#(but that also depends if he would be interested in so much as being a voice actor)

[wszczebrzyszynie]

Hey!! Could you give a little context about this drawing??: https://www.tumblr.com/wszczebrzyszynie/770499218761711616/brutus?source=share

Btw, beautiful drawing <33

thank you for the kind words and the interest! its a bit long as i went into more detail about the relationships between Kowalewicz family members... thought that might be nice, as i dont really share much about them. peace and love. its under the read more

its Eliza in three stages of her life; childhood, her wedding day and present time (around 1895). "Brutus" is a reference to the song by the buttress because its the song i associate with her (mostly in her relationship with Artur and her former husband). Shes the oldest of the Kowalewicz siblings and the one who against all odds ultimately inherited the palace, even though she seems to stay as far away from it as possible; as a character she doesnt come back until spring, so about halfway of the story, but her presence is always there. The main theme of DNS is loneliness and she as the owner of the palace is kind of the epitome of that; someone who felt sidelined for the majority of her life and even after decades have passed isnt able to feel normal and create what she considers "normal" relationships (the way she treats Stanisława and Artur come to mind; The first one is her lover she leaves in charge of the palace when shes away, unable to stay with her for long periods of time, and Artur is her brother she somewhat hates, mostly for being what she couldnt and for depending on her). Even her child-self is meant to resemble Mika (titular ghost of the attic), as being a "ghost" is the repeated motive for loneliness (all "ghost" characters, so Mikita, Eliza and Jelena are the ones whose loneliness is so central to their character it fundamentally changes them). The blood on her wedding veil is there because she killed her husband (family friend and Arturs artistic mentor). it sounds like a lot but its not very important to the main plot, it happened ages ago but its probably one of the many reasons she doesnt like the palace. but well she would never get rid of it either

since im already talking about the Kowalewicz family i feel like i should also mention Piotr, the other brother; hes not really too important to the story but he does show up and Eliza hates him as well. He got richer through foreign investments. Eliza doesnt really like her brothers in general but with Artur its more quiet and she still respects him, with Piotr its more open and well known among everyone living and working in the palace. which isnt a lot of people. He doesnt like her either and would like to buy off the palace just to spite her. Well he doesnt like Artur either. Artur doesnt care for whatever Piotr is doing but hes slightly hurt about his relationship with his sister, though he is also intimidated by her. Not exactly because of the murder hes always been a bit intimidated by her but well the murder doesnt help? but he doesnt hold that against her either. Stanisława is intimidated by all of them except for Eliza, though i imagine she has a rather lovely relationship with Helene even with the language barrier. Helene and Dominic only know Eliza; she likes them both, though its a pretty distant kind of "like". its just generally positive but nothing deep or special, though she always tends to treat women better, and she also isnt the kind to hate on a 13 year old. also i think i should mention Mikita in the picture? I feel like she couldnt care less about what he does. I wouldnt be surprised if she forgets hes there. Not in a malicious way shes just like that i suppose. Stanisława likes him plenty for her own reasons. He respects both of them deeply and tries not to cause them much trouble

[wild-blue-wanderlust]

Burn Butcher Burn

(An Analysis of Jaskier’s Breakup Song with Geralt)

With some help from my musician friend, @violetjayb (ily)

I hear you’re alive. How disappointing… / I’ve also survived, no thanks to you

Jaskier has had his life saved by Geralt multiple times throughout the show. His view of Geralt is, and always has been, one of a hero, and this is what he always writes him as. Here is the first indication that Jaskier currently doesn’t see Geralt this way, and is going to make that known.

He’s starting out the song by saying ‘this isn’t the same as the music I usually write for him. He didn’t save me this time.’

The ‘I hear you're alive’ doesn’t actually refer to a specific scene or conversation where he’s informed that Geralt is still alive. Instead, it more speaks to the fact that Jaskier sees Geralt as unkillable, and the fact he still believes this, despite his changed feelings for the man, was interesting to me.

It being ‘disappointing’ is fun. It reminds me of a scene from season one where some dude tells Jaskier that Geralt’s dead and his response is an unbothered ‘eh, he’s fine!’ The idea of Geralt’s death used to be something that Jaskier didn’t take very seriously - because how could Geralt die? But now it disappoints him that he’ll stick around.

There’s also something to be said about how Jaskier may be unable to ‘burn all the memories’ of Geralt like he sings later in the song, and that this is potentially the way in which Geralt is still alive.

Did I not bring you some glee / Mr ‘Oh-Look-At-Me’

While Jaskier and Geralt travelled together, Jaskier would sing and chat and just be in a consistently cheerful mood, which contrasted Geralt’s constant state of quiet moodiness. Here, Jaskier seems to be asking if his presence was ever actually wanted or appreciated, because he was genuinely always trying to put a smile on Geralt’s face.

The ‘Mr ‘Oh-Look-At-Me’’ carries a double meaning. If that line is referencing Geralt, then Jaskier is almost calling him a poser and an attention seeker, which doesn’t fit with how Geralt actually is, but does fit with other descriptions Jaskier has given him, such as ‘[I forgive you for] your sulking and posing, which are unworthy of a man’.

There’s also potential he’s referring to himself. That he’s saying either that’s how he thinks Geralt sees him (poser, attention seeker) or that in his act to bring Geralt ‘some glee’, he was making a fool of himself. Performing rather than being honest. That he was seeking Geralt’s attention. It’s clearly a negative connotation based on the fact he says it so mockingly, and it could speak to Jaskier’s self-esteem being much lower than it appears at first glance.

The meaning you take from that lyric really depends on how you punctuate those lines. Is it ‘Did I not bring you some glee, Mr ‘Oh-Look-At-Me’?’, in which he’s addressing Geralt, or is it ‘Did I not bring you some glee? Mr ‘Oh-Look-At-Me’?’ In which he’s referring to how he tried to bring glee to Geralt

Now I’ll burn all the memories of you…

It’s giving Eliza Hamilton and I love it. Additionally though, and somewhat in the same vein as Eliza, everyone knows that a lot of Jaskier’s music has been written by him to reframe Witchers and create a positive reputation for Geralt in particular, which makes him famous and gets him more coin. While Geralt, as far as I’m aware, never acknowledges Jaskier’s help in literally promoting him, he himself knows what he’s done for Geralt and acknowledges it frequently.

Jaskier has a unique position where he truly can hurt Geralt, not physically, but by once again altering the way he’s viewed, and undoing all that progress they made. Burning the memories equates to burning any positive image of Geralt that their society started to hold. It just makes me think about ‘I’m burning the memories, burning the letters, that might have redeemed you’.

All those lonely miles / That you ride / Now you’ll walk / With no-one by your side

Self-explanatory. Geralt is alone without a travelling companion after Jaskier leaves, and since Jaskier doesn’t yet know that he’s found Ciri, he thinks Geralt is completely alone.

Did you ever even care? / With your swords and your stupid hair? / Now watch me laugh! / As I burn… all the memories.. of you.

When Jaskier first met Geralt, These were the first things he pointed out about him - “white hair, big old loner, two very, very scary looking swords… I know who you are.”

Pointing that out again is like he’s reverting back to that surface-level view of Geralt, as if he’s forgotten everything else he got to know him as. This time, when he says he’s burning the memories, he means it much more personally than in the sense of burning the positive reputation.

The idea of him laughing as he does it suggests that he’s better off without Geralt, or at least trying to present himself that way.

Ladies and Gentlemen, you have been the most beautiful audience! Remember to toss a coin, if you can! If anyone needs me, I’ll be at the bar.

This bit is spoken and obviously not part of the lyrics but I think it’s worth mentioning that in the scene from the show (as opposed to the song on Spotify) this is where Jaskier actually becomes fully audible. Something about everything he said before this being effectively silenced is interesting to me but I can’t think of what the meaning of that is, character wise.

What for d’you yearn?

I think this lyric is alluding to the famous scene where Jaskier bathed Geralt:

Jaskier: “Come on. You must want something for yourself once all this monster hunting nonsense is over with.”

Geralt: “I want nothing.”

Jaskier: “…Well, who knows! Maybe someone out there will want you.”

Geralt: ��I need no-one. And the last thing I want is someone needing me.”

Jaskier: “And yet… here we are.”

It’s the point of no return / After everything we did, we saw / You turned your back on me / What for d’you yearn?

Of course, a reference to the mountain breakup that inspired this whole song, in which Geralt did literally turn his back to him after he ‘basically told (Jaskier) to fuck off’, as he puts it later.

He’s also bringing up their history here, all the things they did and saw together, and how betrayed he feels. It’s clear Jaskier held him in very high regard and has no idea why he isn’t given the same respect, or how Geralt could betray him at all. Jaskier himself has ‘such a capacity for love’, according to Joey Batey, that the idea of Geralt being truly careless and indifferent just feels foreign. He was certain there was something deeper and that Geralt could love, but at this point he’s struggling to believe that.

The ‘Everything we did, we saw’ is an echo of something Jaskier said in Episode 4(?) after he thought Geralt was dead. He said that he wanted to write Geralt another song and tell everyone what they did and saw. This callback makes me think that Jaskier, when writing this song, is thinking of Geralt as being dead to him, as he believed him to be the first time he used this phrasing.

My musician friend informed me that the key of this song is C minor, which she says is perfect as it is usually put to laments. According to google, it's a key for 'declarations of love and at the same time the lament of unhappy love'

Watch that butcher burn!

Geralt hates the ‘Butcher of Blaviken’ title because it implies an uncaring person who kills for the sake of killing, which is not who he is.

Jaskier knows how much Geralt hates the name because he got punched by Geralt the first time he used it.

He’s been the only one trying to help Geralt bury that name and the things it stands for. Deciding to call him a Butcher tells everyone what Jaskier now thinks of Geralt, and makes it increasingly obvious that he no longer cares to change the reputation of that emotionless mutant.

At the end of my days, when I’m through / No word that I’ve written / Will ring quite as true / As ‘burn!’

There’s a certain tragedy in the implication that Jaskier believes he will be spending the rest of his life in the shadow of this time period, the years he spent with Geralt and the aftermath of it, and that nothing he does will ever mean more to him than this.

More importantly, it serves as another reminder of Jaskier’s changed views. He’s written many songs about Geralt, portraying him in a positive light, as a saviour, a protector, a human, and someone that’s good. But he’s taking all that back now. The truth of the matter is, after the mountain breakup, Geralt is nothing but the Butcher of Blaviken to him, and he wants everyone to know it.

Jaskier also mentioned the ‘end of his days’ when he believed Geralt to be dead in episode 4. I find it noteworthy that losing Geralt always seems to make Jaskier think about his own demise. Additionally it drives the point further home that he’s tearing apart Geralt’s reputation, because again, the last time he thought Geralt was dead, he wanted to write songs to make people remember him in a good light. Now, he wants the exact opposite.

Also, Look at the sheet music for this part:

My musician friend pointed out how there’s a lot of ascending and descending notes in this part, which helps to reflect Jaskier’s inner turmoil and his overwhelming emotions.

Burn, Butcher, burn! Burn! Butcher, burn!

At the end of it all, in spite of all his anger, there’s also a sense of desperation. Maybe Jaskier is trying to get Geralt out of his head, forget all that happened, but he can’t. He’s still writing songs about him, at the end of the day.

Maybe he wants to burn the Butcher, as a separate entity to Geralt. He wants to forget the hurt he’s been caused, and wants Geralt to change. Maybe Jaskier wants to see him as heroic again.

He’s angry. But he’s not as over it as he says he is.

Burn! burn! burn! burn. burn. / Burn, burn, / Burn…

As he sings, he gets more overwhelmed, the anger leaves, there just seems to be a bit of a numbness leftover after everything. Jaskier isn’t someone who gets angry often, and he seems to dislike the feeling. It exhausts him. In a way that he doesn’t usually get exhausted after a performance.

Watch me burn… / All the memories… / …Of you.

After the song, he insists that it ‘could be about anyone’ before finally admitting it’s about Geralt. He’s ashamed of the fact he’s still effected by him, and afraid to admit that the song ‘came from the heart. Perhaps a broken one’.

If that’s not enough proof that he had a major crush on Geralt, I don’t know what is.

[flwrkid14]

Eternal Bonds: Tim and Danny’s Infinite Realms Marriage

In the Infinite Realms, marriage is an unparalleled commitment. Unlike the mortal world, where love can be fleeting and easily undone, marriage in the Realms is something far more sacred. It’s not just about vows or ceremonies—it’s about merging souls, creating a bond that not even the vast stretches of time can sever. The very idea of marriage in the Realms is rare, almost mythical, because it requires two beings to love each other so profoundly that they’re willing to bind their very existence to one another.

For the ghosts and entities that reside in this realm, eternity isn’t just a poetic idea—it’s a reality. Time is meaningless when you’re no longer alive, when your very essence is bound to the afterlife. And because of this, relationships are viewed through a different lens. There’s no such thing as divorce, no “time apart.” Once a couple is bound, their souls are intertwined forever. To dedicate your entire being—past, present, and future—to another means accepting that their joys, sorrows, triumphs, and failures will be yours too. It’s a partnership where breaking the bond is simply impossible.

It’s why marriage is such a rare occurrence in the Realms. The ghosts, who have already lived one life and often seen the frailty of mortal promises, don’t enter into this kind of bond lightly. It’s only for the strongest of loves, for the most steadfast of commitments. Because once you marry in the Infinite Realms, that bond holds through eternity itself.

And yet, despite the gravity of it all, Tim and Danny find themselves willing to make that very commitment. Tim, a mortal tied to a world where things end, where nothing lasts forever, steps into the unknown. His love for Danny is so deep, so unshakable, that he agrees to a traditional Infinite Realms marriage. He knows full well the weight of it—he’s not just vowing to love Danny in this life, but in every life after. In swearing to this bond, Tim is offering his entire being to Danny, for now and all of eternity.

For Danny, this choice means even more. As a halfa, he exists between two worlds, knowing both the mortality of the living and the permanence of the ghostly afterlife. His love for Tim is powerful enough that he’s willing to make this eternal commitment, knowing that there’s no one else in any world—mortal, ghostly, or beyond—he would rather be tied to. For Danny, the bond is as natural as breathing. It’s a connection that deepens their relationship in a way that transcends the limitations of their two worlds.

Their marriage isn’t just a declaration of love—it’s a merging of souls, a binding that makes them two parts of the same whole. It overwhelms them with the sense of safety and belonging that they’ve both craved in their lives. In each other, they find the kind of love that doesn’t just endure life’s difficulties but thrives beyond them. Their bond ties them together forever in a way that no one else could understand, but to Tim and Danny, it’s everything.

They are each other’s home. And in the Infinite Realms, there is no greater honor, no stronger connection, than to be bound by love for all of eternity.

[skrunksthatwunk]

idk if i've discussed it before (i have certainly THOUGHT about it) but someone on my kuwa suffering ep 89 comp mentioned it and i just had to go off about it like. ok. sensui tells yusuke something along the lines of "you heard itsuki" when itsuki's inside the uraotoko, implying that not only can sensui hear those inside the uraotoko, but that he expects yusuke to be able to as well. which means that yusuke Almost Certainly Heard And Kind Of Ignored kuwabara's prolonged mental breakdown and wailing about how much he needs yusuke to live etc. which. guHHH i hate him yusuke you ass but also listen.

the only acknowledgement yusuke gives to this (if any) is when he says something like "sensui you're sooo fucking cooked this plan's going perfectly (my friends are going to get strong and kill you when i die)." he's trash talking to sensui, ignoring the others because, i think, he doesn't want to acknowledge what he's doing to them.

yusuke is explicitly recreating the experience he had with kuwabara's "death" at the hands of toguro, complete with the announcement of intent (and power) to kill, the inability to impede the threat in any way (barring a power-breakthrough), and the target in some way racing towards/volunteering for their death. yusuke learns through doing, and through tough love-style approaches. it's only effective if it hurts. watching kuwabara die like that was devastating to yusuke, but it sure as hell fucking worked. he beat toguro because of that maneuver. so even if he has to (re-)traumatize his friends in the process, this method will make his friends stronger, and he feels confident in that. but he never had to live with the consequences of kuwabara's death, not really. that's something hiei makes clear before they enter the cave as well, that there are no fake-outs ready to make him or anyone else stronger. the only deaths here will be real. the only power gained will come at a high, permanent cost. hiei's warning is an attempt to keep everyone alive, to keep yusuke from being stupid. and then yusuke decides to take that fatality into his own hands, but it's kind of his friends who would pay the price. he's going to make them live through the days, months, years without him, the actual permanency of loss (assuming they survive for that long), something he never experienced with kuwabara (a new facet of that traumatic scenario), AND he's escaping the emotional fallout of this choice through death. he doesn't have to see them mourn, won't get yelled at, won't watch them fail to move on. he's tapping out and choosing to believe they'll be fine.

but i think he feels guilty. just a little. i mean, yusuke couldn't even believe that people cared about him enough to want him alive in episode one. he's staked everything on his friends, which means he still kind of... doesn't value his own life, at least not compared to theirs. but he believes his friends love him and want him around, and we know that because he has to, or else he wouldn't make a plan that depends entirely on that love. he is actively leveraging the care he doesn't think he deserves, trying to hurt them in a way he is intimately familiar with (only worse), for.... what, exactly?

this is kind of my sticking point tbh. i don't think the answer is... super clear, but let's start with what it's not.

yusuke is not doing this because it is the most practical way to save all of humanity; that would be the mafukan, which he stopped. it could be a gamble to save all of his friends? the mafukan strategy would guarantee koenma's death/eternal imprisonment, whereas this strategy gambles all of humanity on the chance that his friends come out of the Easy Break Oven strong enough to avert the end of the world. if the sacrifice of even one friend is completely intolerable, perhaps he'd accept those slim odds and their steep consequences. yusuke tends to take risks like that, especially when he's got fight-induced tunnel vision. he doesn't think things through too much; his schemes are usually dependent on surprising his enemy enough to oneshot them. truthfully, i think this is the closest we'll get to an answer, and it's a more conventional one for this kind of story. but there is another layer i haven't been able to get from my mind.

i think yusuke is gifting each of his friends an honorable warrior's death.

so, in case it needs saying, yusuke, kuwabara, kurama, and hiei all (at least once, if not several times) exhibit a desire to die in combat in a way they deem noble to give their lives purpose (usually by self-sacrifice, but sometimes by another metric of honor, like hiei's duel with shigure and his desire to die in mutual defeat against an evenly matched opponent; or even kurama's decision to fight shigure in his human form, displaying a sort of passive suicidality via placing being true to himself in this (somewhat symbolic/inconsequential) way over survival). they need to make their lives count for something, because they feel guilty for being alive (kurama and hiei feel guilty for their past actions (hiei's is most evident in his distance from yukina, though that's not its primary reason), hiei, kuwabara, and yusuke have all been ostracized and made to feel like burdens on/unwanted by their caregivers and general society; all four of them have felt profound isolation even from their loved ones (yusuke and hiei are rather obvious; kurama can never tell his mother about the majority of his life nor what she truly means to him in the context of it; and kuwabara is separated from his peers for his spiritual awareness and his "stupidity" (plus his parents aren't around? and he is Desperate to define manhood/manliness through a broader pop cultural one which includes the warrior sacrifice thing bc he has no male role models BUT that's for another post) (i will admit kuwa's the most tenuous one here irt isolation)). they want to die for a cause so badly it's actually physically painful to me. it is passive suicidality, and they define their lives and identities by their relation to, engagement with, and skill at doing violence, etc. they live to die by the sword. anyway. nobody talks about it but i think it's very important to understanding what yusuke's doing here.

because i think he knows that about himself and his friends. they're kindred spirits. at the very least he knows this about kuwabara, who literally made a speech about this before diving into toguro's fingers In The Event That He Is Recreating Explicitly. he is dying nobly like they all want to on the chance that they'll get to break out and fight sensui rather than dying without even getting to take a swing. it's about his pride and theirs. but i don't think yusuke necessarily believes they'll win. he knows better than anyone how strong sensui is, and how wide the gap is between sensui and team urameshi. his stated position that humanity is doomed and that he doesn't care about its fate is, i think, not completely genuine, but if we take it at face value, he's not killing himself so that his friends can survive the end of the world. something's going to come around and kill them eventually. he's doing it so they can survive long enough to fight sensui. he needs them (specifically kuwabara) to be strong enough to free themselves to begin round two. but he's given up on their side winning, on humanity surviving, on his own victory---why should he think his friends are capable of winning? this could be another case of yusuke's fight-blinders. it could be another gamble, more blind faith put in his friends. but honestly it reads more to me that yusuke's giving them a chance to die together on the battlefield. them winning would be great, but it's not his goal. it's a pipe dream.

he knows he's going to be killed. they're probably going to be killed, too. but to make it so they last a little longer against sensui, to make the odds a little more even, so they are killed not like livestock, but like worthy fighters, he'd die a little faster. it's the best kind of death someone like them can have; and he'll deprive himself of it just to make their ends a little sweeter. even if the road to that is far more bitter.

but it's not like yusuke's friends know what he's thinking or agree to it, and he can't exactly make his case for it in the moment. he's making that choice for them. whatever his intentions, whatever odds he thinks they have of beating sensui, he's kind of sealing all of their fates. so how the hell is he supposed to acknowledge kuwabara screaming at him not to die, trying desperately to express what yusuke means to him in what could be their final moments together? this plan is going to hurt his friends terribly. it is already doing so, and he can hear it. his choices to stop koenma from using the mafukan and to die for his friends' strength are both selfish in some way, no matter how you read the scene. if yusuke comforts kuwabara, he might not get strong enough. if he twists the knife, well... how could he forgive himself? and either way by responding he would have to face them all and say yes, i'm doing this regardless of your feelings (with the intention of hurting you). so i think he does what he often does. he avoids it. he lets that emotion glance off him and his bravado and his one-liners so he doesn't have to deal with the fact that he's hurting people, that he's scared and guilty and unsure of himself. that he's about to die again, about to put kuwabara through the grief he saw at his wake again, only worse; about to put his quieter friends through something similar.

yusuke is confronted with the responsibility one has to the people who care for them, and he runs from it in an attempt to give them some small peace. just like when he died before and thought hey, at least my mom and keiko won't be burdened by me anymore. because the only thing he can really do for them is die.

[i3utterflyeffect]

anyway grrrrrrrrrr im thinking abt stick!alan again

[givemewallywestorgivemedeath]

okay weird q incoming but what ways do you think speedsters can get sick? Like to my understanding, they can’t really come down with normal virus’ like the flu, right? But they could get things like chronic migraines?

NANOBOTS!!! This is one of the best pieces of canon lore ever. I did a whole post on it but TLDR: normal human metabolisms have so much shit going on that they don't even notice nanobots in their body BUT speedsters have hyper accelerated metabolisms that are the equivalent of the straight A's overachiever in school on meth. So speedster metabolisms do notice nanobots and they attack full force, triggering all of the body's defenses and responses.

But the nanobots are metal so it obviously doesn't do anything. It just leaves the speedster lethargic, feverish, vomiting, dizzy, with a headache, sore muscles and a runny nose, ect. It's basically an allergic reaction.

Now, poisoning them can work depending on what the poison is/what the dosage is. You would need a 100% fatal poison and you would need a fairly high dose. Because speedsters heal fast and they have a hyper accelerated metabolism, so any poison that is based on toxicity (alcohol poisoning for example) would be out of their system faster than it could even take effect.

But poisons that can't be cleared out/processed by the body (take cyanide for example, it binds with the chemical receptors in your body making it physically impossible to use oxygen) wouldn't really be affected by their metabolism at all. So while the speedsters could heal the damaged tissues from these poisons fairly quickly (making it seem as though they were only slightly affected) they would ultimately need time to do so, time they would not have if it kills them first. This isn't technically what you are asking because there would be no substance that 'makes them sick', there would only be 'fine', 'not fine for like a minute and then fine again' and 'dead'. (... unless they were hooked up to a steady supply of the toxin)

Likewise, (this is getting more into theoretical territory, less canon) there might be some illnesses that would affect them? Not for long but if you got something super fucking fatal like Rabies, it might make them display mild cold symptoms for a day or something.

I don't know though. They have really fucking good immune systems. And even super fatal diseases can be fought. Take my example of Rabies, while it is commonly thought to be 100% fatal once symptoms show up there actually have been cases of people surviving it. Rabies is a very stealthy and fast disease, so the main problem with treating it is that your body's immune system isn't fast enough to stop it. People have survived by being placed in medically induced comas (slowing their bodily functions and thus the disease) for long enough that the medication can eradicate it. So for a speedster? That's gone in a minute tops. You would need an insane disease that I'm not sure even exists.

There's also like... pregnancy and menstruation. Growing pains, muscle pain from running is a BIG ONE, being dehydrated/starvation, blood loss, ect. Lots of ways to fuck with a speedster in a way they can't immediately fix.

There are also speedster specific ailments. It's basically 50/50 if a natural born speedster gets a weird highly fatal aging disease. Sometimes speedsters can be born without a kinetic energy shield which makes using their powers at all incredibly fatal to them. All speedsters will have connectivity issues at some point that can be fatal. Sometimes Time Gets Bad™ (shout out to when Barry kept chronically stealing time from people/things every time he used his powers). Sometimes they have too much energy and can't maintain human form (shout out to when Wally didn't know what the speedforce was and was accidentally cosplaying Ghost Rider). Velocity 9 is a highly addictive drug that works on speedsters and makes them display typical addiction behavior (and withdrawal). V9 can also cause a speedster to 'overdose' (burst into flames/lightning/energy). They all have the constant urge to yeet themselves into the speedforce. Ect.

[1tsjusty0u]

wow this has such majoras mask vibes! (guy who is currently playing majoras mask)

[lucalicatteart]

Poll adventure (paventure? lol) Day 3: read the small story tidbit below the poll for more details, OR just vote based on initial impression

(✦ see past poll results + further information HERE (link) ✦)

The winning option of yesterday's poll was that the adventurer should throw a coin into the mysterious well ….

"After nearly ten minutes rummaging through the disorganization at the bottom of his backpack, he finally approaches the well once again, meager coin pouch in hand. He meticulously balances a little golden coin on the tip of his thumb, positioning it just so for an elegant coin flip… With a flick of his hand, the coin wobbles off, anticlimactically dropping into the darkness.. He pouts, leaning in to listen for a plonk as the coin hits the water but… nothing…. silence.. A few minutes pass and he shrugs, moving to pick up his bag and just continue his journey elsewhere, when suddenly a faint noise echoes from the well.. an almost cartoonish plopping sound, like wet feet slapping against stone..? The pitter patter grows closer and closer…then stops abruptly. The adventurer cautiously slinks over to the well, only to find.. a creature of some sort, clinging to the walls, staring up at him blankly. - What should he do next?"

[my-thoughts-and-junk]

thinking about dream daddy again and god brian makes me so mad

[dksartz]

Sketching some kitties from photos :)

Top left is a stray black cat in the sun, below him is another stray cat, a tabby I call Alice. Below that is my sister's cat Piper being goofy ^_^

Top right is my first cat, Ella (male) who was a gorgeous classic tabby with no brown tones to his fur at all, below him is my current ginger boi Edison, and at the lower right is another of steph's Piper 😊

[twilitfox]

I FINALLY BEAT TOTK!! After like 3 detours for other Zelda games lmao

And I did it in the Twilight Armor set. because I could 😌

It was alright! Honestly, I don't know if I liked it more than BoTW, I'd need to replay that one. It's been a bit. But that last fight was more Zorah Magdaros than I was expecting (iykyk) and not in a good way. Idk, I think people are focusing purely on the spectacle when they say it's amazing, which is fine! Dragons are cool and it's cool that you get to ride around on your girlfriend, but mechanically it's just Colgera again. And yeah, the ending felt like a big ass-pull, I'm sorry lmao. zelda just suddenly isn't a dragon anymore?? With no lasting effects of giving up her entire being? Which clearly wasn't true, but she doesn't even remember any of it?? Link doesn't get to keep the arm?? Or isn't at least down one?? Where even was Sonia before that last bit?? Could they have done that the entire time?? And Link didn't even hug her???!? Also did the ancient sages even have names???? Idk, suspension of disbelief and all that but the little things the devs don't address add up and take me out of it. It'd be easier to ignore if there wasn't so much, or if the rest of the game made up for it and it doesn't for me lol.

That is not to say I didn't have fun with it, honestly I spent more time running around on foot than I did in BoTW (mostly because I wanted to complete the map but still) but I only pushed myself to finish it so I could justify replaying Okami since I already took so many breaks and, well. I don't know how to put it better than that. Solid game, others are better, 7/10

[narwhalandchill]

ANYWAY now that ive gotten my firefly rant off my chest and on a more positive note about the story overall; i Really liked it!!!! and character-wise specifically the biggest surprise for me in a huge W way was actually acheron??

& given i was actually somewhat committed to pulling her anyway (well. initially as kafka replacement to pull my first lightning carry after losing 50-50 but. Well. she had mercy on me at the v last moment thank goodness 😭😭) so actually ending up liking her character this much just cemented that resolve for good too. cant wait for her!!! like i am still meh on her base design not bc its that bad by itself but simply bc seeles existence just cheapens it so much like. Why are they so similar. but its not bad lmao

anyway to her actual characterization. first of all. the VAs delivery omg yall beidous english voice is already one of my all time favorites in genshin and shes doing an amazing job as acheron like. she started talking and im just INSTANTLY warmed up to her just from that KDJSKDKJK i love love love her attitude and energy!!!!!

n personality wise too??? like ive seen others mention a similar sentiment but its just the way how. even after getting the warnings from now Two separate characters that shes up to no good. im just like. "nah id win" abt it SHSKDKSI like throughout the story she comes off as so damn likeable and grounded and realistically friendly (as in not like. too open n aligned w the player from the get-go to feel believable for the character as opposed to a plot contrivance) that i just. even if shes bad news im team acheron truly.

she has genuinely funny one liners too ??? like not necessarily jokes outright but the kinda comments she says are just . very realistic in that dry witty way that comes off as natural and entertaining shes so charming!!! i love her. the more contemplative stuff she says too

but also like. girl whats up w the ominous red text ily but are we cool 😭😭 and the whole shredding us into thin slices on first encounter in the dreamscape like. Ok uhhhhhhhh ik i said nah id win and team acheron forever but this is kinda. worrisome

BUT that just means im so fucking excited to see her go apeshit too lmao like. oh shes an emanator here to do murder and spread death? COOL i hope she has fun!!

(and ik i said firefly rant over but. what the actual hell is that post firefly merk dialogue option where the games like very heavy handedly implying ur supposed to be blaming ACHERON for "letting it happen" in some emotional frenzy???? bro what 💀💀 0/5 moment i would never. n even if she plausibly did im just. dude her being cold towards firefly is just a plus for me when the narrative has just railroaded the TB into being sooo charmed by her magical presence lmao i Liked that acheron was suspicious n cold)

overall Definitely wasnt expecting acheron to establish herself as such an instant favorite for sure but. shes here now and im v happy abt it im super looking forward to seeing those more dubious goals of her come to the forefront in the future like. im so curious about whats up w her and her memory and that red text and everything

[voxiiferous]

Big Tent Dark Traits

“Congratulations for analyzing something anyone of my employees could tell you. You didn’t think the exacting standards were any lower for me?”

[longagoitwastuesday]

I keep thinking of that reply in my Odysseus/Agamemnon post about how I regard differently Odysseus' and Agamemnon's actions, while acknowledging that at times Agamemnon is written as a sweet man and Odysseus is always straight up shitty, and how it was taken as some sort of defense for Agamemnon and as a form of pointing out the double standard; and that wasn't at all what the post was about for me, even though I can see where they were coming from. To be honest, given I didn't imagine it would spread anywhere other than my own blog, I didn't explain myself very well (or at all).

The fact is that when I talked about Odysseus not caring about hurting someone else's child to start and end a war I was indeed comparing his actions to Agamemnon's, but my words about supporting Odysseus' wrongs and cheering him in his terrible actions, while in a joking tone, weren't entirely a joke. I do think that Odysseus does some very shitty acts, and some quite terrible ones depending on the sources. That's a fact, that he does is at the core of his characterisation and it's what makes him so much fun; but not even when he is at his most cruel does he harm his family, his own son. Agamemnon, while sweet and loving at times in some texts, at his worst is willing to sacrifice Iphigenia. When readers regard with more sympathy Odysseus over Agamemnon despite both being responsible for children dying, I don't think there's a double standard in this aspect at all considering it's never his own kid Odysseus harms. And that's the key, I think.

Odysseus and Agamemnon have very different priorities, a very different view on loyalty and duty. It could be said that Agamemnon acts out of selfishness, but it could also be read in a kinder light, saying that Agamemnon is ruled by the gods first, and by his role as head of the achaeans; Agamemnon is not entirely himself. In opposition we see Odysseus acting perhaps mainly for himself and his own family and men; yes, he is a king, but he has not the role Agamemnon has. As a consequence, Agamemnon submits his family's wellbeing to the war, to the gods, while Odysseus stops the plow before hurting Telemachus but is (depending on the source) the cause of Iphigenia's sacrifice and Astyanax's death.

Both Odysseus and Agamemnon have reasons to support their actions, and both can be sympathised with; it's fiction after all. When it comes to fiction, at the end of the day which character a reader is drawn to or sympathises with is mainly an issue of personal taste, but I suppose it also implies a certain level of one's own views or preferences on morals, what makes us find certain actions more justifiable, or tasteful (perhaps that's a more accurate word), than others. Agamemnon sacrificing his daughter, no matter how sympathetic or understandable the reason, generally sits worse on people than Odysseus doing the same with someone else's kids, because they're someone else's. This different emotional reaction they provoke has place not just metanarratively, but also inside the very story; it is narratively significant, given it determines how their arrival home plays out, how their wives react to them, and thus their futures. Ultimately it determines whether they live or die.

I think both terrible acts go in line wonderfully with each characterisation, showcasing the role they hold in their world, what they value, what they care for, what they're willing to sacrifice for themselves and the others, how much of their own they're willing to give and bend. While looking at the wider picture it could perhaps be drawn that Agamemnon is the better person out of the two, but Odysseus' selfish actions are perhaps easier to empathise with, especially from a modern viewpoint. Odysseus is treacherous and prone to betrayal, but not against his own; Agamemnon follows the rules of the gods. How fitting in that context that Odysseus doesn't die at the end of his story, that he cheats the death heroes so often are fated to, almost as if cheating the narrative itself, bending the rules of the world he is ascribed to; how fitting in the context of those texts that point towards Sisyphus being his father. But that's another topic, and I've already talked a lot.

[unproduciblesmackdown]

one in a million when i watch smthing in the horror genre and don't end up disappointed to/and/or pissed off about it so like "also yeah i liked it. ooo" is like relative to that an off the charts rave review of media of the millennium. also i did think about mh a lot along the way so would recommend its affect/effect if you like mh's horror too

[tapakah0]

(Continuation because I don't trust tumblr tags) #Oscar... pointing at her neck with the weapon like this... *sigh* eather he is a very good actor or can adapt very quickly #TRUST POINTS FROM ECLIPTICA HELL FEGEFJEGJEYGWYGWD #HE JUST WANTED TO HELP #THE PREVIOUS NEVER WANTED TO HELP AND WE EAT THEM AHAHAGGASHGSA FUNNY YEAH? # *cough* Ma'am... take room... you seem to enjoy his physical company... #OH WHAT AN OFFER HUH #YEHA HDFEMFAWHGDMA MAXAZAANABA I KNEW HE GUESSED THAT WARD IS NOT COMING BACK AHAHGAHGAAHGSA DEAR SCULPTOR YOU F***ED UP YOU TOOK THE SMARTER ONE IN THE BASIC WAY BUT WE HAVE A SOCIALLY SMARTER ONE AND THIIIIIIS IS A REAL DISASTER AHGADHGDHDGHGHAGSDH #DEAR OSCAR CONGRATS YOU ARE *SHAKING HIM* YOU EVIL DEVIL LITTLE DEMON WITH ONE BRAIN CELL THAT HAS 1000 BRAINCELLS ITSELF AND ALL OF THEM ARE RESPONSIBLE FOR TACTICS AND SOCIAL NEGOTIATION

Part 11 ‘-‘

I have a feeling Shepherd and Ward would get along really well... you know, if you put them in the au where everything is the same, but there is peace and harmony in the whole galaxy

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