#We barely get anything; all we have now is a new character people are divided about

[raifuujin]

It's been more than 20 years and for some reason I feel that Gosho hasn't given Kaiao any development, how can more than 20 years pass and Aoko dynamics, relationship and feelings remain the same? At this point I feel like Gosho is just going to make them date because "they already liked each other" they remain in the same status quo

Hey, if we go by DC romance progress, they've been going too fast. We've already had suspicion of identity chapters, and that didn't happen until more than 400 chapters in DC. /j

Since heists have taken over any character development recently, I don't even know if Kaito and Aoko will even get any romantic progress. Maybe the actual identity confrontation will happen down the line, since that's thief drama, but atm, it really wouldn't surprise me if they only ask each other on a real date at the very end of the manga.

Like. I'm sure Gosho would love to make MK a love drama as well, but he writes MK so rarely, and usually as hype for something Kid related in other media. So the MK stories tend to be heavy on drama that can only take place at Kid heists. (To the point that the new chapters just. Use Kid as the plot device to show off a new character. Even Hakuba's never gotten so much 'look at this character being a detective' treatment in MK.)

-sighs- I just feel bad for MK as a series at this point. I like the characters, I like the general story idea, but. It's been going down a very steep hill with Gosho wanting things exciting, but not wanting any real progress in. Anything. But unlike old MK, the new stories aren't even nice standalone setpieces of story, they're... mundane. They could be high stakes, if you purely look at the scenarios on paper, but. We all know nothing's gonna happen to Kid. Nothing even happens to him when the actual bad guys show up, much less one-time antagonists.

We need actual character focus and development, not heist drama. Badly. Not even romance, though that'd be a nice change. Just any character expansion of our limited cast of characters. Gosho wants big, all the time, meaningless big stuff, when small would be so nice.

[hellokittykookies]

“3 words, 8 letters. I mean it” - J.JK - Mini (M)

Pairings : j.jk x fem! Reader

Genre : situationship, smut, slight fluff.

Contents : chuckblair inspired, limo sx, gossip girl parties setting, unprotected sex (yk what to do babes), riding, praisekink, comparing, big c!jk, slight public sex, not proofread, lemme know what i missed!

Notes : don’t expect too much yall. I’m trying a new writing style. The one that’s not too detailed that i write about everything but the character😭 tell me what you think about this? Should i make more smut? Idk i think i’m bad at smut, i’m more better at fluff and romantic stuff but i just wanted to try this. Xoxo gossip girl💋💋 Ive been watching the show and i love itt!! I love chuck and blair and i think i will def write more inspired by them. I loved the “3 words, 8 letters” line. It’s my favourite tbh.

“I knew you had a type…” his voice trails behind me. I didn’t bother to move or to face him but to just stay still and silent, silently enjoying his touch, the way his touch felt like warmth to my cold like skin, the way the world stops, and everythingstops once he touches me.

“I missed you.”

After Jungkook suddenly left me in Paris without saying a word during our vacation together, I was shattered. One minute, everything felt perfect. the Eiffel Tower lighting up the night sky, his laughter filling my heart with happiness as we explored and the next, the right side of my bed was gone . Broken, sad, left, and helpless. I spent the four remaining days locked away in the hotel room we had booked together.

At the airport, sitting alone in business class, I tried to distract myself, to feel anything other than the suffocating pain that clung to me. That’s when a man approached me. At first, I didn’t want to look at him, but when I did, I felt a sharp ache in my chest. His sleeve tattoos, the undercut, the piercings. it all felt too familiar, too much like him.

When I learned he lived in the same city as me, I impulsively invited him to my upcoming party. I told myself it was a distraction, a way to move on. Maybe even a chance to prove to myself that I didn’t need Jungkook anymore.

I thought that was the end of us. I truly did.

Until now.

“You left me… alone in a country whose people I don’t even know,” my eyes keep shut, trying hard not to let a tear out.

“I’m sorry, honey… let me make it up to you?”

“I have Ian now, Jungkook,” I try to keep my tone straight.

“No, you won’t,” he chuckles deeply. “You’re only with him to replace the missing presence that you can’t live without.” His hands trail around my jawline. “And that is me”

“Three words, eight letters. I mean it,” his tone changes into a soft one, one that I only hear when he wakes up to me wrapped up in his arms, one when he starts talking about our future together, together.

“Three words, eight letters. Let’s get out of here,” I say, grabbing his hand, intertwining with mine, his smile widening.

—-

The limo driver’s voice, distant and polite, asked, “Your place, Ms.?”

“Mhm,” I hummed, breathless already, my response barely audible as Jungkook’s lips crashed into mine. The kiss was firm yet full of emotion, like he’d been starving for days…… He starved for my taste

My breath hitched as Jungkook pulled me into his lap, his large hands gripping my waist. all I could manage was a soft hum, barely audible, as I reached blindly for the button to raise the divider.

The divider hummed as it rises, It being the only thing keeping the driver from seeing us do the deed in the back of the limo, leaving only us in the together in the backseat. His tongue parted my lips, the kiss deepening as his hands roamed over my thighs, hiking my dress higher until it was bunched around my hips.

“Fuck, baby,” he groaned against my lips, his voice low and strained. “I fucking missed you, my pretty girl”

I gasped as he tugged my panties aside, his fingers grazing the slick heat of my core. “You’re already so wet for me,” he murmured, his dark eyes locking onto mine as his fingers teased me, gathering the wetness and spreading it over my entrance. “You’ve been missing me too huh?”

“Jungkook,” I whimpered, unable to answer him as my hips bucked against his hand.

“That’s what I thought,” he said, his lips curving into a small, cocky smirk. His hands gripped my hips as he leaned back slightly, guiding me to straddle him completely. “Come here, baby. Let me feel you.”

I reached between us, freeing him from his pants. He was already hard, his cock thick and pulsing in my hand, and the deep groan that rumbled in his chest as I stroked him sent a wave of heat coursing through me.

“Don’t tease me,” he said, his voice low and dangerous, his hands tightening on my thighs. “You know I can’t wait.”

I positioned myself over him, the head of his cock pressing against my entrance, and slowly sank down, taking him inch by inch. The stretch was overwhelming, my body trembling as he filled me completely.

“Fuck,” he groaned, his head falling back against the seat as his hands gripped my waist. “You’re so fucking tight, baby. You feel so good.”

I braced my hands on his shoulders, rocking my hips slightly to adjust to the fullness. “Jungkook,” I gasped, my voice shaking. “You’re so deep.”

“That’s it,” he murmured, his hands moving to guide me as I began to move. “Good girl. Take me just like that. You’re doing so good.”

The praise sent a shiver down my spine, and I picked up the pace, bouncing on his lap, riding him with a desperation that matched his own. The sound of skin slapping against skin filled the small space, mingling with our moans and the occasional broken gasp of my name from his lips.

“Fuck, baby,” he groaned, his voice strained as his hands gripped my hips tightly, helping me move faster. “You’re gonna make me lose it. You’re so fucking perfect. So good to me.”

“Jungkook,” I whimpered, my nails digging into his shoulders as the pressure built low in my belly. “I-I’m close.”

“Me too,” he growled, his hips thrusting up to meet mine as his pace turned erratic. His dark eyes locked on mine, his voice soft but commanding. “Milk me, baby. Let me feel you. I’ll fill you up, yeah?”

“Yes,” I cried out, my voice desperate. “Fill me up, Jungkook. Please. I want it. I want all of you.”

“Fuck,” he groaned, his grip on me tightening as he slammed into me one last time, holding me down as his release hit. “That’s it, baby. Milk me. Fuck, you’re so good.”

The sensation of him filling me sent me over the edge, my body clenching around him as my orgasm crashed over me in waves. I cried out his name, my movements faltering as he held me close, his lips pressing against my neck as we both trembled through the aftershocks.

For a long moment, neither of us moved, our breaths mingling as we clung to each other. His hands stroked my back, his lips brushing softly against my shoulder as he whispered, “three words, eight letters. I mean it.”

“Three words, eight letters. I mean it more.” I murmured, my fingers tangling in his hair as I kissed him, my heart racing as the limo drove us to my house.

[robogalaxies]

☎️ - The Unneeded But Happily Researched Crumbs Of Everything We Know About The Commissioner

“If anything happens… I’ll deny I ever knew you.”

The Commissioner is, as we all know, a mystery, and I hope it stays that way, but I put it upon myself to wrangle every little tidbit of information we have on him outside of giving cases! I do this solely because of three things:

I have nothing better to do

I find myself strangely endeared to his character (i.e. I do a gay little "favorite character" clap every time I hear him mentioned)

I want to share all my random knowledge with you all because I go digging for it in every S&M media there is

I'll be dividing this up into 4 sections for ease of access: comics lore, games lore (HtR, Telltale, TTIV), cartoon lore, and misc. lore. Some things MAY be assumptions based on other characters' reactions to what he MIGHT be saying or say about him, sure, but I will source all information on where to find it & provide images when they can be easily provided!~ If anything new comes up or I have forgotten something, I'll update. Until then... hope you love both hyperlinks and "at least I laughed at it" style commentary! ☎️

Comics Lore

The introduction of The Commissioner, as with everyone else! Small tidbits of his quite understated character outside of being The Phone are here, obviously, including:

the Commissioner's one and only speech bubble! (Bad Day on The Moon)

the beginnings of the implied "I love you" statements towards Sam & Max with an "XOXO" on a postcard (Bad Day on The Moon)

he shows SOME disdain towards Sam & Max's attitudes towards achieving their goals, being the one specifically to tell them to go on a road trip (On the Road #1, "Prisoners of The Casbah")

Games Lore

Hit the Road

The Commissioner is barely a character in this game (big surprise, right?) and you do not get much information on him minus the bare minimum of "he is Sam & Max's boss," so there's not much to be said here. In fact, I don't know why I mentioned it. Great game, though, go play it! Now! I'll wait until you get back :)

Save The World

Welcome back! There're only minor silly tidbits here, but they're needed for this comprehensive list. Everything is worth mentioning about a character with nothing to his name but "The Commissioner." I mean, you're reading this post, right?

wears bifocals! 👓 ("The Mole, The Mob, and The Meatball")

was once in contact with & worked with Harry Moleman, as he sent him to be the mole for the Toy Mafia. Crossover of the century... I wonder if he knows how far poor Harry has fallen ("The Mole, The Mob, and The Meatball")

Takes Sam & Max out for dinner sometimes, apparently, if they do well enough on their cases! Squirrel Garden sounds disgusting, but I'd be jazzed too if they also had the free breadsticks ("The Mole, The Mob, and The Meatball")

likely just a quick jab, so I don't really know why I'm putting it here other than humor, but Max apparently doesn't trust him! I hope that gets solved; Commissioner is sorta signing his meager paychecks ("Bright Side of The Moon")

Beyond Time and Space

The middle child of the Telltale trilogy, this game has barely anything in terms of tidbits given that he really only assigns the beginning cases in 1 out of 5 episodes, and even then, that doesn't give a single thing away. Despite this, there's gotta be one or two tidbits we should learn, right? Sure!

is aware of Sam's insistence on answering the phone & seemingly asks straight up why he didn't answer (What's Up, Beelzebub?)

Can confirm an "I love you" towards Max... d'aww! (What's Up, Beelzebub?)

The Devil's Playhouse

The Commissioner barely shows up or is referenced in this game, mainly due to the story existing outside of the common framing of "assigning cases," but we learn two small yet revealing tidbits:

British Columbian! 🇨🇦 (The City That Dares Not Sleep)

Has provided books on cultural and racial sensitivity for Sam & Max because they kept "reducing people to obvious stereotypes." (The City That Dares Not Sleep)

This Time, It's Virtual!

The phone exists yet again... but in your VR HEADSET! Some fairly funny Commissioner lore in this one even if you, like almost everyone I've seen in this fandom, dislike or even hate this game:

His family is in hiding, and I'm assuming Witness Protection?! Must come with the territory (phone call after completing first three Freelance Training segments in-game)

Can confirm an "I love you" of some sort said to Sam ... d'aww! (phone call after completing first three Freelance Training segments in-game)

Signs off even official, legal wanted posters with "The Commissioner," asking people to seek the help of Freelance Police & associates himself as PART of the Freelance Police!

signs your certificate at the end of the game, which mentions the Illuminati in conjunction with his name for some reason! What kind of policing are we running here....??

Cartoon Lore

Truly, the 90s cartoon is where most Commissioner lore lies if we take into consideration all of these happen within the same universe, which we likely shouldn't. This being said, the cartoon provides us with the only picture we have of the guy (see post photo above the cut). Alongside this, we also get a LOT more information than any other media:

before we even start the information in the ACTUAL cartoon, Sam & Max say within the show's initial Bible believe he's out to kill them, in some way, saying they're the "troubled, ungrateful sons he never had." That's so sweet ... in a way. As well, there's a very small section dedicated to the Commissioner as a character, though not much is said that we don't already know (Sam & Max Cartoon Series Bible)

has Geek's number, or at least a number to the Sub-Basment of Solitude, as he calls it more than once over the course of the series, which makes me wonder how well he may or may not know Geek! Like a grandniece or something (episodes 1, "The Thing That Wouldn't Stop It" & 3b, "They Came from Down There")

cried over the story of Sam & Max having to get rid of John, their beloved alligator son... must be a shared parental instinct (episode 6a, "That Darn Gator")

apparently sends sticker books in case briefings on a semi-regular basis, as Sam comments that he "loves when the Commissioner does that" as if it has happened before - how whimsical! (episode 6b, "We Drop at Dawn")

confirms the Commissioner as a legitimate police commissioner alongside being Sam & Max's boss (episode 6b, "We Drop at Dawn")

seemingly very fussy if not given his private bathroom and honor bar. Fancy stuff, Commissioner, & he apparently allows Sam and Max up there! Or not, they just sorta bust in. Whatever! Sharing is caring (episode 6b, "We Drop at Dawn")

the Commissioner has a DAUGHTER! and somehow, Sam & Max got invited to her WEDDING! I think she's beautiful and I hope she doesn't resent her special day getting ruined (episode 11a, "Kiss Kiss Bang Bang")

that iconic, signed, chest only photo given with the solemn, loving, promise of "If anything ever happens, I'll deny I ever knew you," followed by Max crying that it's "It's just... so him." - what a loving, tender and slightly bordering on oddly familial relationship he has with Sam and Max... stop, I'll start crying! (episode 13, "The Final Episode")

Misc. Lore

These are lore tidbits that are present in mediums either outside of the media itself, belong in a game that is not technically part of the larger S&M canon, or has to do with out of media context, but should be included anyway because why not!

gifts Sam & Max a new floaty pen from a different United State every Christmas ... but not really anything else! (Poker Night 2)

Sam & Max discuss the Commissioner's power in response to doubt about his existence, claiming "Don’t you know he’s everywhere? He knows we’re talking about him right now!" - which is sort of scary, but I'll let it slide because it implies that the Commissioner's surveillance is of a much higher caliber than we initially thought and that is BANGER (in-character interview for Telltale, found here on Steve Purcell's Sam & Max FB page)

He's affectionate yet surly & I'm sure all those "I love you" statements contribute to that! D'aww... (Skunkape Origin Video)

Voiced by a member of Bay Area Sound, Julian Kwasneski, in the Telltale trilogy! Talked about and even has a LINE recited in this specific developer commentary! We love a mysterious boss who sounds like an adult in Peanuts.

God bless the guy, he had a rash! Does this matter? No. Will it ever matter? Likely not, as it was from the sadly cancelled Sam & Max: Freelance Police trailer. Sighs. At this point, you can tell I'm just adding whatever mentions we get of the guy. Makes me giggle, though.

Conclusion...?

In the end, the Commissioner is a mystery, and always WILL be a mystery. Hell, I sort of never want to know as it will ruin every single thing I have worked so hard to archive, but it is fun to comb through the different canons! Of course, it is likely any of this can be tossed out or considered non-canon in the blink of an eye because Sam & Max always loves to give a middle finger to character details if they don't affect the main plot & likely a lot of these are mere gags. The Commissioner is phone, and always will be only phone. However, it's always in my best interest to try to find ANYTHING to push back the curtain even the tiniest inch, and I hope my efforts were worth it. Now, to sign off, just press that phone! You got it, you got it! ☎️

[gamerbot-22]

How Temporary is Temporary?

Prompt: Couch

TW/CW: Sunday has anxiety, possibly not canon compliant, barely proofread and I appreciate spellchecks!

Word Count: 741

A/N: So I got this prompt and got really excited but here's... The thing... I still haven't played New Venture on the Eighth Dawn. So a lot of this is based off fanon interpretation of the dynamic. To be fair, most HSR fanon interpretation I have seen has been very canon compliant, but I still figured I would let that warning out so people are aware where this is coming from. An easier option would have been writing pre-NVotED Sunday, but I can't write domestic shit as easily with that version!

Likes and Reblogs appreciated (reblogs > likes) and Requests are Open! Read this story on Ao3 here!

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The dividers in this post were made by @/gamerbot-22 (me!) ☆

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"Little steps forward, watch your feet!"

Sunday's wings fluttered in front of his eyes, his smile tensing as he was lead further and further along the Express' hallways. "I'm... unsure of how I'm supposed to do that while I'm blindfolded, Miss March--"

The hands holding his gave him a reassuring squeeze, then a gentle tug to lead him along further. "Just keep walking," he heard Stelle chime, "you're almost there."

With another anxious flinch, Sunday listened and kept moving. The logical half of his brain was certain that whatever surprise he was being lead to, it would be at the very least neat, and not something to be afraid of, but that little sliver of the unknown was more than enough for the other half of his brain to run wild with. Yes, the Astral Express had fed him, and said that he was welcome, but surely they didn't forgive so easily, right? There had to be some kind of snake in the grass, waiting to lash out and--

"Ta-da!!!"

Sunday came to an abrupt halt, feathers fluttering one more time as Stelle's fingers suddenly left his hands. He didn't really move, his head still ringing with anxiety like a church bell.

March and Stelle looked at each other. Then back at him. "Sunday, you can put your wings down now," March said.

"Oh." An embarrassed flush rose in Sunday's cheeks. "Yes, of course--" His feathers drew back like a curtain, and all the while as his eyes adjusted to the light, Sunday's heart was racing. He had no idea what to expect, what he was going to see. His shoulders squared in an attempt to save face, but once his wings were back behind his ears... it all faded away.

He was standing right in front of the couch in the Parlor Cart, although it was much... more now. There were extra pillows propped up against the arm rest, and a big green blanket draped over the cushions. On the coffee table beside him was a miniature space heater and a stack of books of all kinds--he recognized an old prose novel nestled between some comic books-- and right in the middle of it all was a little plush bird, fashioned to look like the Origami Bird characters from the Dreamscape.

"Ta-da!" March repeated. She swung around Sunday's side to smile at him, then moved to get back out of his way. "Since we know we don't have the space set up to give you a full room just yet, we all decided to pitch in and make your space on the couch a little more comfortable!"

Sunday shuffled closer to the little nest in front of him, all smooth and clean and waiting for him to nestle into.

"Everyone pitched in," he heard Stelle add, her voice bright and quick. "And, you know, if you need anything else, just ask! We have a friend that should be able to get anything special ordered in."

He picked up the Origami Bird as if it were made of real paper, sliding his hands under it's plush body. It was light as a feather, and as he drew it closer to his face he caught the faintest whiff of... something familiar but much too distant to place. It wasn't flowers, it was too sharp, and it felt too artificial to be fresh air, but Aeons... It smelled like home. He couldn't help but hold it close to his chest.

His thoughts broke when he felt a little tap on his shoulder. "Oh, sorry," he murmured, giving himself a moment to come back to his body. "This is very kind of you, truly. I... I don't think I have the words to express that fully."

Stelle tilted her head and smiled. She knew that feeling in his chest, warm and overpowering. "Of course, Sunday. You're part of the Astral Express Crew now, it's the least we could do."

The Halovian couldn't help but sniff, his eyesight going a little blurry at the edges.

The anxious part of his brain finally stilled. it wasn't gone completely--it would be a long time before it laid it stopped twittering, if it ever did--but the logical half, the calming half, was able to sing unimpeded now, cooing and chirping like that dove that never left his mind.

It was a temporary feeling, he knew, but it wouldn't be the last time he felt it.

[thisismynamenowxpoetry]

ATTENTION GEN Z, I know we hate poetry, but please, if you've ever felt alone, or hated technology, or hated Gen Alpha, please read this, repost, do whatever, but please, this was written for all of you <3

The news this morning 

Was talking about how we go to Chat GPT

For therapy

And advice

And my mother said it’s just because we don’t know how

To communicate face to face

When why should we?

You shoved an iPad into our faces

The second we were old enough to comprehend it

You put on the TV

And we believed the characters were speaking live

And they could see us

Through those pixels

Why shouldn’t we turn to a computer

To give us answers

When it’s that that gave us the issues to begin with?

Why shouldn’t we

Chat with a computer

About nothing and everything

When it is that 

That made us feel so isolated?

People wonder

Why we’re so concerned about Gen Alpha

And it’s obvious

When we think about it

It’s not because they’re growing up too fast

It’s because we know what it’s like

To have wires shoved into our veins

And now

Now they were born with them

Already pulsing through their blood

We don’t want them to make the same mistakes we did

But I think it’s too late,

They’re already turning into what we don’t want

Anyone

To ever be

And it’s scary to watch,

We know what technology has done to us

And we don’t want to watch anyone else

Succumb to it like we did

We are the last generation

Who went outside to play

And know what birds sound like

And wish to break their phones

We are the last generation

That will ever

Ever 

Have a normal childhood

Now we can just watch

As the depression rates get higher

And more young children know what suicide is

Too early

And learn how to self harm

And lose their innocence

And be scared of men

And not care for dolls

We are scared of them

But we’re scared for them

Of course we turn to AI to talk to

Our parents don’t get it,

They can barely find opening hours for a shop,

While we can find a 10-step guide on how to murder,

Or build a bomb,

And guides on how to manipulate your body

And everything is at our fingertips

This is generational trauma that they have created

We can watch someone shooting their brains out

And we can receive photos from anyone

And why do we know what everything we shouldn’t worry about is?

We had COVID

And we turned to screens

And went on TikTok

And created trends

And it felt like a community

Until everyone was there

And we couldn’t do anything

And we got addicted

And we can’t turn back

We started with chat rooms

And we found like minded-people

And it was always “sweetie, be careful of creeps on the internet”

And now it’s just

“Be in bed by 10”

But we’ll keep scrolling

And we all have friends who live half the world away

And if you mention that

Someone has to ask if you’ve called yet

And “have you seen their face?”

We can look at anything

There are guides for everything

We know where Kim K was two minutes ago

And why do I feel pressure to always have something on my story?

We talk to robots

Because no adults will ever know

How sick we feel 

Before we go on our phones

No adults can know

How we’ve seen every scar

And depression become a trend

And we have to use the hashtag actuallyautistc

No adults will know

How there are video essays on anything

And we shouldn’t know about everyone that has been raped

Or murdered

And we shouldn’t have wikihow

On how to be attractive

It started as a joke,

How stupid is this thing I found?,

But we keep reading it

And we start to believe it

Why would we read books?

Technology is constantly advancing

Everything is irrelevant in months

And we must be careful not to be cancelled

And a dress can divide a nation

We don’t want to watch Gen Alpha

Leap so blindy into their screens

Trusting what they read,

We want to keep it for us,

We have to live with it,

And as much as they suck,

It is our fault for staying 

And posting everything

We are a sad generation with happy pictures

And a face full of makeup

And we’re just perpetuating stereotypes

And you can’t like something unless you’re obsessed

We can know the cure for any medical condition

But there is no guide on how to destory our screens

And lives

And I know I’m fifteen

But this is ruining mine,

And so many others' lives.

We don’t want to see little kids

On their mums phones

And my mother defends it,

Saying mums just need a minute to breathe,

But please

Anything else

I don’t want to see a baby already addicted to CocoMelon

We don’t want to see

More people falling into a hole

And we know it’s why we’re sad

But nobody else should have to go through it,

That’s for us,

That’s an us problem

I saw a six year old

Using Drunk Elephant

And swearing in her GRWM

And none of that is fair,

How are we letting this slide?

But we can’t do anything

Because we don’t want to admit there’s a problem

We can learn anything about Hitler

And anything about Meryl Streep

And it can be within the same two fucking clicks

I remember

When my age on TikTok clocked over to 15

A few days before my actual birthday

And it was then

That all I saw was suicide notes,

And self harm scars

And how to hide things from your parents guides

And abuse stories

There was no going back,

Every other person whose a teenage girl on the app

Is probably met with the same things as me

The algorithm

Is designed to show you a positive video

Every few scrolls

Just to keep you hooked,

And it works,

It’s a science,

It works to a T

We can know where any friend is

And read receipts plague us

And anything will be screenshot

And used against you

School thought taking away our phones 

Would fix this,

Like it’s a magical cure,

When all it’s teaching us

Is how addicted we are,

And how best to hide an earbud

And we need music to concentrate!

Or course we do,

We have constant stimulation

It is never quiet

There is always a voice talking

We are getting mad at kids for being on a phone

When we all know

We’re just mad that it is actually happening

And we can’t warn them

And no one will listen

Because how could it be that bad?

In ten years

People who grew up with technology 

Are going to end up with something like PTSD

Because we can’t let go of it

We can’t put it down,

We can get an essay written for us in seconds,

And Dall-E can make anything for us

So of course we’ll talk to AI,

It’s better than talking to a real person

And acting like we’re okay,

We’d rather sit behind a screen

And control sims

And listen to music

So we can’t hear our minds

Every time I scroll through

I’m met with tales of girls who get killed by their fathers,

Every time I scroll through

I’m showen another 7 second video

With sad litte text

On sad little faces

We want to escape,

We want to tear our veins out,

Rip the wires,

Shove them back in to our body

After we re-wire our brains,

Of course,

Because we can diagnose ourselfs with any mental illness

That we see fit

Because there has to be something wrong with you

We will never go back,

It is impossible 

We have Whispers from Pinterest

And sad purple quotes

Lining our camera roll

Which should highlight our happy moments

But is just videos of us crying

It has ruined relationships,

How dare we follow another guy,

How dare he like another girl's photo?

We have our music right there

We don’t have to learn lyrics,

We can play any instrument,

We must like Taylor Swift,

We must have Kanye West

Everything is a trend

And your clothes must match your aesthetic

And you have to be funny

Or smart

Or creative

And how dare we burn out?

How dare we burn out

When if we didn’t rot in our beds

Scrolling aimlessly

Would solve half our problems?

There is no fix now,

We have to watch them grow up

Knowing they’ll ask what this-big-word is

Before they’re even five

Because an ad came up on mummy’s phone

And “what’s a vape?”

And “am I fat?”

All we can do now

Is listen to our sad songs

And act like social media

Didn’t ruin our perceptions

On everything.

[thathartleykat]

A very lengthy letter before the series' departure.

Hey, everyone, Hartley here.

By June of 2023, it would be my 4th year in the Hilda community, and i'm still in disbelief that i've been active in the community for this long, as well as the animated series is coming to an end tomorrow.

I have been wanting to post this since then, but i've been extremely busy in my life, as well as my personal computer was broken for almost an entire year - hence why my activity in the community also got died down a little bit.

I have a lot of things to say to everyone, from people in the community to the people who worked on the show, as well as the past, present and future, so for the convenience of your reading, i'll divide what i want to say into chapters.

I. About me & how i got into the show ( Trigger warning: Deaths ) I've rarely talked about this to anyone, but... I live by myself, and there's a good chance i might not be around for much longer. It's sort of the reason why i got into Hilda from the first place.

I first found out about Hilda in October 2018 when i was browsing on Tumblr, but never really watched it until May 2019, when a friend of mine gave me a month free subscription of Netflix. I started to go down the list of things i wanted to watch on the platform, and when it came to Hilda, i never thought i would get fixated on the show. Well, guess where we're at now?

I was stunned by the show's colorful vibes, amazing plot writing and how the show built the characters and mythologies, especially how they portrayed the mentality of the children in the show when the kids interact with each other or with adults.

The one thing that i also extremely adore in the show is the relationship between Hilda and Johanna... because it deeply reminds me of my parents when they were still alive. I had a similar life and relationship with them. Every time i see Hilda and her mum together, it always makes me remember about my former childhood life, how kind my parents were to me, and how i wanted to be the adventurous kid that never disappoints them.

I had a pretty good life until my parents got cancer when i was 11 years old - the same age with Hilda in first & possibly second season. Things got worse since then, and they passed away a few years after that.

Now i'm pretty much alone, with a good chance that i might follow them, so if i ever just disappear without telling anything, well... at least i had a good run, i never thought i'd make it this far anyway.

The show had made a significant change on my life, as well as some of my future decisions and helped me through hard times.

It would be an understatement to say this series meant a lot for me.

Because of this, and the feeling of the show doesn't get enough attention that it deserves, i've been dedicating myself for the last few years to help the show and its community thrive.

II. About the animated series Sometimes, i feel really sad that they couldn't have done more for it. - As someone who lives in Vietnam, it's really sad to see the show lacks Vietnamese subtitles and audio language - despite there being a huge number of Netflix users in the country. Due to this, the series basically got hidden from anyone who's watching with their Netflix's interface language set to Vietnamese, which makes the show really hard to be recommended to anyone here. At the same time, many other animated series on the platform have either or both of those. - A lot of merchandise of the franchise has either never saw the day or short-lived. Hilda's GUND plushies only lived for 1.5 years, and by my count, there were 3 Hilda board games that got reported to the news, but never got released. - Hilda video games. The only official Hilda game we ever got was Hilda Creatures, and sadly, the company that made the game went defunct in April 2022, dragging Hilda Creatures along with it. - Netflix. Batch releasing the show and giving it the bare minimum marketing. The same thing happened with Jojo and we all know what happened to its hype. - The mishandling of social media pages, which led to Hilda's Facebook page got hacked for an entire month during May 2023, as well as a lack of interaction posts after season 1 to keep the community up.

I really wish the show got better treatment in a lot of stuff, but at the same time, i'm grateful for the crew's work to get the series this far. One of the directors at one point confirmed that the show got pitched to various networks like Cartoon Network, Disney, Children BBC, Nick... and no one accepted the show until Netflix came along. If Netflix never took the show in, or if it was another network that got it ( which i suspect it'd change the direction of the show by a lot ), where would we be now...?

Though the show will definitely not be reminded by Netflix every now and then as other networks do, but at least it is going out with a bang. Really wish the show would become a sleeper hit at some point in the future.

III. About the community Genuinely, it's one of the most amazing communities i've ever been in. People who are younger, same age, or even parents who are much older than me... I had amazing experiences with all of them. I've made many friends from here, which sometimes makes me wish our community would stay the same like this forever after the series ends.

Honestly, i don't know what else i could say about everyone, other than thanking you guys for making my days within the community, as well as your efforts in making it an amazing place for me and everyone else to stay in.

IV. About the future Well, i've been thinking about it quite a lot.

After the animated series ends, i'll try my best to continue sticking around in the community and do a lot more stuff for it. The franchise will still seem to continue for at least some more time, with the upcoming release of the new prequel Hilda comic series, "Hilda and Twig".

I'd be selfish for saying this, but if the current state of animations improves in the future... I'd want to see Hilda's world return as animation at some point - either following the same blue-haired girl that we all know and love, or just a spin-off from an entirely different character. It's hard to imagine how the worldbuilding we've seen in the last 12 years, where "there's so much we've never seen, so much we don't know" and "there's mystery everywhere you look" would potentially disappear after this... I really hope i would see it again, as well as be around long enough to see it.

As of now, this chapter is about to come to an end. So before it does, i want to say thanks to everyone who has been involved in this show.

Thank you Luke Pearson, the people who made Hilda the series possible, and especially - you. Whether you worked on it or are just simply a fan of the show, you have my sincere gratitude for all the great things that happened to the series in the last 4 years.

This is Hartley, and i hope everyone enjoys Season 3.

[litsnobconfessions]

Literary Trash Talk: Why The Beach is Avatar's Weakest Episode

Unpopular opinion time. I Hate. The Beach.

No, not the place where the water meets the shore--l love that. I'm talking about season 3, episode 5 of Avatar: The Last Airbender.

Look, I know "The Beach" is a fan favorite. And I'm probably not going to change your mind here, and quite frankly, you probably won't change mine. But that doesn't mean it's not worth analyzing its flaws. At the very least, it might help me get it out of my system because I tend to get particularly frustrated with things I dislike when either (1) I don't see what others see in it or (2) I think it could have been a lot better with a little more effort. "The Beach" fits both of those. This has been a long time coming.

First off, it's completely episodic. I've already mentioned my creative writing teacher who said "if it's worth putting in once, it's worth putting in twice," but... almost nothing from this episode shows up again? Except for like... the location? And did we need an entire episode to introduce the royal family's old vacation house?

Aside from that, we have Combustion Man, and we have Zuko admitting that he's angry at himself. But Combustion Man appears in the following episode, so you don't miss anything if you skip it. And while it's satisfying to see Zuko admit that he's angry at himself, I don't think that two minutes is that goundbreaking. Not in a plot arc that's been brewing for two and a half seasons. Honestly, it feels like "The Great Divide," in that someone new to the show could skip over it and probably never realize it was there. But "The Great Divide" is dominated by these animation shifts, which make it visually interesting, and someone (the Gan Jins and the Zhangs) make clear progress in the story. In contrast, the evil teenagers who arrive at the beach end as... evil teenagers who destroy people's houses because they feel like it?

But let's dig a little deeper, starting with Zuko and Mai. They have a fight in this episode which, to me, feels like it comes out of nowhere. The last we saw them, they were being hella cute, and Zuko was loving on Mai for hating the world. And now, suddenly, they're mad at each other? I know this is because Zuko is angry, but from what we've seen, Mai is his grounding force right now. His relationship with her is what makes him feel good. So I think it would have made more sense for us to see at least one or two scenes before this where he is angry around her, even if he's not angry at her.

I also don't really buy the scene where Zuko tries to give Mai the seashell? Like... he just reaches over and grabs this seashell and he's like, "I got this for you." Yeah, you worked real hard for that, Zuko.

Except, Zuko does work hard for things. That's a major part of his character. And other times that we've seen him show kindness it's very deliberate and well thought out--he gives Lee the knife in "Zuko Alone." He makes tea for his uncle. He firebends for a girl he barely knows, so she can see this fountain she loves! He's known Mai all his life. I think he would have some idea of what she likes. And he would be deliberate about his gift-giving. Honestly, to me, this plays out like he's already done something to anger her, and he's trying to frantically make an apology. Only, I don't remember that happening. Is there an episode I'm missing?!

I also don't really see him getting jealous just because the guy says, "oh, you all came early, huh?" Again, he knows Mai; she's his grounding force. I can see him getting annoyed, but not jumping to the conclusion that Mai must like this dude she has literally never interacted with. Again, if we had seen some kind of jealousy or other conflict between them, I would buy it, but it comes out of nowhere.

I do buy him getting angry when he spills the food. We've seen Zuko get angry at minor slights before. And I believe that that would lead into his jealousy when he immediately sees Mai talking to another guy. Likewise, the blowout they have at the party is believable, though I do kind of wish Mai had said just about anything other than "it's over" because they get back together in like... five minutes... so it kind of takes the teeth out of the dramatic moment. In the show's defense, they are teenagers, and teenagers do break up and make up this quickly. But as a storyteller, I think it would have been stronger if there has been a longer period of lead up or cool down.

I also think the complaints they have about one another are valid. Mai tells Zuko that he's been angry all the time and wants to know what that's about. And Zuko yells at Mai for not being emtionally expressive, which to me reads as him telling her she's bad at communication. I've been there with partners--where they just say "meh" to everything, and I don't actually know what I'm doing right or wrong. But again, this episode is the only time we see them struggling with these conflicts.

When I talked about "The Great Divide," I said that the reason I think Sokka and Katara's argument works, even though it begins and ends in the same episode, is that we've seen them fight before, and we'll see them fight again. Katara's argument with Toph in "The Runaway" works for the same reason--it's part of a larger pattern. But there is not larger pattern of Zuko and Mai fighting.

Honestly, to me, it feels like the creators decided they needed to fight to prove it's a real relationship, but I don't think that's true. Consider Hiccup and Astrid in How to Train Your Dragon. They don't have a big blow-out argument like this. They're just cutesy and supportive over the course of three films. ATLA could have done the same with Zuko and Mai, and honestly, I think it would have made the show better. Because Zuko has had a healthy relationship with probably him mom, and his uncle, and that's it. Mai's relationship with Azula is obviously not healthy. Her relationship with her family is also possibly unhealthy? Based on what she tells us in this episode? If that's true, then having a proper healthy relationship could potentially contribute to the decisions they make later in the story. 

And this brings me to Mai's family drama. She tells us here that her mother told her she needed to be quiet and not express her opinion so her father could rise in the ranks. Honestly, this felt obvious to me, but maybe it wouldn't be to a kid, so I'll give them credit there. The bigger problem is that we see Mai's parents in exactly one episode: "Return to Omashu." We don't really see this conflict with her mother in this episode, and we don't see her parents ever again.

Compare this to Zuko's family drama, which shows up in nearly every episode he's in. Over and over and over we see him talking to his father, talking about his father, having flashbacks about his father. We see the same patterns with his relationship with Azula and his mother. We see it with Sokka and Hakoda. Even Toph's family drama, which only shows up in two or three episodes... shows up in two or three episodes. Not one. If it's worth putting in once, it's worth putting in twice.

Now let's look at Ty Lee and Azula, who overall feel more in character. Ty Lee is the pretty girl, so she's getting a lot of attention, and she enjoys it. But I also totally buy her getting overwhelmed by the guys all fighting her and just knocking them out. I do think this supports the Tyzula ship--Ty Lee enjoys the attention from the boys, but she wants the attention from Azula. I could also see this as Ty Lee not knowing how to stand up for herself. Like yeah, she's a good fighter and all, but so far the majority of her characterization has been pretty-girl-who-goes-along-with-whatever-Azula-does, and her reasons are pretty vague. Her "character development" doesn't really help because, like Mai, it's just her telling us about her problems with her family. Except Ty Lee's family doesn't show up at all in the show. They are completely irrelevant to anything else that happens. Which makes them completely irrelevent here. If it's worth putting in once, it's worth putting in twice.

As for Azula, it's funny to see her not understanding normal social situations, and while I do believe that this is the way she would flirt, it's also not important? Again, we never see her in any other situations where she's trying to socialize normally. Like... what are we trying to say with the flirting? That she controls people because she doesn't know how to befriend people? I think I already knew that. I also think the volleyball scene tells me that just as much as the flirting scene. So I think the flirting is just in here because of comedy, which would be fine if the rest of the episode had any substance whatsoever.

Because if you're trying to give Azula's character depth--if you're trying to give any of the girls depth--you know what would help a lot? Flashbacks. Flashbacks are half the reason Zuko's character has depth. Like... imagine if we never had any flashbacks with Zuko and his parents. Instead he just told us that his dad burned him and mother disappeared. And then we never heard about them again. This is basically what they did with the girls.

"The Beach" ends with people sitting around a fire expositing at us. We've already had this as a full episode--"The Storm," in season 1--and something very similar two episodes after "The Beach" with "The Avatar and the Firelord." These are purely expository episodes, but still often fan favorites because they are told in flashback. This is the basic concept of show, don't tell, which, for some reason, when it comes to these Mai, Ty Lee, and Azula, is ignored.

Maybe you're going to tell me that well, only the major characters, like Zuko and the gaang get flashbacks. But Iroh gets a flashback. Well, maybe Iroh is special (he is). Except that Jet gets flashbacks. Yue gets a flashback. Bumi gets a flashback. Appa and Momo get flashbacks. Zhao gets a flashback! You know why they get flashbacks? Because the creators deemed these moments important to plot and character development.

Consider this: Hama is a villain for one episode. She gets a flashback. Azula is a villain for two seasons. She gets to sit around a fire with her friends complaining about their family drama--drama that get less screen time than the drama between the Zhangs and the Gan Jins in "The Great Divide."

When I first watched "The Beach," I turned to my husband and said, "What the f*** was that?" I was frustrated because I knew nothing that I just saw was going to be relevent for the rest of the show. And I knew this because, in a show so laden with flashbacks, all we get in this episode is a few snapshots from Zuko. And I love Zuko. I am Zuko. But they did my girls dirty, ya'll.

I said when Mai, Ty Lee, and Azula showed up that they're considerably less developed than the other female characters on the show. When people tell me why they like this episode, they say it's because of the character development. But with the exception of maybe 2 minutes from Zuko, none of this development is given the time and attention that character development has been given in basically every other episode of the show. And honestly, in another show, this episode might not bother me so much. But considering ATLA's level of attention to detail, the missing elements are glaring. The whole episode feels like a frantically paced bit of filler that they put in because they needed another episode and weren't sure what to do. And Azula, Mai, and Ty Lee are the victims.

[aro-simp]

30, 14, and 4 for blorbo asks!!

THANKS ECHOOO

30. do you think this character will still be your Blorbo three years from now on?

I have NO clue, I wouldn't be surprised if I get into another phase of hating everything marvel and the Blorbodom may slip into dormancy.

But then again Zemo's been so important to me during my teen years, and that kinda stuff just sticks at some point, and while my interests wane occasionally they usually never go away completely, so! I think it's a believable assumption that I'm gonna stay attached :)

14. have you ever distanced yourself from your Blorbo / have you ever left a fandom because people in the fandom were being too toxic?

Yep! I've been actively avoiding anything marvel cause I genuinely couldn't stand it for the past three years or so, and there's just a certain divide between me and the rest of the fandom.

Not just because I disagree with a lot of people, but mostly because when I first got into marvel I was barely active in the community, I usually kept to my one friend. To now get more out there, interact with other fans just on the basis of sharing this fandom, seems extremely scary. (And then there's also the fact that because Marvel, especially the MCU, has been so formative for me, I have a really hard time not getting unnecessarily possessive over these characters)

Though, despite it all, Zemo stayed important to me, temporarily not nearly as important as other blorbos I gained in the meantime, but that was still just... My Guy.

4. what's the thing you love the most about your Blorbo?

I couldn't possibly pick one thing i love most cause the more I deal with this guy the more I jsut absolutely adore, so I'll just pick the one thing that originally drew me in:

MCU!Zemo is just so... normal. I mean he's far from actual "normal", and in about every other context he would seem extremely dramatic, but he's such a nice contrast to the whole SUPERhero/-villain setting. He's calm, collected, he's just a family man, he recognizes that he is nearly powerless.

I just like me an old school "killers walk among us and they look and act just like we do, and for all we know anyone could turn into one" kinda guy. And again, in contrast to the whole super setting they managed to make a classic, if not even cliché, trope seem fun, new and refreshing.

and then tfatws came along and HAD to put the whole drama queen baron thing on him UGH

that also had the,,, admittedly much appreciated by me, side effect that a lot of other fans I knew/observed either didn't care about zemo at all or didn't even remember he was in the movie at all. and you know that made me feel special

[erogrosss]

UR FAVE = UR SLANDER

(i'm very mean sorry)

CREEPYPASTA EDITON

Jeff - You're literally so fucking basic, I bet you order a PLAIN cheese pizza at a pizza place and sit alone in your bum ass apartment wishing he could take you away. news flash buddy, you're 25 years old sitting on your sweaty ass couch with the TV on blast with his wet jeans sounding story on repeat

Jane - oh you like her because she kisses women, on the daily, something you won't ever do, lesbian or not.

Nina - PLUR? you barely know basic fucking respect, peace and love maybe, unity you're divided on but respect 100% not, if i picked up a dictionary and looked for disrespect the definition would be "nina fans" bc no full offense yall are some of the most INSUFFERABLE people in this fandom

Liu - Oh you wanna be "DIFFERENT", well guess what picking the overrated fucks brother makes you a bit less worse than his fans

Toby - you're never growing up. it's been YEARS yet all yall still talk about is "OMG TOBY OMG TOBY!" how about get a personality instead of just ticci fucking toby

Tim/Masky - you're old and have father issues

Brian/Hoodie - you're old and have mother issues

Ben DROWNED - i think your taste in characters drowned because why the hell do you find a hot topic Link to be cool

Sally - your father definitely went to get the milk, why else would you like a dead child as a character

Judge Angels - religious trauma over here, this one's got religious trauma written allll over them

Bloody Painter/Helen - get off of deviantart for 5 fucking minutes and take a shower. NOW.

The Doll Maker - Oh you didn't want to pick Jason so you try and be original and pick this guy, news flash, you're not original, now go back to your bedrotting

Puppeteer - Piss. You stink like piss. this man bleeds, cries, pisses raw piss. you stink like piss and booze. go shower with the helen fans, actually don't. yall should be separated into cages

Jason - childhood trauma right here, buddy he wouldn't be nice with you he would kill you with no question and probably kick your body around for a little bit

Nathan - Didn't want to pick Toby so you go with the emo alternative? says a lot about you. hope you fall in a lake with skinny jeans on

LJ (both) - It's this one officer, it's this one. yup. check their harddrive.

Candypop - if you had a fursona you'd be one of those really annoying sparkledogs that make one's thing their personality, if you can even develop one that is.

EJ - you're either absolutely stupid and media illiterate or just plain weird, how's the failing med school going by the way?

X-Virus/Cody - AGAIN, you wanna be different so you pick the plastic dollar store version, you definitely can't get over toby being an overrated twat so you pick the next WORST option, seriously just like ANY OTHER CHARACTER

Kate - Ya keep sitting in your comfy chair drinking tea looking out the window, i know you'd 100% flip out if i said anything about this mascot horror wannabe

Hobo Heart - you need to go INSIDE. INDOORS. actually just stay out there you track mud all throughout your house and will be a future alcoholic

Clockwork - you only like her because of toby, huh? other than that you'd would've just glazed over her and ignored her. by the way you're breathing manually and hearing the clock tick in the background

Zalgo - edgy ass, picking the demon does not make you scary

Slenderman - ohhh you picked the "boss" character because you lack an authority figure in your life! gotcha! you're going to fail at work don't worry.

Lazari - HARD DRIVE. NOW.

Zero - monochrome ass behavior, yall probably just stare into space for hours at a time wondering where it all went wrong

Lost Silver - WE GET IT. YOU LIKE POKEMON.

[the-firebird69]

Collision - Trailer HD (2014) - Action Thriller Movie

They can't seem to get their s*** together but eventually they do we are watching them all the time. We see our son and daughter say it we hv them but don't know the stories yet true they do it planned it with the psuedo empire and empire are enemies yes hate each other but Thier system ok.

They're going out to Spain to Morocco and they're going to fight each other it's kind of a weird deal I think Tommy is with Sarah and the idiot comes out and hits them with a Lincoln the cars get reversed tell me you have to start fighting them again and it goes on for a while it comes out to the city and it's really a 2013 movie and the year is significant and was hidden. Gets hit bG gets hit in a van to blame him and Stefan hits him in Belgium as a reward and his wife sister they don't really deserve it as Trump is very mean and he deserves what he gets coming and BG gets out of that but does a lot of harm to him by getting hit in the van this guy suffers big time and he falls for stuff so his character dies and he's some sort of oil lawyer for real as Merrick and he's been threatening our daughter and son to acquire oil it's on the f is interfering with it and with the character down and fighting cheesman he is beginning to feel for New Zealand and starting a war down there with him and he's winning cuz the idiot doesn't have shifts and he's not trying to get chips and he thinks he has the program and he doesn't so what we need to get rid of him. Such a crazy movie it's insanity they are divided like crazy and useless as hell and threatening us and our people more than anything else indicating what they're planning to do constantly and they think they're a good footing I mean they're f****** nuts and we're going to take their ships wipe out their cities and blame them and use false flag and we have to absolutely have to and we're looking for people to volunteer for that service we have a lot we could use as many as we can get because we'll take ships from elsewhere if we have enough right now we don't have the number we want.

-this rolls into a few other things at same time which is Thanksgiving and then the 27th which is Camilla and her journey to be reunited and Dolores and her journey to be reunited and our son is upset his mom was injured and hurt for so long and couldn't heal because of Kamala and he says she's a giant and a mutant abilities are way up there and they both got a little excited and they tested it and it kind of worked a little and they started to feed a little different and it works and she's feeling a little and needed it and the privacycles are awful Prilosec she's worked in the cure and it helps her but really she just barely made it all the time it was horrible and these idiots do at our son and we're going to crush them and the guy gets out in his character is gone and they're fighting over it and they put him in a casket with Sarah and said that Mr Merrick is dead. And I send a daughter will be very happy that takes a while for it to stick finally and they go ahead on the 27th there's a period of fighting and it is in Massachusetts over the area and it is in the Detroit over the ship above that it switches to Utah with dumb and dumber and we think they lose her dumb and dumber To happens but in the interim when she is out and even Kamala doesn't want our son to get stuff now that's not true. But she wasn't necessarily wanting to get things from Arnie as kind of sacrilege and it's kind of clan stuff

So she's out and that's one of the major components out of the way of trump and his son Dan the evil idiots

Thor Freya

Olympus

[veritywarner90]

Self-determination is about undermining whitefella institutions, judiciaries, organisations and bureaucracies.

Self-determination is about enculturated white people who, on the strength of what may be a mere speck of indigenous DNA, now identify exclusively as Aboriginal, thereby giving themselves an economic and social leg-up.For the activist cadre it always was and always will be about money, power and control, all underlined by the notion that members of one race enjoy a preeminent ascendency over all other Australians.More examples of ‘self-determination’ can be found in the ban on climbing Ayers Rock (Uluru), Mt Warning (Wollumbin), Mt Gillen, and many Grampians climbs, all for ill-defined or unexplained ‘cultural’ reasons’.After much outcry, consideration is now being given to re-opening the Mt Warning climb, but only for those who pay a fee and are escorted by indigenous guides. More rent-seeking, what a surprise!Australian place names are also rapidly being overwritten with (most likely made-up) Aboriginal names (eg: K’gari, once known as Fraser Island).All of this is about claims to ownership, to ‘sovereignty’.These changes should not be mistaken for deference to Aboriginal culture; it’s no more nor less than an insidious takeover.What we are experiencing here is cultural guerrilla warfare, the picking off one target after the other.Don’t believe it? Look no further that what has happened in New Zealand.The Voice:Self-determination is not about ‘closing the gap’, nor Aborigines ‘having a voice’ – all of that can be achieved without a change to the Constitution. Indeed, the $35+ billion currently spent on Aboriginal affairs and the eleven plus current Aboriginal members of parliament are more than enough to fulfil both aims.The Voice referendum is purely and simply about the drive towards Aboriginal sovereignty, which can only be achieved by changing the nation’s foundational document and charter.Under the Albanese government, self-determination means the coming referendum, whose barely concealed intention is to divide Australia along lines of race. …What is hiding in plain sight is the Albanese government’s intention to de-facto fund and promote the ‘Yes’ campaign whilst hamstringing ‘No’ advocates. Anything the No campaign says can and will be construed as “misinformation”. We have seen this already with the appalling attacks by Noel Pearson and Marcia Langton’s on Jacinta Price.Brace for much more of that – and wonder, too, if the bile and attempts at character assassination are a foretaste of an empowered Voice? …Meanwhile, Australians are subjected to a daily and massive pro Yes propaganda barrage by the taxpayer-funded ABC and SBS.Remote Aboriginal Australians are unfortunate mascots in a power struggle among the white majority.The Voice is just the latest attempt by the left-bureaucratic class to get more control and further exploit the rest of us.Dr David Barton is a proud Celtic and Anglo-Saxon man with a long generational family history in Australia. He lives in Central Victoria.

Read more articles at:

https://veritywarner90.wordpress.com

[rileychester]

I wonder if the reason that Fred, Joan, and the rest of the Thursdays aren’t mention in Morse are not just because either they haven’t been invented, since they are an Endeavour character invention. Or because of a horrible fall out or death.

But simply because that happens in life.

I’m sure we all have people in our life that we love and are/were like family, but that we barely see or talk to anymore.

Look at Lewis and Morse, Lewis was like a son to Morse, the same relationship that Morse had with Thursday. But Lewis was a married man with children and even though Lewis and Morse were close and cared for each other deeply. Lewis was still a family man first and foremost. He had responsibilities and connections outside of Morse and often Morse was on his own with his booze, crosswords, and records.

Yes, in many ways the Thursdays are family to Morse. But they have Sam to focus on now, whose going through his own crisis. Jim is marrying Joan and becoming an actual son-in-law. It also looks like Jim and Fred get along well and interact well as future in-laws, so that does change Morse and Fred’s dynamic a bit. Since Fred has both a blood son and a son-in-law to interact with now. Morse will always be important and like a son to Fred, but he will have male family members to have solid relationships with now.

Their priorities are shifting, suddenly their daughter is settled with a nice bloke who they both like and respect. And their son needs them to focus on him and what he’s going through. The Thursday’s marriage has suffered sometimes because Fred would focus on Morse before his family. Win might have put her foot down and reminded him that he had a family who needed him too? So Fred decides his family over Morse if he can’t have them both in the same way?

With Joan and Jim, they are going to be married and being a newlywed couple doing newlywed couple things such as romantic moments, learning to keep house, spending time with other couple/married friends. Jim has his mason duties, they both have work, Jim will be moving up in the ranks over Morse. They might end up having children and then they will be busy with having kids, wanting to spend time with other people who have kids as couples often do.

Plus this is Morse we are talking about, he still calls Joan, Miss Thursday even after asking her to marry him and all they have been though. She’s marrying his friend Jim Strange who Morse likes, respects, and Jim has been a good friend to Morse. A gentlemen like Morse would never do anything to mess with the relationship between Jim and Joan, they would be married and he would be respectful of that. Morse would consider that a road not traveled and probably drawl a line in the sand.

He would probably remain their friend, but the relationships would change and Morse is the type to let the awkwardness fester and the divides to grow. It’s not like they were going out for drinks and dinner before hand. I’m sure Morse would hang out every so often with them and come to the odd holiday dinner. But I think Morse being Morse would separate himself from them because they are a new family unit and he’s the odd duck out.

[holylulusworld]

Seasons in the sun

This is my entry for @little-diable​’s Four Seasons Challenge: 1. Spring: Dean Winchester. 2. Summer: outbreak of an apocalypse 3. Autumn: thunderstorm 4. Winter: Destruction

Summary: Dean and you finally settled for a peaceful life when the unthinkable happens. An apocalypse devasting half of the planet.

Pairing: Endverse!Dean x Wife!Reader

Characters: Sam Winchester, Claire Novak

Warnings: angst, language, dystopian world, mentions of death, violence, blood, sadness, zombie apocalypse, fluff

A/N: I used the seasons in more than one way. Spring is the old life with Dean. In summer the apocalypse happens. In Autumn a thunderstorm is coming. And winter brings more destruction.

Words: 3,2 k

Divider by @firefly-graphics

March 21st, 2020

Spring came earlier this year. For many reasons. 

After years of hunting and struggling to survive, Dean and you finally settled down. You got a nice house, a white picket fence, and even talked about having children one day. Dean and you couldn’t be happier.

You got married half a year ago. Only your best friends and Sam were by your side. It was a nice ceremony at a small church. Nothing special. Nothing wild. Just you and the man you love promising to give your all to each other.

“Sweetheart, I got another paycheck,” Dean waltzes into the living room. A big grin on his face. “We are going to eat like rich people tonight.” 

“Dean,” you giggle at his playful mood but shake your head no. “I already cooked, babe. How about we spare the money and buy nice things for our house.”

“Like that comfy armchair I always dreamed of?” he teases. “You know the kind of armchair offering space for the both of us. We could cuddle in front of the fireplace and do stuff.”

“Do stuff,” you pat his chest. “Don’t hurt yourself, Mr. Winchester. You can get cuddles without that armchair. Just name the time and the place,” his green eyes sparkle when your hand slides down his chest. 

“Here and now, Mrs. Winchester,” your husband smirks. “I will cuddle you aggressively.” 

“Here and now, it is…” you get thrown over his shoulder like a sack of potatoes, squealing as he carries you upstairs. “Dean, let me down! Dean!”

“No way, Y/N. I will never let you down…never…”

June 15th, 2020

Summer brings unbearable heat, new neighbors, and a sexy view. 

While Dean works on his car, upper body bare, and too-tight blue jeans on his hips, you sip on a drink, watching him stick his ass out, shaking it to yet another song.

“Mr. Winchester, you look hot under the hood of your car,” you tease.

“What did you say, Mrs. Winchester?” he looks up from under the hood. “I guess you need my attention.” Your eyes roam his sweaty chest as he suddenly turns his attention toward you, not his car. You can already see the hunger in his eyes and fear, the neighbors will complain once again. “Dean! NO!”

He drops the tool in his hand to run toward your chair, making you giggle as you jump up to go for a run. “I’m going to catch you, sweetheart…”

“No! The neighbors! Dean!” 

After a short race, Dean tackles you. Both of you end up on the grass. “Gotcha, babe.” He kisses you softly. “I got the week off. What do you want to do?”

“I don’t know,” as you run your fingers through his sweaty hair you try to think about anything but the dirty images coming to your mind. “Something dirty…or sweet.”

“We can do both,” Dean kisses you again, moaning as you wrap your arms around his neck. “Yeah, I will go for both.”

July 2nd, 2020

June barely turned into July when bad news cloud your sky…

“Dean, why is there a crowbar in your hands?” you ask when Dean enters your bedroom. “Baby?”

“Did you hear the news today?” you look up at your husband, frowning as he looks scared and confused. He frowns deeply as he checks yet another message from his brother. “Sammy said he will come around. Something is wrong…terribly wrong.” 

“What do you mean?” your heart starts to race as Dean uses the crowbar in his hands to remove the loose deck boards to get your hunting equipment out. You decided to never hunt again but kept all your weapons. Better safe than sorry... “Dean? What’s going on?”

“Sam said something about people eating people. And I do not mean a werewolf killing someone in the shadows. I mean his neighbor ripped his wife’s throat out, Y/N. I don’t know what’s going on, but it is bad,” you are out of the bed to help Dean remove the deck boards seconds later. “You still got those packed bags, right?”

“Always ready to run again, Dean,” you sniff as your eyes land on the bags with guns. “Does Sam know why?”

“No. He was on his way to us,” Dean explains as you get the bags out. “You should get dressed. Pack up one or two more bags. Light package, sweetheart. Only necessary things.”

“Got it,” you jump up to hastily get dressed. You wear jeans, a tank top, and flannel – your hunter uniform once again. “What do you need?”

“Clothes, hunter style, Y/N. I will get the Impala ready and dad’s truck. I’m not sure if we will need more than one car,” your husband places the bags with guns onto the bed, unzipping one to get a shotgun out. “No matter what happens, stay up here and be ready.”

“Dean, we don’t even know what’s going on,” you try to calm your husband. “Maybe it’s a local problem. Only as people freaked out in California doesn’t mean they will do so here too.”

“I know but,” he stops in his tracks, turns around to cup your cheek, “better safe than sorry. We will prepare everything and maybe, we will laugh about it later…”

“Fuck, that was a close call,” Sam stumbles into your house, a scared Claire in tow. “Lock the doors and windows.”

“Sam, fuck what happened?” you slam the door shut, locking it. “Sammy?”

Your brother-in-law looks like he fought his way out of hell once again. His face, arms, and hands are caked with dirt and blood.

“Sammy, what happened?” Dean shoves a heavy commode in front of the door, huffing as he can hear screams outside of the house. “Shit, it’s happening here too.”

“I was on my way back home, ya know,” Sam frantically runs his fingers through his dirty hair. “Suddenly someone jumped at the woman walking behind me. It was my neighbor. He-he ripped her throat out with his teeth, looking like one of the zombies in the movies you liked so much, Dean.”

“Same,” Claire sniffs, looking at you. “I was in town to visit Sam. Right when I left my car someone jumped at me. I had my gun and shot his leg, but he just got back up. I shot his heart, thrice and he didn’t stop.”

“Head. You always aim for the head,” Dean laughs, shaking his head. “This must be a cosmic joke, right? There is no way a zombie apocalypse is going on out there, right in front of my house!” he jerks his head toward the windows. “Shit, the windows.”

“Got it,” you run toward the living room to get the remote control for the automatic rolling shutters. “I will close them.”

“Dean, war is going on out there,” Sam runs his hand down his face. “If you get bitten, you turn into one of them.”

“I got that. I’m an expert for zombie movies, bitch,” he looks at his brother, shaking his head. “Has this something to do with the Croatoan virus? Is it that? Years after we defeated Lucifer they try again?”

“It’s not like back then, Dean,” you stumble back toward Dean, scared to lose your home and life once again. “Honestly, this looks more like a horror movie than some demon’s plan.”

October 12th, 2020

Three months later you try to navigate your new life. Autumn has come and you barely remember the days before everything went downhill.

Now you sit in front of your fireplace, staring at the ash of the last wood you burned a few days ago. Electricity doesn’t work anymore, just like the heating. You are stuck at your house with Dean, Sam, and Claire and, food is rare.

“We can’t stay here forever. They almost broke through that door two nights ago, and we are running out of food sooner or later. Our storage is almost empty,” Dean looks at you, sighing deeply. “What if we try to make it to the bunker?”

“Dean, that’s impossible. We won’t make it that far,” you argue, not wanting to leave your home. “If we try to leave, they are going to rip us apart.”

“That is enough,” Dean jumps up from the armchair to glare at you.

Over the last weeks, he got more and more aggressive. Being stuck at the house gets a toll on him and he started to treat you like liability, not his wife. He’s focused on anything but how you feel and slowly, you don’t recognize the man you love anymore.

“I hate to agree with Dean, but we can’t stay here, Y/N. We got not much food left. The bunker is our best chance to survive,” Sam sides with his brother, of course, he does. “Maybe we find more survivors on our way too.”

“We got no food at the bunker either, Sammy.”

“Uh—do you remember my trips to get parts for the truck?” Dean sheepishly looks at you. “I kinda visited the bunker. I got a storage full of water bottles, cans, and other stuff.”

“So, when you left for days you visited the bunker to take your time to reminisce about 'the old days and ways,” arms crossed over your chest you glare at Dean. “You lied to me repeatedly?”

“Can you shut up for one moment?” you flinch at Dean’s harsh tone. He didn’t treat you like that since he lost the Mark of Cain. “I’m trying to keep us all alive once again. If you want to stay here, fine. Let those rotten bastards eat you alive, sweetheart.”

“If we want to go, we should do it now,” Dean sits next to you on your bed. “I know you want to stay, but we got food for a week left. We should use it wisely and try to make it to the bunker.”

“Fine,” you are too tired and emotionally drained for another fight. It’s been two more weeks since Dean first brought up the bunker. “I got everything packed up till morning. Just tell me when to jump, and I do so.”

“Sweetheart, I…” for a moment Dean’s features soften, but you can see the change in his eyes. Something about this apocalypse brought back the more raw and deadly side of your husband. 

“What will we do? What’s the plan?”

“Sammy and I will sneak into the garage, store the weapons and all we will need into the trunks of our cars. We will give you a sign to follow us and then, we’ll get the hell out of town,” Dean recites the plan Sam and he made. “Everything will be alright.”

“No, it won’t,” you huff. “Our life is over, Dean. We will never see our children run around the garden, and we will never grow old together. “We will fight to survive, or over food for the rest of our lives and there will be no more happiness or laughter.”

“I promise to bring you to the bunker, safe and sound,” you believe Dean, but hate to see a hunter and deadly fighter in front of you, not your loving husband.

“I know,” is all you reply before turning to get up and pack a few more things. “Claire and I will be ready tomorrow.”

“Y/N, tell me if you need my help,” he’s halfway out of the bedroom before you hear him sigh. “I still love you; you know.”

“I love you too,” it’s more a reflex than a reciprocated feeling. You feel hollow and sad, all the while you want to scream and kill all the monsters out there.

“I’ll be right back. We should get some sleep tonight. Sammy will take the first shift, Claire is next and so on,” nodding you look at your wedding picture on your nightstand. “Y/N we need to stay sharp…”

“Done?” Dean returns a few hours later, looking tired and exhausted. “We prepared everything.”

“Okay,” you stand in front of the window, glance outside to see more of your neighbors roam the area. “There are so many of them, Dean. How shall we get through the masses?”

“We prepared the cars over the last weeks, Y/N. Sammy and I secured the windows, the windshield, and the rear window using everything we could find. No one is going to stop us,” you flinch when lightning illuminates the night sky, thunder roars in the distance and you gasp as the zombies stop in their tracks to look up at the sky.

The brainless monsters seem to be mesmerized by the approaching and you feel hope bloom in your chest. “That’s odd,” Dean joins you on the window, frowning as the zombies still watch the lightning. “Maybe that’s a chance, Dean. If we can distract them…”

“…we can get away without a fight,” you nod. “I’ll check the bags. I think I got a flare gun. We shoot them into the sky, enter the cars and speed off before they turn their attention back toward fresh meat.”

“It’s a chance,” you whisper as you watch the zombies start to walk around the area again. Most of them are your former neighbors. You couldn’t save one of them. The moment Sam and Claire entered your house, all hell broke loose outside your home. 

The thunderstorm continued, delaying your departure for another day and another sleepless night. You couldn’t risk leaving the house and getting into a storm, ending up trapped in your cars.

“We can make it, okay,” Dean grounds his teeth together, hating you look scared and unsure. He must be the leader now, the hard-ass hunter he used to be before you got out of this life. “Claire, Y/N, you will wait here. I will whistle when we are done.”

“Got it,” you tighten the hold on your gun, swallowing thickly as Dean and Sam run toward the garage to get the cars ready. 

“I’m scared, Y/N,” Claire whispers, not wanting the brothers to hear she’s scared. “We barely made it last time.”

“I know but,” you nod as you hear Dean whistle, “we got to get out of here…” and then you grasp for Claire’s hand to run toward the garage. Your hunter instinct kicks in, and you feel the adrenaline pump through your veins when you jump into the Impala.

“Claire, into the truck with Sammy. Get the shotgun, but don’t shoot if it’s not necessary,” Dean instructs. “I will shoot out of the window and distract them long enough with the flare gun for Sammy to break through the garage door with the truck. Sweetheart, you need to start the engine for me.”

“Got it.”

Everything happens so fast. Dean uses the flare gun to distract the undead. Sam breaks through the garage door with the truck while Dean races back to the garage, jumping into the car to follow his brother on the road.

Now the home you created will never get to know the children you will never have…

December 22nd, 2020

Being on the road never was a problem to you. Until zombies began to roam the world and block any road you could take to reach the bunker.

Winter always made you feel happy, and giddy for Christmas. Now all you feel is sadness, hopelessness as you face the destruction the undead left everywhere you go.

“We will make it,” Dean runs his hand over his beard. “I know we had hoped to reach Lebanon much sooner.”

“We will make it,” you’re too tired to tell Dean it’s been almost two months since you left your house to go back to the bunker. “It’s just…there are so many of them only the four of us.”

“Don’t give up just yet,” he sighs again, eyes as tired as yours as he looks at the map you found at a service station. “We are close, sweetheart.”

You give Dean a weak smile but turn your head to look out of the window. You are driving through a nameless town, roamed by an army of the dead. They are slow but, too many of them can easily rip you apart.

“So much destruction,” you nod at Dean’s comment, hoping and praying the bunker is still intact and that not one of the monsters made it inside. “Looks like someone burned the whole town down.”

“A bomb maybe?” glancing at the destroyed houses you pass by you frown deeply, wondering if anyone made it out alive out of this town. “Before or after they ran the town over?”

“Military, maybe. I don’t know,” he drives behind Sam’s truck. “Let’s stay sharp and keep an eye on the dead. We don’t want to end up as their latest meal. Not so close to our goal…”

December 24th, 2020

Coming home to the bunker and finding it intact is the best Christmas present you ever got.

You barely made it back to your former home. An endless stream of undead always hot on your heels you fought your way through the masses.

“Home sweet home,” you look at Claire, nodding as she falls to her knees, crying. “I’ve missed you, bunker.”

“We should check on the weapons, the security system, and the generators. Sammy, weapons. Y/N, check on the food, water, and everything else.

“Claire, you will help Y/N. Get the supplies we gathered on our way here and store them,” Dean barks orders at all of you. “Hurry, we need to lock the bunker.”

“It is already locked,” you sigh, rubbing your sore neck nervously. “I need sleep and if possible, a shower. Can we not just have some sleep. It’s been months since I slept more than two hours straight.”

“We need to stay sharp and not forget out there a zombie apocalypse is going on. Now stop arguing, Y/N.”

“Yes, Sir. Captain Winchester, Sir,” you sneer at Dean. “I did nothing else but follow orders for months. I suggest you find your own room for the night…”

“We got eight shotguns, fifteen handguns, and—” Dean sighs as you do not pretend to listen. “Sweetheart, I’m sorry. You know I had to be like this to get us here.”

“We have enough food for around a year,” you yawn, eyes fluttering close. “If we do not waste too much food, maybe a little longer. I found some seeds at one of the stores we checked. We need potting soil, though.”

“I will try to get you some potting soil,” he sits on the bed next to you to run his hand over your back. “This is not the life I wanted, Y/N. You know it isn’t.”

“How long until we will need to leave this place to store up again?” you ask as Dean lies next to you. He allows himself to close his eyes, to get some much-needed sleep. “Dean?”

“I will try to find out if anyone is still alive out there,” he whispers. “We got a functional communication system. I hope Jody, Donna, and the other hunters made it out alive.”

“What if they did?” you roll to your side to face your husband. He looks tired and sad, as he opens his eyes again to look at you.

“We will tell them to come here and join forces with us,” he whispers. “And then, we will get our world back, sweetheart. I promised to give you a normal life, and I will be damned if I won’t keep that promise…”

Tags in reblog.

[nebulousfishgills]

In Reality

Request by @nosfera1 : hiiiii is your request open? i was wondering if i could ask for an angsty wanda x fem!r fic where they've been in a relationship for a year and r is absolutely head over heels with her. r planned their anniversary date and during that dinner wanda confesses that she's only been dating r to move on from her previous relationship the whole time and cant carry it in her conscience anymore? make it reaaally really heart wrenching as possible please. thank youuuuu

Ah, thank you so much for sending in your request!! (Yes, requests are open lol). I'm always excited to recieve a new request, especially for a character I have yet to write for!

I hope I get this the way you want! ❤

Warnings: Angst, feels, fluff (but like, fake?)

ฯฯฯ

"Wan, are you okay?" You asked, noticing your girlfriend looking a bit uncomfortable. Her hands were in her lap, her eyes staring at the table or the wall, and she seemed like she was zoning in and out. "Wanda?"

"What? Oh, yes, dear?" She asked, jerking up from looking at the muted paisley tablecloth.

"I was wondering if you were okay." You repeated.

"Yes, I'm alright, dear. Just a little tired is all." She said, showing her teeth in a smile that almost seemed forced. You chose to ignore it.

"I was going to say, but I didn't want to be rude." You said, chuckling.

"We've been together for a year, we can tell each other anything."

"I'm glad you feel that way."

The waiter brought your dishes not long after that, the thin veil of steam curling off the top of the Italian dishes you ordered. Your glasses were refilled and parmesan was grated on top of your meals.

You started nearly scarfing down your food, the wait having been a little too long without a breadstick refill. You watched Wanda gently cut through the meatballs on the top of her pasta, dividing them into quarters. The delicate movement entranced you for a moment, a bashful smile creeping onto your face.

To say you loved Wanda would be a severe understatement. The past year you had been together was the best year of your life. Before, you had been in a slump, everything seeming sad and dreary. You had been having a particularly bad day that day, as a matter of fact. You missed the bus in the morning, so you had to walk to work. Halfway through, it started raining buckets and you had no umbrella. You were lucky your boss was so understanding, else she would have reprimanded you for sure for being late. Still, the woman signed your paychecks; staying on her good side was in your best interest.

While pondering your latest excuse for being late to work again, it suddenly stopped raining.

No, someone was holding an umbrella over you.

That someone happened to be Wanda, offering her umbrella to you to shelter from the storm. You took one look at her and it was as if the color started to soak back into your previously grey world. Not only was this woman going out of her way to help you, she was beautiful as well.

Wanda held the umbrella over your head while you both walked to where you worked (she didn't mind in the slightest; she didn't have a set destination when she started walking). You told each other a few things about yourselves to pass the time. You were working at your current job until you could afford to move to a better part of the city. The apartment you lived in currently had a lot of small problems that would pop up every now and then that would take your savings. Your dishwasher had just broken and you needed to save up to get that replaced.

Wanda told you about things in her life, too. Her brother had died a few years ago in what she called a "tragic accident." Her last relationship had ended pretty suddenly more recently, so she took frequent walks to give herself something to do.

Suddenly your dishwashers woes seemed so nominal.

You arrived at the building you worked at and Wanda bid you goodbye. Though, not before passing you a small slip of paper with a few digits on it you recognized as a phone number. You went pink and walked into your office, sending a text to Wanda as soon as you sat down. You saw each other more frequently after that, going on your first date not long after.

And here Wanda was, sitting in front of you with her steaming pasta and quarter sliced meatballs. You ate your dinners in silence to start, the only noises between you two being the scratches of utensils on plates and quiet chewing.

After a few minutes, you noticed Wanda poking at her pasta with her fork. She hadn't eaten very much. Her chin rested on her other hand, the food on her plate starting to cool down.

"Wan, are you sure you're okay?" You asked. "You've barely eaten anything."

"I'm fine..." Wanda replied, letting out an exhale as if she were holding her breath. She put the fork down and rested her hand on the table.

"Wanda, it's okay. If something's bothering you, you can tell me." You said, resting your hand on top of hers. She took it, rolling your fingers in hers. She pulled her hand back and rested it in her lap, her other hand following suit. She took a breath.

"Y/N, can I tell you something?" She asked.

"Anything, Wan." You said. Wanda took in another breath and looked you in the eyes. That's how you knew she was getting dead serious with you.

"This isn't easy but... I can't keep holding it in. I can't do this anymore." She said.

"Can't do what?"

"This." She wagged her finger in between the two of you. Your breath hitched in your throat.

"What do you mean? You can't do--?" You asked, your voice cracking slightly.

"No, I can't." Wanda cut in. "Listen, Y/N, I'm telling you this now so I don't hurt you worse later on. I can't keep stringing you along."

"'Stringing me along?' Wanda, I don't understand. Don't you love me?"

"I... I... No. It's just..." Wanda bit her lip and averted her gaze from you.

"Just what? Something I did? What did I do, Wanda?"

"Nothing! You did nothing! It's not you, Y/N, it's just..."

"Wanda, are you joking? One year, Wanda! This is our one year anniversary and you're telling me this now??" You asked, the tears streaming down your face through your anger.

"I know, it's not ideal, but I couldn't find time to tell you before!"

"Couldn't? Or wouldn't? You're telling me you lied to me for a year, Wanda. Why?"

"Because I needed a distraction, okay? My last relationship ended badly and I was having a hard time getting over it. I thought you would... provide support until I could get back on my feet." Wanda admitted. Your face got hotter as the realization sunk in. Your voice got low as you continued speaking.

"You used me? You dated me to get over someone else? Is that all I was to you? Just a distraction? A plaything?" You growled.

"Y/N, you don't understand--"

"Oh, no, I understand plenty, Wanda." You stood up from your seat, throwing on your jacket and grabbing your handbag. You looked at the half empty water glass at your seat and picked it up. You examined the water inside for a moment, looking at Wanda over the rim. "I'd throw the water in your face right about now, but unlike you, I have standards on how people should be treated. Like a person with feelings and not something you use to play pretend with."

You downed the rest of the water and put the glass back on the table.

"Y/N--" Wanda said weakly, but you cut her off with a pinch of your fingers.

"Not another word, Wanda." You snapped, before turning around to walk away. "Don't even try to call me."

You burst out of the restaurant and sat down on one of the stone benches out front. You sent a quick text to your friend asking for a ride home, sending the address. Wanda had driven you here.

"What happened to your date?" Your friend asked.

"I don't wanna talk about it."

"Alright. I'm on my way."

You shut off your phone and stared up at the sky. Not a moment later, thunder rumbled above you and it started to rain.

You had no umbrella to cover you.

Finally, you allowed yourself to cry, your tears mixing with the rainwater that dripped onto your face. You let everything out, all the anger and sorrow until your throat went raw.

The headlights of your friend's car pierced through the wall of rain. You stood up and ran over, climbing inside of the heated car. You let out a sigh and leaned back against the seat.

"You okay?" Your friend asked. You didn't reply, just turned to look out the window, the raindrops gliding down it. As the car started pulling away, someone ran outside of the restaurant, screaming your name.

Wanda.

You looked at her as your friend pulled out of the parking lot. Wanda caught sight of you inside the car, watching you leave. You just stared back at her coldly as your friend whisked you away back home.

As soon as you got back to your apartment, you blocked Wanda's number and collapsed onto your sofa. Tears leaked down your face as you fell asleep.

ฯฯฯ

Hope you enjoyed this, nosfera!

As always, requests are open, so send them in!

[ruby-whistler]

a lot of people seem to have the attitude "he should've just let them had what they wanted!" when it comes to technoblade and dream both going against l'manberg, and absolutely no offense, but that seems... so awfully naive to me?

[ /dsmp /rp | the other reason why l'manberg deserved to fall ]

it looks like people automatically assume "what they wanted" was good, and that everything would've been fine if it wasn't for techno and dream being in the way. so let's look at what the leaders they fought against actually wanted, shall we?

let's start at the beginning, then.

wilbur (all names in this essay refer to the characters) made l'manberg after he failed to take control of the economy by making a capitalist empire based on lies, rumors and theft.

we're starting off strong, i see.

he referred to tommy as someone to mould or build upon multiple times, saying he is naive and calling it a good thing, even mentioning people like tubbo or fundy as the "a lot of tommyinnits" he could use take advantage of for his plans. these were people who were the most useful in terms of being hardworking and passionate, and arguably the most easily manipulated.

...cool. this still doesn't tell us what he wanted to do with l'manberg, but it gives us a sense of this guy's moral compass and honesty.

wilbur, to his soldiers at least, says that he made l'manberg for freedom and protection. ...freedom to steal from people? protection from... everyone except the guy who wants to exploit them?

yeah no, i'm not trusting anything he says.

let's turn to what wilbur said out of character about the motives with which wilbur the character created l'manberg.

"you could create something that you believe is worth having power over, and because you want to have power over it, everyone else will believe it's important, even though it's not." [ link ]

...alright, well that sorts out that question i suppose.

wilbur after his revival says that l'manberg was a "useful tool" that did what it was supposed to do; it divided. since naturally i'm not going to take his words at face value if it would kill me, let's turn back to what wilbur was actually saying and doing back when he made l'manberg, because maybe his memory has just faded, right?

*rewatching the vod* is he. is he quoting tr*mp's speech about building a wall and "making the mexicans pay for it" while being openly xenophobic towards the people who originally lived in the lands and building a giant wall?

ooo boy. cc!wilbur knew what he was doing, wasn't he?

see, if you rewatch the vods and look at them as satire on american propaganda (including the hamilton references) everything starts to fall into place.

but hey, l'manberg changed, right? it grew into something more than that initial quest for glory... right? i mean, the l'manberg government wasn't even corrupt up until schlatt's reign, right?

*laughs* no.

let's fast-forward.

l'manberg... hadn't done much after the revolution. it was just a safe space, but not really. people are living just as they did before, and neither wilbur nor l'manberg really changed much.

wilbur doesn't like that, and that is clear from what happens next.

Wilbur: “Tommy, we need power.”

Tommy: “Yeah?”

Wilbur: “I’ve tried – I spoke to Fundy and Tubbo yesterday, I told them how I didn’t like the civil war they were having, you know the fights that were going on.”

Tommy: “Yeah, that huge war in our name, yeah.”

Wilbur: “I told them I wasn’t happy with it, I told them to stop. Do you remember when you started getting angry at Dream, and I tried to control you, and you ignored me? …Yeah. See, this is the thing. Tommy, I…I led the revolution, right, but the issue is, is that I sort of became the de facto President, but no one listens to me. No one cares about mine – or your – power. No one cares! To us, we may be in anarchy, you know?”

alright, so a) wilbur dislikes anarchy, that's a good thing to remember for later, b) he's pissed off that people aren't listening to him (and tommy, but he definitely just added that on to make him care about the subject) and he can't "control" them c) he sees more power as a solution. well... maybe he just doesn't want people to fight, right? he's talking about a civil war he couldn't stop, after all.

Wilbur: “We can either, Tommy, right – we can either become a dictatorship, okay…we can just suddenly decide, ‘right, we’re in charge,’ and we just start – we start asserting our dominance. Now the key thing to being a dictator, is we need to control the center of power…so we get an army going –”

Tommy: “What is the center of power? Is it like some cube, or like an orb?”

Wilbur: “The army! The army! The banks, you know? We take control of those, and then people will do exactly as we say, right? That’s the dictatorship route, right. The other route is the democracy route. Now, this route’s gonna be slightly harder, but I have a plan. So I was thinking…what better way of making people believe that you’re in charge than by having them vote for you, right?”

so, wilbur was thinking of getting "an army going" to "control the center of power" and to "take control" of "the banks". he saw this as a valid solution to people not bending to his authority.

then he turned to election fraud instead, which he puts as straight-up manipulation of his people into believing he isn't a dictator.

...what. i'm not going to praise him for that decision, that's not even the bare minimum - he's still being a prick and showing just how much he actually doesn't care about what the "people he claims to care about" (cc!wilbur's words again) want.

but let's get back to the point; so, according to all of the current evidence, what did wilbur want?

wilbur wanted glory, power and division, to be able to enforce his authority and take control of his people.

...this is what people are saying dream shouldn't have stood up against in his land and "left them alone". that is what people are saying he should've "let wilbur have" in the home he worked to protect and build for the people he cared about - and keep in mind the dream smp was pretty much an anarchy back then.

this was willbur's intentions, and the first instinct of a lot of people was to paint dream as the tyrant. that just doesn't sit right with me, i'll be honest with you.

what about techno, then?

well, new l'manberg was ruled by tubbo, who was only doing his best - truly doing his best to turn wilbur's lies into a reality. no corruption, no conflict, only a home.

but tubbo was not ever actually in charge, was he?

let's talk about post-16th quackity.

i remember the second tubbo livestream i ever saw live was him rebuilding the crater; putting up grass blocks over the top, with quackity and fundy helping him out. it was when quackity first proposed the idea of getting rid of techno.

tubbo didn't want conflict, and he disagreed at first because it went against his ideals and his morals.

that didn't pan out well for him - and i think that's enough evidence quackity was pulling the strings of the cabinet, if you take into consideration the propaganda, riling up, and overall vengefulness that we suddenly seemed to be working with.

quackity's words didn't speak louder than his actions, but they are still interesting to note; "bring this country to power" being a common theme in his motivation for getting techno and dream "out of the way".

so quackity wanted power as well, and this desire only grew as it was taken further from his reach, but ever since the 16th, it has been very prominent in the way he instructed the new l'manberg government.

techno, the local anarchist who fought (only) oppressive governments that hurt people, was supposed to not do doomsday and "leave l'manberg alone", while what quackity wanted was nothing else than to turn l'manberg back into a tool of power and control.

i'm beginning to see a pattern here.

i am all for giving people the benefit of the doubt, really; but the constant glorification of a revolution leader who did everything for his own power and benefit, and a "secretary" that committed multiple war crimes and literally harmed and manipulated innocents in his quest for power; plus the instantaneous villainization of those who stood as obstacles in their path, is a bit too much even for this fandom's standards, even for me.

i get wilbur and quackity are both silver-tongued bastards able to shift the narrative in their favor, but the grudges people will hold against characters that fight against them and the measures to which they'll reach in order to defend them is wild.

it's not as easy as "they should've let l'manberg be". the people leading l'manberg were far from innocent and had sinister intentions.

[citrusreadstoa]

Reading The Hidden Oracle: Chapter 29 (SPOILERS)

"I had never been so happy to see a killing field." Ummm, a killing field? Have we found the missing persons and are they now corpses? "we had found the myrmekes' dumping site" Oh ok good. UNLESS THE BONES OF THE DEAD CAMPERS ARE IN THERE. No, right? Tell me no.

"I was looking at a set of living doors." That sound like it'd make for an epic movie set. But, uh, what would opening these doors imply if they're living?

"I think this is more of an antechamber" ANTECHAMBER (n.): a small room leading to a main one

"Each stake was about the height of a crucifix" Startin' off positive, I see. "something that looked like a human head . . . They were human heads." Yep. Figures. But six of them? Who's the other demigod? New character? Oh, it's Paulie the palikos. But hey, we found 'em! Wait, are they gonna get set on fire?

Peachesssssss is here!

"Germani." ...Germans? Probably different from the ones we know. Do they count as monsters or mortals?

"Nero had always had expensive, impractical tastes." Hey, people keep saying that about me! I don't like having things in common with this neckbeard Nero.

"a bolt of white-hot power" Wait a minute, if we assume the Triumvirate have already achieved god or semi-god status, then do they have powers, too? Uh oh.

"my right hand, Vincius, and my left hand, Garius." I'm glad we got their names. That's very nice. I wonder if they mean anything. Anyway, I guess this answers who the three people in the Woods were. "their Batavi names, which I can't pronounce." Nero, you've had two millennia. Didn't you practice? I guess I shouldn't expect that basic courtesy of you. "like those street thugs you sent to attack me." Oh, so Cade and Mikey are the same kind of people. I wonder what their Romanized Batavi names and real names are.

"souls escaped from Erebos all the time." Oh, so they are mortal. And escaped souls. Nico and Hades are not gonna be happy to hear this.

"Without hesitation, Vince planted the butt of his spear against the ground." Vince, don't do it! You can find a better employer than Nero, I'm sure!

"And, of course, we are all descended from you, Lord Apollo." That's gotta sting.

"Considering she was facing the man who killed her father, she sounded remarkably calm." Oh, yeah. The Beast killed Meg's father, yet she's almost definitely working for him. That means he either has something she wants/needs or is holding something against her like maybe her stepdad's life or something else I can't think of off the top of my head.

"We have divided up the new empire... by which I mean North America." First of all: they're not thinking big enough. The last two big threats wanted to take over the world. These guys are going after barely a single continent. Second of all: they'd better not just split it by Canada/United States/Mexico. They can be more creative than that.

"'We would rather die,' I said. 'Wouldn't we, Meg?'" Okay, Apollo. You've got the conviction to oppose Nero even to the death, but don't assume Meg the twelve-year-old child is as eager to go rushing in to her death as you. "Then I realized she was crying." Exactly.

"Meg brought you here, just as I asked her to. Well done, my sweet." Yep. Knew it.

"The Beast killed my father. This is Nero. He's--he's my stepfather." Many questions. Is she disassociating Nero and the Beast because she doesn't want to think of them as the same person (especially if Nero has acted nice to her)? 'Cause it sounds like the Beast and Nero should be the same person. Also, how the heck did Nero come to be her stepfather. Did he just take her in off the streets? I really hope Meg's biological dad wasn't insane enough to marry Nero. Especially since Nero killed him. Well, maybe he manipulated her dad. Still seems unlikely that he'd do that just to get his hands on one demigod kid. He probably just killed the dad and adopted Meg and she had no choice in it -- the much easier method of obtaining an unwilling child soldier. Or child gladiator. Wait, did we ever get confirmation on that?