#which is of course why he never could... fucking.. the narrative and all

[rovermcfly]

gay people are so fucking useless, they will literally quit their well-paid, secure job for some guy, go to that guy's boss and offer to write a book about their football club, pretend to be "observing" the guy's coaching methods or some shit for MONTHS and actually write a whole ass book about it, all just to have an excuse to spend every single day with him instead of simply saying something like "hey I'm really into you, would you like to go out sometime"

[batboyblog]

My heart felt like it dropped to my stomach when I saw the news of Biden dropping out. I’m voting for Kamala of course, but I’m just so anxious about what could be the effects of this, and my anxiety disorder is not helping things. Do you think we’ll be able to win still?

Yes.

longer answer, Yes, we always have a chance to win, who Donald Trump is hasn't changed, in weeks of hellish coverage for Biden Trump stayed stuck at about 46% in the polls, the same amount he won in 2016 and 2020 (46.1% and 46.8% respectively) The media and a small group of dems weren't ever gonna give up on trying to push Biden out they were never gonna let him reset thats why he quit, now that we've ended this cycle we have a chance to force focus onto Trump and unite all the people who hate him, which is a majority of Americans, we just need them all to vote for the same person and not fuck it up like 2016 where just enough people voted for 3rd parties to bone it all up for everyone

if you're stressed, I'd say give Kamala a dollar, the media narrative will be driven in the coming days by fundraising strength (sad, but true) out the gate, she's raised over 5 million in an hour or so, what's more again, everyone, sign up to Volunteer now more than ever, everyone need to get out and do what they can, if we all pull in the same direction we can do it.

[toriaanin]

The only real couple here is L and A. You should ship them, they are really in love.

Thanks for the recommendation Anon... but NO. I'm here to ship one couple, and one couple only.

If Nicola or Luke find love and happiness with someone else, wonderful! Will I ship them with other people? No. Will I be happy for them? Absolutely! The thing is, what I see between Luke and Nicola is unlike any connection I've ever seen and it's THAT connection - a soulmate connection - that I'm here for. When either one of them makes it clear that they're committed to another person (which they haven't done :: going on a "date" while being unwilling to post that "date" on your IG stories, or a friend walking you home after a pub night who then shields you because a photographer is papping you :: these aren't examples of committed, romantic relationships!), I will stop shipping Luke & Nicola. I will not, however and ever, stop believing in the divine love I witnessed through them.

And another Anon asked and suggested:

Anon: even though my blog is new-ish, my stats tell me that I'm not being laughed at. Because I'm posting your ridiculous messages, YOU on the other hand, ARE being laughed at. In fact my readers are going to laugh at you in the comments 😂🤣

Lukola friends - these aren't the only Anons to reach out to me these past days, but they'll be the only ones I'm going to respond to publicly. I decided to share evidence of their troll campaign so that you could rest easy in the knowledge that the Lutonia's (edited to add: and Jakolas [see P.S. below]) are panicked. They saw what we saw at the BOSS event and the pieces don't fit their "hot couple in love" narrative.

A situation that didn't make sense given the lack of contact between Antonia & Luke since the end of July,

A petrified Antonia who wasn't professionally styled, as though she wasn't a priority,

An angry and disgruntled Luke who cast Antonia's hand aside, then looked like he wasn't happy to be photographed with her,

Luke's eventual (3 days later) black screened IG story with a black heart (macabre!) and a link that required two navigation clicks to get to TT so that the viewer could watch a reel that listed Antonia as "guest".

To my way of thinking, the whole "date" was an orchestrated PR stunt aimed at deflecting gaze away from Nicola & their treasure during a time when the utmost privacy was desired by both her and Luke.

So the Lutonia/Jakola anon troll's strategy? Push us when they perceive us to be down in the hopes that we don't get up. Hit out with verbiage meant to feed doubts they think we have. They also (and I love this because it's so fucking hilarious!) work soooo hard to link obvious Nicola and Polin "Lady Whistledown" references to their sinking ships. Silly gooses. And of course they ignore that Luke has never claimed or clarified Antonia's status in his life... even now, after the BOSS event.

The trolling behaviour doesn't phase me in the least. I don't have doubts they can crush with their silliness. Nicola and Luke are soulmates. End of statement.

So troll anons: why not head back to your sinking USS Lutonia or USS Jakola and cast off for home before your ship sinks to the bottom of the ocean. From this point forward I'll be blocking those that send me messages like this. If you're inclined to message me similar bullshit, why not save yourself the trouble and stay in your own shipping lane.

Aanin Xx

P.S. I just discovered a kinda back-door way to see who these Anon posters are... and they're NOT officially Lutonia shippers. They're JAKOLAS!! What dickheads. To all the Jakeholes that are reading this post - fuck off to your own ship. You're worse than the Lutonias. Your desperation stinks like shit. I've also incorporated Jakolas into the original post above.

[peppertoastuniverse]

pep reads: gojo satoru – long fics (pt.1)

Part 2

｡･:*:･ﾟ★,｡･:*:･ﾟ☆｡･:*:･ﾟ★,｡･:*:･ﾟ☆｡･:*:･ﾟ★｡･:*:･ﾟ★,｡･:*:･ﾟ☆｡･:*:･ﾟ

☆ the way you love me by @peachsayshi [AO3/tumblr] [status: ongoing ◦ 29/? chapters] [smut!] [fwb!gojo] #pep's first fic she was OBSESSED with #real good good smut WITH FEELINGS

“We can stop anytime. If either one of us feels like... this ...might be too much. We stop, no questions .” “We can stop anytime,” Gojo repeated “... and nothing changes between us .” You swallowed hard at his last statement. You may not be able to read his eyes but you could hear it in his voice that he needed reassurance. “No matter what happens, we’ll still be friends...” you replied softly, “now kiss me before I change my mind.”

☆ you and me by tomodachi [AO3: ] [status: completed ◦ 5/5 chapters] [tear jerker] [eventual smut!] #pep cried #gojo just kinda loves you real hard

“Prisoners say the most comical things when their judgment comes,” you tilt your head, lifting a finger before him, “Who are you?"

--- History is written by the winners, Satoru knew this well. It was only when he lost and got sealed inside the Prison Realm he learned how to be weak and find out a long buried truth.

☆ ito by @peekamatcha [AO3] [status: ongoing ◦ 48/? chapters] [super slow burn] [shinto elements] #pep DIES with every update #the TWIST in that one chapter omg

You, a former sorcerer now working as a university lecturer, were hoping to maintain your distance with the sorcerer world for an eternity to come. However, with the reappearance of an upperclassmen from a decade ago, you are forced to go on a journey which you would rather sit out of. But somebody must save humanity from the impending apocalypse and apparently the job falls on the shoulders of you two.

It would have been alright had he not been everything you didn’t want to be reminded of. And the sacrifices to be made may be more than what had been bargained for. ☆moonlight by @septembersummer [AO3/tumblr:] [status: completed ◦ 10/10 chapters] [smut!] #pep loves this AU #pep SCREAMED

Gojo Satoru is dying. And no, it's not his fault this time.

The curse which is withering Satoru into an early grave is actually the product of his great, great, great, great, great, great, great grandfather, who had a couple of sons that refused to procreate. And what does a proud, powerful man do when his sons refuse to fuck, and there won't be another heir to the clan?

He curses his own bloodline, of course.

It's only natural that he forces them through some twisted form of sorcery to become uncontrollably, violently attracted to the person they're most genetically compatible with.

It's even better that the curse creates a permanent, unbreakable bond between the two unwilling lovers. That's right, it usually takes more than one fuck to make a baby-- so, why not force them to have twelve?

Satoru wished his ancestor would be resurrected from the grave, just so that he could kill him again. That is, before Satoru inevitably dies.

He's had a good run, he thinks. Now, all he has to do is make sure you don't find out that you can fuck him back to life and try to very stupidly save him from himself.

(here's a spoiler: you do).

☆ a typical family by @literalia [AO3/tumblr] [status: completed? ◦ 32/32 chapters] [non liner narrative] [dad!gojo] #pep absolutely MELTED #slice of life #pep's gojo comfort fic

"satoru. where did you get these kids?"

or

after a six month absence, satoru shows up at your door two little kids following behind. chaos ensues.

☆ and if i cant see by hollowdonut [AO3: ] [status: unknown ◦ 26/? chapters] [slowburn] [eventual smut!] [tw: ptsd] #pep loves the reader's dynamics with gojo!

They say eyes are the window to the soul, but Gojo’s eyes are almost always hidden behind a blindfold. Even when they aren’t, you can never tell what he’s thinking.

You wonder if you should’ve taken that teaching job in Kyoto instead.

｡･:*:･ﾟ★,｡･:*:･ﾟ☆｡･:*:･ﾟ★,｡･:*:･ﾟ☆｡･:*:･ﾟ★｡･:*:･ﾟ★,｡･:*:･ﾟ☆｡･:*:･ﾟ

bonus!

☆ all hail the empress! by @chuluoyi [tumblr/AO3: ] [status: unknown ◦ 1/? chapters] [smut!] #pep loves this AU #but THE END THO? OMGGG you are an empress perfect in every way... until your husband suddenly casts you aside for his expecting mistress. but you won't be dethroned just like that, because the newly coronated western emperor, gojo satoru, sets his sights on you, and thus your revenge against your ex-husband begins...

[corseque]

I honestly just wanted one single plot step that I could not predict given the 10 year wait. More behind the cut, I talk about Emet too, and I'm comparing his writing favorably to Solas' writing and why it worked better for me personally, but I am just talking about the writing skill that went into the games and not the dudes themselves, I love them both dearly of course. idk this is a mess and I am not going to edit it for clarity

For me, the game was a series of me saying

"ok I knew that. cool."

"oh yeah, I knew that. I guess it's good that the larger fandom knows about that now."

"nice, but yeah I already knew that too"

"that was something we've been talking about a lot for years"

"this thing they are acting like is a huge enormous reveal that the characters could not possibly have deduced through simply thinking about it in depth over the 10 years... the fans easily figured out by thinking about it in depth 10 years ago. So you would think his girlfriend would be able to figure it out more easily than we did. Like, why couldn't the game have been like 'oh lavellan already figured that out a while ago' it would have cost them nothing"

"this is something I've been thinking about for years, and now that it's being revealed, the companions' reactions to it are very irritating and jarring and unnecessary and I really dislike the experience I'm having right now, in this, the hour of my greatest triumph"

"this thing that is happening on my screen right now is something that I wrote an essay about 2 years ago describing how it would be a letdown if it happened without the correct setup"

"this way that they're characterizing Solas makes him less likable and less interesting than I have been finding him for all these years, and I have had people tell me 'no, he's simpler than you think' for years but I guess I was wrong, he really is simpler than I thought, so that fucking sucks. I wish I could take that information out of my brain."

"this thing is a retcon of information I have been thinking about for 10 years, and so I don't know how to follow along with this new direction, and I'm not sure if I even want to because it's not particularly interesting anyway"

"aw that was sweet"

"why is it like, so very impossible to have an honest back-and-forth with my favorite character about the dilemma that was most interesting to me about the previous game"

and then, as soon as, like, the other fans had caught up to the Solas lore that was really obvious from the other games, the game was.... over without anything surprising happening, or introducing a new element or plot point or perspective, or a real true twist (or two, or three) for those of us who have thought about it too hard for too long. It was very simple and easy, much, much, much, much easier than I was imagining. It all felt sort of like that Nicholson quote:

The thing was, the whole story was so interesting to think about because in 10 years, I couldn't figure out a good solution to it!!!!! It's why I was never able to write post-game fanfic about it. So I was stoked to find out some reveal we never knew about, some new information, in maybe a SERIES of steps of new information, that made the situation more complicated but also something that could be navigated by everyone involved. I know it was asking for a lot, but they had TEN YEARS, and they seemingly had set up the things they did in DAI on purpose, so surely they had some idea of a complex and satisfying narrative that would reconcile everyone.

The reason why I was expecting this is because FFXIV did a very similar story arc, which was started AND concluded WITHIN those 10 years (so it took the FFXIV team far less time to deliver as well). And the conclusion to the story in FFXIV did what I was expecting Dragon Age to do. So I thought, "holy shit, if this is the FFXIV version of this plot, how much more complicated is DA4 going to be!?!?" The DA devs also PLAYED FFXIV so they were completely aware, several years ago, of a satisfying story ending that was pretty darn similar.

People are probably going to think "oh, well Chelsea was disappointed because she spent too much time building it up in her head" but that's exactly it - I actually speculated and thought about FFXIV's story IN DEPTH NONSTOP for a year+ before its ending came out, and the ending absolutely blew me away. FFXIV Endwalker managed to introduce information and new story elements that I was not able to figure out in the YEAR I spent speculating on the ending of FFXIV's story. It took a complicated situation and revealed several several more facets to it that I was not able to predict, but were very interesting and thematically compelling, and took us all to surprising and climactic places that we could not have predicted.

Endwalker ("end" is in the title on purpose) too, was written to be THE ULTIMATE SATISFYING ENDING for a very long-running story in the exactly way that Veilguard SHOULD HAVE for Dragon Age, so while this complexity is being explored, FFXIV also gave catharsis to many different plot threads that have been built up through the previous expansions, until finally it ends with a bang. The story is desperately good to me, I loved it, it gave me closure for Dragon Age long before Veilguard was even revealed, and going back and looking at its story has made this whole thing far less painful for me.

So, I actually did not have a picture in my mind for how things SHOULD go. I just had the thought "I hope it's complicated and there are points of view or facts that we haven't before been exposed to, and the situation is resolved respectfully for Solas, not making him look like a fucking idiot (lol, the only thing I asked for). I don't even care what happens to Solas and Lavellan, I just need the story to be complicated and interesting to think about. Please, god, don't let it be "solas is wrong and he just needs to be convinced" because that's like the simplest story you could tell with this setup"

(btw they managed to tell Emet-Selch's story without making him seem like he's being an idiot on purpose or can never get anything right, and in fact the more the story goes on, the more you think of him as smart and capable and cool, so it is possible to write.... I wasn't asking for the entire moon)

And I played it and... yeah. Most of the story beats were more simple than I wanted them to be, a lot of them didn't make sense in my heart given the writing from Inquisition. (This is another essay, but if Solas' thematic story arc was always about him needing to let go of regrets, why was his personal quest the way it was? After that quest, doesn't he end up regretting not doing more....? Why did he never really talk about regret during Inquisition? If he was so trapped by regret, why was he able to do so many actions? It doesn't mesh well to me. The whole regret thing was very quarter-baked to me, I don't even like thinking about it.) His story never seemed like one that was as simple as being about one man's regrets, but then, I guess, it was always just about one man's regrets.

Emet-Selch's personal storyline (and the way it interacts with and affects the larger story) is very similar but much more cohesive and satisfying to me. It would be difficult to explain why without the aforementioned 5-hour essay. Emet-Selch's story IS about grief and anguish on a world-shaping scale in a similar way that Solas' was apparently always about letting go of regret, but Emet's story was also very pointedly and beautifully about that one theme for the entirety of his story from every tiny detail, from beginning to end - meanwhile, it seemed to me that they tried to introduce 'regret' as the main thrust of Solas' story only in the short story with the Regret demon onward.

From Inquisition just by itself, the closest I personally could get to a story theme for Solas was his inability to trust others hurting him and the world, but his trusting others in DA4 wasn't really addressed to my satisfaction. He is never required to trust anyone before the ending, he never opens up or makes himself vulnerable at all. People find out information about him, he never really dynamically opens himself. So the personal story I thought he had was never addressed at all, while a new one about regret was introduced that never made a ton of sense to me. And I don't think this is just because of my expectations - my reaction to FFXIV proves that I am able to meet good writing where it goes in surprising directions, as long as it's interesting and thoughtful and clear.

And I think this might be part of what people felt was off about the ending - Solas is sort of uninvolved in the revelations that are about him, and doesn't do much to be part of his own ending. Part of what I loved about Solas in Inquisition is that he is not controlled by you in any way, and so he feels like his own person with a very strong sense of character.

Anyway, Emet-Selch, in a very comparable and arguably more extreme plot position, is very involved in the revelations about himself, he always feels like a very strong character who cannot be affected by the player, and the whole situation is handled with deft emotion and care and delicacy. The story is comparatively very uninterested in litigating Emet-Selch or putting him on trial - the story allows you to simply feel the way that you feel in an organic way, and Emet's story spends that energy instead actually exploring his thematic material about grief and legacy, and the larger story theme of existentialism instead, in a way that is very refreshing and interesting. I've seen a lot of western stories tie themselves in knots over "redemption" and frankly it's almost never been interesting at all. Who cares about any of that. lol

(Now, I guess this is a matter of preference, because some people really like being able to shape a character's story, but idk I rewatched the ending of FFXIV and even though there wasn't a choice with Emet, because it isn't a branching story, his story felt more satisfying to me, maybe because there isn't a patronizing choice to be made for him. He is who he is, and he fulfills a very beautiful narrative role and purpose that no other character could in the story.)

I don't know how this could have been improved to me and still allowed players to choose Solas' ending for him, but I can actually think of a few different methods, none of which involve Rook condescendingly and patronizingly lecturing Solas as if Solas had never thought about a single aspect of this horrible situation he's in before that very moment that Rook lectures him lmfao.

All this to say... idk I'm writing this and I am not going back to edit it so it's stream-of-consciousness. But yeah

I just wanted the story to be complicated on a few more levels than I could have predicted. I genuinely don't care what happened, but I thought of a few twists like the Veil coming down and yeah, I was expecting A Single Twist or reveal to happen. In a Dragon Age game.

I wanted Solas to seem cool and capable and noble and smart, and actually feel like he was as old and experienced as he is.

I wanted a clear theme I could sink my teeth into

Like notice I didn't even say anything about Solavellan. Like I never in 100 years thought they were getting a happy ending where they were both alive in bodies, and I like that we got that, but I would honestly trade it for a more complicated story. To me, if a story is sad you can always write fanfic, but if a story isn't COMPLICATED, that's a much more urgent issue.

These 3 things DA4 didn't give me in a way that satisfied me but FFXIV did. anyway idk the way my hyperfixations work, I completely switch to a new subject so talking about Dragon Age is actually hard for me right now.

[girldriveroscar]

Re: size of landoscar. Love your write up haha. Truly any narrative can be validated bc every pic looks different ‼️I do have two pics that are crucial landoscar comparisons imo:

https://www.tumblr.com/answerringg/770682515577077760/their-size-difference-oh-lando-is-getting

This pic is a screen grab from a vid but just in general he looks huge this whole video 😭 like you mentioned I think his bad posture eventuates that + optical illusion but wow. What a satisfying visual re: him vs Lando. Like FINE I’ll buy into the whole ‘Lando’s so small🥺’ that both Lando and Oscar like to perpetuate🤷‍♀️

there’s also a vid of Oscar+ a fan and the comments/fan all mention how surprisingly tall Oscar is. Like Lando said in that first Mclaren vid… Oscar doesn’t seem tall.. but he is. (tall being like 5’10/11 lol)

https://www.tumblr.com/mara-xx/770330916757372928/needed-a-last-minute-birthday-cake-so-i-called-up

^ And this one is just self explanatory 💗

Anyway sorry for the length but my last random thoughts — even as someone who’s never paid attention to lando til like 5 seconds ago, I can tell he’s gone through a massive glow up. And to make this rpf bc why not, how lucky for oscar —the guy who’s been a fan of forever— to experience Lando in his prime (thus far). Oscar said #invest #manifest 

THIS and THIS for ease…

THESE SUITS WERE SO. fuck that ugly ass diagonal suit broOAUGH. this era..peak landoscar size diff cus like oscar Jus grew n lando had Not.

but ok like they r Literally always changing sizes. frm the front to the back to the outfit to the angle

i could find a Billion examples atp !!

why doesnt the big twink eat the little twink seeing this Reformed my brain n the way i see them bc. from the front they r so

0 and o

like oscars small horizontally (again FROM THE FRONT!) while landos smaller vertically. but theyre both Small Basically. (#f1drivers)

but at the same time. theres a lot of muscle mass packed into their frames. and as they shift arnd / have better or worse posture / flex and unflex. theyre either Twigs or Big.

its shrödingers landoscar… theyre big and small… i think the only real conclusion for this wld amount frm seeing them in the flesh. which i dont intend to do or ever report on. LOL. probably.

i fully believe oscars taller than he looks tho. ESP after this year. end of 2023 vs start of 2024 and end of 2024 for reference. i think its a slight growth spurt maybe i am… being kind to oscar though…

anyways thank u for the oscass pic. that photo genuinely makes me Claw and rattle the bars of my enclosure like he is so Perfectly bouncy in that. n lando is my pancake in a way…

and bc youre landoscaring im landoscaring. Under the cut tho.

the fact oscars not even.. big… n they stil BOTH push this narrative of lando is sooo itty bitty…

the way sue Cs it oscar is so giddy about being in on the “lando is the small and fiercely dominant” joke after following said smallest boys career When He was Actually the Smallest… like he is living out his 15 yr old dream please excuse his excitement he Literally is just in on the joke now. of course hes milking it. ijsk he wanted to b george russell soooo bad. hes Crazy. let him have this bit.

lando i think leans into his smallness as a shield bc its all hes ever known and been told. but thats a whole deeper convo. still cannot bring myself to edit that lando analysis Very apologetic the thoughts might hv to die in my drafts <\3

the #invest made me LOLLLL. hes so true. following a guy frm his feeder series bc u Saw the potential in him. Watching him get to F1. Moving frm adolescence leaving everything familiar to u behind to kart with the same team. Stumbling behind in his footsteps. Getting to F1 right by his side. And then u won a championship w him. brought glory back to ur team through the power of Literally Just getting along.. and u have these weird charged events of tension that Somehow get ironed out Somehow.. And ur so completely the opposite of everything he knows and yet the longest teammate he has Ever Had..oOh My Goooood

we rlly dont… give enough time and energy to JUST HOW crazy of a coincidence that is. js think ab how exciting it is for Us when the F2/F3 driver ur following makes it into F1 !! like if Luke Browning or Fred Vesti ever got a seat im Doing Actual Backflips. IT RLY IS LIKE. #invest #manifest now add on everything else??? LIKE WHAT!!!!! god they make me crazy. and somehow lando got super stupid hot and hes a race winner and can actually groan out loud when he fucks instead of whimpering pathetically. that’s crazy man. 🚬🚬🚬🚬

[theflagscene]

15 Day BL Challenge (part 4)

59. What's a hill you're willing to die on when it comes to BL?

Omg, yes, someone asked me!!!!!

I will die on this hill, fite me.

*ahem*

Cupid’s Last Wish is a good series!

I know there is a shit ton of hate for this series and I have absolutely no idea why. It is a masterclass in physical acting, seriously, it is phenomenal! The story is very basic, because the focus of the series is the character’s journey and self discovery. Korn and Win already knows they’re in love, the story begins with them already knowing that they love one another, they just haven’t acted on those feelings nor have they admitted their feelings to one another. But never once does the narrative act like we the viewers are supposed to wonder if they love one another, that’s not the point of the plot. It’s how miscommunication and grief can blind someone so much that they lose themselves within those feelings.

In the case of the series, Win literally loses himself thanks to his anger. He nearly kills his body and damns his sister’s soul, so he must go on a pilgrimage with Korn to heal his own soul whilst his body is wavering between life and death which could very well take his sister’s soul with it. Korn, his best friend of 22 years and soulmate is the only person who can see him whilst trapped in his sister Lin’s body, because Korn always sees Win for who he really is. And of course we have the conniving mother, a well meaning family friend and a mysterious monk.

This is some of Mix’s best acting, not just as Win since Mix doesn’t usually play such a toxic character. But because for most of the runtime he is playing a male character trapped inside a female’s body, trying to trick everyone expect for three people that he is in fact a woman. Jan is fantastic in the role as well, because when she’s onscreen she must act as if she is a male stuck in an woman’s body with a male’s mind, trying to convince people she’s a woman.

It’s a complete mind fuck! Mix and Jan are fantastic as Win, the way they carry themselves, walk the same, stand the same, take up the same space, speak the same way. But don’t think Earth has it easy in this series either, because he had to make sure he held, touched and spoke to Mix and Jan exactly the same way. So when they edited the scenes to overlap, seeing Jan’s body instead of Mix’s, Earth is in the exact same position with both of them.

Seriously, if you dropped this series, try it again. Watch it just for the acting, because it’s phenomenal.

Also it has what might be the best onscreen reaction to menstruation from a male’s point of view without it being misogynistic, gross or rude. They make some jokes, like Korn not knowing what kind of pads to get for Win when he starts his period, and of course how Win feels having to care for and clean his sister’s body in a respectful manner. How he experiences her emotions, her hormonal shift, the pain of cramps, the way his whole body aches and how sick he feels. Korn is also so caring, trying to help Win through something he’d never experienced before without crossing a line with Lin’s body because whilst it’s Win, his best friend and love of his life, and when he looks at Lin he sees Win in his mind, it is still Lin’s body physically there. And as much as he loved Win, wanted Win, Lin was a baby sister to him and he could not, would not, touch Lin’s body in a sexual manner.

At the end of the series when he admits to Win and Lin’s mother that ‘something happened’ between him and Lin (it was Win, but in Lin’s body) all he meant was that Win had kissed him. Yes, he had kissed Win, shared a bed with Win, but he knew how that looked to people who didn’t know it was Win in Lin’s body. So to keep Lin from being shamed he agreed to marry her, instead of trying to explain to their mother that the assumption she was making about Korn taking Lin’s virginity was wrong.

There are fantastic villain characters in the form of the scheming aunt and uncle. Not to mention the family secret, Win and Lin’s mother facing her homophobia concerning her son, Lin being in love with someone else and of course Korn being forced into a mess that he did not want to be a part of but considering he had been friends with Win for 22 years and loved him more than life, how could he say no?

It’s a beautiful story, it’s funny, well acted and has Mix working with animals!

[arceus-insanity]

Something I never particularly liked about Endeavor's atonement, is that he never gave or gave up anything he actually wanted.

Like Endeavor was always willing to risk his life and limb as a hero, so any life-threatening risks or bodily harm he receives is just part of the job he was always willing to do from the beginning.

Him building a house for his remaining family members, only he won't be there?

Endeavor never cared whether he lived with his family or not, all that mattered to him was creating the strongest hero in Shoto.

So he never showed any want to be with his family until Shoto was already on his way to being a great hero.

It was barely an afterthought to him that was never followed through on.

The ending only makes all this worse, because it looks like he replaced each member of his family that he lost with heroes, the people he really wanted to be around...

Fuyumi = Burnin, onima = Natsuo, Hawks = Touya

Shoto on the path to heroic success.

And Rei there too, I guess for some reason???

Just wheeling him around...

Do you feel similarly or different about all this?

DING DING DING We have a winner!

Endeavor never has to sacrifice anything, he never chooses his family over his precious number one spot. He only even remembered they existed after he got his Precious.

And something I noticed is he is full of shit, and believes his own shit.

Like he thinks that 'oh I'll make a house for all my family members to live in' (Which we never see happen, so once again empty bullshit as always). But he never asks them what they want, it is incredibly bold to assume they would all want to live together, or even be able to with their careers, and if the kids want to start their own families. We also know Shoto likes traditional Japanese flooring, but what about the rest of them, and does Endeavor even know that?

One thing I've never seen anyone call out is his manipulative gaslighting speech to Natsuo after being rescued from Ending. He says that he didn't save Natsuo because he didn't want to make like Natsuo feel like he has to forgive him, only to without hesitation force him into a hug. So fucking much for respecting Natsuo's autonomy.

And this ain't the first time this lazy coward has froze when his kids are in immediate danger, we see him standing safely outside the flames with his fire resistance while Touya who's weak to fire burned on the peak. With Endeavor of course claiming 'he did everything he could'.

We also find out he harrassed Fuyumi into giving him Shoto's, his fucking masterpiece, number. Which he uses to text Shoto, in the middle of not just his workday, but fucking class hours! So much is wrong with this, this doesn't make him look good or show any atonement or redemption. What it does is make me think a lot less of both this excuse of a human being and his daughter (The start of her enabler arc). He's doubling down on past behaviour, quite stupidly I might add. And why the fuck did he need to get it from Fuyumi? Presumably, he's the one paying for the phone, he should just have the number from that!

Once again this man openly admits he only offered the work-study to Deku and Bakugou to manipulate Shoto. And constantly favors him when it comes to teaching. Understanding Deku's word vomit isn't difficult, even with him stupidly over-explaining it

What we don't see (or hear of) is him doing anything for or with Fuyumi, the only kid that wants anything to do with him (despite her character profile saying she resents him)

He is constantly given credit for shit he actively isn't doing!

But he and the narrative constantly throw him a pity party the second consequences are even hinted at. Not to mention he is also constantly rewarded for his (non-existent) efforts, Shoto chooses to work with him, Rei forgives him, Hawks, Burnin, Best Jeanist, etc are around to lick his boots clean and make sure he doesn't have to face any of those hinted at consequences. Boo fucking Hoo, the League (and specifically Dabi in this) deserved to win, and by the end, I was convinced that they would have been better for society

[edenfenixblogs]

I don’t think most non-Jews understand how disappointed we are in the left right now. How completely abandoned we’ve become. How our contributions to progress for other groups have been erased or disavowed or hidden. How the actual tangible things that Jews have contributed to black rights and civil rights are being ignored. How we’re being told we contribute and have contributed nothing.

How we are being told that the world has been kind to us when it never has. As if my mom didn’t grow up getting called a Kike and getting beat up for being Jewish. How I thought I had friends until I caught them saying “xyz was beautiful until Jews showed up.” How people told me I was pretty “for a Jew.” How I grew up hearing stories about bombs being set off in Israel in buses and markets. How I couldn’t even go two weeks without hearing that and how nobody cared and somehow, every time that happened, the whole world became more hostile to me for some reason.

I just don’t understand. I don’t understand what leftists are doing. Or why. I hate that I have to say—of course, I support a free and self determined Palestine (which I truly do)—in order for you to decide I’m worthy of care and support.

We showed up for you. All of you. And the entire movement is abandoning us at best or targeting us at worst. Celebrating our deaths. Saying we deserved it. How are we supposed to trust you ever again? How are we supposed to feel safe ever again?

A very few select people who are in my life have taken the chance to actually learn about and dismantle their own unconscious antisemitism during this time. And I’m eternally grateful for them. But most people haven’t reached out at all. Most people are still sharing hateful things that could get me hurt and they don’t care. Most people Reblogging my posts are still Jews. Because we are alone. And it sucks. You need to be as loud about antisemitism as you are about Palestine or you’re an antisemite (unless you’re Arab/Muslim/Palestinian—I totally get that these groups are also doing damage control in their own communities just like Jews are).

But we are all in tremendous pain right now.

This moment will pass. And when it does, I will remember how many people let me down. I will remember that when I needed support more than I’ve ever needed it in my life, people fucking vanished. They pretended violence against my people wasn’t happening. They ignored and rewrote the history of Israel to suit their own narratives.

You don’t know what it feels like to be hated this much for opposite things. PoC hate us for being too white. White supremacists hate us for not being white enough. Europeans hate us for being middle eastern. Middle easterners hate us for being western/European. Everyone hates us for being settlers but continually kicks us out of their countries so that we have to settle somewhere else.

I saw a post going around from a Black person who said that the reason he and his fellow black activists go protest for Palestinians instead of fighting antisemitism (as if it’s a binary, which it’s not) is that Jews don’t show up. Muslims and Palestinians do. And honestly? Fuck that guy. Heather Heyer died standing shoulder to shoulder against racism in 2017. [CORRECTION: When I first wrote this post I was under the impression that Heather Heyer was Jewish. I want to correct to avoid spreading misinfo. She was just the first (and incorrect) Jewish civil rights activist I thought of. However there are plenty of other actual Jewish civil rights activists to choose from. If you have reblogged this post from me, please feel free to add a link to the permalink version of this post with my correction to your reblog.]I have devoted substantial time and effort and money that I don’t even get paid a lot of because I don’t get paid a living wage. I have continually reached out to PoC people in my life of all religions to ask how they are doing and what I could be doing to help more—both for them personally and how they would best like me to help their community. I have elevated their voices at every opportunity. And not one person I checked in with has done the same for me or for my community.

And it’s bone chilling. It’s awful. And it’s even worse knowing that when it’s over, people will want to go back to normal. They won’t apologize. They won’t self reflect. They’ll just live their lives, maybe a little more aware of how much they hate us and completely indifferent to the harm they’ve caused us. How disposable they made us feel. And the thing is…it’s not hard for you to know. You just have to ask.

Too many people are cowards. Too many people care about looking good than actually learning something or making the world better. And to those people: you should be ashamed of yourself.

I don’t have any hate in my heart. Truly. Not a drop for any group of people. But I have a tremendous lack of trust that anyone would actually lift a finger to keep me safe.

[hunterintheice]

Shin lost his dream and his bestfriend on the same day. Losing his bestfriend is what hurt more. Losing his bestfriend is what he's still so angry about. Not Saint hurting him, not Saint costing him his dream, but Saint disappearing. Saint leaving him behind. Saint breaking him and tossing him aside.

I am convinsed that had Saint entered Shin's hospital room that day and apologized then and there, Shin would've already forgiven him a long time ago.

But that is also why Saint had to leave, at least from the narrative point (of course, in-universe most of it was probably due to Saint's shame about his own actions, his hesitation to face the consequences then and there, the dissappointment in himself, the fear of what Shin would say). As someone else already pointed out, if they reconciled at that point Saint would never really know the heavy weight of what he'd done. He'd still be remorsful, sure (we can see that the moment he realizes he broke Shin's leg he's instantly horrified and snaps out of the stupid plot he's built), but how could there not be a tiny part of him satisfied with the outcome? Shin didn't get to leave him, Shin forgave him, it all worked out.

So Saint had to leave, and Shin had to learn to hold onto his anger. But, this is also why Shin will still forgive Saint. Because Shin wants to, because the anger he's held onto for three years has started to hurt him more than it protects him. Because he still named his gang after Saint and used it to protect his classmates. Because he still trusts Saint to save his sister and to come save him.

And I don't see why so many people in the tag seem to think Saint is unforgivable. He made one bigass mistake at 16, high on toxic masculinity and general teenage stupidity, which is one of the worst possible combinations ever. Does it excuse his actions? No. Does it mean he is forever and ever a horrible person? Also no. He cannot change the past, but he has changed himself in the present. He himself admits that what went down 3 years ago happened because he was stupid and scared. Is he still behaving selfishly in persistently trying to reconsile with Shin? Yes. But unlike 3 years ago, when he'd rather hurt the person he loved most then let him walk away, in the present he's willing to let Shin go to make sure Shin has a future, even if that future doesn't include him. That's growth baby.

Also, he did want to hurt Shin, which is still an incredibly shitty thing to do, but he never intended to break Shin's leg and take his dream away. That was an accident that added an unfortunate magnitude to the consequences of Saint's actions born from the beforementioned teenage stupidity. And what a fucking way to have to grow up in a moment and learn about how some damage can never be undone.

[rip-quizilla]

There Will Be No Tenderness (Band Politics)

@corrodedcoffinfest Day 8: Band Politics

A/N: This is a two-part story. Both parts can be read as one-shots, but together they create one complete narrative. Part 2 will be posted for Day 12: Ow! and while this post does not contain any mature content, part 2 will be a strictly 18+ smutty story.

WC: 985

Tags: Eddie Munson X Henderson!Reader, backup singer!Reader, female!Reader, enemies to lovers, bratty reader, arguing counts as foreplay, strong language

Summary: You've been stepping on Eddie's toes ever since you joined Corroded Coffin, and he's finally had enough.

Divider was created by @strangergraphics

Eddie wouldn’t call you an enemy. 

He might call you an adversary. A rival. He’d most certainly call you a pain in his ass. 

He told himself he had the power to kick you to the curb if he finally decided he’d had enough. All it would take was one ‘you’re out!’ from him, and you’d be gone. That’s what he had to tell himself. 

Because he knew the rest of the band loved you too much to let him simply kick you out without consulting them first. 

He hated it. Hated how quickly you’d gotten on their good sides.  

His word used to be law around here- the most argumentative band member had always been Gareth. At the most, he’d grumble a bit when Eddie disagreed with him but he’d never contradict him. 

Then you came along.

When Eddie had mentioned to Dustin that they were looking for someone to do some backup vocals on a track, he’d laughed when the twerp suggested his older sister since she “had a background in musical theater”. He’d still been laughing when you showed up to one of their practices asking them to give you a shot. The laughter had only stopped when you’d suggested they play Flash of the Blade, and you’d known every word. Hit every note. Given him fucking goosebumps. 

It wouldn’t have been so bad if you’d assimilated into the band’s culture without any discord. If you’d been just as agreeable as the rest- but you had a lot of opinions, and they always seemed to contradict Eddie’s.

“We were a little flat on the second verse,” he would say, to which you would reply, “I thought we were perfect!”

“You came in too early on the chorus.” he would tell you, and you would bite back, “I was on time, you were late.”

Then you’d had the gall to suggest staying in the band as a permanent member- in front of the entire band- without consulting him first. 

The guys had all been so happy to agree- fuck yes! They’d exclaimed. About time! They’d cheered. Nobody asked Eddie if he thought it was a good idea. Which he didn’t. 

You were too argumentative. Too quick to disagree with him even though this was his fucking band. You were insubordinate. Fucking mutinous. 

The last straw was that gig in Bloomington. 

The band had been asked to play a college party. Eddie hadn’t established any kind of uniform for the performance- he wasn’t a drill sergeant. He’d simply told the band to dress casual.

And then you had shown up in an outfit that was so slutty, it looked like it jumped out of a porno. 

A black skirt made of pleated black pleather, just long enough to skim the bottom of your ass. A tiny black baby tee that was so ripped, he could see the black lacy bra you wore underneath. Black combat boots with platform heels. Lipstick red as fresh blood. 

“Absolutely not.” Eddie had declared, turning his back on you within seconds of laying eyes on your ensemble. 

“What do you mean?” you scoffed, incredulously. Already arguing, Eddie noted. Not surprised. 

“I’m wearing exactly what you told us to wear!”

“I’d hardly call that casual.” he countered.

“This is my casual.”

“Yeah, for casual Fridays at the brothel you look like you came from!” 

“Haven’t you heard the phrase sex sells? Eddie, rockstars put girls in bikinis onstage all the time, why is this any different?” 

Eddie rolled his eyes. Of course you didn’t get it. “If we resort to selling sex, it’s like we’re openly admitting that we think our music isn’t good! It’s saying that we don’t think our music is worth paying attention to, so hey! Let’s put some tits and ass up on the stage, that’ll get people’s attention!”

“Oh, and I’m the tits and ass?’

“You said it, sweetheart, not me.”

“Fuck you!” you spat. 

“Yeah, right back atcha.”

He half expected you to walk away, but he should have known better by now. 

“Why don’t you like me?” you asked, blunt and demanding as you took a step closer to him. 

Eddie blanched. “I like you just fine.”

“Bullshit.”

“God, you always have to argue, huh?”

You scoffed. “I do when you’re wrong. Or lying to me, which you’re doing right now because you most definitely do not like me.” 

“God, you’re infuriating.” Eddie raked his fingers through his hair, searching for somewhere more private to hash this out before you caused a scene in the middle of this party house. Spying a nearby bathroom, he grabbed your wrist and hauled you to it before closing the door and locking it behind him. 

“Fine. You wanna hear it?” Eddie seethed. “No, I don’t like you. You’ve never agreed with me, not once. You always have something to say, and-”

“Are you saying I’m not entitled to an opin- mmph!”

Eddie silenced you with a hand to your mouth, launching your eyes from angry slits to saucers. 

“No. For once in your goddamn life, you’re going to listen to me without arguing.”

You made no motion to move him off you. You simply watched him, eyes wide and waiting. 

“Everyone likes you. They used to listen to me, but now they also listen to you. That would be fine with me if you would just fucking agree with me once in a while. Don’t just oppose me outright every time.”

Slowly, he removed his hand from your mouth. You were silent, eyes still wide as they followed his hand when it left your skin. Your breathing was heavy, cheeks heated and body language shifted- where there was usually brash confidence, Eddie now saw coy submission. 

This would have seemed out of place, but the look in your eye told Eddie all he needed to know.

“You… liked that… didn’t you?”

Read the sequel, Love Me Mercilessly (Day 12: Ow!)

[zan0tix]

I yap so much about the comic and the importance i find in its contents but i hope when i write dirk or jake or rlly any of them it doesnt come off as me dumbing them down😭

I know the core internal mechanisms at which they all operate from otherwise i wouldnt understand why they even do what they do and why they speak how they do since that is so crucial to analysis of their behaviour and Why they were written.

But i mostly write silly scenarios so the deeper messier parts dont get to show much😭 working on deeper things tho rest assured i am locking in🫡🫡🫡

I try to match the tones of how i believe the characters would act continuing off the ending of homestuck. With dirk and jake specifically i try to write them to where they still both kinda dont say everything they need to but they dont have the weight of narrative destiny on their shoulders anymore so they can admit they like spending time together and have actually confessed like normal people and got out those apologies they kept yammering on about in the last half of act 6

I try to reinvoke the ridiculous nature of the one time we really see the real dirk and jake talk (which was actually a dreambubble memory. jake is so gay.) but i try to make it feel how that did, they really do love spending time together and just being weird and cringe and bantering about stupid shit ❤️(the most we see dirk type laugh in the comic)

(Always Highly recommend reading this log if you havent in a while. Its just such good writing theyre so funny) https://www.homestuck.com/story/4844

I feel like the Best Bros part of dirkjake kinda gets lost alot of the time considering THEY NEVER SPEAK DIRECTLY (which is insane that hussie could craft this universe bending gender norm shattering yaoi with no fucking interactions wtf anyway) but there is alot you can gleam from jakes interactions with hal and this one log to tell us how they usually speak

Dirk always veers into making homoerotic comments because.. i dunno he might have feelings for jake or something whos to say. and when jake presses him dirk immediately diverts. I think from being around dave and everything daves realised thats bullshit about masculine standards and heroism that let him have a healthier relationship to masculinity, hearing abt that would loosen dirk up about Actually being affectionate to jake

But hes still somehow trying to no homo his way out of things that are incredibly homo just in a subtler way, not immediately going “Haha, what? I never said that. Anyway.” (Its both out of his fear for what his true identity means about him as a man but also because he doesnt think he deserves to get such affections cough thinks himself an evil)

And jake was always going with the flow. If his friends socially decreed something as okay to talk about then the fucking damn burst open and he couldnt keep it in anymore but they had to Very Clearly Clarify with him about it. So i think dirk going down a more positive road would lead jake there too seeing that if its okay for dirk to be less restrictive with his feelings jake can be too.

The Epilogues has a highly specific premise and was being manned by caliborn and calliope 2.0 cranked to the max in the deranged fanfic behaviour so. Of course it would not be a healthy environment for characters to grow💀 anyone who takes it as full confirmation about how theyd act or become as adults and ignores the fact of its premise Being “Homestuck but Sick and Twisted; The Fanfiction” is kind of stupid its like saying homosuck was in character. Ofc everybodys lives goes to shit because the two running the show dont know how the hell to be good puppeteers 😭

Said it on twitter but you can tell how much a dirk hates himself based on his relationship to a jake. Because tho ult dirk wouldnt ever admit it jake is dirks anchor of self worth just as dirk is jakes. When they show compassion and kindness to one another its a step closer to self acceptance because Jake is quite frankly a living embodiment of EVERYTHING that is “wrong” (queer, cringe, sincere, feminine) about Dirk to himself in his saviour complex surrounding manhood. (See Everything caliborn says about jake) jakes always waiting for dirk. If dirk were to step down and admit his own humanity itd mean hed have to accept he is capable of growing and isnt inherently evil, and jake would be ready to embrace that about himself too

Anyway all that to say. Even in my simple silly writing i at least do try to retain dirk and jakes strange emotional dodging olympics but also its just on a smaller level since theyve inching their way to fully internalising that Its Okay to be Cringe and Gay Together❤️ because the World isnt Ending anymore. Its in the little things they dont say because haha im the one who makes them say words.

Dirk and jake hate themselves because theyre not men in the right way but their love is because of them not being men in the right way so.. nerm.. Whos flying the plane?

[lurkingshan]

Dead Friend Forever is a Marvel of Mystery Writing

I haven’t been watching Dead Friend Forever live, because I am not always that into the slasher genre and I figured I would wait to hear whether it holds up before jumping in. I admit, I was a bit dubious about a drama sustaining a slasher narrative for 12 entire weeks and didn’t want to spend time on something that might be too shallow to sustain and would end up falling apart. I basically told bestie @wen-kexing-apologist to vet it for me and holler if I needed to start paying attention. And a few weeks ago, they started poking me with increasing intensity, along with a few other friends, because the writing was holding up better than they could believe. I started asking questions, and once @ginnymoonbeam mentioned that Sammon was the writer, it all started to click and I dove into a binge to catch up.

And they were right! This show is excellent, and its strength is sourced in an incredibly strong script from a writer who knows how to construct a longform mystery. Because it turns out, that’s what this show actually is. How do you sustain a slasher for 12 weeks? By embedding a deeper mystery within the slasher framework and pacing your story so that the entire middle delivers a backstory narrative that is even more compelling than the current events. This show is expertly structured to grab your attention and then get you deeply emotionally invested in the coming bloodbath, which is crucial for a slasher to feel like it has any stakes. Let me also note that the excellent writing here is supported by extremely smart direction and editing and some standout performances from young actors. I am going to focus on the writing here because that’s what I do, but it should be said that this whole production is all around excellent. 

So let’s talk about why the writing in Dead Friend Forever works so well! Great drama mysteries should support two kinds of engagement from the viewer: 

no thoughts head empty engagement from the people who just want to be pulled along for the ride and be constantly surprised

red string board theory engagement for the people who enjoy finding clues and trying to solve the mystery in advance. 

It’s actually really fucking hard to thread this needle as a writer, because it requires seeding strong enough clues that attentive viewers could reasonably guess some of the big reveals, but not giving away so much that you are unable to surprise them. A reveal in a good mystery should have you saying “oh my god WHAT” and “of course, that makes perfect sense” at the same time. And the best mysteries support the viewer being able to go back and rewatch, find new meaning they missed the first time, and realize every single thing that happened adds up. A tight mystery has no loose ends and no false steps; it never lies to the viewer, it only works to draw your attention where it wants it at any given point in the story.

Dead Friend Forever does this masterfully with several of its reveals, but I will highlight the biggest example: the reveal of Phee and Non’s relationship in episode 7. In the first four episodes of the show, the story lets us in on a few crucial facts: Phee is newer to this friend group (along with Tan and White), he was not present for whatever went down with Non three years ago, he has some kind of fucked up not!friends with benefits relationship with Jin that involves lots of sexual tension and dick biting, and he seems interested in figuring out what the hell happened once all these dudes start acting crazy about the videos. The string board theorists had enough to go on there to reasonably guess that he was intentionally trying to uncover the truth—but not why—and the no thoughts head empty crowd could just vibe, enjoying his scenes with Jin and wondering how exactly he ended up hooking up with him and getting involved with this group of people he doesn’t even seem to like.

Once we get to the backstory and see Non’s narrative, additional clues emerge, like the existence of both an older brother and a mysterious sweetheart that is only saved as [heart emoji] in Non’s phone. No thoughts head empty is over here going huh I wonder who they’re gonna be and hey when are the rest of the characters going to show up; string board theorists now have two clear options for how Phee could tie in to Non’s story and why he might care enough to investigate, but no one knows for sure. So when the show ended episode 6 with Phee running into Non’s room and began episode 7 with The Most Effective Five Minute BL Of All Time, everything clicked into place. No thoughts head empty got to experience a very pleasant shock moment, the string board theorists got to feel satisfied that they figured out at least part of the reveal, everyone got to enjoy an unexpected shot of romance in the middle of this stressful narrative, and there were still parts of Phee’s motives and involvement with this group that we didn’t understand and would require additional reveals. That is great mystery writing in a nutshell.

And it’s not only the mystery construction that makes the writing here so smart. It’s also the way Sammon is weaving in tons of social commentary, embedding Thai cultural and religious values, incorporating complicated crimes with lots of players in the mix that somehow don’t get confusing, and drawing complex and nuanced characters whose choices and behavior you understand even if you find them abhorrent. It’s not easy to make a viewer both despise a character and still care what happens to them; when you write a story about despicable people you run the risk of inspiring apathy in the audience, which is a death knell for a mystery. We have to be invested for this story to work. We have to feel deep empathy for Non to the point that we fully support axe murdering his bullies, but we also have to be interested enough in the bullies and why they behave the way they do to watch 12 weeks of them running around being awful to each other and harming everyone in their paths. And Non, too, gets to have real complexity. He is not a perfect little Mary Sue who never does anything wrong. He makes big impulsive mistakes, and seeks attention and affection from the wrong people, and lies to the ones he loves, and doesn’t always ask for help when he needs it. He is a flawed human being and that’s so important, because he is the center of this story and we need him to feel real.

In conclusion: holy shit. I tip my hat to you, Dr. Sammon, and I am very excited to be on this ride for the final four episodes. 

[graveyardcuddles]

Some rambling personal thoughts on Astarion's endings since I can't sleep.

I find myself really loving Astarion's spawn endings and ALL of their variations even more the more I think about them (the exception ofc being the cursed af endings where you don't help him AT ALL and he either gets turned into a zombie or is still being hunted by cazador even after the game, but I'm obviously not talking about those).

I think I, like many others who grew very attached to his character, were left feeling very torn over his initial spawn ending before the added epilogue. Because Astarion being free from cazador and learning to truly relish in that freedom AND use it towards more positive ends is the entire point of his spawn endings. But we don't really get the chance to see that fully paid off in the narrative. One could argue that we do see the very beginnings of it with the graveyard scene and the morning after scene and how he makes several comments about never being a slave again after he kills cazador. But then we get a rather painful reminder of the fact that he's still been forced to give up something he's come to love and cherish so much over the course of your journey. And then we just kinda end on that note.

I definitely didn't regret keeping Astarion a spawn, even after that. But I will admit there was a part of me that still really wanted to see more for him. And that's why I really do adore the epilogue. I know people have their issues with it and say it's unrealistic for Astarion to be so "healed" after only 6 months but I disagree with this take because we're literally only seeing a glimpse of him on one really good, happy night, it's not necessarily a reflection of how he usually is. He could very well still be having days where he struggles, and he almost certainly does. But comparing his previous 200 years to his possible (good) spawn endings, it's not really surprising that he's thriving. Same with the "counterweight" comment. He's not saying the 6 months you've been together completely negates and erases the 200 years of torture. He's saying his freedom and your love have been such a HUGE contrast to what he's had to live through for so long that they feel like a counterweight to the horrors.

I think about how far he has to come for him to actually get to those endings. His bounty hunter/adventurer ending? Amazing! He's relishing in violence and living his best rouge life. Leading the spawn in the Underdark? Speaks so much to his character development that he actually cares enough about them to even attempt such a massive undertaking. Lots of potential for healing of course but also: Holy shit the potential for unhinged shenanigans as well. Going to the hells with Karlach? Incredible! He's not just getting to enjoy tearing up cambions all day he's devoted to Karlach and helping her it's literally so beautiful.

Something else I really adore about his spawn ending vs. his ascended ending is that he burns down cazador's palace in his spawn ending. Burns it to the ground and destroys it for good. Whereas ascended Astarion literally moves into the palace and like...sure you can headcanon that maybe he eventually has a new, even grander palace built. But the mental image of Astarion wandering those halls is just so fucking sad to think about. He could go anywhere and do anything but he's still physically occupying the space that hosted so many horrors and tortures for him. And it to me that just screams that he's still there mentally.

I'll always defend people who like the ascended ending because I understand the appeal of it. As a dark romance enjoyer, I very much understand the appeal of the dark consort ending. And I don't even think this is the "worst" ending for Astarion because there's at least still potential for him (as opposed to the endings where he dies or is still being hunted, which ARE the worst endings for him). But it does feel like a step backward for him. And I think the people who go "Well this is just NATURAL character progression for him he's selfish af of course he would want this" Think too little of him or at least underestimate his capacity to care for others.

Because he very obviously DOES care. And allowing him to get to a place where he can foster that sense of compassion for others is truly so beautiful and so profound to see. I'm someone who is easily moved by fiction already but Astarion's story really touches my heart just because of how rewarding it is to see how far he comes in those endings.

[rise-my-angel]

"# have many thoughts on why they adapted Rhaenys the way they did and all of them strip what makes her so cool and i hate it"

I'd actually love to read your thoughts, I have some of my own but they boil down to turning her into a bizarre mouth piece for the writers (which is what most of the female characters in HOTD feel like) and not allowing her to potentially outshine Rhaenyra which is why all the women on TB lack personalities, it's easier to write for one or 2 women than it is to write for a whole cast.

Rhaenys in the book and Rhaenys in the show are basically two completely different characters.

Princess Rhaenys in the show is not my friend. Princess Rhaenys in the book is cool as all hell and a true Baratheon under it all.

Under a read more, I wrote you a fucking essay I am so sorry.

There isn't as much about Princess Rhaenys in the book due to the narrative style of Fire and Blood, but what we do know paints a drastically different picture. Rhaenys has the purple eyes, and she flies Meleys, but thats all about her that is distinctly Targaryean.

She was born to King Jaeherys firstborn son and heir Aemon, and her mother was Jocelyn Baratheon. So she has the long, straight black hair of a Baratheon with a streaks of white throughout from her age, she was a great beauty but never described in ways that other Targaryean women are, more in a way that she is a great beauty in terms of a Baratheon.

She was a woman who was very clever, very quick witted, but she was also known to be fearless, she had a red hot fiery temper and much like her mothers house words, she was a fierce woman with a fury within her.

As Aemons only child, she was seen by many to be his heir when he became King. Queen Alysanne even calling her their "Queen to be". Alysanne and Jaehaerys often did trips around Westeros called progresses, which was personally going to a Lords castle or keep, spending time with them, holding court, solving local issues and using that time to bond with his highest subjects, which was part of why he held such a long reign of peace, he used his dragons pruposley to make travel easy and personally visited the homes of his people.

Rhaenys would join him on this after she claimed Meleys, going on some progresses around Westeros and she became a very popular royal figure amongst the nobility, notably in the Dustins, Manderlys, Blackwoods, Celtigars, and the Starks.

Now, yes Rhaenys was up for a claim at the great council, but she was actually rejected early on because she was a woman. She then persuaded these lords on her side to push for her sons claim, Laenor, and it is Laenor who lost in the final vote to Viserys, not Rhaenys. Rhaenys and Laena were both rejected and so she pushed for her son without a second thought, she was fine not being Queen, she was the eldest sons firstborn child and she put her firstborn son up to be King.

After word came that Lucerys was dead, it was she and Corlys who were actually in command of the Black Council at the start of the war because Rhaenyra was too in greif to rule.

Then her greatest moment, Rhaenyra was the one who ordered Rhaenys to Rooks Rest and without any reinforcement. Rhaenys of course, listened to her Queen, but the fight is different.

In the books, Criston Cole has set a trap. Lure a dragonrider out, and when they arrived, they would be ambushed by Aemond on Vhagar and Aegon on Sunfyre knwoing the two against one dragon would be enough to defeat them.

"Princess Rhaenys made no attempt to flee. With a glad cry and a crack of her whip, she turned Meleys towards the foe."

Rhaenys realizes she has rode into a trap.

She knows if it were Sunfyre or Vhagar alone she might stand a chance, but against both of them she knew she was doomed. She had time though, she could try and turn to leave. But, Rhaenys is in her blood, a Baratheon. Baratheons don't run from such dangerous odds, even when facing certain doom, she never let herself be controlled by that fear. She did what Baratheons do, and she turned around and fought with fury. With my favourite line about her describing her perfectly:

So, what are the main differences here from the show that are so wrong? Lets talk the two big ones:

Rhaenys being given the Targaryean look instead of the Baratheon look is an attempt to give the feeling that she is a true Targaryean and thats why she is such a fearsome dragonrider. But, in the books, she looks Baratheon, and her personality is textbook Baratheon. By stripping her of the Baratheon look, she show is propping her up more as a Targaryean which feeds into this show's strange relationship with Targaryeans being divine and special. By taking away the fact that Rhaenys was the first and only Baratheon born dragonrider, it downplays the fact that Rhaenys did not fit into the typical Targaryean dragonrider persona which most were at the time. It makes her look like a Targaryean alone, and it severs that relationship in Fire and Blood of the less of a Targaryean someone appears does not equate to being less capable of the feats they claim only they are special enough to do. Rhaenys isn't the books biggest example of that, but she is the big start of it.

By making the final vote at the Great Council come down to Rhaenys vs Viserys, it paints the man vs woman image. Rhaenys and Laena were rejected very fast, and it was Laenor, her son, who Viserys won against. Not Rhaenys. The entire show though, follows this idea. That Rhaenys lost because she was a woman and that dictates so much going forward. It dicates everything she pushes for, women in power, not being in service to men, but Rhaenys was never like that. Rhaenys did not fight against the world she grew up in, she navigated it despite of it. She did not promote this woman in power idea just because she was rejected. She was Jaeherys grandaughter, and he was a man who did not treat the women in his life as equals. She would be used to being passed over for men, her grandfather did it with almost every woman in his family to the point it drove his wife away. Rhaenys in the books didn't stand for anything. She didn't do what she did because she wanted to stand with a woman over a man. It wasn't about that. In the books, her and Corlys essentially pick the lesser of two evils. In their minds, standing with the Greens means her family and grandaughters will be at the mercy of Rhaenyra and Daemon, but standing with the blacks, she is at the mercy of Alient and Aegon. One of those two is a more dangerous foe to her family, and she sides with the family that gives her granddaughters a safer chance. It had nothing to do with anything and the show doesnt even establiush why she chooses Rhaenyra, she just does and then starts promoting the idea that Rhaenyra is the woman who wants peace not the men startingg war and it turns her into a mess who is onyl here to lecture the audience that the men are bad.

Really, my biggest gripe is, Rhaenys as a Baratheon dragonrider has a lot of potential. Due to the structure of Fire and Blood we don't spend a lot of time with her, but we do know that the relationship between the Baratheons and the Targaryeans is extremely tenuous and sore. The Baratheons have long since resented the Targaryeans, and Princess Rhaenys literally was supposed to be the bridge between the families.

Queen Alysanne married Aemon to Jocelyn Baratheon so that the Baratheons can have an heir one day on the Iron Throne and hopefully stop the fighting and resentment the Stormlords had towards them. But by rejecting her and her family at the Great Council, it reopens that old wound. And the Baratheons become disillusioned more and more when Viserys makes no effort to mend that bridge.

Rhaenys is a Targaryean raised dragonrider, who was distinctly Baratheon looking with the feirce personality of a Baratheon, and that contends a lot with what the Targaryeans all stood for especially at the time and it could make for a lot of great scenes revolving around what is wrong with the Targaryean legacy. The more like a Baratheon Rhaenys was, the more the Targaryeans stood out as people who were doomed to destory each other.

Rhaenys was born to be the child that mended the bridge between the Targaryeans treating the Baratheons like lesser then, when they had once been their strongest ally. By making Rhaenys just another Targaryean, it erases that conversation of why the Targaryens were bound to lose. That even when they married the Baratheons into the family, they still screwed it up because they couldn't get over their biases of looking down on the Stags.

Rhaenys had potentiol to showcase a time in history that foreshadows whats to come. For decades before the dance the Baratheons resented the Targaryeans, and after the dance, that resentment will continue to grow until it explodes during Roberts Rebellion.

By erasing her as a Baratheon, it erases the potential of showing why the Targaryeans were doomed to lose. They always treated their Baratheon allies as war fodder, just like throwing Rhaenys into battle without any backup, and her personality and looks standing out against the Targaryeans could have shown why the conflict of Roberts Rebellion was inevitable.

The Baratheons were always going to fight back against the Targaryeans one day, and hotd lost its chance to use Rhaenys to lay the first stones and show why.

But, that paints the Targaryeans in a more negative light, because the Baratheons are in the right to hate the Targaryeans. So, they erased everything about Rhaenys that stood out.

Even her death. A very Baratheon move, refusing to flee from certain death, because she was a woman with fury who was willing to face her enemy head on no matter what it was about to cost her.

Instead, she has a confusing death where her going back is framed as brave, but its not. Rhaenys in the books knew she might have stood a chance against Vhagar alone. So in the show, shes just turning back for a battle that she might win. In the books, shes against Vhagar and Sunfyre. Shes turning back towards a battle she knows she will lose, but she does not run, because she is a Baratheon, and they do not run from their enemies. They face them even towards certain death.

Also, book Rhaenys never exploded hundreds of smallfolk with her fucking dragon. She never did that.

[nekropsii]

Ok, don't get me wrong, i think your opinions/analysis have arguments, so you have reasons.

But i can't stop thinking, when you talk about fandom not interpreting things correctly, mostly dancestors, it feels like:

Fanon: i love the dancestors! They are all so nice!

You: aCTUALLY, they are all ASSHOLES, except mituna, latula, and porrim. The rest is crap and here is a long and detailed list with why:

And a the end of the list :but this is what makes them great as characters, because they have a narrative function to it!

Yep. And I stand by that. Firmly. What’s the problem here?

The Alpha Trolls - not the Dancestors, that’s literally every character in Homestuck - are largely not good people. Calling them nice is blatantly false and outright disregards almost every single scrap of text we are given. Mituna’s a good dude in a bad situation full of people he doesn’t really like, as is Damara. Latula’s literally never done anything wrong. Porrim’s just a regular person. Aranea’s pretty nice, and her actions during Game Over were a result of eternities of torment and desperation to be seen + heard, and is therefore not fully representative of her. Meenah’s cute, but a major fuckup that has committed some absolutely egregious crimes. That’s it, really.

The Alpha Trolls are Good Characters and (mostly) Bad People.

Are you maybe experiencing some kind of difficulty in understanding that there’s a difference between a character and a person? Because a fuck ton of people in fandom definitely do have that problem, for some reason.

A character is a plot device. It is a tool. Nothing more, nothing less. A person is a person. The difference between a bad person and a bad character is that a bad character isn’t fulfilling the role and function they are supposed to perform, and a bad person is just a shitty guy I do not want to be around. Conflating the two leads to bad analysis, and is also a primary contributor to apologetics, and all those god awful fanonizations that sand down every edge the character has until they’re pleasant people and totally unrecognizable. People think they have to like a character as a human being in order to like them as a character. Which is completely untrue, and is totally naïve to the fact that villains are popular for a reason.

A character can be a bad person and a good character - they fill their role and serve their purpose very well, but would absolutely suck to be around. Meenah, Vriska, Cronus, and Caliborn all fit under that label. This isn’t always a villain role, but it does tend to get taken up by villains. And anti-heroes, of course. Vriska is there, after all

A character can be a good person but a bad character - they’d be pleasant to talk to in real life, but they suck at fulfilling their narrative purpose. Just about every fanon version of a character is this. It’s more of a fanfiction thing than an actual real literature thing.

I am the biggest fan + defender of the Alpha Trolls you can find. The Alpha Trolls largely are not good people, but they serve their function very well. This is not a controversial statement because it is entirely true. Fanon is dogshit and totally wrong, 100% of the time. This is a hill I’m willing to die on because I’m literally just correct. There is not a scrap of text on this planet that you could procure to say Cronus Ampora is a good person - anything you could scrounge up is just baseless fanfiction and total garbage.

I do not see the confusion, nor do I understand the point you’re trying to make. These are facts that can and do coexist, quite regularly. Even within Homestuck. Again, Vriska exists. What now?