#which is more than i can say about the adults in my life

[horse-girl-anthy]

essay on the UFO motif in RGU (and YKA) under the cut

one of the things that makes aliens so interesting is their versatility. YKA uses the classic alien invasion trope as the set up for its narrative; aliens as outsiders, infiltrating human society and sowing paranoia. as anyone who's seen the show knows, this premise is soon subverted. fear of the other is used by the invisible storm girls to justify securitization and eventual militarization, while the main characters work to break down the self-other dichotomy.

RGU doesn't feature its UFO motif so prominently; or anyway, it's not present from the beginning of the show, but instead scattered throughout. this marginality does not make the motif any less important, however. let's take a look at the text to see how the motif itself is used.

in almost all instances, UFOs and aliens are associated with the shadow girls. the first time they're mentioned is in episode 9.

in the skit, A-Ko insists she saw a UFO, while B-Ko says it must have just been a shooting star. they argue about this for a while, until A-Ko changes the topic to disillusionment: she knows that Santa Claus, wizards, fairies, princes on white horses, and kind-hearted, true friends only exist in fantasy. but she begs to be allowed to keep her belief in UFOs.

the inclusion of UFOs in this scene may not seem particularly meaningful. the skit draws a constrast between childhood illusions and adult cynicism, notably including "true friends" on the list of fantasy creatures. with hindsight, though, this choice does seem purposeful. maybe A-Ko wants to believe in what the UFOs represent, which is more clearly spelled out as the show goes on.

in episode 12, the shadow girls list "normal things" for people to do: study normal subjects, get a normal job, fall in love normally, get married normally, have a normal family, and live a normal life. but they conclude that being normal "has nothing to do with them" and proceed to board a UFO so that they can "go back to what's normal for them."

this is an obvious parallel to Utena's arc in the episode, where she rejects how society wants her to act and reclaims her own normal. but it's also telling us something about the shadow girls.

the shadow girls don't just "want to believe" in UFOs--it seems that they are aliens. they're "from Planet Kashira" according to Ikuhara; "Inhabitants of Planet Kashira" is the title of the shadow girls track on the first OST.

I think what this is telling us is that the shadow girls are outside observers. they're not natural citizens of Ohtori but exist at a remove from it. they can interact with the story, but they're a constant reminder that something beyond it exists--that the "rules of the rose crest" are not the laws of the universe.

from episode 13 on, the shadow girls put on their plays after returning to earth from their UFO. episode 24 ends with an encounter between Suzuki, Yamada, Tanaka and the UFO. we see the "monkey-catching-robot" again; once it successfully bags its prey, it enters the craft and flies away.

I could probably provide a reading of this scene if I tried, but mostly, I think it's there to round out the Black Rose arc. it's rather tongue-in-cheek; the UFOs are a part of the silly side of RGU. this eccentricity is humorous, but in my view also tied to the theme of individuality, which requires unapologetic strangeness. there's also something to be said for RGU's use of the inexplicable and uncanny, which often have a far deeper impact on the audience than concrete story elements.

in the final arc, the shadow girl plays begin with their UFO crashing into the chairman's tower. this is as clear a metaphor as one can hope for: the shadow girls and their alienness are a destabilizing force. maybe they're not revolutionaries--the crash appears to be accidental--but their randomness, their strangeness, their lack of propriety are a threat to the order, the masculine rule represented by Akio.

that's about it for the shadow girls. but as I mentioned, aliens are brought up in another context: the episode "Nanami's Egg."

the line "Nanami's some kind of space alien" is rather famous, and that part of the episode isn't hard to read. she's worried that she's seen as a freak, an other, by her peers. however, we also get a return of the motif at the end of the episode.

after abandoning her egg, Nanami is unable to put it out of her mind and runs out into the night to find it. she sings and dances with it, but after a bedtime conversation between Utena and Anthy, the show cuts back to Nanami, now bereft of her egg again.

she finds it, grown 100 times larger, propped up in the woods. she promises never to abandon it again, but it seems not to forgive her, shooting strange beams at her in attack. then it fades and lays before her, cracked open.

I think this scene is adding a new dimension to the egg metaphor: in the final moments of the episode, the egg becomes a symbol of Nanami's self. she tried to be rid of it, as she killed the cat--but just as she did then, she found herself regretting it. but she's unable to forgive herself for it, feeling that she's betrayed herself and lost something very important for the sake of a false normality.

to finish this essay, I'd like to reflect on how the motif of alienness is reflected in the larger themes of RGU. in the episode 11 commentary, Ikuhara wrote the following:

I tried to live true to myself. “You’re just like an alien,” someone said to me one day. They must have been telling me, “You’re not normal.” In other words, apparently “living true to yourself” means “living as an alien.” And so I became “an alien all alone in this world.”

alienation, individuality, and deviance are all major themes in RGU. the shadow girls present a positive image of what it means to be an alien: they are carefree and unconstrained. however, for the other characters, being an alien--an individual--is not so easy. it sets them apart from the social order and may even put them in danger. therefore, RGU depicts the defiant joy of deviation, along with the pain that often accompanies it. individuality may be a threat to the system, but that's exactly why it's difficult to achieve.

finally, "alienness" serves as a great metaphor for self-other encounters, as I've touched on throughout this essay. if we are individuals, that means we are fundamentally separate from one another, because we cannot experience each other's experience. thus, we are each of us aliens to each other.

Anthy asks Utena this question as if she truly does not know, as if Utena is some mysterious being encountered in a dream. they are drawing closer together, and so the fact of their alienness is only becoming more pronounced. it will take the rest of the show to find out if contact is possible.

[gamerbot-22]

Vere Doing Fox Things

Because if you give a Rosie an animal/animal adjacent character, he’s going to want some behavior to go with it.

TW/CWs: Potential Accidental Canon Deviance, incredibly mild and vague sexy implications if you squint.

This is gonna be more conversational than my other headcanon posts, which probably isn’t saying much considering those posts’ tone. Likes and reblogs appreciated as always!

But yeah, man. I think Vere laughs like a fucking maniac. Like he hears one joke that hits him in just the right spot and he’s barking laughing with his eyes squeezed shut and this real wide smile that shows off all his teeth. It’s either deathly contagious, causing the laughter to fan out across whatever group he might find himself in, or it makes people get nervous because Holy Shit, Those Fangs Are Crazy!

Also the fox sounds carry over to some of the most benign things. Like he gets some dust up his nose and sneezes so hard it sounds like a bark. He’s especially sensitive about that sound so like… go forth and tease him within an inch of his life, it’s payback time.

Also also if, heavens forbid, someone steps or something lands on his tail he 1000% lets out that alarm bark/scream foxes do. Then he gets all defensive again because like. Ow.

Like most animals, fox kits will play fight with each other as practice when they’re tiny and I think it’d actually be really easy to goad Vere into a fight now that he’s an adult, but it might be hard to tip him off to the level of force he’s supposed to be using. You know how sometimes you’ll be wrastling with a puppy and out of nowhere it like Actually Bites You? That happens once or twice and Vere barely feels bad about it when it does—

His ears are really expressive, as we’ve seen already, and building off that I think they’re like. Constantly moving in busy environments. Like he’s flicking from noise to noise all around him trying to keep track of who’s saying what and where. Whatever kind of life he’s had before he meets us justifies a little caution, don’t you think? And as a consequence I think he gets auditory sensory overload really easily and that makes him especially crabby.

Ending on a high note, he’s got BNE, or Big Nuzzling Energy. Once he’s comfy with a person and it’s just the two of you, you can bet your sweet ass he’s cramming his whole face in whatever divot he can get, whether that’s your shoulder, chest, waist, you name it. Also he’s the reigning champ of building pillow nests and diving into them so consider your bedclothes’ days fucking numbered.

[coccinellaseptempunctata]

feeling. normal .

[aardvaark]

im so glad that we never get a clear picture of sophie’s background in leverage & i hope we never do. however i also really like making up various, often conflicting backstories for her in my head. perhaps they’re all backstories for an alias of hers, ones she laid to rest back in season two.

[mars-ipan]

Hi, it's me again. I decided to follow your advice and try to seek out your 'actually serious' analysis, which led me to your komahina bible, the most easy to find compilation of this supposed analysis. Here are my thoughts-

1) Overview

- Most of this 'analysis' isn't analysis but a summary/overview of the game. It's not so much a 'bible' as a children's book summary of the bible, which at that point it would be better to play the actual game itself. It's clear it was made for a presentation on the 'uninitiated' if you will, but if that's the case, you shouldn't be advertising it as the literal bible on the subject.

- When you are not regurgitating points from the game beat by beat, the screen is halfway filled with either manga panels or fanart. My gripes with manga panels are, that even though they do depict the events of the game, the way they can be depicted by the artist can be pretty subjective due to the freedom of the medium in comparison to sprites, and that the role of one character can differ depending on whose pov manga it is (chiaki vs nagito). Fan art therefore should be scrutinized even more since it fully depicts abstracted and even the fandomified version of events, leading to situations where it's either unclear what is actually happening or betrays your more shallow view of the characters (i talk abt this later.)

- When you do use pictures directly from the game it's either a possible screenshot from a memorable moment or dialog from the wiki, limited almost exclusively to the freetime events. This leads me to believe that you haven't actually played the game(there are other factors hinting towards this) or watched a Let's Play of it, but going off of merely information that's already widely known and circulating within the fandom, and easy to search on the wiki.

2) Incorrect/Questionable information

Here I'll compile a lot of information that's either plainly wrong or baffling to having come to that conclusion , leading more credence to the theory that you either haven't actually played the game or your memory of it isnt as good as you think.

-"if Nagito's plan went off of without a hitch, he would have killed anyone that was closes to him at the time" plainly wrong. Komaeda's goal from the start was to make himself the victim, so by dying this way his death could have meaning and help the others. For somebody that keeps talking about Komaeda's "Martyr complex" this is truly a weird take to have.

-"Nagito...got the nurse for sure sick" is there any proof that specifically points to Komaeda for this? I believe the takeaway should've been that Mikan got sick because she was around all of them AND she overworked herself trying to take care of them. Is this just an awkwardly phrased attempt to make more of a connection between Tsumiki and Komaeda? I don't think you needed more than the ones that already existed.

- "he helps Junko brainwash a bunch of students" Kamukura at neither point in the anime or Danganronpa 0 was ever specifically implicated in the brainwashing. He never 'helps' Junko, especially in that way. If you meant, participates in the student council killing game, you should've said that, but even then his agency and influence is limited.

-"they found the Remnants and captured them!"...no, they didn't. The Remnants presented themselves as survivors and the Foundation took them in. They handed themselves over willingly. It was a pretty big piece of the final part of the game...

3) Komaeda and Komahina

- "Nagito's habit of putting people on pedestals" Where. Sure, he certainly parrots the belief that the "Ultimates" as a unit are at the top of the food chain and should be prioritised, but its clear that doesn't exactly carry over to his classmates like teruteru, Kuzuryu and even Souda sometimes. Just because of a few positive comments refering to them as Ultimates and the trial which he literally breaks down in, this is a hard position to support.

-"Nagito manipulates Hajime into playing the game" How. He literally just told him to play it. How is that manipulation. Also, isn't it a bit unfair to put the blame on Koizumi's death to him as well? I think they were multiple factors playing into this, but sure, how else are you gonna convince people that Komaeda is a twisted fucking cyclepath that loves leading people to their deaths.

-The way that you say the Kuzuryu/Pekoyama relationship mirrors Komahina as 'I will give up my agency for you/ I just want you' is also confusing. Unless of course you mirror Peko's struggle with her agency and harmful beliefs the clan enforced on her with Komaeda's own belief system, in which case, idk man, i feel like you are giving a bit too much credit to the supposed severity of Komaeda's views and trying too hard to make Hinata the 'rational' and 'grounding' one in the relationship.

- Again, the amount of times you refer to Komaeda as a freak for doing something 'weird' or even being drawn weirdly doing it , mostly in the manga, makes me belief this isn't just an affectionate tongue in cheek joke as you claim, but an actual way in which your interpretation of Komaeda is colored.

-"it doesn't excuse his nonchalance towards tragedy and murder but explains it" what needs to be excused here exactly? Komaeda doesn't need to immediately bawl his eyes out when someone gets killed or else he's suspicious and...bad? I am confused with what you mean by this. If you mean that Komeada shouldn't be so nonchalant about murder because he's constantly trying to kill someone else, that is plainly incorrect and i explained above why.

-Posturing about Komaeda's 'black and white thinking' while in the next exact slide you show fanart of him smugly explaining he has Borderline. First, i want you to explain to me the black and white thinking in a way that isn't "oh, the friends and classmates i previously liked turned out to be fucking terrorists". I think that's a pretty justifiable situation for your thinking to go from white to black. Also, if that is enough credence to assign Komaeda BPD, you really don't know how BPD works, especially since you assigned it to the one character you constantly talk about being a freak (and also lust...pseudo lust? after).

- The insistence with Hinata not really understanding Komaeda and running away, even if he wants to understands him is pretty suspect, especially when compared to the game. Hinata is confused and overwhelmed yes, but it's not just that he wants to understand Komaeda but that he still feels fondness for him, he still follows his advice and puts his faith in him and the way he mourns him in Chapter 5 is also pretty indicative of this. It's just another part in the pattern in you making Hinata the confused, rational, 'morally pure' man that's 'tempted' by 'corrupted' manic pixie mentally ill demon Komaeda. Something tells me your priest AU isn't so much playing with dolls as much as...what you actually believe these characters dynamic is.

- The whole page where Servant is basically made into a joke about how hot and sexy and freaky he is doesn't help your point either.

-The most damning evidence of course is a drawing in the second to last slide, wherein Komaeda is supposed to be analogous to 'guy who has something wrong with him' (distorted, freak, mentally ill) and Hinata is analogous to the guy that 'is the only one that understands them' (the rational one, the relationship of understanding doesn't go both ways).

- Your slide with sources is pretty vague and unclear. Also the way that you credit "Your superior mind" before the game itself when all you've been doing is repeating and misinterpreting the plot of the game is ...ironic

So yeah, that's all I got. Feel free to 'debunk' my observations as much as you please, I just want to know if there's actual basis behind everything you just said or I should go digging for 'the actual serious analysis' yet again.

i think you forgot that fandom is meant to be fun

[amelikos]

Thinking about the portrayal of ancestry in Horizons.

[james-spooky]

this is a test

[famewolf]

i will genuinely never understand my dad!!! and i feel guilty for being confused and angered by him!!!! i don't know what he wants and i doubt i ever will

i guess he's known that he's had cancer for over a month now but never told me. and i dont know if it's because he wanted me to reach out/pay attention to him, as he's done in the past or if he just didn't think to, or if it's some other third mysterious reason that i can't think up

we aren't close since he was rarely in my life but i feel like that's something you tell your kid.

and the only reason i found out is because i went to go check and see why he hadn't replied to my message about asking if he wanted to hang out for the thousandth time without getting a response

[cuntwrap--supreme]

My dog has been having senior moments, such as randomly forgetting what she's doing or trying to walk into a street, and I've been calling her "Mr. President" when it happens.

Like, "No, Mr. President, we can't walk into oncoming traffic. That's how we get killed!"

[ourceliumnetwork]

it is not slacking off to write or create it is not slacking off to do things that are fun i am not slacking off or procrastinating right now i'm allowed to do things i enjoy doing for fun including playing games and writing and such

[chaos-has-theories]

Absolutely devastated to learn that I was misremembering a specific detail from HtN.

She was glad to see that someone—maybe his mother, the mawkish Sister Glaurica—had painted his face as his father had once painted his own, with a solid black jaw to represent the Mouthless Skull. This was not because she had any especial love for the Mouthless Skull, as paint sacrament went. It was merely because any jawéd skull he affected became a wide white skull with depression.

For some reason I was convinced that Ortus exclusively wears the Mouthless Skull. I thought I remembered a discussion - or at least an implication - that he does it deliberately. He knows what happened to his father. He never speaks of it until he starts suspecting that he's dead, and may well die a second time. It would not be too surprising, if he'd at least suspected the truth about the creche flu. I thought -

I thought it was a deliberate act of rebellion. Something like civil disobedience. Look at me, it seemed to say. I am silent. I am silenced.

But no. He wears the Skull of the Anchorite Dying (whatever that means) at the arrival to Canaan House.

Oh well.

[designernishiki]

anyway. nishiki and majima are both borderline and i could do a whole case study on either of them about it. send tweet

[nerdie-faerie]

It seems to really be hitting my mum just how young she was when she had me in light of her upcoming birthday

[todayisafridaynight]

yeah Mr Arakawa would kick Sohei’s ass. Seriously HOW is that man Daigo’s father and how did that boy grow up to be better than Masato

there aint ever One Precise Reason as to why a kid'll turn out a certain way: despite the odds daigo grew up a generally-respectable adult while masato grew up to be a spoiled brat.

but regardless we should all say Lmao

[platypusisnotonfire]

I was thinking the same thing like

1. That’s not the most common reason

And

2. Even if it was

Also, like, I'm sorry but if you've set up a free shelter, and people refuse to go because sleeping on the sidewalk under a freeway bridge is more pleasant, that's fucking on you, that's not on them.

You really can't compete with sleeping under the overpass so you are going to force people into shelter?

Unspeakably cruel and stupid.

[aroaceinaerospace]

sometimes I so deeply miss being a teenager because there was so much more space to just talk to people the same age as you and figure out who you are. there's nothing quite like the vulnerability you were able to reach late at night during a sleepover with friends