#which. she's right. BUT THE POINT IS

[deathricedrawn]

i'm ready to try

[gayhotpriests]

.

[backpackingspace]

Okay so with the line "the olive tree where we first met" we have two equal hilarious options.

When penelope was sassily like oh I'll marry you if you make a living bed out of this tree right here! Cue penelope stumbling over odysseus very very carefully digging up the tree "because how else is he going to get it to itacha we can't have a wedding bed out in the open in sparta duh"

Or

2. Penelope, knowing that Helen's suitors would soon be arriving to take over her home for a while. Snuck out and went on her own wacky shenanigan filled journey where she scoped out all the major players. Odysseus caught her spying in an olive tree. And when she got back she told Helen she had dibs on the cutie from itacha.

[theellipelli]

yuki tsukumo as a jujutsu tech student

[julijbee]

girlbossing too close to the sun.

[autisticaradiamegido]

day 147

psychically induced chronic illness squad

[chiisanajimi]

"riku! you're here! wanna help me with the pancakes?"

pov: riku walks into yen sid's tower for breakfast with the sora heart hotel

(also on bsky)

(room referenced from https://roomstyler.com/3dplanner)

[posalis]

“I know what you're trying to do right now.” “I'm not trying to do anything Art. [...] I don't need to play mind games with you. :)”

Arguing like a married couple without looking like it while trying to flirt with a girl is hilarious. (I'd give anything to see their original conversation about stanford.)

[lostandbackagain]

amber makes fitz so uncomfortable because he's attracted to her

as somewhat impartial observers it's obvious to us that he's attracted to beloved all the time but because fitz has never (never?*) been attracted to another man or masculine-presenting person, he's able to convince himself what he feels about the fool is run-of-the-mill friendship (or okay, very intense friendship. friendship with a lot of Looking)

but he recognizes and is at peace with attraction when he feels it for women.. so when he feels the exact same thing about amber as he does about partners he's had... and realizes that that feeling holds steady for beloved however they're presenting..... do you see

[glimblshanks]

Mariner's story line this episode being about her seeking out domesticity and community was fascinating to me. Especially considering she starts the episode by complaining that she'd rather go to a (presumably fairly regular) Taquito Night with her shipmates than go on an undercover mission that's objectively pretty exciting and unusual compared to what the Cerritos normally does.

I've said before that Mariner gives "homebody who's idea of home just happens to be high energy space adventure", but damn this episode really leaned into that in ways previous episodes haven't.

[idontmindifuforgetme]

the neurologist i shadow is so funny bc she has a valley girl accent and yet she's the smartest person in the room. this woman was casually doing case consenus ab a man w frontotemporal dementia in the highest girliest voice imaginable. i want to be her i think

[front-facing-pokemon]

[feroluce]

This was all the way back from the end of 2.3.

Hey Sparkle what the fuck.

[dykesynthezoid]

I think the funniest thing about scogan to me is that if you try to imagine it in practice it actually ends up much more compellingly fulfilling some of the tropes that the comics have seemingly always been trying to push with Jean/Logan. Which is just. Hilarious. Like the supposed (very old, tired, romance novel ass) dynamic they’ve often tried to push w Jean/Logan (esp in the new xmen era) is that of Logan representing some sort of… wildness or freedom to Jean’s restraint. That her “giving in” (yuck) to him is also her embracing… idk? Some sort of more natural, unrestrained version of herself and her power.

But it falls really flat with Jean not just bc of the misogyny inherent in the trope but also bc. She’s literally already done that. Like several times in fact. It’s sort of her whole thing. She doesn’t need to fuck Logan to step into her unrestrained power. She already, as a character, is supposed to be a vibrant, impossible, wild manifestation of pure creative/destructive will. (And really it’s kind of everyone else— and the writers’ latent misogyny— that keep fucking that up for her).

Scott on the other hand. Well. He kind of is the high powered female romantic lead obsessed with her job who gets sent on a work trip to a rural town where she’s forced to loosen up a little. Like for better or worse that’s kind of exactly him. He would fit alarmingly well in that sort of push and pull storyline. Which is so… good to me. That Scott, of all people, makes more sense on the cover of a Johanna Lindsey novel than Jean does. That him having that kind of dynamic with Logan actually feels way more interesting bc Scott is restrained to a fault, he is an insufferable, neurotic little headcase who would rather die than tell a waiter they got his order wrong. And yet he’s also the guy who’s admitted to actively enjoying riling Logan up bc part of him just wants to see what will happen. Which I’m pretty sure is called chemistry

[nyanbinary-87]

hey wandersong fans. do you ever think about the baron. how, in so little time, wandersong clearly establishes four things: one, the baron fucked up an Entire Town. two, he did it trying to bring that town happiness, because it was once His community. three, hes kiwis father. four, they do not recognize each other.

do you ever think about how profoundly sad that is? the baron, presumably already estranged from his community, decided to try and bring it joy. he abandoned his wife and child to do so. he spent years, decades, even, working on his factory, his toys. but the factory fails. the community comes together, rallied by a bard he does not know, to tell him that hes done them wrong. that hes done something downright evil, even. he looks at a determined community he does not recognize, and backs down. he goes home to his wife, their child nowhere to be seen. thats to be expected, after decades. they must be an adult now.

and kiwi...ohhh the ways the baron parallels kiwi...the both of them, estranged from the communities they live in, doing whatever they can to bring the people around them joy, but its never enough. theyre never Part of the community. so they leave, on their own journey. one to save the world, one to save the town. and they fail! theyre not the heroes of their stories, no matter how hard they try. but kiwi went out making friends on their journey. kiwi has miriam to lift them up and help them out. the baron has no one, not anymore.

[ingravinoveritas]

"The boy did good" is so possessive yet so incredibly fond--that perfect mix of heartfelt and horny that I first noticed in 2019 and that is so characteristically, thoroughly Michael. That combination of something classic and timeless--because love never goes out of style--with something modern and different. Michael showing his heart without a moment's hesitation.

And then just to make sure we didn't overlook the horny part, he threw in "And he looks good in a kilt as well, doesn't he?" as a chaser. As if to say, "Oh, you thought this was me complimenting my buddy on a job well done? No, this is me saying that my boyfriend looked fucking hot in a kilt." Just to remind us of exactly who Michael Sheen is (like we could ever forget).

Well done, Michael. Well done indeed...