#which is an entirely different metric

[rxttenfish]

listen to me. listen.

sometimes things are better when theyre worse.

[blockofhoney]

actually y’know what. let’s just go for it. give me a random number n i’ll talk about the dsmp au / fic it corresponds to

[omegalomania]

i was gonna try to do a compilation of solidarity within the scene but i got as far as the oral history of 2005 warped tour and promptly lost my shit because im sorry mr al barr but in what Fucking universe does gerard way sound remotely like patrick stump

[aw-dag]

Section 1557 is the law that guarantees trans protections in the us. Saying she supports that law is not “not giving a shit about trans rights lol” just because you don’t know to what law she is referring.

Lovely how libs has spent a year going "yeah well Harris is gonna back and fund a genocide but at least she will stand by trans people in the US" just for her to come out as not giving a shit about trans rights lol

[lucky-clover-gazette]

god. the way she’s so rude specifically to the doctor. how she keeps reacting like he’s condescending to her, even though both ruby and ricky are speaking the same way. the fact that she’s smitten with ricky and able to run and perform complex tasks when he asks, but resists the doctor’s doctor-ing at every turn. the cold open is her reacting to him with immediate disgust and blocking him. “i thought that you just looked the same.” “i knew i was right to hate you.” “he’s going to be so disciplined.” “he’s not as stupid as he looks.” the doctor keeps being like “the monsters must be differentiating who to eat for some [superficial, silly] reason - height, perfume, astral signs, etc,” and for the slug monsters it is something silly, it’s the first letter of their last name, but at the end we realize that to these actual human beings, race is the metric through which they judge the quality of the people around them, and despite him literally being The Doctor of Doctor Who, the Guy Who Saves People And That’s the Show, he is not worth their time… fuck.

like, if it was any other doctor, the entire episode would have unfolded differently. they would have taken the ride in the tardis. but with this doctor, they don’t. and then it ends.

[toskarin]

sorry to ask, but can you explain your last post to someone who knows nothing about the musician community youre talking about... it sounds like a really really good post if i just understood it better

this is another one of those posts where I'm transcribing a stream of consciousness, so I'll throw in a courtesy readmore

the musician community, as a whole, is much more segmented than the visual artist community

this leads to good and bad things, but generally it allows for more awareness of one's position and an acknowledgement that the needs of an underground folk artist are going to be different than the needs of a composer who receives a name credit. this means there is always going to be heavy pushback when someone tries to impose ethics downward

one element of this is the inward acknowledgement that the monolithic musician community isn't actually real in a way that isn't really mirrored in the visual artist community. besides making music and navigating the financial (and legal) landscape of that, there is very little that intrinsically unites musicians

this acknowledgement allows discussions about concerns among poorer musicians to exist without being completely shut down by someone who has different concerns, because they're not seen as the subject of the discussion unless they are respectfully contributing to it

one big reason for this being possible is that musicians are less respected than visual artists in the professional world

that might sound absurd if you only know of one landscape, but think of how many game (and movie, and tv, and etc. etc. etc.) franchises with identity-defining composers go on to swap out the composer at the first sign of a labour dispute, to very little protest as long as the quality of music isn't seen as dropping

hell, if someone else can copy your style satisfactorily, there's often no fuss at all! this leads to a pretty violent disillusionment with your place in the creative world

even beyond that, there exists an entire industry based around creating a parasitic body of IP landlordism for anyone whose music isn't attached to another product. the musician is, in a way that is deeply and thoroughly beaten into them, a labourer

the visual artist community (until recently) didn't tend to have this disillusionment, so it often follows the sway of its most popular and established members

in fact, the modern visual artist community as a broad cultural body is carved almost entirely from social media discussions that treat the community as one entity. accordingly, becoming established basically requires participation in this online entity

to further poison the well, the position of a visual artist is regularly talked about in spiritual terms rather than labour terms. there is something special that makes you a visual artist. it's the exact mentality that people rightfully made fun of in those ordinary people vs creative people comics. it's the unspoken cultural assumption that natural talent exists, even if most people would deny believing in it if put into explicit terms

while this does feel very good, it means that acknowledging labour-originated conflicts of interest is a bit rude

when a community unites itself around a spiritual core, it can't properly assert "your experiences are not applicable to what is being discussed and you should not be imposing yourself" because, by all metrics, an artist is a fundamentally unique demographic that can speak in all conversations about art

it's a warped form of anti-gatekeeping, a one-way gate through which you can strike down at other poor artists, but not up, enforced from below and framed as a desire for openness

the visual artist community's relative homogenisation of popular consensus is, on the whole, very very very bad for what it does to its norms. it hashes out and legislates within itself with an unspoken assumption that its most prolific members are simply further along the artist lifecycle, and therefore the most trustworthy

discussions with direct parallels ("is it okay to be obviously influenced by someone else's style?") come to much hazier conclusions which lean towards the opinions held by people with the most followers

most egregiously, this manifested in how visual artists react to piracy

the past ten years (in large part because of patreon making viable the paywalling of material behind a regular subscription) have been consumed by arguments about piracy that all seem to terminate in the assumption that piracy is theft, with little stratification of opinion between the hobbyist and professional scenes on this matter

this assumed spiritual core of the community is felt strongly in every conversation. look at the difference in attitudes around the distribution of cracked VSTs and the distribution of brush packs. hell, even on the corporate level, look at the difference in attitudes around pirating DAWs vs visual art programs

even when people are implying an approval of piracy, they find ways to frame it from a position of revenge on a company for something wrong it did, because they still need to conform to the community understanding of piracy as theft

individual visual artists can be (and often are!) more conscious of this stuff, but even then, people react with shock when these visual artists aren't horribly concerned about the possibility of their paywalled work existing on a torrent site

in a word, if you can see the ways these conversation spaces are different and similar, it's all so exhausting

[ohnoitstbskyen]

Have you ever gotten into power scaling? Do you have any thoughts about it and/or its culture?

I haven't engaged with it enough to have any deep knowledge of the culture of it so I won't comment on that. Like, I used to watch Death Battle, that's basically it.

For myself, I think power scaling is a fun intellectual and creative exercise, especially when you're trying to reconcile power sets from disparate properties that have vastly different thematic meanings and try and figure out some common metric by which they might be measured.

The part about power scaling I dislike is how easily it feeds an obsession with power as the primary metric or worth or value, and the ways in which it can lead to some really reductive and at worst anti-intellectual interpretations of media. Like, there's a subset of One Piece fans for example who insist that Nami - the navigator of the goddamn pirate ship - is "the most useless Straw Hat," entirely because she doesn't win a lot of big fights. Or there's a subset of Batman fans who very defensively insist that Batman could ALWAYS win ANY fight with ANY opponent so long as he has time to prepare, because their metric for whether or not he's a good hero is entirely measured by who he could take in a fight.

That sh*t is annoying, juvenile and often pretty reactionary, but like most such things it also comes from a very loud but very small minority of the fandom group, who probably shouldn't be held up as representative of the whole.

tl;dr power scaling is fun, people who make power scaling the center of their engagement with media are not fun

[gay-jesus-probably]

Okay so I have a lot of thoughts about the whole thing of the Gerudo being a race of entirely women, with the only exception being one man born every hundred years, and that man automatically being their king. Now this worldbuilding comes from Ocarina of Time, and there's obviously a metric fuckton of unfortunate implications there, because it was 1998. And it seems that Tears of the Kingdom is sticking with the lore of Gerudo men being extremely rare and becoming the King of their people, which once again has a metric fuckton of unfortunate implications because it's 2023 and Nintendo has somehow gotten even worse about this shit.

But let's set aside the whole... everything, and look at this from just the in-universe perspective. How does it work? I mean, it's pretty clear that there is no overlap between the kings; the old ones are normally long gone by the time a new one is born, but the Gerudo manage to take care of themselves during the hangtime. So they must have an established system of government and leadership that doesn't involve a king, and somehow that system is set up in a way that does a smooth transfer of power once a new king is born and old enough to take the throne. But why bother always declaring a random guy to be your King when you already have a perfectly functional system in place?

I mean again, the whole thing has a lot of sexist implications, but we're not looking at this from a real world context, we're examining it in-universe. And we could just go the lazy route and say that their king is in charge just because he's the only man, but I don't like that. I mean come on, the Gerudo are a race of entirely women, and most of their outside problems come from Hylian men being creepy about it. They are entirely a matriarchy; there is literally no reason for their culture to have an inherent respect for men, even if the man in question is one of them. And they're desert people; they live in an extremely harsh and dangerous landscape, if they don't have their shit together, they will die. By sheer necessity, their culture needs to put a lot of value in being practical, because if they're stupid about things, people die. They really can't afford to have a shitty leader take over, and just letting some guy take the wheel doesn't really fit with the way their culture must otherwise work.

So again, why the fuck do they bother having a King?

I think it's mainly just a ceremonial position. Yes, if the guy is a good leader he'll be in charge, but if he isn't good at being a King or isn't interested in the job... fuck it, they've already got a functional government system that's been leading their people the whole time, why fix what isn't broken? The title of Gerudo King isn't about leadership or power. I think it's more about belonging. Because the Gerudo are a culture where every single one of them can be defined in the same way... and there is exactly one exception once a century. Men are considered to be inherently outsiders at the best of times, and more often they're enemies. A man born into this culture is a natural outsider; he is completely unique, and that means he doesn't really fit into his community. And well... when someone is fundamentally different from the rest of their community, they tend to be ostracized.

So I think that's why the position of Gerudo King exists. It isn't about them needing or even wanting a man to lead them. The title of King doesn't need to involve any leadership at all. It's about giving the man born every century a place in their society. It's a way of saying yes, you are one of us, you are a Gerudo, you belong here, you are wanted and you are loved.

The Gerudo know that every hundred years, one of their children will be fundamentally different from all of his peers. And so their society is built to ensure that a child who is completely different from them will still be loved and accepted. He will always have a place in their society. He doesn't need to earn their love, he has it just for existing. These are his people.

The title of Gerudo King isn't an inherent position of authority. It's a promise of acceptance.

[gffa]

It has been about eight months since I came back to BATFAMILY fic and this will be my ninth set of recs, which means I'm at about 500 or so for this one fandom, which is kind of blowing my mind a little, but also tracks pretty well, given how amazing the fic in the fandom can be. There's just so much that's scratching the itch of softer Batfam content or really digging into the angsty possibilities or exploring the characters in ways the source material won't/can't or just finding a dozen different ways to hit my id straight on and make it such a fun, exciting experience to be swimming through all this amazing fic. And, in that vein, yeah I may have a Dick Grayson Is The Most Important Guy In The World Problem, but I also have Dick Grayson Is The Most Important Guy In The World Solutions which is basically a metric truckload of fic by incredible authors and trying to lure more people into crying about these characters with me because I AM CRYING A LOT ABOUT THEM because fandom has PROVIDED ME WITH THE TOOLS TO DRAG YOU IN AND I AM GOING TO USE THEM. And, okay, I've got some good Jason, Tim, Damian, Babs, Steph, and Bruce stuff in there, too. Fandom is great at helping me get some really great variety in, too! Basically ALL THE BATS ARE MY LOVES AND I WANT TO DRAG OTHERS IN WITH ME.

BATFAM FIC RECS - BABY DICK IS THE CUTEST FERAL ROBIN I'M NOT HEARING ANY ARGUMENTS: ✦ Robin is Looking for a Sidekick by Writer_loves_tropes, dick & bruce, 4k     Eight year old Dick Grayson is already a crime fighting Robin and he needs a sidekick. Batman seems like he would be a good choice. Robin and Batman has a nice ring to it. Bruce has thoughts about that. aka, How could Bruce resist adopting this tiny child? ✦ The Pancake Predicament by Lightsider, dick & bruce & alfred, 2.1k     On his second Father's Day at Wayne Manor, Dick decides to make pancakes. -or- The reason Dick's not allowed unsupervised kitchen use, which isn't fair. The pancakes were delicious, and he was 10! ✦ Counting Elephants by PrincessMariana, bruce & dick & alfred, 3k     When kidnappers break into the manor, Dick runs straight to Alfred. Alfred will do anything to protect his family. Or, Dick gets scared, and Alfred is a badass. ✦ World's Finest: Christmas Morning by WingFeathers, dick & bruce/clark & ma kent & alfred & cast, 9k     Twelve hours of a Christmas morning in Gotham: Bruce foregoes sleep and grapples with change, Clark navigates Christmas at Wayne Manor and his boyfriend's emotional distance, and Dick gets the best presents. Also: Ma and Pa Kent and Alfred are the greatest. ✦ There is a Monster at the End of This Book by Trekkele, dick & bruce & cast, vampires, 2.6k     There was something deeply wrong with Bruce Wayne. This wasn’t exactly news, of course. Opening any one of the local Gotham tabloids would give you plenty of evidence to back his claims up, but Tyler liked to think his profession gave him an edge, an added insight into the strangeness that was Gotham’s ‘beloved billionaire’. ✦ Safe by Jinmukang, dick & bruce, 2.5k     Or, a baby Robin wakes up very lost and very alone in the middle of Gotham. ✦ Stars, Hide Your Fires by FidotheFinch, dick & bruce, 10.8k     Dick Grayson doesn't want to leave the circus he's called home his entire life. When he overhears Pop Haly talking to a strange man about sending Dick away for 'training,' he decides he'll do whatever he can to stop it. Even if he has to make a deal with a demon. ✦ It's who I am by Tiredteengaer, dick & bruce & wally & artemis & conner & kaldur & m'gann & cast, 44k     how each member of the team found out Robin's real identity. ✦ Drowning, Headaches, and being beaten by Penguin by PandasandDucks1, dick & bruce & wally & artemis, 1.7k     He couldn’t breathe. ✦ The Eldest Wayne's by Remarcely, dick & bruce & alfred & cast, 3k     ‘With all their talks about how to behave, Bruce had the upmost faith in Dick to talk to the other Gala-attenders with respect under his supervision. When Dick grew bored and wandered off, entirely unnoticed by a Bruce deep in conversation, he’d be lying if he pretended that faith didn’t waver’ Or Bruce and Dick throughout the years as they slowly learn how to be a family.

BATFAM FIC RECS - ADULT BATSON AND BATDAD ARE MY KRYPTONITE, I FOLD LIKE WET CARDBOARD FOR THEM: ✦ Rebalancing by SirenAlpha, dick & bruce & damian, 2.5k     Bruce was back from his trip through time. Dick expected to heal up from surgery, head back to Blüdhaven, and be Nightwing again. He did not expect Bruce to have a discussion on the nature of Batman, Nightwing, and if Robin really only needed one of them. ✦ Capitulate by Antiquity, dick & bruce, 5k     After Wally's death, Bruce tries to hold Dick together before he shakes himself apart. ✦ No Good Deed by I_Have_To_Get_Off_This_Planet, dick & bruce, 1.2k     While trying to stop a robber, Dick breaks two ribs. It's not a good time. ✦ Superficial Wounds by fleetfoot1, dick & bruce, ~1k     Bruce swore softly as he tilted Dick’s face to the side, his gaze flicking down the bruises covering his cheekbone. Dick swallowed, before opening his mouth. “I--” his voice cracked on the syllable. God, he was just so tired of arguing. ✦ fabric (frayed but holding) by Tevya, dick & bruce & cast, 5.1k     A few months after Dick returns to speaking terms with Bruce, he gets stuck in Gotham with the flu. ✦ aristocracy by brandywine421, dick & bruce & jason & tim & damian & cass & steph & alfred, 2.4k     "I really wish it was for a different reason. I - need a favor." "There are no favors between us, Dick, you know that," Bruce said, moving around the desk to take the seat beside him. "Tell me." "God, it's so stupid, I - could handle it myself, but - I don't want to. I just want - I just want to forget it ever happened," Dick said. That didn't sound like Dick. "Tell me," he repeated. ✦ Memories Fade by Lady_of_Lorule, dick & bruce & cast, 2.2k     “Miss Gordon sent in her daily report and Master Tim called to inform you that he will be in San Francisco for a few days. Also, Master Dick is upstairs.” Bruce froze. “Dick is here?” “Yes, sir.” “I thought he was in Central City visiting Wally West.” Alfred raised an eyebrow, pale eyes piercing. “It seems that he is back, then. I believe he is waiting for you.” ✦ On-Call by motleyfam, dick & bruce & jason & oc & cast, 1.6k     Kiran Devabhaktuni, medical doctor and close family friend of the Waynes, agreed to join them for one more Thanksgiving at the Kent Farm. It's a good thing he did, too. ✦ a day before midnight by batofgoodintent (crownedcrusader), dick & bruce, 2.1k     After you lose pieces of yourself, they don't always fit back the same. - Post-Ric Grayson.

BATFAM FIC RECS - EVERYBODY LOVES DICK: ✦ the more i look inside (the more you're real to me) by starsonthewalls, dick & bruce & john/mary & tim, 2.8k     Dick tensed defensively. “It’s not like I can do anything about that, Dad,” he grumbled, accepting the glass to clear his throat. “You know how B is about patrols.” “And who is ‘B’ supposed to be?” his mom asked. “One of your video game friends?” Dick froze- what did mom mean, who is B? ✦ You Won't Wake Up Alone by DawnsEternalLight, dick & bruce & jason & tim & damian, 5.2k     Dick's captured and drugged and probably about to die. The last thing he wants to do is die in front of his family, especially not his baby brothers, all he wants is to be with Bruce and feel safe again. ✦ Jason's Gift by Neoinean, dick & bruce & jason & tim & barbara & cast, 17.3k     As Dick’s birthday goes from mediocre to bad to worse, he finds himself so wrapped up in the chain of events that he fails to correctly piece together the clues. Will he discover the truth before its too late? ✦ they don't know me and you by konan_konan, dick & bruce & jason & tim & barbara & zatanna & cast, de-aged!dick, 4.5k     "The cold helps neutralize him," says Bruce, talking about Dick like he's a threat. "It'll keep him from hurting himself," says Barbara, talking about Dick like he's a child. They're both correct right now, and Jason hates it. ✦ If You Don't Know by TylerM, dick & bruce & jason, 10.2k     An exploration of Sick!Dick Grayson from little and big Jason's point of view. Because I honestly don't believe in there ever being too many of the same damn fic.

BATFAM FIC RECS - JASON TODD IS AN ASSHOLE CAT, I'M GONNA THROW HIM AT THE OTHER BATS BECAUSE IT'S FUNNY: ✦ bury me softly by Nokomis, jason & steph, 4k     After a tunnel collapse, Stephanie and Jason bond while trapped together.

BATFAM FIC RECS - DICK AND DAMIAN WERE THE BEST BATMAN & ROBIN, I'M NOT HEARING ARGUMENTS ABOUT THAT EITHER: ✦ ties bind none by eryndew, dick & damian & bruce, 2k     Bruce discovers a son. Repercussions and choices follow. ✦ restless heart by emavee, dick & damian, 2.3k     It’s ridiculous to act like this one weekend really means anything in the grand scheme of things, but he can’t help it. It isn’t fair. He only gets these few days, and now Grayson is up in space fighting aliens or whatever and Damian is alone on the couch watching Jeopardy by himself. Or: Dick goes off world and Damian misses him ✦ Need To Know Basis by WordsAblaze, dick & damian, 1.1k     day sixteen, where damian has zero tolerance for dick hiding injuries from him… ✦ a killer time by konan_konan, dick & damian & alfred & bruce, 4.1k     The vent cover clatters to the floor, and Dick flings the knife at Croc, trusting that he's going to be a more of a threat than his goons. Croc roars in pain, or maybe just rage, and Dick scrambles toward the vent, Damian already inside, and - And Killer Croc grabs him by the ankle, slams him into the wood. He feels something break, and he gasps, hardly able to catch his breath. Some sort of metallic clang echoes from behind, and he thinks if Damian comes out of the vent and gets us both killed… ✦ as love carries its strength, but not its labels by AlterHarpia, dick & damian, 2.7k     Bruce is on a trip beyond Earth’s Solar System for longer than he intended, making Dick and Damian fall into an old pattern. “I'm not Batman.” A mere reminder, perhaps, but when said to Damian it always sounds like an apology.

BATFAM FIC RECS - BATKIDS ALL HAVE MANY SIBLINGS AND THEY'RE ALL PETTY ASSHOLES AND/OR WONDERFUL BABIES AND I LOVE THEM WITH MY WHOLE BEING: ✦ a study by bernard dowd by cv_angels, tim/bernard & conner & cassie & bart, 4.8k     Bernard opens the laptop, spinning it to face Tim with a flourish. It’s a powerpoint with a truly hideous red background, and Tim feels a moment of relief that Bernard isn’t breaking up with him before he registers the words on the slide. REASONS WHY TIMOTHY DRAKE-WAYNE IS A SUPERHERO, A STUDY BY BERNARD DOWD. ✦ princess carry by CreamofTomatoSoup, tim/bernard & duke & tam & damian, 3.1k     Tim almost gets shot during a public speech, which is a pretty average Tuesday. Being rescued by his civilian boyfriend, however, is not. ✦ beep beep!! by CreamofTomatoSoup, tim/bernard & bruce & dick & jason & tim & cass & duke, 6.1k     Bernard learned to drive from his henchman uncle. The last place he expects to use this skill is at a dinner with his boyfriend's family. ✦ little menace by InkpotSprite, bruce & dick & jason & tim & damian & alfred, de-aged!tim, 16.2k wip     "Did a two year old just outrun you?" Jason asked, wanting to make sure he wasn't hallucinating. Bruce clenched his jaw. "I didn't want to hurt him." He growled. "Liar!" Tim piped up from under the desk. Jason was starting to like this version of his successor. ✦ It Wasn't Supposed to Be Like This: I wouldn't Change a Thing by Grayson1996, bruce & dick & steph, 4.1k     She smiled tightly at him and stiffly beckoned him forward. If Bruce had to guess they weren’t close in the future, or perhaps she just didn’t know him. Regardless he stepped forward, though he didn’t turn to look at the figure on the bed just yet. For a moment the two simply stared at one another before Stephanie rolled her eyes at him. “Here’s where you apologize for pushing me against the wall.” Bruce felt guilt stir at the words despite the fact that she was clearly joking. ✦ in the lungs by hellsreluctantheir, tim & steph & cast, 2.8k     It went bad the way things always went bad. All at once. Steph had taken out two thugs (and maybe picked up a sprained wrist though she wasn’t counting her chickens before they hatched) and Tim was almost finished up with his third, when she saw him get launched backwards, head hitting the railing at the side with a resounding clang. She saw him slump to the deck, saw him struggle weakly as the thug pulled him up by his cape and looked at him for a moment, before tossing him directly into the Gotham River.

BATFAM FIC RECS - I SAY THIS IS A BATFAM REC LIST BUT SOMETIMES YOU JUST GOTTA SHOVE THOSE ASSHOLES OUT OF THE WAY AND READ SOME SUPERFIC: ✦ Troublemakers by Kannika, clark & lois & conner, ~1k     Introducing Conner and Lois is the worst mistake Clark has made in a long time. Because they're getting along. ✦ oh brother by corvidspectre, conner & lois & jon, 1.2k     “So what are you being for Halloween?” Kon had asked when he got to the Kent's place. “Superboy!” Jon smiled, making Lois chuckle under her breath. ✦ Gut Feeling by Ao3time, lois & conner, 18.7k wip     Lois Lane rescues a teenager who looks a lot like someone she knows...

BATFAM FIC RECS - TAKE THE ANGST DIAL, TURN IT UP TO ELEVEN, AND BREAK THE KNOB OFF, THAT'S WHAT I'M HERE FOR: ✦ my threads are coming loose by dizarys, dick & talia & cast, ~1k     “Oh good, I see both you and Bruce are on the same page about unrealistic expectations for grieving,” muttered Dick. Talia sucked her teeth and turned back to the grave, long hair swinging. The sound was so much like Damian’s iconic tut that fresh tears welled in Dick’s eyes. ✦ Fatherhood; a Knife that Never Stops Cutting by minnow_doodle_doo, bruce & dick & alfred, no powers au, 2.1k     There always seemed to be a thread that tied all their histories, from Alfred to Bruce back to Dick. Repeated over and over. And now it seemed that Dick found that the thread had been longer than he first thought. ✦ Tap Out by withthekeyisking, bruce & dick & jason & tim & damian, read the tags, 4.8k     Dick knows the importance of tapping out in training, so your partner doesn't accidentally hurt you. It becomes instinct, so heavily ingrained in him. He doesn't understand why his brothers don't do it, too. (Until they do, and it's too late.) ✦ A Death in the Family by PrincessMariana, bruce & dick & jason, yandere!bruce (?), read the tags, 12.4k     The Joker has killed Jason Todd. Bruce tells Dick immediately, and Dick returns to the manor. Bruce will do anything to keep his remaining son safe and close. Dick thinks it's the grief that's keeping him exhausted. ✦ Car Crashes and Hot Chocolate by PrincessMariana, bruce & dick, yandere!bruce (?), read the tags, 2.3k     Dick almost dies trying to escape Bruce. Neither of them are happy about the outcome, and so they talk about it. This is a follow-up oneshot for A Death in the Family and is set before Into the Gilded Cage. This can technically be read alone, though it does have spoilers for A Death in the Family. ✦ Into the Gilded Cage by PrincessMariana , bruce & dick & tim, yandere!bruce (?), read the tags, 17.5k     Tim investigates if Dick Grayson is being held against his will by Bruce Wayne. He somehow ends up spending the summer with the two at Wayne Manor. It might be a prison for Dick, but the more Tim stays, the less he wants to leave. This follows A Death in the Family, but you don't need to read that to read this. It might be useful, though. ✦ The Third Robin's Flight by PrincessMariana, bruce & dick & tim, yandere!bruce (?), read the tags, 13.7k wip     Tim accepts his place as Bruce' third - and most loyal - son. When his mother dies and his father returns to Gotham, Tim once again must pick a side, but Bruce never lets go of his children easily. Meanwhile, Dick struggles with the ramifications of finding the Joker, and Bruce remembers why Batman needs a Robin. This follows Into the Gilded Cage. ✦ Family Crisis by librarylexicon, bruce & dick & tim & cass & steph & leslie & barbara & selina & amy & cast, read the tags, 78.1k wip     At the close of the gang war, Batman uncovers an attempted deception concerning the life of his former protégé Stephanie Brown, and suddenly nothing is as important as his family. While Dick seeks absolution, Tim struggles with grief, Cassandra searches for belonging and Steph rebuilds her sense of self, Bruce faces the return of ghosts from his own past and psyche. (War Games AU) ✦ New Again by dustorange, dick & bruce & thomas wayne jr., 10.1k wip     “I’m not a good man,” says Thomas. “No," Dick hesitates, then comes closer, "but you're not an old man either." (a.k.a. Earth 3's Thomas Wayne Jr. "helps" Batman and Robin get back to their world, only for Bruce alone to be sent back, leaving Dick stranded in Earth 3—with Thomas.) ✦ not anything, anymore by emavee, dick & bruce, 2k     Bruce kicked him out four months ago. Apparently these particular kidnappers didn't get the memo.

✦ dreamer by day by justbeyondstars, dick & bruce & jason & tim, 5.3k     In the next room over, Jason and Tim are laughing, and it startles Dick back into his body to remember he’s not alone. He feels impossibly empty, unmovable, untouchable. He almost forgets he's still on the phone until a voice says, “Is there anything I can do for you, Dick? Anything you need to make this easier?” Or: Dick is a lot of things to a lot of people. After getting some bad news, he has to grapple with the fact it might not always be enough. ✦ watching the world go dark by daringyounggrayson, dick & bruce, 3.5k     It wasn’t that Dick was suicidal exactly, but if an opportunity came about where he would have to actively save himself from death, he might just let go. He might not be suicidal, but he's not self-preserving either, and it’s becoming a real problem. Luckily, Bruce is a worried parent with a few detective skills. ✦ hold me like water (or hold me like a knife) by dizarys, bruce & dick & tim, 2k     Dick's recovery after a amnesiac year as Ric Grayson is taking longer than expected. And has some difficult side effects.

BATFAM FIC RECS - SOMETIMES YOU JUST NEED TO TAKE ALL THE SERIOUSNESS OUT OF THE ROOM AND STAY SOFT FOR AWHILE: ✦ And There Was Only One Bed: Family Edition by RandomReader13, bruce & dick & jason & tim & damian & cass, 1.7k     “You’ve gotta be kidding me.” Dick stood on his toes to peek over Jason’s shoulder into the hotel room and grimaced. “Uh, Bruce…” “There was a mix-up with the reservation,” Bruce grunted. ✦ so everyone's just a fucking scalie huh by destiny919, bruce & dick & jason & tim & damian & cass, 1.1k     "Birds are animals, Jay." "What the fuck? No. Aren't they basically reptiles?" Jason demands. "First of all, no, you're thinking of dinosaurs, which is what they actually are in the Flintstones. Second of all, reptiles are animals." "Bullshit." "Okay, I..." Tim pinches his nose. "Okay. I think I see the problem here." "Yes, Todd sustained a traumatic brain injury the other night and didn't see fit to inform anyone before we left on this inane trip." ✦ The Batmobile (and other Bat things) by JeanjacketCarf, bruce & dick & clark & justice league, 2k     “Batmobile?!” Barry looked incredulous. It was clear he was missing the point of the story. “He called it the Batmobile? Out loud? In front of you?” Clark shrugged. “Yeah, twice. I’m sure I heard it right.” “Batmobile, my god,” Barry said shaking his head. “I can’t believe it.” Or Apparently, the Bat-Man is not a cryptid, he's a guy who gives his stuff silly names ✦ Vampire Bats by Sohotthateveryonedied, bruce & dick & jason & tim & damian & cass & steph & duke & cast, 4.1k     Despite the many, many obstacles, having his kids turn into vampires isn’t as tragic as Bruce anticipated it would be. Whenever one of them is grounded, all Bruce has to do is hang a cross on their door and they’re sufficiently contained. And the energy boost has been incredibly helpful on patrols. ✦ Adventures in Batsitting by raven_of_hydecastle, bruce & dick & clark & lois & justice league, 10k wip     "What, you're telling me the great Batman couldn't stop a nine-year-old from sneaking out?" Green Lantern scoffed. "At least come up with a believable excuse." It was Batman's turn to scoff. "Like anyone else could do better. If you can keep Robin off the streets for a week, I'll buy you a Porsche." *** AKA The JLA stages an intervention with Batman to get Robin off the streets. it goes downhill from there.

BATFAM FIC RECS - THROW BABY DICK AT BATTISON, C'MON DO IT, IT'LL BE HILARIOUS: ✦ though the sun and sky may fade (all shall be remade) by queenofthestarrrs, dick & bruce & alfred, 1.8k     Dick Grayson asks a lot of questions. ✦ My Little Robin by tyrianzzz, jim & dick & bruce, 1.6k     After being Partners with the Bat for so long Gordon tries not to question his life choices. Until Robin comes along. ✦ I Wish My Father Had More Sons by shipNslash, bruce & dick & jason & alfred, 9.4k     Jason Todd and Dick Grayson, from strangers to brothers to enemies and back again.

[max1461]

Would you say that the distinction between high-context and low-context languages is real? I was skeptical at first, but japanese seems to leave a lot more information implicit in a typical utterance than english.

No such distinction is used (or at least commonplace enough that I have heard of it) in linguistics. If one were to introduce such a distinction, they would have to put forth some way to measure or operationalize "low/high-contextuality"; in the absence of that there's very little I can say about it scientifically.

What I can say is that laymen's subjective impressions about "what different languages are like" are very often more grounded in bias than in fact. There was a good post that went around here a few months ago to the effect of

People everywhere: "[Language I learned in childhood] is so subtle and emotive, whereas [language I learned in adulthood] is so cold and logical".

Often, these subjective impressions then get filtered through the cultural-theorizing-industry and elaborated more and more, becoming more entrenched as "established wisdom" about X or Y language among non-linguists, and in the process getting farther and farther from any real or verifiable truth.

Well anyway, I think the claim that "Japanese is more contextual than English" is probably one of those. Until someone comes up with a real metric for "contexuality", at least, I will probably continue to judge that to be the most reasonable hypothesis. Here are two ways such an impression could have come about:

For English speakers who learn Japanese as adults, things which are left to context in English but not in Japanese will not appear to be "absent" and they won't notice any gaps, whereas things that are left to context in Japanese but not English will strike them as "absent" and they will be more aware of them.

English speakers who speak some Japanese but are not proficient will not in fact be fully familiar with the rules governing the interpretation of utterances, and so things which are actually grammatically determined may appear to rely on nebulous "context".

Here is a salient difference between English and Japanese: in Japanese, any noun phrase may be dropped "when its meaning can be contextually determined". For example, you might say

(1) kinou inu ga nikki tabe-chat-ta! yesterday dog SUBJ diary eat-COMP-PST "yesterday my dog ate my diary!"

(2) wanpaku da yo naa naughty COP ASS TAG "he's sure naughty"

In (1), we see that where English has possessive pronouns ("my"), Japanese doesn't use them. In (2), the noun phrase referring to the dog is dropped entirely. In fact, in both of these sentences, not dropping these things would be considered unnatural and stilted. Overuse of pronouns and NPs is a common marker of non-fluent Japanese as spoken by Westerners. Saying

(3) kinou watashi no inu ga / yesterday me GEN dog SUBJ / watashi no nikki tabe-chat-ta! me GEN diary eat-COMP-PST "yesterday my dog ate my diary!"

instead of (1) would technically not be ungrammatical, but would be markedly foreign sounding and corrected immediately in any intro Japanese class.

However, this already tells you something: the fact that (3) is unambiguously unfelicitous tells you that there are some underlying rules here, it isn't just "drop when you feel it". These rules are called information structure rules, and every language has them. In fact, Japanese explicitly marks information structure in a number of ways that English does not.

Some of the basic rules in Japanese of relevance here (this is a fairly crude analysis and does not account for various things, but it's probably good enough for our purposes) are:

Every discourse has a topic

If no topic is specified, the speaker is by default assumed to be the topic

A non-topic subject may be introduced into the discourse with ga

A noun already in the discourse may be made into the topic with wa

A salient subject already introduced, but not explicitly topicalized with wa, may be implicitly topicalized

Empty NP positions and unmarked possessors should be taken to refer to the topic

Items that are (semantically speaking) likely to be possessed should be interpreted as possessed before they are interpreted as indefinites

These rules are not inviolable, and in particular (5) requires some contextual definition of "salience" and (6) is certainly not this simple in reality (there are often multiple empty NP positions and the full ruleset for interpreting them seems complex; for instance subject positions are favored for topics over object positions and so on), so there is still some amount of combinatorics with referents and syntactic positions that presumably is going on somewhere in speakers' brains or whatever. But the point is that these rules narrow down pretty starkly what interpretations are "reasonable", and the actual role of context in disambiguating between reasonable interpretations is not so vast.

Anyway, using the above rules, it is not so hard to go through (1) and (2) again, and see that only a single reasonable interpretation actually presents itself.

As mentioned, Japanese very often makes information structure explicit using the particles wa, ga, and wo (not mentioned above, but the object equivalent of ga), which is somewhat uncommon among the languages of the world. English, on the other hand, does not do this. English speakers do not drop noun phrases, but they still replace noun phrases with pronouns very readily, and disambiguating pronoun referents uses pragmatic and information structure rules of exactly the same type! Consider, for instance

(4) My boyfriend went on a "boys trip" with Will and Tod last weekend... I told him not to let them pressure him into skinny dipping again. What was up with that anyway?

Think about what you're doing when you assign referents to these pronouns. It's automatic so you don't notice it, but is it unambiguous? Not at all! You know, for instance, that "him" refers to the boyfriend and "them" to Will and Tod, and you know in the second sentence that "that" refers to peer pressure skinny dipping. Some of this (in particular the referent of "that") I think has to be chalked up to pure context; it's the semantics from which we derive the correct assignment. But some of it is mediated by syntactic or information structure rules as well; for instance consider

(5) Jacob went on a "boys trip" with Will and Tod last weekend... I told him not to let them pressure him into skinny dipping again.

We are still able to produce the correct pronoun assignments in this sentence, even though the semantic context which informs us about which one of these people the speaker is most likely the closest to has been removed. This is, again, a product of information structure rules: Jacob is the topic here, and so (by whatever rules operate in English; not identical but not dissimilar to those in Japanese) we infer that "him" refers to Jacob.

Anyway, the point is that all languages make reference to context very freely in matters of interpretation (which is a big part of why language models had to develop implicit world knowledge before they could speak convincingly), and also languages make reference to context in a structured way which can often be described fairly precisely, and which leaves less open to chance and misinterpretation than might initially be assumed. The gulf between English and Japanese is not so large here. It might be the cases that the [pronouns + unmarked topicalization]-English system is more explicit than the [empty NP positions + marked topicalization]-Japanese system, but I don't know. And of course it might be the case that in some other domain of grammar Japanese is more explicit than English. So one must be careful with any broad assertions.

[thezombieprostitute]

Tech Tuesday: Steve Rogers

Summary: It's only your first day on the job. That's way too soon to have an office crush. Right?

Warnings: Workplace stress and bullying. Please let me know if I missed any!

A/N: Reader is female. No physical descriptors used.

Part 1

Tech Tuesdays Masterlist

Bucky sits across from Steve, a cocky smile on his face. Steve raises an eyebrow and Bucky says, "I gave her my number." Steve doesn't know that it wasn't about a date, but he doesn't have to know.

"You didn't."

"I did," Bucky smirks. "Which means, it's your turn."

"It's...it's not the same," Steve tries to argue. "You've known your Sweetie for months now, right? This girl is still a newbie. She's barely been here a month!"

"Deal's a deal, Punk," Bucky shakes his head. "One of us gives our number, the other one has to as well."

Steve's cheeks are incredibly pink from embarrassment. He's never been good at flirting, always stumbling over his words. Sure, his body attracts attention, but inside he's still the scrawny kid who always got laughed at when he tried to talk to a girl. Especially a girl as sweet and pretty as you.

The two of you had run into each other in one of the break rooms a few times. Every time Steve talked with you, he found himself getting lost in your eyes, but that led to him not knowing what you were saying. His face would turn red and he'd quickly run out of the room. Another time you'd complimented his art and he got scared you'd see one of the drawings he did of you so he quickly closed his book and you felt bad, like you had overstepped.

And now, thanks to Bucky, Steve needs to admit he'd like to spend more time with you. Admit that he thinks about you every day. Admit that he likes you. He can do this, right?

You were crying in the ladies room for the third time since you were hired. There was so much, so fast and your coworkers were already blaming you for things. Especially things you didn't even know were your responsibility. No one had told you or shown you how to do them but they still blamed you! It's not like you were entirely new to this kind of work, but the systems were very different and, most importantly, you didn't know what was and wasn't part of your job because they hadn't told you! When you finally calm down, you head to the sinks and wash your face, trying to hide the tears.

As you tiptoe back to your cubicle, trying not to draw attention to yourself, you end up literally running into Steve, the dreamy guy from the IT Department. He manages to catch you before you fall, bringing you in for an accidental hug. You find yourself instinctively hugging him back, squeezing him tight.

"Are...are you okay?" Steve isn't going to complain about being hugged by you, but he's worried you're not in your right mind.

"Oh, sh-shoot," you break the hug and jump away. "I'm so sorry. I didn't mean...I'm just..." you fight a resurgence of tears and run to your cubicle. When you get there, Maggie, your least favorite new coworker, is glaring at you, arms crossed.

"Really, Newbie," she admonishes, "you've been here a month and you still don't know how to update the most basic fields in the database?"

"I...every person does it diff--"

"Enough!" she cuts you off. "Really, you should be able to do this. You're killing our metrics!"

"I'm...I'm sorry," you hang your head, trying to not cry again. "I keep getting told different things about how to do the updates."

"Empty apologies and excuses!" Maggie retorts. "I don't know why you got hired. You're bringing us---"

"Margaret," Steve interrupts her. You jump, not realizing he had followed you. "Tell me, Margaret, how do you think your boss would react if he knew you'd been spending half your day on Facebook?"

She fumes at both of you for a minute before going back to her own cubicle.

"I really wish you hadn't done that, Steve," you whisper. "I'm already on their sh-crap list. This is only going to make it worse."

Steve takes a breath, "you're right, I'm sorry. I just really hate bullies."

"Me too," you nod. "But right now I've gotta make these bullies happy, okay?"

"It's not okay," Steve shakes his head. "But I promise I'll be more careful."

"Thank you."

Tagging: @alicedopey; @darsynia; @delicatebarness; @ellethespaceunicorn; @icefrozendeadlyqueen;

@jaqui-has-a-conspiracy-theory; @late-to-the-party-81; @lokislady82; @ozwriterchick; @ronearoundblindly

[qqueenofhades]

I'm a little confused by the left's repeated assertion that they're "trying to hold Biden accountable" and push him left, things they've been talking about since before he was elected, and the ramifications of that at this point in time. I do think we need to be calling out things we disagree with and making our feelings known, but seeing people like Nina Turner complain about student loan forgiveness when it's been made abundantly clear Biden is doing all he can and he can't actually cancel anything as just the President (without being sued or having it reversed by Republicans - please correct me if I'm wrong and there's more he could do here?) doesn't feel like it's that? I just don't understand the logic behind people on the left adding to this narrative that he isn't trying hard enough on what we want, rather than the Republicans are preventing things from being done. We need to not sit back and get complacent, yes, sure, but I feel like the line where it goes from helpful and necessary to harmful and more beneficial to the right was crossed a while ago.

The thing is, you're confused by it because it's a bad-faith argument. Actually "holding someone accountable" means honestly assessing what they can do, what they have done, what they can be expected to do in the future, and if they haven't done it, what's stopping them (i.e. have they just not done it or are they being actively stopped from doing it by factors beyond their control)? It doesn't mean "constantly moving the goalposts to constantly criticize someone if they don't magically get everything done immediately, regardless of reality." The way Online Leftists use it, "holding Biden accountable" means "relentlessly criticize him every instant he doesn't magically transform into the Socialist Messiah overnight, the end." That's not actually a useful, honest, reliable, or constructive metric.

This is also the case because their version of good policy is "someone thinks the Correct Thoughts all the time and any failures to achieve it means they are not thinking the Correct Thoughts hard enough." I'm not sure how anyone could have missed what SCOTUS is doing right now, but Online Leftists remain determined to discount, minimize, or otherwise totally ignore its role, because that would mean a) there is in fact a difference between the parties, b) Hillary Clinton would not have made the same appointments Trump did, and c) they might therefore have some responsibility in not voting for her, none of which can be countenanced. As such, if Biden has failed to wave a magic wand and get all student debt erased for everyone overnight, He Is Just Not Trying Hard Enough. SCOTUS very notably outlawed his first forgiveness program? BIDEN'S FAULT!

Even though Biden extended the Covid-era payment pauses as long as he could (it was Congress that passed the law mandating an end to them, because THE PRESIDENT IS NOT AN ABSOLUTE MONARCH!), and even though he's now rejiggered the entire repayment program so that your monthly payments can get lowered to $0, these count as payments, and no interest accumulates as long as you "make" them, which in practice adds up to full forgiveness -- this still isn't good enough for the Online Leftists, because it happened after trial and error, is a partial solution, doesn't snap its fingers and erase everything, and relies on slow and careful policy work. And yet, it's going to be a lot harder for SCOTUS to overturn than just "the president forgives your debt," which was the first thing he tried to do and it didn't work! With a different SCOTUS, it might have! But we have this nightmare court BECAUSE OF TRUMP, and all the Pure Thoughts in the world won't get rid of it!

Biden is the most liberal president we have ever had, period, full stop. It's not sexy and it's not exciting and it's not something the Online Leftists will ever acknowledge, but it's the truth. And whenever he is actually and extensively pushed, he goes more left, not less. I suspect at least part of the recent negative press barrage he's gotten is because he's openly come out with a plan to raise the tax rate on billionaires to 25%, and the corporations and oligarchs that own the mainstream media Really Don't Like That. (They've always been unfair to Democrats, but look for it to be especially so.) That would be, BY FAR, the highest the top-rate tax bracket has been since Reagan. Biden is the first president ever to actually address the scam of "Reaganomics" and take credit for "Bidenomics," which actually does represent a major rearrangement of the way capital is envisioned and distributed in this country for the first time in the 40+ years since Reagan wrecked it. That's why the capitalist media is really, REALLY determined to muckrake him as much as possible, and to do Kamala even dirtier than they did to HRC in 2016.

Anyway also: Holding someone accountable also implies that you're working with them and will reward them (i.e. voting for them, engaging with them) if they do the things you expect, which is another thing the Online Leftists won't do. So yes. This. The end.

[suzukiblu]

WIP excerpt for @definitelynotaminion; Clark panic-adopts his teenage clones. Yes, including the supervillain one. (( chrono || non-chrono ))

“I know. But you didn’t meet them because I introduced you to them,” Superman says, sounding–strange, somehow. Bothered, almost. Match has gone so far past not understanding this man that he might just give up on the idea entirely, and frankly the fact he hasn’t yet is beginning to look like a waste of mental resources. 

Thirteen just keeps looking uncomfortable, either way. Upset, maybe, but not in the way Match is used to seeing him upset. Normally Thirteen’s angry, when Match sees him. Normally Match is making Thirteen angry when he sees him. The expression the other’s wearing right now reminds him more of the first time they’d met than that, though. The first time they’d met, and the things that Thirteen had said to him, and the things Thirteen had said to Spence and the directors because of him. 

( or–FOR him, maybe. )

Those things had all been absolutely clueless and incredibly stupid and straight-up naive and a total waste of everyone in the conversation’s time on top of that, and Match never thinks about a single one of them. 

He knows better. 

“I mean, I know that? Like, obviously I know that. But I don’t get what it’s got to do with all this shit, man,” Thirteen says, gesturing expansively but directionlessly around them and looking increasingly frustrated. Match isn’t sure why the idiot’s still this close to him, if not actually outright behind him anymore. At this point it’s more like he’s just next to him. He supposes that makes it easier for Superman to give them their orders simultaneously, though he has a hard time believing Thirteen would’ve thought to do something even remotely practical. 

. . . though Superman doesn’t give Thirteen orders, really. At least, he never did when he was talking to Match and didn’t know the difference. He didn’t talk to him all that much, though, so it’s not like Match can really say it’s a particularly large sample size he’s basing that observation off. 

Though probably percentage-wise it is, considering. 

“Because you should have,” Superman says. “I should have brought you here a long time ago, in fact.” 

“Superboy hasn’t even existed for ‘a long time’,” Match says in exasperation, which is probably stupid to say, but–it’s irritating. That’s all. Superman just keeps saying total fucking nonsense combinations of words in vague approximations of logical statements and expecting them to understand what he means, and it’s not–if it’s a test, it’s not one with clear parameters or useful metrics. It’s not objective. 

Match hates the tests that aren’t objective. 

“I mean, he’s got a point,” Thirteen mutters under his breath, glancing away uncomfortably and folding his arms. Match is almost more annoyed that the idiot is agreeing with him than anything else, or would be if Superman wasn’t just constantly saying such absolute bullshit that the man’s just fucking up the curve beyond all reason. 

And he does, in fact, have a point. 

“I . . . that’s–true, yes,” Superman says slowly. “But has it felt like a long time to you?”

[v-arbellanaris]

i feel like some of you are really shooting yourselves in the foot. i get it! trust me, i get it! i, well known dai hater, also have my anxieties abt da4 - and yes, even expectations abt things like where the plot is going to etc - but the teaser is TWO MINUTES LONG and i've been ripping it to shreds to get SOMETHING out of it, but the truth is that it's just not going to be indicative of the full game

the teaser trailers for dao imply that the sacred ashes quest is gonna be the huge memorable quest - and for me, they simply weren't? and how different did the actual game look to the teasers like let's be sooo real. da2 teasers hinged on the qunari invasion which was like... just one of many, many events in da2. and hawke and isabela didnt even look like that. i cant even remember seeing solas in the inquisition trailers?

the teasers aren't even for the plot, is the thing. these teasers are literally companion reveals, of course it's aimed to make the characters look cool and interesting, rather than really foreshadowing anything deep about the storylines - that's for things like tevinter nights, and the comics, and even absolution. it just feels really weird to use the thing they're using to advertise the companions for this game as a metric for the entire game plot and vibes. dao and da2 trailers were SO FUCKING INTENSE and then you get iconic lines like swooping is bad and hawke stepped in the poopy like...............

like da4 is not going to be dao. it's not going to be da2. it's not going to be dai either. all three of these games were tonally totally different from each other, and idk where the expectation is coming from that da4 will be like the other games. especially when the writing direction, as i've talked abt on this blog a few times already, is definitely changing and evolving. whether or not i personally like that direction is irrelevant to the fact it's happening.

i support the haterisms - god knows ive got my issues with it - but sometimes i just think you guys are unnecessarily hostile for weird reasons and i dont get it. "people who hate dragon age the most are people who love it" i dont think you guys like dragon age anymore, is the thing. which is fine, but i'm not obliged to tolerate it, or you. like you can just say: you liked dragon age origins. you liked dragon age 2. you maybe even like dai. and you're not interested in da4. that's fine. because da4 is not those games. i dont really care to hear abt the whinging abt how da's ruined or whatever - da hasn't been the same literally since da2, which was already a tonal shift from dao. da has been changing, and i have opinions abt the changes, but fundamentally, i am - cautiously, warily, anxiously - excited about a new game. new content. new companions. new maps. new knowledge. new narratives to chew on. aren't you?

if you're not, have you considered that you just don't like dragon age anymore? and that's fine? and you can just move on?

and idk why are you acting like a 2 min teaser is gospel for how the entire game is going to anyway? we know practically nothing, and at least try to keep that in mind when you're drawing firm conclusions abt the wholeass game based on the trailers because you literally WILL NOT KNOW. the teaser literally means nothing except: here are your companions. this is what they look like and where they're from. everything else based off the trailers is wild conjecture

[transmutationisms]

I read your review of Poor Things and I was wondering if you had any thoughts on the section in Alexandria? It was horrifically executed on many levels but narratively, that part of the film is about Bella learning about class structure. She rebels against the cruelty of society through charity then by working as a prostitute, during which time she has cruelty inflicted upon her instead. Finally, she realizes that God’s creation of her was ultimately cruel, and then she runs away with her ex-husband-father only to realize that her prior self-mother was fundamentally characterized by cruelty, especially to her “lessers.” She then decides once again that she does not want to be cruel, but then she achieves this by taking God’s place as the doctor-patriarch and ruling his household with a new pet goat. The entire film is also about Bella learning about feminism: the arbitrary oppression of women is not only nonsensical, it’s bad! But then the ending has her reproduce almost all those power structures and cruelty she claims to reject, and has the unfortunate consequence of positioning her as ultimately equally cruel/callous as God, the guy she meets on the boat who shows her all the starving people, and her former self-mother, etc. I was wondering if you had any thoughts on why this is or like, what the director’s message was beyond self-contradiction and taking cheap shots at starving people?

so i would quibble a bit with the idea that bella's experience in the maison-close is exclusively or even primarily portraying sex-for-pay as a site of cruelty. i think it's more depicting paid sex as work, and work as unpleasant and repressive, and that's why the maison is the site where bella gets involved in socialist politics—if moral philosophy is the arena by which she responds to the injustice of the poverty in alexandria, then labour politics plays the analogous role where the maison is concerned. her problems there aren't inherently with the idea of being paid for sex, but with specific elements of the work arrangement (eg, she suggests that the women should choose their clients, rather than vice versa). ofc she has some customers who are cruel or thoughtless or rude, but i didn't read the film as suggesting that was universal to sex work, and the effect of the position is more to demystify sex, for bella, than to convert it into being purely a site of trauma or misery. now i don't think this film offers a particularly blistering or deep analysis of sex work or socialism or wage labour, dgmw, but i do think the function of the maison is different narratively to that of the alexandria section.

anyway to answer your actual question: yeah so this is really my central gripe with the film. lanthimos (slash his screenwriter tony mcnamara) spends much of the film gesturing toward bella's growing awareness of several hierarchical structures that other characters take for granted: the uneven nature of the parent/child relationship (god took her body and created her without asking); class stratification (alexandria); the 'civilisation' of individuals and societies via education and bio-alteration (bella's talk about 'improving' herself; her 'progression' from essentially a pleasure-seeking child to an educated and 'articulate' adult). these three dimensions often overlap (eg, the conflation of 'childishness' with lack of education with inability to behave in 'high society'), though, most overtly, it's in that third one that we can see how these notions of improvement and biological melioration speak to discourses about the 'progress' and 'regress' of whole societies and peoples, and voluntarist ideas about how human alteration of biology (namely, our own) might produce people, and therefore societies, that are better or worse on some metric: beauty, fitness, intelligence, morality, longevity, &c. this is why i keep saying that like.... this film is about eugenics djkdjsk.

the issue with the alexandria section to me is, first, it's like 2 minutes (processed in the hollywood yellow filter) where the abject poverty of other people is a life lesson for bella. we're not asking any questions like, how is that poverty produced, and might it have anything to do with the ship bella is on or the fantastical lisbon she left or the comparative wealth of paris and london...? secondly, everything that the film thinks it's doing for the entire runtime by having bella grapple with learning about cruelty, and misery, and the kinds of received social truths that lanthimos is able to problematise through her eyes because she's literally tabula rasa—all of that is just so negated by having an ending in which she bio-engineers her shitty ex-husband, played as a triumphant moment. i don't even inherently have an issue with the actual plot point; certainly she has motive, and narratively it could have worked if it were framed as what it is: bella ascending to the powerful position in the oppressive system that created her, and using her status to enact cruelty against someone who 'deserves' it—ie, leveraging her class and race within the existing social forms rather than continuing to question or challenge them. if that ending were played as a tragedy, or a bleak satire, it would at least be making A Point. but it's not even, because it's just framed as deserved comeuppance for this guy we were introduced to in the 11th hour as a scumbag, so it's psychologically beneficial for bella actually to do the sci-fi surgery to him that literally reduces him to what's framed as a lower life form. unserious

[k8-marsh]

songs that sound like chloe price sung them

okay so (naturally) i have playlists for most life is strange characters and i found a bunch of songs that sound like chloe sung them! :) it sounds more like her voice in 'before the storm' (rhianna devries) if anyone is interested. so yeah! i just thought it was cool! a lot of the songs also really suit chloe in their lyrics/genre too ^^

also i added photos to help you. visualise. hope you enjoy.

Sorority Girls - Mommy Long Legs

this one is so very chloe, especially with her hate for the vortex club (more specifically, victoria and nathan)

Hey, hey, hey, boys, let's go to the frat party The theme's white people, get your roofies ready Shoot their parent's money away And act like assholes every day!!!

I Threw Glass at My Friend's Eyes and Now I'm on Probation - Destroy Boys

honestly, for all of these songs the entire song sounds like her! this whole album in particular 'Sorry, Mom' is very chloe.

anyway i think this song could kinda be about chloe and frank ;

'Cause you're scary as shit, dude! Like I don't know really know what I can tell you You kinda freak me out, but we can be friends

Never invite me over ever again Just kidding, please do! I really wanna hangout with you

obviously NOT in a relationship way but frank was definitely a bad influence on chloe and someone she kinda looked up to. so i think it kinda fits!

Duck Eat Duck World - Destroy Boys (again)

okay... i'm about to put the whole album at this point, the singer's old voice really sounds like chloe!!!

this song seems like other people's criticisms of chloe;

Ever since you cut your hair You're so different, you don't seem to care Staying out late, X's on hands Since when do you like punk rock bands?

then this verse kinda seems like chloe talking about max leaving her -

I liked the girl with the long locks What's her name? I forgot Ten years and we haven't talked Well, there's a new girl on the block

and the 'new girl' is rachel!

Green eyes leaning in on me Green eyes, am I what you wanna see?

guess who has green eyes... that's right guys. rachel amber. are you seeing these links or what.

this analysis isn't, like, that i think that the artists wrote these songs about chloe, i just love thinking about songs in terms of chloe. as you can tell.

A few other songs from the same album that match chloe with their lyrics:

No Respect - chloe criticizing david!

You don't own everything I've been here for years Stop meddling in my affairs and I'll stop middling yours Get out of my face Such a typical dude Thinking that every tiny little thing is just about you

Goldilocks Spot

This one is kinda sad/subdued. I think this suits Before the Storm Chloe too, i mean she went through a LOT of shit.

My handwriting kind of looks like my dad's Tell me your story, it won't make me sad

...

I don't wanna talk about it anymore I don't wanna talk about it anymore I don't wanna talk about it anymore I don't wanna talk about it anymore So I won't

Junk

The title just gives me junkyard vibes, which is totally relevant to chloe :)

My car exhaust clinging to the base Shiny and lost with onion ring remains Precious flowers lost within the hour I guess you can say they were written to decay

Long and gone Long and gone, long and gone, long and gone Lost my junk again Lost my junk again

B.F.F (Actually from a later album!)

This reminds me of Chloe's breakdown in the junkyard. you know when she just started smashing everything. you can draw a correlation (fancy) between the title and max...

Nails through my baseball bat I'm telling you to step back girl, step back You're dead, you're dust, you're sewage now (< william!!!) You dug your grave and then you asked me how

edit: you thought i was done? absolutely not. i completely forgot about ashly burch's songs!!!!!!!!! MUAHAHAa.... okay. these are usually covers/parts of a show or play so they don't have as deep meaning. but obviously i'll find a way to relate it to chloe.

(Cover) Black Sheep by Metric

I love the second video so much, it's animated by this totally awesome dude on reddit (https://www.reddit.com/r/lifeisstrange/comments/3nzxhc/animation_of_chloe_price_ashly_burch_singing/) but the video is private so I attached a different youtube link in case anyone wants to watch it.

Who's The Princess Now? (from Muzzled: The Musical)

The scream of 'who's the princess now, BITCHES??" is... very chloe to me. a little context, this song is from a very peculiar youtube musical episode series thing that ashly burch stars in, i watched it a few years ago and it's definitely something. it's actually got a bunch of popular youtube-musical people (like Joey Richter from Starkid) if anyone's interested. you can watch it here!

Song Battle (...also from Muzzled: The Musical)

okay. so for some reason i really love imagining chloe having a rap battle against victoria for this. someone please make it into an animatic. maybe i will.

How Do I Look? (you'll never guess where this one is from...)

i can also imagine chloe having a sick makeover and like chloe and rachel helping her. or something like that... anyways. rad.

Anyways. That's it for now, i hope anyone who remotely wanted this enjoyed it!!! i hope it helped if you wanted to create a playlist or animatic or anything or just have a little chuckle.... um. please let me know if you have any more ideas because my chloe playlist can never be long enough.