MonoTV? Genuinely too burnt out to think about it any harder rn.

MonoTV: “That is the fate that I have, to make others suffer.” HOW ARE WE TYING MONO FUCKING TV TO THE THEME OF FATE?!?!?!WHAT DO YOU MEAN WE HAVE TO TALK ABOUT FUCKING “TERUKO-MONOTV PARALLELS” WHAT THE FUCK?! DEV YOU SON OF A BITCH YOU DID IT AGAIN!!! /positive

[Teruko breaks down] Holy hell…

“I had known the answer…” AUGH- The character writing… it’s so good… fucking hell this is incredible…

Where do we even go from here? Teruko’s speed running the themes of trust and fate like they’re not the main themes of the series?!?! I’m going crazy.

… Are we seriously leaving it on a cliffhanger whether Levi is alive or not? Like, I know the “surviving students” thing counted him, so I’m guessing he’s alive, but… hot damn. This is an evil cliffhanger.

(Also I find it funny that David’s silhouette sprite did in fact change to what the dev said was his new default lol)

“Seems there’s something he’s not proud of” The nailbiting right.

-

General Thoughts

…

…

…

…

Bro how the fuck am I expected to even begin to summarize this shit?!?!

Okay, in… ascending order of crazy.

Did David just… not speak almost the entire episode? Did he even have any lines when Teruko was being executed? The fuck is going on with him? He didn’t even reveal Teruko’s secret???

Veronika was unhinged. Loved that for her. Hope she gets worse, it seems like CH3 will be a fun chapter for her (I hope that doesn’t mean she dies).

Whit officially gets his very own unhinged/breakdown sprite! We’ve completed the set! I mean, it’s not as crazy as others, but it matches Rose’s so…

Everyone endures further trauma, fun.

I even feel bad for Arturo! Poor guy did not ask for this shit! There’s fun foils here with Levi trying to protect the group as much as he can and Arturo being forced into the role…

Also. Of all ships. I did not expect Aceturo to get a dub here somehow.

I somehow called more or less predicted what Teruko was gonna do. Fun how that happened. And her little character reflection at the end was awesome, I loved it very much. Jesus fuck.

That’s gotta be the best execution I’ve ever seen, hands down. I don’t care that there wasn’t a single horse there. This is much better.

Also, no secret quote from Ace. So those are 100% not a good metric for defining who is at risk of death. Wonder if that means we’ll get a flashback with him?

XF-Ture Tech?!?!?! MonoTV character building kinda?!?!?!?! I’m going crazy?!?!?!

Levi??? This motherfucker better be alive. There’s no reason he should be dead, so I’m gonna assume he’s alive. But wow… I guess weightedblankettt was sorta right on the “final orbit” interpretation of Levi’s connection to Shoemaker-Levy 9, just… not in a way we expected. (If that meant nothing to you don’t worry about it).

And Ace… Hot damn. Just… an entire character arc at the eleventh minute, huh? How’s that for the people who were saying Ace wouldn’t be remembered, huh? Levi probably owes him his life, in a way. He broke MonoTV. He faced his thanatophobia to try to help Levi survive. Just… so fucking good. I said it in the reaction. I genuinely felt just as much grief for him as I did Min. And coming from me, that’s… a lot. Just incredible writing and voice acting and everything in between…

This cements it, btw. This is my favorite trial from anything DR related ever. It’s genuinely insane. I am going to make a more detailed, more coherent post analyzing the entirety of Part 2 of this chapter, because it deserves it. It deserves more thought than I’m able to give right now on account of feeling too many emotions. Stay tuned for that, I guess.

Props to the dev, the VAs, and anyone who might have laid a hand on this at some point. It’s genuinely incredible, this is an unforgettable experience. Holy shit.

I don’t- I don’t have the emotional energy to keep writing. Just… I think I need to calm down for a few hours. Genuinely loved every second of this. Thanks for reading, and see you when I gather my thoughts enough to trust myself to be coherent.

[youhideastar]

Fangs of Fortune Recs!

By popular demand! This list is very preliminary, since new stuff is being written all the time! But for now, here are a few of my favorites:

Throw the Windows Wide by achray (@achray1)

You know when an author writes a fic that captures exactly the vibe of a pairing that made you fall in love with that pairing in the first place? It’s so hard to do, because you have to start by perfectly capturing both characters as individuals, but this author makes it look effortless. Here, Zhuo Yichen sees Zhao Yuanzhou kissing Li Lun—a sight that definitely wasn’t meant for him—and has a conversation with him about it afterward. The author’s command of the characters’ speech patterns and body language is flawless, and this fic gave me SO many feelings about these two. Bonus 1: it’s followed by a VERY HOT sequel. Bonus 2: I would rate this as pretty accessible to folks who haven’t seen the series yet. Bonus 3: check out the same author’s Everything You Always Wanted To Know About Demon Sex (But Were Afraid To Ask), which is SO cute and features a lot of embarrassed Zhuo Yichen (my favorite!).

unbroken vow by ximilu

One of the great gifts this show gives fic writers is the multiplicity of opportunities for fuck-or-die setups (or, to be more specific to the genre, “only dual cultivation can save you” setups), and there are several great examples, but this one is my fave. Set during the arc when Zhuo Yichen is carrying around massive amounts of demonic qi but no demonic core to ground it… well, I can’t do better than the author’s summary: “Stop me, then.” Li Lun isn’t looking at Zhuo Yichen at all when he says it, all his attention turned to hurting Zhao Yuanzhou instead. “Save your precious Xiao-Zhuo daren. Fuck a core into him yourself.” Absolutely nobody is having a good time in this fic, each for their own different reasons, and the angst is so, so delicious.

Honorable mention goes to full of tangled karma by angryteapot, which uses dual cultivation to solve the Episode 34 dilemma with a delightful mpreg threesome scheme – come for the porn, stay for Wen Xiao righteously and literally kicking Zhao Yuanzhou when he’s down because he trampled all over her agency.

 Silly Concern, Serious Question by dykemania (@yeliuxi)

After the mpreg joke during the Ying Long arc, Zhuo Yichen asks Wen Xiao if she actually thought he might be pregnant. Their conversation is so tender and so vulnerable – the author has such a great handle on their relationship and on the two characters as individuals: Wen Xiao matter-of-fact and protective, Zhuo Yichen bravely persevering through his embarrassment. I’ve re-read this like three times already because reading it feels like a warm hug.

Others!

I also recommend Onmyo-Jin’s (@onmyo-jin) awesome collection of bite-size fics, of which my favorites are Out of habit (Zhao Yuanzhou doing a great impression of the cat who sits on your laptop while you’re trying to work) and In danger of you (the classic “we’re being chased so we have to make out to conceal our identities”).

Finally, I love fruits of your labor by ghostrunner (@witchmachine), which is another great fic that’s super accessible to folks who haven’t taken the plunge to watch the show yet. It’s a missing scene from Episode 31 (the gathering-branches-from-the-sacred-tree bit), but most of all it’s Zhuo Yichen and Zhao Yuanzhou finally stepping over the line between friends and lovers, taking joy in the discovery of one another’s desires.

(And I’d be remiss if I missed this opportunity to plug my own post-canon fic, The Wedding of the Great Demon, which is also very accessible for a reader who hasn’t seen the drama yet!)

[somewhereincairparavel]

I think the reason Rick fumbled with writing Jason's abilities/personality is because he was too focused on Jason existing as Percy's rival to focus on Jason as an individual character. And the funniest thing is, in the end, Jason was not considered satisfactory rival to Percy by the fandom either, which is ironic since that was the whole point of his character.

Rick seemingly screwed up the whole rivalry thing because, though he wanted someone to challenge Percy's power, he didn't want that person (Jason) to be more powerful than Percy or more enjoyable than Percy either, in the fear that the audience might start enjoying Jason more.

When you write a rival, you have to make sure that the rival character has equally powerful personality and strength/abilities compared to the person that they're rivalled with.

But Rick? The way he wrote Jason was like a half done updo. He dumped all the cool power on Percy (like potentially implying that Percy has bloodbending,can control water inside of someone, making sure Percy wins ALMOST every fight (and i mean, almost, there is a very rare time Percy ever loses) while limiting his power with Jason in every way possible, making the stupid brick jokes to make sure Jason always passes out in a fight, the whole "I only get one lighting bolt a day from my father" (it's a dumbass logic too, Jason should've been able to summon that much power of lighting on his own, he does NOT need his dad for that shit c'mon now) like it's an obvious effort to make jason appear weaker. Rick did all of this while lazily trying to shoehorn Jason's achievements in the plot by implying it but not actually showing it, like a "yeah he did this cool shit once ig" which makes it less impressive compared to Percy's achievements, which is something we've actually witnessed firsthand. Rick intentionally never brought up or expanded upon Jason's achievements much. He only emphasized everyone's awe of him being the son of Jupiter, which made it seem like Jason had the 'big three child privilege' where people didn't give a fuck about his efforts but instead his position.

Alright Rick, don't give him power, but atleast give him a personality? Nope he isn't getting that either. Jason had the potential to make DARK jokes about his controlled millitary life in Rome, and explore his past. Like I badly wanted a passage of Jason getting his memories back in fragments, Rick could've added flashbacks of Jason's past in his pov in a way that he gets his memories back. Instead he went "yeah yeah jason got all his memories back, it's all good" like SHOW us that wtf?? sure let's make sure he's as stale as possible to the audience, we can't have anyone liking the underdog over Percy Jackson!

He also made sure that Jason had it super hard in life aswell but never emphasized it or gave him anything good compared to Percy.

Don't get me wrong, percy definitely had it rlly hard, but Atleast Rick made sure Percy had a loving mom and a stepdad, a loving girlfriend and a cute adorable sister that he could play and spend time with, he got to celebrate birthdays with Sally, he got to eat her tasty blue food, and he actually had an ambrosia taste. You mean to tell me that Jason's sister barely had time for him, that he hasn't had a single birthday and that ambrosia tastes like sawdust for him while you give the other members of the seven, delicious ambrosia taste? 😤

Jason Grace has gotten the worst life in his own story, he wasn't "powerful" enough for a child of Zeus, he was "boring" , nobody properly trusted him, he died painfully, he didn't have parents, he barely talked to his sister, he didn't have a childhood, he was abandoned to blood thirsty animals when he was TWO, he didn't have a birthday, he didn't have an ambrosia taste, his girlfriend dumped him, he never got to see his best friend before he died, and he is terribly hated by the fandom who are simply turning a blind eye to his struggles because "no Percy will always be better in every way" yeah. I could go on and on.

[genericpuff]

oh boy it's that time again

when rachel posts 'video progress' of her work and we proceed to dissect it like a frog in 9th grade science class

like ok first the caption of "is persephone the chicken and hades the egg" makes no fucking sense except to anyone who overthinks it and goes "wait is that a reference to the popularly-perpetuated version of the myth where persephone went down to the underworld willingly and hades didn't actually exist???" because if it is ima scream lmao

but MORE IMPORTANTLY-

Here's the transcript of what she's saying in the video:

"I think I've always wanted to write Hades' and Persephone's story because obviously I really like them. It's like very much a chicken and egg situation because I think in the beginning I thought that I was going to use a very abstract black and white style, and I realized it wasn't very enticing or fun for me, um... and I started drawing these very like vibrant characters and as I drew them I understood more about the story the more that I explored the art style, um and I guess an example of that is, y'know, Persephone is like a very bright color um, and the Underworld, is a very dark dark blue, and so when she says she really sticks out so it's just environmental uh processes like that that really helped inspire the direction of the story."

(despite her expanding on the "chicken and the egg" bit it still doesn't make sense imo lmao)

But what we're seeing isn't S1 LO, it's actually from S3 of LO:

But um... you notice anything interesting about the screenshot I just showed you?

That literally looks NOTHING like what we see in the final panel. At the VERY least I think this goes to show how overcooked it becomes in post-production, when they add the canvas layer and hypersaturate the shit out of the colors, but even the blending technique just isn't matching up?

A lot of what she's doing in this video also feels very... non-existent, like she's brushing her pen around but very little is happening so it feels more like her just putting down random brush strokes to try and make it seem put-together but really she's just kind of pushing colors around and/or doing nothing. Especially when, again, what she's painting here looks nothing like the final picture (so at best it's a lot of wasted work??)

And knowing what we know about the assistants drawing the characters separately so that Rachel can rearrange them in the final episode layout... I don't wanna call foul play here, but this feels like yet another attempt on Rachel's behalf to make her process seem more involved than it is by simply redrawing a scene for the performative aspect of it all. It's like the "sketches" in the books looking way too 'clean' for the final product and giving the impression that she just sketched over the final panels to make them look pretty enough for print.

I also wanna mention that for some reason she's drawing this on her iPad when she owns a Cintiq. It could be because she was drawing this while abroad in the US for her conventions last fall, but despite clearly being ahead of schedule, she still wound up drawing the final episode the night of-

Oh yeah and btw there are like a million clipping layers for what looks like just a simple drawing of Demeter. And this lines up with our previous theories about her using like 128549021809 layers for literally one character.

And aside from all that her commentary, as always, is very nothingburger, just a bunch of word salad. Like she's literally trying to explain LO's color theory as "well Persephone is bright pink and the Underworld is dark blue so she sticks out! That's all you need to know!"

IDK, I'm not coming to any sort of ironclad conclusion based off this one video, but it does feel like yet another desperate attempt to prove that she does work on LO and doesn't just leave it all to her assistants to do at the last minute. But like... she's kind of screwed in that argument either way, because even if she draws the majority of panels in LO, that just further proves the argument that she's stopped trying.

[lacunammmm]

Care to talk about Nighteye? Bc what has this asshole done to warrant his arrogance? Nothing.

He tortured his FEMALE employee. We don't have basis to assume he would to that with the male characters, maybe, maybe not. But he did with the only female one we saw.

And he insults Izu bc ...how dare you?! Mirio is the best(he isn't) and while he dies...the insult is never mentioned, and he is right. Bc fuck you Izu.

Am and Mirio cried about his death and....fuck what Izu is feeling.

Some fics make his agency deal with investigation but canon show us how this man is stupid and can't plan shit. It was a lucky thing Izu was there bc this could have lead to many many deaths.

I just....he is on the same level of Aizawa (they enter in the club "we hate Izu") but the thing is...he was killed. He didn't get consequences for his actions, he just dies.

(i don't even get why he was AM sidekick)

Well, I'm treating the tickle torture thing as how Nighteye disciplines all his sidekicks. What sense would it make, I reason, for him to have bought/created that machine just for Bubblegirl? Yeah, she's the token girl of the crew, but I wouldn't assume he only tickle tortures women unless told otherwise. I wouldn't compare Nighteye to Aizawa because Shota is only meant to be an antagonist for the first time you see him. He's an asshole but he stops singling Izuku out after he impressed him at the aptitude test. Aizawa's a toothless dragon. A dog who barks and never bites. He pairs Izuku and Bakugo together for the finals, yeah, but the narrative and Izuku think Bakugo is his rival and friend. Even when they broke the law to go rescue Bakugo, he still doesn't do a single thing. Izuku and Bakugo get into a fight unsanctioned after curfew and their punishment is cleaning duty and house arrest. It created one of the most unintentionally hilarious scenes in the series where Iida comes to mock Izuku for being under house arrest, despite Izuku having previously come to save Iida from his own attempt to murder a guy in cold blood. I'm not saying Aizawa isn't toxic, by the way, just that he's a visible tumor you could operate on vs Nighteye being sepsis. Nighteye is legions worse since his big idea was to bully a kid out of his quirk. He taught Mirio to prioritize the mission and the agenda over innocent victims, leading to them letting a victim walk back to a man who abuses her, and because this is MHA, no one gets punished for that braindead decision. He then dies and never has to answer for anything after learning that his quirk wasn't infallible. It was a cheap way to write him and his quirk out of the series. Now, since you want to read me dunking on Nighteye, I suppose I'll talk about how he was also an idiot who wasted his power. There's three possibilities for how Foresight works: -1, the MHA world is deterministic. "Fate" exists and everyone's destiny is written before they're even born. Foresight lets you glimpse at the structure of the world, its true nature. No one is actually responsible for anything they do. The only way to defy fate is to have immense power like Izuku and Eri, and to have the collective wishing energy of a bunch of people. Everyone who can't do this is a puppet. -2, Foresight actually takes the chaos of the universe and it forges it into order. It enforces a path on the future that cannot be changed or deviated from meaningfully. The use of Foresight does indeed rob people of their free will and set everyone on the path Nighteye sees. -3, Foresight shows a highly likely outcome, and the reason things seem like they can't be prevented is because by acting on this information, you enforce the prophecy. It's self fulfilling. Given the evidence, I lean towards the first one. This page and the events in the final war arc convince me. https://imgur.com/842jJkw So, Deku and Eri were fated to lose to Overhaul. The original timeline said he was meant to kill Deku, capture Eri and escape. They twisted fate thanks to their powers and the wishing energy of everyone's hopes and dreams. When we first see these pages, we can assume that it's the rationalizations of a dying man. But then the series does it again in the final war arc. So. -Nighteye had a 100% accurate means of telling the future with the exception of special cases that he'd never seen before involving wishing energy. -He didn't use this to create a 1984 dystopian society where criminals are caught moments after they do their crimes.

-With his power, all he needs to do is have someone he predicts the future of sit at a computer in the future. They'll slowly scroll down the pages that are filled with notes for Nighteye to read in the past. It'll include all of the details on new inventions, on what crimes were committed, on who becomes a big hero. And in the present day, this is used to ensure heroes always win. The events he sees are welded in time, but having access to the real names and locations of villains moments after they flee is invaluable for law enforcement. Not to mention how this could effortlessly let you win the lottery and abuse the stock market. You could take blackmail information acquired from Japan's spies and use it in the current day and age. You could plot strike teams for every single crime that happens before they happen, and then have your squads take people out without them ever having a chance to fight back, your guys perfectly countering their moves. The man could have been more powerful than All Might. A GOD who turned Japan into the strongest, richest and most politically powerful society on the planet. But instead his legacy was that he was a nobody hero who trained the eventual number 1 hero because he was obsessed with All Might and wanted to create another version of him. I'll end this by saying that the original fated timeline was WILD. Overhaul escapes with Eri, Midoriya's dead, OFA is gone, Mirio remains quirkless, Nighteye dies, and...what, the villains win? The League would want to go fight Overhaul as revenge for Magne but do they even stand a chance against him? If he took out Midoriya, probably not. The story doesn't go into the implications of what happens in a world in which Overhaul won that fight and fate was allowed to continue its designs, but that universe is fascinating.

[mzannthropy]

Anne of the Island Chapter 11

Whew, LMM really threw everything into this chapter, the good the bad and the ugly. (This got long.)

So we're back in Avonlea and it's summer and Anne is reunited with her bestie Diana. RIP residents of Avonlea I never heard of or cared about much. I wonder if Uncle Abe foresaw his own death?

Congrats to Billy Andrews and Nettie Blewett. I also want to know (quoting Davy's favourite phrase here lol) whether he proposed to her himself or sent Jane again. Methinks he did it himself, if only bc I like to think that Jane refused to be his proxy again. We don't know anything about Nettie (at least I don't remember her from previous books) but I imagine her to be the bossy type, a formidable woman, you know, I think that would go well with his personality. Though why the hell am I investing this much time into a storyline that gets fewer sentences that I'm writing here, I cannot answer.

Now, Jane. I made a post on Jane in AOTI in 2023, not linking it here now bc it contains spoilers for later chapters. So, Jane resigned from Avonlea school and is going West. For illustration, this is what "West" means in Canada (PEI is so tiny!):

“Can’t get a beau in Avonlea, that’s what,” said Mrs. Rachel Lynde scornfully. “Says she thinks she’ll have better health out West. I never heard her health was poor before.”

Well, Jane did mention headaches in her letter to Anne but if it's true that her reason for going West is to find a man (and I think it likely is, though I also suspect that Jane wishes to get away from her mother, who is not a nice person) then--so fucking what? In this culture, there seems to be no worse fate for a woman than that of remaining a spinster. I get the impression that even an abusive husband is better than none. Then why blame a girl who is actively working on avoiding this fate? "What else would take her out West to some forsaken place whose only recommendation is that men are plenty and women scarce?" That's kinda the point, Rachel. Jane probably realised she's not getting attention at home, so she decided to go somewhere where she will get it, if only bc there aren't many women. Mrs Lynde is being unfair and judgemental here. Jane is going West to teach, not to have fun. Half a fucking continent away, where she doesn't know a soul, to a completely different environment, and different customs too, I imagine their ways will be very different from the ways of PEI. And she's going on her own. Jane is one truly brave young woman. In this instalment, LMM has gone out of her way to describe Jane as plain and boring. I think this is why she did it, bc there was to be a twist. And I like that Anne defends her friend. It also just occurred to me now that the proposal by proxy might have been a catalyst for Jane. Someone like her brother, who can't even talk to the girl he wants to marry, still manages to bag himself a wife, while she can't even get a man to look twice at her. That's gotta hurt. So she took her life into her own hands, instead of crying into her pillow at night. Good for you, Jane!

Next, Ruby. You know I've always thought that LMM chose to kill her off bc she was so wild about boys. Maybe she wanted to depict someone dying from tuberculosis, bc that's what used to happen in her times, and it had to be someone close to Anne. It couldn't be Diana, of course, so it had to be either Jane or Ruby. Ruby was probably the better choice for that. I mean, idk, I don't care for her much. She's crazy about boys and gets hysterical, that's all there is to her, but also she was an opportunity for LMM to write someone so vivid fighting against inevitable death.

Next, Aunt Atossa. One of the book's pointless plots. There already was a similar character in AOA and it wasn't as out of place. LMM should have written a separate short story for her. (There are actually 2 spinoff short stories for AOTI.) The only good thing is that Diana on their way there admired the sunset. We don't see her do that a lot.

Last, Anne wants to write a short story. Fantastic, tell me more!

[got-into-worm-by-mistake]

Okay, I've Read Worm: A Retrospective Part 5: What Was I Fucking Surprised By?

So, as you may remember, I got into Worm thoroughly spoiled by the wiki and Wormblr and r/parahumans and r/Wormfanfic and actual Worm fanfic. I knew pretty much all the basic details of all the plot twists. And yet, of course, there are things I didn't expect, things the fandom or the wiki mislead me about, etc. Things I was surprised by.

So let's talk about a few:

Taylor Hebert: As I've said, I kind of worried, before reading Worm, that I'd find Taylor insufferable. The sort of character that tries to be a hero and then convinces themselves to do all sorts of bad stuff while telling themselves they're still a hero/good person/etc is hard to write well without being really unpleasant to read/watc/etc. Self-righteousness in general is hard to enjoy for me. Taylor, honestly, stops thinking of herself as a good person partway through the post-Levi period, in most ways, and she never gets self-righteous about it. So Taylor was much more sufferable than I thought. Which is good, because I would have dropped Worm like a hot potato if she'd been insufferable as the main POV.

Eidolon & The Endbringers: (Sounds like a band name). The whole 'you needed Worthy opponents' thing, and the way people talked about Eidolon (seriously, this fandom as a whole is hugely unfair to the guy, istg) really gave me the impression of like, this vainglorious piece of shit guy who wants adulation and doesn't care how he gets it. And like... I don't get that impression from his Interlude at all? He doesn't seem to give two shits about fame, just about knowing what he did mattered. And he knew that well before the Endbringers. Obviously, he subconsciously created them, and then [High Priest] got all goddamn malicious in his compliance but he's not the vainglorious asshole who charges off to face Scion in single combat or w/e the way the fanfiction gave me that impression. Also, like, maybe it's just me, but I define 'Worthy Opponent' as 'something the person could have a reasonable chance of defeating in a solo fight'. So for me, a worthy opponent would be a rowdy 12 year old with maybe a white belt in karate. the Endbringers are not solo-able opponents for Eidolon. So absolutely not doing what he actually wanted. I really think the fandom is unfairly hard on Eidolon.

Interlude 15.x: Look, at the risk of starting discourse - I'm sorry. I've read 15.x Backwards and forwards and there is just Nothing pointing towards rape in the text, even looking for it as I was. I really expected I'd see some line, some implication, some fucking hint and there's just... absolutely nothing. The text of Worm as written, whatever Wildbow claims he meant and whatever he did mean, does not support a rape interpretation of events. And that sure as fuck surprised me.

Extinction 8.6: The way people - and even some fics - talked about the scene where Amy messes with Taylor post-Leviathan made it sound like Amy straight up ripped off Taylor's mask or something extreme like that, and then Taylor sees unmasked Sophia while trying to run and hide after being unmasked. What we got was Amy being a bit of a bitch, deliberately refusing to answer a question Taylor asked because she knew not answering would upset the girl (not cool), Amy's bedside manner being shit, and Taylor's own paranoia (and the godawful choice of the heroes to handcuff her to the bed) filling in the blanks. And this absolutely tepid-ass shit is pointed to by people as proof that 'Amy was a bitch the whole time'.

The Leviathan Fight: It was a lot shorter than I expected. I enjoyed reading it in ways I was worried I wouldn't.

Cauldron: Now, here's the thing. Characters that do bad things, knowing they're bad, but in pursuit of a greater good? That shit is my goddamn jam. I fucking love characters like that. They're my catnip! And I went into Worm sympathetic as FUCK to Cauldron. and I come out of Worm going 'Jesus Christ what a bunch of fucking idjits!' Their shoestring illuminati was run by a bunch of teenagers who never grew up and a college student who's a worse control freak than Taylor. Their incompetence appears to be the whole point (until Wildbow's WoGs turned everything into Cauldron social engineering and he went out of his way to make a big thing about how Cauldron was totes necessary for making things better. Man just cannot shut up). They try for decades to put some final fight against Scion together, and they fail epicly. No groundwork, no real success, and they turned to ACCORD for their post-apocalyptic plans. And apparently had no plan for a mass Case-53 breakout/attack. Which is... sure a choice. Dumping the Case-53s the way they did. The choice of which Case 53s to dump (Sveta sure was a choice of who to just... let out into the world. Like, not an issue with her personally, but you don't release that kind of uncontrollable murder tentacle out into the world, maybe? Just maybe?). I went into Worm thinking I'd be on Cauldron's side, at least a little, and I came out just... god no, you people are stupid.

Amy's Birdcage Arc: I really thought we'd see more of Amy's time in the birdcage, but 16.z really was all we got.

Alexandria's Death: I don't quite know what I did expect, but I didn't expect Alexandria's death to be so goddamn Darwin-award worthy. The woman died like the biggest of CHUMPs and that was much funnier than I expected.

The Drugs are Fantastic line: I knew it was being taken out of context, but it wasn't quite in the place I expected, I'll be honest. Not sure what I did expect.

Taylor's Weaver Arc/The Timeskip: I expected... I dunno. Less of an abrupt transition, I guess? I thought the timeskip would be like, a series of small scenes skipping ahead over two years between them? Instead, right in the middle of Arc 25, it just jumps ahead two years without ceremony. Did not expect that. At all.

Slaughterhouse Nine: I was not prepared for just how goddamn boring the Nine were. I don't think I read any spoilers about how Jack Slash being boring af was the point until I'd already started the S9 arc, but I especially didn't expect how pathetically bland as characters Manny the Kinless and Burnscar and Crawler and Sibby the Friendly Neighborhood Cannibal would be. Cherish managed to be interesting by being such a failure, and Bonebitch, to my eterntal frustration, managed to be funny, but the rest? Also, I thought Manton would die in the Bay, rather than be killed unceremoniously offscreen while in Boston.

The Butcher: For a character who appears in all of two chapters, the Butcher has a much larger presence in the fandom. But that is Worm for you, because groups like the Elite and the Fallen also show up more in the fics than their presence in the main story merits (Though the Fallen have more of a presence in Ward, even if I gather Ward kinda sorta retcons like half the details or at least presents irreconcilable visions of the organization)

Empire 88: They were way out of focus, compared to how much they appear in fics. But it is fun in fics to see Nazis get beat up all the time, so this is valid. But also, like, even their post-Levi remnants were weaksauce af. Someone in a server the other day said that taking out Marquis took out an entire faction, and that Levi proved that taking out Kaiser (or Allfather before him) doesn't stop the Empire, gesturing to the Aryan's Chosen and the Pure as proof but like... lbr. Both groups were pretty damn pathetic in the post-Leviathan bay. Regardless, I expected to see more of the Nazis getting beat in Worm itself, and we really didn't. But this is one time where I don't care, because as I said, seeing Nazis get beaten up over and over again in the fanfic is fun.

Ward: I was worried reading and finishing Worm might make me want to read Ward. Thankfully, it did not. *whew*

Now, there are probably others, but nothing else as major. But there are also some things I just plain wasn't surprised by.

Amy Dallon: I went into Worm expecting her to be my blorbo, and that didn't change. She's definitely my character type. I feel the same about her storyline in Worm as I did going into it.

Tattlebitch: I expcted to hate her, and I stayed hating her. Lisa sucks. Like, she has her redeeming moments and features, but overall, I still hate Lisa.

Carol Dallon: My Sympathy for Carol remains about as theoretical as it always was.

The PRT/Protectorate: I suspected the PRT/Protectorate was not as useless and incompetent and ACAB as a lot of fics painted it and... I was right.

My Ultimate Opinion: I went into Worm thinking it wasn't really for me, but that I'd probably find it well written and that many characters would be engaging. I figured it would have massive gaping plot holes and that I would never find it to be the 'amazeballs perfect wonderful' that some people seem to find it. And yeah, I was right about that too.

[dragon-susceptible]

TDP Rewatch S2 E4: Voyage of the Ruthless

I wanna write in the Different Path Taken AU but I'm havin a Real Bad Day physically and cannot currently summon the brain cells to be coherent on a page, so we're gonna go back to the rewatch this morning.

Viren has the intro voice again.

I like that Lujanne specifies that the arcanum isn't some instinctual "knowing" of their primal source, it's literally a Bit Of Magic that they're born with.

Rayla, it's real rich of you to be rolling your eyes at Callum talking about primal magic and the arcanum when the SECOND he gave you a chance the day after you met you were info dumping on him about primal magic. But then I suppose that's like asking an ecologist biology questions - there's overlap in the fields but they're not the same. Rayla's interest lies in the magical ecology of Xadia and draconic linguistics because her parents were dragonguard. Callum's is in the usage of a specific natural resource. It's also neat because this is one of the ways they kept Rayla from being a mary sue character. She's special, because she has a very strong connection to her arcanum and mastered parts of it way faster than many other elves, she could be a very powerful moon mage - but that's not where her interest or her training lies. Her actual talents are separate from her inherent specialness.

Rayla grinning after rescuing both Ezran and Zym because they're safe, but also "it's nice havin' both hands again." is great, I love the lightheartedness of the early seasons.

Oh we're back to Amaya at the breach! I thought this was a really neat section for her here, but I also Disliked Fen personally for how he treats her. She signs to this man who's supposed to be her interpreter, and not only does he not relay her words to the soldiers who aren't looking at her, he keeps his own hands folded behind his back and just talks back. Which, behind a thick beard and moustache, in low light, makes her have to work much harder to understand him. Why isn't he signing back to her at the very least? Is this not his fucking job?

Especially since when she expresses concerns, he initially just argues with her. She has to double down before he listens to her.

Callum says "Wow, Ez! I didn't know you could understand all that!" about Ezran finding out Phoe-Phoe is just tired, but like uh. Lujanne did already tell y'all that she's a Moon Phoenix who can't get too far from the Nexus or she gets weak. There was background information already given to you to fill out why she's so tired lol.

god, Rayla even looks so baby compared to later.

She's so fucking cute entertaining Ezran with her Human Impression. I love her, it's so wholesome. Also, "I'm excited to eat a whole plate of unwholesome food in an excessive portion size!" called me out while I'm eating, miss please. AND THE ROADS AND PATHWAYS JOKE IS SO FUCKING ACCURATE. Discussing which roads and pathways take us places slightly faster than other roads and pathways is like 50% of conversation with my father as an adult, my god. I also love her and Callum just switching off being The Grown-Up throughout this journey.

XadiaTube channel FallenStar Unboxing Video entrances local man

I love Villads so much. I need to make a WoW character based on him. The phrasing "mutinous seagulls" implies that the seagulls were originally part of his crew, which is absolutely hilarious with his first mate being a parrot.

Bless TDP for giving us such golden lines as "Last thing I remember I was talkin' about narcolepsy and fallin' asleep!"

There was some post back when this season first came out about how this whole scene with Aaravos and Viren was a euphemism for sex and having a baby together, and I really hope the originator of that theory feels so fucking vindicated since that became Official Fucking Canon, that they are having A Child here. Aaravos is baby trapping him. That is this plot line. I cannot breathe

I do think, in more serious news, that Viren saying he needed time to think and leaving is the moment Aaravos decided he needed to be on the lookout for a stronger dark mage once he got free. Viren was the one who contacted him and Viren was taken in enough that he could work with this, but he had his eye out for a replacement the moment he realized he was dealing with a coward. He needed someone who wouldn't hesitate.

Rayla and Callum are both so good with kids. "It's my rare glow toad impression!" She says to make Ezran laugh instead of complaining of how sick she feels.

Villads and Berto are such an excellent pair of characters. I love them. and yes, Ezran, the bird just said the word "squawk". A lot of parrots end up doing that because people say it around them so often but it makes me laugh every time.

Though I do hope a human goes and reties that knot holding the boat by the dock, because Berto definitely didn't get it secure.

I do wonder why Amaya's the only one mounted when she takes the scouting party to investigate the Breach.

Oh also something I didn't notice the first time round: Fen did mention earlier that this is the hidden outpost on the Xadian side of the Breach. While Viren's spinning lies about a massing of elves at the border, Amaya's actually establishing an outpost in their territory, not the other way around. She's the aggressor here, not the defender.

This was a very well-planned trap on Janai's part, and I love watching her and Amaya clash early on because it really displays both of their strategic skill. I also love that the soldier warns Amaya with sign language, that it's such an integral part of how she's portrayed and it actually helps her out here.

"I know that face. That's the 'dumb idea' face." Rayla says it so fondly and then goes to perch next to Callum to talk to him, and I just. I love how their relationship develops over time. There's already this connection between them at this point, an understanding, and it really helps drive in and support her being his deepest truth in Arc 2.

"If you die out there, I swear I'll kill ye!" I love her so much. I also love the contrast between Rayllum and Ruthari on this concept, because like. Ethari is fully like "Do what you must and if you die I will live with it because I believe in you and your cause" when Runaan goes into life-threatening danger. Rayla threatens to kill him if he risks himself too much. It's just sort of a neat contrast from the parents' generation to the next, the resignation to death in one and the determination against it in the other.

I'm wheezing, Viren like "WHY DIDN'T ANYONE INFORM ME", apparently forgetting that he's been in his super secret evil dungeon for like three days straight, and the Crow Master jokes about a secret chamber, and see this, this is why I love Viren as a villain because he's so hilariously bad at it. His excuse is that he's been in the bathroom. For THREE DAYS. He really just word vomits and depends on his charisma stat to be high enough to validate whatever random bullshit he says.

Poor Crow Master embodies the customer service mood. Hear about a customer's bowel problems that have kept them in the bathroom for three days? Shove their stuff at them and attempt to politely shuffle them out the door because you Do Not Need Details.

Also Viren being in full villain mode and the Crow Master not doing anything about it is also delightful because like. Yeah. Yeah customers say stupid and downright villainous shit all the time. He's not getting paid enough to deal with this nonsense. This dude threatened his life last time he tried to refuse service so now he's just keeping his head down because fuck that. Whoever wrote this character has worked retail.

I love how physically imposing Janai is. When we get to know her better, we see her softer side a lot more, but she's designed so Powerfully here in the early seasons and I love that for her. I also love the "come at me bro" gestures she and Amaya exchange and lowkey headcanon that's the moment that both of them were like ah fuck she's hot. Like the animosity was very much still there, they didn't hate each other any less, but the grudging "goddammit yeah actually she's hot she's just also my mortal enemy".

I love how fucking feral Janai gets in her heatbeing form. Like she's roaring and running on all fours at different points.

"I thought I wanted this badly enough, but in the end, I didn't have the guts." Callum angsts, and Rayla just says "Good" and gives him a hug, and I just. I love that moment for them. Because she also didn't have the guts to do what she was supposed to do, and now Ezran is still alive and they're on this quest but she still feels the guilt of the ones who died because of it. And now Callum has also hesitated and is upset and she tells him it's good. Because she likes him alive. Because it's worth it.

It's also a fascinating mirror to Viren chickening out on Aaravos, also not having the guts to go through with the magic at the last minute. If Aaravos hadn't decided to seek out a backup mage before now, he does it when Viren covers up the mirror and we see that look of surprise on his face.

I do love the credits sketch of Corvus just sitting on the ground pouting with Claudia and Soren high fiving above his head. That poor man. What has his day been like, traveling with Those Two idiots?

[avelera]

So I've been making my way through Sailor Moon: Crystal and I'm in S2 (Black Moon arc) and I have a hot take on why Chibiusa was so unpopular back in the day because--I'm sorry to say because I came into this arc sympathetic towards her-- I kinda get the hate now more than I expected to.

That said, I'm less interested in disliking a fictional pink-haired child character than I am in understanding why the writing, which I think intended for us to like her, might have missed the mark.

Where Chibiusa's introduction went wrong:

Chibiusa is introduced as disliking Usagi, our protagonist, instantly. Thing is, we just came off a whole arc of meeting Usagi and learning to love her character as she grows and matures and goes on to save the day with her loved ones in S1.

Coming off of that and immediately meeting a "non villain" like Chibiusa (it's meant to be ambiguous) who hates Usagi's guts puts us in a similar place to Usagi in starting with a bad first impression of Chibiusa.

This bad first impression is likely intentional, I think we're supposed to mirror Usagi's journey towards learning to like Chibiusa over time.

However, I'm not sure it worked as intended. At least for me, by the time Chibiusa becomes Black Lady, Sailor Moon loves Chibiusa and wants to save and redeem her, but to me that seemed like Sailor Moon being a saint because I could understand a version where everyone is sort of sick of Chibiusa's shit by then (what with her leading to Pluto's apparent death at that point in order to save the universe from Chibiusa's fuck up in stealing the Silver Crystal and bringing it back in time in the first place, among numerous other annoyances and outright crimes towards people who love her).

So why is Chibiusa so unpalatable, from a writing mechanics perspective?

The thing is, I think we see a lot of guilt and regret from Chibiusa for her actions (since she from her perspective traumatically but definitely inadvertently led to the collapse of her mother's kingdom by stealing the Silver Crystal in a desperate bid to finally grow up, gain powers, etc after literal centuries trapped as a powerless little girl in what is actually truly a fridge-horror packed existence).

HOWEVER, guilt and regret are passive, they're not actually actions in their own right.

So we see Chibiusa have a lot of guilt and regret for the bad things she's done, which had horrible unintended consequences, and those are laudable reactions to what she's done.

But Chibiusa never takes any praiseworthy or good guy action up to the point of turning into Black Lady.

Chibiusa feels regret, sure, and fear and shame, but she never does anything good with those emotions. She just feels them in between action beats so we know deep down she's not a bad person.

In contrast, all of Chibiusa's actions make the situation worse, pretty much every time.

She threatens Usagi with a gun when they first meet, and constantly taunts her even while seeking her help.

Chibiusa steals the Silver Crystal despite being repeatedly warned that it's a dangerous item to tamper with.

She steals a key from Sailor Pluto, truly screwing Pluto over even though Pluto broke the rules just to extend a hand in friendship to Chibiusa.

Chibiusa also runs off numerous times, requiring Usagi, Mamoru and the others to stop what they're doing to track her down and help her.

One time, running off like that leads her to getting kidnapped by Wiseman, so while the kidnapping isn't her fault, this action directly leads to the situation where Sailor Pluto has to break her final taboo and die in order to stop the universe itself from being destroyed.

Then, as Black Lady (an admittedly altered form of Chibiusa that is outside her control) she does some pretty icky stuff like kissing her future dad on the lips.

On the one hand, it is a form altered by Wiseman so it's kind of not her fault, but, on the other, Black Lady's actions are sort of presented as what Chibiusa wishes she could do, what she would do if she had the power, and what she does as Black Lady is some pretty messed up stuff.

I was sort of understanding of Chibiusa just having the childish instinct to want her dad to herself, platonically, and using evil magic powers to get him, but then the incest overtones took "using her power to have her dad all to herself" from "Bad, but sort of understandable in a childish way" to full on "Ick."

TL;DR Chibiusa only shows good guy qualities while being passive, ie through demonstrating regret and fear and the trauma that led her to making the mistakes she makes in between action beats of the story.

However, whenever Chibiusa takes action as a character throughout the arc, she only seems to make the situation worse for everyone, including people (like Pluto and Mamoru) who have stuck their neck out for her and risked themselves to be her friend and look out for her. This is the sort of stuff that tends to make people dislike a person and/or a fictional character.

Some Additional Writerly Analysis:

As a writer, I find Chibiusa being unlikable particularly interesting, because I do think the show wants us to come 'round to Chibiusa by the end, at the same pace as Usagi, but even when I was sympathetic to her I found her rather hard to like so, to me at least, it seems like the story missed the mark in some places on achieving this and I was curious to analyze how and why this is.

Just being a klutz or making mistakes doesn't warrant the vitriol Chibiusa received. After all, Usagi's whole thing is that no one suspects she could be the Moon Princess at first because she's so imperfect and she messes up all the time. So just being ineffective doesn't seem like enough to warrant more hatred towards Chibiusa than Usagi ever got.

Likewise, being a passive character tends to make audiences annoyed, but the Sailor Moon Manga/Crystal tends to actually be pretty good at not making its female characters passive. Chibiusa is active but, as stated above, her actions tend to lead to the situation getting worse for everyone, while only in passive moments when she frets and cries and reflects on her past traumas do we see her "good" side.

So Chibiusa kinda gets the worst of both worlds, she screws over our favorite characters when she's active - audiences tend to prefer active characters, but not if they're actively doing things we don't like - and passive while showing qualities we might like - audiences tend to hate passive characters so we only see her being a good person when she's sitting around crying and not doing anything to really make up for her mistakes in a material way.

Yes, overall she's trying to fix her original mistake and takes action to do so, like by going back in time in the first place to get Sailor Moon to help save the day, but then when interacting with Sailor Moon Chibiusa's constantly antagonistic towards Usagi, who we presumably like if we're still watching the show, which seems to run counter to Chibiusa's own stated goals.

Being imperfect at enacting her goals, like antagonizing the person she wants help from, is sort of understandable, from the perspective that Chibiusa is a traumatized kid with a lot going on so she's not always acting rationally...

...Or is she just a traumatized kid? Because then we learn Chibiusa's supposed to be 900 years old at this point? The text is a bit self-contradictory on how much maturity we should expect from Chibiusa. Should we expect the maturity of a 900 year old being, or the immaturity of a child, or some mix where she's a 900 year old being trapped with the mind and body of a child in a truly nightmarish existence?

Then again, speaking of maturity, once Chibiusa does finally, physically grow out of being a child, she then uses her newfound adulthood to romantically kiss her own father (and, arguably, sexually assault him because it's not like he can consent there, nor would he if he could) which again is an example of her being passive when she regrets, but active when she makes more mistakes and does more unlikable things.

And to lovers of Chibiusa's character, I get it! She's had it really, really rough, her life is on paper actually kind of a nightmare. Her actions are all understandable.

I'm just trying to analyze why her actions and by extension her character become so unlikable that even as a grown-ass adult coming into the show pretty sympathetic towards Chibiusa because I remember all the hate she got, I was sort of taken aback by how unlikable a lot of her actions actually were.

Overall, I think the narrative was trying to create an antagonist that wasn't a villain, someone who makes the story harder for the protagonists but who overall we want to be saved not stopped. I just think that the narrative might have gone a bit too far in setting up Chibiusa as an antagonist to Usagi, and didn't do enough to show Chibiusa having effective heroic moments, only effective antagonist moments, such that it became very hard to pull her back from antagonist to protagonist at least at the point where she becomes Black Lady and we're supposed to want to see her redeemed.

[amemenojaku]

I saw umineko stage ep3 today!! it was amazing. the quality level is insane. I got goosebumps several times and it even managed to make me tear up... everyone's performances felt like they all know their characters so well now 🥺🙏 the lights, costumes and choreography were all perfect too

some thoughts (major umineko spoilers obviously):

young eva/evatrice's performance in particular was just. literally perfect? the way she delivered her lines, carried herself, her laugh resounding onstage and the little things she did when she wasn't the center of attention were all 100% in character. she was adorable during the ceremony where she becomes the new beatrice, introducing herself to the goats and giggling w the 7 sisters, and she was absolutely terrifying in rosa's and maria's death scene. also mad props to the costume designer(s) who did her sailor outfit that turns into the witch outfit almost instantly

everything beato's actress did had me go :] there's a lot of cute beato scenes in ep3 and she was adorable in the goofy, endearing way og beato is in the story while still being cool and fun when needed in the other scenes

and last but not least eva's actress did an amazing job too, especially during the emotional scenes of her character (when she solves the riddle, finds the gold, hideyoshi's & george's deaths). her lungs' strength is impressive lol. it's been 4 hours and I still clearly remember her screams

overall I loved the way so many of the actors and actresses would just do little things when they were on stage but not in the spotlight/not talking, like the chiesters whispering in each others bunny ears instead of their human ears/covering their bunny ears because of loud noises, or the 7 sisters just jumping around and messing w each other, maria taking her notebook out of her bag and reading it, etc. they weren't just standing doing nothing and it always felt very in character, too. there was always something new no matter which part of the stage you're looking at

rudolf's actor looked and acted like he came straight out of a yakuza movie? ik he was already like that in the previous episodes but for some reason I felt it even more this time. might be because of the fight against the sisters before he and kyrie die (which was probably my favorite action scene btw. really cool choreography). I'm not complaining though. made me like the character even more

speaking of rudolf. at some point during one of the scenes where the adults discuss beato's first letter, he just... started massaging hideyoshi's shoulders? he did that for at least a full minute before hideyoshi's actor nodded as thanks and he stopped. I have no idea if this was part of the script or if the guys just decided it on their own??

when gohda does his night check of the mansion right before his death he was actually walking in the aisles with his lantern before he got up on stage!! he got to tell a joke and do some fun stuff before being killed and never being relevant again. rip

beato asking battler to give her a new name now that evatrice inherited hers, ronove on the side of the stage writing a stupid nickname on some paper to show her only for her to get annoyed, rip the paper from his hands and stomp on it

I don't know if this was done on purpose or not, but when eva fires the shot that blinds jessica and jessica accuses her of being the culprit, pointing at some random direction since she can't see anymore, she actually pointed at shannon's corpse on the sofa behind her. it could very well just be a coincidence. but. yea

krauss drinking straight from the fucking bottle during the golden land party scene at the end and getting completely smashed

ange!! she was so cool and cute. she punched the goats. I can't wait to see her in ep4 😭

battler literally Just Standing There at the very end, when ange and beato start duking it out before the episode's over 🧍

the curtain call was super cute. everyone got together to pose for the cameras before they realised beato wasn't here so they had kinzo cry for her in the infamous kinzo way and she graced them (and us) with her presence :)

battler's actor: "so we'll need your support -and- your gold for episode 4 to happen"

cat nanjo be upon ye

[beatcroc]

turns out i have to make an unnecessarily wordy thoughtspost about doombox too bc there is nothing about this character that isn't fucking ridiculous and also really funny and i'm kind of really obsessed with all of it. ordinarily i would just start firing but in this case I need to just. paste his bio and then go through it step by step because every phrase here is absurd when looking at how he's handled along with the other characters and the world as a whole. here we go

first sidenote: i should also add 'nonsensical' to the list of descriptors up there, because this is a fighting game and no doubt has the typical Bad Fighting Game Writing at play that doesn't really hold up when put under scrutiny as i'm about to, but understand that this is something i've come to love about the genre and its typically batshit lore, and it further enhances the experience for me. it's all utter nonsense and its my favorite shit ever.

the biggest thing to me that makes his entire shtick ridiculous is that he was explicitly made to be a weapon. like his express purpose is destruction and/or killing people, and he certainly has the disposition to be doing that. except that he is not doing that. he's out there playing Ball Game, evidently of his own volition.

i feel it is also important to highlight that he was not originally or intentionally a boombox; he just kinda lives in there. his own bio frames it as happenstance, but sonata's dlc skin lore** implies he isn't permanently stuck in there and can kinda just hop out and take control of whatever he wants whenever he wants. there is an entire goddamn tank just sitting there in the background of one of these stages. he is a weapon. there is heavy artillery readily available to him that he could be commanding if he wanted to, but he's not doing that either. he is still a boombox. i think he likes it in there. *there's an argument to be made that maybe he's not powerful enough to control something that large, or maybe just that switching hosts is really tiring or risky. im just saying though there's like a bajillion host devices better suited for A Fucking Weapon than a boombox, but he seems really committed to this for some reason. while im here btw it's fucking terrifying that he apparently can possess thing that are Not tech as well **as a side note from that the specific mention of her boomhammer is interesting. i don't think it's an intentional implication but i enjoy the idea he has an affinity for sound-based devices; i like to think the boombox left an impression on him with its being the initial thing he possessed and got used to

and then there is the berserking. the 'rampaging', as it is otherwise called. not exactly strange on its own given his temperament and designation, but strange for the way it's characterized as only a tendency. it's only that he's prone to rampaging. he rampages often, but not all the time. just often! what is he doing he is not rampaging? getting a custom trimmed jacket with his own logo emblazoned on it? like a nerd? and on the flipside, what exactly do these rampages even entail? because it's apparently not anything destructive or disruptive enough for anyone to care about stopping him under normal circumstances.

like how are you a giant angry "not exactly stable" weapon of a guy and everyone's like 'yeah that's fine. that's our doombox!' toxic's specific wording regarding his getting unfucked postgame is "back to his old raging self", which implies to me there's almost a certain fondness, or at least amusement, at his being like this. i know one of the core themes of lethal league is letting these oddball misfit dudes do their thing and freely be who they are, but like. is doombox sincerely just not a threat for that? like really? dice's interactions also sort of imply that his actually trying to kill someone is really out of the ordinary for him so truly like. db my man what ARE you doing out there. * re: toxic and dice's talking about him; i do also find it amusing that one of his defining traits is just being pissed off all the time. again, not surprising given his purpose/designation as a weapon, but funny in that it's like. how he's KNOWN; in the sense that it is immediately noticeable and a cause for concern for other characters to see he is Not angry. fuckin social barometer of a guy. local angry guy isn't angry, something's wrong.

the "reasons for playing in the league unknown" bit also strikes me as a little odd even though it REALLY shouldn't. i'm like 97% sure it's just written like that to make him seems mysterious and unpredictable and dangerous, but it's a weird thing to call attention to when you consider that...less than half of the other characters' reasons are known? raptor is there trying to get info on his dad, that one's well out there. dust & ashes i think have some kind of implied reason for being there as well but it of course isn't elaborated on, and grid is like trying to impress "the youth" and establish a profile or something. nitro seems like he might not actually be IN the league as an official competitor? it's just helpful for him to know how to ball for the situations he gets into with his investigations. everybody else's "reason" pretty much seems like they're just out there to have fun. and toxic says as much in the story mode intro! the game was developed for people to escape the monotonies of shine city! so to imply doombox has a separate, non-recreational reason for being here is weird. the easiest read on it for me is just that he was drawn to it cause it's intense and destructive but at the same time.... if all he wants is an excuse to wreck shit....why are you competing in a structured sports game with rules and shit my dude. you are a weapon. just go attack people. except that we've established that he doesnt really do that. so. once again. what IS he doing out here

----

aside from the bio though, there's of course random little tidbits of characterization throughout the game itself and they are all also likewise ridiculous.

he refers to himself in third person, which is always an amusing choice for a character in general. it carries with it a certain sense of ego, an awareness of and and pride in one's presence and gravitas. this was mostly just surprising to me bc before i started looking at everything, i'd assumed he was more or less mindless and, yknow, robotic; without much personality/reason for being there beyond being the Biggest Baddest Best At Ball Game Guy doombox is already very imposing, so this is frankly a well-earned sense of pride for him to have.....but it still doubles back to being funny again because, as i've established above, he could stand to be a hell of a lot scarier! but he doesn't seem to notice or care that there are many readily-available options for becoming more powerful and/or establishing himself as unquestionable top dog. so instead he is a boombox. third-person is also often used for characters who are a little dumb, and i think this applies to doombox as well. he is a weapon, and clearly a brute-force-over-precision type of weapon at that, he doesnt need smarts. i think this is also sort of hinted at with his voice lines; where the other characters have some kind of snarky phrase or one-liner for their kill/score voice line, doombox just goes "bye-bye". Which is still appropriately Disrespectful, but it's also very, uh... simple. again i just think there are... more imposing things a guy like him could be saying there, but i guess he hasn't got anything more than fucking. bye-bye.

anyways the ego thing i think is well-echoed by his stupid fucking jacket. none of the other characters have their logo as part of their design and i'm pretty sure the rest of the symbols are just game abstractions and don't exist in-universe, but like. doombox is just going around wearing a jersey with his own damn face on it. ok. to be clear i love his jacket but it is literally so silly for him to have that. imagine being the guy having to custom-fit a fucking boombox. did db pay for it? how? we're getting into unproductive territory here but you could ask a million questions about that jacket and they all have hysterical implications. while im on the topic of designs i'd also like to say that while i don't count any of the other blaze redesigns as "canon" like actual events the characters went through between games [like raptor in particular would have already had to have the stitches since that's his backstory, it's just they weren't a design point before], doombox is in a weird spot since the first game's design for him was very specifically referencing its HUD in a meta way for his flavor and that was pretty much the entire extent of his flavor; while in blaze he and the HUD are very much separate distinct things with their own flavor. there's more to talk about here later but as it pertains to design what im saying is i think he just went out and found a better and cooler boombox to be in between games. and also got a funny jacket. *actually i have no idea if there's even a Timeline here. the gut vibe i had been running on was that blaze happens a couple years after the original, but looking at it now that doesn't seem right. does blaze Replace the timeline of the first game? are there even Events in the first game to count as a timeline? do they run concurrently?

alright anyway the last point here is the 3rd-person thing is even moreso interesting to me though bc i was under the assumption that 'doombox' was something akin to a codename he was given when other people saw this big fucking Thang rampaging through the streets. but seeing as 1. he's definitely aware of it, and 2. not even the damn scientists who made him knew he was in a boombox [as implied in his dlc skin lore], i'm led to believe he came up with the name himself. the fucking tape in his cassette player does just say 'doom' on it so i am choosing to believe that's either where he got the name, or that he put that on there himself.

MOVING on, another really good thing is that he does this

i just think it's funny he's continuing to use the thing as an actual boombox; i feel like that isn't something he necessarily Has to do. obviously he's susceptible to certain quirks and limitations of being a boombox re: mind control tape, but i don't think that means he has to play out its every function. i think he's doing that on purpose and i am filing it under "he likes it in there". hes listening to his jams.

also on a similar note,

this is also not important and i realize it's mostly just a quirky videogamey way to get around saying the robot kinda character is "asleep", but i do enjoy the implication that shine city's biggest terror is like out there running on 4 D-cells.

also i'm making this guy out to be a city street menace, and the vibe i had assumed for him before was like, a random encounter in the back alleys that you super do not want to run into; but his associated stage/hangout seems to be the desert/scrapyard? which i don't really have anything interesting to say to that, but it's definitely a different vibe for his character if he typically hangs out in more desolate areas.

---

i think maybe the most baffling thing doombox has going on is the apparent "rivalry" with dice. this is also bizzare from dice's side of things. what the fuck does it even mean to be "rivals" with doombox? what are they competing for? what kind of things does dice get up to that doombox would even give a shit about in the first place, let alone to be considered a rival in? i mean, like, the league, probably, but why dice specifically, out of everyone? would doombox's league rival not just be whoever's the [second] strongest there? i believe dice when he says they're evenly-matched, but there isn't really anything that implies dice is of particularly high prestige within the league so it feels like he shouldn't hold much interest as a target. to be fair dice doesn't seem like the type that would care about prestige, but again, if he's not out there flaunting his shit or trying to claim he's the best or whatever, why does db care? this would be a lot easier to understand if it was a one-sided thing on doombox's part like okay maybe dice pissed him off one day and he's still mad about it. whatever. that's the vibe they go for in story mode, but then there's dice's dlc skin description, which seems to run entirely counter to that and has dice as the aggressor:

when deprived of his usual sense and restraint, dice's first thought is I Gotta Go Fuckin Kill Doombox? even if he's over it under normal circumstances, it's clear both of them have some deeper-rooted beef in this exchange. there is yet another layer to this in that doombox is, weirdly enough, not really shown to be the kind of guy that's interested in revenge. again, going back to his own dlc description, he- and i quote- "couldn't care less" about the guys who made him capturing him and chaining him up. his only interest there is breaking out and getting back to doing his thing. if you want to be really generous, you could also read this vibe from the story mode epilogue: doombox was not the one hunting down the safety league, that was nitro. doombox was simply, as stated before "back to his old raging self". both of these to say, he simply does not seem to give a shit about people who have directly wronged him and only wants to Do His Thing. so. once again. what the fuck is going on with dice that they both have lasting beef here. i truly cannot fathom what either of them did to be so mad specifically at eachother. this rivalry is something they reference a LOT too like it's a big deal in-universe, or something otherwise really important to portray. like

lore so strong you gotta put it on an achievement!!!!! really!!!!! and there are no details whatsoever about this????? * while i'm here i'd just like to say have more questions about dice than fucking anything else in this game. sadly there's practically nothing to intuit from the game about any of his situations so i don't have much for coherent thoughts to post on him, but my god. what the fuck, dice. this rivalry is arguably the single strangest thing doombox has going on but it doesn't even break top 5 weird things about dice.

anyways, the final section and MOST interesting thing to me in all this is that, coming out of the first game, i was really under the impression that doombox is just the arbitrary final boss monster you gotta kill; no real purpose or personality his own to speak of, and most importantly just synonymous with the game itself and its aesthetics re: mirroring the HUD design. he certainly still holds the role of big scary final boss monster in blaze too, but blaze 1. has him much more fleshed-out as his own Guy, and more importantly, 2. doesn't really consider him a Problem like your typical big angry final boss monster. or at least not moreso than anything else going on in the game. he's not a threat to be eliminated, he's respected as a character and as a competitor in the league; and more than that he just seems to be... liked? as in, liked by other people in-universe? and he's liked enough that they'll readily help him out so he can keep doing his thing? i do think latch fixed him up postgame mostly bc he felt bad about being the one responsible for getting db brainwashed in the first place but like. the game could have just as easily gone "and then doombox was defeated yay" and left it at that. instead, they seem to have a vested interest in keeping him around. most transparently this is likely just a "we can't get rid of any of the playable characters or else story mode would be noncanon", BUT the point of this post is trying to read cohesive narrative sense into places there probably isn't any, and my read here is that doombox is a sort of inadvertent guardian of the league. for 1, he does still very much embody a lot of what the game [both The Videogame and the league itself] is about, but more importantly i think his presence is just really good at keeping a lot of the more minor threats at bay. if you try to fuck with the league, you will eventually be squaring off with doombox, most likely having freshly pissed him off in the process, and i can't imagine that goes well for who or whatever is in that situation. there's probably not much that wants to stand up to him by himself, and there's even less that can challenge the league as a whole unit; he's really just a good guy to have on your side like in general when you are running an illegal sports operation. i think at Worst toxic might see him as the league's funny little mascot but realistically i think she has more respect for him than that. either way i don't think he's going to care and it doesn't affect him much regardless. for this, doombox simply gets to keep doing his thing, whatever the fuck that may be. there are certainly still forces beyond his control at play here [as demonstrated in story mode by the safety league], and when these come into play, the league in turn looks out for him and keeps him on top of his game. i'm not sure if he has the, uh.... kind of cognitive ability that he could be grateful for this, but if nothing else, we know he seems to enjoy playing in the league, so he probably at least recognizes that he's not going to meet a lot of resistance in it and/or that it's a good environment to keep doing as he pleases. i don't mean for this all to sound so transactional, but it's hard to say whether he has much charisma in-universe for people to want him around for more "legitimate" reasons. likewise, there's also still a lot up in the air on how like... sapient doombox actually is. whether he can have complex motivations about anything or if he has some concept of "having friends" or if he can experience emotions besides rage; i tend to lean to "no" on those because i am really trying my damndest not to woobify this guy, but ultimately i don't think it matters much; in the end, he and the league are still mutually beneficial for eachother, and they still enjoy having the other around. and i think that's pretty cool :)

[davekat-sucks]

You know, I'll admit i'm genuinely shocked Hussie never really made a huge fuss over the Troll-Sona stuff in comic, with Karkat going on about how its the equivalent of [Insert-Race] Face for humans. Having Caliope being on the receiving end of a Trolling the likes of which hadn't been seen since ACT 5 would have been the perfect chance to try and restore some of Karkats proper character. Obviously this was after the interlude so Karkat and Dave were... what they became I.E. Shells of their former selves but I digress. at minimum it would have been a nice fare-well to Karkats rants that actually had a reason to exist, since Karkat had always been a voice of reason and actual understanding for Troll Culture for the Audience and since Hussie is a troll, making good fun of Cosplay with the context of it being actually racist in-universe would have been genuinely funny.

speaking of Karkat Rants, does he have any in the dubiously canon but certainly shit beyond canon? and if so, any that are actually *good*? Whenever someone does a Karkat rant properly, be it in fanfic, for Parody/Impressions, ect. its always a highlight and usually steals the scene its in and for good reason. the only times it doesn't is usually when Jade got legitimately pissed off at him, or he got *too* into his role as leader without actually leading which was rare even if he did get up his own ass at times. But what can I say, its Hu-, Troll nature, right?

also since I saw those Adult/Silhouette versions of the trolls you shared before, I'll comment on that. Why the hell can't we have those instead of the... well, *exuses* that we got for the Beta trolls in beyond canon? Adult Trolls have always been shown in that style, in the same way adult humans were always in the same style, easily distinct from kids of either species. Those designs are so great too, really capturing the essence of the characters. Vriska's having her Glasses is always appreciated since its pretty common for people to forget she actually HAS those aviator glasses (Hussie too, now that I think about it. Where did they fucking go Hussie?! Why did they vanish in the same way you made the Trolls you either couldn't be bothered or couldn't write for vanish?! *sigh*. 'Bugger. honestly if you want a VISUAL representation of the Current writers lazyness, other than the fact they blatantly don't care about characters actually being themselves, or making characters like Terezi or Feferi chubby or downright near fat, its that. not having the Beta Trolls actually get their kick-ass adult sprites. Like sure, anyone who didn't God Tier shouldn't be aging, but MOST of the trolls didn't. in fact, we only have ONE who did. The one who had more than her fair share of time. and While I love her, can the writers please stop making Vriska stop losing character progress at this point? She's long since learned she doesn't need to be the center of literally everything. She's killed THE Big bad. doesn't get MORE IMPORTANT Than killing Lord English. Fuck if they were going bring a Serket back why not Aranea? Give her an opportunity to get some more attention? She died getting kind of shafted tbh, or well. Died x2 combo. Then again, I suppose What Pumpkin and the new-fans wouldn't really care for the Lore-Scholar to return. They (the nu-fans and writers) hate all the actually fun characters, destroy the ones who are left, and shove into the back room anyone they haven't destroyed yet. Something tells me if they got their hands on Aranea they'd just make her Vriska 2.0 again instead of leaning into her more Sylph-related tendencies. Befriendus did Aranea extremely well, so clearly its not impossible but I suppose thats only if you actually give a damn, huh?

Also despite having finished the first couple Acts for Friendsim 2 I stopped right before Polypa (bae) chapter came out and just haven't gotten around to it since. Saw some people complaining about designs and yea... some of the writers Biases are clear in more than just designs though overall up to that point I felt they'd done a good job (for the most part) keeping their... dare I say 'Politics' out of it? Not sure about that any more since I'm out of the loop on that but I hope that continued regardless of Character design stuff. Still that thing about Always drawing people with curley hair as black sucks. I have Extremely curly hair that thankfully basically never knots and I too am a Pasty Mountain Monkey. An American Mountain monkey but a Mountain Monkey none-the-less. Very White. Shit won't dare to grow further than my neck and will Fro out like no-ones business. I'd prefer they not take every character with Adorabubbly Poofy hair and make every one of them black. Goodness knows thats the fate of every ginger in media. We have Black Feferi but where's Ginger Feferi? I demand Balance be brought to Paradox Space! Give us the Aerial Feferi we deserve XD

Closest to Karkat being reactive over people cosplaying/dressing up as trolls would be in early Homestuck 2 that even DIRK agrees what Calliope was trying to share was wrong, but even then his anger is seen as a joke. That Karkat is being overreactive that people are using trolls' appearances and customs/beliefs as an outfit. He's in the wrong. It's fine to greyface like others use blackface as a joke. And that women can't do wrong so Calliope can never be blamed for anything, just like Vriska.

It is strange that Calliope's cosplay as her trollsona would not be addressed by any of the trolls despite the fact Calliope supposedly loves them. Then again, most of her interactions had only been with humans so far within the base webcomic. She never approaches even important ones like Karkat, Kanaya, Terezi, or even confronting her own caretaker like Gamzee by Post Retcon. They were attempting to draw the adult trolls like Karkat and Meeah having darker skin, but not fully black artstyle silhouette like the base comic had done with the other Dancestors and Condesce. Plus, people think they would be unrecognizable if they fully make them black despite said silhouettes of hair styles should be easy to help audiences. But maybe they think their audience is retarded. It seems like it if some of the are retarded enough to still think Dave and Karkat are important when they do dick all in Meat Timeline that they had the girls like Jade, Rose, Kanaya, and Calliope directly say it out loud. Blame not only Andrew Hussie and WhatPumpkin, but James Roach and HICU for thinking their readers/audiences are retarded and not smart enough to think on their own.

Yeah, the nu-fandom has ironically made assumptions of stereotypes despite their claims of diversity. Isn't it more diverse enough for something like curly blond hair on an Asian woman or straight red hair on a black person than just same old curls and afros on one race? At that point, people are losing creativity.

[alpaca-clouds]

The Witcher books always confuse me

And not for the reason you might think.

I can always be on the "I knew this, before it was cool" train for The Witcher. Based on the fact that I just read every fantasy book that our local libraries had. And one of the book series, that was in the library, was The Witcher, as they got translated into German in the early 2000s.

It meant a lot to me at the time because of Ciri. Ciri was the first ever non-anime character, I encountered in media, who was LGBTQ*. Because, you know, representation matters.

But, at the time, there was still so much about the books that I did not get.

Again, I read them from the library, not owning them. And also knew them under the German title "Der Hexer". So, when I was a young adult and my then boyfriend started hyping this new fantasy game, I originally did not even realize from the title that it was a game based on those books I read as a teenager. Imagine my surprise, when I played that first game back then and realized: "Oh, I know those characters!"

I read the books again in 2012 and was still fairly impressed with them. But over the years - reading the books again and again - I got confused about these books. How where these books written in the early 1990s by a white man?!

Like, these books - again - have not only openly LGBTQ* characters, with one of the main characters being openly bisexual, but they also just tackle a plenthora of feminist and anti-colonialist issues within the text. And I am just sitting there: How did this got written in the 1990s, before the age of the internet? How did it get published at the time? What kinda man is Andrzej Sapkowski, that he was actually interested in writing this?

You know... I do not hate the games. They are very fun games. While I only played that first game twice, I did put hours upon hours in Witcher 2 and 3. But also... I absolutely get Sapkowski's frustration with those games. Because the games literally just do not get the books. The point with Geralt as a protagonist is, that for the most part he is just some dude. He is not some superhero type. Heck, he acquires a disability midway through the books and struggles with a ton of stuff after that. But the games ignore this as much as they ignore Triss' scars (and her self-consciousness about them). Just as they ignore a good chunk of the colonization angle of the books.

And... Really... The books are probably my favorite high fantasy book series. And quite frankly, given that a ton of folks got into the fandom through the games, the fandom is obviously full of folks, who have not really gotten access to this full picture and are very ignorant about the themes of the book series. And while I am very on the "hey, adaptions can do their own thing" train... At times I just look at the games with their sexy times side quest and think to myself: "Hmm, they kinda didn't get it, did they?"

To me it is really ironic, though. That this Polish book series from the fucking 90s manages to align with my progressive values a lot more than most books being released these days.

[mdhwrites]

Okay, don't you think you're being harsh to think Dana Terrace is incapable of creating anything good and dreading it when she creates something? Like, the idea Owl House never should have existed (based on what that one anon said) is way too harsh and insulting to Dana.

Like come on, Dana's a pretty nice person. Heck, a lot of the people and creators who work at Disney TVA like Alex Hirsch, Matt Braly, Frank Angones, Matt Youngberg, Daron Nefcy, Chris Houghton, and Shane Houghton have nothing but nice things to say about her. Ditto with the rest of the Owl House cast and crew (a ship is more than its captain after all) being saying nothing but nice things about Dana.

And it's not like Dana's the only Disney TVA creator who has caused people to go against Disney. Alex Hirsch has badmouthed Disney several times (even making a Twitter post on how much Disney meddled with Gravity Falls), Matt Braly was frustrated with the last minute True Colors delay and expressed frustration with them here ( https://twitter.com/Radrappy/status/1746706435080323397), and Bill Motz has made comments on how Disney treated Molly McGee that worsened the opinion of how Disney treats their animated shows.

So I had considered saying that the ask did go a bit far in how angry it was at Dana. I mentioned that being unprofessional does not make you a bad person. Some of the actions are frustrating to me but I am not trying to say Dana is wrong for having made a product in such a flawed way. I am at least trying not judging her as a person, just as a creative. I also don't think TOH simply shouldn't have existed. It had plenty of good ideas but at the end of the day, its captain should be the one who is in charge of those ideas and making sure that they're focused on telling the story and staying consistent. Dana wrote Reaching Out, one of the episodes of the show that most destroys both character potential and the believability of the world. It's also not by any means the only episode with a main writing credit for her like that, such as The First Day. As a writer, I genuinely just don't get the impression she has the attention span to be leading such a large project, especially if she is going to complain about not having full control over it while also lacking more concrete ideas to what it is. When I say I am not interested in the next work Dana is the director for, I just mean director because these flaws in her style make me think that unless it's an anthology series, anything she makes is going to have me get frustrated by the work over time.

NOW as for the stuff about her being unprofessional: Time and context is HUGE here. Matt getting upset about True Colors leaks? The COMPANY is also going to be upset by them and while it might berate Disney for lack of security, it is a genuine fuck up on their part to do with his show and him lambasting the leaks also pushes the audience not to spread them. There's nothing unprofessional about that nor that might harm the show. Alex Hirsch released that video about the censor board for Disney on Gravity Falls YEARS after the fact (this also goes for the tweet that you quote from Matt which is literally two weeks ago, well over a year past when Amphibia ended). The show was already a success and a video like that might make Disney look a little silly but it won't harm how people see the product or trying to get into it. In fact, with the current state of things, it might actually be seen as a PR bump.

Meanwhile, Dana was shit talking her own show and blaming it on the company she CHOSE to work with regarding literally half of the content that was out at the time. Worse yet, the first half. The half that theoretically needs to sell you on the show. What is a new viewer supposed to think of that if they haven't seen the show? "Well, even if it gets good, even the creator admits the first half is at least underwhelming. I don't want to have to put up with half a season of subpar work just to get to the good stuff."

And as I said with Hirsch: How people feel about Disney, and how clearly Disney actually does want the rep in TOH to be a selling point for them (they immediately were willing to do Lumity marathons or have them featured on Disney+ for Pride Month, as well as Lumity being the only t-shirt released by Disney that wasn't of just The Owl House members or the logo), means that Dana getting upset about them for the homophobic acts in Florida probably was seen as at worst neutral. Buuuuut that shifts when she starts trying to accuse the treatment of their programming onto their homophobic ideas because suddenly part of the company's selling point on the show is being actively damaged by the creator. Worse yet, she is doing it as speculation rather than sticking to the reasons given by Disney. Feeding into people's anger about the company while eschewing responsibility for why the show was shortened like it was. This is admittedly less of a strong argument, I do still support her lambasting their homophobic politics, but it's a moment that has stuck with me for something I'll get into later.

This is also without getting into the fact that one interview with her specifically mentions her first response to the shortening being to end S2 on a massive cliffhanger and then just GTFOing on them, a statement that is going to make ANY production company start sweating about you as a creative they want to work with. After all, the crew and other creatives may love Dana... But what do actually publishers and people she has to clear this stuff with think of her? You know, the people who decide funding on these matters because that is just a part of the majority of animated work currently unless you somehow manage to get enough patrons to be able to go independent like Vivziepop with Helluva Boss.

All of this also gives the impression of someone who would rather blame other forces than learn. Honestly, one of the best things I've heard her say is that the shortening did push her creatively. Force her to make decisions and try harder. That gives me hope... But she spent so much of TOH complaining about corporate oversight or riling up her fans against the company who shortened her that... I don't know if she'll take that to heart. If she's going to treat this as a learning experience or if she'll double down. Again, one of the biggest regrets she has is not getting to do more Raeda, despite their one episode already being almost entirely pointless.

Even if she is a wonderful person, from a publisher's standpoint, she seems like a high risk gamble for honestly not that incredible of numbers. Someone who might turn on you if you ever force a decision she doesn't like or push her too hard. That's not something a big corporation is going to want. It makes it sound a lot more like she's someone who indeed should just go independent if she really found working for Disney so rough.

I would love to be wrong though. I would love for her next work to be a knock out of the park. I just know that I'm probably going to pick it up AFTER it's done and I know it actually knew where it was going instead of just scrambling to put the tracks in front of it.

======+++++======

I will probably try just not to talk more about Dana as a creative because I REALLY don't like talking about the creators themselves instead of just judging the quality of their work. I genuinely wish Dana the best but... Man, after I've had so many people dismiss everything I've ever said about this show because of the shortening, or because Disney was too restrictive on LGBTQIA+ elements or because they forced Hexside onto Dana, ruining her plans, excuses Dana has herself pushed for the fans to use by using them herself...

It made learning just how little of any sort of plan she ever had so exhausting and infuriating, amplified by just how much this fandom screeches about TOH's unfair treatment when I don't see any of them going to bat for Molly McGee right now the same way. Not in my corners at least. Edit: I have been corrected that people are pretty mad for Molly McGee which good. They should be.