#well medium

[brainrotcharacters]

the easy grip on the knife. the leg over the seat. the hand over the other seat. the sassy "come get it" move. you know the bitch is smiling behind that mask even as he said the line.

[ournachojesus]

Oc thing! Found it via Derpss on YouTube. I can’t read the tiktokers name easily but it’s something like gasmintea. God TikTok displays the user name so tiny.

Anyway Timelapse of me redrawing this fucker. I didn’t like the first version.

Edit: FUCK I FOROFT FROGOT FORGOT

WARNING - FAST FLASHING IMAGES

My Timelapse video flashes a bit so the warning is needed.

Hopefully this actually post. The video be laggin me out for some reason.

[vivi-scera]

okay fun silly question because these are my favorite types of stories but what are your guys' favorite pieces of media that require the audience to go in blind? usually the synopsis is a diversion of some sort or there's just some killer plot twist that changes things (like the genre) significantly.

[sasswonfp]

This joke came to me in a fit of laughter (ALT description provided :3!)

[cherryzombiezz-art]

you guys like this right

[suddenly-frankenstein]

moby-dick

[poorly-drawn-mdzs]

A fierce duel commences!

[puppetmaster13u]

Prompt 317

IMAGINE THIS: Lil baby Damian, bored and being not quite old enough to start learning how to use proper weapons (curse these wooden ones, he wants true steel!) is wandering the base. This is not out of the ordinary, he’s the prince after all. What is out of the ordinary is that his shadow, his Akhi, is not here. 

Technically, he should be napping, but he woke up and neither his mother or his brother- who is quiet but gentle and isn’t a good speaker (mother said it was from a head injury)- is there. Which is how he finds his way to the Pit, which he’s not supposed to be at. Or at least not alone. 

But! His mother and Akhi are there! And- and Akhi is screaming and he’s never heard him scream like that, like he’s in agony- His eyes are green- they were blue, had, had Mother placed him in the Waters- 

And then the pool is bubbling- he should be running away, get assistance or something, he’s five, he shouldn’t be running towards it when everything is screaming to flee. But one moment he’s at the doorway, the next he’s clinging to his akhi as something writhes in the Pit, a mighty bellow echoing even as the Shadows take defensive positions. 

The water cascades, laps at their feet, splashes everywhere as a scaled form rises from the depths, wings like a bloodied sunset spreading as fur bursts into flames. Crimson eyes glare down at them all, pupils slits as they bare down at his Akhi. 

The creature- the dragon- dips its head down, its breath warm as it chuffs at his akhi, wings folding as though it is bowing. His akhi is clinging to Mother, shivering, several scars glowing as they fade and a burst of hair burned white. 

Oh. 

Oh.

@fairy-lights-and-blobs @f4nd0m-fun @hdgnj @radiance1 pspspspsps

[tj-crochets]

The rainbow rag rug is complete!

[buttercupshands]

Halloween Siffrin!! A vampire one too!!

My mind started thinking about isat while listening to hi3 7.0 trailer and so this idea stuck until I was home

Timelapse under the cut

I was struggling to choose if I'll add music or not, but too tired to re-edit you get the music version, it's ISAT OST music by Studio Thumpy Puppy Floor 2 to be specific

[untitled-tmnt-blog]

I was messing around with mod podge yesterday. My brain had this image of @dandylovesturtles's writing as physical art, and I wanted to give it a try!

The text is all taken from Part 1 of the Emotional Support Water Bottles ("room fic") series.

[aronarchy]

Why we don’t like it when children hit us back

To all the children who have ever been told to “respect” someone that hated them.

March 21, 2023

Even those of us that are disturbed by the thought of how widespread corporal punishment still is in all ranks of society are uncomfortable at the idea of a child defending themself using violence against their oppressors and abusers. A child who hits back proves that the adults “were right all along,” that their violence was justified. Even as they would cheer an adult victim for defending themself fiercely.

Even those “child rights advocates” imagine the right child victim as one who takes it without ever stopping to love “its” owners. Tear-stained and afraid, the child is too innocent to be hit in a guilt-free manner. No one likes to imagine the Brat as Victim—the child who does, according to adultist logic, deserve being hit, because they follow their desires, because they walk the world with their head high, because they talk back, because they are loud, because they are unapologetically here, and resistant to being cast in the role of guest of a world that is just not made for them.

If we are against corporal punishment, the brat is our gotcha, the proof that it is actually not that much of an injustice. The brat unsettles us, so much that the “bad seed” is a stock character in horror, a genre that is much permeated by the adult gaze (defined as “the way children are viewed, represented and portrayed by adults; and finally society’s conception of children and the way this is perpetuated within institutions, and inherent in all interactions with children”), where the adult fear for the subversion of the structures that keep children under control is very much represented.

It might be very well true that the Brat has something unnatural and sinister about them in this world, as they are at constant war with everything that has ever been created, since everything that has been created has been built with the purpose of subjugating them. This is why it feels unnatural to watch a child hitting back instead of cowering. We feel like it’s not right. We feel like history is staring back at us, and all the horror we felt at any rebel and wayward child who has ever lived, we are feeling right now for that reject of the construct of “childhood innocence.” The child who hits back is at such clash with our construction of childhood because we defined violence in all of its forms as the province of the adult, especially the adult in authority.

The adult has an explicit sanction by the state to do violence to the child, while the child has both a social and legal prohibition to even think of defending themself with their fists. Legislation such as “parent-child tort immunity” makes this clear. The adult’s designed place is as the one who hits, and has a right and even an encouragement to do so, the one who acts, as the person. The child’s designed place is as the one who gets hit, and has an obligation to accept that, as the one who suffers acts, as the object. When a child forcibly breaks out of their place, they are reversing the supposed “natural order” in a radical way.

This is why, for the youth liberationist, there should be nothing more beautiful to witness that the child who snaps. We have an unique horror for parricide, and a terrible indifference at the 450 children murdered every year by their parents in just the USA, without even mentioning all the indirect suicides caused by parental abuse. As a Psychology Today article about so-called “parricide” puts it:

Unlike adults who kill their parents, teenagers become parricide offenders when conditions in the home are intolerable but their alternatives are limited. Unlike adults, kids cannot simply leave. The law has made it a crime for young people to run away. Juveniles who commit parricide usually do consider running away, but many do not know any place where they can seek refuge. Those who do run are generally picked up and returned home, or go back on their own: Surviving on the streets is hardly a realistic alternative for youths with meager financial resources, limited education, and few skills.

By far, the severely abused child is the most frequently encountered type of offender. According to Paul Mones, a Los Angeles attorney who specializes in defending adolescent parricide offenders, more than 90 percent have been abused by their parents. In-depth portraits of such youths have frequently shown that they killed because they could no longer tolerate conditions at home. These children were psychologically abused by one or both parents and often suffered physical, sexual, and verbal abuse as well—and witnessed it given to others in the household. They did not typically have histories of severe mental illness or of serious and extensive delinquent behavior. They were not criminally sophisticated. For them, the killings represented an act of desperation—the only way out of a family situation they could no longer endure.

- Heide, Why Kids Kill Parents, 1992.

Despite these being the most frequent conditions of “parricide,” it still brings unique disgust to think about it for most people. The sympathy extended to murdering parents is never extended even to the most desperate child, who chose to kill to not be killed. They chose to stop enduring silently, and that was their greatest crime; that is the crime of the child who hits back. Hell, children aren’t even supposed to talk back. They are not supposed to be anything but grateful for the miserable pieces of space that adults carve out in a world hostile to children for them to live following adult rules. It isn’t rare for children to notice the adult monopoly on violence and force when they interact with figures like teachers, and the way they use words like “respect.” In fact, this social dynamic has been noticed quite often:

Sometimes people use “respect” to mean “treating someone like a person” and sometimes they use “respect” to mean “treating someone like an authority” and sometimes people who are used to being treated like an authority say “if you won’t respect me I won’t respect you” and they mean “if you won’t treat me like an authority I won’t treat you like a person” and they think they’re being fair but they aren’t, and it’s not okay.

(https://soycrates.tumblr.com/post/115633137923/stimmyabby-sometimes-people-use-respect-to-mean)

But it has received almost no condemnation in the public eye. No voices have raised to contrast the adult monopoly on violence towards child bodies and child minds. No voices have raised to praise the child who hits back. Because they do deserve praise. Because the child who sets their foot down and says this belongs to me, even when it’s something like their own body that they are claiming, is committing one of the most serious crimes against adult society, who wants them dispossessed.

Sources:

“The Adult Gaze: a tool of control and oppression,” https://livingwithoutschool.com/2021/07/29/the-adult-gaze-a-tool-of-control-and-oppression

“Filicide,” https://en.wikipedia.org/wiki/Filicide

[de-sir-ee]

Men of Tomorrow.

[thenonbinarydetective]

"There is canonical mischaracterization in the batfamily" and "they are nuanced characters that cannot be summed up in one word/phrase" are two things that can exist at the same time and more people need to remember that

[bluebelleisabelle]

Free G3 Monster High Episodes (to be continued)

SEASON 1

1. The Monstering or option 2 (for those who may not have access to the Nick website)

2. Food Fight or option 2 (for those who may not have access to the YouTube channel)

3. Unfinished Brain-ness or option 2 (for those who may not have access to the YouTube channel)

4. Case of the Moondays or option 2

5. Portrait of a Monster or option 2

6. Witch Hitch

7. Part of the Pack

8. That Thing You Deuce or option 2 (preferred option, as it’s through an official medium)

9. Werewolf Weekend or option 2 (same information as #8)

10. Paw-zzle Pieces or option 2 (same information as #8)

11. Nightmare Nightmore or option 2 (same information as #8)

12. Out of Step or option 2 (same information as #8)

13. Pyramid Scheme or option 2 (same information as #8)

14. What’s Up, Watzie?

15. So Familiar

16. Crushed

17. Over Bro-tective

18. Horoscare

19. Flaunt Your Skeleton

20. Creepover Party

21. Creature Clash

22. Monster Movie

23. Earworm

24. Spell the Beans

25. Growing Ghoulia

26. Casketball Jinx (same link as above)

27. Cleo in the Kitchen

28. Case of the Missing Squeak (same link as above)

29. Pet Problems

30. License to Rock (same link as above)

31. Power Heist

32. Monster Midterms

33. Fur-mergency

34. Boogey Nightmare (same link as above)

35. Best Fiends

36: Scareer Day (same link as above)

37. Stone Alone

38. Horsin’ Around (same link as above)

39. Moonlit Fieldtrip

40. A Little Boost (same link as above)

41. Fresh Waters Run Deep

42. Sew Fierce

43. Witchful Thinking

44. Monster Match

45. The Monster Way

SEASON 2

1. Rule School

2. New Witch in Town

3. Play It Again, Clawd (same link as above)

4. Mummy in the Mirror (part of the beginning is missing; the first few minutes can be found in this video)

5. How to Scare a Banshee (same link as above)

6. So Chill

7. Mixed Up Meowlody

8. The Haunted Sand Castle Caper

9. Fangs for the Memories

10. Two-Riffic

11. Monster High-Jinks

12. Vamps Just Wanna Have Fun (same link as above)

13. The Babysitter’s Crypt

14. Humans in Highschool (same link as above)

15. Dawn of the Dread

16. Frankie Patrol (same link as above)

17. The Deuce Date

18. Big Paw, Little Paw (same link as above)

19. Ghoulishly Ghoul-ma

20. Gill to the Rescue (same link as above)

21. Oh Rats

22. Fired Up (same link as above)

23. The Shapeshiftian Candidate

[stuffieautism]

i think we also need more compassion for those of us with higher support needs who have difficulties communicating and understanding things, with or without an intellectual disability. i get made fun of a lot for not having “proper” communication abilities that “match” my age and for not understanding “obvious” concepts/jokes that to me were not obvious at all. please have kindness for autistics who have difficulty with things you don’t. even if you are also autistic.