#which means i never really got very far into it. and so i've been giving it the proper time it deserves recently. and the faron woods ost

[ranahan]

i've been pondering how mando'a-as-first-language speakers might tend to parse [θ] and [ð]... we know <x> = <sh> thanks to ryan kaufmann (which i'd say must be canon enough since traviss didn't contradict it) and [f ~ p] and [z ~ s] from Traviss, (and maybe <vh> = [f] at least dialectally a la Vhett -> Fett, but I'd prefer to think that's more a matter of Basic speakers parsing [ɸ] as [f] than [ɸ ~ f] being widespread in mando'a) but I don't think we have any data on how they'd tend to parse [θ] and [ð]. I like the idea of th-fronting where [θ] becomes [ɸ] and [ð] becomes [v ~ ʋ] (Kiwi English is allegedly developing this phenomenon), but since mando'a phonotactics don't seem to allow [ɸ] outside of a syllable-initial position (of course since vhe- words are the only example we have of <vh> the data is a biiit limited, but if we assume it's true) I do wonder how likely mando'ade would be to parse, for example, the [θ] in "cloth" as [ɸ], or if they'd be more likely to parse it as [t] or [s]. Tho I do also like the th-fronting bc I wanna distance <vh> from <f> as much as possible :') Not a cipher! 🗞️

On the other hand I'm a bit charmed by [θ] -> [s] as well, mostly bc I associate it with the Askie pronunciation of ת‎, historically [θ] which has in different regions either remained as such or become [t] (Modern Israeli) or [s] (Askenazi). But then the lack of [z] for [ð] (since [s] and [z] are not readily differentiated among mando'ade) makes it less ideal imo. I mean ofc they could be mismatchy, it's not like [ð] and [θ:] were replaced with other sounds neatly and evenly in Finnish (and there's that variation across dialects, which of course would be a thing among mando'ade as well--) But yeah, [ð] could be, if not [v ~ ʋ], then [d] or even [ɾ] or [l]... for obvious reasons I find the idea of the [ɾ] realisation pretty charming :')

anyway, uh, thoughts?

(yes i am thinking abt this bc loan words mostly)

(also. while generally i prefer [f] -> [p], ~kevhe [or whatever final vowel would be best...] for caf is much nicer than kep, lol...)

I’m afraid your ask is going to be better thought out than my answer!

I did think about the same thing, then thought about the option of ð being loaned as dh in Mando’a, and then got hung up in determining what the heck Mando’a phonology even is, and what do the dh etc. spellings stand for. And then never really got back to loanwords.

But now that I’ve found an answer that satisfies me, I do have a whole bunch of things I’d like to loan to Mando’a actually, because I for one don’t buy that a language of an empire, itself a creole (if you subscribe to that headcanon), does not have many loanwords. You know that joke about English mugging other languages and riffling through their pockets for loose vocabulary? I think it would be more realistic for people to make similar jokes about Mando’a, and how Mandalorians plundered half of the galaxy and half of the dictionaries too. (Yes, this is the hill someone else will die on.)

Anyways, yes I do have thoughts. Sorry this is going to be very long and rambling because these are more of immediate thoughts rather than something I’ve formed a considered opinion on.

Like you, I’ve also noted that vh only occurs in syllable initial position in the Mando’a dictionary. But! There’s a Mandalorian world called Ceravh, which as far as I can tell comes from Traviss. I’d give that even odds of being Mando’a or being (perhaps a Mandalorianised version of) a native name of the colonised world, which could indicate that Mando’a could use syllable-final vh in loanwords at least.

But anyways, another option I have thought about is that a word-final φ could get loaned as v. Even if Mando’a doesn’t allow a syllable final φ, the voiced counterpart v is very common in that position. So e.g. caf > kav. Or heck, how about h? > kah. Idk how sensible h would be, it just popped into my mind as something that could sound similar and is allowed in the coda.

Another option of course is that Mando’a could insert extra vowels into loanwords, like e.g. te reo Māori which basically keeps all of the original sounds and adds vowels until the word conforms to te reo phonotactics. So e.g. caf > kavha or kevhe or whatever the vowels would be. There’s this quote, which has a different context, but be used as a precedent if you wanted? “Pronouncing terminal consonants varies in songs. They often become extra syllables. For examples, tor becomes to-rah and tang becomes tan-gah to maintain rhythm and meter.”

On the other hand, loanwords, especially old ones, could also be subject to Mando’a’s habit of contraction. Which tbh seems as much fanon as canon to me in that canon shows some contraction and elision (especially in compound words), but fanon has observed that pattern and taken it as a licence to go an extra mile. I kind of love that kind of an emergency and it’s what got me interested in Mando’a in the first place. I digress, but I’m trying to say faithfully borrowing every single sound is not necessarily the way I’d go for Mando’a. Maybe borrowing syllables as the closest equivalents would feel better? Idk, maybe I’ll try a couple of different approaches with some test sets of loanwords and see what happens.

I do generally like f > p, but… Idk, the results don’t always compel me? They don’t sound unlike Mando’a, but also not exactly like Mando’a either? I mean kav feels more like Mando’a than kap to me. Same for vhervhek vs perpek (although for obvious reasons, perpek does appeal as a curse). But on the other hand, fan > pan vs van vs vhan? Not much of a difference. And Fi > Pai, Felucia > Pelucya/Pelusha, even Falleen > Palin/Paliin do sound good to me. This is probably because while there are words that end in p (like kotep, taap), they are pretty rare. While words ending in v or beginning with a p are a dime in a dozen.

I agree that Vhett being spelled as Fett is a transliteration from Mando’a to Basic, and not necessarily indicative of how Mando’a L1 speakers would adapt loanwords from Basic to Mando’a.

Re: θ/ð, I’ve previously considered t/dʰ, but I like both s and th-fronting better! Those would be the closest fricatives, wouldn’t they.

Mando’a doesn’t seem to have /z/, which seems to be an allophone of /ts/ rather than /s/, if you go by Traviss’s recordings. Or maybe it’s an allophone of /s/, if you go by some comments. Heck, maybe it depends on the dialect. So perhaps you could go with s/ts, or level them both as s? I guess it would depend on whether z gets loaned as ts or s?

Or go with th-fronting (θ > ɸ, ð > v) in syllable initial positions, and for the coda, either voice the θ > v, or add an extra vowel after it, or allow φ in the coda for loanwords. I think that at least for dialects that realise <v> as [β], th-fronting sounds really close. I like it!

And since some Mando’a dialects seem to have [b ~ v] (or perhaps more likely [v ~ β], or maybe some dialect has /β/ which is heard as /b/ in some others…), after making the rounds in Mando’a dialects, a loan word might even end up with ð > v > b.

Full disclosure, I also like how either would make loanwords a little less immediately recognisable. But on the other hand, loanword phonology is also affected by the speakers’ understanding of the donor language, which might bias e.g. /t/ over /s/. Idk though how much we need to nitpick realism in an artlang though. Enough to ground it, not so much the art goes out.

And then we of course have the loan words Traviss picked from English:

besom /ˈbiː.zəm/ > besom /ˈbɛ.sɔm/

Bergen /ˈbəɹɡn/ > birgaan /bɪɾ.ɡaːn/

TAB /tæb/ > taab /taːb/

hyem /jɛm/> yaim /ʝaɪ̯m/

charva /ˈt͡ʃɑːvə/ > chaav’la /ˈt͡ʃɑːv.la/

chebs /tʃɛbs/ > shebs /ʃɛbs/

scran /skɹan/ > skraan /skɾaːn/

scunner /ˈska.nɐ/ > skanah /ska.nah/

(Geordie) way aye /ˈwaɪ.eɪ/ or (Pompey) weee /wiː/ > wayii /wa.jiː/

dinny /ˈdɪ.nɪ/> dinii /dɪ.niː/

jack /d͡ʒæk/ > jag /d͡ʒaɡ/ ?

(I’m not counting mhi and kando from that linked post, since they—or at least kandosii—are pre-Traviss Mando’a.)

Bit of a guess at the pronunciations because I’m not a Geordie and Traviss doesn’t do IPA, but I’m getting the feeling that the vowel qualities don’t match up that well. I might have loaned Bergen as *bargen or *begen instead. Besom i > ɛ I can excuse as levelling the vowels to the same height, which seems like something Mando’a is prone to. ɛ > aɪ̯ is interesting. But generally, I’m not sure what I’m looking at here? Maybe just artistic licence?

Of course if actual historical loans, we’d have to consider that those words might’ve been loaned from a dialect or at a time when the pronunciation differed from modern/RP pronunciation. Plus I at least like to think that Mando’a itself has many different dialects, so I’d be willing to excuse a degree of artistic licence and inconsistency, especially when it comes to vowels which are more fluid to begin with. Afaik it’s also not weird for natural languages to exhibit even considerable variation in loan word adaptation.

Ch is loaned both as ch and sh. Syllable-final r seems infrequently loaned (birgaan) or not (chaav’la) or loaned as h (skanah)—perhaps this reflects the (non)rhoticity of the dialect from which the loans came from, because Mando’a does have syllable-final r’s. Otherwise the consonants in these words seem unremarkable.

Talking about r though, I think there are some words in Mando’a where n > r in certain environments (or at least that could explain some etymologies). I guess it wouldn’t be too much a stretch to extend that to d and maybe ð. You can hear [kote], [kode] and [koɾe] or the Republic Commando OST. Imo this is simply the effect of singing on pronunciation (I was a trained singer once upon a time, I could go on about this), but Traviss seems to have taken it as t and d being interchangeable, or /kode/ being the archaic pronunciation and /kote/ modern.

Also as an aside, I kinda want to work out the phonetics of Huttese, because clearly Huttese (or trade/pidgin/creole Huttese, whatever they speak as a lingua franca in the Outer Rim) has lots of Basic loanwords, and I think that many Basic loanwords would probably arrive to Mando’a via Huttese rather than directly from Basic.

tldr: You have seem to have thought more about this than me. Do you have more thoughts? I’m not sure how much sense my reply made; it was bit of a brain vomit. I’ll probably go read some things and come back to this later with hopefully more sense, but I wanted to reply now because I’m not sure how busy I’ll be in the near future.

P.s. you wouldn’t happen to remember where you read about <x> = <sh>, [f ~ p] and [s ~ z]? I mean I remember reading some of those same things, but it was at least a year ago and I don’t seem to have saved the source (whoops). I can probably look up the source myself if you remember where it was. Might it have been this forum thread? “So, Xaga might have been "Shaga" (incorporating that "sh" sound the Mando like) and Zuka could've been Suka.”

[front-facing-pokemon]

[itneverendshere]

hi again! so I've been meaning to send a request, but before i go about it I wish to say it's completely okay if you're not inspired by this, or if you simply don't want to write it, i would hate myself if I made you overwhelmed or smth. love you anyways 💕 so for the request: reader who's autistic. she's not very talkative nor socially active, never had a boyfriend, has one or two friends, yet somehow rafe notices her and finds her endearing. she's okay being herself with her friends, like she's funny, kind and passionate about her interests (like geek stuff, fantasy books, animals and such). she has zero flirting experience and is always dismissive towards rafe bc she doesn't think someone could like her romantically, and she's always suspicious of people bc they've wronged her in the past (in my experience as an autistic person i tend to believe everything ppl say and am kinda naive, so ppl played me or said unrealistic things and I believed them, which then is a reason for laughter, now I'm always suspicious to ppl's intentions). I'm giving you creative freedom with this, just wanted an autistic reader for once :) if you feel like writing it but need to know more abt autism, you can just post question and I'll answer in your asks, if that's okay. Just a reminder again before I go: feel free to decline this request, I know it might not be something cool to write and that's okay ☺️ love you lots, thank you for your time!

i tried my best, hope you like it 🫶🏼 and if you don't lmk so i can do better!! this was really fun since it's a compeltely new topic of inspiration. kinda left an "open" ending bc i couldn't make my mind up lmao. thank you for the resquest and sorry it took me a while to finally do it 🫂

got dreams but i can't make myself believe them - r.c

paring: rafe x autistic!reader word count: 6.9k

The party was a mistake. You knew it the moment you walked in, the thumping music and crush of people making your skin crawl. Your friends had been relentless, insisting that you needed to “get out more” and “live a little,” despite your repeated attempts to explain that “getting out” meant something different to you.

But somehow, you’d caved, and now you were standing awkwardly in the corner of a stranger’s living room, clutching your book like it was a life vest. You needed to stop letting them drag you everywhere.

It was the typical college party scene, at least the one's you'd heard or read about before. Red solo cups everywhere, groups of people huddled on couches or pressed together on the so called dance floor, and a few already-drunk guys yelling loudly in the kitchen.

This was supposed to be fun?

“Just stay for an hour,” they said. “If it’s really that bad, you can leave.”

Right. Except an hour felt like an eternity when you were trapped in a sensory nightmare. You took a deep breath, scanning the crowded room. There were people everywhere—laughing, dancing, chattering loudly in clumps—and the noise was a constant, overwhelming buzz in your ears.

This was definitely a mistake.

So, you did what you always did in these situations: you found a place to hide. After walking through the drunk college students, you eventually ended up on quiet nook near the back of the house. It was a small room, probably some sort of den or study. Blessedly, it was empty. With a sigh of relief, you settled into an oversized armchair, opened your book, and let the world outside your pages melt away.

Time slipped by as you read, the noise of the party changing into a distant hum. You were so engrossed that you didn’t even notice when someone stumbled into the room until a loud crash jolted you out of your fictional word. He nearly tripped over his own feet, catching himself at the last second with a slurred, “Shit.”

You looked up to find a guy standing unsteadily in the doorway, blinking blearily at you. He was tall, with tousled hair and a loose, easy grin that spoke of far too many drinks. His eyes were a striking blue even in the low light, and it took you a second to place him.

Rafe Cameron.

Oh, God. You knew him—well, of him, at least. He was in your sociology class, always sitting a few rows behind you with his gaggle of equally charming friends. He’d never spoken to you before, though, and you’d never had a reason to pay him much attention.

Until now.

Then his face split into a lazy grin, and he swaggered—no, stumbled—into the room, somehow managing to make even that look effortless.

“Heyyy,” he drawled, leaning heavily against the arm of the chair across from you. “It’s… it’s you.”

You blinked at him. “Me?”

“Yeah,” he slurred, squinting like he was trying to see you clearly. “T-The girl from my class. The quiet one.”

Your stomach did a weird flip, part confusion, part disbelief. “Okay?”

“Yeah.” He nodded sagely, as if you’d just confirmed some great truth. “You’re the uh, the smart one. With the books.” He gestured vaguely at the one in your hands. “Always sittin’ up front, all… all cute n'shit.”

Your cheeks burned. Was he seriously calling you cute? No. He was drunk—really drunk. He probably didn’t even know what he was saying.

“Do you need help?” you asked cautiously. “You look—”

“I’m fine,” he cut you off, straightening up as if to prove it, though the effect was somewhat ruined by the way he swayed on his feet. “Needed to get away from those idiots out there. Too many people.”

You almost laughed. Rafe Cameron, overwhelmed by people? The guy who was always surrounded by friends, girls practically draped over him like accessories? But he looked sincere—well, as sincere as a drunk person could look.

“Why don’t you sit down?” you suggested, gesturing to the empty chair. “You, um, might fall over if you don’t.”

“Pfft, I’m not gonna—” He paused mid-sentence, wobbling precariously. Then, as if he’d just made the smartest decision of his life, he plopped down in the chair, sprawling out like he owned the place.

“See? Told ya m'fine,” he said, flashing you a lopsided grin.

You couldn’t help but snort. “Right.”

He looked at you then, really looked at you, his gaze roaming over your face “What’re you doin’ here?” he asked abruptly.

You glanced at your book, then back at him. "Reading?”

“No, I mean… here,” he insisted, gesturing vaguely around the room. “At this shitty party.”

You shrugged, feeling awkward. “My friends dragged me. I didn’t really want to come.”

Rafe’s eyes narrowed thoughtfully, and for a moment, he looked almost sober. “Yeah, same.”

You raised an eyebrow. “Really?”

He smirked, a flash of the cocky, arrogant guy you’d seen in class. “Yeah, well… they’re fucking assholes, but they’re my assholes, y'know?”

You didn’t, but you nodded anyway. “Sure.”

“So, what’s that book about?”

You hesitated. “Um… it’s a fantasy novel.”

“Fantasy, huh?” He tilted his head, eyeing the cover. “Like wizards and dragons n'shit?”

“Sort of,” you admitted. “It’s about a girl who finds out she has magic and goes on a quest to—”

“Save the world?” he finished with a mock-solemn expression.

“...Yeah,” you said, narrowing your eyes. “But it’s more complicated than that.”

“Bet it is,” he murmured, his gaze still fixed on you. “You’re really into that stuff, huh?”

You shifted uncomfortably. “Yeah. Why?”

He shrugged, his smirk softening into something that almost looked like genuine interest. “You looked happy, talkin’ about it.”

Your heart did another weird little flip, and you frowned, pushing the feeling down. He was drunk. This didn’t mean anything. He probably wouldn’t even remember it in the morning.

But then, his eyes drifted shut, his head lolling back against the chair. Within seconds, he was snoring. You sat there, stunned.

What the hell had just happened?

Three days later, you were sitting in your usual spot in the lecture hall, flipping through your notes. Class was about to start, and the room was filling up with the usual pre-lecture chatter. You were just getting settled when someone slid into the seat beside you.

You glanced up, expecting one of your friends. But it wasn’t.

It was Rafe.

“Hey, friend,” he said casually, like you hadn’t left him passed out at a party a few nights ago.

You stared at him, completely disoriented. “Hi?”

He grinned, leaning back in his chair like this was completely normal. “Didn’t think I’d forget about you, huh?”

Your eyes narrowed. “I… yeah, actually.”

Rafe’s grin widened, and he leaned in closer, “See, that’s where you’re wrong, princess,” he murmured. “I remember everything.”

Did he just give you a nickname?

Your stomach dropped. “What?”

“Yeah.” He crossed his arms, looking entirely too smug. “You, sitting there all cute with your book, talking about magic and shit. Thought I was too drunk to remember, huh?”

“I—” You stared at him, completely off balance. “Why are you here?”

“Because I want to be,” he said simply. “Got a problem with that?”

You blinked, caught off guard. “No?”

“Good.” He flashed you a grin, all cocky charm. “So, you gonna tell me more about that book, or what?”

You gaped at him. “You actually want to hear about it?”

“Why not?” he shot back, raising an eyebrow. “It made you smile.”

And for some reason, that simple statement knocked the breath out of you.

“Okay,” you said, still unsure if this was some kind of elaborate prank.

But Rafe just leaned back in his seat, eyes fixed on you like you were the most fascinating thing in the world.

“Yeah,” he murmured. “I think I’ll stick around.”

The next few classes were…weird, to say the least. Ever since Rafe decided you were his new "friend," he’d taken to sitting beside you every lecture, plopping down in the empty seat as if he’d been there all along. It was confusing. Most of the time, he’d breeze in at the last possible minute, sauntering up to your row without so much as a greeting and settling into the chair with that infuriatingly self-assured smirk.

You were already seated, your notebook open and your pen poised to start taking notes when he dropped into the seat beside you with his usual nonchalance. He stretched his long legs out in front of him, casting you a sidelong look as if daring you to acknowledge him first.

“Hi,” you said quietly, eyes flicking back to the front of the room.

“Hey, princess,” he replied, voice low and teasing.

You kept your gaze firmly on your notebook. You’d quickly learned that the best way to deal with him was to pretend his presence didn’t affect you—no matter how much his proximity messed with you.

He’d spent the last three classes nudging your foot under the desk, passing snide comments under his breath, or leaning over just close enough to murmur sarcastic observations about whatever the professor was droning on about. And today was no different.

The lecture started, Professor Callahan launching into her usual detailed overview of sociological theory. You tried to focus, pen flying across your notebook as you jotted down her points.

“Is she always this boring?” he whispered, leaning in slightly so his arm brushed against yours.

You stiffened, eyes fixed on your notes. “If you listened, it wouldn’t be so boring.”

He snorted. “Yeah, right. Like I’m gonna waste my time listening to her go on about… what is it today? Class structure?”

“Yes,” you hissed, refusing to look at him. “And if you don’t stop talking, I’m going to—”

“You’re going to what?” he challenged, his grin audible in his voice.

You snapped your mouth shut, trying to ignore the way his leg brushed against yours under the desk. He was doing it on purpose—nudging your knee every so often, shifting just a little closer until the faint scent of his cologne surrounded you. It was infuriating. And yet, when you glanced sideways at him, he was looking at you with that maddening, lazy grin that made your heart stutter.

“Just pay attention,” you mumbled, cheeks warm.

“Why would I do that when I have such a pretty view right here?”

Your head whipped around, eyes wide. “What?”

But Rafe just smirked, his gaze drifting lazily up and down your face before flicking back to the front of the room as if he hadn’t just made your brain short-circuit. 

“Relax, princess. Just messin' with you.”

You swallowed, trying to refocus on the lecture. His attention was like a physical thing—intense and all-consuming. It made you uneasy. 

Determined not to give him the satisfaction, you forced yourself to look at the professor, tuning out the heat of Rafe’s gaze. Professor Callahan was in the middle of explaining something about social hierarchies when she suddenly stopped mid-sentence.

“Mr. Cameron.”

The entire class fell silent.

You looked up, eyes widening in surprise as Professor Callahan fixed Rafe with a stern look. “I’m aware that I’m not as pretty as your classmate,” she said dryly, gesturing toward you, “but I would appreciate it if you could pay attention for at least ten minutes.”

A ripple of snickers spread through the room, and your cheeks flamed scarlet. Rafe, however, didn’t even blink, he was completely unruffled and offered the professor a lazy, arrogant smile. “Sorry, Professor. Just got a little distracted.”

Your stomach dropped. He was staring at you, unabashedly.

The professor raised an eyebrow. “I’m sure.” Her tone was dry, unimpressed. “Would you mind keeping your distractions to yourself until after class?”

Another murmur of laughter swept through the room, and you shrank in your seat, mortified. His smirk widened, but he leaned back in his chair, raising his hands in mock surrender.

“Of course, ma’am,” he drawled. “No more distractions.”

Professor Callahan gave him a pointed look, then turned back to the board, resuming her lecture. You sat there, face burning, refusing to look anywhere near Rafe, but you could feel his eyes on you.

“Guess I got you in trouble, huh?” he whispered, leaning closer.

You grit your teeth, still staring resolutely at the front of the room. “Stop talking.”

“Can’t help it,” he murmured, his voice teasing. “You’re way more interesting than this shit.”

“Rafe, I swear—”

“Okay, okay, I’ll behave,” he said lightly, sitting back. But he didn’t take his eyes off you. You could feel him lingering, warm and intent, and you wanted to scream. How was he so calm? So unaffected, like getting called out by the professor was just a minor inconvenience?

You hated every second of it.

“Rafe,” you hissed under your breath, finally daring to glance at him. “Will you just—”

“What?” He leaned in again, eyes bright with mischief. “You want me to go back to ignoring you?”

“Stop staring.”

He hummed thoughtfully. “Can’t promise that, princess.”

Your heart hammered, and you squeezed your pen so tightly it nearly snapped. “Why are you even here?”

He shrugged, his expression turning oddly serious. “I like sitting next to you.”

Rafe Cameron—the arrogant, cocky asshole you’d written off as nothing more than a nuisance—had just chosen to stay by your side.

As soon as class ended, you gathered your things in record time, heart still thumping wildly. The room buzzed with students shuffling out, but you kept your head down, hoping to slip away unnoticed.

Maybe if you were quick enough, you could escape before he decided to make good on his new, annoying habit of sticking to you like glue. But, of course, he was nothing if not persistent.

You’d barely slung your bag over your shoulder when he appeared at your side, his tall frame looming over you as he fell into step like it was the most natural thing in the world.

“Heading to lunch?” he asked, all casual charm, as if he hadn’t just spent the entire class making you the center of unwanted attention.

“Yes?” You tried not to sound as thrown as you felt, but the way he looked at you—with that infuriatingly lazy grin—told you he could see right through you.

“Cool. I’m starving.” He said it like it was an invitation, like he was entitled to follow you, and before you could muster up a half-hearted protest, he was already steering you through the crowded hallway.

“Wait, what are you doing?” you demanded, glancing around in panic. People were staring, eyes widening as they took in the sight of Rafe Cameron, of all people, trailing after you. Whispers flitted through the air, curious and disbelieving, and you shrank under the scrutiny, feeling painfully exposed.

“Uh, going to lunch with you?” He made it sound so obvious, his voice lilting with amusement.

“I didn’t invite you!” You glanced at him, trying to tamp down the fluttery, nervous feeling his presence always seemed to stir up. “What if I’m eating with someone else?”

He shrugged. “Then I’ll eat with them too.”

You gawked at him. “What?”

But Rafe just flashed you that cocky, confident grin. “Relax. It’s just lunch.”

Just lunch, he said, like this wasn’t completely absurd.

You narrowed your eyes, debating whether to make a break for it, but he was already steering you toward the main quad, his hand ghosting the small of your back in a way that made your skin tingle. 

Your heart hammered as the familiar outdoor seating area came into view. Your friends were already there, sitting at your usual table—a small group of two girls and a guy, all talking animatedly. You hadn’t even sat down yet, and they still managed to look up as one, their expressions morphing from curious to shocked when they caught sight of you—and Rafe—heading straight toward them.

“Uh, hey,” you greeted awkwardly as you approached. They just stared, mouths agape.

Emily was the first to recover. “What the—since when do you two know each other?” she asked, eyes darting between you and Rafe like she was seeing some kind of glitch in the matrix.

“Yeah, what’s going on here?” Max, the guy in your small circle, chimed in, his gaze flicking to Rafe warily. “Is this, like… a project thing?”

“No, it’s not—” you started, but Rafe cut you off with a breezy smile.

“Can’t believe y’all kept her to yourselves this whole time,” he drawled, pulling out the chair beside yours and plopping down like he’d done it a thousand times before. “Thought you’d have the decency to introduce me to the most interesting girl on campus.”

Your friends gaped, eyes wide with shock. You could practically see their brains short-circuiting. Meanwhile, you were fighting the urge to smack him upside the head.

“Please shut up,” you muttered under your breath, cheeks burning.

But he just smirked, his gaze sliding over your stunned friends with lazy amusement. “What?” he said innocently. “It’s true.”

“What the hell is happening right now?” Emily demanded, still staring at you like you’d grown a second head. “You—you and Rafe Cameron?”

You sighed, already regretting every life choice that had led you to this moment. “There is no ‘me and Rafe Cameron.’ He just—he’s being annoying.”

“Annoying?” he repeated, feigning offense. “C’mon. I thought we were past that.”

“We are not past anything,” you snapped, shooting him a glare. But that only seemed to amuse him more.

“Okay, back up,” Max interjected, brow furrowed in confusion. “How do you guys even know each other?”

“Uh, sociology class?” you offered weakly, as if that explained anything. “He’s been sitting next to me.”

“Sitting next to you?” Emily repeated slowly, like she was trying to process a particularly difficult equation. “And now you’re… eating lunch together?”

“It’s not—” You looked helplessly at Rafe, who was watching the exchange with that insufferable smirk. “I didn’t ask him to.”

He looked completely unfazed by the mess he’d caused. “What can I say? I like the company.”

“Since when?” Emily shot back, clearly unconvinced.

Rafe shrugged, “Since she started talking to me.”

Your friends fell silent, eyes wide and suspicious as they turned to you, searching for answers. But you just sat there, feeling utterly, hopelessly lost. What were you supposed to say? That Rafe Cameron had decided, out of nowhere, to insert himself into your life? That he was following you to lunch like this was some sort of normal occurrence?

“Look,” you sighed, pinching the bridge of your nose. “It’s really not a big deal. He’s just—”

“Rafe Cameron is never ‘just’ anything,” Emily interrupted, folding her arms as she fixed Rafe with a suspicious look. “So what are you up to?"

“Nothing,” Rafe said easily, his smile all sharp edges. “Like I said, I’m just getting to know her.”

“Getting to know her,” Max echoed, clearly skeptical.

“Yeah.” Rafe’s eyes never left yours, his eyes gleaming with something that made your pulse flutter. “What’s so weird about that?”

Your friends exchanged looks. You didn’t blame them. This was weird. More than weird. You’d never been the kind of girl to attract attention—especially not from someone like Rafe. Popular, arrogant, and completely out of your league in every possible way. And yet, here he was, acting like sitting with you at lunch was the most natural thing in the world.

“So,” He said suddenly, turning his attention back to the group, “Are you gonna sit here gaping all day, or are we gonna eat?”

Emily blinked, snapping out of her daze. “Uh, yeah, we’re… we’re eating.”

“Good.” Rafe turned to you, eyebrow raised. “You eating, princess?”

You stared at him, “I—yes?”

“Cool. Want me to grab you something?”

You stared at him, incredulous. “You’re offering to get me lunch?”

He rolled his eyes. “Yeah, I am. Now, what do you want?”

“I—” You swallowed, glancing at your friends, who were watching the exchange like it was some sort of bizarre performance. “Um, a sandwich?”

“Got it.” Rafe pushed to his feet, his smile smug. “Be right back.”

And then, to your utter disbelief, he sauntered off toward the food line, leaving you and your friends staring after him.

“What,” Max said slowly, “the hell just happened?”

You groaned, burying your face in your hands. “I have no idea.”

The awkward lunch with Rafe didn’t end as badly as you expected.

Your friends had spent the entire time shooting you confused, bewildered looks, while he seemed to thrive under their scrutiny, lounging beside you like he belonged. He didn’t flirt—thank God—but he didn’t exactly tone down his usual cocky self either. By the end of it, he’d somehow managed to charm your friends just enough to leave them confused rather than outright hostile. Still, after that lunch, you’d expected him to lose interest, to move on to his usual crowd and forget all about his bizarre little experiment. But of course, he wasn’t known for playing by the rules.

You learned that the hard way two days later.

It was late afternoon, and you were holed up in the campus library, buried under a mountain of textbooks and notes for an upcoming exam. The library was your sanctuary—quiet, calm, and blissfully free of distractions. At least, until Rafe sauntered in. You didn’t notice him at first, too absorbed in your notes. The library was busy, students murmuring as they worked, the rustle of pages and the faint clack of keyboards filling the air. You were hunched over a particularly dense passage in your sociology textbook when you felt it—

You stiffened, glancing up cautiously, and there he was.

He leaned against the bookshelf a few feet away, his eyes fixed on you with a lazy, assessing look. He didn’t move, just watched you, his lips quirking in that infuriating smirk when your eyes met.

“What are you doing here?” you hissed, glancing around nervously. No one seemed to be paying attention, but you still felt like the entire room was suddenly staring.

“Studying,” he said, straight-faced.

“Since when do you study in the library?”

“Since now,” he said easily, pushing off the bookshelf and strolling over to your table. He pulled out the chair across from you, dropping into it like he had every right to be there. “What? Can’t a guy broaden his horizons?”

You stared at him, incredulous. “You’re joking.”

“Not today, princess.” He leaned forward, resting his chin in his hand as he peered at your open book. “So, what’re we learning?”

“We are not learning anything,” you muttered, eyes narrowing. “I’m studying. You are… I don’t know what you’re doing.”

“Keeping you company,” he said simply. “You looked lonely.”

Your mouth fell open. “Lonely?”

“Yeah.” He tilted his head, his gaze sweeping over your face. “All holed up in here with your books. Thought I’d help.”

What was he even talking about? This was insane. He didn’t just hang out in the library, especially not to “keep someone company.” He was the kind of guy who spent his free time at parties, or on the field, or wherever people like him thrived. And yet, here he was, sitting across from you in the library like this was normal.

“Rafe,” you said slowly, “you don’t even know what I’m studying.”

He shrugged. “Doesn’t matter.”

“It does if you’re trying to help,” you shot back, frustration seeping into your voice. “You’re—what are you even—”

“Okay, okay,” he interrupted, raising his hands in mock surrender. “Calm down. Just trying to see what’s got you all riled up.”

You bit back a groan, rubbing your temples. This was absurd. You didn’t need—didn’t want—his attention.

“Fine,” you muttered, turning your textbook around so he could see the page. “I’m going over Durkheim’s theory of social integration.”

Rafe leaned in, squinting at the page. “Durkheim, huh?”

“Yes,” you said, a little impatiently. “He believed that society functions through a collective conscience—shared beliefs and values that bind people together.”

“Sounds boring as hell,” Rafe said bluntly.

“It’s not boring,” you retorted before you could stop yourself. “It’s actually really interesting—he argued that a lack of social integration could lead to anomie, a state of normlessness that causes people to feel disconnected and isolated.”

Rafe stared at you for a long moment, his expression unreadable. At least it felt that way to you.

“What?” you demanded, suddenly self-conscious. “Why are you looking at me like that?”

He shrugged, a strange, thoughtful smile tugging at his lips. “Just… you get really into this stuff, don’t you?”

Your cheeks flushed. “It’s sociology. It’s important.”

“Yeah, but…” He shook his head, “It’s kinda cute.”

You blinked, your brain short-circuiting. “Cute?”

“Yeah.” He leaned back, crossing his arms as he regarded you with a casual, easy confidence that made your heart flutter. “You get all intense when you talk about it. Like, you actually care.”

“I—I do care,” you stammered, “It’s my major.”

“I know,” he murmured. “I like that about you.”

What—what was that supposed to mean? Why was he looking at you like that, like he actually meant it?

Before you could even begin to untangle your thoughts, a shadow fell over the table, and you glanced up to see another student standing there—a tall, lanky guy with dark hair and glasses. He looked vaguely familiar, probably from one of your classes.

“Uh, hey,” the guy said awkwardly, glancing between you and Rafe. “Are—are you using this seat?”

Rafe’s expression changed instantly, “Yeah,” he said flatly. “We are.”

The guy blinked, taken aback. “Oh, uh, sorry, I just—”

“You just can find another table,” Rafe cut in, “We’re a little busy here.”

You gaped at him, mortified. “Rafe, stop.”

But he didn’t even glance at you. He just kept staring down the poor guy, his posture tense and unyielding until, with a muttered apology, the student backed off, scurrying away like he’d just had a close encounter with a predator.

“What the hell was that?” you hissed as soon as the guy was out of earshot. “He just wanted to sit down!”

“Yeah, and we’re studying,” Rafe said dismissively. “No room for distractions.”

“We’re not studying anything!” you shot back, resisting the urge to smack him. “You’re just sitting here, being—being weird.”

“Not weird,” he corrected, leaning in again. “Protective.”

You froze, your mouth going dry. “Protective?”

“Yeah.” His eyes were dark, intense, locking onto yours. “Can’t have just anyone bothering you, can I?”

After the bizarre encounter in the library, you were convinced Rafe would drop this whole… whatever it was. Surely, following you to lunch and then “protecting” you in the library was enough.

So when you found yourself at another party two nights later—dragged along by Emily despite your vehement protests—you knew it was only a matter of time before he found you. Because somehow, no matter where you went, Rafe had made it his mission to seek you out.

“Come on, you need to have some fun,” Emily had insisted, half-pulling, half-dragging you through the front door of one of the fraternity houses on campus. The music was already blaring, the heavy bass vibrating through your body. People were packed in the main room, laughing, talking, drinking, the buzz of chatter filling the air.

“This isn’t my idea of fun,” you muttered, hugging your arms around yourself as you tried to avoid brushing against the partygoers. It wasn’t that you disliked parties, exactly—it was just that the noise, the sheer volume of people could get overwhelming quickly.

“Just stay for an hour,” Emily pleaded. “Please? I swear it’ll be more fun than you think. We can dance, have a few drinks—”

“I don’t dance,” you cut in flatly, giving her a pointed look.

“Okay, fine, I’ll dance, and you… can hang out and people-watch,” she amended, undeterred. “Besides, who knows? Maybe you’ll meet someone.”

You gave her a withering stare. “Yeah, because I’m such a social butterfly.”

You sighed, resigned to your fate, and began making your way through the press of bodies. After a few minutes you managed to find a relatively quiet corner in the back, near the stairs, and gratefully leaned against the wall. Maybe if you stayed out of sight long enough, Emily would give up on trying to get you to socialize and let you leave early. It was a long shot, but you could hope.

You hadn’t been there long when you felt it—the now-familiar prickling sensation of someone’s gaze lingering on you. Sure enough, when you glanced up, there he was.

Rafe, in all his infuriating glory, leaning against the wall a few feet away, his eyes locked on you with that lazy focus that made your heart stutter. He looked unfairly good, dressed in a dark button-up that clung to his frame in all the right ways, his hair tousled just enough to look effortlessly cool. And, as usual, he was watching you like you were the only person in the room.

You narrowed your eyes at him, your stomach twisting in irritation and something else. “Are you stalking me now?” you demanded, crossing your arms as you glared at him.

Rafe’s lips curved into a slow, teasing smile. “Would it be so bad if I was?”

“Yes,” you said flatly. “It would be very bad.”

He chuckled, the sound low, sending an unwelcome shiver down your spine. “Relax, princess. I just saw you standing here all alone and thought I’d come say hi.”

“Hi,” you muttered, your voice dripping with sarcasm. “Now you can leave.”

But he didn’t budge. Instead, he straightened, pushing off the wall and closing the distance between you in a few long strides until he was standing directly in front of you, his presence overwhelming.

You tried to step back, but the wall blocked your escape.

“Actually, I was thinking we could, I don’t know, hang out for a bit?” he suggested, tilting his head as he regarded you with a faux-innocent smile.

“Why?” you blurted out before you could stop yourself.

Rafe blinked, seemingly taken aback by the question. “Why?”

“Yes,” you insisted, frustration bubbling up inside you. “Why do you keep… doing this? Showing up, sitting with me, following me to lunch, acting like—like we’re friends or something. What is your deal, Cameron?”

Slowly he reached up, bracing one hand on the wall beside your head, leaning in so close you could feel the warmth of his breath against your skin.

“My deal,” he murmured, his voice low and smooth, “is that I like you.”

No. No, no, no.

That couldn’t be right. People didn't just like you. They tolerated you, maybe, or found you useful sometimes, but they didn't like you. Not like that. Not in the way he was implying. You felt panic rising in your chest, like a wave that was too big to stop. You couldn’t stop it.

“You’re lying,” you said shakily, shaking your head in disbelief. “You’re just—this is some kind of game, isn’t it? Some—some bet, or—”

Rafe’s expression tightened, his jaw clenching. “It’s not a game,” he ground out, his eyes flashing. “I wouldn’t do that to you.”

You swallowed hard, your chest aching. No, this couldn’t be happening. This didn’t make sense.

“I don’t believe you,” you shook your head stubbornly.

His eyes narrowed, “No?”

“No,” you repeated, crossing your arms defiantly. “You’re just… you. You can’t just decide you like me out of nowhere.”

“I didn’t decide,” he murmured, “It just happened.”

Your breath hitched, your heart racing. Why was he doing this to you? Why couldn’t he just leave you alone?

“I—” You broke off, struggling to find words, but before you could answer, a loud voice interrupted.

“Yo, Rafe! There you are, man!”

You both jerked back, startled, and you glanced over to see one of Rafe’s friends—Topper, if you remembered correctly—stumbling over, a wide grin plastered across his face.

“What are you doing back here?” Topper slurred, his gaze sliding to you. He blinked, “Who’s this?”

Rafe stepped in front of you slightly, his posture tense and protective. “Doesn’t matter,” he said curtly, “Go find someone else to bother.”

Topper blinked, taken aback. “Whoa, man, chill. I was just—”

“Go,” Rafe repeated, his tone brooking no argument.

Topper stared at him for a long moment, then slowly backed off, muttering under his breath as he disappeared into the crowd. As soon as he was gone, Rafe turned back to you, his eyes softening again.

“Sorry about that,” he murmured, “Didn’t mean to—”

“Why did you do that?” you cut in, your heart still pounding.

Rafe frowned. “Do what?”

“Get rid of him,” you said, shaking your head in confusion. “He was your friend. Why would you—”

Maybe you’d misread him. Maybe he didn’t actually mean any of what he said. He was probably just bored, looking for some amusement—another toy to play with for a little while.

“I wanted to talk to you. Not him.”

You blinked, bewildered. “But he’s your friend.”

He gave a half-hearted shrug. “So? Doesn’t mean I want him interrupting us.”

Us. Like there was an “us.” Like there could ever be an “us.”

You shook your head, trying to clear the fog of confusion. “But I don’t understand,” you mumbled. “I don’t get it. You don’t even know me.”

“I know enough,” he said quietly, his eyes holding yours in a way that made it hard to breathe. “More than you think.”

You frowned. It was impossible to shake the nagging feeling that he was just… playing with you. That this was all some sick joke and at any moment, the punchline would hit, and you’d be the idiot.

“You’re just messing with me,” you muttered, taking a small step back to put some space between you. “You’re bored or something.”

“I’m not bored,” he said firmly, stepping forward to close the gap you’d just created. “I told you, I wouldn’t do that.”

“I didn’t ask for any of this. You’ve been following me around, showing up where I am, saying all these things like—like we’re something, but we’re not.”

Rafe stepped closer, his eyes narrowing as he looked at you, as if he couldn’t believe what he was hearing. “What are you talking about? You really think I’m just messing around?”

“Yes!” you practically shouted, throwing your hands up. “Yes, I do! Why else would you be doing this? You’re Rafe Cameron, for god’s sake. You don’t even like me. This is just some twisted game to you, isn’t it?”

You stared at him, trying to read his face, trying to find any hint of dishonesty, any sign that this was all an act. But all you saw was that same intensity, that same focus, like you were the only person who mattered.

Your chest tightened, panic grazing at you. This wasn’t right. It couldn’t be. People didn’t just… like you. They didn’t seek you out at parties or show up in libraries to talk about sociology. Guys like Rafe didn’t choose people like you. There had to be some ulterior motive.

“You show up out of nowhere, act like I’m some project, some… someone who needs your protection—why, Rafe? Because I don’t fit into your world? Because I’m some joke to you and your friends?”

“That’s not it,” He growled, his voice defensive. “You don’t know what you’re talking about.”

“I don’t know what I’m talking about?” you scoffed, shaking your head. “You haven’t been honest about anything. You haven’t given me a reason to believe any of this.”

“You think I’m lying? 

You moved your head again, harder this time. “That doesn’t make sense. You’re—you’re saying things that don’t make sense. I don’t understand.”

He took a slow, poising breath, his eyes never leaving yours. "What doesn't make sense to you?" 

"All of this," you replied, your voice quivering with frustration, "You, acting like you—like you actually care. Like you see me. People don’t just do that, not for someone like me. I don’t—" You cut yourself off, not sure how to finish the sentence, your thoughts spiraling.

It wasn’t just that you couldn’t believe him; it was that you didn’t know how to believe him. Your experiences had taught you to be wary, to always look for the catch, because there always was one.

Always.

Rafe's brows drawn together in something that almost looked like concern. "Someone like you?" he repeated, "What does that even mean?"

You swallowed, feeling your insecurities gripping down on your chest. "It means I’m not… like you. I don’t know how to talk to people, I don’t get things right all the time. People don’t notice me, and when they do, it’s usually because I’ve done something wrong, or because they want something from me. That’s just how it is."

He shook his head slowly. "That’s not how I see you."

You opened your mouth to argue, to say something—anything—to dismiss what he was saying, to protect yourself from the disappointment that was sure to come. But Rafe didn’t give you the chance. 

"You think I’m messing with you because you’re not like everyone else? Is that it? You think I’m playing some kind of game because you don’t fit into some stupid idea of who’s supposed to matter?" 

You wanted to pull away, to recoil into the safety of your doubts, but something in his voice, in the way he was looking at you, made you stop.

"I’m not going to pretend like I know everything about you," Rafe continued, no less serious. "But I know enough to know that I’m not bored. I don’t care if you don’t fit in with my world, or whatever you think that means. I like that you’re passionate about the things you care about. I like that you don’t put up with anyone’s shit—not even mine." A small, almost self-deprecating smile tugged at the corner of his lips. "I’ve spent enough time around fake people to know the difference."

You weren’t used to this—this kind of sincerity. It felt too real. And part of you still wanted to push it away, to reject it before it had a chance to hurt you. But another part of you—a much smaller, quieter part—was whispering that maybe he meant it.

"Why me?"

"Because you're you," he said simply, like it was the most obvious thing in the world. 

For a long, breathless moment, the two of you just stood there, the noise of the party fading into the background. Your mind was still processing everything, but there was something in the way he was looking at you, something that made you feel—just for a second—like maybe you could trust this.

You shook your head, "I’m not… I’m not good at this," you admitted, your voice uncertain. "At understanding what people mean, or knowing if they’re being serious or not. I don’t know how to read you."

Rafe’s eyes softened even more at your confession, and he took a deep breath, like he was trying to figure out how to make you believe him. "I get that," he said quietly. "And I’m not always great at this either. But I’m serious. I wouldn’t lie to you, especially not about this."

You wanted to believe him. More than anything, you wanted to believe him. But there was still that tiny voice of doubt in the back of your mind, reminding you of all the times you’d been wrong before, of all the times you’d trusted someone only to be let down.

You hesitated, your throat tight. "I don’t know if I can."

He didn’t push, didn’t demand anything from you. Instead, he just nodded slowly.

"That’s okay. You don’t have to believe me right now. But I’ll be here when you’re ready."

And with that, he stepped back, giving you the space you so desperately needed. He didn’t try to force anything, didn’t press for more. Instead, he just gave you a small, almost hopeful smile and turned, disappearing back into the crowd.

And as you stood there, your heart still pummeling into your ribs, you couldn’t help but wonder if you’d been wrong about him after all.

[ask-the-pioneer]

"I sure do! Watch this..."

"I can make explosive spears and throwables, just like my mom did. I can also propel myself in the air by whipping my tail very fast, which sets off the same flammable compound in my tail surface for an explosive boost. Very handy for movement, but also very loud… not great if you're trying to be stealthy. And yeah, my sibling could do that too, but he was always more interested in doing other things. An energetic but very scatterbrained kid that he was."

[She takes aim and throws the spear somewhere far away. It ignites and explodes with a loud dull bang that shakes the ground slightly]

"I can't do that too often, though. Maybe a handful of times in quick succession before my muscles tense up and burn as if scorched by flames. One time it got so bad that I lost consciousness and couldn't move for a couple of minutes after waking up. That was scary, and hurt like hell... since then I've been more careful. That said, I wonder if there are more slugcats with similar abilities to mine out there? I have not met that many scugs in my life to begin with, if I'm honest..."

"Of course I remember my family, how could I not! My sibling's name is… hmmm, right, let me explain this first. Slugcats have very good sense of smell. Usually, we know one another by our unique scents. They are incredibly complex, but can be written down as series of letters, if you map those symbols to the corresponding scent proteins and other chemical compounds. For example, my scent name would be:"

"Addmitely, this notation method is very over-engineered – a slugcat just knows you are you if they smell you. From what I learned, scugs don't really use a coherent writing system.. of any kind. I think the colonies may use pictograms? I uh, I've never been a part of a colony, so I'm missing a lot of info here. Still, what I wrote on the wall – I have used an Ancient script, which I roughly mapped to key compounds that make a scent. As you can see, it's incredibly long, it can also change over time, parts of it can be masked with non-organic aromas to hide your identity, so on and so forth. To simplify even further, these long strings of letters can be shortened to just the last three or two characters, and this is what scugs may choose to use to refer to one another. Here, my scent name is MGV."

"Then, there are names that resemble the form that the Ancients would use. It's considered more refined, and more common in big colonies where people adopt their preferable roles. Those names are viewed as a kind of «gift», because you receive it from your community. It's a symbol of how they see you, what you mean to them. Of course, my closest family was never a part of a colony… but my mom would still give me and my sibling those special names. I was named «Blue», which is the color of the sky above when it's not raining, and the color of clear water. My brother's name is «Bryn» after a very fragrant medicinal plant that relaxes your muscles when consumed. I always found it funny, as my brother was often the one getting in trouble and giving our mom heartaches."

[She pauses for a moment, thinking intensively]

"Hmm, I never thought of asking my mother about her name. I wonder if she had one? To me and it was always just «mom»…"

"My other parent? I never knew him. Must have left just before or right after my mom had me, because there is literally nothing I remember of him… or them… whoever they were."

[She takes some pearls out from her bag, and inspects them one by one just to keep her hands busy]

"Mom would never talk about him, as if he never existed. And I never questioned her, I was too young to understand and simply accepted everything at face value. It was just the way things were. Would I want to meet my other parent? Maybe, but I doubt it'd make a difference. What would I even say to them? «Thanks for abandoning mom and leaving her to fend for herself»? "

"I don't know. Maybe I'm too harsh. Maybe he was a hero who sacrificed themself to save my mother. That could explain why he was never seen or heard of again. But… I have no way of knowing for sure. It's the life I won't be getting back anyway."

// In the second drawing, I've used logographs from @ikayblythe's Standard Hegemonic Dialect

[domsaysstuff]

Okay so this idea has been rocking around my empty skull for some time now just we know that Eddie can be a pretty mean DM and a shithead and I've been thinking abt romances in D&D and how it would work in Hellfire

And I had this thought that Eddie would like be "no romances!!" to the Corroded Coffin group (before the kids joined) and they're like why? and Eddie just to tease them says that he doesn't want to pretend to fall for their smelly ugly faces

Which just motivates them to try and seduce like every character that Eddie introduces for a fucking month and it leads to the creation of the rule: Every romance/seduction directed roll must be rolled above 15 to succeed AND if Eddie decides that the attempt is particularly bad the roll is with disadvantage

The Corroed Coffin boys are obviously teasingly like ohhh so we get an advantage if it's good?

"Doubt that would happen boys, but sure, if you make me, Eddie fucking Munson, to blush like a fair maiden then you'll get the advantage on the roll"

They try, they really do, but all the CC boys succeed in doing is killing off all of their party in three sessions and Gareth who is a little shit is actually rolling his third character (because the consequences of a failure are fucking brutal) by the time Jeff and [unnamed freak] give up

After that they know better (except Gareth who still sometimes does that just to annoy Eddie and be a little shit) to try and then the kids join Hellfire and Eddie has even less of an desire to flirt with fucking Wheeler, Henderson and Sinclair (they're baby children!!)

But the kids are a little shits too and they see Gareth being a little shit so they copy

It ends badly for them, they gripe about Eddie being unfair because like "all three of us have girlfriends Eddie and you don't so we clearly know more about romance then you do" Dustin not only gets a flick on the head for that but his character might have ended up being put into situations™ throughout the session that are "totally unfair!"

But fair to say all of Hellfire knows the rules and all of hellfire knows that no matter how well they try and how smooth they are (they really aren't ever smooth) Eddie will not blush or even consider they attempts as "good", the best they got was "tolerable" (Lucas got it and he's still very proud of it, as he deserves okay?), Eddie is impossible to fluster and so it's just is this fun thing they sometimes do when they feel particularly like little shits

And that's it about it

Until Vecna and all the upside down shit and the surprising friendship of Eddie and Steve happens

And suddenly Steve Harrington is not only sitting but playing D&D

Everything is going actually pretty good and Dustin practically vibrates out of his chair at how proud he is of Steve for how well he is doing so far and then

And then Steve tries to flirt with a pretty bard

Dustin deflates, he is ready for the absolute disaster that is going to fall upon Steve, he makes eye contact with Lucas - both of them ready with "it was actually a pretty good line tho!" at the tip of their tongues to defend Steve's decisions, he doesn't know Eddie's special rules after all and it would be funny to see Steve fail, sure, but it's Steve's first game and the kids wanted it to be good for Steve so convincing him to play again would be easier

But now Eddie is going to absolutely rip into him and Steve will never want to play again and-

"Roll with advantage" Dustin gasps, audibly, loudly, the room is silent, except for Steve who's very unaware of the chaos he just created and just rolls the dices, his usual confidence in place

And if someone looked closely - and all of the hellfire is fucking looking - Eddie Munson has indeed a light blush on his face

[ironladders]

"I circled half the globe searching for him, but he was gone."

Starscream ;_;

RIGHT?? IT'S SO SAD .

and i have sooo many thoughts about this whole situation with skyfire/starscream that's been presented to me, if you dont mind anon im gonna use your ask to ramble a little

(disclaimer im sure nothing i have to say here is particularly new & has been said by those who've been deep into TF longer than myself but i need to get this out my system anyways. and also im still watching through g1 so if im horribly mistaken about anything #oops)

unless i missed something, i don't think it's specified in "fire in the sky" how long starscream looked for skyfire?? but just thinking about that line.... he obviously didn't immediately go back to cybertron, he didn't just give up on skyfire. starscream cared about skyfire enough to look for him, only leaving after (i assume) he realized he didn't have the resources to conduct a proper search for his companion. and i mean can you imagine being starscream in that situation???? your partner just disappears into a storm, and no matter how far and long you look you're unable to find them????????

i get starscream, man. i'd also become awful if that happened to me.

and here's the thing: i stumbled upon this post which posits that the decepticons happening to stumble across skyfire in the ice was no incident, but starscream's own doing, and i LOVE this theory/headcanon so much. when i first watched the episode yesterday i was thinking that it was funny they just happen to be mining right where skyfire was frozen so it's nice to see my suspicions affirmed LMAO

i honestly love that episode so much because as i learn more about starscream and transformers as a whole i think little tidbits like that offer a deeper look into who he is (or was, idk) beyond just megatron's second-in-command. he was a scientist, an explorer, a friend. "was" isn't even the proper word here, because he still is all of those things, he just...... applies them differently, i suppose. which is the real tragedy in who he is as a character.

beyond starscream and his search for skyfire, you wanna know what i've REALLY been thinking about a lot with these two? when skyfire becomes a decepticon (for like a day lol but still), starscream immediately declares that when he overthrows megatron, skyfire will become his second-in-command. not any of the other seekers, not either of the waves, not literally anyone else who's been a decepticon for more than an hour, but skyfire. his long-lost science partner. on starscream's end, virtually nothing about his relationship with skyfire has changed. he still trusts him as much as he did millions of years ago, to the point he'd be willing to have him at his side as leader of the decepticons.

but on skyfire's end... the starscream in front of him is different from the one he knew. war and being a decepticon changed starscream for the worst, something that unveils itself very quickly to skyfire. one of the first things he asks starscream after becoming a decepticon is if starscream is genuinely happy about being a decepticon warrior over the scientist he used to be. skyfire can't believe that the person standing in front of him could be the starscream he once knew before being frozen. still, it's starscream, so skyfire ends up going along with things up until he can't ignore his morals and deny that he's on the wrong side anymore.

that is where the second tragedy happens for starscream: betrayl, by the man he'd waited to get back for so long. he finally got skyfire back, only to lose him all over again.

if skyfire had never crashed that day -- if they'd never gone closer to explore the earth in the first place -- would starscream had gone down such a dark path? would he have taken countless lives, and become the ruthless decepticon he is now? does it eat at skyfire, knowing that in his absence starscream lost who he once was? or perhaps he'd still be the same starscream, but skyfire would be at his side serving the decepticon cause. maybe they both would've been so drastically changed by the years of cybertron's war together.

skyfire is a living, formerly frozen relic of the past before everything went wrong. starscream has aged far beyond that, to the point of no return. as much as they surely both want it, and regardless of what happens to them, their bond can never go back to what it once was.

god i just. i need more!!! i need to watch more transformers and read more of the comics and see more of these two!! i watched tfp + some of the live action movies as a kid but this is my first time learning about skyfire and this thing he's got going on with starscream and it's fascinating to me i can't believe i didn't know about this before!!!!! but it's also so fucked up oh my god!!!!!

ok yeah ive gotten the brainworms out my system. idk how to end this here's screenshots i took that i found funny

[mirai-e-jump]

TV Guide Dan Vol.53, October 2024 Issue ft. Kamen Rider Gavv Cast Members Chinen Hidekazu x Hino Yusuke Interview (translation below)

Publication: October 15, 2024

DESTINY!

"In "Kamen Rider Gavv," which is based off the motif of "sweets," Chinen Hidekazu-san plays the role of Shouma (Gavv), a young man who comes from another world, and Hino Yusuke-san plays the role of Karakida Hanto (Valen), a young freelance writer. How did you personally feel after seeing the broadcast?"

Chinen: Personally, I was curious to see what the Gavvgablade would sound like, and I was very excited to see the super realistic scene that depicted it slicing the shipping container in half. The way Kamen Rider Gavv's actions and sounds were conveyed through production was very cool and impressive.

Hino: We have almost no experience performing on film, and this is our first tokusatsu set, so we really didn't know right from left. We were frantically trying to keep up on set, so I would've never imagined that the finished footage would be that amazing.

"What mindset do you have when playing Shouma and Hanto, and what parts of your performance do you think have changed over the course of each episode?"

Chinen: Compared to episode 1 and 2, where Shouma comes from another world and is exposed to human food and culture for the first time, I feel that I've been able to more naturally express Shouma's reactions to the "freshness" he feels in the human world.

Hino: In the beginning, it was incredibly difficult for me to understand and act out how hard it was for him to live alone without anyone believing in him since his mother was attacked by a Granute when he was very young. More than that, just when he's finally getting close to the enemy through steady progress, he's now also lost his own mentour…it was especially important that I express the emotional breakdown he had at that moment. However, I didn't want him to become a "weak and pitiful boy." I believe that it's heroes who rise up from adversity and stand tall, and that's why Hanto was able to become a Kamen Rider.

"How will the relationship between Shouma and Hanto, and Gavv and Valen, change in the future?"

Chinen: Despite being treated as a monster himself, so far, Shouma's been a solo hero who's saved humans. However, when he meets a Kamen Rider named Valen, he learns that there are others fighting against the Granutes besides him, which gives birth to a new hope. How will these two interact, and how will Shouma change?…look forward to it!

Hino: When he faces off against enemies he'd previously pursued only out of a desire for revenge, as a Kamen Rider, he'll also be forced to face what it means to "protect people" and what kind of person becomes a hero. As his personal growth is also depicted, he'll become involved with Shouma, so I hope you'll watch the growth and the change in their relationship.

"Furthermore, since this is the first time you two have worked together, and the first time you've appeared together in this magazine, please introduce yourselves and what kind of person you feel the other is."

Chinen: Yusuke-kun is cheerful, mischievous, and has the openness to quickly get close to others. Yusuke-kun takes the initiative when it comes to talking, so everyone got along with him easily. On set, he's the mood maker and a reliable person, but off set he completely changes…(laughs). I think that gap is one of the good parts of Yusuke-kun!

Hino: Hide's a pure person without any evil feelings. He's a boy with a very strong will, which is hard to imagine from his adorable appearance. He's able to face his "dreams" and "likes" straight on, and for that reason, I think people are naturally drawn to him, and on set he's like our "sun." He's an airhead, and he doesn't seem to be all there, but including those parts of him, he's someone I love.

"During the advanced screening, Chinen-kun said, "If I was going to play the lead role, I wanted to work with this person," and that he had been thinking of Hino-kun ever since the audition."

Chinen: It wasn't something that was definite, but something I felt intuitively. When I exchanged lines with Yusuke-kun during the audition, he naturally drew me in. At that moment, I felt like, "With this person, we could honestly play off each other until the final episode." Yusuke-kun was the only one who made me feel that way.

Hino: Wow, you really felt that way?

Chinen: Yeah. That's why when I went to costume fitting and saw Yusuke-kun again, my heart was racing as I thought, "I knew it." It really was fate.

Hino: Thank you. Through filming, I once again thought about how glad I am that Shouma is played by Hide. I knew that Hide was qualified, both as my long term buddy and as the actor who would play Shouma.

Chinen: The same is true for Hanto and Shouma, but I think the relationship between Yusuke-kun and myself is also a perfect fit. We have areas where we complement each other, and he helps me out in a variety of situations on a daily basis. Yusuke-kun understands my traits, which makes me feel at ease, and I'm very happy that the role of Hanto is played by Yusuke-kun.

Hino: We also come from different agencies, so I think we're rivals as actors. But, even without those feelings, Hide has a certain appeal that makes you want to love him. Being together with him all the time makes me want to care for him (laughs). However, I don't want him to take advantage of that kind of relationship, and I want us to be able to express our thoughts to each other, even if it's harsh. This is why Hide and I are neither friends nor brothers, but perhaps we have a "one of a kind" type of relationship. Besides, I think it's similar to the relationship between Hanto and Shouma.

Chinen: Yeah. Even though we're both Kamen Riders, I think we're similar in that we have special feelings for each other that goes beyond that. Still, this is the first time I've met someone like Yusuke-kun.

Hino: It's the same for me too. If the world were full of Hide's, we'd be in trouble (laughs). It's good that there's atleast one Hide in this world.

"When Chinen-kun went to Hino-kun's house, did the gap between you two close?"

Hino: When filming had just started, Hide followed me home at the end of a shoot as if it were no big deal (laughs). I was like, "Alright then, let's have a meal at my place!," but the next thing I knew, we had been talking for about four hours (laughs).

Chinen: We ended up not eating anything, and just talked about each other's dreams and our own lives (laughs).

Hino: We talked alot about each other's lives before we decided to become Kamen Riders

Chinen: Strangely enough, I didn't feel like there were any barriers between us, and that I could just honestly say anything to Yusuke-kun. Right from the beginning, we were able to talk to each other as if we were stripped of any titles. I feel that our resolve to work together to overcome any difficulties on set in the coming future was solidified that day.

Hino: I'm glad I was able to talk to Hide that day. As I thought, there's no girl as pure and as nice as him. If he was my girlfriend, I'd have absolute confidence in him (laughs).

Chinen: Hahaha! I'm grateful that he always looks out for the people around him, and even when I run off on my own, he helps me out with a precise follow up. He's prepared for anything, and can act quickly when the time comes, but that's not a simple thing to do, as I don't think you can do that unless you have the composure to do so. If I were the opposite sex, I'd fall for him (laughs). Also, we like alot of the same things.

Hino: It's more like Hide's imitating me! (laughs). To my surprise, Hide tends to be influenced by trends, but that's also what's cute about him.

Chinen: When I see a hat of Yusuke-kun's that I like, I try to buy the same one. This is how I'm imitating him, so naturally, my things are becoming alot more like Yusuke-kun's (laughs).

Hino: I hope I haven't been a negative influence…(laughs). But really, it's more about our underlying desire to learn, we have the same mindset of absorbing everything and "learning as much as we can," so I think that's a big part of it. I myself have alot to learn from Hide, and we're able to take in alot from each other.

Chinen: Even when we're having trouble with filming or acting, we've been able to build a relationship where we can say, "We're happy to be able to participate on a set like this." The Director gives us strict, but loving instructions, and I'm glad that the two of us are able to accept it as love, and not with any opposing views.

[paper-mario-wiki]

Shangri-La Frontier mid-season review

This is by far the best fake video game I've ever seen written in fiction.

Most MMO-centric isekai stories have trouble with providing accurate and realistic depictions of the complexities and minutia that give MMOs the allure they have. I've seen so much handwavey bullshit tacked onto fake-games that introduce unrealistically overlooked mechanics for reasons like giving the protag immense power just because they're the protag and the story is about them. A good example of this is another MMO Isekai airing this season, "A Playthrough of a Certain Dude's VRMMO Life", wherein the main character becomes extremely rich, powerful, and famous by episode 2 because he stumbled into a stealth archer playstyle, a build which apparently no human in that universe had ever conceived of before, and then making a fortune by selling basic potions to everyone after NPCs stopped selling them (another thing he was uniquely able to do because not a single other player had the forethought to spec into alchemy). These lesser, dime-a-dozen isekai add up to be boring fantasy strories with gaming elements clumsily put in so that the author can demonstrate how powerful the world's inhabitants are by showing their stat allocation screen instead of, say, explaining anything about what they do that's so uniquely powerful and how they figured it out. Ya know, stuff you'd hope to hear about from any competent story.

Shangri-La Frontier is a breath of fresh air for anyone who, like me, is sick of authors ignoring the things that actually make video games compelling in service of creating a stock-standard narratives in fantasy worlds because it allows them to get away with bullshit. I've always found it very convenient that many isekai narratives indulge in things like chattel slavery, because it's societally normal enough for the protag to purchase a beautiful, vulnerable girl to add to his harem (dont worry, she is always inexplicably in love with him no matter what because he's SUCH a kind master). And it never really seems to go anywhere. Because the Video Game Isekai, while an interesting premise in theory, is more often than not used exclusively as a means to simplify the structure of a world's power scaling to abide by an arbitrary set of omnipresent universal rules (e.g. what people who have never cared to look into game development think of video games). This anime, by comparison, is VERY clearly authored by someone who plays a LOT of games.

Every piece of logic used to drive the plot forward, so far, is congruent to a real-world example of video game conventions, and I'm not just talking about levelling up and selling monster parts. Story elements that I've rarely (if ever) seen explored in other isekai are ever-present and genuinely clever and amusingly introduced. My favorite example of this so far has been the way the protagonist has been able to go head to head with so many overlevelled foes in the first 9 episodes. The story of course makes note of how good of a gamer Sanraku (our hero) is, but much like in real life games, being super duper good at dodging attacks doesn't really make up for a 70 level gap in items and learned skills. For that reason, he gets his ass whooped more often than he actually outsmarts others (so far he hasn't beaten a single player in pvp). So how is he getting out of these situations without dying so frequently? Simple: he got access to a later area too early relative to his level (sequence break) and got access to a high level follower NPC that's been carrying him. This is something he acknowledges directly several times, specifically using words like "Emul has been hard-carrying me for a while." This, to me, is extraordinarily meaningful. That's something you can exploit in Skyrim, man. That's REALISTIC CHEESE STRATS. The excitement and wonder I find in this show doesn't come from watching the protag do something unexpected, but by watching him do something that I would think to do.

This knowledge the author has demonstrated regarding modern gaming culture extends further into the actual realistic nature of game design and community. The story exists in a reality where full-dive VRMMOs are the be-all-end-all of gaming, and given the prohibitively expensive nature of developing and designing expansive, immersive worlds, most games are pretty shit. It's been hinted at so far that this is due to a monopolistic megacorp which is one of the only entities rich and powerful enough to make a good game (the game in question being the one that shares the title of the anime), but so far the strife of the characters have been pretty centralized to the happenings of the game world and its politics. By the way, lets talk about the game world's player base politics, which I'm also quite pleased with. It exists in the form of guilds and clans who struggle for power not by participating in seemingly random pvp with other powerful players to see who is the most epic and badass warrior (again, like many contemporary isekai typically opt for), but by gaining actual realistic support from a fictional playerbase with realistic desires and playstyles. Some guilds are interested in lore, some gather for alliance and boss raids, some for things like animal husbandry, and (naturally) at least one is dedicated to trolling and PKing. Each of these factions, through the very little that we've seen of them so far, communicate on forums and only know as much as is reasonable for them to know. The only reason they give a shit about the protagonist at all is because he gained access to a high-level unique scenario quest that they want information on how to access, and the only reason word of that got out in the first place was because someone posted a screenshot of him with a unique NPC onto a forum, asking about it as "where can i find this pet summon, its super cute!" That's real. That's video games, baby.

I like this show a lot so far. I like that it cares about video games, but I also like its writing. I like the main character and how hes less of an ultra badass super cool guy, and more of an earnest challenge-run lets player. Like, a lot of his dialogue straight up sounds strikingly similar to Japanese youtubers. And he's naturally always quick to point out inconsistencies in the game world's logic. I ALSO really like his community of pals from a janky old fighting game, and I ADORE the girl from his school who has a crush on him and also just so happens to be an exceptionally high level player from a top clan, and how she had to spend 9 episodes working up the courage to send him a friend request. I love that so, so much, dude.

I highly recommend this show if you're into a single thing I've mentioned. The animation is great. The world is beautiful. The character design is immaculate. And I'm looking forward to watching it continue.

[doctorbunny]

MILGRAM Hallucination Booklet Translation pt.1 (Yamanaka and DECO*27 Interview)

Context: This interview was from a booklet handed out at the MILGRAM Hallucination live show on the 21st January 2024 (if you want a copy you can buy it here) This translation was made possible by the generosity of @maxpawb sharing images of his booklet with me This translation is mostly my own, but @maristelina helped me with some sections. Now without further ado:

Q.01 Introduce Yourself. I'm Takuya Yamanaka. I'm the creator/planner/screenwriter for MILGRAM. I'm DECO*27. I work as the music producer for MILGRAM. I like Hatsune Miku.

Q.02 What reactions from the guards have been the most surprising so far? Yamanaka: There are a lot of guards that were born overseas, aren't there? Even though it's created with rather Japanese sensibilities, overseas audiences didn't seem to mind at all. Though the countries and sensibilities are different than what I anticipated, votes have become more multifaceted, it's very interesting, isn't it? DECO: To forgive or not forgive the prisoners what do you do, whether it goes as you expected or the result turns out to be quite the opposite, its fascinating. Maybe your nationality affects the kind of criteria you use to make judgements? I've been thinking about something like that.

Q.03 Is there anything you didn't imagine would happen at the start of the trial? Yamanaka: I didn't write it with a large overseas audience in mind, because from the start I wasn't worrying about popularity at all, I simply didn't think I'd be watching over so many guards. Milgram was developed as a more underground project, but it's popularity is a good surprise, isn't it. DECO: There were more people who got into MILGRAM without already caring about my music than I imagined, it was surprising. I feel like MILGRAM has spread further beyond than what I thought it would. I'm very grateful!

Q.04 So far, what's made you the happiest? Yamanaka: Everything. As a creator it brings me great joy to see a work that existed in my mind, take shape and be enjoyed by so many people. Other than that, because I also love the characters I've birthed, seeing all the guards talking about them and sharing their thoughts, both positive and negative, has to be the best feeling. DECO: It makes me happy to see lots of people analysing the meanings I put in my songs! The theories get pretty close to the truth too, I think... the power of all the guards is really cool.

Q.05 So far, what has been the most challenging? Yamanaka: Because I have to change the script in accordance with the audience's decisions, I can't create the entire story in advance. Furthermore, as of the second trial, there aren't only individual character storylines, the prisoner's verdicts begin to emerge and they influence each other. That is to say, I can't start writing until after everyone's results are out. Willingly subjecting myself to doing something this unreasonable, is what I feel is difficult for me. But because DECO*27 is also going through the same hell, we're holding on to some semblance of sanity. DECO: The story changes in accordance to all the guards' choices, and the music has to be written to match. I think this is harder for Yamanaka-P, who writes the script, than it is for me... But though its tough, I feel its really worthwhile, It makes me really happy to be able to communicate with everyone through my songs!

Q.06 Do you have any regrets like "I wish I had done it differently back then!"? Yamanaka: I've thought it over quite carefully, but there's nothing in particular. I think everyone involved in the project is giving it their all and its a really passionate environment. DECO: Nope! I've been able to put all the things I've thought of into my songs.

Q.07 Which prisoners are the easiest to write dialogue/music for? Yamanaka: If I had to pick one, it'd be Fuuta. He's the type of person that's pretty easy to write because his brain never shuts up. Other than him, Yuno and Shidou are relatively academic kids in theory, so they're easy to write because they're very clear when it comes to what they want to convey. [TL note just because its funny, the idiom Yamanaka uses is lit. "There is barking in the inside [of Fuuta's] head] DECO: It went smoothly for all of them!

Q.08 Which prisoners are the most fun to write dialogue/music for? Yamanaka: Muu's lines were the very fun to write~. I'm fascinated by her approach to life and can't help but envy how fun it must be to behave like that. Yuno and Amane are my runners up. I enjoy writing the kinds of characters who plainly state their ideas and speak eloquently. DECO: Mahiru! From the start writing about the relationships between men and women has been what you might call my forte, its enjoyable to make. I feel like this is also why I find Yuno easy to write for.

Q.09 Which prisoners are the hardest to write dialogue/music for? Yamanaka: Overwhelmingly, Haruka's dialogue takes me the longest to write. I have to use the parts of my brain that I wouldn't normally use to figure out how to not just directly convey what he wants to say. DECO: None of them!

Q.10 What's your favourite combination of characters? Yamanaka: Amane and Shidou. They're on completely different wavelengths about everything, and the best part is that there's no getting around it. My second pick might go to Yuno and Muu. They don't get along at all so their fights are never just superficial squabbling. DECO: I always like the interactions between Es and the prisoners. I'm liking how over the course of the voice drama interrogations, Es seems to be gradually coming to understand the prisoner's humanity. Especially Es + Mahiru!

Q.11 Do you want to be friends with any of the prisoners? Yamanaka: Shidou and Kazui. I like the idea of being friends with professional people. I think that people who choose to go into something specialized, its clear they have a kind of resolve and that's charming, isn't it? DECO: Yuno! I feel like she'd be easy to talk to. She seems like she's used to friends who maintain a good distance from each other. [note: while 'good' here can mean a fair amount of distance, in Japanese relationships the concept of boundaries is also built into the idea of distance, so in English you might talk about someone who is a close friend but still has good boundaries, but in Japanese this is someone who has the 'right amount'/ちょうどいい of distance from you, so this could mean Yuno doesn't have any close friends or that Yuno is just a good friend because she isn't going to turn up to your house unexpectedly and eat all the food in your fridge]

Q.12 Do you want to date any of the prisoners? Yamanaka: I love all of my characters a lot, but, well... how should I say it... I don't think I would date any of them. [TL note: I had to shift the wording to be more natural in English but the Japanese Q is more like 'which prisoner would you want to be your boy/girlfriend?' curse english for not having an exact equivalent to koibito, so Yamanaka's answer is more like 'I think would break up with all of them' its a nominal difference but my friend said to mention it bc its funny] DECO: I'm sorry.

Q.13 What's your favourite line/phrase? Yamanaka:

[Scene from Muu's first voice drama Crying B, TL taken from MILGRAMMER]

Es: Judging from your facial features, are you what they call “half-Japanese”? [lit. haafu/Half] Muu: Yeah… I’m biracial. [lit. daburu/Double]

It would have to be that wouldn't it? I got goosebumps when I wrote it it. DECO:

"It's not my fault"

I think that single phrase was able to represent Muu's character really well, if I do say so myself.

Q.14 Are there any prisoners that you think its good they're in MILGRAM? Yamanaka: All of them. Without these 10 people, this Milgram would be a complete failure. DECO: Without these 10 people, MILGRAM wouldn't exist!

Q.15 Is there anything the guards aren't aware of yet? Yamanaka: Of course, there may be some minor details, but I don't think there are any major points missing. The mysteries have already disseminated, I feel the full picture will be clearly revealed if the theories and wild speculations, which have been shared around the world, come together. As expected. DECO: There are! I hope you look forward to the gimmicks I wanted to put in my songs that will come out in the third trial!

Q.16 Is there anything you haven't been able to do up to now, but you want to try doing after this? Yamanaka: I want to do a stageplay. Every performance would be a different story set in Milgram. If anyone reading this is involved with stage productions, please contact me. [I can't find it now but I swear a while ago Yamanaka tweeted something similar like "I'm interested in doing stage adaptations of Caligula Effect or MILGRAM, if anyone is involved with stage production please contact me" I hope he does it, a MILGRAM stage play would be awesome] DECO: Fortunately, I'm already doing everything I want to do! Writing the trial 3 songs couldn't be more fun.

Q.17 Represent "MILGRAM" in one word. Yamanaka: 『人』 "People" DECO: 『噓』 "Lies" [This one is both simple and interesting so as a preview I'll share how akka and DMYM answered] akka: 『幻』 "Illusions" DMYM: 『信』 "Faith"

Q.18 Give a brief comment about the future of "MILGRAM". Yamanaka: There have already been plot developments that I personally wish I didn't have to write. The guards have all chosen a very intense path. It's frightening. I've also been ready to obey these choices since the start of MILGRAM, so I think we all should enjoy this story that can only be told once together. DECO: I've already started writing the prisoner's songs. It's hell. Please prepare yourselves. Q.19 A message for the guards. Yamanaka: Thank you for always looking after the prisoners. Milgram is a work that involves the participation of everyone, including yourself. The thoughts you had, the actions you took, the joy, and resentment you felt towards this prison, all this became a part of Milgram too. I would like you all to please live healthily in your realities alongside Milgram. DECO: Thank you for your hard work as guards. Although MILGRAM is full of troublemakers, we would be grateful if you could continue to watch over us for a long time to come. We will do our best to meet your expectations.

[A link to part 2 will be posted here when its ready]

(Japanese transcript under the cut)

Q.01 自己紹介を。 山中拓也です。 ミルグラムでは企画・原作・脚本をしています。 DECO*27です。 MILGRAMのサウンドプロデューサーを務めています。 初音ミクが好きです。

Q.02 これまでの看守たちからの反応で驚いたことは？ Yamanaka: 海外にもたくさんの看守���生まれるていったことですね。とっても日本的な感性で創っているので、海外ウケとかきにしていませんでした。やはり国が違うと感性も違うものだと思うので、より多面的な投票がされて、とても面白いですね。 DECO: 囚人が赦すor 赦さないのどっちになるか、と自分で予想していたりもしたのですが、結構それが逆の結果になっていることがあって興味深ったです。もしかして国民性で判断基準が違ってくるのかな？とか考えたりしました。

Q.03 審判開始時点では思い描いていなかったことはあるか？ Yamanaka: 海外ウケ気にしたことないと書きましたが、そもそもウケ自体あまり気にしていなかったので、シンプルにこんなにたくさんの看守の方に見守っていただけるコンテンツになるとは思っていませんでした。もっと、アンダーグラウンドで展開するつもりだったんですが、嬉しい悲鳴ですね。 DECO: 想像以上にDECO*27を知らない方にもMILGRAMを観てもらえたことに驚きました。自分の思っていた以上にMILGRAMが広がったなと感じています。ありがとうございます！

Q.04 これまでで一番嬉しかったことは？ Yamanaka: 全部です。自分の脳内にしかなかった作品が、形になり、たくさんの人に楽しんでもらえること自体がクリエイターとして��大きな喜ぶです。あとはやはり僕は自分が産んだ登場人物のことが大好きなので、プラスでもマイナスでも看守の皆様が彼らについて語って、想いをぶつけてくれいることが最高に嬉しいです。 DECO: たくさんの方に自分が音楽に込めた意味考察してもらえた嬉しいです！かなり正解に近い考察もあって、看守の皆さんのパワーすごいな…と思っています。

Q.05 これまでで一番大変だったことは？ Yamanaka: ユーザーの選択によって、シナリオを変更をするので、あらかじめ制作することができないということです。しかも二審からは個人のストーリーラインだけでなく、他の囚人の結果による影響も出てくる。ということは全員の結果出てからじゃないと制作できないということです。そんな無茶を勝手に自分でやりはじめて、勝手に自分で大変な思いをしています。同じ地獄をDECO27も味わっているので、なんとか正気を保っています。 DECO: 看守の皆さんの選択に応じてストーリー変化し、それに合うように音楽を書くことです。これは僕よりもシナリオを書く山中Pのほうが大変だろうな…と思いますが…大変ではありますがとてもやりがいをかんじていますし、曲を通じて皆さんとコミュニケーションが取れていることが嬉しいです！

Q.06　「今思えばやっておけばよかった！」のような後悔はあるか？ Yamanaka: よくよく考えてみたんですが、特に無いです。制作に関わる全員がベストを尽くしてくれているとてもアツい現場だと思います。 DECO: ないです！思いついたことはすべて楽曲で出力できています。

Q.07 シナリオや音楽の制作がスムーズな囚人は？ Yamanaka: 一人あげるとすればフータでしょうか。頭の中でわんわん言ってるので、かなり書きやすいタイプです。あとはユノや、シドウあたりの比較的理論的で偏差値高めな子たちは何が伝えたいかが明確なので書きやすいです。 DECO: みんなすんなりでした！

Q.08 シナリオや音楽の制作が一番楽しい囚人は？ Yamanaka: セリフを書いていて一番楽しいのはムウですかねぇ~。こんなふうにふるまえたち人生楽しいだろうという憧れすあります。次点でユノやアマネでしょうか。思想がはっきりしてて、弁の立つタイプは書くのが楽しいです。 DECO: マヒルです！自分が元々男女間の関係性を描くのが得意ということもあって、楽しく制作しています。そういった意味ではユノも書きやすいなと感じます。

Q.09 シナリオや音楽の制作に苦労する囚人は？ Yamanaka: 圧倒的にセリフを書くのに時間がかかるのはハルカです。彼が伝えたいことを、伝わらないようにする調整に普段は使わない脳を使います。 DECO: いないです！

Q.10 お気に入りの組み合わせはあるか？ Yamanaka: アマネとシドウ。すべての要素が噛み合わなさすぎて、どうしようもないところが良いです。次点でユノとムウかもです。表面的なケンカにならないだけでかなり気が合わないので。 DECO: エス対囚人の絡みは須く好きです。ボイスドラマの尋問によって段々とエスが囚人の人間性を掴んでいく様が気に入っています。特にエス＋マヒル！

Q.11 囚人を友達にするなら誰か？ Yamanaka: シドウとカズイ。友達にいてほしい職業の人たちです。なにかのスペシャリストを選択する人たちというのは、何かしらの覚悟が決まっている人だと思うのでそれだけで魅力的ですね。 DECO: ユノです！話していて気楽そうだなと感じます。お互い良い距離感を保てる友達になれそう。

Q.12 囚人を恋人にするなら誰か？ Yamanaka: 僕は登場人物のことを全員最高に愛してますが、まぁ、なんというか、全員やめとこうと思います。 DECO: ごめんなさい。

Q.13 お気に入りのセルフやフレーズは？ Yamanaka: 「その顔立ち、ハーフというやつか？」「うん...…ダブル」ですね。書いてて鳥肌でした。 DECO: 「悪くないもん」 1フレーズでムウのキャラクターを上手に表現できたなと我ながら思っています。

Q.14 ミルグラムにいてくれてよかった、と思う囚人は？ Yamanaka: 全員です。この10人でなければ、このミルグラムになっていないので。 DECO: MILGRAMはこの10人がいなければ成立しません！

Q.15 看守たちにまだ感づかれていないことはあるか？ Yamanaka: もちろん、些末な部分はあるかと思いますが、大きいところだとないんじゃないですかねぇ。既に問題はバラまいたし、世界中に発信された考察や妄想を組み合わせたらきっちり全貌が明らかになる気がします。さすがです。 DECO: あります！第三審で僕が楽曲を通じてやりたかったギミックが出てくるので楽しみにしていてください！

Q.16 今できていないが、今後やってみたいことはあるか？ Yamanaka: 舞台がやりたいです。毎公演、コンセプトの異なるミルグラムで行われる舞台。舞台制作に関わる方が、読んでおられましたら是非山中まで。 DECO: 有り難いことに、やりたいことは全部やれています！第三審の曲を書くのが楽しくてしょうがないです。

Q.17 「ミルグラム」を一文字で表せ。 Yamanaka: 『人』 DECO: 『噓』

Q.18 今後の「ミルグラム」について一言。 Yamanaka: 既に僕が個人的には書かないでいたかった展開が確定しています。看守の皆さんなかなか強烈な道筋を選びました。恐ろしい。自分もその選択に従う覚悟をしてミルグラムをスタートしているので、一度きりの物語を皆さんと一緒に楽しもうと思います。 DECO: 既に楽曲を書き始めている囚人もいます。地獄です。覚悟しててください。

Q.19 看守たちへメッセージを。 Yamanaka: いつも囚人たちのことを世話してくださってありがとうございます。ミルグラムとは、参加する皆さん自身を含めてミルグラムという作品です。この監獄に対して感じた思い、起こした行動、喜び、 憤り 、それらすべてが作品の一部になります。是非ミルグラムと共にある皆さんの現実を健やかに生きてくださいませ。 DECO: いつも看守としてのお勤めご苦労さまです。曲者ばかりのMILGRAMですが、これからも末永く見守っていただけると幸いです。期待に応えられるよう、尽力してまいります。

[madlori]

Sometimes the delulu IS the solulu.

After some thought, and reading a lot of really insightful thoughts here and on Discord, I think I've reached a conclusion.

I'm going full tinhat. Not in an unhinged way, though.

I don't think this is the end.

I'm not going to count on it. I'm barely going to hope for it. But I am going to...keep an eye out for it.

The one common refrain we've heard from each other is that this did not feel like a permanent breakup. It felt so obviously and blatantly like a setup for Buck to fight for the relationship. It was that "one partner freaks out a bit and the other has to show their commitment" relationship hurdle which is so common it's a trope. In fact, most of us assumed that's just what it was...until those interviews

Now, I do not put Tim Minear up on some kind of pedestal of writerly greatness - far from it. And he did not write this episode, but the plotlines all go through him.

BUT.

He has always been very attached to Tommy as a character and to this relationship. He loves it. He loved red string theory so much that he wrote it into this episode. And I'm about halfway convinced he's in love with Lou but that's beside the point. (I mean, we get it, Tim.)

Tommy's what he always said he wanted to get for Buck. Firefighter, integrated into the 118, yadda yadda, we've been over this a lot. Someone he chooses, someone he works to build something with. Someone who shows up for him. He had Buck SAY in this episode that he'd never felt like this since Abby.

The thread of Tommy wanting a found family like Buck's. The intense settled/caregiving vibe of 8x05. It all felt so...purposeful. And yes, I agree that this could have been done just to punch up the angst for Buck when it ends. But that's not the only explanation.

The many, many comments of wanting to move Buck along in his personal life. Oliver wanting to do settled, domestic storylines with him. Giving Tommy the big hero romcom entrance in that hospital.

And what now? Cycle Buck through another love interest? It's hard to imagine recapturing what he had with Tommy with anybody else, or for the GA to embrace it as much as they did. What little we can see of the GA reaction (because the official socials are weirdly quiet and have not posted) is that they're not happy about this. Tim knows this.

I can buy Tim making some dumb writing decisions but he's not stupid. I find it very hard to swallow that he'd voluntarily toss away all this, and this potential, and what they'd already established, and a pairing/character/actor he loves, for what? For nothing.

So I think that it's not for nothing.

I think the plan IS to reunite them...

...they just don't know when, or how.

For some reason he wants to give it a break for awhile. I don't know why. There could be off-camera reasons. But I think it happened recently. Two weeks ago we got interviews talking about hurdles being overcome, relationships deepening, etc etc. It's a great episode for them, came out of Oliver's mouth. Not important, not consequential - great. And hey, what happened to that very important Bobby conversation where he gave Buck important advice? It wasn't there.

I think a change was made in the last two weeks. And yes, I know the loft stills were dated 9/17.

Two weeks is plenty of time to reshoot one scene, between when those interviews came out and last night. The stills could be from the first time it was shot, in September. Put the guys in the same wardrobe, we'd never know the difference, or that those stills weren't from the scene we actually saw.

OR

The scene was always the one we saw, but was always meant to be temporary, and the change was in how they talked about it in the interviews from last night. That is a simpler explanation, as it doesn't involve reshoots, but it doesn't explain those very incongruous interviews we got two weeks ago that do not match the scene we saw. Now, they have always vagued it up, and talked around things in interviews, but this was an entirely new level of misdirection and outright lying that isn't typical.

I'm really tinhatting it up now, but hey, what have I got to lose? I'm not investing anything in this. It's just...a thought.

If you think the network interfered (I don't, at least not for plot-related reasons, see below) or Oliver demanded the relationship be cut (I don't - I know lots of you are mad at him but I'm not), whatever it was...I just get a vibe. It could be as simple as money. It could be a ratings thing. Honestly? It could be that they've found out they're getting cancelled, and were ordered to cut bait on guest stars. They could be kicking the can down the road to goose ratings for spring when they do bring it back. There are lots of reasons I can think of and probably more that I can't.

I read a thoughtful and reasonable post about how it was more or less a mercy killing to post those interviews - most showrunners like to keep viewers guessing and coming back, so for them to say definitely BT was dead meant it's really, really dead (although how definitive they actually were is another question).

They might be right about that. I don't know.

Or they just might not know themselves. Even if the plan IS to reunite them eventually - if they don't have a plan for how or when, the safest course is to shut it down. No guarantees they can make it work, so play it safe. Oliver and Lou might not be looped in on this.

It's pretty thin. They probably would be, although we have ample evidence of actors not knowing stuff until the last minute. The other option is that they are looped in and are intentionally lying but I think that's very unlikely - although Lou has demonstrated a keen skill in keeping his mouth shut when necessary.

I'm not going to get nuts about this and neither should anybody else. I'm not going to be scouring socials or the internet looking for support or clues. I'm not going to be holding my breath waiting for a sign.

The only thing I'll keep an eye on is how they handle any flirtation or dating Buck does in the near future. How they handle it might be telling.

This is ALL very unlikely, let's be real.

I'm still tinhatting, though. Why not? What have we got to lose?

But if I'm right, I expect that red dodgeball in my inbox toot sweet.

(And Buddie still isn't going canon, btw.)

[famwhy]

"Do you have any idea how long I've waited..."

"...for this moment?"

Diary of a Wimpy Kid

Yandere! Rodrick Heffley X F!Reader

Synopsis: Rodrick Heffley couldn't believe his own luck; you noticed him—you noticed him. This must've been fate, right? You must've loved him, there was no way you didn't. And if you loved him, then what he was doing was okay, right?—there was nothing wrong with it? Of course not, after all, you two were going to get married in the future, he was sure of it! All of this would just turn out to be a silly story you would tell your future kids about how you two first met. Yeah, that's all this was—one big, silly story.

Warnings: Mean!Reader, Depictions of toxic relationships, Stalking

"Dude, you're staring again."

Rodrick knew; he knew that he was staring again. But, how could he not? How could he not stare when the most drop-dead gorgeous girl in school was within just 10 feet of him?—when you were right there, before his very own eyes?

So close, and yet, so far.

"Dude!"

You stood by your locker—lips painted in that really pretty shade of cherry red to match with your striking eyeliner—basically demanding everyone's undivided attention; attention which you undoubtedly got.

Though, even if you—by some chance in this fucked up world—didn't receive that attention, Rodrick wouldn't hesitate to give it to you; Rodrick would give all of that attention times ten to you. Hell, if you so much as asked him for it, Rodrick would give you the world.

"Hey!"

He was melting—he knew he was—turning into putty at your very arms, even if they weren't anywhere near him. Regardless, his bones morphed into mush and his face went as red as the lipstick you adorned on that pretty mouth of yours he longed to get a taste of. 

He could gaze at you for days and never get enough.

What he couldn't gaze at for days, however, was what occurred next.

A pair of strong arms sprung out of nowhere, wrapping around your torso and lifting you into the air in a way that had molten lava coursing through the Heffley's veins, heating up his insides and igniting a fire within; a fire that ached to burn the male adorning a bright, varsity jacket beside you.

His eyes narrowed, teeth grinding over one another and skin losing all hints of previous colour, going as blank as an empty canvas sat aboard an abandoned easel at the sight before him.

That man—Lenwood Heath—oh how Rodrick loathed him; despised the very air he breathed; cursed the very home he inhabited. If the ground you strutted over was worshipped by the aspiring musician, then the ground that Lenwood trudged over was spat on by him.

Oh, how he could just picture it now, wrapping his hands around the neck of that pathetic, little—

"Heffley!"

Rodrick blinked, suddenly able to register the hand waving before his very eyes. "Huh?"

The blurry form in front of him quickly grew clear with a couple more blinks, revealing one of his best friends with a brow raised, lips pulled taut, and a pointed look on his face. "You fazed out staring at her again."

A longing sigh left the lips of the drummer. "Can you blame me, Chris? She's just so... so..."

"Hot?"

"Ethereal," Rodrick smiled, tunnel vision drowning out the dumb teen next to you in favour of only seeing you. "She'll love me one day, I know it."

"Dude—" Chris deadpanned, "—she doesn't even know you exist."

"Uh, yeah she does," responded the other musician, "Of course she knows I exist."

Chris' lips pulled up after that, and—even through his peripheral—Rodrick could see the smugness radiating off his friend's smirk. "Oh yeah? Prove it. Walk over there right now and say hi."

"What do you think this is? Some high school drama? I'm not doing that."

"Alright dude," came the voice of his friend again, taking on a bit of a defeated tone this time, "just tryna help you build up your confidence, that's all."

Rodrick's face scrunched up, now turning to fully face his friend and fellow band member. "My confidence is—"

A light 'ahem' cut through the air.

The Heffley whipped his head to the side—brows furrowing and lips parting in preparation for a sassy speech—when he saw just who exactly was clearing their throat at him.

His breath audibly hitched in his throat, wind getting stuck in his pipe—hindering his ability to respire as his vision flooded with that familiar pink he knew all too well. 

"Do you mind?" The question came out your pretty lips with an air of both boredom and your own bit of sass—both fists placed upon your hips as you stared at him pointedly.

Oh, you stared at him—you were staring at him.

Holy shit.

He didn't know what to do; what to say; what to think. His mind was a muddled-up mess with you sat in the middle of it all—in the eye of the storm, occupying your throne within his thoughts while the rest of his head went to shit.

But, the real you, the one stood before him right now, was quickly growing impatient. He could tell from the way you started tapping your foot against the ground in a quick rhythm—one of your cuter habits, he noticed; not that they weren't all cute.

A huff—escaping your lips; exasperated and very much fed-up. He was losing you. 

No, no, no, no, no.

His eyes widened, pupils shaking as his breath grew quicker and shorter and sharper. A tightness grew about his chest, contracting his lungs—folding them in on themselves—and tensing his muscles to the point they turned into multiple ropes that unfairly seized him by the throat.

He was panicking, and so—as any panicking person would do—said the first thing that popped into his head—

"Y/N."

—it was your name, of course. That was always at the forefront of his mind.

You scrunched up your nose in that super cute way that you do before speaking again—tone sounding a little... judgemental—"Do I know you?"

A harsh jab to his side and a pair of smug eyes burning a hole through his head followed after that sentence. Annoying.

With a quick glare directed straight at Chris, Rodrick rose his right arm to rub the left—as if to get rid of the lingering buzz of pain left in his friend's wake—before devoting his full attention back to you. "It's uh, Heffley—Rodrick Heffley?"

You narrowed your eyes, staring at him a little incredulously now—but he didn't mind, so long as you were staring at him and not past him, he didn't mind at all. Rodrick was on cloud nine anytime you gave him just an inch of attention, be it good or bad.

Everything about you was just so—

"Wait..." Rodrick blinked—today must've been his lucky day because you were gracious enough to greet him with lit up eyes once you broke through his thoughts. So pretty. "Heffley as in the same Heffley who destroyed Heather Hills' Sweet Sixteen?"

He grimaced a little at the memory, but nodded nonetheless. 

Your lips quirked up—by God, please place them on his—

"Y'know, I've been meaning to thank you for that..."

"Thank, uh—thank me?" Dear lord, he could feel his own heartbeat drumming against his ears.

"Yeah, thanks to you, I was able to take Hills' throne." A glint reflected off your beautiful eyes after you said that but Rodrick was too busy admiring your everything to decipher what it was. Was that a new pair of shoes? They suited you.

His eyes snapped back up to your face when a sudden warmth coated both of his shoulders, a familiar hand making its way into his peripheral. "Yup, that's my buddy." 

Your eyes briefly left the dark-haired male's form to flit over to his companion, and he found himself grinding his teeth against one another just as he had done before; the pink in his gaze quickly being replaced by a heated crimson.

But, as quick as the overwhelming urge to slam his own friend against the wall came—to rip his very skin off and watch as blood flowed straight out of him—it was gone—just in time for your eyes to return to the Heffley and send another explosion of those pretty, little insects to attack his insides and fill him with so much warmth, he found himself wishing to share it with you—

—God, please let him share it with you.

"Can you move now? I need to get to class." 

"Oh, uh, right." He damn-near stumbled over himself in order to make way for you, harshly shoving Chris to the side too—and if he could, he would've rolled out a red carpet for you as well. Your precious feet deserved more than the filthy school floor.

"Ack! Dude!"

Rodrick paid no mind to his friend's scowling form beside him—choosing, instead, to train his gaze onto your figure as it slowly grew smaller the further you walked away.

For a moment, as you brushed passed him, an overwhelming cherry scent flooded his nose, coursing through his innards to roll his eyes towards the back of his head and whisk him up into the air so that he could sit upon a cloud as high as the earth would allow; as high as you would allow.

But, of course, not higher than you—never higher than you. 

"She loves me—" Rodrick smiled; dopey and wide, "—I just know it."

"Whatever you say, dude."

'Whatever he says'? No, this was written in the stars. This was the epitome of fate; of destiny woven upon the finest of silks and stored in the most beautiful of halls—indestructible and unalterable.

This was love—true love.

And you knew it too—you must've. Why else would you have approached him the way you had? 

And it's because of your reciprocated feelings, that Rodrick felt perfectly fine with leaning forward in his seat next period—right up to the back of your neck—and taking another huge whiff that knocked him straight out of commission.

"The hell are you doing, Heffley?!" 

A voice snapped him out of his appreciation time—cruelly ripping him away from his blissful state of basking in your glory and forcing him to look over to his side.

Lenwood.

Rodrick rolled his eyes, leaning back in his seat to kick his shoes atop his desk and rest his hands behind his head as he said, "Nothing."

The jock narrowed his eyes, brows furrowing as he parted his lips—gearing up for a threat, no doubt—when another voice cut through the air.

"Something the matter, Mr Heath?"

The jock quickly muttered out a denial before turning to face forward again.

Rodrick smirked.

"Mr Heffley, feet off the table please."

He rose his brows but said nothing, choosing to obey quietly—if only to have the opportunity to stay in the same room as you for just a little while longer.

Speaking of you, the commotion seemed to have caught your attention, because you spun around in your seat, eyes landing solely on his figure for the second time that day.

His breath hitched. It was definitely meant to be.

It stayed like that for a few moments, the two of you just staring at one another as the world dissipated into irrelevance around you. Your beautiful, E/C pools were enough for him to get lost in for hours—just as beguiling as the rest of you was. 

Alas, the moment couldn't last forever, and you shattered it with the tug of your lips downwards alongside the cute scrunch of your nose before spinning back around with the elegance of a ballroom dancer.

Ah, he could stare at you all day and never get enough.

He said that already, didn't he? Oh well, it deserved to be reiterated if the subject it was referring to was you.

Today had been a good day—one that he was sure would only end up getting better with the upcoming pep rally in a few periods time. An excuse to devote his entire attention to you without getting weird or judgemental looks? Yes please.

Though, to be entirely honest, he didn't care for those looks. He was too busy hoping, wishing, praying to be the one you woke up next to in the morning; the one whose embrace you cuddled into and found comfort within; the one who'd get to spend the rest of his life with you—

—God, please let him spend the rest of his life with you.

He couldn't help it—staring at you with the intensity he had during your cheer session once the pep rally did come around. 

Your lashes fluttered prettily as you peered up at the stands, hands covered by the balls you adorned and lips jutting out in that perfect pout that he just wanted to completely devour—

Ah, his throat was feeling a little dry. Just another effect you had on him.

Unfortunately, he had to part from the stands for a few moments to go grab himself a drink but, for you—his darling pretty girl—he made sure to rush back as soon as he possibly could.

Unfortunately, this speed of his meant that he wasn't paying much attention to his surroundings, and not paying much attention to his surroundings could only lead to one thing: an incident.

The can in his hands slid straight out of his grasp, falling to the ground with a loud 'crash!' as liquid scattered the area, still bubbling and fizzing up even out of its container. A pair of white shoes seeped into brown at the end, and Rodrick found himself trailing the legs adorning them upwards, eyes falling upon a white skirt stained in the same brown that was slathered over the floor.

His gaze kept going upwards, only stopping when they met with an infuriated pair of dazzling eyes narrowed back at him; a familiar, infuriated pair of dazzling eyes.

"Ugh! What the fuck did you do, you freak?! You ruined my outfit! No wonder why Heather fucking hates you!"

No, no, no, no.

He was sorry, he was so sorry. Just don't hate him, please forgive him. God, he didn't know what he'd do with himself if you didn't forgive him.

He wanted to beg for your forgiveness—grovel on his knees and hold onto you like his fucking lifeline—but you were ushered into the toilet by those... friends of yours before he even had the chance, and he was left there, eyes wide as his whole body trembled.

Make it up to you. He had to make it up to you

But how could he when you were constantly surrounded by people who got in his way?—when you both were?

First Lenwood, then his own friend, and now, your friends.

Where could he get you completely and utterly alone?—when it could just be the two of you?

That was when it struck him, and his feet started moving before the cogs in his head even could.

He arrived before you—bathroom trips always took awhile when it came to you and your posse, so he didn't have to worry about you being faster than him.

Setting up wasn't too hard either, he knew where everything was and also learned enough from his dad about women to know how to woo one back into loving you.

All he had to do... was wait for you.

And wait he did. It felt like years had passed as he stood shrouded in darkness, each second as agonising and torturous as the last—if not, more so. But it was worth the wait—you were worth the wait—and soon, the sound of the door opening was accompanied by a loud yell.

"Mom! I'm home!"

Silence.

"Mom?!"

Again. Nothing.

"Fucking—of course."

His lips tugged down, heart practically being pulled on by the words that spilled from your mouth.

Yeah, sure it was convenient that your mom was never home, but he couldn't help the way he cursed the woman who gave birth to such an amazing being but didn't have the heart to properly stick around and bring her up.

But nevermind that, he could hear thuds growing closer to him.

A click. Then a flip. Then—

"What the actual fuck?!" 

Rodrick grinned, arms opening wide as his heart picked up in both pace and volume, drumming against his ears like he often would his set in band practice. "Welcome home, sweetheart!"

"Heffley?! What are you doing in my house?!"

Your eyes were wide, pupils shaking as your muscles lost their strength and your bag went tumbling down. Aw, you must've been happy to see him.

"I wanted to apologise," said he, "for earlier."

You blinked, still staring at him with that cute expression sewn onto your face.

For a few moments, nothing was said, and Rodrick found himself lowering his hands to awkwardly clear his throat.

Then, you spoke again, "Heffley, get... get out of my house."

"No."

"No..?"

"Do you have any idea how long I've waited for this moment?" As he spoke, he started slowly approaching you, and you started slowly backing away.

"Heffley..."

"No need for that anymore, babe." His smile grew wider and his cheeks grew hotter as the wall blocked you from moving any further—allowing the distance between the two of you to grow... shorter. "Just call me Rodrick, or honey, if you'd prefer."

"You're crazy..."

He could feel your breath now, right up against his skin. It was perfect, and only proved to send shivers down his spine. "It's okay, babe, no one's here now. It's just you and me. You can speak your mind without worrying about anyone else. Go on, tell me you love me."

Your features scrunched up at that, teeth grinding against one another as you spat, "I don't love you, psycho."

"Uh, yeah you do." He dismissed your words with a wave. "It's okay to admit you're in love."

"I'm not, you psycho. I barely know you."

Ah, you could be so cruel sometimes.

"Sure you do. You know me just like I know you—" another whiff, "—and how I know this is your favourite scent."

You were shaking much more violently now, body leaning up against the wall for support in a way that made him envy it—all this effort to get to where he was and your wall got more attention than he did? Absolutely not.

He looped an arm around the curve of your waist, basking in the way they fit together as perfectly as puzzle pieces, before pulling you into his chest and taking another deep inhale.

And just like that, you went limp in his arms.

Oh well, at least now he got to carry out his fantasy of being the one that got to wake up next to you.

Omg guys, I acc feel so bad for turning Rodrick into a creep in this, he's such a cutie in the movies.

[crispyanonart]

With your previous SamSeb post of them being the coolest uncles ever i was wondering

Did Maru and Sebastian have a redemption arc? As I mean they have a better sibling ship as they got older? How would you see that progression? 👀

Thank you sm for these questions, you gave me an excuse to talk about this 🖤 it's a topic near and dear to my heart because I too grew up in a funky family situation so sibling relationships are my roman empire.

yap session below

My idea is that Sebastian's initial sentiments towards Maru were mainly born out of teenage angst which was truthfully more directed at their parents — in his eyes, she was merely a result of the relationship he resented so much. As people grow up, they often lose some of that pent-up anger, creating relationships that allow them to feel less insecure and misunderstood, and in turn, more open to understanding others too. I think this would be the case for Seb. He would start seeing Maru more clearly, finally recognizing who she is, rather than what she represented to him up until that point (she, like him, had no role in the family dynamic except being born into it). He would discover that he actually likes her a lot. Maru, on the other hand, probably always looked up to him but could never approach him first because Seb can be very intimidating. I picture her telling herself, "Maru, be cool!! How would Sebastian act??" because he would engage in all sorts of behaviors that she, being a "good girl," could never imagine partaking in (talking back to people??? Oh lord). I reckon she would also be often concerned for him and his habits — to be honest, she would probably be a better sibling to Seb than he ever was to her. Upon maturing and realizing this, Sebastian would definitely promise himself to make up for it and start acting like an actual older brother, the instinct to protect the younger person taking over.

A while back I posted what could be one of their first sincere attempts at an hangout x !!

While Maru already had great support from Demetrius, I imagine she would really flourish from this new dynamic, and she would grow into her feisty personality, finally realizing she does not need to be the good girl at all times but also that she can set her own example. As they get older their relationship would become more and more sincere, Maru would stop holding back and Seb would gladly accept the love that she's been trying to give him, and they both would heal and learn a lot from it. They would finally become a great support system for one another, I can't imagine a story where they don't end up getting along and doing good as a family 🥹 I need Sebastian to be obsessed with Maru's kid and spoil her rotten with all sorts of gaming equipment !!

Side tangent: I feel the need to say that I don't think either Robin or Demetrius are bad people, they are flawed individuals that could for sure do better at parenting but are far from the worst family in game. Let's not forget we can see the book "Practical Tips For First-Time Step-Dads" in Demetrius bookcase, the man is trying (which doesn't mean he's necessarily succeeding or that Seb's sentiments are less valid, but you get what I'm saying)

chat can you tell I've been in relational-systemic therapy before LMAOOO

[grnpurplgrmln]

with this new version of bluza that we got, i feel like i have to talk about the lyric "da se nagledam lepote te" (and also maybe the entirety of the last verse bc it drives me crazy)

for starters, it is such a romantic lyric i CANNOT get over it

no english translation can do it justice, the closest i can think of off the top of my head is "so i can soak up that beauty", but even that's not quite right

nagledati is a very specific type of verb (idk what the actual name for it would be cause i don't think it's a svršeni verb?? could be wrong idk grammar was never my strong suit)

it comes from the verb gledati (to look) and the prefix na-

the prefix na- gives it a sort of full quality. najesti (na- + jesti (to eat)) would mean that you've eaten so much that you're now full and can't eat anymore. nahodati (na- + hodati (to walk)) would mean that you've walked so much that you're now tired and can't walk anymore etc etc.

now, nagledati, in the context of looking at the person you're in love with, specifically their beauty AND the additional context that you're going to have to be away from them, for an undetermined amount of time?

looking at your lover so closely and so focused, so you can remember their every wrinkle, every blemish, every freckle, every twinkle in their eyes as they stare at you with the same love you feel for them, just in case you start to miss them, because you know you will, your heart would never let you fool yourself into thinking otherwise?

devastating, i want more of it

as i've stated earlier, this whole ending verse just trips me up so bad, in the best way possible

"ne palite još svetla" "don't turn on the lights yet"

"još samo jedan tren" "just one more moment"

"da se nagledam lepote te" "so i can really take in that beauty"

"ne palite još svetla" "don't turn on the lights yet"

"ne prizivajte dan" "don't summon the day"

"spasite me, smislite neki plan" "save me, think up some plan"

"ako svane sunce" "if the sun rises"

"ostat ću sam" "i'll be left alone"

it's so tragically romantic that it makes my heart break.

one thing i noticed here though, are the lyrics "ne palite još svetla" and "spasite me, smislite neki plan" mostly because they're in plural

now, i think it's probably just because that's the closest serbian has to gender neutral pronouns*, but i also think it's interesting to think of bojan, as the "protagonist" of the song, pleading the world to stop so he could get more time with his lover, a moment of selfishness

and the way the rest of the song sets up this almost domestic feeling "soba nam je mala"/"our room is small", which could also be translated to "the room is too small for us" as in "this room is far too small for our love, to handle us"

and i just... how can you not love this song...

additional notes:

* i'm an idiot, i just remembered that singular imperative exists and is also gender neutral so the lyric could have been "spasi me, smisli neki plan" but it's not so the whole protagonist talking to the world stuff might have been the intended purpose

[melodic-haze]

What if breeding and overstimulating Ei? Fucking her through her orgasm and continuing to fuck your dick into her abused hole, fucking your cum deeper into her pussy to make sure she takes all of it....

☆ — DEMO TRACK: sub!Ei x dom!amab!Reader

☆ — TYPE: NSFW

☆ — CONTENT WARNINGS: Reader with a dick, dumbification

☆ — NOTES: Blame Miko 🤷‍♀️ but also I've been wanting to write Ei and/or Miko for so long THANK YOU ANON

Put me and her in a room and I'm not gonna be the one coming out pregnant just saying 🫶

Realistically this is probably (definitely) Miko's fault for getting into her head, but she had lent her a book that she didn't realise was.....less than innocent

It was a novel that described some rather salacious scenes that had Ei go from confused to surprised to flustered.. and then to that feeling of neediness welling inside her. It's got her thinking of you and what you can do to her, which then eventually led to her personally seeking you out for a bit of a 'reading session' 🥰

Mini thought dump so if you don't wanna read then skip this point. Ok as someone who loves getting into logistics and how things would work hypothetically, I find this situation funny bc like. If Ei can model her body to whatever she wants it to be bc it's synthetic, which means taking out whatever she deems unnecessary, then would she have a reproductive system? Would she deem it important?? Would you even have anything to insert yourself into or is she just. Cursedly smooth

Anyway thought dump over, sorry for the crisis even though you were expecting 🌽. MOVING ON

It's hard to believe that the woman you're dicking down is Inazuma's very own revered Archon when the one you've got underneath you at this moment looks so unbelievably fucked out and far off: eyes clouded and rolling to the back of her head, fingers digging into the sheets, mouth glistening with a mix of your saliva and the drool on the corner of her mouth, hair out of its normal braid and surrounding her like some kind of purple aura

And that's not even accounting the occasional spark of electro here and there to which she had initially apologised for. Though that was before she became all dumb and lost all sense of thought and responsibility, her mind practically turned to mush as you keep on pistoning her relentlessly. Now she's just REALLY unaware of anything and everything else but you and how good you make her feel. Everything else is just SO overwhelming for her little brain 😞😞😞😞

"I-- I'm c-cumming again, I-- feel the--"

"'s okay, baby," you groaned out, putting her legs above your shoulders as you moved within her, "you can cum."

It will never cease to amaze you, how your words had such an effect on the strongest figure in all of Inazuma, especially when your words get her to react so very intensely—her insides squeeze you like a vice as her hips lift off the bed in an attempt to get you as close to the base as possible.. or at least, she tries to.

Despite all that strength she has, all it takes you is a press down onto her abdomen as a way to both keep her hips down and to add more pressure on her and suddenly she's all pliant. The poor girl can't even scream—she was never really the type to—so when she opens her mouth, she doesn't make a sound as you push your hips into her in a particular way before stilling your movements as you came inside for.. who knows how many times it's been?

The amount of cum that spills out from her pussy despite your cock practically plugging it shut is enough of a giveaway that you've been at it for a while though.

..But you find that you don't really care when you start up all over again, not giving her enough time to come down from her high and overwhelming her completely.

You act out whatever she saw on that book of hers: the poses, the positions, the angles, whatever she thought was interesting to her. She used her lack of present knowledge to her advantage too—she had asked you for a proper demonstration, seeing as how she had been trapped in the PoE for the longest time so she fears she's not all that familiar with these.. new words or phrases!!

Half of it was true but other half of it was her just trying to lure you. And it worked so 🤷‍♀️ fair game

You make sure to stuff her silly with all of you, scooping up what drips out and stuffing it back in to make sure that nothing goes wasted. That proves to be a hard task as you proceed though because throughout your many rounds and the actual breaks in between, there IS a limit to how much she can have inside her so it's inevitable that it'd spill

Not like the sight isn't great, it's actually the opposite—just seeing YOUR own cum practically overflow in her pussy like that? FUCK just the thought of her insides being painted white because of you??? It's the way that if you pressed down on her abdomen without your cock clogging her entrance, it'd gush out in streams.......ohhhhgoodness

Your lover stares down absentmindedly at her pussy, hole agape and very much abused and so so so filled up and stained and whatever it is she could think of to describe it. Such warmth was inside her, the feeling of being full never quite leaving her—not as if it ever could for a good while, when you've filled her with so much cum that it's spilling without anything to prevent its escape from within her.

She had designed this body with the thought of only keeping necessary systems on the design for optimal use in upkeeping eternity and avoiding erosion. Why she had designed it with erogenous areas in mind? The reason eludes her, but now not only does Ei thank herself from going through with it, she is lamenting the lack of a complete reproductive system.

While becoming pregnant would.. pose for mixed results during her planned time to make amends to the nation for running away and keeping a narrow mind on what eternity could mean, she had wondered how the session would have felt with such capabilities. Would it have felt better? The same? Worse?

..Perhaps she will take a note to reassess the Shogun's model later.

Zooweemama by GOD I need her, end of story good night all

[starzwithapen]

⭑˚₊‧° ♢ 𓆩♡𓆪 ♢ °‧₊˚⭑

JOHN DORY / READER ☆ DUET?

｡ﾟ•┈୨♡୧┈• ｡ﾟ

☆summary: Brozone happens to play on the radio, and JD's appalled to find out you're not a fan

☆content: reader is not a pop-troll, reader is gender neutral, lowkey crackfic lmao, established relationship

☆a/n: Silver wrote this one!! And okay we KNOW realistically JD would tell his partner about being in brozone but for the sake of the comedic factor in the fic he's hiding it shshsshshhsbshshsh

⭑˚₊‧° ♢ 𓆩♡𓆪 ♢ °‧₊˚⭑

You'd been sitting in the driver's seat, driving Rhonda around [a rare occurrence, but JD indulged you just this once] while John Dory stirred his sugar into his mug, handing you yours with a kiss to your cheek. You nod at him gratefully, looking down at the buttons spread across in front of you, one of them particularly sticking out to you.

“Woah, wait, I didn't know Rhonda had a radio.”

John Dory leans against the back of your seat, arms wrapped around you from behind, “ehh, I don't use it often in case it scares off all the animals.”

He pokes your arm playfully, eyes glancing out the window, “we're pretty far out, though, should be fine to listen to some tunes.”

You insert a random channel number, turning the volume upwards. This one seems to be a host speaking about the weather, so you switch to the next- sounds like a cheesy pop song of some kind, probably a boy band. You snort at the lyrics- you didn't know anyone could fit that many synonyms of “girl” into one song.

You switch onto the next channel without catching John Dory's wide, shit-eating grin, and the immediate way his face practically crumples apart, “wuh- hey, what's wrong with that last song? It was really good.”

“Okay, I know you're a pop-troll,” you start, trying to find a channel with your preferred music, “but you have to remember I'm not. That stuff hurts my ears.”

John Dory leans backwards, arms crossing around his chest, “Okay, yeah, you don't like pop music, but why that song specifically? I was really jamming out to it, y'know.” He makes that smug smile of his that normally has your cheeks heating, “guy's a lyrical genius if you ask me.”

You stare at him, unimpressed, because he's got to be joking if he thinks that song has deep lyrics.

“JD, he just rhymed baby with baby. Three times in a row. Within the same chorus.”

“Hey, it's hard to think of rhymes that don't throw off the choreo, okay?” He points an accusing finger in your direction before pausing, forcing a nonchalant pose and pursing his lips, “Or- uh, or so I've heard.”

“Yeah, yeah, that's what you pop-trolls always say. I think that guy just needs to pick up a dictionary every once in a while.”

You don't actually care about the song that much, but seeing John Dory get this riled up over it is funny enough for you to go further,

“I bet you I could write a better song by the end of the week than that guy has his whole career.”

John Dory's grin turns wolfish, and oh boy, you should've known better than to try and challenge him, even jokingly,

“Oh you bet, do you? We'll see about that.”

—-------------------

This whole thing was going. Uh. Badly.

Your conversation had escalated into another one of your bets, which you surprisingly lose more often than not, most likely because you bite off more than you can chew. John Dory's unfortunately very aware of this, and throws you bait whenever he can. This time was no different. Winner gets one request for the loser.

You are not a song-writer by any means. You're a troll, yes, trolls sing and dance! But you don't write songs! The most experience you have with rhyming is a shitty poem you made as a teenager that never saw the light of day.

You'd started with listening to more of Brozone's music, and okay, you have to admit, some of their songs were actually really good okay. You'd caught yourself humming them more than once throughout the day, and John Dory always gives you that smug look from your peripherals before leaning in to kiss you senseless. He knew you were coming around to them and it was humiliating, and he was also concerningly elated by it.

While listening you've come to realise the lead singer sounds oddly similar to John Dory, just with a higher pitch and none of that raspiness. Like, freakishly similar. It's had you thinking John Dory's calling for you when he's just sound asleep, and the fact you misheard Brozone's “baby” or “honey” as JD is frankly embarrassing.

You groan and slump against the couch, the pen tumbling out your hand and clattering onto the ground below. Okay, you had to admit, this was really difficult. You were suddenly gaining so much more respect for boy bands.

You'd wanted to use this ridiculous bet as an opportunity to show off, or…even bring you and JD closer together- you know how important music is to him, so getting to write him a love song under the guise of a bet? It's a perfect chance handed to you on a silver platter!

But you just can't seem to think of the words- it's already been a week and so far you've written, what? 4 verses? And they all sucked. You wanted it to mean something- you wanted it to sound poetic and elegant and meaningful all at once, unlike those silly songs on the radio, but it just wouldn't work out!

You muffle a frustrated shout into your hands, pulling them away from your face when you hear footsteps, looking up to see John Dory towering over you.

“You give up yet?” His smile is adorable infuriating to look at, so you cast your gaze aside, huffing and grabbing your pen off the floor.

“No, ‘course not.”

He hums, patient for you to admit defeat, trying to take a peek at your notebook from up above, though you're not too worried since he can't read upside down [or at all, you've come to suspect].

“Okay, fine, I give up. You win.”

John Dory lets out a ‘whoop!’ and throws a fist upwards in celebration, smile so wide you're afraid he'll split his face apart.

You sigh, “Okay, hit me with it, I'm doing the dishes for a full week? Scrubbing Rhonda's windows?”

“Sing a duet with me.”

“This is so unfair, you know I hate doing the dishes- wait- huh?”

John Dory looks at you with a hopeful gleam in his eyes, holding his palm out for you to take, “Sing a duet with me. C'mon, don't think I haven't seen you swaying to my- uh, ahem, Brozone's music the past few days.”

He recovers quickly from his slip-up, tugging you upwards once you take his hand. He carefully starts up his record player, and you're surprised to find you recognise the song immediately, since it'd become a favourite of yours this past week.

“You know this one?” JD grins in your direction, one hand on your waist and the other on your shoulder, his touch gentle yet firm, “think I've heard you hum it a few too many times during breakfast.”

The song starts off slow, as does your dancing, the both of you simply swaying together- you don't exactly…dance often, so your movements are clumsy while his are self-assured.

The lyrics are cheesy, all about young teenage love, but…they make you feel giddy, your steps becoming lighter, your heart fluttering about. And, well, the song may not have deep mind-blowing lyrics, but you think that's the point of it. It's just meant to be fun, have your blood pumping and your heart soaring.

“We're grown adults, this song is for highschoolers.” You say, though your smile is fonder this time. John Dory chuckles and spins you around in his arms, making your head spin in more ways than one, your feet tripping up over his, “C’mon, live a little! Who says we can't be young and free in our mid-thirties?”

You stumble in place, trying to blink the dizziness out your eyes.

“JD, I'm gonna knock you out.” You try your best to grumble, but it only comes out flustered with how hot your cheeks are.

He smirks, twirling you around, “You've already knocked me-” his foot slides under yours, and you fall down into his arms with a yelp as he catches you in a perfect dip- “off my feet.”

Just before you can spew another insult at him for catching you off-gaurd like this, he leans in to kiss you, lips melding against yours sweetly. You melt into it, his arms secured around you so you don't fall, the music fading into background noise in your mind. You know your voice will be hoarse from singing and your muscles sore from dancing by the end of the night, and you wouldn't have it any other way.

⭑˚₊‧° ♢ 𓆩♡𓆪 ♢ °‧₊˚⭑

Would be superr cool if you left feedback if you enjoyed it's super helpful and much appreciated ! this guy is so cringefail I NEED HIM. -silver

[zerokurokawa]

Daughter From Another Lifetime, Part Two (Bonten!Rindou x Reader)

(part one)

After the conversation with his you, the mother of his child, Rindou did everything he could to make up seventeen years worth of lost time with his daughter. He picked her up from school in his nice car, took her out to eat, took her shopping, and even taught her how to drive like a father should. Other than spending time with d/n, he had other things on his agenda was well. 

He couldn't help but to notice how great you looked to be in your early thirties. Both of you looked amazing. You, with your e/c, h/c and h/l, and overall beautiful physique, were as stunning as the day he had met you. Truth be told, he had never fallen out of love with you and thought of you often. He craved you, needed, and wanted you. Hell, he even thought to himself about having a second child with you if it wasn't too late. He enjoyed being a father after all. 

One night, after taking d/n out to eat, he brought her home on time as promised. You and Rindou had a set schedule when it came to your daughter. He would pick her up from school, take her out on certain days, and drop her back off at home before or at nine. Only this time, Rindou had invited himself inside to talk more. 

As d/n went to her room, he sat himself at the counter once more, making himself at home in your humble apartment. 

"I think I should buy you a house." He stated, out of the blue. 

"I don't need your help with that, I've got plenty in savings and we're doing just fine here." You sounded cold. 

"It would be my gift to you, y/n... I want you to live comfortably and never have to work again." He said, taking a sip of the wine you had poured him. He was still wearing his suit, which was neatly pressed, from work. His lilac and purple hair cascaded down his shoulders as he watched you intently. 

"You would really go that far, huh?" You were leaning against the counter now, cleavage out. He was obviously trying not to stare, but what could a man do? He wanted you, badly. He wanted you back so bad that he even told his brother about your return and the fact that he was a father. Needless to say, Ran was surprised that he was an uncle and couldn't wait to meet his niece. 

"Yeah, I would. I would do anything for you both." He said, leaning in across the counter and propping his arms on the edge. He wanted to get closer to you, but the damn counter was in the way as you were standing opposite of him. You stayed silent while he spoke up again. 

"I want you both to live happily, without worry. I've kept my promise by putting her first. I've been leaving work early and picking her up. I've spent time with her. I've gotten to know her likes and dislikes and she's just like me!" He rambled, a wide grin creeping upon his face. He was trying to win you back. 

"I'm glad, Rindou." You smiled at the thought of your daughter finally having her father in her life. You had seen how happy it made d/n to be around her dad. She even came home one day and told you all about the awesome shopping trip he took her on and how she got everything she ever dreamed of, including the newest iPhone. 

"So why don't you give me a chance to prove myself even further?" He smiled, taking his hand and placing on top of yours. He got up from the counter and walked around to where you were standing. He towered over you, his eyes gazing into yours. 

"What do you mean?" You asked, tilting your head to the side. You wanted him, but not all that he came with. You knew he was in a very illegal, dangerous line of work and you didn't want that to affect your relationship any further than it already has. You caught yourself thinking about the Tenjiku days and how often Rindou would come home with wads of money from seemingly nowhere. That's when you knew he was up to no good. 

"I mean... me and you. Let's give us another chance." He started to wrap his arm around your waist. You let him, for a split moment, as you were lost in his gaze. The next thing you knew, you two were inches apart and he was leaning in further. Right when he was about to kiss you, or so you thought, he tilted his head while brushing back a piece of hair behind your ear. 

"I think... we can make it work this time." He whispered gently into your ear, his breath grazing your skin, causing you to shiver. You stayed silent; lost in a daze of confusion and thoughts as he leaned back, arm still wrapped around your waist. 

"I need time to think about this, Rin..." You trailed off. You wanted him, badly. You were scared though. You were terrified of numerous things. What if he brings work home and someone comes after you and your daughter? What if he gets caught and gets sentenced to prison? What if... he gets killed? 

He backed away, trying not to upset you. He could see the look on your face. As he turned to leave, he asked one more question. 

"Promise me, you'll think about it?" 

You nodded your head in response, still in a daze of thinking. He left without a single word. 

(Tagging: @rukiasluver @merrymerrykiss @burndownyourparade) <333 <333 <333