#what do you build a society with in the after?

[lastoneout]

I keep thinking about all of the disabled activists and people before me who stranded themselves on the 4th floor of buildings for weeks and crawled up stairs and fought with airline staff and schools and doctors and refused to stop existing in the face of injustice and bigotry no matter how big and scary and hopeless it seemed. Every time I get angry and scared the protests that lead to the creation of the ADA pop up again and remind me that disabled people are so much fucking stronger than anyone has ever given us credit for, and I can't help but be proud of that. And I know not all disabled people feel like we should take pride in our disabilities and have flags or whatever, but I think not just living, but thriving, in spite of a world that wants us dead and gone, in the face of both illness and persecution, and how we've not only bought ourselves forward, but uplifted the disabled people around us, secured more equal futures for everyone who will come after, and truly changed the way so many abled people have seen us for the better is something to be damn fucking proud of.

We have always been here and we always will be, there will never be a world without disabled people because being disabled is not bad, it's a natural part of the human experience and yeah it sucks some times but even when it sucks we have fought to build beautiful, unique, happy lives with people, both like us and not, and that should be celebrated.

The first sign of human civilization is the healed femur. The body of the profoundly disabled person who would have needed help to even just eat being carefully laid to rest after decades of a full, happy life. The medicinal plants showing even before we were entirely human we were doing what we could to not just survive, but alleviate suffering while we're at it. Above everything, evolution selected not the baby who can walk and eat and be quiet, but the one that can ask for help.

Disabled people are not just angry cockroach motherfuckers who refuse to die, we are proof of humanity's HUMANITY. Proof that natural selection selected a species that takes care of each other. From healed femurs and medicinal plants to vaccines and IVs and insulin to now, we are driven to help one another, we are at our strongest when we don't leave our most vulnerable behind. And I am living proof of that. My mother is living proof of that. Every disabled and chronically and/or mentally ill person I know is living proof of that.

And I don't know about the rest of you, but will carry that shred of humanity's true nature inside me like it's my fucking soul. I am scared and angry and hurt, but I have a lifetime's experience being scared and angry, and I can shake off the kind of pain that would make Atlas crumble to dust like it's nothing but a stiff fucking breeze. Disabled people have always been here, turning fear and anger and pain into joy and beauty and connection, and I'm not going to let everyone who came before me down. I'm not going to give up. Not now, not ever.

It's okay if you're disabled and you've hit your limit, you're too scared and tired and hurt, I won't blame you. But I won't abandon you, either. I might not be able to right all of the wrongs in the world, but I'll be strong, I'll carry all of you with me, I will not give up.

As I've said before, society hates a cripple who won't die, so we must spite them and live anyway.

Please, live anyway. I know if anyone can, it's us.

[betterbemeta]

I think this is a good point and i want to add onto it. I don't think that humans are 'just wired to need spirituality' even if the above statements are pretty true, more like... our world right now avoids and outright destroys relationships with serious concepts we often use spirituality or philosophy to tackle. They are too scary and make people unwilling to submit to The Grind.

one of these concepts is death.

now I don't know everything. but as an example, almost all reactionary bullshit is absolutely terrified of death politics, because death is a serious thing that requires serious collective decision-making.

Reactionary structures like fascism often scramble to build a grand [non spiritual, power-allocating] mythology that is death-proof. They absolutely don't want to cope with how in a single instant even 'the right kind of person' can become inanimate unthinking hamburger.

The 'reaction' in 'reactionary' is to emancipation, which increases the power of human lives. Reactionaries don't want that, because of what people can choose to do with that power. Which in their eyes is nothing humanist or mutual but the freedom to kill you at will. (I guess the structure of exploitation provides a 'framework of immortality' for its owners by extracting security from its victims?)

Not all death politics are that violent, but death is the point at which a human's expression of power is permanently over.

Yeah this freaks us out. sorry if I did just now. It's just a freaky concept, that the world is really real and keeps being real after your perception of it stops and you're not here with us anymore and that's true for EVERYONE. People who don't like us thinking or coping with that context or making humanistic decisions based on it will have to invent some truly wacky bullshit to supplant a relationship with something mandatory.

And i don't want to say this is all on the shoulders of an individual or that some personal journeys can fix our political situation. But the mass discouragement of healthy engagement with 'spiritual' topics has collective consequences, in my opinion. if you rot without actually developing a radically accepting and compassionate relationship with our shared Scenario as human beings... you're gonna be that much more vulnerable to fearing:

'the end of the world/collapse of society.' ("death, but like Big Version")

'irresistible loss of control.' (all feelings of helplessness become 'life or death')

'the decay of what was once good' (terror of handling the corpse of a prior, secure way of seeing the world)

'what people really are inside.' (fear that because other people ARE ALSO meat, they KNOW you're mortal and therefore can't be trusted NOT to hamburger you)

'it's them vs. us.' (All that matters is that both parties are able to die and one 'must.')

And these are just the ones that have to do with 'death.' There are probably other spiritual or philosophical topic relationships that reactionary politics distorts. but for somebody out there, Game Over doesn't mean someone seeing their skeleton. it means the loss of their wealth which IS something that could outlast human bones.

things we need to address:

gen z men getting pulled into alt-right pipelines through andrew tate, joe rogan, elon musk, jordan peterson etc

the gullibility and stupidity of half the country voting against our collective best interests

the broad effect social media has on public and common good

lazy minds and lack of empathy

outside-country interference (trump and elon’s connections to russia and the amount of bots from other countries spreading misinformation)

the long-term effects of AI and rampant disinformation

[luminalunii97]

tw: suic*de, harassment

An iranian highschool student took her own life after receiving relentless harassment by the school staff over hijab dress code. School system in Iran is as awful as you can imagine. the harassment, the belittlings, the use of misogynistic language to keep girls in line, and the physical and verbal abuse. The principal and management staff in iranian schools are normally students' first bullies.

Things I've personally experienced at school, first hand (happened to me) or second hand (happened to my friends), are: getting slapped (x2), getting your hair pulled violently, getting your uniform ripped, getting suspended for three days because you dared to wear makeup/pluck your eyebrows/dye your hair, getting permanently expelled because you brought a cellphone to school (electronic devices are forbidden at school), getting called a wh*re by school principal because they found a love note from your boyfriend in your bag (the school has the right to check students belongings including looking into their bags and doing body checks to see if they have illegal things on them), and using fear inducing tactics to threaten you into following their backward rules (for example in my highschool they used to force us into watching "educational" videos about girls who got r*ped because they didn't have hijab and talked to boys, or video simulations of what hell looks like for women who don't wear hijab. In both instances, some of my classmates got so sick that they spent the rest of the hours crying, and one of my best friends literally threw up)

These are pretty common experiences for many iranian girls at school. Needless to say, many iranian teen girls hate school, have very low self esteem and a lot of mental health issues. Society is already pretty unsafe and hateful towards woman, school as an extention of the regime is the cherry on cake for us.

Of course the school experience is different from person to person based on the city/region/environment, but the difference is in the degree of how bad it was.

[Tweet made by Iranian journalist and human rights activist, Masih Alinejad, Nov 5, 2024:

Forced Hijab Claims Another Life: 16-Year-Old Arezoo Khavari Takes Her Life After School Harassment Over Dress Code Violations💔

A 16-year-old schoolgirl named #ArezooKhavari tragically took her own life by jumping from a building after being sent back from a school trip for violating the dress code by wearing jeans instead of the prescribed uniform.

Her grieving father revealed that this was not an isolated incident; Arezoo had faced repeated harassment from the school for her attire and her non-compliance with the mandatory hijab policy. Last year school almost refused to enroll her.

Following her death, her father lodged a formal complaint against the school authorities, accusing them of negligence and insensitivity, especially for their failure to offer any condolences or follow up after the incident.

A reliable source told me, that she was threatened with expulsion after the school’s vice principal handed over a video of her dancing without hijab to the principal for disciplinary action.

This case echoes a broader issue in Iran where in 2023, nearly 1,000 schoolgirls were victims of poisoning attacks, believed to be linked to the enforcement of discriminatory hijab laws in gender-segregated schools.

The responsibility for Arezoo’s death falls squarely on the shoulders of the Islamic Regime in Iran. /End of tweet]

#woman life freedom

[crooked-wasteland]

I think what annoys me so much about the way the show blasts Blitzo for being a cold and unromantic partner is that it’s a perfect example of ignoring worldbuilding to make a character look worse.

By human standards, Blitzo abandoning someone when they tell them that they love him is pretty cowardly and understandably upsetting. But in Hell standards? Verosika should’ve fucking known he’d run away because Hell seems to look down heavily at the concept of love. This is like knowing that it’s taboo to kiss and then getting mad at a character for not kissing you. You can’t blame someone for being adjusted to what society expects of you. Verosika can still be hurt but it’s genuinely insane how much she clings on to this hate like he did a crime.

And the fact that we just skip over seeing their relationship is also infuriating because I get the feeling that Viv was both not interested in actually showing us what Verosika was like and also afraid to make her do anything that feels more in line with her character which is act angsty and spiteful

I've had a thought about Verosika. From the we've seen this season, the writers have actually listened to and addressed criticism for the show. The Ghostfuckers leaks show an overhaul of the original story, the fact that episodes got shifted around at the start of the series, the blatant un-writing of the assassination plot, and the fact that Unhappy Campers was the only pre-special episode to not be in the season 2 trailer (most likely because it was still in the early stages of animation due to massive rewrites to incorporate more Millie) are all evidence to this. It's obvious the crew is not happy about it, but they are listening.

With that in mind, the show has repeatedly been accused of extremely sexist writing in favor of the male cast. As such, it's not surprising to see the pivot more towards "humanizing" the female characters in specific. I remember seeing a lot of comments about how they wouldn't forgive the show if they made another female character irredeemably cruel and brainless following The Circus, and even louder after Western Energy.

What fans had wanted was a complicated or even toxic dynamic where both characters weren't perfect, but still held Blitz accountable for his actions, fairly. What they got was the cheapest, laziest writing I've ever seen. Not only does it not make sense in regards to the established world building of Hell's attitude towards love, it still makes no sense for Blitz to run away just because Verosika said she loved him, only to then adopt a child. He explicitly goes to the pound looking for a pup, pivoting to taking in Loona out of pity. It's like saying marriage is too much of a commitment, but still having kids.

Instead, Medrano overcorrected to pander to critics the same way she panders to her fans. Verosika is not an irredeemably cruel and stupid, spiteful woman. She's a perfect victim actually. Not only is her only crime falling in love, but the relationship ended so fast and sudden that she didn't have any time to do anything.

All these choices feel not only deliberate, but resentful in how little care went into the writing. The most drastic overhaul being to Ghostfuckers where the entire narrative trimmed down and immensely reworked already existing elements into the script. It goes to show the level of improvement possible to an idea when given better direction, but it also shows the limitations of not having actual writers on the team.

Ghostfuckers does an amateur's best and comes out generally okay, but still suffers from over reliance on tropes without narrative substance. It's the genuine best that can be done with this team. And unfortunately that's still not good enough.

[bigcats-birds-and-books]

Books of 2024: ARCHANGELS OF FUNK by Andrea Hairston.

Up next! I really enjoyed her MASTER OF POISONS, so she seemed like a good author to head toward after Le Guin (daisychaining my way through one post-apocalyptic community-and-art-oriented society into another).

[rosethyme]

Some excerpts from the article:

1. Trust yourself Trust-building starts with your own self. It includes trusting your own eyes and gut, as well as building protection from the ways the crazy-making can become internalized. 

This also means being trustworthy — not just with information, but with emotions. That way you can acknowledge what you know and admit the parts that are uncertain fears nagging at you. 

2. Find others who you trust Hannah Arendt’s “The Origins of Totalitarianism”explored how destructive ideologies like fascism and autocracy grow. She used the word verlassenheit — often translated as loneliness — as a central ingredient. As she meant it, loneliness isn’t a feeling but a kind of social isolation of the mind. We have to consciously break that distance. In Chile they organized under the guise of affinity groups. This was, as its name suggests, people who shared some connections and trust. Finding just a few people who you trust to regularly act with and touch base with is central.

I’ve written an agenda for such gatherings right after a Trump win that you can use.

All of us will benefit from actively organized nodes to help stabilize us. In a destabilized society, you need people who help ground you.

3. Grieve

No matter what we try to do, there’s going to be a lot of loss. The human thing to do is grieve. (Well, apparently humans are also very good at compartmentalizing, rationalizing, intellectualizing and ignoring — but the damage it does to our body and psyche is pretty well documented.)

If you aren’t a feelings person, let me say it this way: The inability to grieve is a strategic error.

4. Release that which you cannot change

An elder once saw me trying to do everything and pulled me aside. “That’s not a healthy lifelong strategy,” she said. Over the last few months I’ve been testing out a terribly challenging tool. It’s a journaling exercise that invites you to reflect on which issues you’ll spend energy on. It asks: what are issues you’ll throw down on, do a lot for, a little for, or — despite caring about it — do nothing at all for? That last question can feel like a kind of torture for many activists, even while we’re intellectually aware that we cannot stop it all.

5. Find your path

One pathway is called “Protecting People.” These are folks surviving and protecting our own — especially those of us directly targeted, such as trans people, folks choosing abortions and immigrants. Another pathway is “Defending Civic Institutions.” This group may or may not be conscious that current institutions don’t serve us all, but they are united in understanding that Trump wants them to crumble so he can exert greater control over our lives. Each bureaucracy will put up its own fight to defend itself.

Then there’s a critical third pathway: “Disrupt and Disobey.”This goes beyond protesting for better policies and into the territory of people intervening to stop bad policies or showing resistance.

Lastly, there’s a key fourth role: “Building Alternatives.”We can’t just be stuck reacting and stopping the bad. We have to have a vision. This is the slow growth work of building alternative ways that are more democratic.

6. Do not obey in advance, do not self-censor

I’m not coaching to never self-protect. You can decide when to speak your mind. But it is a phenomenally slippery slope here we have to observe and combat. 

Timothy Snyder has written a helpful book called “On Tyranny” — and turned it into a video series. He cites ceding power as the first problem to tackle, writing: “Most of the power of authoritarianism is freely given. In times like these, individuals think ahead about what a more repressive government will want, and then offer themselves without being asked. A citizen who adapts in this way is teaching power what it can do.”

7. Reorient your political map

The bellicose, blasphemous language of Trump will meet the practical reality of governing. When you’re out of power, it’s easy to unify — but their coalition’s cracks will quickly emerge. We have to stay sharp for opportunities to cleave off support.

How we position ourselves matters: Are we interested in engaging with people unhappy with the regime — whether because they love the current institutions or are unhappy with Trump’s policies on them? Are we able to tell a story that explains how we got here — and do political education? Or are we only interested in maintaining ideological purity and preaching to our own choir?

8. Get real about power

It will be helpful to have a power analysis in our minds, specifically that’s known as the upside-down triangle. This tool was built to explain how power moves even under dictatorships. 

The upside down triangle. (What If Trump Wins/Elizabeth Beier)

The central tenet is that like an upside-down triangle, power can be unstable. It naturally topples over without anything supporting it. To prevent that, power relies on pillars of support to keep it upright.

Removing one pillar of support can often gain major, life-saving concessions. In response to Trump’s 2019 government shutdown, flight attendants prepared a national strike. Such a strike would ground planes across the country and a key transportation network. Within hours of announcing they were “mobilizing immediately” for a strike, Trump capitulated.

9. Handle fear, make violence rebound

Handling fear isn’t about suppressing it — but it is about constantly redirecting. One activist described to me two motions in the universe: shrinking or expansion. When Donald Trump directs the Justice Department to use sedition charges against protesters or arrest his political enemies like Jamie Raskin or Liz Cheney, what’s our response?

Activist/intellectual Hardy Merriman released a studied response about political violence that had some news that surprised me. The first was that physical political violence hasn’t grown dramatically in this country — it still remains relatively rare. The threats of violence, however, trend upwards, such as this CNN report: “Politically motivated threats to public officials increased 178 percent during Trump’s presidency,” primarily from the right.

His conclusion wasn’t that political violence isn’t going to grow. Quite the opposite. But he noted that a key component to political violence is to intimidate and tell a story that they are the true victims. Making political violence rebound requires refusing to be intimidated and resisting those threats so they can backfire. (Training on this backfire technique is available from the HOPE-PV guide.)

10. Envision a positive future

I don’t feel certain, and I’m not predicting we win. But we’ve all now imagined storylines about how bad it might get. We would do ourselves a service to spend an equal measure of time envisioning how we might advance our cause in these conditions. As writer Walidah Imarisha says, “The goal of visionary fiction is to change the world.”

Spend some time envisioning how we might advance our cause. (What If Trump Wins/Elizabeth Beier)

Grieve AND organize.

Good article by David Hunter on how to survive the Trump presidency, both on the personal and on the political plane.

[mantisgodsdomain]

We ought to write more Pokemon fic some time. We want to recreate the Pokemon Manners/Human Manners cheat sheet that we made a few years ago we think that this site would like the Sliding Scale Of Politeness When Greeting A New Pokemon You've Never Met Before.

[mstopportunity]

Very frustrating: An otherwise good fic grossly misunderstands the canon motivation of the character it's trying to fix.

[mcmansionhell]

the motel room, or: on datedness

I.

Often I find myself nostalgic for things that haven't disappeared yet. This feeling is enhanced by the strange conviction that once I stop looking at these things, I will never see them again, that I am living in the last moment of looking. This is sense is strongest for me in the interiors of buildings perhaps because, like items of clothing, they are of a fashionable nature, in other words, more impermanent than they probably should be.

As I get older, to stumble on something truly dated, once a drag, is now a gift. After over a decade of real estate aggregation and the havoc it's wreaked on how we as a society perceive and decorate houses, if you're going to Zillow to search for the dated (which used to be like shooting fish in a barrel), you'll be searching aimlessly, for hours, to increasingly no avail, even with all the filters engaged. (The only way to get around this is locational knowledge of datedness gleaned from the real world.) If you try to find images of the dated elsewhere on the internet, you will find that the search is not intuitive. In this day and age, you cannot simply Google "80s hotel room" anymore, what with the disintegration of the search engine ecosystem and the AI generated nonsense and the algorithmic preference for something popular (the same specific images collected over and over again on social media), recent, and usually a derivative of the original search query (in this case, finding material along the lines of r/nostalgia or the Backrooms.)

To find what one is looking for online, one must game the search engine with filters that only show content predating 2021, or, even better, use existing resources (or those previously discovered) both online and in print. In the physical world of interiors, to find what one is looking for one must also now lurk around obscure places, and often outside the realm of the domestic which is so beholden to and cursed by the churn of fashion and the logic of speculation. Our open world is rapidly closing, while, paradoxically, remaining ostensibly open. It's true, I can open Zillow. I can still search. In the curated, aggregated realm, it is becoming harder and harder to find, and ultimately, to look.

But what if, despite all these changes, datedness was never really searchable? This is a strange symmetry, one could say an obscurity, between interiors and online. It is perhaps unintentional, and it lurks in the places where searching doesn't work, one because no one is searching there, or two, because an aesthetic, for all our cataloguing, curation, aggregation, hoarding, is not inherently indexable and even if it was, there are vasts swaths of the internet and the world that are not categorized via certain - or any - parameters. The internet curator's job is to find them and aggregate them, but it becomes harder and harder to do. They can only be stumbled upon or known in an outside, offline, historical or situational way. If to index, to aggregate, is, or at least was for the last 30 years, to profit (whether monetarily or in likes), then to be dated, in many respects, is the aesthetic manifestation of barely breaking even. Of not starting, preserving, or reinventing but just doing a job.

We see this online as well. While the old-web Geocities look and later Blingee MySpace-era swag have become aestheticized and fetishized, a kind of naive art for a naive time, a great many old websites have not received the same treatment. These are no less naive but they are harder to repackage or commodify because they are simple and boring. They are not "core" enough.

As with interiors, web datedness can be found in part or as a whole. For example, sites like Imgur or Reddit are not in and of themselves dated but they are full of remnants, of 15-year old posts and their "you, sir, have won the internet" vernacular that certainly are. Other websites are dated because they were made a long time ago by and for a clientele that doesn't have a need or the skill to update (we see this often with Web 2.0 e-commerce sites that figured out how to do a basic mobile page and reckoned it was enough). The next language of datedness, like the all-white landlord-special interior, is the default, clean Squarespace restaurant page, a landing space that's the digital equivalent of a flyer, rarely gleaned unless someone needs a menu, has a food allergy or if information about the place is not available immediately from Google Maps. I say this only to maintain that there is a continuity in practices between the on- and off-line world beyond what we would immediately assume, and that we cannot blame everything on algorithms.

But now you may ask, what is, exactly, datedness? Having spent two days in a distinctly dated hotel room, I've decided to sit in utter boredom with the numinous past and try and pin it down.

II.

I am in an obscure place. I am in Saint-Georges, Quebec, Canada, on assignment. I am staying at a specific motel, the Voyageur. By my estimation the hotel was originally built in the late seventies and I'd be shocked if it was older than 1989. The hotel exterior was remodeled sometime in the 2000s with EIFS cladding and beige paint. Above is a picture of my room, which, forgive me, is in the process of being inhabited. American (and to a lesser extent Canadian) hotel rooms are some of the most churned through, renovated spaces in the world, and it's pretty rare, unless you're staying in either very small towns or are forced by economic necessity to stay at real holes in the wall, to find ones from this era. The last real hitter for me was a 90s Day's Inn in the meme-famous Breezewood, PA during the pandemic.

At first my reaction to seeing the room was cautionary. It was the last room in town, and certainly compared to other options, probably not the world's first choice. However, after staying in real, genuine European shitholes covering professional cycling I've become a class-A connoisseur of bad rooms. This one was definitively three stars. A mutter of "okay time to do a quick look through." But upon further inspection (post-bedbug paranoia) I came to the realization that maybe the always-new brainrot I'd been so critical of had seeped a teeny bit into my own subconscious and here I was snubbing my nose at a blessing in disguise. The room is not a bad room, nor is it unclean. It's just old. It's dated. We are sentimental about interiors like this now because they are disappearing, but they are for my parents what 2005 beige-core is for me and what 2010s greige will become for the generation after. When I'm writing about datedness, I'm writing in general using a previous era's examples because datedness, by its very nature, is a transitional status. Its end state is the mixed emotion of seeing things for what they are yet still appreciating them, expressed here.

Datedness is the period between vintage and contemporary. It is the sentiment between quotidian and subpar. It is uncurated and preserved only by way of inertia, not initiative. It gives us a specific feeling we don't necessarily like, one that is deliberately evoked in the media subcultures surrounding so-called "liminal" spaces: the fuguelike feeling of being spatially trapped in a time while our real time is passing. Datedness in the real world is not a curated experience, it is only what was. It is different from nostalgia because it is not deliberately remembered, yearned for or attached to sweetness. Instead, it is somehow annoying. It is like stumbling into the world of adults as a child, but now you're the adult and the child in you is disappointed. (The real child-you forgot a dull hotel room the moment something more interesting came along.) An image of my father puts his car keys on the table, looks around and says, "It'll do." We have an intolerance for datedness because it is the realization of what sufficed. Sufficiency in many ways implies lack.

However, for all its datedness, many, if not all, of the things in this room will never be seen again if the room is renovated. They will become unpurchaseable and extinct. Things like the bizarrely-patterned linoleum tile in the shower, the hose connecting to the specific faucet of the once-luxurious (or at least middling) jacuzzi tub whose jets haven't been exercised since the fall of the Berlin Wall. The wide berth of the tank on the toilet. There is nothing, really, worth saving about these things. Even the most sentimental among us wouldn't dare argue that the items and finishes in this room are particularly important from a design or historical standpoint. Not everything old has a patina. They're too cheaply made to salvage. Plastic tile. Bowed plywood. The image-artifacts of these rooms, gussied up for Booking dot com, will also, inevitably disappear, relegated to the dustheap of web caches and comments that say "it was ok kinda expensive but close to twon (sic)." You wouldn't be able to find them anyway unless you were looking for a room.

One does, of course, recognize a little bit of design in what's here. Signifiers of an era. The wood-veneer of the late 70s giving way to the pastel overtones of the 80s. Perhaps even a slow 90s. The all-in-one vanity floating above the floor, a modernist basement bathroom hallmark. White walls as a sign of cleanliness. Gestures, in the curved lines of the nightstands, towards postmodernity. Metallic lamp bases with wide-brimmed shades, a whisper of glamor. A kind of scalloped aura to the club chairs. The color teal mediated through hundreds if not thousands of shoes. Yellowing plastic, including the strips of "molding" that visually tie floor to wall. These are remnants (or are they intuitions?) of so many movements and micromovements, none of them definite enough to point to the influence of a single designer, hell, even of a single decade, just strands of past-ness accumulated into one thread, which is cheapness. Continuity exists in the materials only because everything was purchased as a set from a wholesale catalog.

In some way a hotel is supposed to be placeless. Anonymous. Everything tries to be that way now, even houses. Perhaps because we don't like the way we spy on ourselves and lease our images out to the world so we crave the specificity of hotel anonymity, of someplace we move through on our way to bigger, better or at least different things. The hotel was designed to be frictionless but because it is in a little town, it sees little use and because it sees little use, there are elements that can last far longer than they were intended and which inadvertently cause friction. (The janky door unlocks with a key. The shower hose keeps coming out of the faucet. It's deeply annoying.)

Lack of wear and lack of funds only keep them that way. Not even the paper goods of the eighties have been exhausted yet. Datedness is not a choice but an inevitability. Because it is not a choice, it is not advertised except in a utilitarian sense. It is kept subtle on the hotel websites, out of shame. Because it does not subscribe to an advertiser's economy of the now, of the curated type rather than the "here is my service" type, it disappears into the folds of the earth and cannot be searched for in the way "design" can. It can only be discovered by accident.

When I look at all of these objects and things, I do so knowing I will never see them again, at least not all here together like this, as a cohesive whole assembled for a specific purpose. I don't think I'll ever have reason to come back to this town or this place, which has given me an unexpected experience of being peevish in my father's time. Whenever I end up in a place like this, where all is as it was, I get the sense that it will take a very long time for others to experience this sensation again with the things my generation has made. The machinations of fashion work rapaciously to make sure that nothing is ever old, not people, not rooms, not items, not furniture, not fabrics, not even design, that old matron who loves to wax poetic about futurity and timelessness. The plastic-veneered particleboard used here is now the bedrock of countless landfills. Eventually it will become the chemical-laced soil upon which we build our condos. It is possible that we are standing now at the very last frontier of our prior datedness. The next one has not yet elided. It's a special place. Spend a night. Take pictures.

If you like this post and want more like it, support McMansion Hell on Patreon for as little as $1/month for access to great bonus content including a discord server, extra posts, and livestreams.

Not into recurring payments? Try the tip jar! Student loans just started back up!

[evangelifloss]

Thinking about a certain scene in Dungeon Meshi that completely encapsulates the Autistic experience of making friends as an adult and how hard it is to try and navigate it without ending up getting hurt.

Like IDK about y'all, but this is a common problem ALOT of Autistic Adults face when trying to make friends with other people, because unlike children who aren't good at keeping their opinions to themselves, Adults ARE. In society, we're even encouraged to "keep the peace" "be polite" and etc, which commonly leads to awful scenarios as shown above when Laois finds out his buddy has come to resent who Laois is without actually telling him. All too often the friends that we love to hang out with, people that we're so happy to spend time with, don't feel the same way and in many cases, come to blame us for our social cues or lack thereof.

And when/if we do eventually find out how our friend feels, Dungeon Meshi hits us with another painful panel of how that usually ends up playing out.

It's hard for Adults with Autism to make friends, and even harder to maintain them because alot of the ways Neurotypicals tell other Neurotypicals that they don't like a certain behavior is by quietly disengaging. Whether that involves having one sentence answers, going quiet, or having a certain tone in their voice, all those things signal annoyance or disapproval, but for the Neurodivergents, those subtle cues are completely missed.

And yet when we inevitably discover we DID do something, it is natural to ask "well why didn't you tell me?" because in our minds, it should've been the next step in the equation. However for the Neurotypicals, that's NOT something to bring up. Its important to be SUBTLE about the issue at hand and rely on signals to tell the other person. Blame is placed on us for not noticing the "obvious" signs of disapproval rather than the idea of talking it out as such things are uncomfortable and harder to do. Alot of the time what ends up happening is resentment due to the idea that it was "obvious" and the fact one didn't notice indicates a deliberate ignorance rather than a complete unawareness. It ends up calling into question our quality as a person and our sincerity. We get called "fake" or "malicious" or even "stupid" for failing social cues rather than questioning the decision to be indirect and vague.

For a manga about exploring the dungeon, it seems that the artist would rather explore very real and prevalent dynamics in society with the adventuring premise as a backdrop. I felt VERY seen in these panels, and many others, because it happens so suddenly and dare I say it, plainly. There's no dramatic build-up or spectacle made and in essence, it just Happens.

I think that's what makes the scene hit even harder. It seemingly comes out of nowhere for Laois, like how it always comes out of nowhere for alot of people, and it's never a dramatic twist either. It's always mundane and hurtful. A sudden unforeseen bump in the road that ends up calling into question one's entire friendship with someone and consequent other friendships. It asks "what if other friends feel the same. What if the people that I really like actually hate me and I don't know it?" Or at least that's what I came away with after reading the chapter. I've been where Laois was and the only reason I'm not there now is because I lost the naivete I had and doubt everyone else's sincerity.

[dabisqueen]

Pornstar!Dabi (Touya Todoroki) x female reader

⇢ word count: roughly 7K

⇢ plot: as a broke student, you sign up for an assistant job at a movie set. It turns out the job is more than you bargained for.

⇢ warnings: 18+, minors DNI, swearing, size kink, pierced big-cock Touya, fingering, cunnilingus (f receiving), multiple orgasms, loss of virginity, overstimulation, exhibitionism (sex in front of other people (movie set)), creampie, sweet aftercare

⇢ personal note: thank you @/blankexpressions-and-falsefires for bring my beta again! As for what you're all about to read – I have no regrets. Virgin kink goes brrr

"College has always been so crucial, such an essential part of what measures a person’s worth and determines their future."

They say college life is quite challenging. That it can help you come to realize your potential, that you learn more about yourself while in it. That the challenges you experience in university help you grow into a mature person in society.

You have several challenges to face. There's the problem that you focus entirely too much on your studies. In some ways, it’s to secure your future and to compensate for your lack of private life. In other ways, it makes you, because of inexperience, too naive for your own good. Or, as your friends have called it: too innocent. You've never had anyone touch you, never been with anyone in that way. Thus, you never get the hint when someone hits on you or finds you attractive. You have excellent grades – but unlike many of your peers, you’re still a virgin. 

Another challenge you are facing is that you aren't wealthy. One semester into your studies, you are closer to the end than you expected. Leaving your landlord's buro, you take a few steps before coming to a halt and close your eyes as if to gain some semblance of composure. You're broke and desperately need money to cover your rent and living expenses. The bank isn't going to give you another loan, and you find yourself on the verge of having to leave college without a family to support your education.

They say you have to fail first to be successful in the future. But you are beyond failing – you are simply screwed. 

You are very aware of your financial predicament. And you loathe having to live day to day on just pennies. To put it short—you are sick of being a broke-ass, loser virgin.

You sigh. 

Giving up is not a choice. So you do the next best thing: grab life by the horns and start looking for a job. Searching under your bed, clothing pockets, and between couch cushions, you scrounge up enough money to get a local newspaper. In its classified ads, only a few offers deem themselves feasible with your busy school schedule: a late-night shift at a local diner, pizza delivery, or a job doing telemarketing. None of those sound too appealing, but there might not be a choice. Then, your gaze stops at an offer that sounds too good. A movie company is looking for a production assistant on a film set; you don't need prior experience, work hours are during the weekends, and pay is double what the other jobs offer.

You don’t think before hastily grabbing your phone, punching in the number, and waiting while the dial tone rings.

After a distinct click over the other line, a man hisses, "Shimura?"

"Uhm, hi. I- I am calling about the assistant job offer. I was wondering—"

"You're hired. Tomorrow at 5 pm," the man at the other end interrupts in an annoyed tone.

He rattles off the address as you fumble around for a pen, hastily writing it down when you find it.

Before you can reply, he finishes with Don't be late and hangs up unceremoniously.

You exhale, realizing you’ve been holding your breath since he started speaking.

What the hell just happened? 

***

The path to the location is littered with brown leaves, and you struggle to keep from slipping as you walk toward the building. The address given to you is an old warehouse on the edge of town. Its monotonous, featureless walls covered in graffiti make it feel abandoned. There are no visible signs that anything is happening inside at all.

As you walk across the parking lot, you start to see small indications of life: fancy cars—far too fancy for this area- and sensual music permeating through the corrugated steel walls. 

You weren’t sure how to dress for a job you knew nothing about, so you opted for blue jeans, a white blouse, and pointy shoes with heels. Your hair is tied into a neat ponytail, and simple smokey eyes complete the look. 

You aim for a large steel door that the cars are all parked close to. As you lift your head, you take in the old brick building you are standing in front of, lined with large casement metal windows. 

There is a single doorbell, no name on it, and you hesitate before inhaling and pressing it with the tip of your finger.

You hear a clicking sound, and then the heavy door swings inwards. 

Alright, here goes nothing.

***

The set is surprisingly professional—like a luxurious bedroom sliced in half. A row of chairs faces the set on a concrete floor behind multiple cameras and some sound equipment, with the crew standing around talking.

The producer, Tenko, as he introduces himself to you–with tufts of pale hair and seemingly chronic dry lips in dire need of some chapstick – explains that your job will consist of helping around the set, distributing beverages, and handing out the script. Simple work you could do. After introducing you to the crew, he hands you a stack of papers, instructing you to pass them out.

Then you see her—the actress. She is gorgeous, dressed in an ivory-colored silk robe. Her hair is the color of the sun. Her skin is flawless and tanned, and her body is perfect- although almost definitely sculpted by a professional surgeon.

"Where the fuck is he?" You hear Tenko grumble, pulling a phone from his pocket, thumb tapping against the screen.

A flurry of activity breaks your concentration. A door flies open, and a man strides through—the leading actor, you gather, from how everyone else suddenly perks up.

"Fucking finally," the pale-haired director groans, tucking his cell back into the pocket of his jacket.

The man's hair is coal-colored, falling in messy strands into his face. His eyes remind you of the bright ocean, almost glowing in the dim light of the set. His sharp lips pull into a wide grin, his canines peeking out. He is casually dressed, wearing a pair of dark, ripped jeans and a white t-shirt, allowing you to notice just how well-toned his arms are. He is handsome, with delicate yet masculine features and sharp angles set in his face. His eyes are heavy-lidded, and his thin lips form a troublesome grin when his eyes meet yours. 

Shit. 

He holds your gaze before dragging his sinfully blue eyes over your figure and looking away again. Your heart skips a beat because even in the low light, you can see that the actor is incredibly hot. Totally your type. You can't help but stare at him, watching how he moves, the way his muscles ripple under the thin fabric of his shirt, the way his thighs bulge in his tight pants. 

Speaking of bulge. 

It's the biggest one you've ever seen, and the sight of it sends a pang straight to your core. Your cheeks heat up automatically. 

Stop it!

You curse inwardly a few times for thinking lewd thoughts on a professional movie set.

But—you can't help it. He just looks too handsome. It stirs something inside of you you've never felt before. You sigh, knowing that this man has already made his way into your dreams, but in the end, they’ll stay just that— dreams. 

Someone like him would never want to lay a hand on you.

As he approaches the stage, the man stops dead in his tracks, staring at the actress with a bored expression. 

“Not her again.” You hear him groan.

The actress snaps her head around, a stunned expression on her face. “Pardon me?”

"The script calls for an innocent girl." The actor deadpans. "No one's gonna believe that with you in the female role."

The actress jumps to her feet. “How dare you talk about me like that!”

Tenko hisses, “Didn't you read the script? You would have known you film with her today, Touya—"

“I told you not to use my real name on set,” he says with a blase, somewhat impatient gaze.

“And I told you not to let out your frustration on the set, Dabi.” The director retorts.

“Frustration caused by your actions.” Dabi deadpans.

You hold your breath as your eyes dart from the director to Dabi and back to the actress. The rest of the crew acts like this is an everyday commotion on the set. 

“This is not a request— I'm not doing the scene with her, " Dabi says, crossing his arms in front of his chest.

The actress jumps from her chair, visibly outraged, as her cheeks flare red with anger. “You're such a dick!”

“Yeah, you're right. But I’m the best dick in the industry.” He turns around, a sardonic finality in his tone.

You stare at the scene before you, the forgotten papers clutched tightly to your chest. The blonde woman stares at the dark-haired man, infuriated. 

“So, it's either me—or her.” Dabi addresses Tenko, who isn't even trying to de-escalate the situation. “That's my final say.”

“I can't believe you're doing this to me!" The woman wails exaggeratedly.

"Sweetheart, we need someone who conveys innocence. Not some chick as fake-looking as you," Dabi purrs with false care. “Go carry your plastic off the stage already.”

Tenko scratches his neck in annoyance. He watches as the actress slings an array of profanities at Dabi before storming off with quick strides toward the door, slamming it shut behind her.

The dark-haired man stands at ease, reaching into his pants pocket to retrieve a cigarette, lighting it, and taking a deep drag. “Thank god she's gone. What were you thinking, Tenko?”

“Dabi, she's the most requested—” 

“I don't give a fuck.” he runs a free hand through his dark bangs. “She sucks.”

You listen to them bicker, getting more confused by the second. 

“So—what do you expect me to do now?” Tenko's scratching increases as he starts pacing up and down the set. “Production costs will double if we cut and pick things up on a different day. Not to mention the cost of finding a new replacement.”

He jumps off his chair, pacing around the set. Then he grumbles, “We’ll take a ten-minute break. I need to come up with a solution or else—”

“We need someone Pretty, no makeup, normal clothes.” Dabi suggests, "That won't be too expensive. Someone who looks undefiled, innocent.” Dabi's gaze wanders across the room. “Like a student or something.”

Then he sees you, and a smirk tugs at his lips. His stunning sapphire eyes look you up and down. You swallow hard, your shaking hands almost crumpling the papers in their tight grip.

"Like her." Teal eyes narrow as they focus on you. 

You blink back at him dumbly, the room around you completely silent.

"Me?" You answer, his words catching you off guard.

"Yep. You." Dabi's smirk returns, a playfulness in his eyes. 

The director stares at you with the same baffled expression written on your face. "Her?"

"Yep. Her." His grin widens.

"B-But, I can't!" You counter. " I'm a simple student, not an actress—"

"That's exactly what we need." The twinkle in his eyes is still there, "And you have a pussy, don't you?"

"Yes, I—” You catch yourself, your cheeks flaring hot. “W- What does that even have to do with this movie?"

Suddenly, the room goes alive with murmurs and whispers.

Dabi quirks a brow. "You're telling me you don't know?"

"Don't know what?" You helplessly look around.

The dark-haired man turns to his director, "You didn't tell her?!"

Tenko mumbles something about how you would have found out eventually. 

Dabi steps toward you and crosses his arms in front of his chest. "Doll, this is an adult film set."

"A what?" You dumbly blink at him.

"An adult film set. You know, where people fuck." He leans forward, deep azures sparkling salaciously. "You know how fucking works, don't you?"

"Yes, I mean—in theory?" A heat washes over your face and flushes down your entire body.

"Yes or no. What is it?" Dabi asks teasingly, raising an eyebrow.

The heat in your face has reached the tip of your ears as you stammer. "It's none of your business."

He steps even closer. "C’mon, sweetheart, tell us."

He smirks, eyes narrowing as he leans closer. He looks at your lips, then back at your eyes. You can smell him with how close he is leaning in. His deep, masculine scent surrounds you, sending a jolt of heat straight through your core. Even though your mind wants to scream at him, to tell him off, you hear a timid voice whisper, "I’ve used my fingers? Maybe some toys?"

It is your voice.

"You're telling me you've never done it with another person?" This time, it is Dabi’s turn to sound baffled as he leans back, taking you in. "That you're a virgin."

"I-I…" You stammer, swallowing dryly.

Looking over his shoulders, he calls over to his director, "It'll break records if we film this. You're aware of that, right?"

"I am." Tenko snaps, scratching at his neck irritably, "You don't need to tell me."

"Ok, then it's a deal.” He nods towards you. “I want her—or I'm leaving."

"You little piece of—" Tenko growls. "That's extortion."

"You won't regret it," Dabi says, shrugging nonchalantly.

"Shouldn’t I have a say on this too?" You ask, but both men ignore your words.

"Ok, it's a deal," Tenko murmurs. "How much do we pay her?"

Dabi turns his gaze back to you. "You need money, right? Or else you wouldn't be here.”

"That’s none of your business."

"C'mon, sweetheart, This is your chance."

“Yes, I mean… " a sound of annoyance bubbles up your throat. "I can't afford my rent anymore, and my landlord will kick me out if I don't pay up soon."

“I sense an opportunity here," Dabi smirks. "Tenko, how much will you pay her if she agrees to do this with me?"

"How much do you want?" Tenko asks you.

“I-I don't know. I've never thought about it." You shyly add.

"Pay her rent plus an allowance," Dabi suggests. "Tenko, you know she's worth it."

"That’s too m—" You swallow hard.

Tenko mumbles disgruntledly: "OK, I'll do it.” 

“You what?" His words leave you stunned.

Dabi interrupts quickly. "What he's saying, sweetheart, is that he'll pay for your rent - if you let me fuck you.”

His lewd words and the deep blue pools of his stunning eyes send a flutter through your stomach. 

“In front of all these people?!" 

“That's what porn is all about, doll.” Dabi chuckles, studying your reaction.

You swallow hard.

"So? What's it gonna be?" He cocks his head, waiting. 

You have always prioritized safety, so common sense tells you to stick to your usual way of life. However, look where common sense has led you: You're almost broke and may need to drop out of college. 

This could be a bad decision. But, it's time to throw safety to the sea.

"OK, I'll do it," you proclaim, and a round of applause and cheers erupt on the set while Dabi nods appreciatively.

“Congratulations, you're hired. Now, get ready before I change my mind.” Tenko waves a hand. “We still have a movie to film here.”

Your heart starts to race, a crushing weight bearing down on your chest. But you know that you have no choice. It's either a free porn loan—or being a forced college dropout. Taking a deep breath, you ball your hands into fists, trying to ignore the signs of panic your body is giving you.

"Okay, everyone, resume positions. And hand her the script.” Tenko moves to his chair, sitting down in it. “Let's do the first take." 

"Hold on," Dabi says. "Why not do it a bit differently this time? No script, no acting— just raw footage. The whole thing.”

“You mean a one-shot film?” Tenko looks surprised. “I suppose that would work. Especially with a new actress.”

“Are you okay with that, doll?” Dabi smiles at you, and there's a warmth in his voice that wasn't there before.

“Do I have a choice?” you sigh.

“Not really.” He winks.

"Are you two lovebirds done flirting over there? " Tenko asks, " Because we're ready to film.”

“We weren't flir—” you protest, but Dabi bridges the distance between you.

"So, sweetheart?" He leans in, his face hovering close, sharing a breath with you. "How are you feeling about being fucked on camera?"

“Nervous.” you bite your lips, your face starting to burn.

"Doll, don't be; just focus on me," he soothes, stroking your cheek. “Forget about everyone else; I'll take care of you.”

He takes your hand and pulls you towards the bedroom set.

“Quiet!” Tenko raises a hand, and complete silence falls over the set as the crew prepares to film you both. 

Tenko calls out a set of commands, which different crew members around the room answer.

“Sound?”

“Set.”

“Camera?”

“Set.”

“Roll sound.”

“Sound rolling.”

“Roll camera.” 

“Camera Speed.” 

“Marker.”

A man with a clapper board enters the scene and calls, "Scene one. Take—uhm— whatever." 

Dabi nods, and that is the cue. The lights dim, and the cameras vanish into the darkness; only the red lights betray their existence. 

You glance around, your stomach in knots, as you realize that this is no game, that this is it. The only thing visibly lit was the bed standing a few feet away. The crew's faces are barely visible as everyone watches you, the man behind the camera tilting it, filming you from bottom to top.

“Hey baby, you alright?” You hear Dabi's voice.

“N-No, not really.” You stammer, your hands trembling, your breathing picking up, as your eyes frantically dart around the dark set. “I don't know if I can do this.”

“Sweetheart, look at me.” You feel a finger hook under your chin when Dabi tilts your head to meet his gaze. It's intense, the turquoise of his irises gleaming almost unnaturally. 

You feel your heart sink into your stomach as his thumb caresses your skin. When he closes the already minimal distance between you, your eyes flutter close in reflex. His lips are sensually warm and addicting against your cheek, and your heart starts thrashing wildly inside your chest in response. Something changes between you, an intimacy blooming as the voices of the people mute.

It's all you need to distract your mind, to make your body heat up. Not with anxiety—

—but in anticipation. 

“Are you ready to give me your virginity?” His low voice rumbles close to your ear.

You nod, like in a haze, every caress of his lips causes your skin to tingle, to burn with passion. He shifts, and you feel him faintly brush your lips, and a zap of electricity courses through your veins. Then, your lips are united in his first tentative kiss. They are so soft, and the way he kisses you is so delicate, almost tender— deliberately slow.

You relax, giving in to how wonderful this feels. His tongue slowly traces the shape of your lips, and you feel your brain short-circuiting. Angling your head to the side, you part your lips, begging him to enter. Dabi reacts instantly, his tongue slipping your mouth, delving deeper, tasting you, consuming you.

You groan—how could a man taste so good?

It makes your knees buckle, and you start panting into his mouth, your instincts taking over, your body reacting to his touch. A desire, a passion, awakens like a wild animal roaring, and you feel a wave of arousal pool in your panties. You can't help it, and you slide your hand underneath his shirt, your other hand circling his neck. You can feel him smirking into the kiss, but the sound carries off into a groan when you rake your nails down the small of his back. 

As he breaks away, a warmth lingers between you and him while he admires your wet, pink, swollen lips, "A little eager for your first time, huh?"

The kiss leaves you dizzy, and you can't seem to form an answer, too stricken by his closeness and intoxicating scent.

The moment passes, and then his lips smash against yours so fast you don't even have time to react. He presses his hips against yours, his clothed hardness grazing against your heat, letting you feel just how hard you’ve made him.

Holy shit.

He's not gentle anymore; he's rough and demanding now. He is taking you, enjoying the shaky gasps that leave your lips. Dabi’s hands trail down your side to find your ass cheeks. He lifts you by the thighs onto his waist skillfully, never breaking the kiss. Carrying you easily toward the bed he releases his hold and you topple onto it, panting heavily.

The lights around you heat the air, and you notice one camera panning across the set while the other tracks toward you on a dolly. Just as your heart starts picking up an anxious speed again, you see a movement to the side. Dabi yanks his shirt above his head, the muscles in his stomach flexing with every movement.

The second the fabric touches the floor, he's on you with his lips pressed to yours and his tongue in your mouth. You feel yourself getting lost in the moment of passion and all you can see is him. Your stomach somersaults and the world around you ceases to exist; it is just you and him— the people around you and the cameras wholly forgotten. The world, right now, only revolves around the two of you.

“You taste so fucking good,” he breathes into your mouth, hazy eyes glowing with arousal. "How do you taste so fucking good?”

You feel his hand sneak underneath your shirt to slowly pull it off over your head. Next, he skillfully removes the rest of your clothes off until you are lying below him, sex and breasts cupped by delicate cotton underwear. 

“Look at that,” he muses. “So innocent.”

Sliding his hand behind your back, he unhooks the bra with an expert pinch of his fingers. Your breasts spill out as he slides the straps off your shoulders, tossing it aside. Then his gaze lingers on your soft, round tits.

“Damn,” he cups them and squeezes them gently, “Where have you been hiding, girl? You're perfect.”

He slides his fingers over your nipples and a low moan tears from your throat. Dabi lets out a low rumble as his hands continue to work your breasts, rubbing and plucking at your stiffening nipples. There’s a deep throb low in your body, pulsing between your thighs, and you're startled at the way you’re reacting. You are so turned on—his touch only adds to your body’s cravings, and as his large palms glide over your breasts; it pulls the breath from your lungs as it simultaneously fuels your desire. His thumbs drag over your nipples again, rolling it between his fingers before leaning down to lick at your pebbled nub. He makes you feel breathless with excitement the more he focuses on toying with your breasts, rolling the tips back and forth between his thumb and forefinger. 

It makes you crazy with need until you're aching, shivering throughout your entire body. You're gasping for breath the entire time Dabi has his lips wrapped around your erect nub, sucking it to send a tingling sensation straight through to your core. Then he's biting just hard enough to make you squeal before soothing the puckered nub with a flick of his tongue.

“You’ve got the most amazing tits,’ Dabi murmurs against your skin. “So soft and full. So natural.”

While he switches from pliant nipple to pliant nipple, you feel a stray hand hook its fingers under the seams of your panties. He releases your nipple with a pop and peppers kisses down to your tummy while he adeptly pulls the little piece of fabric down and off your legs. You're now utterly naked below him while Dabi continues revering your body with wet kisses and nibbles, moving downward until you feel his warm breath on your pubic mound. He spreads your trembling legs, his eyes glazing over your pussy, pupils expanding and then retracting into pin slits.

"Look at that pretty pussy." His breath is hot against your soaked folds. "And so fucking wet—you're dripping."

A shameful sound spills from your lips at his words, and you writhe in his hold. But his hands keep you in place. 

"You're seriously telling me,” he slides his fingers up and down your glistening folds, “No one's been here before?"

You squirm below him as a camera zooms in on where Dabi’s eyes are affixed– between your thighs.

“Cause you have the prettiest pussy I've ever seen.” He snickers. “And I've seen a lot.” 

His warm, calloused fingers slide up and down your slippery folds, his hot breath fanning over your sex. Then he spreads apart your sweet lips; it makes you shudder in anticipation, and Dabi chuckles.

“I can see you twitching for me.” A finger sinks in, making you arch your back the deeper it goes. 

The camera behind him zooms in on your blushing face, and you cover it with trembling hands. 

"Nu-uh, no hiding. Look at me." He slaps your clit lightly—making you jolt. "Let us see your pretty face."

You whimper softly, because you've touched yourself before—

—but this just feels so much more intense.

“Dabi—” you choke out, flinching in pleasure when he slides a hand underneath your ass, 

raising your hips to have more access to you. 

“Relax, baby, I'll take care of you.” A growl tears from his throat, and then he drags his tongue over your gleaming folds, tasting you. 

You cry out, your body shuddering. Over and over, Dabi licks you with deep, claiming strokes, using his tongue to explore every bit of you. 

“Damn, you taste better than anything I've ever tasted.” He pushes his wet muscle into your core, frantic to have more of you. 

“Oh my God. Dabi!” Your toes curl, and your thighs tighten around him. You're both – startled and aroused at his eagerness. Any worries you have are melting away as he drags his tongue over you again and again, making you squirm with need.

A moan escapes your lips– loud, uncontrolled– when his tongue flicks over your folds. When he grazes your little button, you jolt as if you've been stung. 

He hums appreciatively and buries his face into your warmth, seeking out that sweet nub. Your body jerks as he moves his tongue over it, repeating the action when he does it again. You give a little wail, and your hands curl into the fabric the longer he teases. He eagerly works that spot, and you cry out with little choked gasps.

As his tongue circles your clitoris, your sensations spiral out of control. You can feel the tension increasing in your body with a growing urgency to be released. 

“Dabi,” you pant with every flick of his tongue. But he doesn't respond, does not hear– or pretends not to. He buries his face in your folds, hands holding you down by your hips.

With every quiver that moves through your body, with every shiver of response, every tensing of your muscles, you draw closer to the edge.

You writhe against Dabi, with his face between your thighs, lapping at your juices. All the while, he continues to work your little clit with his tongue in slow, steady strokes. 

Suddenly, the feeling that you’re about to cum overwhelms you. Your pussy clenches, dripping with your juices, and your clit is ready to burst.  

Your hips jerk against him, and then a release explodes in your mind, your thoughts crashing all around you. You come with a slight scream that morphs into a moan, but Dabi does not stop his ministrations—

—no.

He continues to lick and suck as you come and come and come.

It's too much; you feel like exploding. You’re a moaning mess, fingers slipping between Dabi’s strands, pushing and pulling at his roots unsure if you can take it if he keeps going like that. 

Your entire body is on fire. The orgasm continues to surge through you– more intense than anything you’ve experienced by yourself– with Dabi gently sucking and licking at your clit. You are delirious, feel like you are floating with no way to find your path back to earth. 

“Dabi, please—” you choke out.

Dabi’s mouth detaches from your overstimulated nub and straightens up, licking your cum’s sweetness off his lips. Crawling on top of you, he gazes into your eyes. “Doll, tell me—what do you want me to do?”

You see his jeans straining from the bulk of his erection and swallow, your body responding with a flood of hormones. 

“Please fuck me,” you whisper, thinking in ways you never have before.

You want to beg him to be gentle, but you can’t seem to form the words when you see him unbuckle his belt before unzipping his jeans, his eyes carefully watching your expression as he does. His cock springs to life, and you swallow thickly. It's enormous—and pierced. 

You feel a momentary pang of doubt, questioning if that monster will even fit inside you. The previous excitement and adrenaline pumping through your veins gradually turn to panic. Your breathing picks up as you stare at his cock, wide-eyed. 

“You look worried,” Dabi says, stroking it with one hand. His raised eyebrows and amused grin tell you he's used to this type of reaction. 

“Are you sure…” you nod towards his cock.

“Trust me,” he says. “I’ll make sure you feel good. It’ll be the greatest thing you'll ever experience.”

Your entire body yearns for his touch, and there’s no way you're saying no now. He’s spreading you wide open, hands on your knees, before he moves to hold himself in hand to align his cock with your entrance.  

"Do you want me to fuck you?’ Dabi asks as he drags the head of the tip up and down your slit. 

“‘S not gonna fit,” you whine with a worried expression.

“Don't be scared,” Dabi says, "I know what I'm doing. So, you'll be a good girl and take it all, right?”

“I'm not sure,” you whisper.

“I know you can...” His eyes stare at you with a desire so intense that you almost feel intimidated. 

He’s spreading you wide open, hands on your knees, before he moves one to hold himself and align his cock to your entrance. The pressure between your legs increases as Dabi nudges the pierced tip of his cock against you.

“Get ready,” he whispers.

A mix of a gasp and a cry leaves your lips as Dabi strains against you, feeling like he’s trying to shove a massive pole inside of you. You squeeze your eyes shut as tears gather in your lashes, and Dabi holds back, kissing you, waiting for you to relax.

“Easy,” he says softly, “I’ve got you.” 

The softness of his tone relaxes you and the tension in your shoulders lessens. Then, somehow, something gives way, and he enters you. You gasp, your body opening up to accommodate the massive dick that is now sliding inside of you. 

"Oh my god—” You throw your head back, hands clawing at his shoulders in a weak attempt to push him away.

“Fuck, you’re so fucking tight,” he hisses, eyebrows furrowing before he hits resistance and then pushes forward.

There’s a sharp pain slicing through your core, and you don't know if it's from the stretch or a tear. Probably both. It hurts, and you squeeze your eyes shut, forcing tears down your cheek. Dabi continues to push his hips forward, only stopping once he’s entirely inside, heavy balls pressed against the crease of your ass. The cameras zoom in on the bulge in your womb, where his dick sits buried deep inside of you. But you don't notice them, your brain too consumed by him filling you up, his whole weight resting against you. 

“You ok?” Breathing heavily, he drags his eyes back and forth over your face. 

“Gimme a sec.” Your lips press into a thin line as the pain from the stretch slowly turns into a dull throb. After a moment, you nod...

"I'm gonna start moving now," Dabi says— and then does precisely that. 

Just as you start to feel your body relaxing, he withdraws, only to plunge himself in again. The sudden shock of the movement is incredible. You feel every ridge, every single thick vein. It feels fantastic, and as he slowly slides back in, you can appreciate every inch of his cock. He starts an even rhythm, rocking inside you gently. 

“Shit, just squeezed me so fucking tight,” he moans in response. "I’m warning you, don't make me lose my composure. You don’t want to see me act up.”

Your mind feels detached from your body; you don't hear him, don't even notice the camera zooming in, focusing on how your face scrunches and your lips quiver because of how good he makes you feel. 

He grabs you by the waist and brings you closer to him. Raising both legs in the air, he pushes them forward until your body is folded in half.

“Oh—shit—” You choke out, the walls of your sex stretching to accommodate him. 

“I’m gonna make you cum,” Dabi is panting hard as he starts driving his cock rapidly in and out of you. “You won't be able to walk for days.”

“I-I can’t—” your jaw slackens as you tighten around his dick again, the ability to form comprehensive answers having left you the moment he breached your walls.

He rams himself deeper while his fingers slip between your strands, guiding your face upward, your mouths colliding in a frantic kiss. 

It starts as a slow burn that gradually builds into a white, blistering heat. A feeling begins coursing through you, making you lose control of your body. You tense and arch your back, your head digging back into the pillow, voice caught in your throat. And just when you think you can't take it anymore, all that tension releases, and you cry out loud, a turbulent wave of pleasure hitting you like a storm. All your nerve endings are seemingly set ablaze while Dabi fucks you through your orgasm. 

His eyes are wide with wonder, hearing and feeling you come undone around him. The way your eyes are shut tightly in pleasure, your entire body trembling and shaking in ecstasy, is the best thing he's ever seen. It makes his chest swell with pride. Still, it feels like it's not enough, though, and he needs more. He wants to own you, possess you, make you his.

Dabi snaps. 

With a suppressed growl, Dabi grabs you by your hips and flips you over onto your stomach. He's not letting you catch your breath before he propels his cock back inside you again. His hand slides from the dip in your spine to the spot between your shoulder blades, pressing down until your face is buried in the sheets. At this angle, he reaches even deeper than before, his piercings rubbing your G-spot just right. Your hands tightly fist the soft duvet with every drive of his hips, knocking the air from your lungs.

Dabi seems delirious, pistoning in and out of you now. Reaching forward, he gathers your hair around his fist, tugging it to keep you in place, forcing your head up from the sheets. You sob out his name, your chin and cheeks covered with your drool and tears. 

But Dabi is drowning too deep in pleasure to notice. 

"I’m gonna fuck you so hard you’ll never think of anyone but me in your fantasies," Dabi growls while your elbows shake under the pressure of his forceful thrusts.

Slowly, your mind is falling apart with the pleasure pulsing through your body. Dabi starts drilling his big cock into your even faster now. You tremble below him, thighs quivering when you feel another orgasm building up. 

“You gonna cum for me again, princess?” Dabi groans, “I can feel your pussy clenching around me.”

You nod, too exhausted to form any words. Dabi tightens his hold on your hip, fingers digging into your plush skin, holding you still. 

“I’m gonna cum with you,” he tells you. “I’m gonna fill up your tight hole, gonna breed you so good—fuck!”

"Please—" you whimper pathetically, finding yourself trapped in his lewd promises. 

And then you lose it, feeling like the world is disappearing underneath your feet. Pleasure rips through you, leaving you with no strength. It’s an intense tingling pleasure that starts in your core and spreads through your whole body, from your fingertips down to your toes. It's all-consuming and euphoric, your body not knowing what to do with that much sensation at once. 

You feel your body falling off a cliff into a pile of tingling ecstasy as you cum again with a broken whimper escaping your lips. The orgasm is even more potent than the last ones, like a massive burst of pleasure; all that tension explodes and shoots up the back of your legs and everywhere else. You moan and shudder, your pussy clamping around his cock. 

“That’s it,” Dabi lets out a long, shuddering groan. “Just like that.”

You forget to breathe while Dabi keeps fucking your harder and harder, feral with desire, shoving his cock as deep inside you as he can.

“Oh fuck—” You gasp out, arching your back, fingers twisting against the sheets.

No sooner have the words slipped from your lips that you feel your whole body lock tight again—and then unravel. You forget to breathe as an unending cascade of euphoria detonates deep inside of you. You come undone, shaking uncontrollably as juices gush from your pussy, dripping down Dabis balls, drenching the sheets below. 

Dabi groans, his eyes screwing shut, head dropping back. With one final possessive thrust of his hips, he cums, shooting his seed deep inside you. You feel his cock twitch as he moans heavily, eyebrows sewn together. His body is shuddering, his hips hitching while he rides out his orgasm.

You’re faintly aware of your surroundings, buried too deeply in your bliss. Unable to take any more pleasure, you slump backward. Dabi slides his softening cock from you with an obscene wet sound before dropping down onto the bed beside you, taking you with him.

“Fuck…” he breathed out, caressing your skin. “That felt so—”

‘And—cut!’ You hear a voice call, speaking its way into the mush that is your brain, slapping you back to reality.

You open your eyes and look around in shock, having completely forgotten where you are. The lights switch on, almost blindingly bright. People start hustling about the set, and cameras mere inches away from you now pull back into their waiting positions. 

“That was perfect,” you hear Tenko say through the noise filling the set now.

Your breath catches in your throat, an unsettling feeling beginning to well inside you. Your heart starts pounding at an increasingly rapid pace while you feel panic stretch its icy fingers up your spine.

You feel a warm hand cradling your face, angling it to the side. It’s Dabi. He places his mouth over yours without further ado. 

“You are perfect.” Dabi coos into the kiss, and it happens again— butterflies erupt in your gut, the world around you fading until there's only you and him.

Instinctively, you let go, feeling the tension slowly dissipate and your heart calming down. Dabi smiles as he breaks away from you, and you feel it— a lingering warmth, an unseen connection that spins fragile threads between you both.

A man approaches to help you get out of bed, but Dabi, whose face is still dewy with sweat, moves between you both. He takes the bathrobe from the guy and wraps it around your shivering body before getting dressed himself.

Helping you off the bed, he drapes an arm around your shoulder and leads you past the celebrating crew members from the set until you’re backstage. 

Once in the changing room, he closes the door behind him and leans against it. 

“That was something…” he muses. “You’re a natural. Would you ever consider doing this again with me?’ 

You're caught off-guard, his face radiating a tenderness that fills your heart with something joyful. A warmth spreads across your face, your hands gripping the soft belt of your robe as you nip at your lower lip. “I-I don't know.”

“You should,” Dabi kicks off the door frame and saunters over you with a sinful, obscene sway of his hips. His hand finds yours, fingers interlacing in a silent agreement, pulling you into a tight embrace. “Think about it…”

He lets the words hang in the air for a second. When he pulls away, his arms wrap around your neck, lower half still pressed against you as if you’re not a stranger. He looks down at you like the two of you have been dating for years.

“So, I was wondering… what are you doing later on?” Dabi kisses the tip of your nose. “Do you want to grab a bite to eat and get some drinks?”

“Are you asking me out on a date?” A new desire for him grows inside of you. You smile back at him, reaching up to gently play with his dark hair.

“Maybe?” His lips curl into a devious smirk.

“Is this even allowed?” Chest to chest, your heartbeat slowly catches up to his, as if your bodies react simultaneously to each other's warm touch.

“Maybe?” Dabi repeats, his thumb gently brushing along your lips.

When you look into his eyes, a tenderness softens the rough edges of his sharp features. It makes you wonder, he’s been so sweet and caring after everything that happened today– you actually believe he’s a genuinely sincere and nice guy. You feel your heart quiet when you’re with him, as if you have found peace. 

“Well…” you consider, “I've just thrown all my morals into the wind. So, might as well go on a date with a pornstar, right?”

“You won't regret it.” Dabis laughs softly. “Even though you might not be able to move after I'm done with you—”

“Is that so…” You are torn between scolding him or laughing because he's so cute. “Ok, big boy, whatever you say.”

[moonlesslights]

Miguel O’hara in Love

Headcanons.

━━━━━━ ✿ 🕷️ ❀ ━━━━━

A/N: I was really looking forward to write this, because I just can’t get this whole idea out of my head.

Warnings: Basically none, a little bit of angst maybe?, some smut references and depictions. Miguel being Miguel. Kinda obsessive (?)

This text is based in that frase of Joe Goldberg: “There’s not a line, in the world, that I wouldn’t cross for you”. So be prepared.

Enjoy, my loves. Every comment or request is welcomed! 🤍

✄┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈

Miguel was curious of you from the very moment he met you. Such a unique presence among all the others.

You had been bitten just a month ago. And it was hard for you. He saw you struggle, falling over and over again, training till exhaustion, fighting to be on the level of the others.

And the worst part of it all, was the guilt coming to attack him with every side eye Jessica gave to him. “If you weren’t going to help her, you should have let her alone.” The woman had whispered while both of them looked at you fighting to climb another building. Miguel knew she was right. He was the one who insisted in bringing you immediately after they found you (only a couple of days after the bite), even when Jessica insisted to give you time for you to figure it out alone. Miguel wasn’t having it, and now… “She’s been at it for the whole morning.” The woman pursed her lips, shaking her head.

What Jessica didn’t quite know was that Miguel hadn’t left you alone all this time… He wasn’t good at talking, that was true. He wasn’t good at showing his support with words, but that didn’t mean he didn’t care.

You let out a pained groan when you finally plop on the concrete of the building’s rooftop. Every single muscle of your body aches and you can fell your heart pounding harshly against your ribcage, making it feel like every breath that makes it to your lungs it’s just a mere miracle.

The weight of the presence of someone standing beside you forces you to blink out of your thoughts. Tiredly, you look up, finding Miguel's mask glaring back at you with a deep frown you can make out of the way his eyes curve.

He holds a white little package on his right and he hands it to you before finally sitting down without making a single sound. It had all started like a little game between the two of you: You pretend you don’t see his figure hovering above a building while you train, or his silhouette watching you getting back to The Society place safely. You also pretend you don’t know it’s him who leaves bandages and painkillers over your bed every day with a little chocolate next to it. And he pretends he doesn’t know that you know.

You cross your legs and smile when you open the small box on your hands, smelling the sweet scent of warm and fresh food. You also take notice of how he changed one of the things he brought you last time, you didn’t have the heart to tell him, but you were sure now he definitely noticed you didn’t like it.

“Eat.” He orders and you are too tired to remark his tone of voice with a roll of your eyes. So you nod, bringing a big spoonful of pasta and vegetables to your mouth, thanking him with a big smile. Smile he doesn’t return. He never does anyway. But now it’s not like always. He’s pissed. “When was the last time you ate?”

You look straight ahead, avoiding his gaze. You swallow, slowly, feeling his eyes burning on the side of your head.

“Mhm… Not long ago, no.” You answer, mumbling while you get more food into your mouth. Miguel raises an eyebrow.

“Training this much without any nutriments won’t do anything good for you…”

“Training this much won’t do anything anyway.” You sigh, keeping then the fork between your lips. Miguel wishes to say something but he can’t find the words, he can’t order his thoughts inside his head to place them on his tongue and tell you just how much you have improved since the first day, so he gladly receives your bright eyes turning to him when you seem to remember: “But I finally climbed this building, see? Without using any web, only my spider fingers.”

The man nods at you waving playfully at him. The determination in your eyes even when your whole body wanted to give up, even when you know you’re still not close to go on a mission by yourself (or with anyone else), even when you probably couldn’t even sleep fine because of the sore bruises, the determination in your eyes didn’t flatter.

That made him feel something deep is his hands, a tingle he couldn’t control. And he hated it.

“Tomorrow at seven.” He sentences, standing on his feet again.

You frown, raising big eyes at him. The brightness in them when the weight of his words hit you destabilizes him.

“For real?”

“Yes.” He looks away. “If I don’t train you you’re not getting anywhere.”

His comment goes unnoticed for the excitement running all along your body.

“Ok.” You nod, trying to look professional but failing miserably.

He grunts in response, soon jumping off of the building and losing among all of the city chaos. In some minutes he would be back at the Society lobby. You… An hour. Give or take.

Training with Miguel was nothing but… Hell.

No, it actually wasn’t. You expected you could say that to make people thing you were having it hard, but he insisted on starting with the basics… basics that you already felt like being good at.

Still, climbing had become easier within the first week of training with him. The tips and advices he insisted you to follow helped you thinking of it more like a game than a must do.

Swinging was still a tricky one. You used to lose your balance when the demanded velocity was too much. Panic rushed over you, feeling like you would crash against a window or a fucking person, or another spider doing their own training.

“Trust your senses.” Miguel said to you every time you fell, and every time you death glared at him for that. He didn’t have one of the most important senses for spider people and he still managed to be better than anyone you could have known. You had them all, and they all seemed to be a mess when you tried to use them.

Soon enough, Miguel learned about a way to motivate you: Rewards. Most of the time was food, some others, the promise of letting you rest for more that five minutes was enough. For a week now, it had been a little bit different.

History. You loved it. And you changed any delicious and tasty food for hours listening to Miguel explaining everything about the multiverse and the tangled webs between all of you. He had told you about his first travels to other Earths at least three times, but you couldn’t seem to get tired.

You might not tell him how much his voice soothes you after a long day out, but it wasn’t necessary, he could see it. On the other hand, he definitely would never tell you how he glanced at you, completely asleep after another history session, memorizing every breath, every mole and freckle, counting every single one of your eyelashes like the stars on the sky above you.

No. You would never find out about that.

Today was supposed to be just like any other day: quiet, calm and premeditated. Nothing out of the routine you and Miguel had adopted for the past four weeks.

But with you, things were never that easy. Boredom was a dangerous thing for you, Miguel had learned it by now. The hard way. If something became not enough exciting for your restless self, you would look for that spark of adrenaline at any cost. It was part of your determination. Heart of a lion. He knew that. But it didn’t change the fact he would have to save you from breaking a few bones every once in a while.

“I’m sorry” You would say after he dropped you on the safe floor again. He would turn to look at you, fire running up his veins. Every time he wanted to yell at you, to snap and tell you it was the last time you do something like that. And every time he would sigh, pressing both finger on the bridge of his nose, finally grunting in a low voice:

“Desobedeciste deliberadamente.” A month was enough for you to know exactly what those words meant.

“I know.”

“You could have hurt yourself.”

“I know…” Then the bright eyes. Always the bright eyes. “But I have to try, I can’t depend on you forever. Getting hurt it’s just part of the way.”

He hated you were right. He lost count of how many broken ribs he got on his first years, of how many scars he still hides under his suit. Eventually, you would have to learn to stand up even if you’re bleeding. Even if you’re dying.

He is not mad at you for disobeying, that’s bullshit. He admired that of you, actually. You don’t act by fear, you do not fear him. You follow your heart even when you know you could get in trouble for it. No, he’s mad because every time he catches you before you hit the ground, all he can think about is that there’s going to be a moment where he won’t be there to do it. And the sound of your body crashing against the concrete, of your pain, would follow him till the darkest moments of the night, where he curses the day you’ll scream his name and he will be too far away to hear it.

“I want to change my reward for today.” You smile at him, both of your hands behind your back, making him suspicious of your teasing voice.

“You’re not going anywhere with Hobie.” He responds in a neutral voice, starting to walk in front of you.

You roll your eyes, shaking your head before getting in front of him and starting to walk backwards so you could keep facing him.

“It’s not that.” You insist. He doesn’t answer and you know that’s his way of telling you to go on. You sigh. “I want to see you without your mask.”

That makes him stop dead on his tracks. He tilts his head, questioning you with curious eyes. That’s all you wanted? No, you wanted that? Why?

Were you really that bored?

“I feel like everyone here has seen you at least one time, except for me. And it’s not fair.” You got a point on that. He spends most of his time training you, you share almost every meal together, he’s the last person you usually talk everyday because you’re too tired to do anything other than going to your room and sleep. You have spent entire days with him, you have cried and made a mess of yourself in front of his presence, and you didn’t even know his face.

You can deny the sting of irritation you get every time Hobie or Gwen, or any other come talking about what they said during the meeting before a mission, meetings where, you had learnt, Miguel used to take off his mask. Peter told you it wasn’t that big of a deal. You wanted to punch him.

“If that’s what you want.” Miguel crosses his arms, tilting his head at you. “Now go tra-…”

You were gone before he could even finish his sentence. He sees your figure going around the building he chose for this particular session. Your swinging had gotten better over the last weeks and the confidence you had in yourself had also been improving, showing your true strength for him to see.

Jessica insisted on you being ready to train at the top levels with the others inside The Society training center, or at least to try. But Miguel profusely refused. He had designed many of the levels to train there, he knew the damage they could cause to someone not prepared to face them.

He blame it on his sense of responsibility over you the fact that he denied any attempt to put you on an unnecessary risk, but deep down, he knew that from the moment he stepped in front of you while you cried for that death he knew all too well now, and then observed how you wiped your tears and showed him your fists, ready to fight him despite everything… He was fucked.

You were the little thing he decided to protect even if it costed his life. The little thing that trusted his claws to hold at her, that puts its life on the line without a second thought. It is not his fault to have never experienced anything like this, to don’t know what to do, to act like a fool, to refuse to lose it… How they cannot understand?

“Done.” You jump in front of him, getting him out of his thoughts.

He looks up, seeing all of the targets on the building covered by a good layer of web. Your precision could be better, but you’re getting at it.

He sighs. He turns to face you completely before ordering his nanotechnology to uncover his face. Dark wavy hair falls onto his temples, brown skin glimmers under the heavy sun above you, full lips press against each other and two cold brown eyes glare down at you.

When you don’t say anything, he raises an eyebrow at you.

“Is this what you wanted? Are you happy now?”

You nod without waiting for another question.

“I just wanted to see your eyes.” You answer confident, smiling softly at him.

It is enough to say he never wore his mask on around you ever again.

Miguel O'Hara isn’t good in what emotion management respects.

He knows it, but he doesn’t have the time or care to try to do something about it.

It wasn’t that big of a deal…

Yeah, it wasn’t that big of a deal until one specially busy morning where he couldn’t make it to your first training, he went on looking for you… And he couldn’t find you.

He went to your room, your favorite places; he went looking all around the city, praying to find you just jumping above some buildings. But you were nowhere to be found. And it wasn’t until one Peter took mercy on him that pointed the worst place to be pointed: The training center.

With his heart going a thousand miles per hour, he started to look for you inside the complex. And when he caught a glimpse of Jessica looking up with a proud smile, he knew exactly where you were.

“She’s doing even better than I could’ve imagined. You’re a great mentor, Miguel.”

“Why is she here?” He answered immediately. Jess raised an eyebrow at him, confused by the uneasiness on his voice.

“Does that really matter? Look at her, Miguel!” She pointed at you with her extended hand. “Aren’t you proud of her?”

Of course he was. But what he couldn’t stand was someone else messing and taking choices over the one and only thing he has. So instead of answering her question, he sentenced: “Don’t ever get close to her again.”

“Miguel…”

“You can mess around with any other, but there is a fucking line, Jess. You chose yours, and I respect them. Don’t mess with mine.”

When he finally appeared in front of you, you smiled brightly at him. He looked like any other day, completely unfazed and with a calmed expression you were so used to see by now.

“Time to call it a day, don’t you think?” He asked, raising an eyebrow. You were sweating, you arms were trembling and you could barely control your breath by now, and still… You shook your head.

“I want to try this level one last time.” He was ready to talk you out of it but your pleading eyes made him look down at Jess, who, with a single movement, made him understand what she was talking about.

“Fine, but I’ll be with you every step of the way, got it?” His frustration made you giggle when you nodded.

You didn’t make it till the end of the level, but you tried, and that was all that mattered to you. To Miguel, having been able to take you to the wall before you crashed against a crystal under you was the main thing that mattered.

It had been a whole experience, but it remained like that. Enough time at least for him to push his way of react behind him. Until something made it snap again.

His eyes fly to all of the cameras in front of him, fixing his pupils in whatever screen he could catch a glimpse of your suit.

The threat they were expecting for your first mission ended up being a lot more aggressive and capable than hoped. You and your partner had already received a few good hits by the time Miguel reached for the Call button.

“How are you?” Is the first thing you hear when you press ‘answer’.

“Never better.” You reply, smiling at the interface of your pretty boss clenching his jaw.

“Need help?”

You immediately shake your head. “Not at all, we’re managing just fine.” Your figure distorts while you swing around. Heavy steps following you up close. “I gotta go, Miguel. See you back at home.”

“No, wai-…” He widens his eyes, trying to reach you before you end the call. His fists tighten and his eyes close, fighting to keep himself calm.

But our man can’t catch a break, because as soon as his breath starts to get back to its normal speed, a camera showing on one of the screens burst out with a big clatter, forcing his eyes open only to see his worst fear take form in front of him.

You were struggling against the anomaly, kicking your feet in the air and trying desperately to get his hands off your neck. Your partner was nowhere to be seen. You appear to lose you patience when you stop fighting and instead shoot webs to the creature’s eyes. The anomaly maddens, and throws you against the next building on the street.

Miguel's eyes follow your body across two cameras, watching in horror the blood dripping from your mouth when you cough after the blow, struggling to get on your feet again.

His hands move quicker than he can process, bringing all the information about the Earth you were on for him to see.

“Miguel.” Jessica calls from behind.

“Where the hell did you send her?” He whispers, reading the screen displayed. “I told you she wasn’t ready to go.”

“Miguel, look.” She insists, this time with a more demanding voice.

But the man can’t think of anything else more than you bleeding. Alone and injured.

“You said it was an easy one.” He growls in a low and dangerous voice.

“I’m…”

“I told you she wasn’t ready!” He snaps, looking back at her. His fangs pinch on his lower lip, so hard he can feel a drop of scarlet liquid running down his chin.

And it’s not until Jess takes a step back and Lyla calls his name that he realizes the way his claws had ripped the metal in front of him.

And then… A call.

He blinks out of his trance, looking up at the screen with your name on it. He hits ‘answer’ and your dirty suit and scratched face make an appearance.

His red eyes relax at the sight, returning to those soft brown irises and dark pleased pupils reserved only for you. He hides his fangs and his claws are no longer nowhere to see. Just you. It was just you again. And you were okay.

“Miguel, look!” You smile at him, pointing the camera on your watch for him to see your partner finishing to tie up the anomaly. “We got it!”

“Yeah, yeah, I see.” He can’t help but let out a small glimpse of a smile over his lips, nodding at your excitement.

“Oh, you’re smiling. Wait for me to come back, I wanna see it in person.” And just like that, his smile is gone.

“Don’t take any longer. Both of you, come back as soon as possible.”

And with that, the call is ended once again, leaving him in a room with heavy air and thick silence. He jumps off of the platform, still glaring at Jessica in silence.

“You know that wasn’t right.” She whispers. “The way you’re acting it isn’t right, Miguel.”

He shakes his head, slowing his movements until he remains still just a few feet away from the entrance.

“You don’t know what it’s like.” He murmurs.

“Oh, now I don’t know?!” She opens her mouth with indignation, but Miguel doesn’t alter.

“It’s not like that and you know it.” He hisses. “I have lost everything in this world. I am utterly alone. And even between us, there a strings that doesn’t tangle. You have a husband and a soon to come baby, a family that awaits for you at home, but what do I have, Jess?”

The woman, for the first time, remains silent.

“I have her. I only have her.” He says. “Not a single thing in this world belongs to me but her. Everything else have been taken away from me, everything I once had has disappeared: my job, my life, my normal life. If she’s ripped from my hands, I have nothing left. And I cannot keep fighting for a life I don’t want to live. This is not only for her, Jess. If I lose her, I will tear the universe apart with my own hands.”

A single shiver ran down her spine, watching Miguel exiting the complex to find you arriving almost at the same moment.

She watched how his threat takes meaning when you wrap your arms around him and his eyes brighten at the sound of your laugh.

She knows that if they ever were to lose that light, the whole multiverse would dim with them.

Miguel wanted to own you.

He wasn’t good at hiding it.

His hands would come to your hips, grabbing your tights or caressing your waist under your clothes.

Your scent would drive him into his animalistic side at every given moment. Until the point he would have to step meters away from you during the meetings in order to keep himself from the smell of your hair and your soft skin.

But when he didn’t keep himself from you, he would come from behind you, embracing you with his whole body. His face would bury in the curve of your neck, sending shivers with his tongue coming out, tracing a single line till reaching your ear, where he would whisper what he wants, where he would ask you to let him touch you.

When you say yes, he would drop his head and sink your fingers on your tender skin, pressing his hips against your body when you throw your head back, allowing him to do as he wished so with you, to mark you as his as many times as he wanted.

“Miguel…” You sigh this time, feeling his hands clinging at your suit, desperate to touch your skin instead.

He had just returned from a mission that had kept him away from you three days. You had imagined he would’ve returned tired and ready to sleep for fifteen hours, but instead he took you straight into his bedroom and pushed you against the wall, where he now holds you still with both of his arms.

“Take it off.” He whispers, tugging again at your suit. He was being nice this time, and you thank him internally for that. You don’t have the strength to ask Lyla for another suit.

You complain with a happy humming, letting your body fully exposed before him except for your panties still covering your ass and pussy.

The man switches off his own suit, letting you see up close the tent under his boxers. His fingers grasp at your thighs, forcing your legs open for him. Two of his digits run along your folds over your panties for around ten seconds before he decides to tore away your undergarment and place his hand back at your sex.

You would have complained about his behavior but his fingers pressing down on your clit rip only a moan out of your throat. He plays with your sensitive bundle until you’re wet and seconds away from an orgasm he pretends to steal away when he stops his movements.

“No, please…” You cry out, your legs threatening to give up.

“Shhh, patience, mi amor, I’m not done yet.” With one hand he pushes you up, forcing you to wrap your legs around his neck for support before he starts eating you out like a starved man.

You tighten your tights around his head, almost screaming at your over sensitive pussy being stimulated even more, with his tongue pushing in and out for a while until he takes it to your clit again, sucking in, ripping another hard cry out of you. You are so close. And when he finally joins in two of his fingers to curve inside of you, it’s your end.

You scream his name, clenching around his digits, making him growl enough to feel the vibration running down your skin. He guides you through all of it until you finally seem to catch your breath again.

But then, he takes out his fingers and drops his boxes to the floor. His dick throbbed painfully, making him hiss when he stroke it a few times before pressing against you, chest to chest, and bottoming out all the way with a single thrust.

“Fuck, Miguel!” You throw your head back as he does the contrary, sinking his fangs into your skin, trying not to lose control.

“May I move?” He asks, breathing heavily on your skin.

You nod.

“Yes, yes, please move.” He groan in pleasure at your words, starting to move your hips in and down to match the rhythm of his.

You wrap your arms around his neck, moaning sweetly against his ear while he pick up the pace. Soon enough, only the sound of skin slapping on skin could be heard around you, with nothing but your moans and gasps indicating him where he had to thrust, and his deep growls showing you how close he was.

“Cum for me.” He says, pushing your back back to the wall with his hand around your neck, squeezing you under his fingers. “I wanna see you cum.” He demands, making of his pace nothing but a mess of thrusts.

He was so close, he just needed…

“Miguel!” Your eyes roll to the back of your head, letting out desperate whimpers when your legs tremble around him and your walls clench around his cock, sending him so high he has to bite you again to avoid a throaty moan escape from him.

You could barely begin to feel your toes again when you feel him tightening his grip around you before walking out to the bed.

He was ready for the next round.

…

Thank you so much for coming all this way!

PD: I know Miguel fangs have paralyzing venom but let’s just pretend he can choose when to use it and when don’t.

This might not be good but I had the idea of this thread of story and I just wanted to write it.

I hope you have at least enjoyed some of it.

Love y’all. Sending a lot of love. See ya. <3

PD2: I’m trying to work now on a Sub!Miguel thing. It may be still a couple of days from it, but I want to be good. And I haven’t decided if it would be just porn or porn with plot. So let me know!

PD3: I’ll be doing cleaning and correction between today and tomorrow.

[whetstonefires]

One thing I don't think I've ever seen talked about is how post-apocalypse ideation is largely about homelessness.

Homelessness looms large in the American consciousness. Like, not that it's irrelevant elsewhere, but it's got a particular cultural place in the US that's reflected in Hollywood, and therefore relevant because what makes it into film and TV sets the terms of so many conversations.

We don't acknowledge it if we can help it, but I think most people know they're never more than a few very bad months from winding up there.

Even people who are sure it only happens to people who deserve it, who fuck up and put one foot in the morass of their own foolish volition. Even they know the quicksand is there, waiting to be walked into, and that the odds are stacked against ever climbing out on your own once you have. And that they, too, are capable of fucking up. Of trusting the wrong person. Of getting cancer incorrectly.

And those of us who know damn well we can't be sure we're safe even if we do everything right, we know it even better.

And in that sense it doesn't matter what the world would realistically look like after X kind of apocalypse, what people would do, how society would adapt. Because the anxiety that's being processed is about the reality that's in existence now.

About what if my world ends. And I lose access to the fruits of developed society, to clean clothes and new glasses and running water, to a safe place to sleep where I don't expect to be killed or robbed, or driven out by men with guns and dogs. To my home and work and family and everything I usually use to tell me who I am.

What if every man's hand is against me, and every meal is a small victory, and there's only my own dwindling strength between me and the long night?

Will I make it? Will I hold up under the strain? Will I retain my dignity? Will I be lucky? Will I be able to protect the people I love, in that world, the world where no one is protecting us anymore?

Is there a way to continue to live as a human person, when you're denied the prerogatives of one, and don't know if you'll ever get them back?

Putting this anxiety into the context of a massive apocalypse divorces this scenario from the burden of shame tied up in the idea of winding up in that sort of situation in the normal course of events, by having society vanish rather than expel you, personally, as a washout, and continue on around you.

It also allows you to rule out a priori the question of what resources might be offered but can't in an anticipatory context be counted on; shelters and programs and housed friends and family who may or may not help. And narrow the narrative to only the question of what you can survive, and often a fairy tale about surviving all of it and starting over.

Rehearsing for a loss in a mythologized format is a very normal anxiety processing behavior, and I think a lot of apocalypse scenario building is attached to the buried dread of that personal apocalypse. But I haven't seen that one make the list.

[crooked-wasteland]

I've always seen Helluva boss as a show that try so hard to be something isn't, and after reading your articles about BoJack horseman and how hb directly borrowed some of its ideas . It's started to make sense so here's my take:

Helluva boss can't be BoJack or anti-BoJack , there is room for inspiration sure . But the difference between two shows make it odd whenever someone try to compare them. Since BoJack is story of American man who happened to have a horse head, therefore the protagonist is forced to obey the morality rules that we as audience have . Helluva boss is story of demons live in society that only value violence , the rules of morality is broken in this world so where it makes sense for the show to calls out BoJack's toxic dating patterns, why should i care for blitzø's that man cannonly makes fun of children deaths of cours he's not a good partner. Another thing that BH like other many adults cartoon is critical of American culture (Hollywood culture for BoJack case) and while HB trying to do the same it only water down its world , you can point out to something relatable to our society without loosing the fantasy elements in your world especially if your otherworldly character travel to the human world constantly and see it from stranger point of view, but hb didn't do that it just turned the hell to american , and maybe this is thing bugs only me as non-western . It would be more entertaining if we explore the hellish society as something new and fresh.

(out of topic sorry)

But even if we want BoJack-like show the writer clearly don't know why BoJack works but I don't need to tell you since you already wrote about that, I remember watching a clip of livestream where medrano admit she blind-love her favourite media without critical thinking and I think this is her biggest weakness, she's the kind of person who would see something cool in TV so she applies it to her OCs without a further thinking which explains the directe reference of others show like BH

These are excellent points. There's a saying in writing that goes "Write what you know". The team who wrote Bojack knew the ins and outs of that Hollywood bubble due to professional experiences. And because Bojack was written by a diverse team of creative people, they even addressed how eating meat would work in a universe with sentient animals. They had the experience and knowledge of setting as well as basic life experience to ask obvious questions in the name of world building.

It's why I argue that Medrano appears to be someone with very few life experiences. Not only does her story lack emotional depth, having a shallow well to draw from, but basic rules of world building are neglected in a way that is very obvious due to a lack of human curiosity.

Writing what you know isn't supposed to be limiting. Instead it's supposed to challenge you to ask more questions. Expand what you know to incorporate it into your imagination.

[suguruhul]

i understand why people are upset about gojo's ending, but it definitely aligns to what gege planned for him as a character. not many people (if more than one: suguru) really cared about gojo satoru beyond the facet of being the strongest sorcerer alive, their main weapon, the six eyes.

from beginning to end, from birth to death, gojo satoru was made to serve jujutsu society.

you can count on one hand how many times the other characters are shown to really care about his mental, emotional and physical status beyond the fact that he can actually fight to protect them and the world. this is just how his relationship with others was. he was more an entity than anything else.

the few who got close (suguru and arguably sukuna) and tried to get close (shoko, yuji, yuta...) were still met with a barried he put between himself and other people, mostly because gojo himself recognized his role as the strongest, and to a point even enjoyed it. he didn't care for his family, had a few friends and wasn't even the typical mentor figure you usually see in anime. even the way megumi talks about the years they spent together is proof of that.

the people in this world mourning him as the strongest is something they need to do. but people mourning him as gojo satoru, the man, don't really exist in it anymore.

gojo only cultivated superficial relationships with every and anyone that came his way because he actually acknowledged his importance to the world. that doesn't mean, somewhere, somehow, deep within himself he didn't long for it. unfortunately, he didn't achieve that in his lifetime.

gojo wasn't written to be a happy character. he was written to show what the pinnacle of jujutsu society has to offer: tragedy, loneliness and war. however, that doesn't mean he was unfulfilled with it: he liked being the strongest, he liked fighting, he liked being gojo satoru.

people who cared about him, he acknowledged them. helping his students, his friends and colleagues. people who didn't, he dismissed. that's who he was.

so no. i don't think people "moving on" from his death is out of character. i think it's pretty much spot on to his character setting. he had his own version of a happy ending: dying in battle against his greatest enemy, meeting a loved one in the after life, and helping build a better society/world to the youth he fiercely fought to protect.

i think that, for him, in a sense, it was enough. for the fans... that's another story.

[robertreich]

The Truth About Immigrants and the Economy

Immigrants are good for the economy and our society! Don’t let anyone tell you otherwise.

For centuries, immigration has been America’s secret sauce for economic growth and prosperity.

But for just as long, immigrants have been an easy scapegoat.

One of the oldest, ugliest lies is to falsely smear immigrants as criminals.

It’s just not true. Crime is way down in America. Anyone who says otherwise is fearmongering.

And whatever crime there is is not being driven by immigration. Immigrants, regardless of citizenship status, are 60% less likely to be incarcerated for committing crimes than U.S.-born citizens.

Maybe that’s why border cities are among America’s safest.

Immigration opponents also claim immigrants are a drag on the economy and a drain on government resources.

Rubbish!

Quite the opposite, the major reason immigrants are coming to America is to build a better life for themselves and their families, contributing to the American economy.

The long-term economic benefits of immigration outweigh any short-term costs. The nonpartisan Congressional Budget Office estimates that adding more immigrants as workers and consumers — including undocumented immigrants — will grow America’s economy by about $7 trillion over the next decade. And those immigrants would increase tax revenue by about $1 trillion, shrinking the deficit and helping pay for programs we all benefit from.

Immigrants of all statuses pay more in taxes than they get in government benefits. Research by the libertarian Cato Institute found first-generation immigrants pay $1.38 in taxes for every $1 they receive in benefits,

This is especially true for undocumented immigrants, who pay billions in taxes each year, but are excluded from almost all federal benefits. After all, you need documentation to receive federal benefits. Guess what undocumented immigrants don’t have. Hello?

And of course, one of the most common anti-immigrant claims also isn’t true.

No. Immigrants are not taking away jobs that Americans want. Undocumented immigrants in particular are doing some of the most dangerous, difficult, low-paying, and essential jobs in the country.

Despite what certain pundits might tell you, immigration has not stopped the U.S. from enjoying record-low unemployment.

And as the Baby Boom generation moves into retirement, young immigrants will help support Social Security by providing a thriving base of younger workers who are paying into the system. The fact that so many immigrants want to come here gives America an advantage over other countries with aging populations, like Germany and Japan.  

What’s more, immigrants are particularly ambitious and hardworking. They are 80% more likely to start a new business than U.S. born citizens. Immigrant-founded businesses also impressively comprise 103 companies in last year’s Fortune 500.

And immigrants continue to add immeasurably to the richness of American culture. We should be celebrating them, not denigrating them.

It’s time to speak the facts and the truth. We need immigrants to keep our economy — and our country — vibrant and growing. They are not “poisoning the blood” of our nation. They’re renewing and restoring it.