#we could be the same maNga

[whoevenisoliver]

I'm going absolutely insane over "we could be the same" by maNga holy shit the lyrics are amazing

[kacievvbbbb]

The history book on the shelf is always repeating itself

They both have a very; let's have another go, yeah? maybe we'll be better at this, this go-round, vibe that they bring to the workplace that I really appreciate.

[frobby]

i was thinking up an expanded chart for the manga gagverse and i was gonna exclude kyuushi (u know cuz of all the vampires running around shin yokohama) but then i remembered that kyuushi is actually the only manga here where iruma is canon it in

[wynnundead]

To everyone saying they didn't like the last chapter, do you know why suddenly adachitoka announced the ending when none of it felt complete at the time?

I mean i definitely dont know for sure, but its important to realize its likely the manga sales, they dropped off at some point so adachitoka had to wrap it up and not only that they have a many health issues cause hiatus over the years.

I know a majority of the fandom on tumblr reads fastmoons scans, i know i do and i know the economy is shit and lots of us cant even buy the volumes in support even so im not blaming anyone.

But you gotta cut the authors some slack here, they probably had so much left to tell and write and they probably wanted to explain the plotholes and fill in more info.

But because it was the end..they wanted to end it in a happy way and i believe thats just fine, i just finished reading it and im content with how it ended considering the circumstances.

Its okay to not like the ending i guess, but dont let the reason why be because of something the authors couldnt control.

[mettywiththenotes]

See it's panels like these that make me wish we could have had a full battle involving Izuku and Tomura fighting together with the vestiges against AFO

[pinkinsect]

watching haikyuu after being in the blue lock pit for a while is so refreshing. like they're so normal

[raifuujin]

It's been more than 20 years and for some reason I feel that Gosho hasn't given Kaiao any development, how can more than 20 years pass and Aoko dynamics, relationship and feelings remain the same? At this point I feel like Gosho is just going to make them date because "they already liked each other" they remain in the same status quo

Hey, if we go by DC romance progress, they've been going too fast. We've already had suspicion of identity chapters, and that didn't happen until more than 400 chapters in DC. /j

Since heists have taken over any character development recently, I don't even know if Kaito and Aoko will even get any romantic progress. Maybe the actual identity confrontation will happen down the line, since that's thief drama, but atm, it really wouldn't surprise me if they only ask each other on a real date at the very end of the manga.

Like. I'm sure Gosho would love to make MK a love drama as well, but he writes MK so rarely, and usually as hype for something Kid related in other media. So the MK stories tend to be heavy on drama that can only take place at Kid heists. (To the point that the new chapters just. Use Kid as the plot device to show off a new character. Even Hakuba's never gotten so much 'look at this character being a detective' treatment in MK.)

-sighs- I just feel bad for MK as a series at this point. I like the characters, I like the general story idea, but. It's been going down a very steep hill with Gosho wanting things exciting, but not wanting any real progress in. Anything. But unlike old MK, the new stories aren't even nice standalone setpieces of story, they're... mundane. They could be high stakes, if you purely look at the scenarios on paper, but. We all know nothing's gonna happen to Kid. Nothing even happens to him when the actual bad guys show up, much less one-time antagonists.

We need actual character focus and development, not heist drama. Badly. Not even romance, though that'd be a nice change. Just any character expansion of our limited cast of characters. Gosho wants big, all the time, meaningless big stuff, when small would be so nice.

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[mantisgodsdomain]

We ought to write more Pokemon fic some time. We want to recreate the Pokemon Manners/Human Manners cheat sheet that we made a few years ago we think that this site would like the Sliding Scale Of Politeness When Greeting A New Pokemon You've Never Met Before.

[sskk-manifesto]

!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[delfin-s]

maNga/Eurovision 2010

[bnhatrashsideblog]

If you think of it, many of the people in this fandom keep proving Monoma right and making his character have so much sense- like guys, class 1-B is not the lesser class. They aren't weaker than class 1-A, the classes weren't assigned by strength or anything like that. The only difference between the two classes is that the fucking MC is in one of them, which automatically makes them the center of attention. If Midoriya got assigned to class 1-B then no one would fucking think they're lesser than class 1-A lol.

"How Hagakure/Mineta/whatever got in class 1-A?" girl the question is how they got in the hero course, not class 1-A (which is a talk for another post, not this one). Them being in class 1-A doesn't mean they're automatically stronger than everyone in class 1-B

[claire-starsword]

Authentic Story of the Shining Force - Saint Fencer Max - Chapter 4

Translation notes:

This is the last boob joke. We're free at last.

Here's the retranslation of every scene with the Spring of Recollection in the game. Overall, her speech here is fairly close to what she says in Waral in-game, with a few details from her final appearance sprinkled in, like her care for Cain. It does misses a few nuances though, like the Legacy being more than just Dark Dragon.

I don't think I've ever seen art of the Spring, but notably, she gets a portrait in the GBA version, and it looks a lot like the manga design, with the slightly wavy hair and especially the blank eyes.

Obviously, the manga rushes through the plot since it's short, thus a lot of places are skipped. I didn't even feel like pointing them out before. However I will point out Waral not being here this time, because Waral happens to not be in the beta map either, and it has very contradicting lore between the ASCII guide and the World Book, meaning it might have not been well developed. Besides, Chapter 5 is very weirdly structured. You get two ship battles that are basically the same, you get to Waral by accident, you advance the plot by going to Ring Reef for no reason and everyone telling you it's off-limits while letting you waltz in anyway, and hardly anything happens in the shrine besides you hearing about the Manual, which is not even a big deal because you get to Rudo by accident later (two ship accidents!! why repeat this plot point!!) and would go to Dragonia anyway to help Bleu. Basically, I obviously can't prove it, but it wouldn't surprise me if the ocean shrine was initially thought off as only a plot scene, and the battles/town added much later for gameplay reasons.

Perhaps worth mentioning, the GBA version also makes a point to mention that Max got lost in the shrine alone, and everyone was worried about him, which does remind me a lot of the ship scene here.

uh oh. i hit image limit for the first time and i don't wanna remove either of these pics. more notes on a reblog later.

[aflamethatneverdies]

i do rly love dungeon meshi so far and i do see that the mangaka is trying to rehabilitate the dnd tropes and make them more thoughtful and less racist and this is not so much a judgement, more an observation, but the dnd tropes originally are so racist that i kinda wish that the mangaka was completely inventing her own worldbuilding instead of building off of them. like maybe at some point we should as a society move away from and throw away dnd tropes in the trashcan where they belong, just a thought you know.

[konfizry]

ahhh i just remembered alphen and shionne are gonna be at the next tales of festival again and damn that's three times in a row for them!!! that's amazing (for me specifically)!! like genuinely i assumed last year would be the last time they were gonna have both of 'em on, bcause, well it can't be the arise Celebrity Couple all the time, everybody's probably sick of them already and the hype's gone down and all that, and heck they even hinted at that in one of the kagenare, but!! against all odds i get yet another year or shimoji and satotaku performing together

[whom-to-kill-whom-to-let-live]

Some Legato thoughts:

He hates humanity, that’s pretty obvious, he wants all humans to die.

But there is this really fascinating disconnect that happens with him sometimes, where you can kind of sort of see the person he could have been peak through, but just barely.

The two most obvious examples of this I can think of is when he shares one of his hot dogs with a child that seemingly didn’t have a reliable access to food and when he frees those enslaved girls. Two things that he really did not have to go out of his way to do, and by all means shouldn’t care for at all considering his hatred for humanity.

But he still did. 

And by themselves those seem like very good actions, right?

But then you remember that the hotdog had been kept in a bag with a severed head/tongue, and he wanted to use the kid to spook Vash (but then again he didn’t have to give her food to do that, he could have so easily used his powers to control her, we have seen him do it to entire groups of people with ease). 

He violently kills over a dozen people with his powers in front of those slave girls, not because he intended to free them but because the slavers picked a fight with him first (but he spares the girls, none of them are physically harmed at all despite the carnage, and he offers them the closest thing he has to reassurances before he leaves, when he could have just ignored them).

It’s like he almost gets there, but not quite.