#was starting to think i'd have to change the theme of that thing

[finalgirlgretchen]

[keeps-ache]

buttered noodles 💫💛🍜

[imminent-danger-came]

I really am so sad I don't like isat. The themeing was very good

[fingertipsmp3]

Ughhhhhhh I hate writing and I hate not writing and I hate myself

[yeleltaan]

// Hello! Merry Christmas, and happy holidays!

As is custom, most of my time is currently spread thin between studying exams and spending time with family. Since I still intend to return to activity, I want to give a little headsup of what the plan is:

As I've said before, I want to make a new sideblog for Cayin's Elden Ring verse so that I can more comfortably explore its themes, interactions and aesthetics without it diluting the things I've been doing with his main verse. I think this may help kick things off in terms of returning to activity, and let people pick whichever setting they're most interested in.

Thing is, I've been going back and forth with the theme among other small details. My attention has also been horrendous, and while it's been getting better and I'm making progress in returning to my hobbies, it's still going more slowly than I'd like. I've been torn between making a quick placeholder for the blog (so that I can start things off without having to wait for these creative obstacles to be gone) or taking my time to ensure that this theme fits my ideas for the blog.

Since studies and family remain my focus, but I don't want to keep postponing this indefinitely, I'm going to wait at least until the Winter break is over, and potentially until the first batch of exams is done (so roughly until the middle of January) to make the blog. Whether it's a placeholder or something finished.

I may still do a thing or two here before then, depending on what my spare time allows. I've missed being around on this blog. Take care everyone, and as always, feel free to message me if you'd like to plot or simply chat.

[scarlettcryptid]

hardcore projecting my avoidancy onto dabi in this soulmate au thing i started in november

[madebycloud]

Ex at Christmas

violet "vi" x female reader — 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭

summary: christmas is just around the corner, and you've been invited to spend them with your ex-girlfriend's family. only one problem is that your ex-girlfriend has not told anyone that the relationship is over. (requested by anon)

warnings/themes: fluff and angst, found family af, fake dating, ex lovers, christmas, family gatherings, secret santa, everyone is alive and happy au, modern au vi just begging for you to take her back? words: 17.8k.... (i got carried away) notes: it's so long i should've cut it into parts but idk where... so suffer (╥﹏╥) — ✩ part one, part two

As always, the last drop is a lively spot. warm, cozy, and familiar. Colorful lights hang from the ceiling, a decorated tree stands in the corner, a 'merry christmas' painted on the wall, even a few strings of garland have been hung from the low ceiling.

People are crowding around the bar. Some are playing pool, some are simply chatting amongst themselves, cigarette smoke curling up toward the ceiling.

Vander's voice snaps you from your thoughts. “Look who finally showed her face around here.” He reaches over the top of the bar to ruffle your hair.

“I know, I know,” you laugh, swatting his hand away. “Things are just... busy, y'know?” 

Vander rests his forearms on the countertop, leaning closer to you. “Just making sure you're still alive. 'Been an awful long while since I last saw you.”

“I've been fine, old man.” 

“Glad to hear you're doing alright kid. Haven't seen you around here in, what, three months? You need to come by more often, keep an old guy company,” he chuckles. “I almost thought you'd vanished.”

“You sound like a grandma with kids that never call.”

Vander grins and winks at you, taking a rag and wiping at the bartop. “You're like a kid to me, so I guess it checks out.”

You scoff but say nothing, leaning against the bartop as your eyes start to travel across the room. A few people mill about that you recognize as regular patrons, but other than that, there's pretty much no one of interest.

Vander snorts and lifts the rag to his shoulder. “We're having our christmas gathering again this year, you should swing by. Just like last christmas, eh?”

A lot has changed for you in the past month, and you've been dreading this coming up. “I... don't know. I don't think so.”

Vander raises an eyebrow. “What do you mean you don't know? Not up to seeing the old gang again?”

“Not exactly,” you murmur, the memory of the breakup is still fresh. It's not that you don't want to see your friends, it's just the idea of seeing Vi again.

You sigh, running a hand through your hair. “It's not that, I just... things have changed, especially recently. I don't want to... accidentally make things awkward or something.”

Vander shakes his head and it almost seems like he's laughing at you. “Why would it be awkward?”

“I don't know…” You sigh, your shoulders slumping in resignation. “Nevermind it, I'm going.”

Your words get a smirk out of Vander, and he reaches over to poke your arm. “That's what I like to hear,” he gives you a wink, folding his arms across his chest. “You better show up or I'll drag you here myself. You know I could.”

“Like I'd let you drag me here, old man—there's no way your back can handle that.”

“Ah, you kids these days have no respect for your elders. You're gonna break my old back and then I'll die,” he pretends to sniffle, making you scoff.

Silco then walks over, looping his arms around Vander's shoulders. The two of them exchange a knowing glance before Silco turns his attention to you. “Look who actually decided to show up.”

Vander laughs as he pats Silco's arm. “Cut the kid some slack. They're just here to have a good time.”

Silco chuckles, his eyes still on you. “So are you coming on Christmas?”

You almost sigh as Silco brings up the party again. You rub at the back of your neck, and just as you're about to answer, Vander beats you to it.

“Yeah, she's coming,” he confirms.

Silco hums, he lifts his arm from off vander, resting it in his hip instead. “Good, I was beginning to think you were going to weasel your way out of it.”

Vander smacks his shoulder. “Lay off, would ya? let the kid breathe.”

Silco relents and waves his hand dismissively. “I'm just saying,” he looks back at you. “We all want you there, you know. It wouldn't be the same without you.”

Hearing them say that makes you feel guilty for even considering not going. You know they mean it. You just hope it won't be too much awkward with Vi there.

Vander nods and smiles. “He's right, you know. Everyone's been asking about you. They'll be happy to have you there.”

“I get it. You don't have to butter me up, old man.”

Vander chuckles, then he glances over his shoulder, gesturing to a small, unassuming box on a nearby table. “Hey, could you grab that little box over there for me?” Silco smirks and nods before moving to get the box, bringing it over and handing it to Vander.

“What's in the box?” you ask.

Vander grins at you, holding the box in his hands. “We're doing a secret santa,” he explains, “and since you’re coming that means you're participating too.”

Your eyebrows raise to your hairline. You'd completely forgotten about the secret santa. You groan in annoyance, running your hands over your face. “I'm still annoyed I got that whoopee cushion from Powder last year.”

“That was a good one. She was so damn proud of herself too, and besides…” Vander pauses, turning to look at you. “You never know, you might get something less annoying this year.” He then holds the box out to you, a smile on his lips.

There's always the possibility you won't get something shitty, but knowing most of your friends... Yeah, that's unlikely.

You look at the box, then up at Vander, sighing. You take the box from him. “I hope you're right, old man.”

Vander chuckles before stepping back to talk to Silco.

You turn the box over in your hands, feeling the weight of it. It's not too heavy, and you almost feel compelled to shake it. But if you do that, you'll probably end up drawing Vander's name, and that's basically cheating.

Sighing, you decide to just bite the bullet. You take the lid off the box, sticking your hand inside. Your fingers rummage around before they eventually close around a folded piece of paper.

You pull out the slip of paper, unfolding it slowly. You glance at the handwriting, then almost roll your eyes.

Of course you got Vi.

Out of all the names you could have drawn, you get the one person you didn't want to get. You could have gotten literally anyone else. Mylo, Claggor, Powder, Silco, or anyone other than Vi. but no, you had to get your ex. Just your luck.

You look at the note again, and the first thought that comes to your mind is...

Well, crap.

You're so focused on the slip of paper in your hands that you don't notice Vander and Silco peeking over your shoulder.

“So, who'd you get?”

Vander's question makes you jump, you quickly stuff the paper into your pocket before they can see who it is.

“No one,” you say, waving your hand to dismiss the question. “It's not important.”

Silco raises an eyebrow. “Then why are you pocketing the paper?”

“It's a secret for a reason.”

Vander and Silco glance at each other, and you can tell they're silently communicating. 

Vander turns back to you a moment later, rubbing his jaw. “A secret, huh? Well, that means whoever you got won't know it's you.”

Silco hums. “That's probably a good thing,” he mumbles.

“That's kind of the point of a secret Santa.”

Vander nods, scratches his beard before his lips turn up in a small smile. “True means you can give them something real nice.”

Silco glances at Vander before looking at you. “Whoever you got is probably going to be very happy when they get their gift.”

You almost snort at Silco's words. Yeah, right. a gift from you? She’ll probably chuck it straight in the trash.

You run a hand through your hair, trying to shake the thoughts of Vi out of your head. You don't know why you're worried about how she'll react. Why care if she'll like the gift? Why care if she's happy with whatever you get her?

The answer is so obvious, but you don't want to admit it even to yourself.

Vander and Silco are still looking at you, and you realize that you have to say something. Any longer and they might figure it out.

You push those thoughts away and force out a small scoff. “If they'll actually like it. I'm not the best with gifts.”

“Oh, I'm sure they will,” Silco says, an almost knowing smirk on his face.

Vander nods. “Just give them something from the heart.”

From the heart, my ass. The only thing you want to give her from the heart is a kick in the ass.

“Because someone's gonna be real happy with something from me.”

Vander and Silco exchange another look again, like they're having an entire conversation without actually saying anything.

You turn away from them, looking out the window. They're probably trying to read your mind, figure out who it is you got. The thought makes your eyes twitch. You don't want them to know. You don't know why, but you really don't want them to know.

“Just do us a favor,” Silco suddenly says, cutting into the silence that had fallen between you. “Try not to stress too hard about it. You'll give yourself gray hairs.”

Vander chuckles at Silco's words, “You'll give us an old heart attack.”

“Ha ha, funny.”

Silco grins at your response. “Well, we're only half-joking.”

Vander's eyes soften. He slaps Silco's shoulder to get him to shut up. “What he means is, you overthink too much,” Vander adds.

You almost huff. Yeah, so what if you overthink? It's a normal thing to do. especially in situations like this, where you're stuck with the one person you don't want to be.

Why keep thinking about her? You need to stop obsessing over her. She made her choice, and it wasn't you.

You run your fingers to your face, trying to think of something else to distract yourself. It's not like you don't know what you want to get Vi. You just don't know if you should get it.

“I don't overthink,” you grumble, shifting your weight on your feet. 

“Oh yes, you do.”

And they're both right about that.. You can't even count how many times you've paced around your apartment, replaying every interaction you had with Vi over and over again in your head. Every word, every touch, and every look. All of it, it's like your brain refuses to let you forget.

You've spent countless nights trying to figure out where you went wrong. What you could have done differently if there was something you could have changed. All of that, just because of one person who tossed you aside without a second thought.

“Listen,” Silco suddenly says, snapping you out of your thoughts. You look over at him as he stands up straight, a smirk spreads across his lips. “You're going to drive yourself crazy thinking about something that hasn't even happened yet.”

“He's right,” Vander gives you a look before continuing. “And for the love of God, stop overthinking.”

If only it were that simple. If only you could just switch off your brain and stop thinking about everything.

But you know damn well you can't do that. Your thoughts are as uncontrollable as the weather, and right now, they're a mess.

You take a deep breath, trying to calm your thoughts.

“I should probably go,” you mutter, and the two men nod. Vander pats you on the back as you start for the door.

“Same place, eh?’ he calls after you.

“Don't think too hard, kid,” Silco adds.

You give them both a small nod as you exit the bar, shutting the door behind you.

Christmas is going to be one hell of a mess this year, you can feel it.

Now all you have to do is figure out how the hell you're going to deal with it.

—

You're standing outside of Vander and Silco’s house, the weight of the present in your hands suddenly feeling a thousand times heavier.

You've replayed this moment in your head countless times, but now that it's happening for real, you're not sure if you're ready.

Christmas music drifts out of the house, it's a familiar tune that you've heard a million times.

You push down the anxiety gnawing at your stomach. You shouldn't be feeling so nervous, it's just a gift. Just a present for a secret santa.

But this isn't just anyone, this is Vi. The one person who you didn't want to get. The one person who broke things off without a second thought.

Stop thinking about this. It's just one night. one stupid night, and then it will be over. You can get through this, you can handle being around Vi for one Christmas. No more thinking about her. No more wondering where you went wrong or if you could have done something to change things. Just get through the night and forget about her.

You take another deep breath, straighten up, and square your shoulders. Then, in one moment, you push open the doors to their house and walk inside.

Your eyes search the room, looking for that familiar pink hair. But you don't see her. Your shoulders relax a little. Maybe she's not here yet. That'll give you a few minutes to brace yourself. No one is around right now, probably in their rooms or preparing for the dinner. 

You were so distracted by looking around that you didn't realize someone was standing right behind you until they grabbed you and spun you around. Your eyes meet their powder blue ones, and your mouth suddenly goes dry.

“What the hell are you doing here?”

“Woah, hey-” you stumble over your words.

“Don't 'woah hey' me,” she snaps, her grip tightening on your arm.

Vander's deep voice cut in before you could even speak. “You've actually came.”

You feel her look away from you, her hand finally falling from your arm. As soon as it does, you rub the skin where she grabbed you.

Vander looks between the two of you and says, “Hand me the gift, kid. I'll put it there.” He gestures towards a christmas tree where the gifts are already sitting underneath.

You quickly hold the present out for him to take.

He takes it before giving both of you another look. “Go easy with your girlfriend, eh?”

You freeze, your heart stopping as his words register. Your eyes widen as you slowly turn your head to look at Vi.

Girlfriend?

“I will.” Before you can even process what's happening, you're being pulled outside.

You yank your arm back from Vi, quickly putting some distance between the two of you. “What's your problem?”

She spins around and scoffs, looking you up and down. “I should be asking you that. What the hell are you doing here?”

“Vander invited me. He asked me to come.”

“Then you should've said no.”

“Wow? just wow.” You take a deep breath, trying to stay calm. “I know that things didn't go well between us, but you don't get to push me out of this family. They're my family too, and Vander invited me here to celebrate. I have as much right to be here as you do.”

You refuse to break eye contact with her. “You can ignore me all you want, but you don't get to decide how I'm allowed to spend my Christmas. If you want to keep acting like this, fine. Ignore me, pretend I don't exist, just like you've been doing for the past months.”

Vi lets out a laugh, rubbing a hand on her forehead. “They do not know.”

You blink at her. “What do you mean?”

She looks over at the entrance and says, “They all think we're still together.”

Your eyes widen. “What?” you almost shout. “Why the hell would they think that?”

“Because I didn't tell them,” she scoffs. “Every time I talk to them, they ask me how you are. Silco and Vander keep making comments about how we make a cute couple. They still think we're together.”

“Why the hell didn't you tell them?” you glare at her. “Were you ever going to?”

“I don't know,” she retorts, throwing her arms up. “They're all so happy about us being together.”

“That's such bullshit,” you snap at her. “That's such a crappy excuse! You should be the one to tell them we broke up.”

She looks away, planting her arm on her hips. “Don't you think I know that?” she shoots back. “It's not that simple. I can't just rip off the bandage like that.”

“Is that it? You’re scared that they'll know?”

“Don’t act like you don’t know how Silco and Vander can get.”

“I know how they get,” you snap back at her. “You’re just too much of a pussycat to face them and tell them the truth.”

Her expression hardens, and her jaw clenches. “Look who's talking. You can't even say no to a little family gathering, but here you are.”

“Don't even start. I didn't come here because I wanted to see you. I came for the family, not for you.”

“As if I wanted to see you either. The last thing I wanted was to have to deal with you all night.”

You look her right in the eye. “Fine, you know what? I'll go tell them right now that we broke up. They deserve to know.”

She grabs your wrist before you can take a step towards the door. “Wait”

You look down at her hand, then back up at her. “What?”

“Don't,” she says through gritted teeth. “Just... don't tell them yet.”

You scoff, ripping your arm away from her grip. “Why the hell not? So they can keep thinking we're still together?”

“Just don't tell them tonight. Can you just give me until after Christmas?”

“Why are you still dragging this out? What difference does it make if we wait till then or do it now?”

“Because it's fucking christmas!” she snaps before dropping her gaze. “Look, it's the holidays. I just... I don't want to ruin Christmas. They've all been looking forward to all of us celebrating together. I don't want to ruin it by spoiling the fun.”

“Wait—let me get this straight. You want to fake it this christmas? Pretend we're still a happy couple?”

She's quiet again. “Yeah,” she whispers, looking down. “Yeah, that's what I'm asking.”

“You’re unbelievable, Vi.” You take a deep breath, trying to keep yourself together. “Do you know how ridiculous that sounds? You're asking me to pretend like we're still together, to pretend that nothing has changed.”

“It's just one day,” she mumbles. “One day, that's all I'm asking for. We can tell them anytime after that, just not tonight, please.”

She even says please. Something about the way she says it makes your heart ache.

She looks desperate, like this really means something to her. Who are you kidding? Of course, this means something to her. 

They're her family, they're important to her. And on Christmas, all they want is for everything to be perfect. perfect food, perfect presents, and perfect couples.

You hate the way she's looking at you with those soft, pleading eyes. She always looks at you like that when she wants something, and you always give in. She does it subconsciously, knowing how to get exactly what she wants. And damn it, it works.

“Fine,” you mutter through clenched teeth. “You've got your damned wish.”

And there it is. There's the look you've been waiting for. That look of relief that comes to her eyes.

You hate that look. You hate how your heart flutters when she looks like that. You hate it so much.

“Yeah?”

“Yes, you've got me for tonight. I'll pretend like we're still together. Happy now?”

There's a flicker of a smile on her face, something quick that's gone before you can even register. “Yeah, thank you.”

She looks away again. Silence falls between the two of you as you shift awkwardly.

This is gonna be a long night.

You let out a sigh, watching as she keeps her focus on the floor. This is so damn awkward.

And it's your own fault for agreeing to this nonsense. There's no way this night doesn't end up being a goddamn catastrophe.

You would give anything to just disappear right now.

Powder's voice snaps you out of your thoughts. Peeking her head out of the doorway, looking at the two of you. “Hey, you two. It’s cold out there, get your asses in here.”

You look at Vi, waiting for a sign of acknowledgment.

She slowly glances up, her gaze meeting yours. “Come on,” she murmurs, holding out her hand.

Taking a deep breath, you take her hand in yours.

You've held her hand so many times before—more times than you can count. Holding her hand used to be nothing, but now it feels so odd. Almost awkward.

But she doesn't seem to notice how out of place it feels. She slowly leads you towards the door, squeezing your hand as she pulls you along.

“How are my favorite love birds doing?” Mylo's voice greets you as you both enter.

He slings a casual arm over your shoulders, leaning on your shoulder to get a better look at you. “It's about time you two showed up. I thought for sure you were just gonna keep making out in a corner somewhere.”

It takes everything you have not to elbow him in the stomach. Instead, you keep a neutral expression and chuckle awkwardly, “Yeah, you know us. Can't keep our hands off of each other.”

“You two are sickeningly in love, it's really cute, actually.”

Your eye twitches, and you bite the inside of your cheek.

“Yeah, we're very in love,” Vi says, and you can tell she's trying not to roll her eyes.

Mylo claps you on the shoulder before releasing you. “Well then, I'm going to go find myself some eggnog,” he leaves towards the kitchen, whistling to himself as he goes.

You turn to look at Vi, and you almost feel a twinge of hatred towards the way she so casually holds your hand, like nothing is wrong.

“Are you okay?”

Her voice brings you back to reality, and suddenly you're all too aware of how hard you're clenching your jaw and the fact that you're basically just glowering at the floor with a storm cloud over your head.

You raise your eyes to meet with hers, and you have to force yourself to release some of the tension. “Yeah, fine,” you mutter. “just cold”

It's a lie, obviously. It's not cold at all. Vander always keeps the place nice and warm.

Not even she's dumb enough to fall for that. She glances around, clearly noticing how you're not really hiding your feelings well.

She runs her thumb over the back of your hand. It's an innocent gesture, one that you've seen dozens of times before. It's not meant to be anything special, it never was. And yet, it still makes your heart skip a beat. 

You have absolutely no idea how you're going to get through this night with both your sanity and your heart still intact.

“Okay,” she finally says, “can you stop clenching your jaw so hard? you look like you're trying to grind your teeth down to the bone. I know this isn't the ideal situation, but please don't go around looking like you want to kill everyone in this room.”

Her fingers squeeze your hand, and you realize just how tightly you're holding her hand in yours. Your knuckles are white, and your fingers are probably digging into her skin.

Gritting your teeth, you loosen your grip. 

“There, that's better.” She lets out a quiet breath. “Please try and just relax for a bit. This is going to be hellish already, so I at least need you to not look like you hate me every second we're in here.”

You let out a frustrated huff, looking away from her. “Please don't act like you care.”

“I'm not acting like I care,” she says, a tone just loud enough for only you to hear. “I do care, and that's the problem.”

Of course she has to say something like that right now. Of course she has to hit where it hurts the most.

Care? care about what? about you? about what she put you through, how she broke your heart?

You open your mouth, but your response dies in your throat. You have no idea how to respond to that.

A loud shout interrupts your thoughts, and you both turn around. “Oi! Time for dinner!” Powder yells from the doorway into the kitchen.

Vi mutters under her breath, “finally.”

Powder grins as she waves you both over. “Hurry up or Vander will eat everything and complain about his bad back afterwards.”

“We're coming,” Vi calls back.

The two of you head towards the kitchen. There's a long table in the middle of the room, covered in a red and green tablecloth. Everyone is already crowded around the table, taking their seats as you two enter the room. Vander is at the head of one of the tables, Silco seated beside him. Mylo and Claggor are chatting amongst themselves as Powder takes her seat beside Claggor.

Vi looks at the seating arrangement and sighs, realizing what's about to happen. She pulls you over to the table and sits down, pulling you down into the seat right next to her.

After a few moments, everyone quiets down and turns their attention to Silco.

Silco places his hands together. “It's good to see everyone together like this today. I am thankful that we are all here, safe and healthy.” He glances around the room in a quick survey, seeming to count everyone's attendance. “And what better time to be together than the holidays?”

Powder lets out a huff. “Can we just eat? I'm starving.” 

Silco raises his hand for Powder to stay quiet. “Patience, Pow. First, let's do something a bit… different.”

Mylo and Claggor glance at each other in confusion. “Different?” Mylo repeats.

“Indeed,” Silco replies. “Instead of just diving into our meal, I thought it would be nice if we all took a moment to share a few words about what we are thankful for this year.”

“We're really gonna do this?”

Claggor nudges him. “Be polite, Mylo.”

“He's right, though,” Powder chimes in.

Silco raises an eyebrow at them both. “Is it really such a hassle to express gratitude at the end of the year?”

Mylo and Powder grumble something under their breaths.

Claggor is the first one to respond. “I think it's a fine idea.”

“Thank you, Claggor,” Silco replies, “I'm glad we have at least one cooperative person here.”

After a moment of silence, Vander speaks. “Alright, then I'll go first... I am grateful for my family,” he says as he looks around the room, taking in the faces before him. “I am thankful for my health, for my business, and most of all, that everyone is still here with me and safe.”

“That's so soft,” Powder mutters, but everyone ignores her.

Vander turns his head and looks directly at Silco, as if he's saying something that's meant to be for Silco's ears only, though everyone can clearly hear. “I'm also thankful for you, Sil,” he adds, the corner of his mouth twitching in a knowing smile.

You're not sure if you're the only one who noticed, but that comment definitely seemed personal and almost a little out of place.

He collects himself quickly and nods at Vander, seemingly not quite sure of what to say. “Thank you, Vander.” 

Silco clears his throat and composes himself, turning his gaze to Powder. “How about you, Pow? Any words of gratitude?”

Powder groans, slouching back in her seat like a child who's been forced to eat her vegetables. “I swear, if you make me say something corny-”

Mylo leans over the table to look at her sister. “Say something nice for once, or you're not getting dessert.”

“Ugh, fine. I am thankful for…” she looks around the room. “I'm thankful everyone's here and we're all... whatever, happy and healthy or something like that,” she mumbles.

“I'll take whatever I can get,” Silco mutters before turning his attention to Claggor. “What about you, Claggor?”

Claggor seems to be taking a moment to think, like he's actually putting effort into what he will say. “I'm grateful for…” his eyes are almost unfocused as he thinks. After a moment, he glances up to look at Vander. “I'm grateful for the family I have here.”

Vander gives him a warm look in response.

Everyone's gaze turns to Mylo, expecting him to go next.

He fidgets anxiously, shifting in his seat as he glances around the room. “What am I supposed to say?...er, fine... My whole life's a mess, but...at least all you idiots are here to make my life more miserable.”

“We love you too, Mylo” Powder teases. “Real touching. I think I might cry.”

Mylo throws a glare in her direction. “Shut up.”

Silco glances at Vi, his gaze lingering as he waits for Vi to speak.

“I'm thankful for…” her voice is a bit quieter than usual, more hesitant. She glances at you before continuing. “I'm... thankful for the people I have in my life.”

Everyone's gaze settles on you next, waiting for you to say something. “Well, I... I guess I'm thankful to be able to still participate in this family gathering, even if I haven't seen everyone in a while.” You take a look at Vi before moving on. “Hopefully I can still be here and spend Christmas with all of you next year too.”

She holds your gaze for a moment, almost as if she's processing what you just said… and then, unexpectedly, a smile tugs at the corner of her lips.

It's a subtle change, barely noticeable, but you see it. and just seeing her smile, even a small one like that, has butterflies filling your stomach. It's been so long since you've seen her smile like that. A part of you misses it, a part of you yearns to see it more often.

She quickly looks away, and you notice that her cheeks have turned a light shade of pink.

“There, we all said our little cheesy bullshit,” Powder says, clearly getting impatient.

Silco turns to Powder, his expression disapproving. “Language, Pow,” he reminds. 

Vander sighs. “Yes, Powder, mind your language” he adds, earning a mock-offended look from Powder.

“Like you don't swear all the time.”

“I do not swear all the time, Pow,” he protests, although you know it's a lie. Even the most proper and upstanding people swear, and Vander is definitely not that.

“Yeah, yeah, sure.”

Vander huffs but chooses not to add anything. Silco lets out a dry cough to redirect everyone's attention. “Right, now that that's over, let's go ahead and eat, shall we?” Silco says, as if the whole moment of gratitude never happened..

“Finally,” Mylo grumbles, “I was starting to wonder if you forgot about why we all gathered here.”

Silco gives him a look. “Patience is a virtue, Mylo.”

“We've all been patient for the last hour, so spare me.”

Claggor lets out a little sigh, but thankfully Mylo and Powder seem to settle into silence for the time being.

Silco nods in approval. “Then, shall we begin?”

Vander gets up from his seat, moving to go grab the food.

Powder and Mylo look at Vander expectantly, and they both look like they're about to get out of their seats. Silco gives them a warning look, silencing them before they can get a word out. “Wait until everything is ready.”

They both grumble, but they obediently sit back down. They're impatient, sure, but they at least know better than to piss off Silco.

Vander returns a moment later, setting a platter filled with food on the table. It looks delicious, and the smell is mouthwatering. Your stomach growls a little, reminding you of how hungry you are.

Powder and Mylo are practically drooling, and you honestly wouldn't be surprised if they lunged for the food the moment Silco gave the word.

Thankfully, he doesn't give them any chance. He simply says, “Please, help yourselves,” and Silco has to gesture for them to wait.

They almost get up and move to the table, and they're clearly resisting the temptation to shove each other to try and get to the food faster.

Mylo lets out a curse, and Jinx giggles in response. Vi stands up and grabs both of them, grabbing onto their shoulders and holding them back from each other.

“Enough, you two,” she scolds, “there's plenty of food for everyone. Chill out.”

They look at her with expressions that clearly are saying, 'no, we're hungry'. Powder lets out a huff, and Mylo looks like he's one more remark away from shoving her sister.

Vi's expression sharpens, her eyes boring into Mylo and Powder. “No, quit the bullshit, you can wait a few minutes, and if you two can't act like adults about it, neither of you are getting any.”

Mylo immediately shuts up at that, his expression turning slightly more guilty. Powder just looks like she's about to protest, a pout forming on her face. Vi glares at Powder to shush her as well.

“Just quit it,” she says. “You can wait, the food will taste better if you don't shove it all down your throats like dogs.”

“Fine, we'll wait,” she grumbles.

Mylo just nods with a pout, staying quiet.

Vi seems to notice their looks, and she rolls her eyes, staying put just in case. She seems wary as she watches Powder and Mylo, her eyes switching from them to the food on the table.

And sure enough, the moment Silco gestures for everyone to get their food, Powder and Mylo are gone, rushing to claim their plates.

Claggor lets out a sigh as Powder and Mylo shove each other for their own plates. No one says anything though, they're all just used to it. This is just how Powder and Mylo are, and they've come to accept it. Vi doesn't even seem as bothered as everyone else does. 

Mylo seems like he's really close to just pushing Powder to the side and snatching up the slice he wants, and Powder doesn't look any better. Honestly, if Vi didn't step in, there was a chance they'd start throwing punches.

And judging from how the others' looks, especially Silco, they look like they're expecting this. 

It's like this is all completely normal, they know to expect this kind of behavior when food, and more importantly, free food, is involved.

Powder and Mylo finally settle down after their little fight, and they finally begin digging into the food.

Mylo is practically shoving it into his face, eating it like he's been starved for weeks. Powder isn't any better, although at least she's not making a complete mess.

Claggor is significantly slower when it comes to eating, choosing to take his time as he slowly eats as opposed to just shoving the food into his mouth.

Vander eats at a decent pace, and he doesn't seem as starving like Mylo is.

The last one to begin eating is Silco, and surprisingly enough, there's a smile on his face. He takes one look at how Mylo and Powder are chowing down on their food, then he turns his gaze and looks at you, as if silently asking if you're going to eat.

You take the hint, and you decide to dig into your own food. The food is delicious, and you can't blame Mylo and Powder for basically trying to swallow their food whole.

Vi also begins eating now that everyone's settled down.

Vander lets out a laugh, his eyes crinkling up at the corners. “Slow down a little, you two, the food isn't going anywhere.”

Mylo and Powder both raise their heads at that, and they both look like they're considering it for a moment... but they immediately go back to shoving food down their throats.

Claggor shakes his head as he watches them eat. “You'd think they'd never seen a Christmas dinner before.”

“You know them, they would scarf down all the food in town if they could.”

Powder glances up at that, a small pout forming on her lips. “Hey, it's not our fault we're just starving.”

Mylo nods in agreement, his mouth too full to say anything.

“You both just had eaten before this,” Claggor counters.

Mylo swallows whatever food is in his mouth long enough to argue with Claggor. “And that was hours ago.”

“Yeah,” Powder agrees, “it was practically an eternity since we ate.”

“Two hours is not an eternity,” Claggor retorts. 

“It might as well be,” Powder counters.

Despite the bickering and arguing the dinner feels oddly... domestic, almost.

Claggor looks like the responsible and mature oldest sibling who's done with his siblings nonsense, Vander almost acts like a tired parent, Silco acts more like a stern aunt, and Powder and Mylo act like rowdy kids who are constantly at each other's throats.

Vi sits next to you. She's making sarcastic comments with Silco, laughing at Powder’s jokes, and making small talk with Claggor. She even gives Mylo an unimpressed glare when he tries to snatch all the bread for himself.

It's almost like you're both back to normal. The way she's acting makes your heart ache. She's giving you all the attention a partner would give.

She gives you fond smiles whenever you make a comment, she casually slides an arm around your shoulders, she even scoots her chair a little closer to yours.

Her eyes are soft, her voice is soft, whenever you look at her, she looks back with this almost affectionate look.

It's so normal, that it almost takes you back to your relationship and how you two were before the breakup.

She's even doing little things, like leaning closer to you, letting a hand rest on your thigh, even discreetly grabbing your hand and intertwining your fingers with hers under the table.

You want to hold her tight and never let her go, but your brain keeps reminding you. You two aren't together anymore.

But when you look at her, when she looks at you with that look in her eyes, everything goes quiet. 

Maybe it could work this time.

Maybe you two could just bury the hatchet and move on.

Maybe things could work between you two if you try it out again.

Then you remember the fights, the nights you spent on your bed, crying while Vi was out with friends. You remember how she treated you after the breakup—how she tossed you aside like discarded trash.

You try to ignore it, push it to the back of your head. But it's so hard when Vi sits next to you, close enough for you to catch the scent of her perfume. She smells like cigarettes and leather, something that's so her.

You're so focused on trying to stop yourself from touching her or even getting closer that you're almost surprised when she suddenly leans her head against your shoulder.

She doesn't say anything, just leans against you.

She's so close. She's pressed against your side, her shoulder against your shoulder, her head against yours, her hand on your thigh.

You notice her scent again, now stronger.

Her hair brushes against your neck, the way you can feel the warmth of her body, and the way her thumb draws little circles into your thigh.

She's so close, and yet you want her even closer.

You want to run your hands through her hair, you want to nuzzle your face into her shoulder, you want to feel her hands roaming your body.

You just want her.

Your thoughts are suddenly interrupted by Powder, her question pulling you out of your head. “It's been a while since we've seen you two together,” she says, her mouth still full of food.

Claggor shoots Powder a look. “Powder-”

“Shush, I'm just wondering,” she argues, shrugging casually, “has she been avoiding you?”

“No,” you say before anyone can say anything. “We just... haven't had time to schedule any dates, that's all.”

“For months? Haven't had time to schedule a single date for months?”

“Life gets busy, y’know,” you reply, trying to sound nonchalant.

Mylo scoffs at that. “You two are dating, the least you could do is at least manage one date a month.”

Claggor smacks him over the head. Mylo grumbles and rubs the back of his head, shooting his brother a glare. “What? it's true,” he mutters. “We just kind of... we all miss you.”

Vander gives Mylo a disapproving glare. “What Mylo means is, your presence has been sorely missed around here.”

“We all just... we just want you around more,” Powder puts in her two cents, speaking around a mouthful of food again.

You cast a sidelong glance at Vi. You and her are putting up a pretty good facade so far, but Mylo's question seemed to have put her on the spot a little. She catches your glance, and you give her a look that says, just play along. Vi sighs, her hand squeezing your thigh.

“Look, I-” she glances around the table, meeting everyone's eyes before sighing and putting on the most believable expression. “I know we haven't been as... present as we should have been for the past few months. Work just got really hectic.”

“That's true,” you back her up with a nod. “I had to travel away for a business trip a few weeks ago, so it's been pretty hard to find time to spend together.”

Vander, Silco, and Powder all nod in understanding. They're aware of the fact that you have a job in a big city, so it's not an unbelievable explanation.

Mylo, however, snorts and crosses his arms. “You don't have to feed us some lame excuse for not hanging out with us.”

Claggor gives Mylo another smack. “Would you shut up already?”

“Ow!” Mylo grumbles as he rubs his head again, shooting Claggor a dirty look.

Vander sighs. “Regardless, it's good to have you here for Christmas this time.”

Everyone nods and agrees. Powder grins at you, Silco shoots you a small almost-smile, and Claggor and Vander both look genuinely pleased to have you here.

All eyes then land on Mylo, and he shrugs again, mumbling, “I guess it is good to have you here.”

“See, it's a christmas miracle, Mylo isn't being a little prick for once,” Powder teases.

Mylo scowls at her. “Hey, I'm never a little prick-”

“Bullshit.”

Mylo just grumbles again, his eyes narrowing at Powder. “I just think that-”

“Nobody cares what you think,” Powder interrupts again.

That just causes Claggor, Vander, and Silco to laugh. Vi snorts next to you, squeezing your thigh.

The conversation soon changes to talking about old childhood holiday memories.

Mylo tells a story about him stealing Silco's secret chocolate stash when he was twelve. Silco scowls at the memory, but there's a hint of a smile at the corner of his mouth.

Powder tells a story about the time she accidentally burned the back of Vander's hair with a roman candle. Vander laughs and shakes his head at the memory.

At some point, Claggor chimes in to tell a story about a time he and Mylo accidentally broke a window during a snowball fight. Even Mylo himself laughs at that one.

There's lighthearted banter, friendly jabs, and just a lot of laughter in between. This, this is what it should have been like from the beginning. It reminds you of the way it used to be when you were all younger, but still has a different air to it. In a way, it's almost better than those old days. Everyone's grown, but there's still that same energy that always connected you all as a family... it just feels fuller.

You don't know if it's just the christmas lights playing tricks on your mind, but you swear you can almost see the faintest tearful sheen in Vander's eyes. He's almost always had a bit of parental pride and love toward all of you, but seeing you all sitting here together, happy... damn, it must bring back a lot of memories for him.

Silco even looks slightly less grumpy than usual, his mouth twisting into a barely visible smile as the rest of the table continues talking. Yeah, this is how christmas should be…

It almost makes you forget that all of this is fake, almost makes you forget why you and Vi aren't together anymore. It's almost like just for tonight, you can pretend like things are back to how they used to be.

But you know this will not last. When everything is said and done, when christmas night is over and you're all saying your goodbyes, you have no doubt in your mind that you and Vi will go your separate ways again.

You glance at her, taking in the sight of her laughing with the rest. Her eyes are bright, her smile is big, and her entire face lights up with joy. 

You bite the inside of your cheek, forcing your heart to quiet. 

Vi must notice you looking, because she glances over at you. She's looking at you with that look again. You recognize it so easily.

That look... that damn look she's giving you again. The look that makes your heart stutter against your ribs, the look that makes your stomach twist into knots. It's a look that almost makes you want to lean forward and kiss her.

You almost give into your urges. You almost reach out and push a stray strand of hair out of her face, you almost do something to kiss her, almost.

But you don't, you can't. That would spoil the whole 'still dating' facade, and besides.... you have boundaries.

You give her a little nod, offering a small smile, and you almost swear that you see disappointment flash across her eyes.

She looks like she wants to say something, her hand tightening over your knee again, but she seems to change her mind and just smiles back.

Maybe it's just a figment of your own imagination, you think to yourself. Maybe it was a trick of the light or something.

Claggor reaches over to grab something from the middle of the table, and Silco clears his throat. “How about you two?” he says it casually, like he's just making small talk, but there's a hint of concern in his voice. “Any... any problems between the two of you lately?”

You and Vi both sit up straighter. “Problems...?” Vi repeats.

Silco just shrugs, playing it casual. “I don't know, I'm just wondering... a lot of couples who have been together for as long as the two of you have.” He trails off, but everyone at the table knows the implications.

Mylo grumbles under his breath. “I swear, if you start talking about how high the divorce rate is—” Claggor elbows Mylo, and he shuts up.

Silco just chuckles. “Oh, I'm sure you two can last.”

Powder rolls her eyes. “These two have been together since forever. You guys were like... practically attached at the hip, from day one.”

“Yeah, we were like that, weren't we?” Vi looks back at you.

“Yeah,” you say with a casualness you don't feel. “Yeah, we were.”

Silco hums. “I remember when you two first started dating.”

“Oh, do you remember that?” Vander says, looking at Silco. “I remember the two of them coming to me the day they decided they were going to be official.”

Claggor nods. “Yeah, and they were so... so mushy. All 'you're mine' and 'we're never going to break up,” he puts on a mock high-pitched voice, imitating you and Vi

“That was the worst,” Powder groans, shoving food into her mouth.

Mylo grins and elbows Claggor. “How many times did you have to stop them from making out all over the bar again?”

“Way too many times.”

“By the way,” Mylo says. “You two aren't doing anything for new years, are you?”

You and Vi exchange glances. “..we haven't made plans yet,” you say slowly, trying to think of excuses.

“Oh, you should come join us then,” Mylo says, leaning back and stretching his arms. “All of us are getting hammered down here for new years, you two should come.”

“Yeah, it'll be fun!” Powder pipes up, eyes lighting up. “You guys will come, won't you? promise you'll come.”

You open your mouth, trying to wrack your brain for excuses, but before you can say anything-

“Of course we'll come.”

You turn to look at Vi, and she just gives you a shrug.

Mylo grins. “Good, good! That'll be fun,” he sits up and points a finger at you both. “I swear, the two of you used to be so much fun at parties, it's like you both went boring when you got older.”

“Hey, just cause we're getting old doesn't mean we suddenly became party poopers,” Vi says defensively. “We're still fun.”

Mylo cackles. “Are you now? I never see you two do anything anymore,” he leans back in his seat. “Ever since you got that fancy shmancy job, you've been too busy to have any fun.”

“We know how to have fun, we have—” you pause, trying to think of the word, “responsibilities now. responsibilities that a certain someone is too dumb to understand.”

“I understand responsibilities, but I understand the concept that if you don't get wasted while you're young, then you'll wake up at forty, old and boring,” he says, looking at Silco and Vander. “And I want to make the most out of my young and reckless years. Meanwhile, you've already turned into an old, boring fart.”

You scowl at that, but Silco interrupts before you can respond. “Don't knock on old farts just yet. Some of us are old and still know how to have fun.”

“Yeah,” Vander chimes in, nodding his head. “Just because we're old doesn't mean we don't know how to have a good time.”

Mylo rolls his eyes and waves a hand. “Yeah, yeah, you old farts can still have fun. You just don't know how to have real fun anymore.” Mylo then pouts. “I just... I miss how it used to be, you know?” he sighs, resting his chin in his hand. “Before all that adult crap, when things were easier.”

“Easier,” Powder mutters, poking at the remains of her food. “Yeah, when we were broke and always hungry, real easy.”

Mylo reaches over and flicks her arm. “Easy doesn't always mean money, you dumbass.”

Powder scowls and smacks his arm back. “Don't call me a dumbass, you dumbass.”

“Then don't be a dumbass,” Mylo snaps back, smacking her again.

Powder smacks him again, harder. “Don't you dare call me a dumbass again.”

Before they can start another childish argument, Silco's voice cuts in. “Enough you two," he says, and they immediately grumble and fall quiet.

“Honestly, I sometimes wonder how the two of you aren't still in high school,” Vander mutters under his breath.

“That's an insult to high schoolers, they're more mature than those two,” Claggor jokes, earning him a smack to the head from both Powder and Mylo.

He yells and puts his hands up in surrender, “ow ow ow, ok ok! don't hurt me!”

Jinx and Mylo laugh, while Silco shakes his head. “See what I mean? Children.”

“And they both insist they're mature enough to be out in the real world, independent and capable,” Vander says, while Silco chuckles.

“They're still just as chaotic now as they were in high school,” Silco says dryly. “Nothing has changed.”

Powder and Mylo both glare at him. “Really? like you two were that much better in high school,” she grumbles.

Silco raises an eyebrow at that. “We certainly weren't as immature as some people,” he says pointedly.

“You guys were probably just as bad as us, you just don't remember."

There's a pause, and Silco and Vander exchange glances before Silco snorts. He tries to bite back a laugh, but it comes out anyway, causing Vander to burst out laughing as well.

“I can't-” Vander wheezes between laughs. “I can't believe... you actually…”

Silco doubles over, laughing even harder. After a moment, he manages to gasp out a few words. “Oh, if you only... if you only knew…”

Powder and Mylo exchange confused glances, while Claggor tilts his head. “What? what happened? what's so funny?”

The laughter finally dies down as Silco composes himself enough to speak. “Nothing, it's nothing,” he says, waving a hand.

“All right, all right,” Vander looks around the table. “I think most of us are done eating. Who wants to help with the dishes?”

There's a collective groan from the rest of the table. No one likes doing dishes.

Powder and Mylo immediately groan out a “not it,” and Claggor follows up with “You all know I'm terrible at dishes-”

“Don't look at me either,” Silco grumbles. Vander just sighs and shakes his head.

and that just leaves you and Vi... great, just great.

You're about to argue as well, anything to get out of being stuck in the kitchen with Vi, but she beats you to it. “Yeah, we'll do it,” she says, before you can even open your mouth.

“Oh, I-” you pause for a moment. You had been fully intending to dodge the chore, but now you can't without looking like an ass and leaving her alone to do dishes.

Vi stands up and picks up the nearest stack of dirty dishes, balancing them on her arms as she turns to you. She shoots you a look, almost like she's daring you to try and weasel out of helping.

You get the hint, shaking your head a little and standing up. This is absolutely the last thing you want to do right now.

You follow her to the kitchen, grabbing a few more dishes along the way.

She holds the kitchen door open for you, and you step into the little kitchen with its small stone countertops and simple appliances. You set the dishes down on the counter near the sink, turning to find Vi already rolling up her sleeves.

She's not looking at you, but when she starts to roll up the left side of her shirt sleeve, you swear you can see her eyes dart over to you for a split second.

You pause, staring at the side of her face. You can't tell if she's... no, you must be imagining things. The light must be playing tricks.

She clears her throat, raising one eyebrow. “What, you're not gonna help?”

“No, no, I am,” you hurriedly say, turning away as you start to roll up your sleeves.

You're not going to look at her. Not at the way her forearm flexes when she reaches down to turn on the water, not at the way she bends over to grab some dish soap, and definitely not at the way her shirt tightens across her shoulders.

Yeah, you're definitely not going to look at her. Not at the way her fingers move when she soaps up the dishes, not the way her biceps flex when she bends her elbow, and especially not at the way her hair falls into her face when she scrubs at a stubborn stain.

Why is she so fit?

You look down at your own hands, watching the water and soap bubble up between your fingers. You start washing another dish, trying your absolute hardest to look anywhere except at her.

The minutes tick by in awkward silence, but eventually, your mind starts to wander. After all, washing dishes is pretty damn boring.

You glance over at her again, out of the corner of your eye, watching the way her shoulder blades shift under her shirt. The fabric of her shirt is stretched taut against her shoulders, and you wonder what she looks like under it if she still has all the same muscles....

Yeah, okay, you really have to stop staring at her.

“Can I ask you a question?”

Well, so much for not looking at her. Your head snaps up at the sound of her voice, and you force yourself to just focus on scrubbing at the glass in your hands. 

“Depends what the question is,” you grumble, shifting a little.

You expect her to ask you something about your current life or something generic. What happened when you were gone, what life was like where you were?

Instead, she asks something completely left-field.

“Do you ever think about us?”

You tense up, the glass in your hands slipping a little in your grip. You were not expecting that question. Hell no, you were literally not expecting that question.

How are you supposed to answer that? yes? no? sometimes?

What was she even expecting to hear? did she want you to say yes, to say that you always thought about her, that you would've come back to her in a heartbeat if you could've? or did she just want to hear you say no, to hear that you moved on, that you had to move on because it was either that or let yourself fall apart?

‘Sometimes’ was definitely not the answer you would've given months ago.

Now, though? you would admit that sometimes, after a rough morning or a particularly lonely night, you'd let yourself think about her. You'd remember those nights you spent in her apartment, on her shitty couch, talking her ear off about everything and nothing, the nights where the two of you would sit on the couch and watch tv, her head resting on your shoulder, and you'd wonder if maybe... just maybe..

You wonder if she thinks about that kind of stuff too, if you cross her mind late at night when she's alone. You wonder if she still thinks about the nights where you would stay in bed together, talking for hours after a particularly good round, your head resting on her chest as she played with your hair, or the mornings where you'd wake up and find her making breakfast for you.

Yeah, you thought about her a lot.

But you couldn't say that to her. You can't tell her that you think about it all the time, about how sometimes you can't fall asleep because you miss the feeling of laying in bed with her, about how you always find your hands searching for her in the middle of the night. No, you absolutely cannot tell her that, no matter how badly you wanted to.

“I used to,” you say instead of letting your thoughts wander any farther. “Not anymore.”

You keep scrubbing, even after there's no longer any more dirt on the glass. Just so you have a reason not to look at her, just so you have a shield from the thoughts you know are brewing in her quiet mind.

She's quiet for a moment, and you can feel her looking at you. Looking at you, reading you, trying to figure out if you're telling the truth or not.

After a few moments, she takes a breath like she's going to speak, but then stops herself. It's something you're all too familiar with. She's overthinking something, that much is obvious. She's trying to pick her words carefully, and damn, you just wish she'd spit it out.

The silence feels like it's been going on for a year, but really, it was only around a minute. Your knuckles are turning white from how tightly you're gripping the glass you're washing, and your shoulders are beginning to ache from how tense you are.

“What about you?” you murmur. “Do you... do you think about us?” You force yourself to look over at her, and you instantly wish you hadn't.

She's not looking at you now, she's not watching you suspiciously or anything like that. No, instead she's looking down, staring at the soapy water, and avoiding eye contact with you.

She's quiet for a second, her hands pausing in their scrubbing. “Yeah,” she finally says, “I do.”

Damn it. Her answer goes straight to your gut and twists deep inside you.

You were absolutely expecting a solid “no”, hell, you were even preparing yourself for a cruel “god, no.”

Anything, anything other than “I do.”

She continues scrubbing at a plate as if she hasn't just turned your world upside down. How are you supposed to react to her answer? do you say something, do you not say something?

“Why?” the question leaves your lips before you can stop yourself.

“Why do you think so?”

You don't say anything, you just shrug your shoulders. You genuinely don't know. You'd just blurted out the question without actually knowing what you wanted the answer to be.

Her eyes linger on yours for a few seconds, and you can't quite read them. She looks like she wants to say something, she looks like she wants to reach out and hold you, and you'd bet real money that if circumstances were different, she would've done exactly that.

Instead, she just averts her gaze back to the sink and lets out a sigh. “I don't know... I just do.”

You go back to scrubbing dishes. It's obvious there are a million things that you want to say, that you need to say.

“Oh,” is all you say in response, and the word hangs in the air awkwardly.

You're both quiet for a few minutes after that. It's quiet, except for the faint music playing in the background and the sounds of dishes clinking against one another.

A few times, you catch yourself glancing over at her, trying to pick up any hint of what she could be thinking, what she might say next. But, every time, she stubbornly keeps her eyes down on the dishes she's scrubbing. It's frustrating, the way she just won't look at you, and what pisses you off most is the fact that you understand why she won't look at you.

You have a feeling that if she were to look at you, if she were to meet your eyes right now, she'd either burst into tears or shove you into a storage closet and kiss you until your lungs burned.

You don't know which one would be worse.

It's so quiet, so awkward. You're both just scrubbing and scrubbing, refusing to look at the other.

Every time she takes a breath, you look over at her, convinced she's about to speak. But, time and time again, she doesn't, and the only sound to come from her is a shaky exhale.

It's maddening.

The sound of Claggor's voice finally breaks the stifling silence, and you let out a breath you didn't know you'd been holding. He peeks his head into the kitchen, grinning widely. “Yo, you two almost done here? Powder is about to get impatient.”

You're thankful for the interruption, and judging by the look on Vi's face, so is she.

“Yeah, we're done,” Vi mutters, glancing up from the dish she's been washing for the last ten minutes.

You dry your hands off on a nearby towel, trying to look unaffected. “We're finished.” 

Claggor grins again, “Thank God, Powder is about to start biting people.” He laughs, then disappears back into the main room.

“That sounds like her,” she says with a chuckle, scrubbing her hands off on a towel.

“Guest we should head out there then,” you murmur, trying to get her to actually look at you.

She hesitates for a second, still running the towel over her hands even though they're no longer wet. She looks down for a moment as if she's contemplating something, then finally lifts her head to look at you.

Her jaw is tense like she's forcing herself to stay quiet. After a few seconds, her features soften a little. “Yeah.”

You want to ask her what she's thinking, you want to ask her why. Instead, you just push the door of the kitchen open and gesture for her to go first.

—

“Now that we've had an amazing dinner, it's time for the best part of the night.”

Everyone gathers around, now sitting either on the couch or on the floor. Powder and Mylo immediately get squished together on the floor. Powder mutters under her breath, “Hey! you're shoving me!”

“Only because you're taking up too much space.”

Vander smiles from his spot on the couch. “Alright! It's time for secret santa. Everyone remembers who they drew, right?”

A group of nods and hums go around as everyone pulls out the slips of paper that have the names they drew.

Vander clasps his hands together. “Good!” he says as he looks around the room, his smile getting wider. “Who wants to go first?”

A few seconds of silence, then Powder’s hand shoots up. As always, she's the most excited one. “me!”

Vander laughs. “Well, look at that, our little girl is so eager. Okay, you can go first, Pow-Pow.”

Powder smiles and scrambles off the floor, almost tripping over herself as she pulls a present from beneath the Christmas tree. She glances down at the tag and grins.

She then scans the room with a giddy smile, then her eyes land on Silco.

She bounds over to him, practically shoving the present into his hands as she sits down on the floor next to his legs. 

Silco smiles faintly as he takes the present. “Alright, let's see what you got me, hm?” He's quiet as he carefully unwraps the present, and Powder watches him who barely contains her excitement.

After a moment, the wrapping paper is set aside, and the present is now fully unwrapped. It's just a little box, though Silco is curious as to what's inside.

He glances at Powder as he takes the lid off the box, looking a little wary. Powder just grins at him. “Go on, open it,” she encourages.

He looks back at the box and, with a little nod, reaches in and pulls out the item inside. He holds it in his hands and looks at it curiously, then looks at Powdr with a raised eyebrow.

She's still grinning, and she looks extremely pleased with herself. Mylo glances over to look and snorts out a laugh. “Would you look at that?”

Silco looks at the item in his hands, then looks at Powder again. “You got me…” he begins, trying to sound unimpressed. “...a little shark plushie?”

Powder nods, her grin getting wider, still very pleased with herself. “Yep!” she exclaims, “I got you a little shark plushie. You like it, right?”

Silco glances at the plushie and then at her again, looking vaguely fond. He carefully sets it down on his lap, then smiles a little.

“I adore it.”

Her grin somehow widens even more. She's clearly happy with herself. Silco chuckles a little under his breath, then looks around. “Who's next?”

Claggor shrugs, raising a hand. “I'll go,” he offers, to which Vander nods.

“Go ahead, Claggs,” he says approvingly.

Claggor gets to his feet from his spot on the floor, then moves to the tree. He crouches down and rummages around, looking for the present with the correct name tag.

A minute passes as a few minutes go by. He eventually stands back up, a small present in his hands. He looks around the room, then his eyes land on Mylo, who's now lying down on the floor and looking very bored.

Claggor moves over to him, tossing the present into his lap. Mylo looks up and catches the present, shooting him a glare. “You couldn't have done that a little nicer?” he complains while sitting up.

Claggor just shrugs and gives him a flat look. “Suck it up,” he tells him bluntly before sitting back down.

Mylo scoffs and begins to unwrap the present, ripping the wrapping paper off carelessly. He tosses the wrapping paper away, then looks down at the present as he tears the box open. He's quiet for a moment, looking at the contents...

..and then he groans, covering his face.

“Oh, come the hell on,” he grumbles, though he sounds more whiny than anything else. He glances up from his hands to give Claggor a withering look.

“Dude, seriously?”

“What?”

Mylo just sighs, shooting the toy in the box with a dismayed look. “Really? a stress ball?”

Claggor shrugs. “I thought it was a good idea,” he says, clearly not bothered by Mylo's unimpressed tone. “And you seem to be lacking a bit in the stress management department.”

“Well, excuse me for being a bit stressed when you're being a dick.”

“See, you need the stress ball. You proved my point right there.”

Mylo just groans and throws his head back. He picks up the stress ball and squeezes it hard. “I hate you.”

Claggor merely grins. “I love you too.”

Mylo mutters something under his breath, too quiet for anyone to hear, then looks up as he addresses the group. “So, who's up next? I'm sure there's some poor sap itching to go.”

Silco raises a hand. “I'll go next,” he offers.

Everyone glances at him, then nods and gestures for him to go. He gets up off the couch and saunters to the tree. He scans the presents beneath it, moving a few aside to find the one he was looking for.

He finally finds it and smirks to himself, grabbing the present and standing up. His eyes sweep over the group, taking in everyone's expressions. He then turns and walks over to Vander, holding the present out to him.

Vander glances at the present, then at Silco, taking the present and curiously giving it a little shake. “What is it?” he asks curiously.

Silco just grins in a vaguely irritating way and sits back down. “Just open it,” he replies, his voice dripping with innocence.

Vander raises an eyebrow but begins to unwrap the present meticulously, occasionally shooting Silco a glance, as if expecting something. He peels away the wrapping paper to reveal a small box, then looks at Silco, his eyes questioning.

Silco simply shrugs and gestures for him to go on. Vander quirks another eyebrow up but opens the box anyway, now a little intrigued.

Then a snort finally escapes him. He's now fighting to hold back laughter.

Mylo sits up suddenly, looking at Vander, then at Silco, curiosity in his eyes. “What? What is it?” he asks eagerly.

Vander doesn't answer for a moment. He's still staring into the box, looking like he can't believe what he's seeing.

He then looks up at Silco. “Please tell me you're joking,” he implores.

Silco's smile widens even more. “I couldn't be more serious,” he replies.

Vander lets out a long, suffering sigh, then digs through the tissue paper and pulls something out of the box.

It's a pair of comically large underwear, one that could practically fit an entire person inside of it.

Vander groans, holding the underwear up and staring at them with slight disgust.

Mylo and Powder both start laughing once they register what the present is. Powder laughs so hard she nearly falls over, clutching her stomach as she howls with laughter.

Vi's eyes widen at the sight of the underwear, her mouth dropping open a little in surprise. As much as it pains her to admit it... she just knows the jokes that Silco is going to start making any minute now.

…and she's right.

“You see, I thought it was a necessary gift.”

“Necessary?” Vander repeats, still holding the underwear up in disbelief.

Silco just nods. “Of course. you're getting old, and as you get older... accidents happen.”

“I'm not that old,” Vander grumbles, though he knows it's probably not the best argument.

Silco smirks, raising a hand and waving it dismissively. “Oh, you know what I mean. Things begin to... fail as you age. I simply wanted to make sure you had a spare pair.”

Mylo is now practically rolling on the floor, clutching his sides. “Oh, my god, I can't breathe—this is—this is gold,” he wheezes. Powder is laughing so hard she's choking, practically coughing her lungs up.

Vander sighs again, looking down at the underwear in his hands. He looks like he wants to throw it into the fire and destroy it right there.

He glances up at Silco, giving him a look that clearly says, 'I will get you back for this'.

Silco leans back against the couch and crosses an ankle over his knee, looking all too pleased with himself. “What? You don't like them? I personally thought they were a good choice.”

Vander opens his mouth to reply, but Powder interrupts him.

“Oh, god,” Powder chokes out, “you should try them on. They'd look perfect on you.”

Vander shoots Powder a glare to kill. “No way in hell,” he mutters firmly, folding his arms and sitting back.

But Powder’s not done. “Come on, just try them on,” she wheezes. “It really would be a look for you.”

Vander turns his glare to Powder, his expression clearly saying, 'I will murder you if you keep talking.'

“No,” he replies through gritted teeth.

Even Silco is starting to look amused.

“Just for a second,” she teases, “come on, just long enough for us to see. We won't even say anything.”

Vander lets out another long, suffering sigh.

He shoots a sneering look at both Silco and Powder. Eventually he lets out an exasperated grumble and stands up, mumbling something under his breath as he heads into the bathroom with the underwear.

Mylo falls back onto the floor, clutching his stomach.

Silco is laughing too, watching as Vander heads to the bathroom to change.

Mylo is dying of laughter, gasping for air in between wheezes. “Holy shit,” he chokes out. “He's really doing it.”

It takes a few minutes, but eventually the bathroom door swings open and Vander exits, looking like he regrets every decision he's made that led him to this.

His face is as red as a tomato as he stomps back over to them in the gigantic underwear.

Mylo and Powder are losing it again, falling over and rolling on the floor with laughter.

Silco is smiling, trying to stifle a laugh. “Oh my,” he says, barely containing his amusement. “They look even better than I imagined,” he comments.

Vander can hardly look anyone in the eye, still red with embarrassment. “I hate you. I hate you all.”

Claggor looks at Silco and Powder, clearly trying not to laugh. “You guys are terrible,” he says, a trace of a smile on his face.

Vi can't hold back her laughter anymore, she's grinning from ear to ear. “You look... perfect,” she comments through a strangled chuckle.

Vander turns his glare on her, still red with embarrassment. “I hate you all,” he repeats, shaking his head.

Powder is still giggling from the floor. “I want pictures,” she wheezes, holding up her phone.

Vander looks like he wants to smack her head off. “Absolutely not. I forbid it,” he snaps, sounding as serious as someone wearing comically large underwear can.

Powder just pouts, lowering her phone. “Oh, come on,” she says with a whine, looking up at Vander with puppy-dog eyes. “Just a few.”

“No, I'm not having pictures of me in these... embarrassing things circulating the internet.”

“The internet? Who said anything about the internet?” she replies, a smirk on her face. “I just meant... a few for my own personal, um, research.”

He opens his mouth to say something, but Silco chimes in first. “Oh, come on. Humor her. It's the season of giving.”

Vander turns his glare to Silco, his expression almost murderous. “There's no way in hell—”

“Pleeeease?” Powder interrupts, holding out her phone again.

Vander looks like he's about to argue, but Powder is already giving him those damn puppy-dog eyes that he struggles to resist.

He hesitates, then, with a grumble, he sighs. “Fine, one picture.”

Powder looks like a kid on Christmas. The instant the word 'picture' leaves Vander's mouth, she leaps to her feet and lifts up her phone.

“Stand up straighter.”

Vander obeys, reluctantly straightening up.

“Say cheese,” she grins.

Vander grumbles under his breath, but he cooperates. “Cheese,” he mutters, putting on a strained smile.

Powder snaps the picture, then lowers her phone and looks at it with a satisfied smile. “Oh yeah, you're getting on the naughty list for this one,” she grins, wiggling the phone a little.

Once the picture-taking is over and Vander changes his clothes back, Silco motions for Powder to settle down.

“Alright, settle down. It's time to continue with the secret Santa,” Silco says, looking at the others.

They all nod in agreement, still snickering but mostly focusing on the present exchange.

“Who wants to go next?” Silco asks, looking around the group.

Mylo looks around, then grins. “My turn.”

Powder rolls her eyes, knowing that look on his face all too well. “Here we go,” she mutters under her breath, preparing herself for whatever nonsense Mylo is about to come up with.

Mylo smirks, holding up his present. “Well, I drew someone's name... and it was a pretty easy choice.” He then looks around the group with mock innocence. “Oh, where's my victim?”

Claggor lets out a defeated sigh. “Who exactly is the unlucky person this year?”

“There's only one person who I could have possibly chosen…”

“Would you just spit it out before the suspense kills me?” Powder snaps, impatient.

Mylo huffs. “Jeez, have some patience,” he grumbles. “Anyway, my secret santa is…”

Vander sighs, looking like he's already regretting this. Claggor puts his head in his hands, bracing himself.

“My secret santa is, drumroll please…” they reluctantly drum their hands against any surface near them.  “My very special secret Santa is…”

Claggor covers his face with his hands, looking like he's praying.

Mylo grins, looking from face to face, savoring the moment before he does the big reveal.

“My secret Santa... is Powder!”

“Fuck!” she groans, burying her head in her hands.

“Aww, what's the matter, Pow?” Mylo grins, holding up the wrapped present.

Powder lets out another groan, glaring up at him. “You're the worst,” she mutters, looking like she's praying to any god out there to just put her out of her misery already.

Mylo grins, clearly getting a kick out of her misfortune. “Come on, don't be like that. It could be worse, I could have gotten you a box of spiders,” Mylo teases, shaking the present in her direction.

Powder looks like she's seriously considering that as a better option. “You know what? Give me the spiders. Spiders would be better than whatever it is you got me.”

“Nice try. You're not getting out of it that easily,” he says, holding the present just out of her reach. “You have to open it, come on.”

Powder grumbles in protest, then reluctantly reaches out for the present. She snatches it out of his hands, shooting him a glare. “If I die from this, I'm going to haunt you for the rest of your life,” she mutters, slowly tearing the wrapping paper.

Then, Powder tears back the last piece of wrapping paper, revealing a plain black box. “What the hell is this?” she mutters, looking like she's already fed up with whatever shenanigans Mylo has come up with.

“You're going to have to open it and see for yourself.”

Powder grumbles, giving Mylo a glare that could freeze hell over. She slowly opens the black box, not sure what to expect.

“Please tell me this is not what I think it is,” she mutters, looking like she's two seconds away from throwing the entire box at Mylo's head.

The others lean in closer, curiosity getting the better of them.

“You did not get me what I think you got me.”

“Oh, you're going to have to be more specific than that,” he replies, trying to hide his smirk.

Powder glares at him, her jaw clenching. “You know what I'm talking about,” she snaps, looking like she's contemplating dumping the contents of the box over his head.

Mylo just shrugs, holding up his hands in mock surrender. “I honestly have no idea what you're talking about.” 

Vander just rubs his face with one hand, knowing that this situation is about to spiral out of control.

“You're telling me,” Powder hisses through clenched teeth, “that you didn't get me exactly what I think you got me?”

“Like I said, you'll have to be a bit more specific,” he responds, looking entirely too smug for his own good.

Powder looks like she's about to explode. “Mylo, I swear to-”

Claggor cuts her off, knowing that she's about to blow her top. “Calm down, Powder,” he says, placing a hand on her shoulder.

“I'll calm down when the box goes straight over his head.”

“Why so angry? I thought you'd be excited.”

“I can't wait to make you eat that box,” she mutters, her hands clenching into fists.

“Oh, I'm so scared.”

Vander interjects, trying to diffuse the tension. “That's enough. No need to start throwing things around.”

“I was just having fun.”

“Yeah, have fun with a black eye.”

“Enough,” Silco says, giving both Powder and Mylo stern looks.

Both Mylo and Powder grumble, reluctantly backing down a bit.

“Can we all just get back to opening presents, please?” Vander asks, sounding exasperated.

The others nod in agreement, though Powder still looks like she's not done with Mylo yet. She glares at him one last time before reluctantly returning to her seat.

Mylo just grins, clearly enjoying having gotten the last word in. He takes his own seat next to Claggor, looking very pleased with himself.

The others exchange glances, silently agreeing to not let Powder and Mylo be too close to each other for the rest of the evening.

Silco clears his throat, getting everyone's attention. “Now, who's next?” he asks, looking around the room.

Vander nods, leaning back in his seat. “I'm up next, I guess,” he mutters. He rummages at the gifts under the Christmas tree. After a few moments of searching, Vander finally finds the present he was looking for. He picks it up, holding it in his lap.

“This one's for you,” he says, handing the present to Claggor.

Claggor takes the present, looking curious. He glances down at it, then looks up at Vander with a soft smile. “Thanks,” he says, starting to unwrap it.

Once the wrapping paper is off, Claggor is holding a box of assorted tools. They range from pliers to wrenches to screwdrivers.

“Just like you requested,”  Vander says, watching as Claggor starts inspecting the tools.

“Wow, these are great. Thanks, dad,” he replies, running a hand over the tools in the box.

Vander smiles, clearly pleased to see that Claggor likes his present. “I thought you'd like them. I saw them at the pawnshop the other day and figured you could use them.”

“I definitely will. These are a huge upgrade compared to what I have now.”

Vander reaches over and pats Claggor on the shoulder. “You deserve it. You've been working your ass off lately.”

Vander looks around the room, looking for the next person to take their turn. “Alright, who's up next?” he asks, eyeing everyone lazily.

Mylo's head suddenly snaps up, a smirk on his face. “Oh goodie, it's Vi's turn.”

“Come on, Vi, your turn,” Silco says, looking a little amused.

“Yeah, yeah. Hold your horses,” she mumbles, getting to her feet and making her way over to the christmas tree.

Vi crouches down, rummaging through the presents. After a few moments, she finally finds the present. She grabs it, standing back up. She looks over at you, looking a little bit like she's been caught doing something she's not supposed to do.

She makes her way over to where you're sitting, holding out the present. “Here, this one's for you,” she mutters, looking a little tense.

You take the present from her, looking down at it. It's heavy in your hands, the wrapping paper slightly crinkled from how hard she was holding it. “Thanks, Vi,” you say, looking up at her.

“Don't mention it, babe,” she mutters, her voice sounding a bit strained.

Powder and Mylo both let out a chorus of ‘aww’ when they heard her use the nickname.

“Shut up, you two,” she says, glaring at them both.

You start unwrapping the present, tearing off the festive wrapping paper to reveal what's inside.

Once the wrapping paper is off, you're holding a small box. It's plain, made of brown cardboard, and doesn't look like much. But as you look back up at Vi, you can see a hint of nervousness on her face.

She's watching you intently, her expression almost anxious. It's a look you don't often see on her face, and it's a little startling.

Still curious, you glance back down at the box in your hands. You lift off the lid, opening it slowly.

There, nestled in a bed of tissue paper, is a necklace. It's a silver chain with a small silver heart pendant. It looks delicate and beautiful, and judging by the look on Vi's face, she spent a lot of time picking it out.

You slowly reach into the box, lifting the necklace out of the tissue paper. You hold it up, letting the chain dangle from your fingers. It glints in the light, the pendants catching the glow from the Christmas tree lights.

Vi is still watching you intently, her eyes fixed on the necklace. She shifts a little on her feet, looking like she's holding her breath. 

“Do you like it?”

You look up from the necklace, meeting her gaze. “Yeah, I do,” you respond, your voice just a little bit shaky. “It's beautiful.”

You hold the necklace in your hand, running your thumb over the pendant. Without even thinking, you reach up and clasp the necklace around your neck.

It fits snugly against your skin, the pendant resting on your collarbone.

You look up, catching Vi watching you as you adjust the necklace. “Looks good on you,” she says, her voice lower than usual.

“Thanks,” you reply, still running your thumb over the pendant.

Mylo and Powder both let out another chorus of ‘aww’ clearly touched by the sight.

Vi shoots them another glare, her eyes narrowing. “Would you two shut up, for Christ's sake?”

“Oh, come on, sis. It's cute” Powder teases.

“Ah, young love,” Silco says. 

Vander chuckles, nodding his head. “I remember my younger days.”

“Don't you mean your younger hookups?” Silco shoots back.

Vander grins, holding his hands up. “Guilty as charged.”

Silco laughs, shaking his head. “Some things never change.” Then, he glances around the room, looking for who's turn it is next. “Lasty, who's next?” he asks, looking at everyone present.

You look around, seeing that almost everyone has given out their gift. It's obvious that your turn is next. “I'm up next.”

You get to your feet, making your way over to where the presents are. then you hold the present in your hands, not looking up quite yet. You can feel Vi's eyes on you.

This is it. You take a deep breath and look up, meeting her gaze. 

You walk over to her, your heart beating a little faster. You feel a little bit nervous, but you try to push it down.

You stop in front of her, holding out the present. “Here you go, babe.” 

Vi's expression softens a bit, her eyes darting down to the gift in your hands. She reaches out and grabs it, looking slightly puzzled.

You watch silently as she unwraps the gift. 

Vi looks at it, her eyebrows raised. “Is this... a sweater?” she asks, a little bewildered. It's clearly hand-knit, with uneven stitching and a clashing color scheme.

“I made it myself,”

“You made it?” she asks. “Like, with your own two hands?”

“Obviously..”

“I mean... it's…” she starts, her voice trailing off as she tries to find the right words.

“It's hideous?” you suggest.

She winces a little, looking like she can't deny it. “Yeah, kinda…” she mutters.

“Hey,” you say, mock-indignant. “I spent a lot of time making that, you know.”

“I can tell.”

“Then, try it on.”

Vi hesitates for a moment, looking at you a little warily. “Seriously?”

“Seriously,” you nudge her. “Just try it on, for me.”

She sighs, clearly realizing there's no way out of this. “Fine.”

She pulls it over her head, struggling a bit to get her arms through the sleeves. The fit is a little awkward, and the sweater seems a little too small. But somehow, it kind of makes her look... cute?

She tugs at the sleeves, looking down at herself. “How do I look?” 

You pretend to look her over, like you're seriously considering the question. “I dunno,” you reply. “it's... something.”

“Be serious. I look like an idiot, don't I?”

“Don't be like that” you tease, reaching out to straighten the collar of the sweater. “It's not that bad.”

“Not ‘that bad?’” she repeats. “Are you kidding? I look like a walking christmas tree,” she groans, tugging at the sleeves yet again.

“I think you look…. fine”

“That's the best you've got? 'fine?'”

“What do you want me to say?”

“I don't know,” she mutters, sounding slightly petulant. “Something more than just 'fine’”

“Okay, okay,” you say, holding up your hands. “Let me rephrase that, you look…” you pause, scratching your chin “...very christmas-y”

“You really know how to boost a girl's ego.”

“I didn't realize you needed your ego stroked.”

“I don't,” she protests, a little flustered. “I'm just saying, a little bit more enthusiasm would be appreciated.”

Silco clears his throat, drawing everyone's attention. “Ahem, now that the present giving is concluded…” he glances around at the crowd.

Silence falls over the room as everyone waits for Silco to speak. The tick-tock of the grandfather clock is the only sound that can be heard.

Silco glances at the clock, a smile on his face. “It appears to be midnight,” he says, pausing for emphasis. “Which means…”

A chorus of “Merry Christmas!” rises up from the group, everyone sounding festive and cheerful. 

You look back to Vi, who is still fiddling with the sweater. “Merry Christmas,” you whisper, not wanting the others to hear.

She glances at you, a small smile touching her lips. “Merry Christmas to you too,” she replies, her voice just as quiet as yours.

Awkwardly you glance down at the carpet, unsure of what to say next. 

“Hey,” she says suddenly, her voice drawing your attention. “Can I talk to you for a second…? In private?”

“Sure,” you agree, following her as she leads you away from the group.

She leads you into a small back room, closing the door behind her. The room is dimly lit, with only a few bare light bulbs lining the walls. Aside from a few boxes and some old crates, the room is empty.

She turns to face you, leaning against the wall. She's quiet for a moment, her gaze averted to the floor. you can tell she's trying to find the right words, fiddling with the hem of the sweater again.

“Listen,” she begins, finally meeting your eyes. “I know this is weird, and I know things are... difficult right now. But…” she pauses, letting out a short sigh. “I just want to say one thing…”

“Go on,” you encourage.

“I…” she starts, then falters. Her tongue darts out to wet her lips, nervousness flitting across her features. Her gaze drops to the floor.

“Well, I just…” her fingers fumble at the edge of her sweater. “I just... I miss you.”

Your heart skips a beat as she finally says the words out loud.

You've been wanting her to say that for weeks, months even. After everything that's happened between the two of you, you desperately wanted to hear those very words fall from her lips. But now that she's saying it...

What the hell do you say to that?

You're speechless, stunned into silence by her honesty. You open your mouth, intending to say something, anything. but words seem completely lost to you at this point. You just stand there, staring at her, dumbfounded.

“Say something,” she finally says, her voice tense. “Say anything. You're just staring at me like an idiot.”

“I don't know what to say.” Because, you really don't know what to say. You have so much you want to say, but somehow the words get stuck in your throat.

“Say you hate me. Say you never want to get back together. Just... say something.”

She's waiting. Waiting for something, anything. An opinion, a response. something, anything from you. But what can you say? Do you tell her the truth—that you've missed her so much you can't even sleep at night? that the last month has felt like a living hell, having no contact with her?

You want to tell her that you hate her for throwing you away just to come back around wanting something from you again, but your tongue feels like cotton.

“Say something… yell at me, curse me out, anything!”

But her tone gets under your skin, and suddenly you feel the anger start to build inside of you. 

Who does she think she is, demanding a response from you? she's the one who tossed you aside without a second thought. You're sick of this. You've done everything for her, given her everything she wanted, and here she is, pushing you for more.

It is too much—all too much. Without a word, you turn from her, heading toward the door. You can't do this anymore. 

You hear her call out your name as you shove open the door, but you don't stop. You make your way back, stopping at Vander's side.

“Vander, I'm going to head out.”

Vander nods, giving you a knowing look. He can tell something's going on, but he's wise enough not to press the issue.

“Alright, kid,” he says gruffly. “Get some rest, yeah?”

You nod your head, forcing a smile onto your face. “Yeah, I'll try,” you mutter, giving him a wave before starting towards the exit.

When you pass by Silco, he gives you a curious look. You catch his gaze and give him a small nod.

Finally, you make your way out the front door. The cold night air hits your face, making you shiver. You take a deep breath, preparing yourself for the walk home.

But then you hear the door swing open behind you, her footsteps hurry after you.

“Wait!” her voice calls out. “Wait, stop!”

You keep walking, your steps quick. You're trying to get as far away from her as possible to outrun all of the feelings that came rushing back to you—

“Let me walk you home.”

Her words cut through your thoughts, sharp and unexpected. You falter, your steps slowing down.

You stop walking, turning around to face her. “What?”

She's standing there, looking like a kicked puppy. Her shoulders are slumped, her expression sheepish. She can tell you're not happy she's followed you out here, but she looks like she doesn't care.

She lets out a huff, her breath coming out in a white cloud in the cold air. “I just... look, whatever happened in there, whatever happened between us... just let me look out for you. Just let me walk you home. I.. I have to know you're safe.”

“I don't need a babysitter,” you practically growl, your irritation obvious. “I can handle myself.”

Vi flinches at your words, but she doesn't back down. If anything, she squares her shoulders and lifts her chin. “I know you can,” she snaps. “I'm not offering to babysit you. I'm just... I'm just asking to walk you home.”

You glance back at the entrance of their house, the warm lights and sounds spilling out into the cold night air. 

You turn back to look at her, your voice softer this time. “You don't have to walk me home. We don't have to keep up the act anymore, I'm going home and... you've got better things to do than worry about me.”

“Screw the act,” she mutters. “I'm walking you home. It's not up for debate.”

You stare at her, baffled by her insistence. “Seriously? What's the point, Vi? We're not together anymore. Why bother?”

Her jaw clenches, her shoulders tensing. You know she hates this. She hates hearing you say it. Her heart is on her sleeve, and you're tearing pieces out of it, right in front of her.

“Because I care!” she snaps. “Maybe it's hard for you to believe, but I still care about you.”

You shake your head, scoffing at her words. “No, no, no, you don't get to act like you care now. You're the one who broke up with me. You're the one who walked away and left me.”

“I made a mistake,okay? I was a damn idiot, and I screwed up.”

“A mistake?” you echo, scoffing again. “You ended everything, and now you want to walk me home? What, you think that makes up for everything? You think it’s that easy? You threw away everything we had like it meant nothing, like all those months we spent together meant nothing.”

Your voice is trembling with anger as you continue. “And then what did you do? You went around, throwing yourself at anyone that gave you a second glance, like I never meant anything to you. Yeah, I know all about that. So don't try to act like you actually care when you clearly didn't give two shits.”

She looks away, her jaw clenching. “I was trying to get over you. I was trying to push you out of my head and it hurts like hell. Every night, every morning, it was like there was a hole inside of me, and no matter how hard I tried to fill it, no matter how many times I went out, how many times I tried to forget you, nothing worked. You were stuck in my head, and I hated it.”

She takes a step closer to you. “I know it sounds stupid. I know it doesn't make any sense. I just... I needed something to distract me, something to keep me from thinking about you. Because it hurt too damn much to think about how much I messed things up.”

“Yeah, congrats. You did a damn good job at distracting yourself, huh? It sure as hell didn't take you very long to get over me.”

She winces again, the guilt written all over her face. “You have no idea how many times I wanted to reach out to you. How many times I thought about coming back to you and begging you to take me back.”

“But you didn't,” you say. “You didn't reach out to me, you didn't try to fix things. So why should I believe you now? Why should I believe that you're sincere when you didn't care enough to fight for us before?”

She looks down, unable to meet your gaze. “What was I supposed to do?” she whispers. “I messed up. I messed things up and I don't know how to fix it. I don’t know how to take back what I did, how to make things like they were before I messed up. All I know is that I miss you. I miss you so damn much, and I’d do anything to have you back.”

You swallow hard, your throat suddenly dry. Everything she's saying, it's everything you've wanted to hear for months. It feels like a dream.

But you can’t let yourself fall back into this. Not when you’ve worked so hard to move on. Not when you’ve spent so many nights crying into your pillow, reminding yourself that she didn’t care enough to fix things, to fight for you.

“Why now—Why do you want me back now, after all this time? Why didn’t you want me back when it mattered, when I needed you?”

She looks up at you, desperation in her eyes. “Because I was an idiot! Because I was stupid, and scared, and I thought walking away would make it easier, but it just made it worse. Because I spent every damn night regretting that I let you go and wishing that I could take it all back. I'm sorry. I'm so damn sorry for what I put you through.”

“Sorry doesn't fix things,” you say, your voice shaking. “Sorry doesn't take away the pain, sorry doesn't undo what you did.”

She nods, a tear slipping down her cheek. “I know saying sorry won't magically fix things, but I am sorry. I'm sorry for hurting you, I'm sorry for walking away, I'm sorry for everything I did wrong. Just... just give me a chance. Give me a chance to make things right.”

She takes another step forward, her eyes pleading. “Give me a chance. Let me prove to you that I love you and that I want to make things right. If I screw up again, you can toss me to the curb and never speak to me again. But please, just give me one more chance.”

“I don't know,” you murmur. “I just... I don't know.”

“I'll do anything. I'll get on my knees every day if I have to. I'll beg on my hands and knees. I'll crawl on my hands and knees. I'll grovel on the ground. Just... please, just give me one chance.”

“I'll think about it. Just...just give me some time to think things over.”

“Okay, okay. I'll give you time or whatever you need. Just please don’t shut me out completely.”

Without hesitation, she envelops you in a tight hug. Her arms wrap around your waist, her face burying into your neck. Her body clings to you, every part of her desperate and needy. “I miss you so much,” she mumbles.

You stand awkwardly, unsure of what to do. But then, your body betrays you, your arms slowly wrapping around her.

For the first time in a long while, you're holding her again. Her warmth, her scent, her touch—it’s all so familiar, so painfully familiar. So damn familiar that it hurts.

“I hate you.”

“I don't blame you,” she pulls back a little, her hands coming up to cup your face.

She lifts her hand, brushing a lock of hair away from your face. “I hate you so much,” you repeat, a tear falling down your cheek.

“I deserve that,” she says, her thumbs gently wiping away your tear.

“Damn right you do.”

You have no idea what to do or what to feel. Everything is a mess, and you're drowning in it.

For now, all you could do was hold her tight and bury your face in her shoulder. 

You hated how good she felt against you and how right it felt to be held by her. You hated the way your heart skipped a beat whenever she whispered in your ear. 

Damn her for making things so confusing, for making you feel so damn much.

You felt her hand rubbing your back, her fingers tracing circles over your skin. It was a soothing gesture, a silent apology for all the pain she had caused. It only made things worse, making your heart ache even more.

If only things had been different. If only she had been more communicative. If only she had been more sensitive to your feelings. If only she had been there for you when you needed her.

If only she hadn’t walked away and left you broken. If only she hadn’t hurt you the way she had.

And most of all, if only you had been strong enough to push her away and protect yourself from this mess.

But here you are, standing in the middle of a street wrapped in her arms. You felt like a fool, like a damn idiot, for still wanting her after everything.

You wanted to hate her, you wanted to make her suffer the way you had suffered.

But how could you hate her when she was looking at you like that? how could you hate her when she was holding you like this?

It wasn't fair. It wasn't fair that she still had this kind of effect on you. 

Her eyes met yours, and you saw everything you had missed, everything you had longed for. and you knew, right then, that you were in damn trouble.

—

In the window, Vander and Silco watched you and Vi from afar, the soft glow of the christmas lights casting shadows over their faces.

Silco takes a drag of his cigarette, the smoke curling around him as he exhales. “Your little plan worked quite well,” he says, looking at Vander with a sly smile.

Vander just shrugs, sipping his drink. “I don’t know what you are talking about,” he replies, keeping his expression neutral.

“You're not fooling anyone.”

Vander hums, taking another sip of his drink. “I don't know what you mean,” he says again, keeping his gaze locked on you and Vi.

Silco let out a puff of smoke, a smirk playing on his lips. “Don't play coy, Vander. You knew damn well what you were doing when you rigged that secret santa.”

“I may have had a little influence,” he admits.

“A little influence? oh, don't downplay it. You wanted them back together, and you knew exactly how to make it happen.”

“I have had a hunch that they still cared about each other,” he says, his voice casual. “And plus, I don't want to see Vi moping around for the past months.”

“And we couldn't have that, could we? seeing her moping around like a lovestruck puppy.”

Vander nods. “She was really terrible at hiding it,” he says. “always pacing around, always looking like she lost a puppy.”

Silco takes another drag of his cigarette, blowing rings into the air. “It was painful to watch,” he says, shaking his head.

“It was like watching a kid trying to hide a secret… I just hope they figure things out.”

“I agree,” Silco says, his eyes flickering over to you and Vi. “Hopefully they can work things out.”

Vander hums in agreement. “Only time will tell.”

They watch in silence for a moment, seeing how you and Vi are still holding each other.

“I still wouldn't forgive you for that damn underwear you got me.”

“That was the funniest thing you could have received.”

Vander grumbles, narrowing his eyes at Silco. “I do not find it funny to receive underwear as a gift.”

notes: idk what is happening

[pankomako]

dude not me thinking about post-gang war arc gang's bay aughghgh the character design ideas i have are so GOOOODDD

[beannoss]

So I've been thinking about them:

Specifically I was wondering what the moment was (if there even was a specific moment) that cinched it for Twilight developing feelings for Yor.

[Spoiler warning: this post references manga chapters not yet animated]

I think for Yor it's pretty quick. Like, this moment here:

Not that Yor fell in love with Twilight then (ymmv) or that she's fully aware of her feelings, but it's explicit that she felt connected to him here and attached in meaningful ways.

But for Twilight, it wasn't so clear. For a while I'd kind of decided that it just came over him slowly (and I think there is something to that) and that there wasn't any singular moment which stood out. But that didn't feel quite right. The more I thought about it, the more I thought there were two stand-out moments, only one of which Twilight actually (semi-)clocks.

The first, which I think passes him by entirely, is this:

In my view, this laugh is an entirely authentic response. I think he is, despite himself, delighted by this woman who 1. just unexpectedly saved him from being stabbed, and 2. did it by sending the guy flying across an entire alleyway.

This is accentuated in the anime, I think, by the jaunty, puckish music that makes up the first part of their marriage theme song. I am dying for the reappearance of this music in some fashion, btw, it's so fun and cheeky and I'm hoping foreshadows their vibe after various revelations and particularly when they start working together as Agent Twilight and Thorn Princess:

The second moment for Twilight, I think, is more subtle for all it's more impactful. Or at least, the degree of its importance passed me by on initial read/watch, and I think it's deliberately downplayed by Twilight himself. Because he does actually clock it but if he looks more closely at it, well... then he might have to do something about it. And maybe that something won't comport with what the mission needs, and then what?

It happens when Twilight first bugs Yor, and then poses with Franky as SSS agents to test whether she knows Yuri is with the SSS.

It's clear in the lead up that Twilight recognises he has some feelings about/for Yor, and he doesn't want to spy on her; he doesn't want to mistrust her at all. He has to convince himself to take seriously that she may be a potential threat.

And even then, the convincing only sort of mostly works, because he hesitates again:

Which is, by the way, bananas. At this point, they've been a fake family for maybe a handful of weeks? Twilight is an experienced, accomplished spy with a finely honed and necessary sense of paranoia. Of course he should be suspicious. Her brother is an SSS agent! Canonically, the SSS are both Twilight- and SSS self-described as Twilight's greatest existential threat. It shouldn't be a question whether or not to verify Yor's knowledge here. And yet.

We all know how the rest plays out. He decides that listening in isn't enough, he needs to confront her insofar as he's able. I wrote previously about Twilight's relationship with Anya and the pivotal moment for him in how his view of his relationship with Anya changes based on Anya's (and Endo's) choices. I think a similar thing happens in this scene with Yor.

See, it would have been enough for Yor to continue to deny, continue to not call on Yuri's help, to prove she didn't know, and to put Twilight's mind at ease.

Endo takes it further.

Y'all: THIS IS ABSOLUTELY WILD. It borders on levels of impulsive foolhardiness that Twilight should actually take as a negative for the person playing his wife for Operation Strix. Yor even alludes later to the problems this could cause!

The SSS are indiscriminate; if Yor was facing down actual SSS agents, first assaulting and then threatening them would 100000% land her in custody. Were it not for Yuri, it may even get her disappeared, based on how casually and frequently Yuri references having people executed. It would absolutely put the Forgers at risk, in general and in the implicitly sexist Ostanian society, because if Mrs Forger behaves this way, how does Mr Forger behave? And why can't he control his wife? The Secret Police are not known for their leniency, their modesty, their discerning, their temperateness, their mercy. They are known for the exact opposite of those things. And due to being a spy, Twilight probably knows they're actually much worse than even their public reputation.

And here's Yor saying: you can question me but if you threaten my brother or my husband, I will fucking end you. Bodily.

Of course, it's entirely in keeping with her character, and it's an entirely revealing moment of who she is. And I think this is the moment for Twilight. He's already been trusting her bit by bit, as he says above, intuitively. I'd suggest that maybe even more than that though, Yor taps into something Twilight deeply wants: backup. Someone and somewhere safe. Maybe we could describe a person fulfilling that role in an adult relationship as a partner...?

It's because he doubts his intuition (his wants, his feelings, things he shouldn't be countenancing) that we get to this point where he (overzealously) tests her.

She blows his test right out of the water.

The SSS are basically the group he fears most; this is reiterated throughout the story. He doesn't trust them specifically because of who he is and also just generally. He doesn't trust their judgment. He doesn't share their values or their priorities. He doesn't like them around. He doesn't like them looking. He doesn't like being anywhere near them. (Also, he's right.)

And here's Yor. Not only standing up to them on his behalf but actually going on active defence on his behalf.

(I pause here to note 'on his behalf' is a bit, mm, tricky, since it's actually technically on Loid's behalf and I have Thoughts and Feelings about Twilight & Identity. But for the sake of the impact of this moment on Twilight, we'll take it as writ that in this moment there's no appreciable difference between Twilight and Loid.)

I think from here on out, it's incredibly difficult for Twilight to ever doubt or distrust Yor. He perceives her as firmly in his corner, that if the chips are down — if his worst enemy and his worst fear come knocking — she'll be on his team, unflinchingly. He may not think there will be much she can do (heh.) or much she can offer given the power of the SSS and her civilian status (I reiterate: heh.), but it matters that he believes that she'll be by his side.

And you know what? He's right. She will be.

That isn't something he's had since he was a little boy. Even WISE doesn't seem to offer that to its agents, given Nightfall's thought here:

Twilight's had to rely on himself for decades and now here's this astonishing woman who will threaten the Secret Police for his sake. Of course he trusts Yor. Of course this moment widens the cracks in his barriers. And further: of course those cracks start to reach into those walls deep, deep inside that protect his heart. This is all before getting to other moments, like when he reflects on how Yor is creating a better world in ways he (thinks he) can never aspire to do himself. That she loves Anya openly, freely, with such dedication, to the point of sacrificing her own needs. That she just never gives up, she persists and persists and persists, always doing her best. That she reminds him it's okay to accept peace and to rest. That she wants and tries to take care of him... On and on and on.

Of course we get to this point:

I'm particularly taken with his body language a little later in the scene. He manages to get himself to sitting but he's still sprawled, open, even as he can't wrap his mind around what exactly is happening or why, and he's feeling vulnerable for all that. But at the same time, this is Yor. And she's safe.

In my view, if the Mole Arc hadn't happened immediately between this moment and the earlier where Yor declares herself unhappy, it would have been clearer how much stress he felt specifically due to Yor's apparent sudden unhappiness with their arrangement. The stress got subsumed (conveniently, ahem, Endo) into the stress and violence of the Mole Arc, but I think it rattled him pretty profoundly. It's also additionally why her warm greeting hit him as hard as it did: relief across multiple lines, such that he had to remind himself not to relax, despite Yor's apparent return to normal.

And there may be added layers to Twilight's reactions to Yor's bad moods due to his familial history, as pointed out by @unhappy-sometimes in this post; the inverse, of course, is that Yor's general good-naturedness would add layers to Twilight's sense of security with her. And the apparent loss of that, all the more devastating.

Rounding out the original moment though, I think this in many ways demonstrates the point:

Twilight throws away the bug. That is also wild. It isn't like that bug could only be used on Yor; it wasn't somehow modified to only respond to her person. It was a device that could be used and reused on different targets, on people who actually are worthy of being bugged, etc. But instead of pocketing it for later use, Twilight throws it away.

Actually: he not only throws it away, he crushes it first. Perhaps because he couldn't stand to have that particular device around, the device he used when he doubted Yor?

Seems kind of irrational, Twilight.

Seems kind of telling.

I mentioned my last Twilight meta about his relationship with Anya: in that, I suggest Twilight recognised entering into a compact with Anya, which subtly modifies, for him, the motivations around Strix. I think something like that happens here, too. If Yor is willing to go to such apparent extremes to protect him, he'll do his utmost to protect her.

I've had this meta in my drafts for a while, but I'm chuffed by this panel from the most recent chapter, as it kind of underscores all this by Yor's positioning of herself:

(Of course the point is there isn't a dichotomy: they'll protect each other, as indicated by Yor's if I had to choose: she won't have to choose.)

Back to Twilight, at this point, he can still justify all this as being within mission parameters. Of course he should protect Yor: she is an innocent civilian and if anything happens to her it would threaten Strix. But if/when this line is tested, if/when there comes a point where protecting Yor is actually the option that may put Strix at risk or put him somehow in opposition to WISE, then we'll see.

And more importantly, Twilight will see, too.

[hellotailor]

Apologies if you've already done a post on this and I've just missed it, but can I ask for your take on the pyjamas worn by the cast of interview with vampire? I mean technically they're not a 100% necessary item, but just from a quick look there seems to be a lot of variety and they do change over the series

ok, i’m delighted by the specificity of this question, and it turns out that i have a VERY extensive answer.

there’s a lot of sleepwear in IWTV due to the volume of bedroom/coffin scenes, and like any other outfit, these costumes are shaped by characterization and historical period. for instance claudia initially wears a long, modest, frilly nightgown - an old-fashioned style that plays into her girlish doll wardrobe purchased by louis and lestat. however her sleepwear matures over the years, including a trendy lace nightdress with bloomers in the 1920s (note the rectangular silhouette), and a pink padded jacket/pastel robe outfit in 1940s paris. she's following contemporary trends while charting a visible trajectory from child to adult.

when i wrote about the Théâtre des Vampires coven costumes, i noted that while their wardrobes share certain themes (ie. monochrome patterns and stripes), they each have specific personal tastes. that holds true for sleepwear. in the S2 finale we see the coven going to bed in their coffins, with Eglee in a gorgeous (maybe 1940s?) robe, Celeste in a striped pajama suit reflecting her 1920s-30s cabaret style, and Armand in a plain grey set of prison jammies because he's Suffering.

of course, the star pajama outfits all belong to Louis and Lestat, playing into their wealthy domestic aesthetic in S1. they receive multiple bedroom/coffin scenes, and Lestat's gold Leyendecker robe is obviously iconic.

touching on the historical side of things for a moment, pajamas (as in a matching buttondown top and loose pants) were popularized in the western world in the 19th century, as a repurposed south asian import - kind of like how banyans became trendy among the upper classes in 18th century england. this was when loungewear started to catch on as a concept, both in terms of dressing gowns and smoking jackets (which you could wear while socializing at home) and actual pajamas, which became unisex in the 1920s.

back in his human life in the 18th century, Lestat probably slept naked or wore a shapeless white nightgown (and possibly a nightcap, the sexiest of garments). but in New Orleans he adopts Louis' lifestyle, which involves a luxurious wardrobe of fashionable menswear. they're both into shopping and looking good, and i think they enjoy the ritual of getting dressed together each night.

(i also have a personal theory that Lestat may prefer to sleep fully clothed because his formative traumatic memory involves waking up naked in the dark. after all, he doesn't need pajamas to stay warm, and he doesn't have a recent habit of wearing them in his human life like Louis does. then again, maybe he just enjoys having a new outfit for every occasion!)

in Dubai, we only get one scene (iirc) with Louis and Armand in their pajamas, lying in bed wearing outfits that tie into the striped prison bar imagery of their bedroom. Armand is in warmer brown tones (like his Paris wardrobe) while Louis is in black and grey, like the rest of his Dubai outfits. i'd also note that this is the one place where they're genuine in private, meaning that they aren't putting on a show for Daniel. so this is potentially Armand's most relaxed costume in the present day.

the fact that they're wearing this kind of old-school sleepwear feels very appropriate for their whole deal, imo. in the 21st century, a lot of people just sleep in boxers and t-shirts or whatever. there's a slightly 20th century vibe to wearing a full set of buttondown pajamas, and Armand's outfit reads as more stylish (and possibly more wealthy) than your average millennial guy. which makes sense! they're old men.

i think we can assume that every single thing in their Dubai home is ferociously expensive, even when it doesn't need to be. considering the way Louis gives himself a modern makeover in the finale, i do wonder if he'll switch over to sleeping in t-shirts etc next season, or if he'll stick with variations of the same sleepwear he wore during his mortal life.

p.s. all of my iwtv design posts are available on this tag!

[straightoutthehexcore]

"𝙔𝙤𝙪 𝘿𝙚𝙨𝙞𝙜𝙣𝙚𝙙 𝙖… 𝙒𝙝𝙖𝙩…?"

𝘾𝙝𝙖𝙧𝙖𝙘𝙩𝙚𝙧: Jayce Talis, Viktor

𝙎𝙪𝙢𝙢𝙖𝙧𝙮: You're a tech designer tasked with assisting with designing and creating Hextech goods for Viktor and Jayce, and during a delirious frenzy (you crashed out) while designing, you thought of the logistics and design for something... new.

𝘾𝙤𝙣𝙩𝙚𝙣𝙩 𝙒𝙖𝙧𝙣𝙞𝙣𝙜: NSFW themes (mainly pegging, humiliation if you squint), AFAB reader

"Alright, as for design ideas, I only have one, and I'm going to ask you to please hear me out on this one..."

"Alright, let us see it."

"I uhh... are you... absolutely sure?"

"Why must you stall? Come, show us."

"...if you insist..."

𝙑𝙞𝙠𝙩𝙤𝙧'𝙨 𝙉𝙤𝙩𝙚𝙨

"...this must be a gag, yes? I'll admit, this is intriguing."

He did not believe his fucking eyes. Using the hexcore as an energy source for... that? All he can say is that he definitely never thought about it.

He tried to play it off as a joke, sardonically commented on how vulgar it was, and after he realized it wasn't a joke, he looked at you and then looked back at Jayce, genuinely confused and not hiding his flushed face very well.

He pored over the blueprint and sketches, genuinely analyzing the design and the features of it, and had two immediate thoughts. 1) They took this... really seriously. Such depth to something so... trivial. 2) Not even in his dreams could he take that absolute MONSTER. But it was a blueprint, so things can change.

"Is... is there something you want to tell us...?

You tried to act business oriented but when you kept fumbling your words, it became increasingly obvious that you had zero idea what you were on about. The fact that Viktor stared dead into your eyes, watching you trip over your tongue, sure wasn't helping.

"It's a market rarely touched by other companies--" "it can aid in more funding for more important things-" "Bullshit."

Both you and Jayce looked at him, shocked at the profanity. Neither of you could tell if he was angry, flustered, or a little bit of both.

"You know you don't need an excuse, right? I'd much prefer forwardness, though this is... forward. In a different way, albeit."

"You think that's what this is about?" "I know what this is about, dear." "...very well." "That said...? Jayce, the final judgement is yours."

Viktor playing coy, everyone act surprised lmao

𝙅𝙖𝙮𝙘𝙚'𝙨 𝙉𝙤𝙩𝙚𝙨

"This is... what is this?"

While he looked at the sketches and initial blueprint with intent, he also tried to cover his face with it long after he read through everything. His face was insanely flushed, and he was worse at hiding it than Viktor.

Jayce was also utterly terrified by the size of the HexStrap, and that's part of the reason he got so flustered.

Started dissecting the materials listed down on sketches and trying to remain serious about the proposal, and Viktor looked at him like he was crazy because he was trying to seem actually, unironically serious, whilst failing miserably.

He was trying to back you up and make any excuse for its existence too, and it looked so pathetic to both you and Viktor (in an endearing way.)

"I mean they has a point with the... the sales aspect. Sure we have Councilor Medarda's funds, but it would still be beneficial to--"

At some point the knowing looks from both of you pierced through him. Viktor already called you out, but Jayce is still coping. He is coping hard. At some point, he gives up and leans forward in his seat and pinches the bridge of his nose.

It felt like he was deliberating more with himself and his conscience than he was with you or Viktor. He was, 100%.

He all in all accepted the proposal but for purely selfish reasons, as was made evident by the very visible boner and his hidden face. Teasing him would be too cruel and you were coming down from your own heightened anxiety, but God did you want to tease the crap out of him.

After that awkward session, Viktor did that job for you.

"Looking forward to... er... testing it, are we?" "I never said that, where did that come from--?" "Look at yourself." "Hey--"

Random idea I got, decided I'd add to the HexStrap discussion with how they would initially react to and come to accept the HexStrap :D

Thanks JayVik truthers, Rosey <3

[good-advice-ganondorf]

Majora's Mask and what it means to be grown up

(aka my collected analysis of the Legend of Zelda Majora's Mask)

I will say that generally I don't think Termina is purgatory, or a dream, or anything like that. To me, Termina is kind of like a Silent Hill type parallel world, where you face your deepest traumas.

First, the parallels between Majora's Mask, and the child section of Ocarina of Time.

The first dungeon for both games is in a vast wooded area, there are woodland races inhabiting both areas, the Kokiri for Ocarina of Time, and the Deku for Majora's mask. The second dungeon is in a great mountain, inhabited by the Gorons. The third dungeon is in a vast body of water, inhabited by the Zora.

Then, things split. After Jabu Jabu, Link becomes an adult. After Great Bay, there's Ikana Canyon. A land of nothing but Death.

Who caused the death of Ikana? Who else but the king, Igo Du Ikana. Ikana was plunged into disrepair, after Igos started a war with a clan of Ninjas, to receive a powerful artifact, in a great and mysterious temple. Sound familiar? It should, this is exactly what Ganondorf did, after Link was sealed away for seven years. But Ganondorf was successful.

But Ikana isn't completely occupied by the dead, no. Pamela remains, with her father, turned into an undead monster. Much like Sheik, the last Sheikah, who is revealed to be Zelda. And her father? He's never seen, but I'd imagine it would be easy enough for Ganondorf to become king, if the other one was no longer around. From a man, to a corpse.

So, if Ganondorf is a parallel to Igos, and Zelda is a parallel to Pamela, what about Link? He's a little different. I believe that, along with Kafei and Tingle, all three of the transformation masks are a representation of Link, and his feelings towards being forced to grow up.

Tingle is, as we know, a 35 year old man who thinks he's a fairy boy. Similar to how link was a 10 year old boy, who thought he was a fairy boy. I believe Tingle is a reflection of what Link could have been if he never left Kokiri Forest. An adult hylian man, thinking he's a Kokiri.

On the contrary, Kafei is distraught at the idea of becoming a child again. He's weaker, he can't marry his fiancee, and everyone treats him like well, a child, despite his maturity. I believe this is how Link feels after becoming a child again. He used to be a strong adult, and even if he's not as mature as Kafei, he still went through a lot, and knows a lot more about life now. Kafei even reuses Link's model and animations.

There's a reoccurring theme in Ocarina of Time where Link just doesn't belong anywhere he goes. He's an outsider to the other races, because he's a hylian, but he's also an outsider to the hylians, because he was raised as a Kokiri. I think the transformation masks reflect that.

The Deku Butler's Son is what he could have been as a Kokiri. He could have been a happy little boy, living with his father, and his community. But Link and the Deku butler's son both left home to explore, and as far as both the Kokiri and the Deku are concerned, neither came back.

Darmani is what he could have been as a Goron. A powerful hero to the Gorons, celebrated by them for clearing Dodongo's Cavern. A close link between the goron elder, Darunia, and their sons. Both him and Link remain after death, lamenting on their histories as heros.

Mikau is what he could have been as a Zora. Maybe not a cool as hell guitarist, but a husband to Ruto, and Prince of the Zora Who would stop at nothing to keep her happy and safe, like infiltrating a fortress, or climbing inside of a whale.

Even the Fierce Deity is just Link, but back as an adult. As if so much changed so rapidly, he felt like he transformed into something less like himself, and more like a powerful god. He could have continued being strong, and powerful, the defeater of Ganon, but he had to become a child again. He has to stay as a small, and unknown child.

The ages of the masks even match the human life cycle. According to the debug menu (and if you subscribe to the theory that Link and DBS's ages were swapped), DBS is 5, Link is 12, Darmani is 30, Mikau is 78, and, Fierce Deity is 17, likely due to his model being recycled from adult Link's. Link starts the game in the body of a 5 year old, then a 12 year old, then a 30 year old, then a 72 year old, and finally, a God.

We don't exactly know how Link feels. But I can't imagine it would be easy to go from a child, with no concept of death, to be thrust into a position where he's forced to fight and kill an adult man so much stronger than he is. And then everything was just reversed. Like that. As if it never happened. And only Link remembers the impending doom he faced. All he can do is remember Ganondorf's reign. Almost like he's reliving the same few days, again, and again, and again.

[honeytonedhottie]

what i learned during my reflection period⋆.ೃ࿔*:･🧖🏽‍♀️🎀

as you may or may not have noticed, i've been hiatus for most of the month now. and i disappeared because of personal reasons, and one of those reasons being that i felt i needed to reflect. here are some things that i've learned and realized during my reflection time.

this is quite personal to me, but i wanted to kind of have a heart to heart with you guys and im sure that someone is probably struggling with what i mention in this post so i hope this is comforting...💬🎀

WHY I FELT STUCK IN MY LOA JOURNEY ;

i was literally doing the most and it felt like such a chore at the time. i would force myself to affirm in ways that felt unnatural, i was letting myself get bullied by the 3D, even though i KNOW i dont have to do a thing. i was putting way too much effort in the wrong way.

WHAT'D I DO ABOUT IT ;

i took a step back and RELAXED. i did what felt natural again and enjoyed manifesting again and because of that i've had success story after success story...💬🎀

DOING A SELF AUDIT ;

i wanted to take a second and expose toxic behaviors and patterns that i noticed i exhibit and that have started to affect not only my physical but my mental in a very very negative way.

i'd been struggling with regulating my emotions and managing them so i was a walking ball of stress 💀. a beautiful ball of stress but stress nonetheless. i just felt so stuck.

WHAT'D I DO ABOUT IT ;

i went through the motions and after having a total meltdown and doing a bit of journalling i released everything, giving myself a completely clean slate once more.

i did a bit of a refresh and did miscellaneous things to make myself feel like im starting again. things like self concept work, changing the theme of my phone, taking an everything shower + bubble bath, having a pinterest makeover and getting a trim on my hair.

i forced myself to drink more water, and go for long walks not only to get some sunlight but to get my heart pumping and push myself out of the depressive rot that i had been in for months internally, but had pushed itself out as soon as summer started.

THE DEATH OF A SITUATIONSHIP ;

i got really attached to this boy 😭 but he was such a piece of work. like he did that hot and cold shit, but i rly rly liked him so i ignored the obvious red flags. but i got to a point where i just felt used and embarrassed. upon further reflection i think i didn't wanna let him go because he was so fine 💀, like 6'5 muscular kind of fine.

no matter how handsome a guy is if he has an ugly personality or if he just treats u badly then hes not fine at all...💬🎀

WHAT'D I DO ABOUT IT ;

i went no contact. thats like the easiest way to get over someone i think lol. i went no contact and i just manifested better things for myself. like being asked out by a bunch of guys and wingstop to comfort myself 🧋

also i focused on what i got out of the whole thing. i got the redirection that i wanted, PLUS i was filled with inspiration for my song writing.

SONG RECOMMENDATIONS ;

i want war (BUT I NEED PEACE) - kali uchis

eternal sunshine - jhene aiko

let you go - clara la san

needy - ariana grande

AT THE END OF THE DAY ;

i wanted to include this section as a reminder that everyone goes through shit. things happen. its okay to be affected by it and its okay to be sad. the most important thing is to not dwell on it too long. remember that you are not a victim and remember how amazing you are BECAUSE YOU ARE. you are amazing and no matter what happens, regardless of anything your gonna be okay and your gonna be in a much better place, it starts with putting one foot in front of the other...💬🎀 (love honey)

[moongothic]

When people talk about there being "evidence" for the theory that Crocodile could be Luffy's other bio-dad, they tend to point out these kind surface-level details, easter eggs and Crocodile's odd behaviour during the Marineford-arc. And while all of that is very important as it lays down the groundwork for explaining the theory to people, unironically I think there's even more to the theory. When you really think about the implications the theory has on Crocodile's character and how that would tie into the long running narrative elements and themes in One Piece as a whole, I think it kind of changes everything

So, in this post I want to analyze and speculate about the theory, going a bit "beyond" the basics we already know. Heavy emphasis on the speculation-part, because I'm not here to provide conclusive evidence to prove that Crocodad is Real, rather, I'm here to speculate about how it could be real in practise, and try to explain how so many things would suddenly add up if the theory was true. I'm here to prove that Crocodad would make sense on a narrative level.

Quickly starting with a brief-ish summary of the Basic Thesis of the Crocodad Theory, just so we're all on the same page:

Naturally, if you already know the basics, feel free to skip this bit

Crocodile has secret beef with Ivankov. Although there is no proof that the beef has anything to do with Crocodile being trans, when you go out of your way to introduce a new character whose power is Magic HRT, it's a natural conclusion for people to assume that if these two know each other, then Crocodile could be a trans man. And naturally, if we're assuming he's Luffy's other dad, then he has to be trans

Dragon, as the leader of the Revolutionary Army, is in canon considdered to be the world's Most Wanted Criminal. He is extremely famous as pretty much everyone (except Luffy) knows who he is

Crocodile knowing the second-in-command of the Revolutionary Army doesn't inherently mean he was involved with the Revolutionaries, nor that he has ever met Dragon, but being familiar with Ivankov means it is entirely plausible the two could've met in the past

(Sidenote but I do have a loose theory how Crocodile could've been involved with the Revolutionaries; not relevant here but if you wanted to read it, here you go)

Despite this, when Dragon is revealed to be Luffy's father during the Summit War, although Oda includes the reactions of all the other Shichibukai, he very specifically leaves out Crocodile's reaction to the revelation. This is suspicious as hell, because surely, between his ties with Ivankov and Dragon being world famous, he would've had some thoughts about Luffy being Dragon's son (wrote about this in more depth)

For Crocodad to be real, we are assuming that Crocodile did not know Luffy was Dragon's/his son until Sengoku's announcement during Marineford, this being the reason Oda didn't show that reaction; it would've been too revealing

(We are assuming that Dragon never told Crocodile his name; this is entirely plausible considdering his full name had been a secret to the whole world (as explained post-Enies Lobby), and Dragon had kept the existence of his son a secret even from Ivankov and Kuma. We also need to assume that Crocodile did not name his son, otherwise surely he would have realized Luffy was his son when they met in Alabasta)

This is why Crocodile ends up saving Luffy's life twice in Marineford (as well as Ace's) when until the revelation he had no reason to even care about the idiot

Crocodile choosing to save Luffy's life probably means one of two things; either he really hates the World Government more than the child who foiled his plans to take over Alabasta, or he cares about his son despite knowing Luffy hates his guts

Again, this is just the basic concept, if you want to read more and see all the more easter egg-type hints, I'd reccomend this post, this post and this post (the third one repeats most of the stuff the first two do in but less detail, but also adds a few more notes extra notes). But now that we're generally speaking on the same level, we can delve deeper.

Please, go get yourself a drink and maybe a snack, this is gonna get long and deranged

Going to start with a fairly small thing.

Through out the series Oda has been repeatedly hinting at Crocodile having A Past, some History, A Backstory that lead to him becoming the way he is. But Oda hasn't actually told us what that backstory is. On the surface, this wouldn't be that strange, after all, there's lots of characters whose backstories we haven't seen, for example Mihawk. We know essentially nothing about that man and how he became the way he is. But what's different about Crocodile as opposed to Mihawk and many others, is that Oda hasn't hinted at there being an interesting backstory there that's worth telling. Like I'm sure Mihawk could have an interesting story, but Oda hasn't alluded to that at all. So the fact that he has repeatedly told us that Crocodile does have a backstory, but at most gave us two whole breadcrumbs in an SBS, is a little suspicious. (For clarity, the hints we've gotten so far to Crocodile's backstory were his repeated comments about not trusting people and how he had given up his dreams in Alabasta, while Summit War gave us the Secret Beef with Ivankov and his grudge against Whitebeard. In an SBS in Vol 78, Oda did confirm that Crocodile had his ass kicked by Whitebeard after he became a Warlord in his early 20s, and that he went "quiet for a while" until he started his heroics around his 30s, setting his eyes on Alabasta. Indeed, we have some breadcrumbs of lore, but this hardly paints a full picture. We know nothing abot what he was doing in his late 20s, which would've been the time Luffy was born btw)

What I'm getting at, is that Crocodile clearly has a backstory, but the fact that Oda hasn't spilled the beans yet would indicate to me that it's likely Oda has been saving up that backstory. Which would make sense, Crocodile hasn't been in a role in the story yet where spending time to tell his story would've been appropriate. So really, we're just waiting for the right time for those beans to be finally spilled. But what makes things even more interesting is that One Piece has a very specific track record of not giving its villians extended and dedicated backstories/flashbacks. Villians can cameo in other characters' flashbacks (Moria, Arlong), they can have their own little segments inside the the heroic characters' flashbacks (Orochi, Doflamingo), they might even get their own SHORT dedicated flashbacks (Lucci whose flashback was 6 whole panels long). But villians do not get their OWN, dedicated and EXTENDED flashbacks. Flashbacks are for the heroic characters. There has been a single exception to this rule and that was Big Mom. That's it. And while I'm positive this rule is going to be broken at least one more time before the series ends, really. What do you think is more likely to happen? That Crocodile becomes such an important villian again, this late in the game, that he deserves his own flashback so we can finally find out what his deal is? (When Blackbeard and Imu are also there mind you) Or that Crocodile's role in the story might not be that of a villian anymore, and that Oda had been saving up his backstory all this time because it could reframe his entire character and how we view him?

Oda loves taking inspiration from various mythologies and pop culture alike to bring life into his work.

This is nothing new or surprising, we all know this. For example, Oda did base the original seven Shichibukai on the Seven Heroes from Romancing SaGa 2, each Warlord more or less matching a description of one of the game's villians. Crocodile just happens to match Wagnas, the queer coded leader of the group, who had the noble swordsman Noel (Mihawk) by his side when the group was created to save the world from a great evil. Meanwhile Alabasta as a whole took a lot of inspiration of Egyptian mythology, Crocodile in that arc matching the role of the crocodile-god Sobek. Sobek is a protector god ("Guardian of Alabasta"), associated with military power (literally what Crocodile wanted to obtain) and fertility, carrying the epithet of "he who loves robbery" (man stole a lot of things, from money and lives to rain and nearly a whole dang country). Sobek's name is speculated to come from the words "to impregnate" or "to unite", both being potentially very interesting coincidences (depending on if Crocodad Real and what Cross Guild's purpose in the story is going to be) (if you want more details you can go read the Wikipedia article on Sobek). (Also I'm sure there's something interesting to be said about Sobek's fusion with the sun deity Ra, Sobek-Ra, and how Luffy is our lil Sun God)

The reason I'm pointing this out is that based on Oda's hinting and/or references to mythologies, people have in the past been able to predict certain plot twists and reveals way ahead of time. For example, most recently people were able to predict that Saint Saturn had been the one to give Ginny (and by extension, Bonney) the Sapphire Scale-disease based on a certain legent about ushi-oni, which is what Saturn just happens to be. (Here's one of the many Reddit posts that predicted that reveal) And there is one particular story from Japanese mythology I want to bring up, as it may be relevant to our Crocodad Discussion here. The story of Toyotama Hime. Here's a quick TL:DR;

Princess Toyotama had travelled from the depths of the ocean onto land so she could give birth to her child. When the time to deliver the baby came, Toyotama asked for her husband, Hoori, to not look at her while she gave birth, as she would change into her true form. And while Hoori promised he wouldn't look, he couldn't keep the promise. He peeked in on her wife as she was giving birth, only to discover that she had transformed into a gigantic wani. Horrified by what he had seen, Hoori fled, leaving his wife and child behind. Hurt by what had happened, Toyotama abandoned her son and returned to the ocean. (You can read different summaries of the legend on the Wani-article as well as Toyotama's article on Wikipedia)

Now historically speaking, "wani" in mythology can have referred to serpent dragons, sharks or sea monsters. But in modern Japanese, the word translates to "crocodile". It's what Luffy and a few other characters call Crocodile on numerous occassions. Hell, Crocodile's favorite pets are his gigantic bananawani. Historically speaking it might be more accurate to say that Toyotama had transformed into a sea serpent, but for our intents and purposes, Hoori abandoned Toyotama after she became a crocodile.

I can not tell you what exactly the relationship between Dragon and Crocodile was like, how it began and how it ended. There's no way for us to know when Crocodile transitioned (beyond "after giving birth to Luffy"), nor do we know how Dragon found out about it and how he reacted to it. There's a million options for how things could've gone down, and nothing to truly go off of to even make a guess. All we do really know, is that 1) Dragon does not seem to wear rings at all. 2) Crocodile wears rings, but leaves one out specifically on his ring finger, where one would normally wear their engagement/wedding ring (mind you; for the first half of Alabasta Oda drew Crocodile without a ring on his middle finger, but from the latter half onwards, through Impel Down and Marineford, it's always the ring finger). 3) This suspicious ass comment

"I don't know they have kids or not" YEAH RIGHT

If we wanted to use the story of Toyotama Princess as a jumping off-point though. It's entirely plausible that soon after giving birth Crocodile transitioned thanks to Ivankov's ability, and because Dragon wasn't into it, the two broke up/got divorced. The unfortunate reality is that many couples end up breaking up if/when a partner comes out as trans and chooses to transition. Just like Hoori abandoned his wife because she turned into a crocodile, Dragon could've divorced Crocodile because he transitioned into a man. And Dragon would not be a bad person for it (as long as he was respectful about it). If Dragon is straight and just couldn't see himself being with a man, that's just how it is. At the same time, this would be a gut wrenching, painful thing to go through, and this kind of heartbreak could have devastating concequences for Crocodile's character. Concequences that could play deeply into One Piece's long running narrative elements, which is why a lot of my speculation from here on does end up relying on the Toyotama Myth possibly being inspiration for Crocodile's secret backstory. I acknowledge there's no quarantee that's the case, but I am here to make an argument for why it could be.

QUICK SIDENOTES

As mentioned before, although Ivankov holds the key to a weakness Crocodile has (in their own words), we don't know what that weakness is.

Crocodile joined the Shichibukai in the first half of his 20s (SBS vol 78), and he would've been 27 years old when Luffy was born. This means it's nearly impossible for Crocodile to be stealth trans, as he would've been a public figure for years; which means, Crocodile could be openly trans

A single earring on the right ear can be read as a "gay earring". The man does like his jewelry, so there's no proof he's signaling that he's gay, but if Crocodile's happy to let the world know he's into men, then surely there'd be no issue with him being openly trans either

His transition would've happened 17 years ago pre-timeskip, so in-universe it'd be old ass news and not worth bringing up to the readers if it doesn't add anything to the current plot or his character (which it wouldn't have during Alabasta nor Summit War)

If Crocodile's secret weakness wasn't him being stealth trans, and Ivankov can't detransition him against his will (can't hit Crocodile without Armanent Haki), then what is that secret weakness Ivankov knows about?

As Dragon told Kuma: "A child is a parent's weakness". If Ivakov was anywhere near Crocodile when his child was born (so that Crocodile was able to transition as soon as the kid was out) Ivankov could/should know about the child existing, and would thus be able to blackmail Crocodile by holding the information of his secret child hostage

However, Ivankov did not know about Dragon having a child

Meaning if Crocodile and Dragon were in a relationship, it must have happened in secret, otherwise Ivankov should've realized Crocodile gave birth to Dragon's child

So One Piece has a lot of narrative elements that come up time and time again through out the story,

And some of these have become more and more relevant in the story especially post-timeskip. This is not a comprehensive list of all of them, just the ones that could heavily tie into Crocodile if he were Luffy's other dad, as they could reframe his character. So, let's look at these narrative elements, how they've appeared in the story so far, and speculate how they could reflect in Crocodile.

🐊 People existing in the wrong bodies / bodies that have been altered (and what it means for you to be "you"/how does your body reflect who is on the inside) 🐊 Queerness

Wrote about this more in-depth in this post, but to keep things short; Thriller Bark, Punk Hazard, Dressrosa and Wano all heavily featured characters who have had their bodies either temporarily or permanently altered, sometimes with the person's consent and sometimes without it. Not to mention all the various characters through out the series who have gone through similar things, like Franky, Kuma as well as Brook, among countless others. As well as every Devil Fruit user who can transform their body (including every single Zoan user). People, the way they inhibit their bodies and the freedom to be who you are is very important to One Piece. That is already a very queer-coded narrative, but then we also have explicitly queer characters. Queer characters, who have been deeply important to the story, and whose presence has become more and more prevalent with time. Not to mention how queerness in general has been "escalating" over the course of the story. There's this video from Berry for A Thought on YouTube which explains this more in-depth, but to summarize the most important observation from the video; we have slowly gone from Kuina wishing she had been born a man, to non-binary drag queens (first one being able to temporarily change their own bio-sex by turning into someone else, to the second one being able to change anyone's bio-sex permanently), to two pre-transition transgender characters. All we really need for this escalation to reach its "peak" is if we had a (named, non-background) transgender character who has already transitioned. Unsurprisingly, Crocodile could fill that role really nicely.

🐊 Loneliness

Loneliness is generally speaking a very important theme in One Piece, as it's on the opposite side of coin with friendship on it. So many of our main characters have suffered for years from loneliness, by being ostracized and rejected by their communities, abandoned by their families, sometimes suffering for decades for the sake of their loved ones because they had promises to keep. Luffy himself considders loneliness to be most painful, scary thing imaginable.

Loneliness is something queer people struggle with. A lot. Being rejected by your loved ones for who you are is a painful, common experience for many. It alone can keep many queer people in the closet for years and decades, because the fear of being left alone and abandoned is too much to bear. Some people are accepting of queers but only as long as they stay "over there", pulling a full 180 when a family member comes out. Some people only ""accept"" trans people as long as they don't transition. And while some people may appear to be accepting of you when you come out or are early into your transition, many (trans men especially) lose friends and support the more they start to pass. Crocodile does not trust people. He set up base in Alabasta sometime around the age of 30, meaning he spent around 14 years by himself (until he recruited Robin), unable to trust anyone. That's a long time to be alone. Of course, there may have been a practical side to why Crocodile chose to spend over a decade in utter emotional solitude. If he was scheming to take over a country, then having anybody close who could leak his plans out and foil them would be dangerous. Hell, it's exactly what happened thanks to Robin. But having your significant other destroy your ability to trust people and then isolating yourself to avoid further heartbreak and "betrayal" could be another, potential reasoning as to why Crocodile chose solitude.

🐊 Two failed weddings and one relationship that never was

In Thriller Bark we witnessed Nami almost get married off to Absalom. On Whole Cake Island, we almost saw Sanji get married into Big Mom's family. During Egghead arc, we saw how Kuma never got to have the relationship with Ginny he had yearned for deep inside. I already mentioned Crocodile's missing ring. How his relationship with Dragon might not have worked out because of his transition. How Crocodile's queerness could've lead into solitude, out of distrust. We already have three relationships that never worked out. So how about a fourth one.

🐊 What makes a family (/chosen families) 🐊 Family reunions (with blood-relatives) 🐊 What it's like when your blood-relatives are really horrible people

For the first half of the series, One Piece did very much focus on the concept of chosen families, as most of the Strawhats grew up with non-blood relatives that they all considdered just as much family as their actual blood relatives (if not more-so); Luffy with Ace and Sabo, Sanji and Zeff, Nami, Nojiko and Béllemere, Chopper and Hiruluk, Franky and Tom's Workers. Chosen families are deeply important to this story. At the same time, a lot of post-timeskip OP has actually revolved around (blood) family reunions. Punk Hazard was about sending the kidnapped children back to their families (as well as Momonosuke to ""his father"" Kin'emon), Dressrosa was about reuniting all the broken families Doflamingo (and his family) had torn apart. Whole Cake Island was about Sanji reuniting with his blood family while being forced into a whole new one, and Wano allowed Momonosuke to reunite with his sister (and Kin'emon with his wife). On Egghead we've gotten to see the gutwrenching reunion between Bonney and Kuma, and we are all dying to see Luffy meet Dragon eventually. Not to mention all the other reunions many of us are waiting to see, like Shanks and Buggy, Moria and Perona. Luffy and Garp (currently held hostage by Blackbeard), Mihawk and Zoro. And many others. But indeed, not all the family reunions have been good. Sometimes, the blood relatives have been horrible people. Like Big Mom (to some of her children and husbands), Judge and Kaidou. Sometimes, your blood relatives suck ass.

Needless to say, Sir "I tried to bomb one million people to take over a country" Crocodile is not exactly the greatest guy around. But what might be arguably more important is that... Why is Crocodile a plot-relevant character again, on an emotional level? As I mentioned, characters like Buggy and Mihawk relate to certain characters, so potentially getting to see them reunite with other characters would have emotional weight behind it. Mihawk and Buggy are both relevant characters both to the plot but also on an emotional level, their return to the spotlight makes sense. But then we have Crocodile, a fellow member of Cross Guild. Sure, he's definitely there to help move the plot along, no doubt about that. But emotionally speaking, why the hell is he here again? Is there a character he could "reunite with" that would have that same kind of emotional weight behind it? You could argue Vivi perhaps, but between Vivi hating the man's guts and and Crocodile probably not giving a damn about her, I'm not sure that reunion would have that much emotional weight? Robin on the other hand could be very interesting, considdering she did live under Crocodile's protection for four years until she betrayed him, an action that seemed to have stung Crocodile. That reunion could be deeply interesting.

But you know what this post is about. If Crocodile is Luffy's other dad, then those two coming across each other would suddenly have enormous weight on it even if Luffy himself didn't know about it. Because if Luffy were to find out, Luffy would then have to decide if he'd acknowledge Crocodile as his other dad or disown him. Mind you, Crocodile already knows that Luffy hates his guts for what he did in Alabasta, not to even mention the fact that he tried to kill him three whole times. Luffy has every reason in the world to hate Crocodile. The man surely understands that. But then there's the fact that Crocodile isn't Luffy's mom, but his transgender father. If Dragon rejected Crocodile for being trans, why would his son be any different? Which raises the question, would Crocodile be afraid of that? Of meeting Luffy again? Of Luffy somehow finding out and then getting rejected by him too? How does Crocodile feel about any of this? Now of course, we the readers already know that Luffy canonically loves and respects queer people. Luffy would never look down on Crocodile for him being his dad (the warcrimes are different). But Crocodile doesn't know that. And this is what I mean by there being emotional weight on these two reuniting, as anything that could go down between these two could have massive concequences for Crocodile's character. And please, keep in mind, although Oda hasn't dwelled too deep into the subject in One Piece, there are people who aren't accepting of queers in this world.

This prince, and his entire kingdom, could not accept his mother for who she was. An entire country crumbled because their queen came out as trans. So just like there are accepting families (including Kaidou strangely enough), there are unaccepting, queerphobic ones too. So the fear of rejection would not be unfounded. (Also, if Crocodile and Dragon are divorced then those two coming across each other, especially after The Shit Crocodile pulled in Alabasta, would have a lot emotional weight on it too.)

🐊 The things you are willing to do and sacrifice to protect your loved ones

Shanks gave up his arm for Luffy. Zeff ate his leg so Sanji could have actual food. Béllemere died for her daughters while Nami sacrificed her freedom in an attempt to save her village. Tom gave up his life to protect Franky and Iceburg. Robin attempted to sacrifice her life so the Strawhats could continue their journey in peace. Sanji gave up his freedom for Baratie and the Strawhats. And so many countless more lives, given up for the sake of others.

So people often give Dragon shit for being a "deadbeat dad". I've discussed this in the past, so to keep it short; the World Government went out of its way to hunt an unborn child, hurting countless pregnant women, mothers and newborns while chasing for Gold Roger's son. A child who had "evil blood" and had to be exterminated from the world. Similarly, the World Government went out of its way to put a massive bounty on an eight year old child for the crime of being able to read ancient texts. Dragon would have known and understood that if he ever had a child, as the leader of the Revolutionary Army, his child would become yet another target for the World Government to hunt, just like Ace and Robin did. This should also apply to Crocodile; if the WG found out about him having been involved with the Revolutionaries they would no doubt strip him of his Shichibukai status and make him a wanted man again. Crocodile's child would thus be in just as much danger, even if the Government didn't realize it was ALSO Dragon's son. If Dragon wanted his son to be free and choose his own path in life, Dragon had to keep his distance from Luffy. The same would apply to Crocodile. Luffy probably ended up in Garp's care, not because his parents didn't want to raise him, but because they wanted Luffy to be free.

But as long as the World Government exists, if they ever found out about Dragon having a son, that child would end up in danger, he could become a target. And the only way to ensure that child's safety would be by eliminating the ultimate threat. The Government.

Now that is the ultimate goal of the Revolutionary Army anyways, something Dragon and co have been working towards for over two decades now. But most of their efforts have gone into freeing small countries by overthrowing corrupt governments and gaining support, little by little. Which is understandable, the WG is impossibly powerful, you can't just walk into Marijoa all willy-nilly, take out the Tenryuubito and free the world, the Government's forces would take you down within seconds. Dragon understands this, which is no doubt why the Revolutionary Army hasn't made a move against Marijoa directly until the latest Reverie. It'd be too risky, and if the Revs were taken down, who would be left to oppose the WG? Their slow approach makes sense. But at the same time, while the Revs did attack Marijoa, destroying the Tenryuubito's food banks and freeing a single slave... as long as the Tenryuubito are allowed to literally stay on top of the world, this attack has done nothing. They're just going to demand more tributes, they're going to enslave more people. It's going to make things worse for those who aren't in power. It's harsh and unreasonable, and I don't agree with them, but I do understand where some fans are coming from when they considder Dragon a "fraud". If you wanted to help free the world from this corrupt rule, then you have to actually strip those in power from their status, otherwise nothing will ever change. You have to actually fight the enemy.

I can not tell you for certain why Crocodile wanted to create "a military nation powerful enough to oppose the World Government", I do not know for sure why he wanted to obtain an Ancient Weapon. But nuking Marijoa out of orbit sure would be a fast way to end the rule of the Tenryuubito, ensure nobody would get hurt by the World Government's corruption and slavery ever again, and make sure your son would never become targetted by them. A line of thought I'm sure Dragon would not have agreed with. But a line of thought Crocodile could believe in.

Remember how we still don't quite know what Cross Guild is up to? How the Shichibukai are based on Romancing SaGa 2's Seven Heroes, a group formed by Wagnas (Crocodile) with the swordsman Noel (Mihawk) by his side to save the world from a great evil? And how Cross Guild has been focusing on hunting down Marines by putting bounties on their heads? Make of that what you will.

🐊 Learning not just to love and trust others but to be loved as well

Robin tried to sacrifice herself not just because she loved the Strawhats, but because she thought she herself was unlovable and did not trust the crew, believing they too would betray her eventually. Sanji tried to sacrifice himself because he thought he was unworthy of being loved. Ace went through most of his life, thinking it would've been better if he had never been born at all. We know Crocodile does not trust people. The logical assumption here is that it's because he was betrayed in the past and had his trust broken. Did he ever have a crew, in his younger pirating days? If so, what happened to them? Did they betray him, leave him? After Whitebeard kicked his ass? Who knows. If Crocodile was in a relationship with Dragon though, it does mean that one point he loved and trusted someone, deeply. So much so they had a child. But if their relationship ended because Crocodile is trans, that would have broken his heart, wouldn't it? Made it hard for him to trust anyone ever again. And what would make you believe you were unlovable more than being rejected by your significant other for being queer. But as I mentioned before; Luffy loves and respects trans people. His affection towards queer characters through out the series is absolutely unmatched (the way he exclusively uses the "-chan" honorific for Bon Kurei, Ivankov and Inazuma, calls Yamato a man, and is far more interested in Okiku's spooky mask than her being trans). What would be a better way for Crocodile to be reminded that he can be loved and that he can trust others than being accepted by his estranged son?

🐊 Inherited Will

In Alabasta we learn Crocodile once had a dream that he gave up upon after learning how strong the most powerful pirates of the Grand Line, the ones standing between him and his dreams, truly were. In Marineford we learn Crocodile lost to Whitebeard in his youth. During Miss Goldenweek's Cover story, we learn Crocodile dreamt of becoming Pirate King.

A dream that he shares with Luffy. An inherited will Luffy carries on.

You know the RPG trope where the final boss is either god or your dad? Yeah. This line really hits different when you shout it at your father.

Now, all of this is fine and dandy, but what does this actually do? How would Crocodile being Luffy's other bio-father add to his character, impact Luffy and the story as a whole?

Now there's no way for me to fully predict how the plot is going to develop through out the Final Saga and what might go down. There's a million moving pieces and a billion potential directions things could go. We could be here forever debating those things. But as I did explain in detail already, if Crocodad Real, it could heavily impact Crocodile's character depending on what does/doesn't happen.

For one, we could have an idea of why Crocodile is a plot relevant character again; if his ultimate goal had always been to destroy the World Government to protect his son at whatever cost, then we might know why he wanted to create Cross Guild to begin with; either create a military force strong enough to fight the WG on their own, or, if nothing else, dwindle down the Government's forces and be a general nuisance that leaves the WG vulnerable (perhaps enough so that the Revolutionaries can do the hard work) and/or unable to spend their resources on hunting down Luffy and the Strawhats. Crocodile could be acting as bait, a distraction to protect his son. There's a few options there. This would also give us an idea of where that Cross Guild plotline could be heading; some people believe CG is there to join the race for One Piece and get defeated by the Strawhats, and that'll be the end of it. But now we would have another option, of Cross Guild joining the expected final war against the World Government together with the Strawhats and the Revolutionary Army. So that's one way Crocodad could impact the story and the general direction its heading.

But then there's the character-side of things, how would Crocodad impact our characters? Now obviously, the three characters that would be most impacted by the theory would be Crocodile, Luffy and Dragon. There's some other characters too, Ivankov (since they didn't know), Robin, potentially some Cross Guild members (could they learn to respect Crocodile more sincerely if they learned that the man did in fact have a heart and something/someone he cared about and wanted to protect?) and maybe even Garp, but realistically, it's the core of the family itself.

Now Dragon already would know about everything so there'd be no Shocking Revelation for him. And based on what we saw him say about Sabo maybe being responsible for Cobra's death at the Reverie, we can make an educated guess that Dragon is Not Happy With What Crocodile Did In Alabasta.

So the two aren't on good terms, probably. Dragon might just be absolutely furious at Crocodile for what he did. Understandable tbh. I guess we're just going to be left wondering if the two could somehow ever reconcile, and whether or not they still love each other deep down, despite all the pain and hurt (and warcrimes) they've gone through.

Then there's Luffy. And I guess everything boils down to two major questions; will Luffy ever find out the truth, and if he does, will that impact how he feels about Crocodile? 'Cause it's entirely plausible the series could end with Crocodad being real and Luffy never finding out. And in that scenario, well, Crocodad could impact those other aspects of the story, just not Luffy. And in some ways that could be fine too. It could still be meaningful for Crocodile (and Dragon) that way. But what if Luffy did find out? Now, mind you, it's already a bit of a mystery how Luffy feels Crocodile as of now in the story; back in Impel Down he still understandably hated the man's guts with a fiery passion, but after Marineford Luffy does kind of owe Crocodile his life after he saved him. And Luffy is generally speaking pretty respectful when it comes to stuff like that. But also Luffy was unconcious when Crocodile yeeted him and Jinbei out of Akainu's reach, so does Luffy even know Crocodile saved him? (Though surely he would remember Croc sparing Ace and getting guarded from Mihawk) Not to mention, when the Cross Guild reveal happened, the only comments we got about it where Luffy calling Buggy an idiot and Zoro being confused about Mihawk being there. They didn't even acknowledge Crocodile. It was almost like Oda seemed to avoid the subject?

We also need to considder how much would Luffy find out? Just the basics, that his other parent is a trans man and just happens to be Crocodile? Or like, everything? From whatever his plans were with taking over Alabasta to however Crocodile might feel about his sweet baby boy? Because if all Crocodile had wanted to do was protect his son, despite knowing he might never see him again, and if Crocodile did still unconditionally love Luffy despite everything that happened, despite knowing (/assuming) that Luffy already hates him... Well first off, Robin nearly assassinated Iceburg and was willing to let the World Government potentially get their hands on an Ancient Weapon just to protect Luffy and co (on top of all the deaths she helped cause while working for Crocodile, all because she wanted to read the Poneglyph herself). If Luffy was willing to forgive Robin for all that, would he not forgive his dad for doing the same? And Luffy isn't one to dismiss kindness, when people express that they genuinely care about him and his well being Luffy does respect that (even if doesn't fully reciprocate the feelings, like with Hancock). And Luffy has deep emotional intelligence too. If Crocodile was convinced he'd be rejected by Luffy for who he was, especially if that had happened to him in the past to begin with, over something Luffy wouldn't bat an eyelash at (like being trans), like. Luffy wouldn't be shitty about that.

We know Crocodile is a broken, traumatized man. We don't know how much shit he has gone through though, beyond getting his ass beat by Whitebeard and The Divorce. Knowing how Oda likes to layer trauma in character backstories*, there definitely could be more to Crocodile than just those two things, but for the sake of this post, let's just focus on The Divorce. *(Like how Robin was alienated by her community long before the Ohara Genocide, and then spent decades of her life fleeing from the Government, hurt and abandoned by people time and time again. Or how Kuma was born into slavery, lost the love of his life and finally gave up everything he had just to save the life of his daughter. Early OP flashbacks may have been a bit simpler, but as time as gone they have definitely gotten more complex and layered, so I would not be surprised if Crocodile's Full Backstory had like 3+ layers to his trauma)

One important part of One Piece has been teaching/reminding certain characters important lessons, to change their view of the world and make them better people as a result.

Here's some of the messages of One Piece, its beating heart and soul

And of course, sometimes some characters can't have their minds changed, at least not that easily. But their ideals and worldview can always be challenged and proven wrong. This is what happens to many of the villians in the story. Like Moria's ideas of how he shouldn't have to do any of the hard lifting himself and how instead of having friends he can just have replacable zombies instead. Moria's worldview was wrong, and is exactly what led to his downfall in Thriller Bark. Or Spandam and the CP9's ideas of justice, how anything they do can be justified as it is for the "good of the world", including killing innocent civilians. They can do that, because they are "heroes of the world", they are "justice". Needless to say, none of the CP9's actions during Enies Lobby could be considdered "heroic", and, well. If "justice always prevails", then their defeat did prove theirs was a false one. Or how Enel isn't a god, how Doflamingo doesn't have a god given right to rule (neither does Wapol for that matter), how Akainu's ideas of "absolute justice" are monstrous at best, how the way Judge and Big Mom treat their families is not how a family should be like at all.

During Alabasta, Crocodile's plans were foiled because of he didn't trust his underlings with his secret identity and refused to communicate properly with them himself. That one conversation between Crocodile and "Mr. 3" (Sanji) is more or less what allowed the Strawhats to reach Alabasta just in time to stop him. But although distrust is what lead to Crocodile's downfall, he still carries that core belief even now; he still doesn't trust others. Which raises the question, what other beliefs might Crocodile still carry deep inside?

That he can't trust anyone because people will betray and leave him sooner or later? That nobody would ever stay by his side, that nobody will ever love him?

Are those not the exact same core messages of One Piece, the false beliefs that we've seen proven wrong, time and time again?

It really wouldn't be right to end the series without Luffy proving Crocodile wrong once and for all, and make him change his worldview, now would it? But hey, the good news is that there might be no better way to prove Crocodile wrong than to have his son unconditionally forgive him and accept him as his father.

All of this to say; yes, I think if Crocodad was real, it would heavily impact Crocodile's character and whatever character arc he might have. Like I'm not arguing for Crocodad in the name of meme'ing. His whole story could suddenly tie into so many of series' core themes and messages, and tie into our main character in a meaningful way. It could impact heavily where the story as a whole is heading.

The other, more likely option is that Crocodad isn't real and that I have lost my marbles thinking I was onto something with this post. In the end, time will be the judge of that. Thank you for reading, I hope you enjoyed my utter derangement.

Minor EDIT (Oct 20th, 2024) but. Because I am still obsessed with Crocodad, I keep on thinking about it and both coming to new conclusions and noticing new things, and I wanted to link a few shorter posts I wrote recently because I think they add to Crocodad, if in minor ways

Crocodile's motif is being a protector

Ivankov's fame as a miracle worker matching the Crocodad Timeline

Whitebeard would not have invited a woman on his crew (side tangent; the actual post is about something else)

[cherimoyatea]

❧ Rafayel - Eternal Bond

Pairing: Rafayel x You Synopsis: You meet Rafayel in another life. But again, you have no memory of him. Word Count: 1.447K Tags: different timeline/alternative universe, christmas season, romance, a little angst and hopelessness, rafayel is a stranger to you, tears with comfort in the second half Side notes: It's December, yay!❄️ Swear, I almost lost my sanity editing this fic over the past three nights! Every time I thought I was ready to post it, I'd find something else I wanted to add or change, and felt like I was starting from scratch all over again. Please, don't expect a cozy Christmas story. My life's been going too smoothly lately, and I need a little angst in my life.

December.

Somewhere, sometime, on this vast planet.

There is an unwritten story no one knows about. Another life you lived long before you met the mesmerizing Lemurian in Linkon City, you know today. You still don't remember your past lives, the never-ending cycle of birth and rebirth—and the pain and loss it brought, pulling you away from your beloved over and over again.

You always hear someone calling out to you. A voice echoing deep within, while a name you don't recall, lingers on your tongue, aching to be spoken aloud...

It's the reason your previous relationships fell apart: You always felt like the red strings of fate kept drawing you away from their lives, making it impossible to find love.

After another failed date, you're on your way home, pulling your coat tighter around yourself as you shiver in the biting cold. The city is abuzz, with everyone enjoying the colorful Christmas decorations and cozy atmosphere of the festive season. Suddenly, a sweet melody coming from the display of a jewelry shop, catches your attention as you almost walk by the decorated shop window.

You stop in your tracks and walk closer to the jewelry shop to admire the creative, Christmas-themed display, showcasing engagement rings and wedding bands. Maybe love isn't written in your story. Maybe you're one of those unfortunate souls who are never meant to find their soulmate. It's times like these when bitter thoughts cross your mind, and you can't help but feel a little hopeless about your future.

You let out a deep sigh, your heart as heavy as the clouds above you, as you lay a hand on the cool glass of the store window. A faint smile forms on your lips as you watch the little Christmas figurines dance in the display, twirling pirouettes and moving their tiny limbs to a familiar, festive jingle.

''That's the wrong ring, cutie...''

You snap back from your thoughts when you suddenly hear someone's voice and turn your head toward a young man. His eyes are glued to the same display as he stands there, keeping his distance from you—his hands leisurely tucked into the pockets of an expensive-looking coat, with a thick scarf draped around his neck. Is he talking to you? Taken aback by his words, you glance around to see if there's anyone else he could be referring to.

But there is no one else here except for you and him.

''Uhm... sorry, what did you just say?'' You ask, a bit confused, subconsciously removing your hand from the window and brushing over your ring finger, feeling the metal under your fingertips. The ring doesn't serve any particular purpose; you wear it simply because you think it's pretty.

He nods slightly towards the figurines in the display you were just looking at, his hands still in his pockets.

''I said, 'That's a nice thing, truly...''

The young man replies, shifting his head toward you with a smirk, and you immediately notice his extraordinarily beautiful eyes—eyes that remind you of the setting sun, just when the evening greets the night and paints the sky in shades of pink, purple, and blue.

''O-Oh... yeah, right.'' You reply awkwardly, quickly turning your gaze back to the store window.

Strange. You could have sworn you heard something else just now, but it was getting late, so maybe your mind was playing tricks on you.

Pretending to watch the dancing figurines, you shift your gaze back to him, and a warm feeling rushes through your chest as you secretly admire the attractive lavender-haired man. He doesn't seem to notice that you're stealing glances at him while he's busy watching the christmas display.

''Say something! Anything, you idiot!'' You scold yourself internally.

Something is urging you to approach him, a peculiar force pulling you toward him, not wanting him to leave just yet. Shifting on your feet, you let your eyes wander over him, searching for something to start a conversation with when you notice the sketchbook tucked under his arm.

''Are these... do you paint?''

The young man follows your gaze and nods with a smug grin, holding up the sketchbook and opening it. ''Yeah, you could say I like painting...'' He holds the sketchbook toward you so you can get a better look at his art and your eyes widen surprised when you notice a striking resemblance to the little figurines displayed in the shop window. ''But aren't these the same as...?'' You mumble and blink twice, your eyes going back and forth between the sketches and the figurines.

These are undoubtedly the same designs.

Seeing your confused expression, the young man chuckles with an amused glint, shimmering in his eyes. ''You're the observant one, aren't you? The shop owner is a friend of mine. I designed this year's Christmas display for him.'' He explains, a hint of pride in his voice as he hands you the sketch, his bright eyes lingering a little too long on your stunned face.

Taking the piece of paper from him, you're about to express your excitement when you overhear an elderly couple, walking past both of you. ''Ah, look, dear! They're probably choosing wedding bands! How adorable!''

Your face turns bright red, and you quickly turn around, flustered. They obviously mistook you for a couple. ''N-No, that's… we're not...'' You stammer, trying to explain, but the couple simply nods at you with a warm smile and continues on their way, leaving you speechless.

Still flustered, you turn back to the artist, only to realize that he's gone. Huh? Wasn't he just standing next to you? Confused, you step away from the jewelry shop and look around frantically, catching a glimpse of him disappearing into a crowd of people.

''Wait! Your sketch!'' You shout after him, but it's too late: the sunset-eyed man disappeared as quickly as he had appeared.

Disappointed, you glance down at the piece of paper in your hands, realizing you didn't even ask for his name. Even if you tried to call out to him, what name would you use?

Your eyes trace over the sketch and as you instinctively flip the paper over, your heart almost skips a beat; On the other side, is a draft of a girl who looks just like you! ''What... but how...'' You wonder, your mind racing as you take in the details and your gaze falls on the signature, right there on the bottom of the paper.

''Rafayel...''

You whisper softly, and the instant the name leaves your lips, a warm tear rolls down your cheek, followed by another wave of warmth flooding your heart. You don't know why you're crying, why your heart feels like it has finally found its missing piece, its home.

Why it feels like your soul just remembered something you shouldn't have forgotten in the first place.

A cold flake melts on your warm cheek, and you look up, realizing it started to snow...

Your eyes fly open, and you quickly sit upright in bed, your cheeks damp with tears, your chest heaving.

A dream? A dream!

The soft rustling of the sheets draws your attention as your beloved stirs beside you, his beautiful eyes opening and concern etched on his sleepy face as he props himself up on his elbow.

''Hmm… what's wrong, cutie?'' He mumbles, still half-asleep. ''Did you have a nightmare?''

Wiping away your tears with the back of your hands, you nod, trying to ignore the stinging pain in your chest. Why does your heart feel so heavy all of a sudden? ''I was so lonely because I didn't remember you.'' Trying to steady your quickened heartbeat you inhale deeply before continuing.

''We were gazing at a Christmas display, and you handed me a sketch... then you disappeared.''

Rafayel falls silent for a moment, watching you intently as you tell him about your dream. The lavender-haired man reaches out to you, humming softly as he wraps his arms around your body and gently lays you back into the sheets. ''Close your eyes and go back to sleep... it's alright, I'm here.'' He whispers, caressing your back to soothe you and pressing a tender kiss on top of your head.

His mind drifts back to that one day in December, when he met his beloved in another life—hopeless and alone. He remembers how he had accidentally forgotten the sketch in your hands, a thoughtful act to initiate another meeting. And then more meetings after that, just to stay in your life and help you remember.

No matter how many times you forget your eternal bond, he will always find a way back to you.

It's his silent vow to you.

Thank you for reading!

Cheri 🍒

[mythicmanuscripts]

I can't remember where you said it, but I remember you saying how Aemond likes the deep pressure feeling of you lying on top of him. I was wondering if you could write smth about that?? Like, I personally LOVE having someone lie on me, too. It's like the ultimate weighted blanket! I'd love to hear more thoughts on this, and maybe even with the roles reversed and him lying on you

Absolutely anon!! Absolutely!!

This is mostly just soft and SFW but since it mentions nakedness and some suggestive themes then I'll hide it under a cut just to be safe. Enjoy lads!

This is something I think Aemond would always have liked and sought out even before he fully knew what it was. When he was younger he used to wrap his blanket as tightly around himself as possible. Often that was the only way he could fall asleep.

That's also one of the reasons why he loves traveling with Vhagar so much. She always opens her wing out and stretches it over him while he sleeps, never moving until he wakes up. He always used to sleep so much better while traveling with her, and often he would willingly take longer routes home just to spend an extra night or two like that.

It's not really a desire he fully understood back then. He just knew that the feeling of something heavy or tight around him made him feel so much better, so much safer.

You first discover this a few weeks after you finally start cuddling regularly. One of Aemond's favourite cuddling positions is to lay cuddled up against you, resting his cheek on your chest and bending his legs to rest on top of yours. He especially loves it when you wrap an arm around his shoulder.

But sometimes it seemed like Aemond couldnt relax? He'd constantly be shuffling and nuzzling against you, pulling your arm tighter around him. You ask what he wants and honestly he's not even sure? He just knows he could be closer somehow, and he wants it.

The next time you're laying together, you come to bed after him and he's laying on his back. So you switch places with him and this time it's you cuddled against his chest. He pulls you closer, tighter and buries his nose into your hair, like he can't get you close enough.

You try to change positions and in doing so you accidentally end up nearly on top of him. Before you can even apologise he is already pulling you closer so your weight it on him. You try to get off, telling him that you must be squashing him but he won't hear it. He falls asleep so easily and in the morning when you bring it up all he can say is that he felt secure.

Of course now that you're armed with this information you lay on him much more often, sometimes he even asks for it. Maybe, since we all know how much he loves to be of service, you ask him if he would like to try reading to you while you lay like that?

He sits up against the headboard with you curled up in his lap. You let your body rest over his legs rather than try to avoid it. He loves it, always keeping a hand on your back.

At first he would only read you whatever you had suggested, and never suggested anything himself. But over time as he grows more comfortable with you and begins to show you all the different sides of himself, then he starts to read you history books? It becomes one of his favourite things to do.

I also think he would love that sort of pressure when not in the bedroom as well? Obviously far more toned down.

If you two are watching Aegon hold court then you tend to stand off to the side with Aemond. He leans against the wall and then pulls you closer, holding you against him and letting him hold up some of your weight. He wraps one of his arms around your waist and will often rest his head on your shoulder (especially because he can whisper things to you about how boring this is and how Aegon made the wrong decision and all his other complaints.)