evangelifloss

[evangelifloss]

something something movie maria and game maria are two sides of the same coin in terms of tragedy

one one hand, we have game maria. she was always going to die young, due to her NIDS. she never saw earth and her only family she was in direct contact with was her grandpa, but then one day she gets a baby brother. a baby brother made specially for her. a baby brother she loves more than anything.

on the other hand, we have movie maria. she was always going to have her whole life ahead of her. she lived on earth and got to see the stars from below and play like a kid. then one day, the day she moves into the military base, she meets an alien. she messes around with him. he becomes her new baby brother. they play together, sit under the stars, watch movies.

then the gun raid happens.

game maria sacrifices herself. she sacrifices herself for her baby brother to save him. she lets him lead her to the pods before she seals him in the only one. she knows that only one of them can make it out and that even if she makes it to earth she won't last, so she saves her baby brother because she loves him so much. her death was slower and gave her time to say goodbye. her dying words are a goodbye to him.

movie maria didn't even know what was happening. shes watching movies with her brother and her grandfather suddenly comes in and tells them they have to run. she asks what's going on, and her grandfather says that people are trying to take her baby brother, so she holds his hand tight and runs with him. then, when the exit is in sight, someone yells to not shoot, a gunshot, then an explosion. she dies almost instantly. she doesn't get a chance to say goodbye, to comfort her baby brother.

game shadow always knew there was a possibility of losing maria. movie shadow never even thought of the possibility.

edit: I was NOT expecting this many people to like and rb this glad to know I made you cry :D

[evangelifloss]

She should show up at events where Prince Charles is. Give him a scare 💅 Watch to the end for the result!

[evangelifloss]

{x} | Artist: 茶見@お仕事募集中 | Permission to Post ※ Don’t repost/edit without permission or remove the source. ※ Please follow the artist & rate/bookmark their work!

[evangelifloss]

CAN YOU DO MARIA AND SAKUTARO??? :3

yes!! they r my favs !

[evangelifloss]

Hey, I just red your amazing fight analysis and I want to know what you think about the scene where the bartender at the continental bar in the first movie says to John that he looks „vulnerable“. Do you think it’s the look in his eyes or the way he acts or moves ? (Which in my opinion look pretty normal) and how do you think John was before he left the business? Was he more cruel with his kills ?

I'm guessing you mean this scene, right? I hope so because I made this gif JUST for this ask since I LOVE what you've sent in. Thank you @persephone411 💖💖

To answer why the bartender picks up on John's vulnerability without him seemingly displaying any signals, I'll first and foremost use what I know of the later instalments regarding John's behaviour. And that is how much he speaks. Between movies 1 and 2, there's only a 15 word difference in regards to how many lines of dialogue he has (1st movie has 484, 2nd has 499) and for a movie that has a run time of 1 hour and 40-ish minutes, that's not alot of dialogue to begin with.

Take for example, Jack Sparrow from the 1st Pirates of the Caribbean movie. Reading through the script, I counted roughly 490 lines of dialogue from him and that movie has a runtime of 20 minutes LESS than John Wick 1!

So we know that John isn't a talker. Yet, when he finds himself back at the Continental bar, and reunites with the bartender who knows him very well, and given how familiar they are (her excitement at seeing him, a brief hug/cheek kiss) it becomes apparent that John is more... open. He doesn't just order a drink and say nothing else. He engages with her, and expresses, "She (helen) was more than I deserved." Which by all accounts expresses a softer side to John, an admission that he is not impervious to grief. Assassins don't do that. Retired he may still technically be, he is still in a room full of people who are NOT retired, who could overhear and see the man behind Baba Yaga. That sentimentality can get you killed in the Assassin world.

Secondly, his face is sporting a few rough marks, and I very much doubt John the Baba Yaga would show himself at the Continental bar sporting proof he can be injured.

As my final thought, for me personally, it's his tone and his eyes that give away his grief. His inner turmoil that will eventually overflow into a bloody tsunami. The micro-movements of his face as he pauses, when he looks away, and even when he greets her, the man is Tired. The man is not at this point in time, the Baba Yaga.

The second part of your ask is very interesting because we have almost next to nothing to go off of! No prequels (thank god) and barely any direct Lore other than what others speak about John which ironically, is missing direct context which leaves us viewers to speculate.

The John we know is the old John. The grieving John. The Man. We get glimpses of what he used to be, and how characters react upon hearing his name but we never get the Baba Yaga. Not entirely.

Continuing off this, my personal speculation is that John wasn't a vicious killer. He was an incredibly efficient one. You can buy time with a sadist if you are able to withstand them long enough for help to arrive but you cannot do the same towards someone whose only goal is to kill you on sight. As quickly as possible. And that someone also happens to be the best of the best. Combine those two skills and I think that is what makes Baba Yaga so terrifying to those in the underworld. It was enough for Viggo, head of a massive Russian syndicate, to go silent upon hearing the name despite knowing John had been retired for 5 years!!

On another note, and this barely gets touched upon but throughout the movie you come to know that for such a silent and deadly killer, John has a weird amount of people willing to die for him.

The High Table actively discourages and creates a continually hostile environment amongst assassins so that bonds and genuine alliances/friendships can't begin nor be maintained and yet... look how many people are willing to so far for John.

This speaks to the level of respect and integrity John must have to simultaneously be a deadly killer AND to not be hated by everyone.

He does his job well but he is not cruel. He will not endanger unrelated persons if he can help it, he is sincere and loyal.

It's why the High Table fuckin hates him.

[evangelifloss]

People not comprehending Nosferatu correctly might kill me. Yes it's erotic and about pleasure but yes it's devastating and about child sexual abuse. It's a movie about victimhood, about being already dead, about longing for the great beyond, about never feeling safe from your abuser, about always expecting one more rape must be endured. It is about being an ugly victim, a neurotic victim. About your supposed allies tying you down for fear you will rip their world to ribbons. It is about facing the abuser, facing the pleasure the abuser brought. It is about men seeking to silence a plague in the quiet of the night when grooming and abuse can only be destroyed by pulling it into the light of morning.

[evangelifloss]

[evangelifloss]

yes yes orlok as the grotesque manifestation of ellen’s hideous lust, monsterfucking blah blah blah. Hot.

But thomas… the lover that witnesses.. accepts… soothes… He saw her at her most depraved and still held her… you guys. He was the only other person who had *seen* what she saw in her dreams. He was there in that castle… was inflicted by orlok’s perversions. In the flesh. Still he made it home. Then he watched her, frothing at the mouth and shaking in demonic fury, to then crawling and begging at his waist for mercy, then a moment laters she’s looking up at him with the very devil in her eyes and tongue… and still, he held her! As she truly sobbed. He told her it was okay, that he had seen it too. Continued to love her as his woman, descend to hell and destroy the demon for her. And Ellen loved him too! She says she felt he was sent to her, made her feel normal and okay. Her salvation. A love that feels like depollution… to be so inspired by your love for somebody that for them you go, willing, to the altar as a sacrificial lamb. Her love for him gave her purpose! I love them… not orlok nor any contract could ever dissolve the bond between them.

[evangelifloss]

Bravo also to Robert Eggers for probably the least bad depiction of Transylvania in Western vampire cinematic history:

1. Having actual Romanian actors doing the dialogue in Romanian. You'd think this is a low bar to clear but nope.

2. High quality costume design that looks pretty accurate to 19th century Romanian and Roma peasantry, even down to specific braided hairstyles from the Transylvanian region.

3. Depiction of Roma people but refrains from having them as some typical Hollywood exoticizing role like a magical fortune teller etc. They're in like half a scene, just chilling and playing music in front of an inn.

4. Use of the word "strigoi" which are actual spirits in Romanian folklore, unlike the term "vampire" which didn't exist in Romania.

5. Sorry to the Nosferatu moustache haters, but a Romanian nobleman would have had that exact facial hair.

6. Depiction of religion (nuns, churches) that actually looks like Eastern Orthodoxy and not some vaguely spooky goth Christianity.

[evangelifloss]

[evangelifloss]

[evangelifloss]

write it for mi pls😔

Omg HI HELLO @kavalyera thank u for enabling me!!

In many John Wick circles and discussions, this scene is referenced either for its sincere intensity or for insane people like me, who simp over John Wick watching the light in a man's eyes fade away. However I haven't heard or seen anyone really analyse what this scene means in the context of the wider narrative, and John's 'Fall from Grace' (where he is pulled back into the world of assassins) or WHY this moment is so iconic for fans of the franchise.

To do that, let's refresh on has happened thus to our titular character, John Wick.

●He managed to escape the Assassin World against all odds to live a normal life with his Wife, Helen

●Helen Wick dies 5 years later, leaving him a puppy as a final gift. This is the starting point of the movie

●The puppy is murdered by Iosef Tarasov, his favorite car stolen, and his house smashed up

●He has managed to track Iosef down to the Red Circle Nightclub where there are many guards/assassins trying to keep Iosef safe.

In essence, John Wick hasn't worked as an assassin for 5 or so years and he's had a taste of civilian life but more importantly by staying OUT of the assassin business, no-one has come calling. Winston even warns him prior to his departure to the Red Circle about how risky it is to be hunting Iosef:

"You dip so much as a pinky back into this pond... you may well find something reaches out and drags you back into its depths"

The movie by this point has established two things;

1. John's need for revenge both as a genuine desire to kill Iosef and to cope with the grief over Helen's death

2. Exacting this revenge may very well (and later does) force him back into the assassin life he fought hard to escape from, making his efforts and sacrifices to get there for nothing.

Up until this point in the movie, you can argue that all the killings John Wick commits for his end goal were in self-defense (the kill squad sent to his house) or part of said end goal (Iosef's buddies in the washroom) but that is lost the second he is inside The Red Circle.

Here you are greeted with two quick kills of security guards that are only tied to Iosef via proxy of his father, which then leads into the scene I'm talking about. The third security guard, just like the other two, has nothing to do with John Wick. They did not break into his house, kill his dog and steal his car. Their only crime was that they went to their job that day and were obstacles placed in John Wick's warpath.

John Wick knows this.

It is in this moment, that the 'old' life he left behind looks at him through the eyes of the dying man and John can do nothing but stare back. One could argue that in this moment rather than John being unable to look away, he instead chooses not to. He HAS to watch this nameless man die for he knows that he will be one of many to come. John Wick does not shy from the gruesome truth before his eyes and faces it head on. He watches the light fade, and his past self revive in the same moment. A man's death gives life back to the Assassin 'Baba Yaga', a life that John the Man had chosen to kill in order to live as a husband to Helen. That is, until Helen dies.

This is one of if not the only scene where John is intimate with his kill. Even the framing, the lasting seconds given, allow the moment to breathe. It is a shot that does not occur again because doesn't need to. This single moment encapsulates John's full commitment to Assassin and everyone else (excluding assassins or characters he has history with) is as nameless as this man when it comes to fulfilling his goals.

At the same time, the physical sensations that come with fighting, overpowering and killing someone must be coursing through his veins. Even if he, at this point in time, still believes he can return to the quiet civilian life he built (despite the audience being aware that such a thing will not come to pass) his body does not recognise such a future belief and muscle memory is not to be underestimated. In this moment, his body HAS to be in the heightened state that comes with being an assassin. So he pauses. He takes a moment. To watch a man die. To feel his own body coursing with adrenaline and memory of all those years spent killing. He looks into the eyes of death and it asks

"Did you miss me?"

[evangelifloss]

Another one thak u (yes it’s another redraw)

[evangelifloss]

I have a headache. Cause it's 2am in the morning. But I had to make this joke. Yes I know I spelt detachment wrong its 2am.

[evangelifloss]

For Years my brother has been fucking with me by periodically texting me to say Jimmy Carter had finally died. Today the bit has paid off.

The response to my reaction at work was “what do you MEAN ‘for real this time’?????”

I fucking hate it here I’m crying

[evangelifloss]

[evangelifloss]

evitas