#like. no. this is ultimately why i hate a lot of wish fulfillment media. | Explore Tumblr posts and blogs

writterings · 3 years ago

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In light of the new Owl House episode, I have some THOUGHTS about its excellent writing.

So, first things first, I wanna state something that everyone knows but we also kinda forget sometimes; TOH is a kid's show. Yeah, yeah, that's obvious. But also, that GREATLY impacts its writing. However, it also balances this type of writing PERFECTLY with the adult perspective on the world which ultimately does make it great for all ages. And "Yesterday's Lie" is the ULTIMATE example of this.

Luz's story fits the typical isekai plotline - but it also is an example of what real-life kids in Luz's positions want. Like think about her life in the first episode - she had no friends, she wanted adventure and fantasy and magic, and her mom and she weren't seeing eye to eye. She then got whisked away to a magical realm full of adventures, magic, friends (and a girlfriend!), and a mother figure who tries hard to understand her and loves the fact that they're both weirdos. The Boiling Isles is heaven for Luz, just because it's fulfilling all her wants and needs that she wasn't getting in the human world.

As someone who is going into the professional writing field and spends a lot of time in and out of class thinking about writing rhetoric, I've taken one or two classes about writing children's stories/media. And, obviously, children's media is written differently than adult media -- but specifically in the idea of values. Kids value different things than adults because of their perspectives on the world. Hell, the whole reason "whisked away to a magical fantasy world" is so popular in kids' media is because so many kids find themselves in that position in wanting that to happen to them. I sure as hell did when I was Luz's age.

Stories like these essentially are wish fulfillment for kids. And since they are wish fulfillment, that typically means that more real-life concepts such as abandoning family, missing the "real world", or any negative consequences are either conveniently written out in a satisfying way or are left out entirely. (Think how in Harry Potter, he's able to escape the "real" world without negative consequences because his family's abusive.)

(Also, fuck JKR btw but just using this example because this is the example we used in my one children's lit class.)

And what I'm about to say next also explains further how TOH is wish fulfillment, but it starts as a bit of tangent first. Just bear with me, it'll make sense.

Anyways, I've seen a few MP100 posts around that praise the show for having an adult "step in" and tell the child protag that they don't have to fight the villains because they're just a kid. And to me, that shows how MP100 is an adult-focused media -- because a piece of children's media would NEVER do something like that. That's not to say that children's media encourages kids to do dangerous stuff that harms themselves, but it's just not appealing to kids. Kids want to be the ones going on adventures and saving the day. They want to be treated with respect and be trusted as capable as the adults around them. And who can blame them? We all want that - it's just that kids hardly get ANY respect or autonomy. That's why kid's media where the kids are allowed to fight, be the chosen one, or go on adventures is so normal and popular: it's what kids want!

And that, again, is how TOH is wish fulfillment. Luz is allowed to go on adventures, do dangerous and stupid things, and she still kicks ass! Sure, Eda might express concern for her or say she doesn't want her doing something dangerous -- but Eda trusts Luz and is never angry when she goes someplace dangerous (think how she acted in "Separate Tides" when she found out Luz was also there in the cave).

So, ultimately, this is all how TOH's writing reflects its status as a children's show. Which is totally fine! And it's brilliantly written!

But as for the more adult-focused parts of its writing -

To state again, adults value different things in media than kids do. We (since I'm an adult) typically do want to see the more nuanced and darker side of things. We want the complexity. We want subversion of genre. We also want things that reflect our experiences. And TOH does this by addressing realistic negative consequences.

Camilla was upset that Luz left her. She cried and got mad, and even asked the questions of "Were you trying to live out some witch fantasy? Did you hate living with me that much?"

This is a genre subversion because we usually don't get this kind of confrontation in a kid's show. Typically, our plucky young protag who chooses to stay in another world faces no negative consequences for this choice (except for Marcy in Amphibia but for different reasons lol). But here Luz is, watching as her mother cries all because of her choices. It's not explicitly adult and tbh isn't mature - but it's still a level of nuance and character complexity we don't typically get in a kid's show/media. Honestly, it's most likely that adults are the ones identifying with Camilla instead of Luz in this situation - even if we don't have kids. Camilla, essentially, feels abandoned and rejected by her daughter. While some kids might be able to sympathize, it's probably mostly adults (and older teens) who have been through similar situations and emotions. And, in that, shows how TOH can also appeal to audiences in a more "adult" way as well.

But, despite that, it's still not a polarizing scene. It may frustrate some kids watching (or even teens/adults who identify strongly with Luz), but ultimately Camilla's words and actions are still understandable. She's not being evil or mean; she's just hurt. And that's clear! Even Luz sees it! But it doesn't harm the narrative appeal of the show being kids' wish fulfillment because Camilla can't do anything to take Luz away from her amazing life in the Boiling Isles. While she did make Luz promise to find a way back and to stay for good, she ultimately has no power to do anything. The status quo of the show is not changed and it is still wish fulfillment -- though, now, it just has some complexity added to the situation, plot, and characters.

In that sense, the scene where Camilla confronts Luz can still appeal to kids and doesn't make the show unenjoyable for them despite it being a more "adult-focused" scene. Sure, it adds complexity, but it's a type that kids can understand.

And that, basically, is just brilliant writing. It's such a perfect balance of adult and kid-focused,m and the writers definitely understand the values that both children and adults have when approaching media. TOH is definitely one of the best-written cartoons of this decade, and I'm so glad it exists.

Anyways, here's my essay. Thanks for reading if you got this far!

#the owl house #toh #owl house #yesterday's lie #the owl house spoilers #the owl house meta #me rambling......on and on........

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fandom-oracle · 3 years ago

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Wait wdym? Do you think fic is bad?

i'm getting canceled tonight i guess.

if you actually did a good a faith interpretation of my post you know it's not really ABOUT fanfiction at all, i actually write fanfiction myself. i'm not sharing here because it's overwhelmingly bad fic that i write exclusively as wish-fulfilment or for self-projection, but at least i'm self-aware about it. i am ALSO one of the people who reads ze Books™️, although most of the academic material i consume are nonfiction, so this whole thing is particularly annoying to me. the crux of the matter is that, if you're a little younger you might've missed it, but this website was a hotbed of scalding takes like 'dante's divine comedy is literally fanfiction', 'something something is literally fanfiction' when the thing in question barely counts as a transformative work and, in fact, it weakens the definition of transformative work in itself to try to apply it to literally anything that exhibits an ounce of intertextuality. plenty of takes that are... true, but require some nuance, focused on the idea of transformative fandom as a place defined by its presence of overwhelmingly female and disproportionately queer (occasionally, though disputedly, nonwhite) content creators and the ways in which transformative fan content could be interpreted as a space of defiance to cisheteropatriarchy in the way it permeates traditional media. a third, less common but still relevant take was the focus on how certain fandoms such as trek and doctor who have a long history of involvement in real-world civil rights issues and progressive politics. so this kind of take has been the dominant view on tumblr and transformative fandom for a good decade now, perhaps longer, and the people with this kind of takes can sometimes be a little... obnoxious. and the majority of people on transformative fandom (regardless of wether or not the fandom is disproportionately composed of nonwhite individuals or not, by sheer virtue of american demographics and this site`s heaily skewed userbase, the majority will still be white) are white, and like any other space dominated by white people, fandom has often been a vehicle for white supremacy. "Stitch Media Mix" talks about this in-depth. the discourse on fandom racism and ways in which transformative fandom as a whole contribute to racialized stereotypes, hierarchies, and deeper problems within online culture has led to a lot of people with grievances with fandom, many of whom are women of color, to develop an entire online identity built around the concept of being "critical of fandom", which is a very weird thing to do with fandom is literally billions of people, not a unified demographic, and that being critical of something can mean a WIDE amount of things; which in turn has led to a lot of people insulating themselves completely from any criticism of fandom as being inherently in bad faith, which a weird thing to do when literally ANY sphere of society should be open to criticism. people taking critiques of media they consume and taking critiques of their own critiques as personal attacks are abound here and make everything worse. so a fairly recent (mid2018ish, definitely post the insanity of reylo discourse but before sarah z blew up in popularity) trend has been that people in these communities isolate more and more and the general discourse has effetively resulted in people with differing takes in fanfiction specifically but fandom as a Whole (which is, again very weird to say because fandom is not 'a Whole' because there's no unifying element to different fandoms) only interacting with each other in hostile ways. and increasingly, in my personal sphere, a lot of people are positioning themselves in the "fandom critical" (AGAIN, WEIRD THING TO SAY, WHAT DOES IT EVEN MEAN, PLEASE USE WORDS WITH PRECISION) sphere, and I tend to take that "side" myself, but i specifically do not think framing this as a team A or team B thing is useful. this culture war was in the buildup.

last week a post by a user i follow recently became popular. the post itself was a critique that i.. do not necessarily agree with. it was ultimately about the idea of easily-consumable popular media being seen as an acceptable form of exclusive media engagement by people in the "pro-fandom" sphere, and how the insidiousness of this line of thinking has to do with how capitalist media production is designed to spread, and how fandom AS A TREND, not specifically any individuals or any fanworks, can empower capitalism. the post specifically did NOT use the kindest possible words, but that was what they were trying to say. howelljenkins also has really good takes on the subject, albeit from a different angle.

anyway because this is a circular culture war, the result was as follows: 1) a bunch of pro-fandom types refuse to actually make a charitable reading of the post and insist the user in question hates fandom and thinks people under capitalism shouldn't have things that are Fun, and should Only Read Theory and keep sending anon hate to several blogs in the opposing sphere, therefore proving the point that fandom sometimes prevent people from being able to engage critically with things; 2) a bunch of anti-fandom types who defined their entire identity on hating fandom being like "haha look at these cringe people" instead of trying to understand why a demographic overwhelmingly composed of marginalized people would feel strongly to posts that use inflammatory language against an interest of theirs, thereby proving the point that most criticism of fandom is divorced from actual fan content and is vaguely defined. the reason this is a culture war that actually deserves attention (unlike most fandom culture wars, which are just really granular ship wars made into social justice issues for clout) is that, for the most part, both of these groups are mostly people with college degrees, many of whom will contirbute to academia in the coming years. fan studies is a relevant field. these discussions have repercussions in wider media criticism trends, and this is why i can't really stand it or just passively ignoring it the way i do with most other inconsequential discourse. like it's genuinely upsetting seeing almost every single tumblr user, most of whom should know better, patting themselves in the back for their inability to read things in a way that doesn't feed into preexisting cultural hostilities in fan spaces.

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love-n-pirates · 4 years ago

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The Harm of Accusing DNF of Queerbaiting + Ignoring The Issue

I like to keep the stuff on this blog lighthearted and jokey and I like to just reblog art but I did wanna make another post about the kaceytron issue but specifically the accusations of queerbaiting. This is gonna be a long post so sorry about that but this stream made me really mad and I’ve put a lot of time into gathering my thoughts and reviewing the VOD again to ensure my citations and interpretations are accurate.

TW for mentions of homophobia and ableism and please remember no matter how mad this might make you as well. Don’t send any hate. Best thing to do is unfollow, block and move on, she’s already had enough of a stage to perform on.

I’ve sectioned the post into summary and thoughts with pictures in case you only want to briefly look but I tried to be cohesive enough without going on too long so hopefully you’ll give the whole thing a read. Particularly a part I wrote at the end about her using Dream as a scapegoat (titled such) I just think it’s important to keep in mind. I watched this shit a second time so you don’t have to! It wrecked my head but I’m unhappy with how they spoke about queerbaiting, which is a serious issue in media, and wanted to talk openly about it here.

At first I did feel bad for her and thought that some of it was blown out of proportion, things that she could learn and grow from but ultimately she showed no remorse and after how she handled speaking with Dream and the immature nature of the whole ordeal I can’t feel entirely awful for her anymore.

This is the tweet that started it all. Kacey is in a very similar circle to Dream and George so it makes sense that Dream stans would find it. Ignoring the sort of humour behind the fact that so many assumed it was about them, it is a shitty tweet and seems kind of irrelevant. Ironically enough, she was getting called out moments later as stans brought up prior racist, ableist and homophobic issues with Kacey. Cancelled for a little more than breathing it seems.

One thing I wish had been asked from the get go was “Who is this tweet supposed to be about?” Kacey said it wasn’t even about them and that people were assuming incorrectly. She could’ve saved herself from the wrath of all the mc stans that came her way if she just said who it was really about. But she didn’t, which indicates to me that it definitely was about them. Not a great statement to make as a cishet woman, unprompted, especially when your influence often intertwines with theirs and when you share mutuals.

I did speak about queerbaiting before in reference to George just a couple posts down but it's blown up massively recently and I wanted to get detailed in a more general sense while using this event as a sort of case study.

For clarification I am a queer woman so I've had my fair run ins with queerbaity content etc. This is gonna be a detailed rundown of what was said with my own thoughts on it and some time stamps are included if you feel the need to see for yourself.

TL;DR

Dream and George are not the malicious straight boys they’re being made out to be. Saying they’re Queerbaiting is a disregard for their own emotional autonomy and they have been open with the fact they do not date nor do they use it for views. This argument is being used to shift focus from the important conversation which is Kaceytron’s use of slurs and arose from a stream that was made about Dream and forced him to be involved. She’s doing it for attention and should be ignored.

WHAT IS QUEERBAITING?

First of all, queer baiting is defined as "a marketing technique for fiction and entertainment in which creators hint at, but then do not actually depict, same-sex romance or other LGBTQ representation."

Technically twitch streams do fall under entertainment although I would argue that there is a certain nuance to this. We know that streamers often put on a certain persona when streaming (Tommy and Quackity are very loud in their own streams because that's their brand, then on their alts they are very laidback) but I would say that Dream and George are two streamers that are often just themselves while streaming. Particularly when they are together, it makes sense that a stream has a change in vibe when the cc is talking with a friend rather than focusing on talking to chat. Since these two usually only stream when they're with friends, we tend to see a more authentic side. We very much feel that they are real people showing their casual side. Their streams do not feel performative, this is part of their appeal.

Don’t forget that Kacey, a cishet woman, puts her streams under the LGBTQIA+ tag on Twitch. A tag only usually used if the streamer is LGBT.

SUMMARY OF EVENTS IN THE STREAM

Now, the stream. During the stream Kacey had her sister and two friends(both gay men, important for a later point) to back her up. Dream joined at about 3hr and 55 mins and already there was a distinct power imbalance in Kacey’s favour within the call. They titled it a debate yet it felt more like relentless high school bullying. They spoke for about an hour and the entire time, Kacey’s chat was spamming for her to ask about queerbaiting. Finally, one of her friends, Shaun, brought it up at about the 4hr and 43min mark.

Now, the reason I have a few issues with this is that it seems to me that he doesn’t really know what he’s talking about. You can see on his stream(in the background of Kacey’s) at one point that he has a massive text post from tumblr up that is accusing Dream of queerbaiting, saying that he gets to benefit from maintaining a queer audience but without the issues that come with being a gay man as he prefers to keep it ambiguous. That text post is super problematic, a creator is not there for your wish fulfillment or to be your idol. Also, there is a lot of assumption coming with saying he isn’t ostracized just because he doesn’t label himself. Instantly it’s clear that this post is the basis for the accusations that Shaun is making. I’m using accusation lightly here because over all I think the Shaun guy was very civil, (at least to Dream’s face) but the rest of the group were quite on the attack, particularly Kacey’s sister, Holly. (I’ll come back to her)

Shaun says that he feels that Dream and George, possibly unintentionally, are guilty of queerbaiting. Dream handled it well and said he would like to open that dialogue and asked Shaun to expand on what he means by queerbaiting and if he has any specific events that would be prevalent. Shaun says he has examples that he can pull up, which he never does, and continues to be very vague and general about it in saying that there’s been a “culture” going on for years that he’s noticed.

At this point, the other guy (I didn’t catch his name, sorry) jumps in and says there's a “clear flirtiness in attitude and undertones” which Dream agrees to. He points out that this is how he interacts with most friends, male and female, on the Dream SMP. He also points out that he acts like that with his friends both on and off camera and it’s not like he’s only approaching gay men and flirting with them. It’s clear that this line of joking is a constant in his friendships, where comfortable, and is never malicious. He even asks what their thoughts would be if he only did it with gay men and how that would differ, they don’t answer this question and the conversation moves on.

At the 4hr 46min mark is where Holly jumps in and tells of VERY personal experiences from Shaun’s past of him being tormented by straight guys in school, being called slurs and jokingly flirted with. She even tells a story about how a homophobe hit him with their car. This was very uncomfortable as it was not her experience to share and Shaun was IN THE CALL. She said that Dream’s flirtations with George could be a trigger to people like Shaun because of that experience. This shows again a lack of awareness for other people, she’s using Shaun's personal story for her own gain and not even letting him be the voice that tells it. This sat poorly with me as Kacey was already being accused of speaking over LGBT voices rather than lifting them up with her, then her sister goes and does it live. Maybe Shaun was ok with this, maybe not, it just didn’t sit well with me. At 5hr and 05mins, after Dream is gone, they mention this again and Shaun asks them to point out when he said he was triggered after he talked about his experience. He was clearly uncomfortable with the use of the word and it seems to have been put in his mouth.

Shaun then says that he doesn’t like it because here are Dream and George exhibiting behaviours that some people are often scared to do because of homophobic violence. To me, this was probably one of the only valid sort of feelings against it (Shame he wasn’t let speak more). I understand why someone might look at it that way, but at the same time there is a clear difference between messing with your friends and real life romantic flirtation. In my own personal life I know that I’ve been afraid of any sort of pda with a partner but when it comes to my own joke flirting with friends, I’m never afraid to do it. This can differ from person to person and maybe is very different for gay men but this is my own gay experience as someone who understands that fear. I think that the line is fairly clear between the real and the jokes and I honestly have no doubt that Dream and George have probably had people throw homophobic language their way but it may not have had to same effect as they don’t present themselves as homosexual.

Worth noting that during this exchange Dream does say in passing he’s straight but it’s said in a hypothetical sort of way which leaves it unclear and he’s stated before that he doesn’t like labels and he wants to keep it ambiguous so it would be more respectful to continue thinking of him as such. Ambiguous is the way he chooses to present his sexuality and this should be accepted by everyone instead of making assumptions that he is straight. He was under pressure from four other adults to explain himself and handle accusations, anyone would say they were straight if they were being pushed like that and felt it wasn’t a safe environment. Which it definitely wasn’t and I advise that anyone who does want to watch back the VOD to turn off chat because they’re extremely toxic.

Holly proceeds to say that this makes gay people the butt of the joke, Dream says that he sees it more as the flirting with his friends as the joke, again, I’d agree with him. Depends on your humour I suppose, but arguably, anyone who watches Kacey interact on egirl rejects and stuff like that will see she often makes flirty jokes with Minx and other female friends, for some reason this isn’t seen as queerbaiting, but it’s unfortunately not brought up. I can understand why, Dream wasn’t trying to make any accusations in return, he was legitimately trying to have an earnest conversation which quickly went sour.

Holly goes on to explain how Shaun feels, by speaking over Shaun, and asks Dream what he thinks about that. Dream agrees that Shaun’s feelings are valid and says “That’s why I started this off by saying ‘lets talk about this’“. Holly gets extremely patronizing and asks if he understands it now that it’s been explained.

Dream is still very patient with them and agrees that he’s said things and learnt from mistakes and criticism that he’s received. He speaks honestly about his original cancelling and how he handled it poorly but learnt from that and has grown to be more careful and thoughtful with the things he says.

I have a real issue with this again because words are continuously put in his mouth. He’s asked several times throughout the whole call to denounce things, from people hating on Kacey to actual MASS SHOOTERS. He’s barely given space to defend himself and is ignored when he tries to say that he can’t control his fans. They just ask him time and time again to denounce multiple things.

The only time where Dream seems actually riled up by anything they say is when Holly, at the 4hr 11min mark, mentions the hashtag “Shooters4Dream” trending and says its Dream stans promoting gun violence (which was just a handful of idiots being insensitive under the tag). Dream responds to this with his classic “Oh come on” but before he can say anything else, Kacey does talk over him and says that the tag was mostly people denouncing it and tries to change the subject, but Dream brings it back and says that the tag was stupid and wrong. Holly and Kacey talk about how people were making jokes about it and Holly asks “Is it funny to you? Because your community think it is.” She’s playing such an abrasive blame game with him and he talks about how he spoke against it on twitter, they discount him, and Holly can be seen laughing at him. When Dream tries to explain the issue properly and Kacey just says, “Lets skip this, let's move on.” Dream points out that it is bad that the tag was trending, but he didn’t want to speak about it too much otherwise it would become a bigger thing. Ultimately, he doesn’t control his fans and the meaning of the tag was misconstrued massively. A matter of poor use of language and appalling timing.

Love or Host

Love or Host is brought up a few times as an example of him flirting with George which I found interesting as he’s only been in one episode (George’s) and he was talking mostly to the girls on the show to figure out who is good for George, as that was his role. During this there was joking about how he should come before the girl and even female guests joined this line of joking. This is all part of the show and most played along with the bit, it’s not an uncommon bit for guests on the show to do. Not just Dream and George, but other guests in their respective episodes.

I also find the mentioning of Love or Host interesting purely because, if anything, it’s the exact type of content that Kacey should hate, right? False relationships being formed? It’s not like there’s only straight people on the show as well, there’s been gay and bi love or hosts so queerbaiting, under the parameters which Kaceytron has set, is on the table. I’ve yet to see a real romantic relationship come out of an episode of LoH. This is a show purely for content and Kacey knows this, she’s appeared on multiple shows and even won Sapnap’s episode. She knows their date wasn’t real. Her sister says that many women are afraid to be on LoH because of hate they receive in the aftermath of the show and she claims it’s running its course because of this. I’d have to disagree with this (it’s a super successful show cmon) and, though a lot of people do get hate on the show, I think it’s often outweighed by the benefits they get from that type of exposure which is why people like Kacey continue to appear on multiple episodes.

What I found most interesting was what she said about her appearance on George’s episode. Mostly jokes were made about this costume:

admittedly, it was kind of funny albeit rather creepy. However, if Kacey felt so strongly about Queerbaiting, why would she dress like that. Why wasn’t she a passionate advocate then? Where’d the sudden fire come from? I think we all know the answers to these questions.

In response to people bringing up how she pandered by using this costume, making her a hypocrite, she said that in dressing like that she knew she was appealing to children. Now, I don’t know about you, but I don’t know many kids that want to sit through a four hour long dating show filled with adults they don’t know and stuff they don’t understand. I don’t think the Austin Show’s demographic contains an awful lot of kids, no matter who the guest on the show is. Also, the point of the show is not to appeal to the audience per se, but to the person whose episode it is. It felt like a weak excuse and another chance to try take a dig at mc stans for being younger and trying to brand them as immature.

INITIAL AFTER THOUGHTS

As I said before, creators do not owe you anything, especially not a window into their personal lives. We’re lucky that Dream shares so much and is a very open person, you don’t need to pry any more than that. When you get upset about him queerbaiting you, what you say to me is that you don’t see him as a person. It’s a level of objectification that leaves me feeling uneasy, if you feel robbed of something because of this then you need to set your priorities straight.

As Dream said in the stream, he hasn’t misled anyone. He has specified that him and George are not dating nor do they plan to (I included a SS at the end of this as well where he states this again). If he were queerbaiting then he would title his videos as though George was his boyfriend, he doesn’t do this. He makes it clear that they are friends, their chemistry is never used as a marketing device or as the main attraction of a video.

Many pointed out the hypocrisy of Kacey’s claims. Some pointing to her own channel where she has a playlist of 16 videos titled “gay videos”

These are just a few of the videos. Within one of these videos, titled “The F Word”, she complains about reclamation of slurs and repeatedly says the r slur. She shows no remorse for saying slurs and this is part of why it’s difficult to forgive her.

I don’t even know what to say about this video. This is extremely offensive, even if the people involved agreed to it, it doesn’t mean it's not offensive to other gay people. This clip features her sister and Shaun, who were on the call, kissing while clearly intoxicated. The narrative that gay people can be ”turned straight” is extremely harmful and is an unfortunate reality that many LGBT people are forced through. In the call with Dream, they mention how maybe some gay people are fine with Dream and George’s flirting but people like Shaun weren’t and so they should be more respectful. When it comes to a video, like the one I’ve shown above, you’d think they would follow the same thought process. This is far more offensive and harmful to the LGBT community than any harmless flirting between friends. The hypocrisy is blatant.

Sometimes streamers are tricked into saying slurs by donos etc. but instead of saying sorry I didn’t mean it and here’s what happened, Kacey tends to jump on the defensive. Dream said to her around when he first joined the call that he understood how difficult her position was because when he was first cancelled he felt like it was very unfair. He told her that even if you don’t think you’re wrong you can’t control how other people feel and you have to acknowledge that. He did mention how he handled his cancelling badly (something he still gets shit for today despite the fact he learnt from his mistakes) and that instead of getting upset about it now, he knows you should just take accountability and move on. Kacey doesn’t register this and goes on about how terrible it is for her.

MISOGYNY AND AGE DEMOGRAPHIC

Part of me wonders if the reason she continues to fight with mc stans is because she knows she can just call them stupid kids and call it a day. This is interesting to me as I think I’ve seen more 15-24 year olds in this group rather than young children. Maybe this is just the content I’m looking through but I actually think that her demographic is more similar to Dream’s than she thinks. It’s just easier to write them off as snot-nosed minecraft playing children. This is a theme she sticks with as she makes half-assed jokes about bedtimes and parents etc. etc. It’s boring.

Also, despite the accusations at Dream, calling him a misogynist, it actually was both Kacey and Holly who came in with the sexist narrative as they go on about how his fans are just teenage white girls. This is a clear double standard as they are trying to use both age and gender to discount the validity of their feelings.

For someone who says she doesn’t care, it sure is interesting that she’s tweeted constantly about it and streamed for hours at a time. The stream with Dream was seven hours long. She blames the fact that she accidently read a slur out on stream on her lack of sleep. As a creator, you should know your limits and when you are and aren’t emotionally ready to be on camera. Kacey clearly does not know her limits and it effects her greatly. On the first watch I skipped forward in the VOD to the six hour mark and found she was still chatting shit about Dream with her sister while playing Roblox.

Ironic that she goes on about stupid minecraft kids while being a 30 y/o woman playing Roblox. Nothing wrong with playing stuff at whatever age but not when you’re ragging on kids for the same thing.

USING THE GAY NARRATIVE

I finally wanted to come back to the use of her two gay friends in the so called “debate”. At 6hr and 08mins she reads out a message in either chat or from twitter.

“Listen up here cishet woman, you are cishet, shut your mouth and do not talk about queerbaiting ever again, ok?”

I don’t think people should bother going to her chat to say this stuff because it only fans the flames and will not change her mind but it’s what she said after that left me thinking that she knew exactly what she was doing when she included two gay men in the narrative on her side. She says

“That’s why there were two gay people on the show who talked about queerbaiting and how it’s offensive to them. Are they trying to speak over gay voices? Like, who are they playing?”

I find it difficult to consider this a valid point as they quite literally spoke over said gay people themselves and as I mentioned, it was pressure from Shaun’s chat that made him bring it up when it was clear he wasn’t educated on the specifics of who he was speaking with. It all felt very false and like a set up to try catch Dream out. They were essentially there for the clout they get for being plants for Kacey as long as they go along with the narrative she was pushing. They seemed dispassionate about the topic and were more interested in drama. It makes them unconvincing debators.

KACEY’S CHAT AND ABLEISM

I could barely look at the chat the whole time because they were very toxic and some even used slurs in there. Kacey claims to have created a safe space for people, particularly LGBTQ people, yet from what I saw, it was only really a safe space for bigotry and toxicity. These are just some screenshots that I took during the call.

Blatant ableism in the first one, maybe they didn’t know about his ADHD, but this was one of many and even Kacey and her sister made fun of it when he was out of the call.

Gaslighting is a serious accusation. The definition is this: “Gaslighting is a form of psychological abuse where a person or group makes someone question their sanity, perception of reality, or memories. People experiencing gaslighting often feel confused, anxious, and unable to trust themselves.”

This does not apply to Kacey; she is not questioning her sanity or being confused. She’s outright denying things. There is no gaslighting going on here, yet the chat was FILLED with it. Bitches will learn a new word like gaslighting and queerbaiting and really use it for everything oof.

Not once did he invalidate the fact that there is misogyny in the community and if anything he has expressly supported female creators very vocally and without being asked to. Writing off anything he says just because he’s a white man is not even an argument; he accepts the privilege he has and has never claimed that others don’t experience issues because of these things. This is not a misogynistic attack, this is a grown woman being asked to own up and apologize for her mistakes.

Chat continued to be extremely toxic towards Dream and even people in game with Kacey made multiple jokes about him. Here’s an example of just one.

It says ”What I wear omw to dream’s court hearing.”

They say a lot of horrible things about him and Holly even makes implications of him being inappropriate with fans which is an extremely serious thing to say and is based in NO truth.

SHIFTING FOCUS

Right before Dream left, they reiterated that they didn’t think he was a bad person because of his “queerbaiting”. This was something repeated many times throughout the talk. The implications of this language use is that Dream should be the one apologizing and that Kacey and her friends somehow were the ones with the power to forgive him. Overall, it was misguided and gross. He shouldn’t have had to be defending himself from four people at once all by himself, especially when the conversation was not supposed to be about him. And to clarify, he did not make it about himself, he started by talking about Kacey and how he had been trying to dm her about her cancelling. It was them that turned it on him to flip it in their favour.

There was an insistence that they were the victims, direct quote from Kacey at 5hr 55min and 40sec Kacey says “I am a victim, I am literally a victim of cancel culture.”

Yes, I think the doxxing is too far and constant hate doesn’t do much but Kacey needs to acknowledge that her words hurt a lot of people and she needs to own up to that.

Even after Dream left, they continued to chat shit about him, with Shaun even saying at about the 5hr 16min mark that he thought Dream had “perfectly scripted” his responses in a way that meant he wouldn’t have to denounce his fans. Of course he won’t talk crap on his fans when they’re the reason he is famous and he knows it’s a minority that ruins it for everyone else, he’s said he doesn’t like people who spread hate calling themselves his stans. The idea that Dream could have prepared a response to the questions and accusations thrown at him from a cast of half high and fully ignorant strangers who are all almost 10 years older than him is ridiculous. He was clearly out of his comfort zone and was a complete curveball for him. This leads me on to the main reason I think Dream was dragged into this.

SCAPEGOAT

If we’re being real, this is a clear attempt to change the subject away from Kacey. Dream is someone who people come for often, whether it’s accusations of cheating or scripting or bringing up past mistakes which he has apologized for and showed that he has grown from. He even said to Kacey that he does get death threats and he’s been doxxed before. He constantly gets in trouble because of the more radical “stans” who are a problem starting minority for the rest. Dream separates himself from those people as best as he can, but he knows himself that he can’t escape that brush he’s been tarred with. Kacey also knows this.

By bringing Dream into the narrative, she’s successfully shifted the focus of the conversation in a way that favours her. That stream conversation should’ve been about Kacey and the things that she has said, instead it was a grilling session from four strangers for Dream. Now people are very focused on that aspect of the whole thing (myself included ofc but this post is specifically about qbaiting accusations so) rather than the important part which is holding her accountable for her use of slurs.

It’s not her first attempt at this as she made a twitter post about how she was no.1 trending despite a mass shooting taking place. Of course this is terrible that that would be higher up but it was an obvious blame passing as this reply points out.

She knows what she’s doing and has shown no sign of stopping. It’s best that she’s not given any more attention now but just try not to watch anymore content with her in it. As I said before, don’t bother with any hate, just block and move on. For a creator complaining about all the “kids” coming for her, she doesn’t act all that much older despite being fully grown at 30 years of age.

CONCLUSION

At 6hr 42min 30sec Kacey mentions that she is number 2 on trending to which her friend replies “Good job Kacey”, she laughs. It’s clear that she does this for attention, her friends are there for clout and they are all irrelevant clowns looking to get a career boost out of creators more successful than them. They don’t stop to consider others’ feelings or empathize towards anyone. Kacey will say herself that she got her start from baiting on 4chan, this is her brand. It’s just unfortunate that she seems to think that she’s doing something just when, in actuality, she is causing a lot of damage to the LGBT community and invalidating many people with her unapologetic use of ableist and racist slurs. Her friends congratulate her because it's obvious it’s the attention she wants, this is why she streams for so long and tweets so much. She hit a far higher viewership on this stream than she normally would. I’m sure this sort of hatred does affect her negatively, whether she notices or not, I hope she gets the help she needs to become a less selfish person and to become more productive with her time.

Remember again to not send hate, just block and move on. I also recommend that you don’t watch this stream but if you are going to then watch a reupload on YT so she doesn’t get money out of it.

I was very uncomfortable after watching the stream, especially with all the false allyship with the LGBT community. People like Kacey act like this to get views whenever they’re losing their following. Just don’t fall for any bait and petty jibes that they throw this way. Don’t let any anger get the better of you and just lets move past it as it can’t be healthy for people like Dream to have to see this on his TL as well, which he will if we keep interacting. Though I do think that for now, it’s pretty much over.

For all the talk of how hateful this community is, I couldn’t disagree more. I’ve found most people very pleasant and the CCs themselves very accepting of all types of people. I’ll leave off with these tweets Dream made at the end of last year. Stay safe folks, be positive and kind to each other! Much love <3

#dreamwastaken #kaceytron #georgenotfound

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fallout-lou-begas · 4 years ago

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Regarding @yesjejunus:

(mentions of rape, abuse, and trauma herein)

I have never made an effort to hide it on my blog before, but I want to make it clear that yesjejunus is my friend and I care about them. If you ask me, it should be extremely transparent to all onlookers that the attack against them this week is motivated by more of a personal grudge and obsessive vendetta than any actual concern for the "well-being" of anyone "endangered" by them, evidenced further by the poaching of personal information gleaned from defunct social media profiles for no actionable reason other than intimidation, the willfully outlandish misinterpretations of inside jokes between friends, and the mutilation of the definition of "grooming" and the excessive outright fabrications required to distort their friendship with some adults who happen to be younger than themself into allegations of predation on minors. Yejejunus has not ever actually done anything remotely justifying this punitive severity to any other human being, and if you have your own grievances about their art, then no one is holding, and no one has ever held, a gun to your head to force you to like them, or like their art or seek it out. The sheer volume of harassment that they have received for scarcely more than fanfiction and fanart that people can avoid on their own terms through proper tag filtering or blocking is frankly unjustifiable.

If you are upset by a work of art that you encounter in fandom or otherwise then it is not an interpersonal conflict between you and the artist. The artist has not harmed you, the artist doesn't even know you. Artists may have a responsibility to utilize tags and warnings appropriately on broad or big-tent platforms, and yesjejunus fulfilled this responsibility thoroughly, but ultimately an individual is responsible for their own artistic consumption and for avoiding the art that they want to avoid themself. If there is something that you are entirely incapable of seeing even a hint of without lapsing into some kind of retraumatization, and an artist tags art containing this thing appropriately, then the onus is on you to have it filtered out and the failure is on you if you have not. Assuming that every individual artist must be held "accountable" for whether their art could possibly upset someone or not, and assuming that any given individual is helplessly incapable of avoiding art that makes them upset, is a destructive perspective that flattens the ability of artists to create that which means a lot to them personally, lest their own experiences discomfort some hypothetical audience, and regardless of whether it may provide catharsis or revelation for another.

Additionally, to assume that any and all depiction of abuse of any kind is inherently an endorsement, or a "glamorization" or "fetishization," is to forget that discomfort can often be the point of a work of art, as it is in the case of horror. To be abused, or even to simply exist in an unhealthy relationship, is also to often endure complex, contradictory feelings in which hate and love and fear and dependence and violence and affection and misery and happiness exist hand-in-hand and even simultaneously. To treat portrayals of these kinds of relationships that embrace this uncomfortable nuance as "glorifying" them simply because it's not monochrome in a black-and-white morality play is both naive and insensitive. I also find the coercion of artists into disclosing their various traumas in order to "justify" their creation of their art, as if their trauma must be approved as sufficient by a committee, reprehensible; however I also do not believe that someone must inherently possess some form of trauma to depict it in art compassionately and meaningfully.

I also think that the mammoth amount of cognitive dissonance required to make this the hill that one dies on when the subject at hand is fanfiction and fanart of an 18+, rated-M video game series in which horrible and traumatic scenarios such as rape, slavery, domestic abuse, mass death, and graphic violence are depicted in abundance, and in certain ways with even less sensitivity or tact than the fanwork, shouldn't be lost on anyone, especially since you are far less able to excise these aspects from the source material than you are able to curate your participation in a fandom.

I want to reiterate that your opinions on yesjejunus, or me, or any user on tumblr or any artist on the planet are yours and yours alone to have. Who you follow, who you unfollow, who you block, and who you filter is purely your prerogative and you are encouraged to use any and all choices, tools, and mechanics at your disposal to avoid anyone that you wish, especially if it's for your own well-being. I wish that more people would utilize these options instead of cultivating a climate of fear and paranoia regarding who one “associates” with, and I do despise the term “associates” because it both reads far too much into a random reblog or reply, and reads far too little into a genuine friendship of mutual trust and care. Still, I am severely disappointed that I have to explain that the line is drawn at hounding an artist obsessively for years with flagrant disregard for their own trauma, blaming that artist for one's own complete failure to stop seeking out that which upsets them personally, and talking over or distorting the experiences and trauma of other people to suit one's own vindictive narrative, and this line has been crossed far, far beyond where it lays.

If you're offended or upset by this post then I beseech you to at the very least follow my advice in the previous paragraph and see yourself out, and may we only ever interact again at your deliberate discretion. If you refuse to do that and would rather call for my public quartering while using literally none of the myriad options at your disposal to remove me from your online experience at no charge, then go fuck yourself, and you may dislike my opinions but you can't un-laugh at my excellent shitposts.

Ed.: I would like to reblog this one more time add an addendum in order to bring attention to an update from yesjejunus themself about their side of the situation this week. They explain why they create the art that they do, as a method of coping with and processing their own trauma. It’s okay if you could not possibly imagine yourself coping with your own trauma, should you have it, in the same way. To label the creation of such art for such purposes as something inherently impermissible or ineffective is not only gravely insensitive but factually indefensible, and I must reiterate my own point that if how they do control their own trauma upsets or risks (re)traumatizing you, then why not ensure that you never see it by using the free and comprehensive blocking and filtering options available to you on this website instead of death marching someone who’s already deeply victimized? The word again is control. To control these traumas through fiction and art is an incredibly empowering, restorative thing, and to label this practice as nothing but harmful to others is to ignore the complex and multifacted ways in which trauma takes shape, or can be shaped.

#yesjejunus #discourse

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ahiddenpath · 4 years ago

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Tips for Adding an OC to a Fanwork

I hate to be presumptuous, but I’m asked variations of, “Hidden, how do I effectively add an OC (original character) to a canon cast?” fairly often. And I can see why! Adding characters to a canon cast is an uphill climb! For whatever it’s worth, I’ve written up my thoughts beneath the cut, and I truly hope they’re helpful.

First, I’ll briefly touch on why OCs and OC-centric stories are comparatively unpopular.

The biggest reason is simply because most people read fanfics so they can spend more time with their favorite existing characters. A lot of folks would rather read an entirely original work than a blend of canon and original, and that’s a-okay! It’s just a personal preference, like how some people prefer fluff and some prefer angst.

But OC-centric stories often have to contend with preexisting disdain for things like self inserts, mary sues, wish fulfillment, etc. I’m not going to touch on how to avoid writing a self insert or mary sue, because you should be able to, if you want to! Fanfiction is meant to be a safe place to play, explore, and create. You do you, and don’t worry about critics! You’re protected by your internet anonymity, and most platforms allow you to turn off anonymous reviews, which should spare you the worst of negativity.

But if your goal is to seamlessly add an OC to a canon cast, here are my suggestions for your consideration!

Consider the dynamics of the canon cast while planning your OC.

In my opinion, one of the best reasons to add an OC to a canon cast is because the cast might benefit from an additional personality type. That is, the existing cast should inspire and influence your OC.

I hesitate to offer my main OC, Eimi Anami, as a “model OC,” but she’s what I have to work with, so please roll with me. I’m going to reference Growing Up with You, a Digimon Adventure fic, since it’s an “add OC to canon” story.

Despite their flaws, the Chosen kiddos are exceptionally good, trusting characters. And while many of them have complicated home lives, their difficulties are mostly caused by lack of communication/miscommunication. This leads the kiddos to be too trusting/forgiving/naive for their own good at times. I wondered how the dynamic might change if a new character wasn’t as trusting. Would she be able to voice her thoughts to a group of scared, desperate kids that might not want to hear the difficult possibilities she suggested? Would she come off as hard-hearted/jaded? If so, what impact would that have on her, and on the team?

You want your OC to add a new flavor to the mix, and to shake up/challenge the existing dynamic.

Consider the show’s themes and try to add something new through your character, or add another facet to an existing theme.

Digimon Adventure follows some kids facing adversity in a fantasy world, which helps them grow and deal with their existing problems in their own world. (In reality, it would probably just make MORE trauma, but hey! xD).

I mentioned above that most of the canon cast have some family difficulties, but ultimately, the Chosen all have loving families. They must find the courage and strength to open up and communicate. That’s a fantastic message, and Adventure is admirably mature and ambitious in its family themes. But too many of us come from families where we can’t communicate our problems away- or even reach understandings through family therapy. Readers follow Eimi through this general situation in GUWY.

In my opinion, media rarely allows us to watch a character come to terms with the fact that their abusive family will never be anything but abusive, mourn that loss, struggle with their trauma, and start their healing. It seemed like an especially poignant message beside a bunch of kids working through a range of family difficulties in tandem.

Don’t give your OC an “in.”

In my opinion, your OC will receive the best reception if they aren’t automatically accepted in the existing group. If your audience goes through the process of assimilating into the canon cast and earning their friendship with the OC, they are much more likely to accept the OC in turn. It can feel jarring to open an OC fic with the OC already part of the group, since the readers don’t know them and are probably wondering where they came from, and how they befriended the cast. Even the kindest canon cast needs time to genuinely grow close to someone.

Consider how your OC relates to the whole cast

It’s fine- and probably necessary, if the canon cast is large- to focus on your OC’s relationship with a few canon characters. If you’re writing OC x canon character romance, that relationship will likely be the “main” focus.

But let’s say a bunch of friends go out, and the couple among them only talks to one another the whole time. That would feel unnatural, right? Make sure your OC is interacting with everyone in a way that feels natural. And remember, your goal in adding an OC is to help the audience come to know and love them. The best way to show an audience multiple sides of your character is to show them interacting with and growing close to (or further away from, lol!) a variety of people. After all, different people draw out different aspects of our personalities.

And that’s all I’ve got right now! I know that writing OC stories can be scary, since they aren’t popular. But you can make some amazing stories by adding something new to something you love, and someone out there might benefit from what you have to share through your character’s eyes! Take care, and have a blast writing!

#writing stuff #writing OCs #writing OCs tips #adding oc to canon

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elizabethvaughns · 4 years ago

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so i've been mulling over this for quite a bit now, so i might as well articulate my thoughts and get them out onto this blog. so i was just thinking: subjectively or objectively, which one is better? the if/then dc preview or the broadway production? long post (1750+ words), so i'm putting a read more break <3

now, objectively at the very least, i know i have to say it's the broadway production. why wouldn't it be? it's a lot more polished, it's...the final draft, of sorts, of the production. we all know the final draft is usually better than the rough draft. but here's the thing. when it comes to an artwork that has several different versions, one tends to gravitate toward the version they saw first and have a certain bias against all the other versions. if you saw the bway version first or the dc version first, you probably like that one more. now i'm not saying this bias is conscious by any means. absolutely not. however, when one falls in love with some media, in my case at least, they take it in over and over and over again. and then they get so used to that one thing that all other versions seem weird. i can pinpoint two non-if/then instances in my life where such a thing happened.

in the summer of 2018, i watched the RENT movie on netflix. now i was fully intending to listen to the obc soundtrack before watching the movie, but i never really got to it. anyways, that movie was like love at first...watch to me. oh man, i loved it so, so much. so i downloaded the soundtrack on my phone and, you guessed it, listened to it over and over and over and over again. one fine day, (about a few weeks after, actually) i realized i never actually had listened to the obc soundtrack. so i did. and it sounded...odd to say the very least. i mean, some of the voices were different, sometimes the lines were changed, all in all, a confusing experience. to say the least, if you asked me back then which version i preferred, i would've readily said the movie version. but now, three years in retrospect, i'm not so sure. the obc version is a lot more...complete, i like the vocals more, and i'm now salty that "christmas bells" as a song was cut. evidently, i like the obc version more(but i still love the movie version hell it's still one of my comfort movies).

in the fall of 2019, i listened to falsettos. i actually listened to both the obc and the 2016 revival cast recordings. i guess that lessened the bias a bit because i was exposed to both versions at about the same time. on the fateful date of 2 october 2019, i watched the falsettos revival proshot. that's when i truly fell in love with this musical. but, even so, my initial exposure was to both recordings so even though i had a slight bias toward the 2016 version, i still loved both of them.

now, back to if/then. i actually find it difficult to pinpoint where exactly my exposure to if/then started. was it the very first time i heard about it in 2018 when i read a very meta RENT fanfic on ff.net where elizabeth made an appearance and i thought "what the fuck"(pun very much intended)"is if/then" (psst if you find the fic could you please drop the link in the replies meta fic isn't really my shit but i want to reread it for nostalgia's sake)? or was it the very first time i listened to the obc recording in 2020? or was it the boot of a broadway production that i first saw on 13 march 2021? whichever one i pick, they all lead to the same conclusion: i naturally gravitated(and sometimes still do) toward the broadway production because it was the first version of if/then that i was exposed to.

now sometime in early april 2021 over my spring break, i watched a recording of the dc production. i knew beforehand that this production is a preview, after which some changes had been made, resulting in the broadway show. since those changes were obviously made to better the production, it would be a logical conclusion that the very presence of those changes entailed a...worse production (not considering the fact that the interpretation and the very liking of art is entirely subjective). one could say i entered the watching experience with an unconscious bias, of sorts.

from the very first note, i was caught off-guard. i didn't know they changed this much. when i watched the bway production, i was just enjoying it for all it was worth. but when i was watching the dc preview, i was comparing it constantly to its broadway counterpart. oh, david's shirt colour is different here. oh, anne's wearing a pantsuit instead of a dress(cute). oh, time for hey kid! oh wait no they put "the moment explodes" right here. also, i was just humming along to the songs, just mouthing along the lyrics(because i have them all memorized), and every now and then and getting thrown way off-track when the tune remained the same but the lyrics changed. most notably, in "walking by a wedding" and "you learn to live without". all in all, i had what one could consider negative opinions about the dc production because of that bias.

but then i watched it second time. a third time. a fourth, fifth, sixth time. and over that time, i fell more and more in love with that production. as i've said before, the interpretation of art is wholly subjective–what one may consider a shortcoming of a particular piece, another may consider a strength. let me take the placement of "the moment explodes", for example. in the dc production, it's before "some other me". therefore, the line "every friend i ever knew or thought i did" doesn't hit as hard because we don't know her situation with lucas yet. even so, "some other me" hits twice as hard because lucas is an even bigger asshole now. in comparison, however, "the moment explodes" is after "some other me" in bway as you all know. so the aforementioned line holds a much greater significance when compared to its dc counterpart. however, one could also consider that line (in the dc production) as a sort of foreshadowing for the reveal in "some other me" of the new normal of beth and lucas's friendship (or the lack thereof).

obviously, some changes were most definitely welcome, "this day" to be more specific. of course, there was that little reprising of "what if?" near the end of "this day" in the dc production which i really loved, but all in all, the mood of "this day" was much more fun and enthusiastic in bway as opposed to dc, which in my opinion is an excellent way to start an act. in contrast, some changes were...not as welcome. i don't know about you, but personally, i really enjoyed two cut scenes from "the story of jane"("no more wasted time" dc version). first, the scene where kate brings her kindergarteners to beth. it was fun to see higgs squirm. second, the scene where elena and beth's interaction parallels beth and stephen's in "map of new york". narrative-wise, i think that it is an incredibly important scene as we get to see two sort of boss-employee relationships mirrored to each other, only beth does it well as a boss (if that makes any sense). we see beth as passionate but still sort of hesitant in mony but she grows to be more self-assured by nmwt, and i think the aforementioned scene only cements that notion as beth takes on the role of mentor for elena. also, "the story of jane" was a really fun song and, as much as i love "no more wasted time", i wish it still contained elements of "story of jane". and while i did enjoy the reshuffling of "the moment explodes" such that it became clear when beth and lucas made up in the bway production, they were ultimately still...not talking during "you learn to live without. as a result, we miss that one scene from the dc production where lucas and kate attend beth's awards ceremony and shoo stephen. and need i talk about the lucas/david duet verse("you get that we're connected, / i feel like you get me") in "ain't no man manhattan"? honestly, i feel like dc anmm was, all in all, better than bway anmm–especially that one verse where lucas sings to this other dude about how everyone is connected(no, not the one to stephen, the one after that. the one that ends with "[something something] / who you helped get elected").

also the situations with stephen and with kate/anne in both timelines were relatively clearer in the dc production. even so, the actual distinguishing of the timelines was better in the bway production.

in conclusion, the relative merit of each production(broadway vs. dc) is really up to the interpretation of each viewer. scenes that may seem weak to one may be considered narratively important to another. both productions have their own merits and flaws.

to me, both productions are equally good. my previous assertion/assumption that the final draft is always better than the first is not necessarily true. some things that you think were actually pretty good get lost in the editing process. some other things that should've been cut (ahem ahem, kate's referrals to lucas with "she", ahem ahem, liz's "i don't believe in independents like i don't believe in bisexuals. pick a side" line) get left in there. art is subjective. the editing process is subjective. in the end, though, the only thing that matters is that you enjoy what you're watching and find personal fulfillment in it. and i do! for both of these productions. for both of the productions, i'm smiling all the way up to "here i go". i'm slightly saddened during "you don't need to love me". i'm empowered by "the story of jane"/"no more wasted time". i'm grinning in liz-verse all the way up to "i hate you". i feel like sobbing during "some other me". my throat clogs up when "i hate you" starts. i'm actually sobbing by the time "you learn to live without" ends.

...you get the gist of it. all in all, both of these productions are phenomenal and i'm grateful for their existence and to have been able to watch them in the year of our lord 2021.

i love this show so much i swear.

i talk a bit more comparing broadway and dc here.

my other ramblings essays:

if/then appreciation

"what if?" vs. "what if?(reprise)"

character analysis of lucas

#if/then #broadway vs dc production comparison

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zukoshotleafjuice · 4 years ago

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The funniest thing about june teasing katara and zuko about being a couple is that she just sees a pretty girl and an attractive guy, both looking almost the same age which immediately makes her go "you two must be a couple" and it just reminds me of zvtara shippers, you know what i mean? I'm convinced one of the reasons a lot of ppl ship them is bc of their looks. katara being the female protagonist and also a pretty, smart and powerful girl & zuko, despite not being the male protagonist, being the most attractive guy in the gaang. Boom, a "bomb ass ship". It is worth to recall that "people ship zutara bc they projected onto katara and had a crush on zuko". And if they say they don't ship them for that reason, then it's bc they read too much between the lines in every interaction they have. So, back to june, she didn't even care if they had chemistry or if they were friends or anything, she just straight up teased them about being a couple lmao. Because in all honesty zvtara can be an appealing ship in anyone's eyes but THAT'S IT, it doesn't go further than that. I can be testimony of that😅Before even watching the show i was like june, one day i saw a zk fanart and was like "wow aren't those zuko and katara from atla? They look so good, she's gorgeous and he's hot" i already knew kataang was endgame and that mai was zuko's love interest but seeing zuko and katara together was pleasing to my eyes. However once i watched the show for the first time (2 months ago i think) i realized there was really no romantic chemistry between them, nothing, literally nothing, i mean, i wasn't even waiting for the zvtara content in the show that made ppl ship them so much, i was actually very neutral about ships, i couldn't care less about them, but i still realized nothing was happenig between them and that it was obvious since book 1 ep 1 that kataang was endgame. Zuko and katara were two teenagers from opposite sides of a war that tried to kill each other multiple times and when zuko changed sides they developed a completely platonic relationship. As i said, people either ship them because it's an appealing and aesthetically pleasing ship (water/fire, enemies to lovers, opposites attract, the common red & blue ship) or they just love reading too much between the lines, OR BOTH, because they were so thirsty about it they ended up convincing themselves there was romantic tension between them, that they liked each other and that zvtara was scrapped when it was never planned in the first place. Not to mention the reasons why they claim zvtara should've been endgame are based only on symbolism and things they have in common that are just so ??? Random. e.g. (i saw these on a post on facebook and the comment section was hilarious, it was full of ppl being sarcastic about it & making fun of it) saying they should've been canon bc:

1. "They both lost their mothers at a young age" (?)

2. "katara was good but had rage in her heart and zuko was bad but had good in his heart so it was like yin and yang, and that was the main purpose/topic of the show" (?)

3. "they both had alter egos (painted lady and blue spirit)" (???) this one sounds like saying maiko was canon bc zuko worked in a tea shop and mai worked in a flower shop😂

4. "Zuko was the only one who supported katara in taking revenge on her mom's assassin" (?) if you ask me, that just proves zuko is not right for katara, he led her to do something she was gonna regret later (not trying to hate on zuko, i love him, and since i love him i acknowledge his flaws. I understand why he thought it was the best thing to do, he's an impulsive and resentful boy (he would've done the same if it was his mom) and he noticed how thirsty katara was for revenge, ofc he wanted to help her + he wanted her to accept him and thought it was the right thing to do in order to gain her trust, but it wasn't) unlike zuko, aang tried to make katara come to her senses and do the thing that was best for her: forgive and let go, and it was basically what she did at the end. She didn't do what zuko expected her to do. She did what aang expected her to do. She didn't forgive her mom's assassin, but she forgave zuko, and she didn't do THAT thing she (and aang) knew would regret later. Aang knew katara and what was the best thing for her to do.

5. and the most ridiculous one, "they both saved each other's lives in the final agni kai"(???????) and the funniest part is that it was followed by "WHAT MORE PROOFS DO YOU WANT???". Honestly wtf did ppl expect? Did they expect zuko to stand there and watch katara die? Did they expect katara to just stand there and watch zuko lay on the floor & die? And this has been said a million times and i am going to join and say it once again: zuko would've done that for ANYONE from the gaang, he would've done the same for toph, sokka, suki and aang. Because he learned to care about them. As for katara, she would've done that for anyone too wtf she healed aang once too and even brought him back to life. (I wouldn't be surprised if zk shippers used that as a parallel for romantic zvtara proof bc they're just like that💀)

There were more "reasons" but they're just so stupid and taken out of context like "they care for each other" & "katara was the one who encouraged him to talk to his uncle" like yeah that's what friends do. Basically all zvtara shippers do is REACH.

Also, i just can't see it happening. I like the enemies to lovers trope, maybe if the writers really intended to make it canon, i would have been down for the ship, it would've been interesting to see how it developed, but,, they didn't, and later i came to the realization that if it would've really happened, it would've been so... weird. Time to bring up the "colonized and colonizer ship" and how some ppl feel uncomfortable about it. Besides the fact that a relationship between zuko and katara wouldn't have worked (they're incompatible af, katara is a girl with a strong character and zuko is a guy with anger issues that takes everything personal, they'd be at each other's throats 99% of the time) it's just weird to think that katara would choose to marry a man from the fire nation, the nation that caused a big war that traumatized her, the nation that took her mother away from her. Imagine katara ruling along with zuko a nation she despised for years. Fire lady katara doesn't sit right with me, and i'm sure it doesn't sit right with a lot of ppl as well. I don't see katara doing that, and yes, i know she forgave zuko, but still, she would've never done that 🤦🏽‍♀️ i think it would've been so OOC tbh.

Another thing i laugh my ass off at is when they say "zuko should've chosen katara instead of mai" as if they were ever in a relationship for zuko to say "ok imma choose katara i wanna be with her". As if katara was EVER an option for him. They never showed interest in each other, what's not clicking?????? And zuko only had eyes for mai, not to mention that despite zuko and mai had a rough relationship, no girl would've dealed with zuko's bs better than mai. Can you imagine katara dealing with zuko blowing up over everything? Because i can't. Also people saying things like "zuko deserves someone who is always there for him and listens to him" (and ofc they're talking about katara) like, ok, you hate that katara is aang's "therapist" but you want her to be zuko's therapist. Logic? Where? And I do remember mai being a supportive gf and trying to cheer him up multiple times. Did they watch the same show as me?

Zvtarians try to play the victims about how they were "robbed" bc some voice actors shipped them and from what i've read people who worked for the show suggested to go for zk, but that's stupid, it doesn't count as "they planned it but scrapped it, we were robbed". The only word that counts are the creators' voice and they have stated they were always rooting for kataang, so no, you were not robbed.

People are just so in love with the idea of zuko and katara together they really convinced themselves it was likely to happen. Honestly zvtara it's a fine ship as fanon but ppl ruined it for me and what i hate the most is when they ship it and hate on aang and mai at the same time and make them look SO bad to invalidate kataang and maiko. Saying aang is abusive and mai is toxic is complete ✨bullshit✨ and lastly, it's ridiculous when they say the creators were cowards for not making it canon. They're cowards for not fulfilling your greatest childhood wish? Something they never planned? It is THEIR show. If you hate sm how things turned out then quit atla once and for all and go find another show that you know is gonna give you what you expect,,, it's tiring that they've been crying about it for 15 yrs , like, i joined the fandom recently but i can imagine how tired old atla fans must be of this.

OK so I have a lot of thoughts about this and firstly,,,anon I appreciate the dedication that it took for you to write this, and I agree with many of your points. However, the attitude I have on this blog towards Avatar ships is far more neutral than what you’re saying.

Ultimately, romance is not and never was the focus of Avatar. Romantic development was always secondary or tertiary plot, and the entire show was far more focused on platonic relationship development. My attitude towards shippers on here - including Zutara shippers - is that people can ship what they want, as long as they’re respectful of each other and of the other characters that “interfere” with their ship. End of the day, shipping is irrelevant to the core of the show.

People shipping something because they find it aesthetically appealing is honestly,,,fine. Personally, I think it’s reductionist, but I don’t care if you do because everyone has the right to enjoy media however they want to.

That being said, we absolutely should call out racist or problematic tropes that we see, including ‘fire lady katara”. I also agree that it’s upsetting when people bash other characters in order to further their ship, as much of the bashing is also pretty racist and/or misogynistic. Calling that out, however, is separate from calling out every single person who happens to enjoy certain ships.

“She didn't do what zuko expected her to do. She did what aang expected her to do. She didn't forgive her mom's assassin, but she forgave zuko, and she didn't do THAT thing she (and aang) knew would regret later. Aang knew katara and what was the best thing for her to do.”

I understand where you’re coming from, but I honestly disagree with this take. Both Aang and Zuko were approaching the situations from their own life experiences, but Katara didn’t do what either of the boys wanted. She chose her own path, by both sparing Yon Rha’s life but also refusing to forgive him. The episode is about Katara and her personal trauma and its focus should not be on her relationships with either Zuko or Aang.

When I make posts such as this, it’s less about hating Z*tara and more about how this fandom focuses all its attention on romance and shipping, to the point where if you acknowledge a relationship’s importance it’s assumed you pair the two romantically. I don’t read Zuko and Katara’s relationship as romantic (for reasons that it would take too long to explain here), but their relationship development is extremely important, the two of them share tons of parallels and the final Agni Kai marks the culmination of both of their character arcs. Yes, Zuko would have taken the lightning for any of the characters, but it’s thematically important that it was Katara. None of this inherently means it’s romantic, but refusing to acknowledge the significance of the relationship between them is equally reductionist.

This isn’t an attack on you, anon, and you’re 100% allowed to have negative feelings about a ship. But at the end of the day, it’s not worth getting this worked up over. If I were you I’d focus more on creating/consuming content for a ship you like than bashing ships you don’t!

#kind of nervous about posting this but oh well #atla #avatar the last airbender #shipping #zuko #katara #aang #asks

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ifthereisnowind · 4 years ago

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capitalism

context: why does it make me cringe? why does sales make me cringe?

why did I feel for a while that I don’t want to get caught up in the career ladder?

why do I judge people who chase money or fame?

what should truly motivate us at work

In a perfect world, when it came to choosing an occupation, we would have only two priorities in mind:

– to find a job that we enjoyed

– to find a job that paid us enough to cover reasonable material needs

But in order to think so freely, we would have to be emotionally balanced in a way that few of us are. In reality, when it comes to choosing an occupation, we tend to be haunted by three additional priorities. We need:

– to find a job that will pay not just enough to cover reasonable material expenses but a lot more besides, enough to impress other people – even other people we don’t like very much.

– we crave to find a job that will allow us not to be at the mercy of other people, whom we may deep down fear and distrust.

– and we hope for a job that will make us well known, esteemed, honoured and perhaps famous, so that we will never again have to feel small or neglected.

reforming capitalism

The system we know as Capitalism is both wondrously productive and hugely problematic. On the downside, capitalism promotes excessive inequality; it valorises immediate returns over long-term benefits; it addicts us to unnecessary products and it encourages excessive consumption of the world’s resources with potentially disastrous consequences – and that’s just a start. We are now deeply familiar with what can go wrong with Capitalism. But that is no reason to stop dreaming about some of the ways in which Capitalism could one day operate in a Utopian future.

What we want to see is the rise of other – equally important – figures that report on a regular basis on elements of psychological and sociological life and which could form part of the consciousness of thoughtful and serious people. When we measure things – and give the figures a regular public airing – we start the long process of collectively doing something about them.

The man is indeed employed, but in truth, he belongs to a large subsection of those in work we might term the ‘misemployed’. His labour is generating capital, but it is making no contribution to human welfare and flourishing. He is joined in the misemployment ranks by people who make cigarettes, addictive but sterile television shows, badly designed condos, ill-fitting and shoddy clothes, deceptive advertisements, artery-clogging biscuits and highly-sugared drinks (however delicious).

We intuitively recognise it when we think of work as ‘just a job’; when we sense that far too much of our time, effort and intelligence is spent on meetings that resolve little, on chivying people to sign up for products that – in our heart of hearts we don’t admire.

Fortunately, there are real solutions to bringing down the rate of misemployment. The trick isn’t just to stimulate demand per se, the trick is to stimulate the right demand: to excite people to buy the constituents of true satisfaction, and therefore to give individuals and businesses a chance to direct their labour, and make profits, in meaningful areas of the economy.

This is precisely what needs to be changed – and urgently. Society should do a systematic deal with capitalists: it should give them the honour and love they so badly crave in exchange for treating their workers as human beings, not abusing customers and properly looking after the planet. A standard test should be drawn up to measure the societal good generated by companies (many such schemes already exist in nascent form), on the basis of which capitalists should then be given extraordinarily prestigious titles by their nations in ceremonies with the grandeur and thrill of film premieres or sporting finales.

There’s no shortage: we need help in forming cohesive, interesting communities. We need help in bringing up children. We need help in calming down at key moments (the cost of our high anxiety and rage is appalling in aggregate). We require immense assistance in discovering our real talents in the workplace and understanding where we can best deploy them (a service in this area would matter a great deal more to us than pizza delivery). We have unfulfilled aesthetic desires. Elegant town centres, charming high streets and sweet villages are in desperately short supply and are therefore absurdly expensive – just as, prior to Henry Ford, cars existed but were very rare and only for the very rich.

But we know the direction we need to head to: we need the drive and inventiveness of Capitalism to tackle the higher, deeper problems of life. This will offer an exit from the failings and misery that attend Capitalism today. In a nutshell, the problem is that we waste resources on unimportant things. And we are wasteful, ultimately, because we lack self-knowledge, because we are using consumption merely to divert or quieten anxieties or in a vain search for status and belonging.

If we could just address our deeper needs more directly, our materialism would be refined and restrained, our work would be more meaningful and our profits would be more honourable. That’s the ideal future of Capitalism.

In the Utopia, businesses would of course have to be profitable. But the success of a business would primarily be assessed in terms of its contribution to the collective good.

On changing the world

the only way to bring about real change is to act through competing institutions. Revolutions in consciousness cannot be made lasting and effective until legions of people start to work together in concert for a common aim and, rather than relying on the intermittent pronouncements of mountain-top prophets, begin the unglamorous and deeply boring task of wrestling with issues of law, money, long-term mass communication, advocacy and administration.

Our collective ideal of the free thinker is that of someone living beyond the confines of any system, disdainful of ‘boring things’, cut off from practical affairs and privately perhaps rather proud of being unable even to read a balance sheet. It’s a fatally romantic recipe for keeping the status quo unchanged.

We have to make what we already know very well more effective out there. The urgent question is how to ally the very many good ideas which currently slumber in the recesses of intellectual life with proper organisational tools that actually stand a chance of giving them real impact in the world. From a completely secular starting point, it can be worth studying religions to learn how to alter behaviour.

This is what religions have, for their part, excelled at doing. They’ve realised that if you put down an important idea on paper in somewhat pedestrian prose, it won’t have any lasting or mass impact. They’ve therefore, over their history, engaged the most skilled artists to wrap their ideas in the coating of beauty. They have asked Bach and Mozart to put the ideas to music, they have asked Titian and Botticelli to give the ideas a visual form, they’ve asked the best fashion designers to make nice looking clothes and they’ve asked the best architects to design the most impressive and moving buildings to give the ideas heft and permanence.

We should use the history of religion to inform us about the role of repetition, ritual and beauty in the name of changing how things are.

There is a great deal of large-scale ambition in the world, but all the largest corporate entities are focused on servicing basic needs: the mechanics of communication, inexpensive things to eat, energy so we can move about. While our higher needs – for love, beauty, wisdom – have no comparable provision. The drive to grandeur is missing just where we need it most.

Good business

So, inevitably, businesses will evolve to profit from their wishes. Capitalism has not traditionally been interested in whether these are sensible, admirable or worthy desires. Its aim is neutral: to make money from supplying whatever people happen to be willing to pay for.

Philosophy, by contrast, has long recognised a crucial distinction between desires and needs:

A desire is whatever you feel you want at the moment.

A need is for something that serves your long-term well being.

And it’s our needs that are required for a satisfying, fulfilled life (which Plato, Aristotle and others call a life marked by eudaimonia).

Capitalism goes wrong when it exploits this cognitive flaw: large numbers of businesses sell us stuff that we desire but which (in all honesty) we don’t need. On longer, calmer reflection we’d realise those things don’t actually help us to live well.

Sadly, it’s easier to generate profits from desires than from needs. You can make much more money selling bad ice cream than by marketing Plato’s dialogues.

In a utopia, good businesses should be defined not simply by whether they are profitable or not; but by what they make their profit from. Only businesses that satisfy true needs are moral.

Good capitalism requires that we address two, core educational needs. Getting us to focus on what we really need, what the real challenges in our lives are. And getting us to focus on the value of particular goods in relation to our needs: that is, how do these particular purchases help with eudaimonia?

So, in search of a better economy, we should direct our attention not simply to shopping centres and financial institutions, but to schools and universities and the media. The shape that an economy has ultimately reflects the educated insights of its consumers. When people say they hate consumerism, what they often mean is that they are dismayed at peoples’ preferences. The fault, then, lies not so much with consumption as with the preferences. Education transforms preferences not by making us do what someone else tells us. But by giving us the capacities and skills to understand more clearly what we genuinely do want and what sort of goods and services will best help us.

tbc

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myinterestsvary-writes · 4 years ago

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Bouncing off of the "once you're older you'll like zutara" thing, I've actually seen quite a few people prefer Kataang now that they've gotten older and matured more to recognize that they're a healthier relationship. So it's interesting to see the different viewpoints there. Also I've never really understood why simple and sweet relationships are often overlooked by fandoms. I mean I understand they're sometimes less interesting (apparently) but idk sometimes simple ships are better

I've seen it too, and I think it's because as one grows older, it becomes easier to allow yourself not to think so much about different past possibilities and instead accept things for how they are and actively try to change the future to your liking for newer and better opportunities. That includes viewing Kataang in a better light seeing as ATLA is the favorite show of many, many people.

Sweet and simple ships aren't terrible. They're refreshing to see in my opinion when knowing of all the hardships the characters themselves went through. It's even better when it's not because of the character they've ultimately ended up with. Though, I have my exceptions to that rule when it has the relatability standpoint of wanting to save that person you've known for some time before everything went to shit for them, knowing that what changed them was circumstance instead of nature. Prime example of this is, Sasuke & Sakura and Naruto & Sasuke.

I mean, Z.tara could fit this bill too, but Kataang appeals to me more as I believe they had more development. It just wasn't as "interesting" and very obvious to the point of dismissal for some. (The opposite of dark and intriguing.)

Additionally, I think it's because of the fact that non-sweet and simple ships has a lot of material fans could create themselves. It's wish fulfillment when ships like Z.tara is not canon or is canon since there's apparently more layers to their relationship than Kataang either way and canon can't explore everything. Some people aren't so willing to change their initial perceptions of things however when presented with the former, with people often times complaining about the missed opportunity they had because of what they interpreted and elaborated on through their own will, failing to take in that it was never too encouraged to do so either with the entirety of canon still available and existing, set in stone.

I ship SS from Naruto which is often compared to Z.tara and yes, fundamentally they're the same (just like NS with K.taang), but the impact it has on fandom makes it more like K.taang than Z.tara, but also in more ways than that (primarily because of yes, the author's decisions in allowing their preferred ship to suit the narrative...happy?) It's because those two ships are canon and yet their romantic development is debated at times because it supposedly "didn't have much to do with the show" - and they also essentially had tunnel vision.

Another point too is that Sakura, Sasuke, Aang, and Katara are hated characters by many. People aren't fair with their least preferred characters; they won't be paying attention well enough anyways to make accurate and unbiased assessments.

I'm starting to believe whenever something similar to the topic of shipping isn't validated by the creators to fans, especially when it's a strongly held belief (akin to a religion), people WILL go mad - especially as hormonal teenagers or irrational adults.

Z.tara is like SNS which makes me believe that fandom just sees what they want to see and not what's consistently hinted at sometimes even in when regarding general forms of media entertainment for story ending aspects the most (i.e heavily implied or spelled out romantic feelings from blushes to flat out just saying one character likes the other - it at least having obvious romantic undertones). Or they acknowledge it but just don't ship it because they like their ship better or they personally don't feel anything for the canon relationship (which accumulates into rejection/resentment over time if they let it consume them). Romantic chemistry is subjective, some opinions are more popularly accepted than others (which is why fandom can be so volatile sometimes) and some explain why they've come to those conclusions quite well, despite it all.

Just keep in mind that this doesn't actually matter to be completely honest, no matter how much it feels like it does.

#asks #anon #fandom #atla fandom #naruto fandom

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illusion-reality-steve · 5 years ago

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Headcanon: Illusion/Reality Steve is aromantic

A few people on Discord encouraged me to make this post, so might as well make it, lol.

Anyways, hi, I’m aromantic and Illusion/Reality Steve is my favorite character from the Steve Saga. I headcanon that Illusion/Reality Steve is aromantic like me, or a person who experiences little or no romantic attraction. (Aro for short.)

His entire character just gives me a lot of Aro Vibes (especially ones that I relate to), which I’m gonna explain right now below. Enjoy, I guess.

Aro Vibe #1:

For someone who is repeatedly compared to Origin Steve, Illusion Steve has never expressed interest in finding a romantic partner to rule the world with. Origin Steve wanted to get rid of the old world, create a new one, and rule it with Alex as lovers. Illusion Steve wanted to build a new world over the old world. But did he want to rule it with a romantic partner? Not at all! In fact, he wished he could fulfill his plans alone without anyone’s help, and he disliked that he had to rely on Alex, the Guardian, and Sabre for help.

Illusion Steve also hates being compared to Origin Steve, which could mean four things. One: He hates being compared to Origin Steve who was just the Worst (tm), and Illusion believes he is morally better than Origin. OR

Two: He hates it when his actions are compared to Origin Steve’s actions, since a good portion of Origin Steve’s actions were done ~~in the name of love~~. As an aromantic, one of my worst fears is my actions being interpreted as romantic by people. I like to imagine that aro!Illusion Steve feels the same way when Sabre compares his actions to Origin Steve’s actions.

Three: He hates it when his aromanticism is compared to Origin Steve’s pretentious “I feel nothing and love no one” attitude (and Origin Steve isn’t aro). Illusion Steve is not aro because he’s edgy about love like Origin Steve. He’s aro because he’s aro, and he wishes people understand that.

Or four: He hates it when people say he’s as crazy as Origin Steve, because Origin went crazy out of love and from denying his emotions, while Illusion went crazy because of his mission and the people around him. This is similar to meaning two (fearing and hating it when people mistake your actions as romantic). Honestly, aro!Illusion Steve must cringe whenever people say he gives off Origin Steve Vibes, because they imply that he’s going crazy out of love or something.

Or maybe all four of these things.

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Aro Vibe #2:

He’s salty.

As an aro, I can confirm that aromantic people are some of the saltiest people on the planet, because we understandably have a lot of things to be salty about. Aro people have the unique ability to hold more salt than the Atlantic Ocean.

We see that Illusion Steve has this unique ability too, being the saltiest character in the Steve Saga. Since Illusion Steve and aro people share this unique ability, I conclude that Illusion Steve might be an aro person and headcanon him as such.

Not to mention that his salt is treated as a joke. Aro people sure know what it’s like to be treated as a joke, especially on this t*xic website.

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Aro Vibe #3:

When Reality Steve said “I don’t understand what this ‘singleplayer’ means,” it gave me flashbacks to all the times I forgot what the word “single” meant. I always forget if the word means “not dating” or “not dating AND wants to find someone to date,” especially when people ask me if I’m single or taken. Ugh.

So just because of that, I consider Reality Steve being confused about the word “singleplayer” as an aro moment.

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Aro Vibe #4:

And the BIGGEST Aro Vibe: Illusion/Reality Steve’s goal of creating the perfect reality. His entire arc was about creating a perfect illusion or a brand new reality that would make Steves, Galaxy Steve, or himself happy. His entire arc was about finding a perfect, fulfilling life he would feel happy in. I think Illusion/Reality Steve is the first Steve Saga villain who prioritized finding a fulfilling life more than ruling the world or hurting others, unlike other Steve Saga villains.

Ultimately, Illusion Steve just wanted freedom to decide what to do with his life. He was unhappy being connected to Galaxy Steve, because he was forced to fulfill a given purpose: to make Galaxy Steve happy.

So when he became Reality Steve and enabled his own freedom, he was ready to live a “real life.” Reality Steve had a lot of goals and wants a fulfilling life, but he never mentioned finding a romantic partner as one of his goals. Many people would list finding a romantic partner as one of their goals in creating a fulfilling life. Reality Steve didn’t. He doesn’t want a romantic relationship. He just wants freedom. Not to be told what to do to fulfill his life.

In the real world, a lot of people are told that they need to find romance to lead a happy life. Sometimes, they’re even told that they’re only complete or valuable when they find a romantic partner. This idea is enforced in media through shipping, the concept of true love, and characters getting happily ever afters by finding a romantic partner. This idea is harmful to aros who don’t want to date (as well as people who don’t want to date in general).

Reality Steve went like, “Screw all that! I don’t need romance or anyone to feel happy or complete. All I need is freedom and the ability to be independent. I’ll be happy living a life of solitude, learning new things, and gaining new experience, and I don’t plan to settle down.” To me, Reality Steve defining freedom/independence as fulfilling is SO refreshing against a sea of fictional character defining romantic love as fulfilling. And to me, that sounds aro as heck.

I also interpret Illusion/Reality Steve breaking the 4th wall as him wanting to escape a narrative he was forced into and wanting to take control of his own story. He wants to create his own narrative. That’s why he became self-aware that the Steve Saga server is an illusion and why he wanted to be freed from Galaxy Steve’s connection and the server (even though he did unforgiveable things to achieve those things). His goals feel like a metaphor for my aromantic experience.

He was unhappy having set expectations to meet. The same way I feel unhappy having to meet society’s expectations of finding love.

He became aware that it was all bull and an illusion. The same way I realized the idea of “romantic love = fulfilling/happy life” is just a made-up rule (or an illusion) that society uses to control people.

He wants to be free to create his own narrative without anyone telling him how to live his life. The same way I and many aromantic people want to and need to escape society’s expected narrative of “everyone eventually falling in love and getting married.” The same way I and many aromantic people need to create our own narrative and discover on our own what’ll make our aromantic lives fulfilling, free from society’s amatonormative influence and pressures.

And whatever Illusion Steve wants in life, he probably doesn’t see love or marriage as a main priority in his future, just like some aromantic people. Just independence.

-------------

Or this could just be me projecting. But I really think Illusion/Reality Steve is aromantic. That’s my headcanon. And those are all the Aro Vibes Illusion/Reality Steve gives. I just wanted to ramble about my headcanon.

I apologize if I worded anything weirdly. Aromantic people are incredibly diverse with their experience, so I tried my best not to exclude any aros or to generalize the aro experience.

Some of you might feel nervous that I headcanon a villain as aromantic. If it’s of any reassurance, I headcanon several villains as non-aromantic, and I headcanon several heroes to be on the aromantic spectrum (like all Green Steves, some Blue Steves, and the Guardian of the Spirit World).

And I do not believe Illusion Steve’s aromanticism is connected to why he’s a villain. It influences his personal goals, yes, such as wanting freedom. But it does not influence his villainous goals and the actions he took to get to those goals. He’s done evil things because he’s a piece of garbage with a lot of flaws, not because he’s aro.

Thanks for listening to me ramble. This probably won’t be the last aro!Illusion Steve post I write.

#steve saga #illusion steve #reality steve #aro!illusion #headcanon #(I'm nervous about posting this ngl)#(so please be gentle)

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toshikosatos · 5 years ago

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where I’ve been

trigger warnings for mention of suicidal ideation, and very nonspecific mention of sexual intrusive thoughts. brief mention of fear of starting a fire and contamination fears. (there is also a link to an article which I provide warnings for later, but here’s an advance warning that the article at that link mentions pedophilia.)

alternative title: “OCD: It’s More Than Just Hand Washing! (And Yet I Am Also Singlehandedly Keeping the Body Shop in Business with My Frequent Purchases of Hand Cream in a Desperate Attempt to Undo that Self-Inflicted Damage, As Well.)”

2016 was when it really started to get bad.

there was no real, or at least good, reason for this. my friend had just flown across the Atlantic and moved in with me and my parents, and it was so nice living with a friend and having that constant companionship. I had just finished my first year back in school after deciding to go back and finish my degree following a four year gap, in which I’d bounced between part-time service industry jobs, unemployment, and periods of severe mental illness. it was hard, but I got through that first year. I was 25.

things that sucked, though: season 5 of Person of Interest was happening, and after a year of anticipation, I wound up really disappointed by it. I have a tendency to fixate really unhealthily on my current favourite media, pretty much invest my entire emotional wellbeing in it, and then get totally crushed when it winds up disappointing me in some way. I still feel this cycle happening and don’t quite know how to break out of it, but it was worse back then. and the fandom was also full of REALLY toxic drama at the time that I couldn’t see clearly enough to disengage myself from (although it did ultimately lead to me quitting Tumblr). it wound up really triggering what I now understand to be my OCD, but I didn’t get that back then.

but maybe I should have seen it. I remember weird little things that popped up when I was younger. I went through a time for a few days as a tween when I couldn’t stop flaring my nostrils, or focusing on my blinking, and getting increasingly stressed out by it. later in my teens, I got more anxious about checking all the lights in my house to make sure none of them were about to burst into flames before I went to bed. I also had a bedtime ritual where I’d look at the moon and wish for my loved ones’ wellbeing, and it got more and more ritualized, in this way where I couldn’t step away and go to bed until I felt I’d looked at the moon just Enough, or done certain physical gestures by the window enough times. then I did a school project on OCD at 17 and thought, oh, hey, a lot of this sounds familiar! it made me so aware of my compulsions, but I also started doing them more and getting more stressed out by them as a result, somehow. but a little while after finishing the project, things calmed down again.

these were the things I understood to be related to OCD. I didn’t know WHAT was happening to me when I couldn’t pull myself away from Twitter arguments at 25, couldn’t stop going over the same topics with friends and explaining how I felt and getting reassurance that my friends didn’t judge my opinions, or didn’t judge me for having had a different opinion in the past. I didn’t know why I was losing hours of my life to stress over The Discourse going on on my Twitter feed. I just thought, geez, my anxiety is a mess.

then I went back to school in the fall, and it got worse. one day I remembered something offensive I’d said to be ~edgy when I was 14. read: 11 years prior. I became overcome with anxiety for the next few days, convinced that if I ever told a friend about this, they’d disown me for being an awful person. finally, I told them, and they did not care one bit. they just started listing other 14 year olds they’d known who’d done the same kind of shit. I breathed a sigh of relief. for the time being.

then I wrote an essay that led me down a questionable Youtube rabbit hole. I wound up getting very triggered by a video I saw of something that probably should have been removed from Youtube, but I also convinced myself that I was a horrible person for having looked at it and not immediately looked away. I worried about this for about a month.

then in December 2016, it got much worse. I remembered something similarly inappropriate that I’d seen online when I was 15. again: 10 years earlier. I had looked the thing up out of morbid curiosity, thought it was inappropriate, and never looked at it again. now, 10 years later, I was suddenly overwhelmingly convinced that I was a HORRIBLE person for having looked at this, and that any of my friends would agree and would leave me forever if they knew. within a few days, it became so overwhelming I told a friend, and she did not care. I felt better, for a moment. but it came back. the fear always came back. reassurance from any one person was never enough. I always knew that some remaining friend WOULD hate me for one thing or another I’d done, and it WOULD be proof that I was a terrible person.

I didn’t see how it could get any worse until January 2017. somehow, it did. my thoughts were out of control. I triggered myself eight ways till Sunday, and that January and February was one of the hardest times of my entire life. I was never suicidal - I always knew I would never actually kill myself - but I imagined myself dead every single day, and thought about how much better off we’d all be if I’d never been born. (I remember feeling this way when I took the picture I included at the top of this post.) I felt like there was no point in me living anymore because I was such a horrible person, but that I HAD to keep living, so I was just stuck in a pointless existence, not allowed to feel fulfilled anymore. it was probably the lowest I’ve ever felt. it was the worst feeling. I was anxious and afraid, but that isolating fear made me deeply depressed, too.

but it was pretty early on in all this that I tried to google what I was feeling, and was led to this famous article by Rose Cartwright about pure O OCD. (MAJOR trigger warnings on that article: she talks in detail about sexual intrusive thoughts about pedophilia as well as sexual orientation). honestly, having a name for what I was going through didn’t make me feel much better, but at least I had some idea what was happening to me, now. and it was that knowledge that EVENTUALLY helped me to help myself. it gave me the language to use with the doctors I met, an understanding of how to explain what I was going through, which eventually helped me through evaluations and got me into an OCD treatment program in the fall of 2018. and it did show me that I wasn’t alone.

but there was a sense of, “how did I never realize what this was until now?” I’d referred to myself as having OCD tendencies for a long time. “OCD habits.” I didn’t think any of it was severe enough to actually call OCD. then I found out all the different ways OCD can manifest: intrusive thoughts about sexual topics, violence, morality. I’d had them all. even back in 2013, when I first started seeing a psychotherapist, I went through a phase where I couldn’t stop having a particular intrusive sexual thought that made me feel like a monster. I told my therapist about it, desperate. she reassured me that I wasn’t a freak, and I felt a whole lot better. but she never even used the term OCD. she just said it was strange that I was having these thoughts when I didn’t have a history of abuse. but that’s not strange: it’s just how OCD works sometimes. she didn’t Get It. (I have read that psychotherapists often don’t get it, because they’re quite focused on analyzing the reasons why you feel a certain way, and OCD sufferers already do that too much. we don’t need to analyze: we need to learn to live with our bad thoughts, and not act out compulsions in response to them.) so I went on not knowing until it got much, much worse. and that is why people really need to start building a better understanding of all the different things that OCD entails.

I have intrusive sexual thoughts. I worry CONSTANTLY about everything I’ve ever done wrong and that I’m a bad person, and every single day I fight the urge to seek reassurance from my friends that every single one of those things isn’t It, the thing that will finally make them realize that I’m a horrible person and leave me forever. I second guess every decision I make to the point that I wind up frozen by my own anxiety. I obsess over contamination and harm, too. I wash my hands too much because I’m afraid if I don’t, and then I touch something someone else will touch, I might contaminate them in some way, and that would make me a horrible person. it all comes down to “this will make me a horrible person.” all my other obsessions come back to morality, in the end. I had one doctor who evaluated me tell me I was wrong to connect my sexuality obsessions to my morality obsessions, but I think she was wrong. they are absolutely connected. it is ALL about this for me, in the end.

when I was cleaning my room last year, during my treatment, I got distracted by a notebook I wrote in when I was 12, and I found a page where I wrote, in 2003, “My obsessive compulsive habits are getting out of hand.” I didn’t even remember knowing the term when I was 12. I saw it that long ago, but it took me until I was 27 to get treated for it. there’s no such thing as too late, but when I read that, I wished I could have told my younger self to get help and why. I wished I could show my 17 year old self, or my 21 year old self, or my 25 year old self that page, and let her know, “this is what’s going on. this is what you need to tell a doctor you’re dealing with.” but maybe now I can help someone else figure that out, like Rose Cartwright has helped me with her OCD activism and writing.

my treatment ended a year ago, and I haven’t been using the tools they gave me very diligently since. I’ve been really struggling as a result, but executive dysfunction is a bitch. I hope I can start working on it again soon, because I already know what I need to do to feel better.

a book we used in therapy that I found incredibly helpful: https://www.amazon.com/Getting-Over-OCD-Second-Self-Help/dp/1462529704

Rose’s book: https://www.amazon.ca/dp/B0118ITJUY/ref=dp-kindle-redirect?_encoding=UTF8&btkr=1

#comes back to tumblr to reblog gay terminator content and writes a personal essay about my mental illness instead #sure!#I don't know why I'm doing this exactly but here I am #if you don't want to click but are interested in resources that have helped me with my OCD feel free to message me #the workbook we used in therapy that helped me is called getting over ocd by jonathan s. abramowitz #gotta say it feels good that I've come so far that I can talk about it this openly now though #personal

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just-the-hiddles · 5 years ago

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Hi there, I know that your a lawyer and I wanted to know if you could give me some advice cause I'm currently studying English and media studies and I totally hate! I've already played with the idea of studying law but I don't know I wasn't really sure if it was really something for me. So now I'd like to know how your uni experience was, in what kind of field you have specialised and if you're happy with your job, please? Thanks, in advanced!

I live in the United States so your mileage may vary. I went to school and majored in Communication with a Minor in Political Science. I went to law school because I wanted to work in politics (running campaigns). I had a great GPA but an average LSAT score (which is the entrance exam for law school). I applied to about 4 or 5 schools, I was waitlisted at one and accepted to the one I ultimately attended.

Law school was three years and I attended a private school in one of the most expensive cities in the United States. It was hard but I would not trade it for the world. It really shaped who I am.

I wanted to go into wills, estates, and trusts, I have never in my life done this kind of law. I have done criminal defense and civil practice. I currently work for the government as a lawyer. I am very happy with my job. It is hard but fulfilling. I work with some great people. Right now things are stressful but that is the circumstances not the job.

I have given this advice to many people who have asked me about attending law school:

- Only go to law school if you are really sure you want to go. Here is why: Law school is expensive. When you are in that much debt, you can feel trapped. By the same token, you have now spent multiple years studying a very specific area which can also make you feel trapped. I knew it was what I wanted to do, so I have no regrets but I have met a lot of people who dropped out of law school or went to law school and are not practicing. So just keep that in mind.

I would suggest finding some either currently in law school or recently graduated from where you live and ask them their experience. I wish you luck and all the success!!

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foxchandelier-blog · 6 years ago

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Lysandre is actually a really scary villain if you think deeply into the premise of his character.

I’ve done a little bit of research on him already and have analyzed some theories + “evidence” that crosses between the games, the manga, the specials and the anime and, honestly, Lysandre is actually fucking terrifying if we assume his true personality is an amalgamation of all his counterparts.

I mean, for one, he’s really good at manipulating people. You can see this in a lot of ways but the most noticeable one is convincing rich people to buy into his weird-ass genocidal organization. Just thinking about that alone boggles the mind a little because he’s managed to get people to spend millions alone on just getting just a fancy suit and a “promised place in utopia”.

For two, Lysandre has a lot of control over the Kalos region, more control than anyone should be allowed. Literally let me exist the examples of how much control he has:

1.) Lysandre has control Lysandre Labs - a company that literally doles out all of Kalos’s most advanced technology (a la Pokemon Generations episode 16) - and has made it so that many people likely depend on his services. And, as mentioned in the manga (though I don’t know if this is a games-related factor but I would assume so) Lysandre is a brilliant engineer who’s come up with a lot of this amazing technology, putting him in a place of power through his skills alone.

2.) Lysandre is friends with the Kalos region CHAMPION and REGIONAL PROFESSOR. He literally has them both admiring him and respecting him - a feat usually only reserved for the player character. And yet, all the while, Lysandre is using and abusing Sycamore’s and Diantha’s trust in him to do terrible things. So much so that Sycamore even admits in the games of how he was aware of Lysandre’s wrong-doings but was unable to stop him.

3.) Lysandre has control over the news media. This is pointed out in the games, in the manga, in the anime, and in the Pokemon Generations anime. And, the consistency is really appreciated because this is fucking scary. Lysandre has the ability to control how people see him through the news outlets. By using Malva - who broadcasts news to most of Kalos’s people - as a biased outlet meant to make him look good, Lysandre can easily spread lies and deceit to get people to respect him.

4.) I don’t really think this has to be said but Lysandre is very charismatic and a convincing actor. Even if you pinpoint him as the villain early on thanks to his garish design, it’s hard not to notice how everyone is in awe of him or how no one questions his motives. Lysandre is good at being liked, strangely so, and even if you feel an urge to hate him as the player character it’s hard not to notice the way many people in-verse treat him as someone to respect and be inspired from.

For third, let’s discuss the anime.

The third reason that Lysandre’s so scary is due to his relationship with Alan in the animated version of XY/XYZ/TSME.

Throughout the duration of the show, Lysandre is very much a puppet master moving all his pieces into place. One such puppet is young Alan, a trainer who he’s manipulated and set into place like a toy on a string.

The first time Lysandre meets Alan, it’s actually kind of terrifying to think about. He meets Alan in the midst of ruins, battles him, defeats him, and then coaxes Alan into becoming his minion. Not only that but he uses Alan’s lone role model against him - using Alan’s love for Professor Sycamore to drive him away from the man and into Lysandre’s care only.

Lysandre abuses Alan’s trust in him as an authority figure and makes use of that trust in his favor. He uses Alan as his assistant in his plot, letting Alan think that he is doing good without telling a single lie to the boy. The man uses Alan without remorse, depending on his skills and prowess while also treating him as disposable if he becomes “weak” (as mentioned in TSME episode 4 when Lysandre notes “I don’t need weaklings”).

Furthermore, when Lysandre recognizes Alan’s fondness and guilt over Manon and her Chespin’s condition, he uses that as a tool to get Alan to continue collecting energy. While Alan is hurting over how his actions have caused his closest companions pain, Lysandre weaponizes Alan’s feelings by feeding him tales of “how he can save Chespie” if he just “collects Mega Evolution energy”.

It’s terrible and it’s downright horrifying. Even as Alan’s obviously breaking down, Lysandre’s first thoughts are not to help the boy but to use Alan’s feelings for his own personal plans. He cares little for how Alan or Manon actually feel and, instead, chooses to use their unfortunate situation in a way that only truly benefits him.

It’s cruel and malicious, selfish and yet cold-hearted. Lysandre’s relationship with Alan is honestly really toxic. He controls Alan, cuts off his closest connections, and weaponizes said connections to put the boy under his control.

For the fourth reason for why this man is scary it’s because Lysandre thinks he’s in the right and doesn’t think himself wrong. Lysandre’s goals, though seemingly flimsy in design and terrible in the game’s execution, get established in the anime as something almost...sympathetic. In the anime, though it’s only brief, Lysandre explains a little bit of his reasoning for his actions: a reasoning that I will paraphrase here to make sense for the context of his overall character.

His explanation is that he wanted to help people who were suffering, lending them his time, money, and charity in order to help them. At first, he was thanked and appreciated and everyone loved him for it. This was something that Lysandre arguably considered “beautiful”.

Over time, however, he noticed something changed in the people he helped. They became greedy, wanting more and more of whatever he could provide. He was treated horribly because he could not provide what the people wanted. This, in turn, opened his eyes to the “ugliness” of humanity. He grew bitter, grew spiteful of the people he helped because they saw him as something akin to a tool rather than as a hero.

This doesn’t explain how he developed genocidal tendencies, of course, but it does give a realistic background story that I can believe and yet somehow sympathize with. Lysandre wanted to help people. But, in doing so, he made them greedy. They wanted more from him, wanted him to do more things for them because of their “rights”, and this greed ultimately makes Lysandre start to snap.

Moving on, I think a lot of the inspiration for Lysandre’s deeply off-the-rockers and genocidal maniac transformation lies in the real fictional story of “The Picture of Dorian Gray”.

In said story, the main character - Dorian Gray - comes to be inspired by the views of a man known as Lord Henry Wotton. Lord Henry believes fully in beauty as the only thing being worthy of being pursued in life. Taking up this view, Dorian Gray wishes that a painting of himself would age in his place so that he can pursue nothing but beauty and sensual fulfillment.

Taking this (very short hand) explanation of the plot in association to Lysandre, I think there’s a connection here. Dorian Gray, upon becoming smitten with the idea of endless beauty, seeks to keep himself beautiful forever. And Lysandre, who’s views of the world have warped into ugliness, seeks to pursue that beauty, wanting to rid the world of “ugliness” (human greed, “unworthy people”) so that he can keep the "beautiful” all around him (the “chosen ones”).

This ties back into the story’s themes of life and destruction.

Lysandre seeks life to keep himself and the “chosen ones” beautiful, to keep Kalos looking as pretty as he feels it should.

But, Lysandre also seeks destruction (or, if you’re like me, death) and wants to rid Kalos of its impurities (people who are “consumed by their greed” and “unchosen” just like members of Team Flare or people who fail to realize what beauty means).

And, while pursuing the beauty of Kalos, he’s created such a mindset that only HE is in the right. He is the only person who realizes that Kalos is losing its beauty and, therefore, it’s up to him to make the world beautiful.

This is further pronounced in the XY manga. There, the ugliness of humanity is further brought up in the way the Kalos region reacts to tragedies. When a whole town is destroyed and left in shambles, those who did not experience the tragedy “shake it off” and “remain smiling in their day to day lives”.

There’s a certain kind of ugliness present in this scenario. The people of Kalos who weren’t involved in Vanivelle’s destruction live on happily. They smile and carry on their day-to-day lives while ignoring the suffering of others. This shows humanity’s weakness: humans do not care for things that don’t concern them personally. It’s a gut punch kind of message because it’s honestly kind of true. Until something impacts a person personally, they won’t care for the misery of others and, instead, choose to go about their merry way while another person suffers the consequences of things like poverty, famine, war, etc.

And, in a way, it kind of makes you think Lysandre is right to want to retain beauty and to destroy anything that messes with that ideal. If someone isn’t beautiful - if they’re greedy or selfish or unsympathetic to the pain of others - than you kind of understand why Lysandre would want to get rid of those kinds of people.

This is what makes Lysandre scary: you can sympathize with and even understand his thought process on a deeper level. He’s a genocidal maniac who’s too obsessed with beauty, yes, but there’s an underlying understanding of why he likely ended up the way that he did.

In conclusion, Lysandre is actually legitimately a terrifying villain and if he was a real person we’d all be really scared of him. He’s charismatic and manipulative and holds a lot of power in his hands. He can influence people and has control over how a lot of people as a result. His obsession with beauty, with correcting the path of humanity for its greed and impurities, not only reeks of real-life historical implications but also of realism too.

Lysandre’s the kind of villain you would expect to see in real life, someone who, if stripped of his Pokemon-verse significance, would easily exist as a person in the real world. He’s cunning and knows how to take control. Not to mention that he’s rich and the kind of person who could easily hide under the kind facade of charity. Lysandre is a dangerous man, far dangerous than any first glimpse of him might suggest, but he wields power like a sword and has the ability to determine between life and death at a moment’s notice.

#pokemon #Lysandre #Professor Sycamore #Diantha #Malva #ngl reading the XY manga #playing the games #watching the anime and the generations specials #has all made me realize that Lysandre is actually really fucking terrifying #and he's actually kind of a realistic villain in that it'd actually be possible for him to exist in the real world #and fuck shit up this badly without Pokemon around #my respect for Lysandre has shot up a lot because of the anime version of him tho ngl #never expected that the anime would make me love Lysandre #but thanks anyways anime #hello my Chandelier and I like to talk about Pokemon

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analeoftwocities · 5 years ago

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Book Read: The Bear and the Nightingale by Katherine Arden

Beer Paired: Thirsty Dog Siberian Night Imperial Stout

What We Loved About the Book

I have put off this review for sometime. Not because I didn’t want to write, but honestly out of fear. From the second I read this book over two years ago, I knew it was something special. It was special to me. And as I read the rest of this series over the last two years that was only solidified more. How do you review one of the most important books in your life? That’s a lot of pressure, and that’s why I have been putting it off. But I have to start somewhere, and I want desperately to share the amazing Winternight Trilogy with you. So, here’s hoping I do it justice.

The first book of the Winternight Trilogy is The Bear and the Nightingale. This book is pure magic. Set in medieval Russia, this fantasy fairytale is true brilliance. Adventure epic, coming of age, folklore tale, feminist story, period piece, fantastic tale, and historical novel all in one. This book is truly spectacular.

With the heartbeat of a beautiful fairytale, The Bear and the Nightingale, is darker and more deeply felt. It seems a tale that is amazingly appropriate for our current times. Author Katherine Arden has worked her literary prowess and given us the story of a girl who is different and strong. The story of what happens to her when ignorance and misunderstanding push her away from other people, who then act against their better interests out of fear; a story of the new ways versus the old and magic versus faith. Disguised as a fantasy epic set in medieval Russia, this is a true fable for our times…or all time.

Beyond the genius of her story itself, Katherine Arden, also shows her strength as a writer in her characters. Beginning with the protagonist, Vasya, we are given a young woman who is maturing from childhood to adulthood. From the moment we meet Vasya, she refuses to be anything but herself, refreshing theme for a heroine. Not once over the course of the novel does Vasya doubt herself. Sure, she runs into many obstacles and stumbles along her journey, but through it all she trusts herself what she learns and sees. And yet, her rejection of society’s norms does not cause her to look down on those who find comfort and fulfillment in these. She is unapologetically herself and happy for each person to find this uniquely in themselves.

“All my life…I have been told ‘go’ and ‘come.’ I am told how I will live, and I am told how I must die. I must be a man’s servant and a mare for his pleasure, or I must hide myself behind walls and surrender my flesh to a cold, silent god. I would walk into the jaws of hell itself, if it were a path of my own choosing.”

Even the characters that take the antagonistic roles in The Bear and the Nightingale are sympathetic. Arden does a beautiful job a making these characters heartbreakingly human, making the pain and turmoil they cause all the more real. With clear motivations like fear, shame, and pride, even the opposition is sympathetic. Beyond the heroine and her adversaries, Arden also includes a multitude of other characters, each of whom is as thoughtful and detailed as the first, over the course of the story.

If the characters don’t draw you in, the atmosphere will. Whether you read this on a sunny day outdoors, or a cozy café, Arden’s writing will transport you to the snowy tundra of rural Russia. You’ll hear the wind in the trees and the crackle of the fire. Although, sometimes slow in pace, her specific and thoughtful writing, make the pace worthwhile. The poetic, detailed prose will warp you up it its mythic splendor, and leave you wishing for winter (no matter how much you hate it).

Its not everyday that you stumble upon a book that shoots its was onto your favorites list. Katherine Arden’s The Bear and the Nightingaledid just that for me. Since first discovering it, I have read it several times, and would happily go back and read it again. The magic, humanity, and genuine girl power within these pages is both empowering and soul feeding. Do yourself a favor and read this book, in fact read this whole series. It will stay with you for a very long time.

“The world is wide, and the road will take us anywhere.”

What We Love About the Beer

What beer to pair with one of our favorite books of all time? How to choose? With such an atmospheric book, we wanted this pairing to give you the ultimate experience while you read The Bear and the Nightingale. So, we went with Siberian Night Imperial Stout from Thirsty Dog Brewing Company. This delicious beer felt like the perfect match, both dark and mysterious, Russian and wild.

Siberian Night Imperial Stout is a nice dry, dark, creamy stout with a soft and velvety mouthfeel. Just like the books this beer will keep you warm on a cold, blustery night, or transport you to the Siberian tundra on a normal spring evening. Its roasted notes are paired with caramel, toffee, coffee, and hints of chocolate, as well as a high ABV taste that balances out the flavor. Although not as richly dark as many Russian imperial stouts, this beer definitely has a great style and flavor making it the perfect match for Katherine Arden’s The Bear and the Nightingale.

So, grab Thirsty Dog Brewing’s Siberian Night Imperial Stout, light a candle, and cozy up with this magnificent read. You’re sure to love it. We are not joking when we say this is one of our favorite pairings yet! Get ready for pure magic to shield you from the cold and the dark.

HOW ARE YOU? THANKS FOR STOPPING BY TODAY! LET US KNOW IF YOU TRY THE BEAR AND THE NIGHTINGALE OR SIBERIAN NIGHT IMPERIAL STOUT. WE WOULD LOVE TO KNOW WHAT YOU THINK! HAVE YOU HAD ANY REMARKABLE BEERS LATELY? READ ANY NOTEWORTHY BOOKS? LET US KNOW! WE ARE ALWAYS OPEN TO SUGGESTIONS, OR JUST A QUICK NOTE TO HEAR WHAT YOUR UP TO ON YOUR DAILY ADVENTURE! DON’T FORGET TO FOLLOW US HERE AND ON ALL SOCIAL MEDIA PLATFORMS (FACEBOOK, OUR BLOG, INSTAGRAM, TWITTER) FOR YOUR REGULAR DOSES OR BEER OR BOOK RELATED GOODNESS! THANKS AGAIN FOR STOPPING BY!

CHEERS, ALEXANDRA & CHRIS

#katherine arden #the winternight trilogy #siberian night #fantasy #imperial stout #book blog #Books and beer #beer pairing

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