#we have this argument all the time

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[poorly-drawn-mdzs]

At your side [End of Season 2]

[First] Prev <–-> Next

[luna-loveboop]

Wars and Wild as knights in Lu

They have issues.

I have a lot of thoughts on Wild and Wars and their relationship (Order of this post is talking about saluting, Wild and Wars' different perspectives, memory issues, and fire) Rant time.

No saluting!!

So Wild took a formal- almost/awkwardly saluting pose when Wars confronted him in 'Entrance pt.2'

It's similar to the first time Wild addressed Wars as 'captain'. His left hand is up from where a salute should be, and his overall posture is awkward, with his shoulders and right hand raised, but it's clear he's trying to do a salute in the presence of a fellow knight.

In the second example his hand is behind his head, but his posture is very straight and his right arm stiff- he's again attempting a formal saluting position. Which is still awkward

It is less clear but his changes in posture clued me in. He goes from like a deer in the headlights to visibly sweating to straight backed and looking up at Wars- looking at the changes in his body language

Side note but I literally love how Jojo draws the champions tunic so much-

We can't see the action of Wild's body language in a comic, just the positions he went to. But he visibly leaned away from Wars before switching to a straight backed saluting-like posture. He's clearly freaked out, hence Twilight's face: >:(

I think that Wild taking somewhat military poses around Wars is important to their relationship issues because it comes from his struggle with memory and identity

.

So like. All of them have different perspectives

Wars

I adore Wars. He is baby and I love him. I think it is also important to acknowledge that he would not speak to any of the others this way.

And the scarf man cmon it's so pretty they are so cute-

Why is Wars talking to Wild like this? He's called him out and reprimanded him multiple times in front of the others. Wild has taken it well but tbh if it was Legend I think he would be on fire.

To some extent I think he is in captain mode. I think that he has trouble seeing Wild as not a knight. Wars gives Wild respect as a knight who sacrificed for his kingdom, but now it seems he's taking it away as a knight who's not doing well enough since he 'disregarded the plan'

At least I think that's the outside (or Wild's) view of it. But Wars internally really cares about Wild and he saw him run up to a giant and lose it. Different ways of showing concern perhaps?

Who wouldn't want to keep Wild from getting more scars?

I just. Don't doubt for a second Wars really cares about Wild- even if the way he's acting still isn't cool. He has no right to treat him like a soldier any more than the rest of the chain, and right now I think Wild is acting as the more mature person.

Wild

I adore Wild. He is baby and I love him. I think it is also important to acknowledge that although he is clearly making efforts after Twilight's injury, Wild has ignored Wars for the majority of Lu, by not speaking to him much, and not thanking or acknowledging Wars when he directly helped him. (Small example being walking with Hyrule not Wars when injured and not directly responding to Wars)

Wars cares about and respects Wild, but it seems Wild wants nothing to do with him, and he's been cold towards Wars for the majority of Lu. To Wild, Wars reminds him of his perceived failure. Which is valid feelings, but still not fair. And I think that ask is talking about these two.

The thing I love about this is each of them are right and wrong in some ways, leading to the tension between them. So fully blaming either of them is not logical

The rest of the chain is just vibing. Except twilight who's mad and wants them to just grow up, but. Heros of courage not wisdom @uniquevoidflowers ;)

And that ask- '''Are any of the Links ever jealous of another Link for adventures that were less difficult/life threatening?'' ''When you hear Wild say he 'hates' someone you'll have your answer.''' somewhat leads to my next point-

Wild's identity and memory issues exacerbate all of this

In Entrance, Twilight is being stressed and defensive, that's ok. What concerns me most is that Twilight has talked with Wild through stuff like this in his rough moments

Wild has tried to be formal several times- he is not very good at it

Four's face I can't didnwidkekfjej

Wild isn't and can't be 'him'- the same 'perfect' (<actually has crippling anxiety) knight he was before, and Twilight knows this. And I agree with him a bit, I think, that Wars is making things worse in Wild's mind by being that perfect soldier, and seemingly holding Wild to a standard he isn't

Wild's attempts at saluting is symbolic of that- Wars makes him feel like a failure trying to be the person he should be. But Wild shouldn't be anyone but himself.

Anyways. Fire.

Wars and Wild have issues, and I want them to work through all their relationship drama so they can reach their PEAK dynamic, which is obviously this

I mean like. We need these two to be friends

Anyways. Wild is in this constant state of identity crisis, and being around Wars has not been beneficial- neither of them is or has been showing the other the respect they deserve. Not as knights, but as people and brothers. They need a get along shirt.

All this Art is by Jojo @linkeduniverse au!

:)

[claraoswalds]

#mrs flood who are you: time lord edition

[uncanny-tranny]

The whole "breasts shouldn't be politicized because the primary purpose of breasts is to feed babies!" can be a fine jumping-off point, but I really wish people thought deeper than that when we talk about the ways in which bodies are politicized and restricted.

Like, why's it that when we talk about breasts, they must have some Higher Purpose? It's true that breasts aren't inherently sexual, but they aren't valuable solely because they can potentially feed a baby. A human body doesn't have to serve a Higher Purpose in order for it to not be legislated against or policed, and I just wish people would remember it isn't always about babies, about other people, about anything else other than the people who have that body.

[1doesnotsimplyhavejust1fandam]

This has most definitely been said before, but we were robbed of the core four quarantining on-screen together at Buck’s place. ROBBED I say

[apollos-olives]

"go to palestine and see how they treat you" okay. i did. they treated me like normal. i'm palestinian and queer and they treated me just fine. but you know where i was treated like shit for being queer??? the u.s. of fucking a.

[thenotoriousscuttlecliff]

Seeing people say that we never see the Doctor and Ruby talking for more than 30 seconds makes me think 73 Yards and Dot and Bubble has just clouded their memories because the first four episodes of this era are almost nothing but the Doctor and Ruby talking and bonding.

Yeah, the Doctor-lite episodes meant we haven't had as much lately, but so many are going on as there's been none at all, as if every episode before 73 Yards was like Rogue where they were mostly separated in their own plotlines.

[rebuke-me]

the pilot program are all autistic in this essay i will

[redysetdare]

One thing I've noticed about the erasure of aspec identities is that it's eerily familiar to the erasure of non-binary identities. Often times Aspec identities are viewed as Blank slates to slap other identities on top of - similar to non-binary identities.

A character uses strictly they/them and people will say "Okay but I'm going to use he/him or she/her because x looks like a boy/girl to me" A character strictly states they are not interested in romance and people will say "okay but I'm going to call them a lesbian/gay/any other sexuality because obviously they must be interested in x even though they said they weren't interested at all."

"I can ignore this characters canonical non-binary identity because people can headcanon whatever they want and I headcanon them as cis instead! no this isn't erasure!!! it's fiction it doesn't hurt anyone! pronouns don't equal gender anyways!!!"

"I can ignore this characters canonical aspec identity because people can ship/headcanon whatever they want and I headcanon this character as allo/not aspec instead! no this isn't erasure!!! it's fiction it doesn't hurt anyone! aspecs can still date and have sex anyways!!!"

idk as someone who is both nonbinary and aroace I'm having a sense of déjà vu.

[msnihilist]

Once again, no, you were not groomed by proshipping. You were groomed by someone using proshipping.

My groomer used a pairing that I already liked to desensitize me to sexual interactions, and it was a completely normal and popular pairing. To this day, I still don't like it. It's completely okay to not like or even hate those things that your groomer used against you.

It's not okay to demonize an entire group of people or lump the ideology itself in with a terrible experience that you had. Your trauma does not make you infallible.

It is not the fault of the content you were shown that you got groomed. Groomers will use anything. They are bad people. The content you were shown is neutral.

[phoenixcatch7]

Petition: Sephiroth doesn't have a father.

Half of his dna? Lucrecia

The other half? Jenova

None of this Hojo vs Vincent argument I humbly propose we get far more symbolic mileage out of a corrupted version of an immaculate conception via Jenova as the 'angelic' presence.

Mad science IVF, essentially.

This lasted about ten seconds as a crack theory but now I think I'm actually going to add that to my belief system

Like Jenova is generally given female pronouns and called 'mother' but we do need to remember it's an alien megafauna virus (often referred to with 'it' pronouns in multiple translations of the original game, including the original Japanese). Its cells do not work like human animal cells. It's entirely feasible that it was used in place of a father donor, and would explain why sephiroth has such strong Jenova characteristics (white hair, slit eyes) where Angeal and Genesis don't (and also just. The rest of him. Where you'd put the genes for halos I don't know).

Sephiroth does have huge issues, just, in general, but his real weak point was his mummy issues where he'd been primed by hojo and that was where Jenova squarely hit. And it's generally agreed no matter which side of the 'sephiroth is in control/a puppet' spectrum you fall on that she was preying on him in nibelheim.

And also, just in final fantasy in general, there is a LOT of religious symbolism and icons (as is fairly typical of rpg games of that type. Just look at the Persona or Shin megami tensei series!). The summons, the church, etc. Sephiroth, aka the paths of sephiroth, is taken from what Wikipedia calls 'esoteric Jewish mysticism' and describes, I quote, 'channels of divine creative life force or consciousness through which the unknowable divine essence is revealed to mankind' or 'the ten structural forces of nature'. No guesses for how that tied into Project S' original intent to re-establish the extinct cetra and lead shinra to the promised land of infinite totally-not-afterlife-compost mako.

And I'm sure there's been plenty of essays done on the meanings and themes in ff7 (not that I can find them under all the sephiroth character analysis) but sephiroth very clearly went the demi urge route where he should have been a saviour and guide so why not throw in some immaculate conception as well?

Disclaimer: this tumblr user does not think of IVF as corrupted mad science nor do they think children born of it are any less human, we're talking about Hojo's experiments with Jenova on an unborn child here.

This would also mean that any 'Jenova is not your mother!' dramatic reveal could be followed up with 'she's your dad!' which is hilarious and we know Sephiroth's opinions on father figures.

[chirpsythismorning]

Byler is a slow burn y’all!

While it’s possible milkvan could break up in early s5, or maybe they consider their fallout in s4 their breakup and are only now addressing it and how they’ve realized they’ve been better off as friends over the last year, it’s still gonna take some time for byler to confront everything over the last few years and both get to a point where they have clarity about their own feelings and finally accept that the other one feels the same.

I don’t think there’s enough time to explore all of that before Mike and El have that talk on the roof, or even shortly after that, even if it’s post-time jump.

It will still be interesting to see where Mike and Will are at in their relationship by the time the time jump rolls around.

It’s unlikely the painting will have been addressed without us witnessing it, unless they decide to throw in a flashback at some point if it happened during the time jump.

Which means there is still a lot they need to talk about, let alone for them be literally dating.

I think it’s also possible Will won’t know Mike and El are over for real, not until Mike or El tell him and the others.

What this might result in is an episode or two of Mike pining for Will (single 😁) while Will is none the wiser and maybe even trying to keep his distance, now under the assumption that Mike wants space to be alone with El since they’ve finally reconciled once and for all.

There’s gonna need to be episodes exploring their dynamic as friends that can be something more if they want to be and how they navigate that and how obvious it is that, in contrast to Mike and El, while they are indeed friends, they work even better as being something more too.

They’ve invested the entire series to building this up, in a way that most of the audience missed. They need to spend some time now making it obvious so that people can rewatch a lot of their scenes for what they truly are (romantic) now that they know the truth, as opposed to just being ambushed with them being together.

I need people that didn’t even want it to happen to have to endure the tension all season long, to the point where they’re screaming at their screen JUST KISS ALREADY! GET IT OVER WITH! JESUS CHRIST!

[theminecraftbee]

incidentally if you don't see much of me for a bit: side order has reminded me that i do, in fact, DEEPLY enjoy splatoon 3, lol, and i am maybe a touch distracted by that,

[inkskinned]

we really didn't get violent enough about roe v wade being overturned. but and also - you're one person. you donated money. you went to the protest. you did what you could, which felt like doing basically nothing.

recently some big paper published an op ed (why did you even read it? you knew you'd get upset) about how it's gross that men can't find a partner because women don't want to suffer bad dates - they'd rather go to yoga class. you actually laughed - well, yeah! and it was funny until it wasn't, because something about it made your stomach churn. this is the thing, you want to say, but you don't have the words for what the thing is. just that men being bad at dating is your fault.

the thing is also on instagram. you don't know if it's a setting or algorithm thing, but these days, the most hurtful comments always seem to skim the top. simple reaction is don't read the comments but - you're human, so you're curious. you want to respond to every weird, sanctimonious one with replaying something a million times to find evidence they're lying about their gender is literally sexual harassment you shouldn't be proud of this or maybe get a fucking life you absolute dickhead but you've gotten into enough of these battles as a kid. nothing ever resolves. it just makes you upset.

your father was radicalized. the thing is - you go to therapy about it and yet never find the words for exactly the way that one hurts.

the other day your sister predicted that a commercial that aired during the superbowl was going to cause trouble. you wanted her to be wrong about that. this morning, while scrolling, you saw someone post exactly that - he got so angry i had to leave. it was terrifying. it reminds you, however bleakly: there are entire swathes of people who do not worry about domestic violence. who have no idea why you would put keys into your fist. who do not understand "it's better to be rude than dead." who have never googled am i being gaslit.

the other day you found out there's a bill that would make it so if you have a uterus and are braindead, you could fulfil your cattle purpose and carry a fetus to term. you think about the fact that the leading cause of death for pregnant people is murder. you think about ongoing and informed consent. you think about how, out of fear, if your ex boyfriend had pressured you, you absolutely would have said yes to it. in the comments, you write there is no way that these documents wouldn't be immediately forged. this is going to be misused. and then just delete it, sighing. get up and go to work.

the other day they overturned roe v wade. we weren't nearly violent enough about it. somewhere, a clock is ticking. it's been ticking a long time. you want to say it's time, but it's been time for a while, hasn't it.

[lorephobic]

been thinking about how in a couple of different interviews, barry has brought up that he played five different olivers chronologically thru the movie. i've been fiddling with my theories as to where each oliver ends and a new one begins and have roughly landed here but would love to hear other ideas:

oliver 1: oxford, watching and wanting felix. an outsider, batting up against the window, just desperate to get in. begins observing everything: details of felix's life, details of farleigh's life, begins orchestrating his performance for felix, setting the stage for whatever will get him into the spotlight.

oliver 2: saltburn, pre-bathtub, the best few months of his life, living in felix's light. this is the dream. he will cling onto it and comb over it and jerk off to it and wonder how he could ever get it back.

oliver 3: saltburn, post-bathtub, post-pamela, understanding how precarious his position is, losing felix quickly, making risky, desperate moves in an attempt to regain his attention. eating holes in everything and becoming a toy that felix doesn't want to play with anymore.

oliver 4: saltburn, post-confession, post-licking-the-fucking-plate, confused by his own obsession and pivoting toward preserving and not letting anyone remove him from what he thinks is rightfully his: felix's space and felix's role and felix's memory

oliver 5: post-post-saltburn, monologuing to his final victim, justifying his actions in any way possible, an obsession that has festered for more than a decade, re-realized in his obsession with his self and his work. oliver in his most catton-like state. denying that the desire was ever there. has a complete and utter horror of the ugliness he's committed. a beautiful man in his beautiful house, surrounded by beautiful things. finally free from want.