#want to talk to the showrunners so badly

[sand-boxed]

echo is such a good character. theoretically at least. actually the definition of wasted potential hes the most interesting member of cf99 and hes barely in the show im sobbing.

i wish there was actual buildup to echo leaving or something showing his dissatisfaction with being in the batch. like something about having to kill his brothers, or even with the whole being sold as a droid thing which i know its a haha funny bit but that shit was actually so fucked up ???? we dont talk about that one enough that was so insane of hunter 😭😭 if u think abt his backstory then it makes more sense but theres barely anything in his behavior that suggests conflict with his own goals and the interests of his team by the time he leaves. ig its also one of the issues is that the show doesnt have enough time. maybe echo should have left later on in the show or something but i can also think of some midder episodes that are just hunter and omega but again that could have been replaced to give this guy or wrecker some actual characterization. no shade to them ( kinda bc most of the best episodes are the ones where theyre not there) but save some for the rest of us bc they dont need half the show do they

also istg they (writers and the batch ) forgot echo used to be a "reg" i feel like its so strange for the batch to be all pissy abt reg clones and have a weird superiority complex early on in the show when like. echo is there he was once one of them and now hes not. theres so much the writers could have done to tackle echos feelings abt being othered by the reg clones and inadvertently ostracized by his team. theres so much he probably sees different from thebatch bc of their separate upbringings where echo was part of a collective and the batch were singled out as individuals. does he view killing other clones in a different light bc he was also the type to follow orders blindly once??? how does he feel abt the chips as a pow that spent around a year unable to control his thoughts, having his mind stolen from him??

something i wanted for his character was for him to have a connection pre-citadel that he loses during his time being frozen bc he would have to cope with that loss and adapt to the batch at the same time. yes this is another excuse for me to talk abt fives but who else. echo doesnt talk to anyone except him in basically every scene b4 the citadel. echo feeling messed up abt it bc just all of a sudden his world has been turned upside down and all he can do is move on. thats absolutely terrifying to think about bc the war has taken away most of everyone hes ever known. there was no goodbye, nothing for him, they were just here one moment and gone the next for him. too bad we dont get to see any of it lmaoooo

[apoloadonisandnarcissus]

The Missing Piece

@rey-jake-therapist and I have been brainstorming and theorizing about what went down at the finale between Sauron and Galadriel.

From my part, I’ll suspend my dislike for the cringeworthy dialogue and the evil theatrics, because, personally, I didn’t like that scene (sorry) and I think it was badly-executed and that’s what causing the trouble here. The show focused more on spectacle than on the emotional weight of that scene, making it look as if Sauron was only manipulating and deceiving her (he wanted the rings and nothing more), and that Galadriel had no inner conflict whatsoever (she stops when she sees Halbrand, but it's for 2 minutes tops). 

Many of you have already mentioned how Sauron forced Galadriel to bind herself to him (by stabbing her with Morgoth’s iron crown) and that his plan was to make her a Ringwraith (like the Nazgûl of the Nine), but she jumped off a cliff (I will always hate this, sorry).

When I first presented my theory that Galadriel would be wounded by Morgoth’s iron crown at the finale and during her fight with Sauron (you can laugh at it, now), I also speculated that she would be left in a state similar to Frodo’s in “Fellowship of the Ring”, when he was injured by a Morgul blade (also forged by Sauron). And this wound will never heal, meaning she’s now bound to the darkness and to Sauron forever (or until she arrives at Valinor at the very end of the story). I have nothing to add here. 

In “Fellowship of the Ring”, when the Witch-king of Angmar stabs Frodo (at the ruins of the Tower of Amon Sûl), the blade dissolved soon afterwards, and a fragment of it remained within Frodo’s wound, working its way towards his heart and threatening to turn him into a ringwraith. He was saved by Elrond at Rivendell, when he was able to remove the shard and heal the wound, but each year on the anniversary of receiving the injury, Frodo became seriously ill, and only his departure to Valinor offered a permanent cure.  

Morgoth’s crown wasn’t missing anything (I believe), but it was created and used by Morgoth himself, meaning it’s power and dark magic is much stronger than in the Morgul-blades Sauron gave to the Nazgûl. Dealing with this will be, probably, Galadriel’s plot in Season 3, and kick-out her “Lady of the Light” arc. Because we all know the "final" result of this wound for Galadriel:

There seems to be a piece missing to complete this puzzle, emotional-wise, and provide this scene with that emotional weight that's lacking. And it always goes back to the “crack theory” of “it was Sauron on that tent scene of 2x07, and not Elrond”.

I’m aware some like this theory, some don’t (mostly because they believe the showrunners would never go there). I’ve already presented enough evidence on why it’s actually Sauron on that scene, so I won’t repeat myself here. If anything, 2x08 provide us with even more clues.

Adar's Death

Adar's death scene in 2x08 appears to parallel a scene we already saw on "Rings of Power". And I'm not talking about the opening scene of 2x01, which is the obvious answer.

In 1x06, when Halbrand/Sauron wants to kill Adar, for the first time, in the middle of the woods, but is stopped from doing so by Galadriel. During this scene, Adar tries to make sense of why this "mortal man" wants to kill him:

"A woman? A child?" Adar asks Halbrand/Sauron.

At this moment, in particular, this interaction was meant to be a clue towards Halbrand’s true identity (“he is Sauron”), because of Adar being the one responsible for destroying his previous physical form in betrayal. Halbrand wants to kill Adar with a spear (Sauron’s weapon of choice). 

However, in 2x07, Adar really does causes pain to the woman (she-elf) that Sauron loves. At the Battle of Eregion, Adar displays Galadriel trapped in a cage, and has one of his Orcs pierce and bled her neck with... a spear. 

And how does Sauron have Adar killed, at the end? In the middle of woods, like he meant to in 1x06. Using his children to cause him pain, and kill him. And Sauron does it in front of Galadriel, the woman he loves and was, previously, hurt by Adar. 

There are more references to 1x06 in 2x08, because when Sauron appears as Halbrand, he repeats to Galadriel his words to her in those same woods he wished to kill Adar.

Hence: this parallel can mean that Sauron, in fact, witnessed Adar flaunting and hurting Galadriel on the battlefield. I actually joked with @rey-jake-therapist about Adar being toasted after he pulled that off, because there was no way Sauron would let him get away with hurting his Queen... and I was right. 

We know, Sauron was at the walls of Eregion at the time, with Celebrimbor and the guards, and they all saw the arrival of the Elven army led by Elrond. And, yet, the show has given us no reaction from Sauron’s part on what was happening to Galadriel, after he spent an entire season obsessing over her. 

Glûg's death

Glûg’s death has "well, well, well, if it isn't the consequences of my own actions" vibes for having betrayed Adar and sided with Sauron, instead.

At first, I thought this plot of having Sauron just talk to the Orcs and gain their loyalty so easily was kind of stupid. But when discussing it with @rey-jake-therapist, we got more insight.

Tolkien never specifically wrote about the Orcs lifespans: we know they aren’t immortal like the moriondor (Adar and the other Elves corrupted by Morgoth) and they reproduce like every other “humanoid” being. Meaning, Glûg has never met Sauron before, and has only heard the tales. He was already suspicious that Adar was sacrificing the Orcs for nothing, with other Orcs believing he was chasing a ghost. Well, when Glûg meets Sauron for the first time, he’s shocked to discover that he’s not terrible or cruel like he was told, but rather “nice” and soft-spoken (even asking his name). And, so, Glûg has the confirmation that Adar was, in fact, wrong and killing off his children for nothing... (well, he came to regret that at the end). 

However, Glûg is the one who places a blade at Galadriel’s neck during the “Adar and Elrond tent scene” in 2x07, and we see Elrond’s reaction to it. And so, if Adar was to give the order, it would have been Glûg who would kill Galadriel in that scene.

More: when “Elrond” taunts Adar about sacrificing the Orcs’ lives, the camera lingers on Glûg’s reaction... and guess who’s the first to side with Sauron in the next episode, and strike the first blow against Adar? 

In 2x08, Sauron kills Glûg after Galadriel throws herself off a cliff and he believes her dead.

Many assume this was done in a rage fit, but this isn’t Sauron’s character. And he already lost control with Celebrimbor in this episode and that’s why, according to Charlie Vickers, he cries in that scene: Sauron recalls his time at Morgoth’s side and doesn’t want to end up destructive and nihilist like his master was.

So I would argue the “rage fit” explanation is not it. Could it be, that Sauron - who is always gaslighting others and in self-denial trying to find justifications for his own actions and project them onto others (as Celebrimbor told him in 2x07) - kills Glûg because this Orc was the last being he saw threatening Galadriel’s life? And projects his own guilt onto him? And how could he know that, unless he was the “Elrond” in the room? Because Sauron is powerful, but he isn’t able to see everything just yet. 

Where do we go from here? 

With this insane among of clues and evidence, and how everything falls into place, there is no way the person in that tent with Adar is Elrond. Because if it is, there are plot holes the size of black holes in the story. If it's in fact Sauron everything fall into place and makes sense. And it would also explain the lack of "emotional weight" on their scene at the finale.

Season 3: there is the possibility the show might hold on to this reveal for next season. Since in 2x08, we see Sauron brutally killing both Celebrimbor and Adar, and later stabbing Galadriel, revealing this plot twist to the audience could be a little “WTF” and even lose its meaning. And it wouldn’t match the vibe they were going for with Sauron’s character in 2x08, especially since Sauron and Celebrimbor was the core of Season 2;

Ambiguous or "abandoned plot": this is my concern.

[ilikekidsshows]

Look, I know one shouldn't be so harsh on how badly it was handled that Marinette never has to face any push back from Adrichat for her own massive flaws, and instead she's just validated and all her wrongdoings get swept under the rug

But I still think it's WILD that Marinette in Pretention was made to at least somewhat acknowledge in front of Adrien that her stalking was bad, and yet she straight up justified it by saying "I did it out of love" (which only make her sound MORE like an ex-stalker???) while full blown pouting that she has to even accept that "much" accountability in the first place:

Like, girl, come on. What even IS that? xD

It is almost hilarious how pissed Marinette was written to be about giving such minimal lip service to the character growth the show pretends she had somewhere OFF-SCREEN. She is literally acting like a person who wasn't actually held accountable but was forced into begrudgingly accepting that maybe what they did wasn't as perfectly justified as they thought and now is giving a puddle deep apology they don't truly mean.

---

Marinette only ever apologizes these days when she also has a justification, which makes her apologies sound just like a Youtube Apology Video(™): “I’m sorry if I offended the viewers, but I was totally justified (and therefore would do it again).” She only apologizes to placate the audience. And that scene isn’t even an apology, it’s her giving excuses because Kagami dared to call her out on acting no different from the Adrien fans Marinette herself was criticizing. The showrunners are trying so hard to counter common criticisms of the show to the audience and it shows.

It’s also really obvious that the writers think that “I did it for love” is a suitable excuse. This has always been the distinction between Marinette and the hordes of Adrien groupies the city of Paris is crawling with: Marinette loves him genuinely. All those other people just gush about Adrien and follow him whenever they spot him around town because he’s a hot model while Marinette gushes about him and follows him around because he’s a hot model who was nice to her that one time. Clearly that makes Marinette’s love more pure. Besides, Marinette has already claimed Adrien by the Right of Protagonist, so she has the right to know what he’s doing every moment of every single day while those other people are creepy stalkers.

I also find it hilarious that they make her talk like a recovered ex-stalker when, once again, the writers are claiming something that’s never been shown. There is no evidence Marinette has “recovered” from her stalking habit, because the reason she stopped stalking Adrien isn’t that she had some kind of realization that what she was doing was too far or uncalled for, it is that she stopped having a reason to stalk him. First she isn’t stalking Adrien because she’s convincing herself she’s no longer in love with him. Her not being in love means there’s no reason to stalk Adrien. After that Adrien starts dating her, meaning she already has what she wants: Adrien to herself, so there’s no need to stalk him to make sure no other girl sinks her claws into him. She might not really know Adrien at all, but she at least knows enough to know he’s loyal.

And, like, even after they started dating, Marinette has gone behind Adrien’s back to the Agreste Mansion because he’s “keeping things from her” or because she has to question Nathalie about his whereabouts. This girl is so obsessed with knowing every detail about what Adrien is doing, getting what she wanted only mitigates it. Which is why she’s back to spying on him with binoculars in the sneak peek for the upcoming season 6.

[youmakethelight]

I find it viscerally offensive that the show is called TWD: Daryl Dixon when Carol is literally in it.

I don't know why I'm not hearing it talked about more.

All the time that the title focuses solely on Daryl, it will always be an excuse to elevate his story above Carol's. And it will always be a justification for NR to have top billing while Melissa McBride has second billing. And it will always feel like the female character is less important than the male, no matter what does or doesn't happen in the story.

I'm literally so tired of anyone saying that maybe MMB doesn't mind or anything along those lines. First of all, given that we don't know her feelings on it, that's not ever a reason to just be content with what looks like blatant sexism, and would be recognised as such in almost any other workplace context. I'll advocate for equality until I hear her say for herself that she adamantly does not want it. Willing blissful ignorance so that you can carry on with indifference is not how to be an ally. And I'll be honest, it doesn't come across, to me, like being a genuine ally to Melissa; it comes across like just not wanting to have any 'negativity' interfere with shipping characters.

And besides that, it's offensive as fuck to all women, it's not entirely about Melissa McBride. If you aren't personally offended by it, good for you, I guess. I am. It sends a distinct message about how women are valued and it has direct implications for women in the entertainment industry and in society generally.

It's not like I want these issues to spoil the fun. But frankly, the men in charge creating these issues are the ones spoiling the fun. I am so, so tired of men behaving badly, and then the way women react to it is what gets the heat. If the actions of a male showrunner are making loads of female fans feel like shit, why are the female fans the ones getting attacked for their response? I need some of you to check your internalised misogyny.

The "it's just a TV show" response is also getting exhausting to hear. No, it isn't. It's a product of the minds of real-life people, where there are real power imbalances, and it's consumed by real-life people. All of this means that it represents a microcosm of society, it has a direct impact on the people who work on the project, and it has a very real influence on societal attitudes. If a TV show teaches that it's normal and acceptable for a female character, who is objectively just as important and whose actress worked just as hard, to be excluded from the title, while the male character is elevated, this affects how people view women's role in relation to men. At this point, responding to these real issues with "it's just a TV show" is a weak attempt to undermine advocacy for genuinely positive social progress. And for the same reason, it's not just a case of "well, don't watch it then".

I'm so tired of keeping my voice muted.

[johanna-swann]

So I've been complaining for a while that 911 has nothing exciting going on anymore, but there is actually one thing that I am super curious to watch play out. Not even just in universe, I'm curious to see how the show handles this:

How are they going to resolve the Christopher problem?

If the rumors are correct the actor moved away and he is mostly leaving the show. We've had a situation similar to this before with Harry and his actor, but despite the similarities there are also differences that will be difficult if not impossible to navigate.

Harry left to live with his dad. Everyone in the Grant family was on board with this because they all had a good relationship to each other and Harry had already stayed with Michael during covid. It made sense that Harry would want to stay with his dad and stepdad.

Christopher left LA not because he wanted to stay with his grandparents so badly, but because he didn't want to stay with his dad. He didn't leave because he loves his grandparents that much, he left because he was angry with his dad. Eddie was not okay with this decision, but let Chris go anyway because he felt it was the right thing to do. Ramon and Helena don't officially have custody of Christopher or any other form of guardianship agreement (afaik), so even legally this could get complicated.

Harry left the show in a way that was satisfying storywise. I was sad to see him go, but David had this huge opportunity and of course Michael went with him. Harry going as well was okay because it was a happy parting of the ways even if I miss all three of them.

Christopher left in a way that needs a resolution. There is still conflict here and the only way to end this in a satisfying way is to reunite Eddie and Chris. Ideally not 3 seasons from now, but asap. It has already been 8(?) months.

(This entire plot is madness btw. Like. Even when you have a bad argument you don't just let your child move 800 miles away from you permanently. Especially when the grandparents in question have a history of trying to get guardianship. After the summer break at the latest Eddie should've put his foot down about this. But I digress and they probably had to do it like this because Chris' actor wasn't available.)

My point is: There are 2 ways this can go.

1, Eddie and Christopher reunite in El Paso. Eddie leaves LA, Ryan Guzman leaves the show, a notoriously angry fanbase will send death threats to the showrunner and producers like they never have before. You know, fun stuff.

("Not all Buddie fans", I know I know, but there is a significant portion of shippers in this fandom who have become very fond of online harrassment and bullying, icluding death threats and suicide baiting. Need I remind you that only recently the 911-bts account was bullied offline? They were completely neutral on the ship question and only posted about official info, they really didn't do anything wrong and yet, here we are.)

2, Eddie and Christopher reunite in LA. Chris comes back, they talk things out, work on their relationship. Sounds better, right? Yeah, tiny problem though. How?

How, if Chris' actor isn't available? Do they just have Eddie talk about Chris without ever showing him again? What about Chris and Buck's relationship? They throw that out the window too? I imagine recasting is quite difficult, how many child actors with CP who fit the bill can there be in LA?

Besides, don't get mad at me, but Christopher kinda makes up 80% of Eddie's personality. He's the single dad, that's his constant. What else does he have? The panic attacks, the military trauma, the anger issues - all of those things are stuff the show brought up once for rather short arcs and then never again. If you look for things that are always true about Eddie there's two of them: He's a single father and he's still hung up on Shannon.

They can't drag Shannon's corpse around forever (though they do try). Take Christopher out of the equation too and forget about Chris himself, what is this show going to do with Eddie? He has never shown any ambition to further his career in any way. He doesn't seem to have close ties to any of his relatives outside of Pepa. Like. Dude has two sisters and he never even mentions them. Carla apparently also left the show. He doesn't really have other friends outside the 118 (he hasn't talked to Linda since season 5 and Tommy left the show too). And even within the 118, who is he particularly close to other than Buck?

They could of course actually go for Buddie, but is that a good idea right now? Eddie still hasn't worked out his Shannon complex, Buck is not over Tommy yet and it doesn't solve the Christopher problem.

So yeah. Very curious about how they'll solve this pickle. I'd love to hear some other people's thoughts about this.

[fernsnouveau]

Not really the issues I was talking about, there's the "make your own posts" etiquette, etc

If the Miraculous writers want to make the point that abuse victims are immature and infantile and volatile and need to be controlled by an authority for the sake of their own and the greater good, and therefore Adrien simply cannot be treated as an equal to the Great Marinette, then... I don't think they should be writing the two of them as a romantic couple. The inherent power imbalance is just no good.

(Don't get me wrong, even more so I just think that they shouldn't have taken that stance on abuse victims to begin with.)

[a-lilac-lyric]

 Possible explanations for why King Roland made his first wish on the Wishing Well

Now all of these aren't so much theories per say as “throwing stuff on a wall and seeing what sticks” because the showrunners could not delve into topics like this in the actual runtime, and it probably wouldn't have been very relevant to the story that they were trying to tell anyway, so nearly every theory has an equal likelihood to be true more or less.

  (I'm also not going to mention this in my write ups for the possible reasons for the wish, and we have no way of proving this one way or the other, but I'm always inclined to prefer the thought that Roland II had discussed making the wish with Lorelei before he actually made it since it would be something that would affect both of them. Even if it only physically affected one of them. Because this just seems like the type of thing you should tell your partner about if you do it).

 This is a long post (Over 2000 words), so I'm putting it under the cut, but TLDR there are several different magical and physical reasons that are possible.

 General content warning for discussion of topics that are too dark/medical to ever be shown in a kids show. Spoilers for Forever Royal.

 We should first start off with what the wish was in the first place in case you don't know or need a refresher. Word for word, this is how it's stated in the flashback scene in the episode Forever Royal:

  “In the nearby castle lived King Roland the Second, who had wanted a family so badly he tried making a wish in a wishing well. The wish came true, and twins were born. But the Queen fell gravely ill….* The children were happy but never knew what it was like to have a mother.”

 * The quote never says that she is dead in so many words, but the visual on screen is of the queen arranged on a bed with her eyes closed, holding flowers. There's basically no other way to interpret it except that she's been laid out for a funeral.

 Now, as a note, we never actually get to hear what her name is in the show, but the creator of the show Craig Gerber made a Twitter post saying that her name was Lorelei https://x.com/CraigGerber_/status/1038831208430370817?mx=2 (as a personal note I normally consider stuff that show creators or writers say on Twitter or other social media as secondary Canon, but I basically completely accept this because we don't have any alternative name, and it works. And I'm sure that they'd use it in the sequel series if they ever talk about her.) So I'm going to be referring to her with that name for the rest of this post.

 When analyzing this quote, it seems that “wanted a family” basically means “wanted to have biological children” since we know he already has a wife and family members like a sister and a mom. I just think it's interesting that they word it this way because it kind of masks what his actual wording would have been to the wishing well. Because in the episode “When you wish upon a well” the well did grant Amber’s second wish in a way that fulfilled the basic criteria of her wish, and yet caused an unintended side effect that deeply distressed Amber and put Sofia in danger. So, it could possibly be that the way Roland wished for children could also be interpreted as accidentally directly causing Lorelei’s death. But we don't know what the words were, so we don't know if that was what happened or not. “Fell gravely ill” is a vague enough statement that it can basically be interpreted to fit any kind of theory.

 So without further ado, here are almost all of the ways I could think of that could be motivation for making the wish. (AKA infertility theories.)

Magical reasons:

 In this world, magic is an everyday fact of life, so they could have been unable to have kids because of a curse! Now it could be a curse on either Roland or Lorelei, and then the curse was just too strong to be broken by regular magic, but the Well’s magic was strong enough to get past it, (permanently or temporarily). The possible motives could be basically anything. It could have been cast by a jealous ex-lover, or a person who thought that the union was bad for political reasons.

 But I did come up with a fun little theory that maybe it was a curse that was intended to be benevolent, behold: The Double Bloodline Curse!

 We know that the throne of Enchancia passes from oldest child to oldest child, and the same seems to be true for the royal wizard as well. Both lines are hereditary, and both are always parallel to each other. It makes sure that the reigning monarch always has a royal wizard and vice versa. But it is interesting because Roland the First and Goodwin the Great are approximately the same age, same with both of their sons, and both of their granddaughters to an extent, although the age difference is seemingly larger between Amber and Calista.

 Now this could be just a coincidence that the people in these families born for 3 generations are very close in age, but what if it wasn't? What if there was some kind of spell or curse set on the people from both bloodlines so that they wouldn't be able to have children until their counterpart(s) was/(were) also in a position to be able to have children. Let's say that Roland the Second married and tried to have kids, but both Cedric and Cordelia were not married or seeing anyone and/or just neither of them were interested in having children at that time. Therefore, the curse activated to prevent Roland II from having any children.

 And this curse was probably put on the line by an actual royal wizard from it, assuming that it would be better off for both families and the sake of the kingdom if the new monarch and the new wizard were always peers age wise so that they could both ascend to their positions at the same time. Is that flawed reasoning and ultimately going to hurt their families more than help them in the long run? Absolutely! But it wouldn't be the craziest or worst thing that someone from either of these families has done.

 It's definitely possible for it to be magical reasons and would be interesting to explore in fanfic, but this isn't the only possibility.

Biological reasons that are linked to infertility:

 The first one is what if Lorelei was unable to biologically have children.

 It's popular fan-cannon (and I have seen it used in several fan fictions), that Lorelei was too physically weak for her body to/she had some kind of physical condition that meant she couldn't bear children. But the wish overrode that condition and after giving birth she was so weak that whatever possible illness/birth complications/regular pregnancy recovery happened afterwards she wasn't strong enough to survive it.

 In my opinion this one seems plausible, but I personally do not like it and do not think it makes sense for the characters. If she seemed medically unfit to give birth before the wish, then it would be ludicrously irresponsible for Roland II to make a wish for her to have the kids that didn't also strengthen her in a way that she could have them and survive. Additionally, I believe that if there was a lot of worry throughout the pregnancy that she might not be able to survive it, that Roland would have just made a second wish for her to be strong enough.

 Some may argue that it wouldn't have been possible to strengthen her enough to be able to survive giving birth, but may I point out that the wishing well has the ability to turn a regular human girl into a cat. Like literally change your species. Strengthening someone enough so that they can survive a pregnancy seems pretty minor compared to turning someone into a cat.

 And Roland is normally pretty good at noticing when people he loves are in distress, he'll stop what he's doing and talk with them and try to make the situation better. Now if Lorelei was hiding her physical symptoms from everyone for whatever reason, it could be possible to do that with others especially servants who she didn't spend much time with, but considering how much time Roland spends with Miranda he probably spent the same amount of time with his first wife. If they were in close proximity to each other that often for months on end he would notice if something was wrong and ask her about it and try to solve the problem. Therefore, I personally don't subscribe to it in my own headcanons.

 Another interpretation of this is that Lorelei was the one who is unable to have children, but it was because of some type of condition that was not due to weakness but another type of biological factor(s). The wish allowed her to have the kids, but then she died because the Well directly took her life as a price for the wish/because of how the wish was worded. Or she just happened to get unlucky and die from one of the several medical reasons that a person can die from giving birth no matter their physical strength. It's pretty similar to the first one but I am much more inclined towards it.

 But what if Roland was the one who was biologically unable to have children?

 This one doesn't seem to be explored in any fan fictions I've seen but I think this one is interesting to consider as well. I think most people's reasoning is that if Lorelei died from the wish, then the wish must have just physically affected her and therefore cause [wish] equals effect [death], but if it was going to take her life as a price/consequence for the wish anyway, it may not have necessarily needed to have affected her physically at all. Or the Well never took her life at all, she just got really unlucky and died from random chance. And there's plenty of medical reasons that men can be unable to have children. We don't know what kind of medical knowledge they have in Enchancia, but it may not have been advanced enough to find a solution for Roland or even know that he was the one who was infertile.

 He could have caught an illness as a child that had adult infertility as a side effect (angst potential. If he was also isolated for a long period of time away from other kids this could also partially explain why he became estranged from Cedric). Or it could be a genetic reason, like being intersex (I say as I read that one of the most common noticeable effects of Klinefelter syndrome is being tall. And it would fulfill a certain letter for possible LGBTQIA+ headcannons). Or he could have been severely overworking and under eating (there are a few times in the show where he does this, albeit not to a self-destructive extent, and that’s after he’s had kids and been king for years, also angst potential).

 If this was true, then it could also be possible that he was only temporarily able to have kids depending on how the wish worked. Or depending on the wording of the wish he might only be able the have kids with Lorelei exclusively. So if he and Miranda wanted to make a kid together, they might not be able to (more angst), unless another wish was made (but I doubt he would risk it).

 And a really dark possibility for Roland being infertile is that maybe the wish did NOT make him fertile but instead had a, what I am going to describe as a “love potion” effect on Lorelei and she got pregnant from someone who was not Roland. Now I think that this possibility is really horrifying for a number of reasons, but I've never seen it used in a fanfiction before and I'm not sure if anyone else has ever thought of it, but it exists now. I say that Amber and James do look like Roland, but I would also say that they definitely look more like Lorelei than him, so if you wanted to do a horrifying big drama fanfic this is a possibility for that.

Biological/other reasons that are not infertility:

 But what if their trouble with having children wasn't linked to infertility?

 There is the possibility that Royal Prep/other schools they had gone to had such a terrible sex education class that neither of them knew how to get pregnant and at this point were too afraid to ask. So they wished for it instead. I think this one only works if you're going for an adult humor fanfiction because, this just seems really unlikely to me. Even if they hadn't been educated in school, they would probably still ask someone or have been told by someone or have read it in a book by this point. Especially since part of their job as ruling monarchs is to produce heirs, I'm sure someone in the court would have explained it to them if they didn't know.

 Another slightly more reasonable but still unlikely reason is that maybe one or both of them was asexual. So they needed another way to start the pregnancy and decided magic was a good way to do it. I feel like if this was true then they could have just solved this by going to an actual wizard or doctor and getting help from them, so I don't think this is very likely but I'm trying to go through all the possibilities here.

 But on a far more serious note there as been a possibility I've been thinking about lately that does seem likely considering how often it happens in real life. It could be possible that Roland and Lorelei had already tried to have children, and she was able to get pregnant, but it ended in a miscarriage or a stillbirth. Maybe she was already pregnant by the time Roland made the wish, and he wished that this time it would be a successful pregnancy. The way he looks in the flashback makes it seem like Roland is really sad and kind of desperate about the whole situation and if this possibility was true, then it adds an extra layer of sadness to the whole ordeal.

 ****Also, this isn't attached to any single theory but I wanted to add this: I think that whether the wish caused Lorelei’s death or she died from completely natural causes, it must have happened fairly quickly. If the illness that she got after giving birth lasted a long time, then wouldn't there have been enough time for Roland to have made another wish to save her? Meanwhile if it happened very quickly or without much warning then he may not have had enough time to save her. If it happened quickly, it would also mean that there was less of a chance for the doctors or midwives or sorcerers to do anything to save her.

 *****And regardless of whether it actually was the magic of the wish that killed her or it was from the same causes that any non magical birth can suffer from, I think Roland believes that it was his fault that Lorelei died. He probably doesn't know for sure whether it was the wish that did it or not, but that wouldn't matter if he felt like it was his fault. His exact words to Amber about it were: “My wish didn't turn out so well either.” But we know that he loves Amber and James, and he's very proud of them, so the quote isn't about being a father to them or their existence. So the only other possibility for him saying that it didn't turn out well is what happened to Lorelei.

On that note, those are all the reasons I could think of. Feel free to say in the reblogs or comments which one you think is most likely and/or which one is your favorite. Here's a cookie for getting to the end of this post 🍪

[pepperf]

A good tragedy should be about a) inevitability, and b) what you are ultimately fighting is yourself. The reason TUA s4 failed so badly was that it felt extremely evitable, given their history, and what they were fighting was a combination of their sort-of stepmom and sort-of brother the Giant Blob. Like. That was not the inexorable hand of fate. That was weird city-eating goop set in motion by an arch-villain. Any half-decent superhero show would figure a way out of that.

And, sure, they might have made a tragic ending work for these characters, but they needed to show the inexorable steps that led them there from the start. Instead, all their past history shows us that they will make a terrible mess, they will try to fix it haphazardly, with everyone pulling in different directions, and end up creating a different mess instead, and none of them will ever cooperate with Five's plans.

Heck, they weren't even responsible for this one, it was their dad and stepmom's actions that brought it on. They were merely a side-effect. It's not their hubris - so it's not satisfying (in a tragic way) to see them be destroyed for it.

I get the aim of making a superhero show that has the superheroes be the problem in the end (tbh, this has been done a million times already, I don't know why SB thinks it's so clever), or having them sacrifice themselves heroically and no one knows - but like, it needs to feel earned, it needs to feel like the absolute last resort, that they've tried everything else and this is it, the only option. But they didn't try much else, here - even with all their enhanced powers, which had the potential to throw in some wildcards. No - they tried talking to and then hitting the Bennifer Blob, and then...blergh, we give up, let's all die and hope that fixes things. It was an unspectacular end, and it felt like such a waste of all that potential - of the show, the characters...

I know SB has said he planned this from the start, but it honestly didn't feel like it. Maybe he planned the general idea of them failing but never worked out the exact details, and when it came down to it, he didn't have a good apocalypse in mind? That certainly feels like his MO - lots of build-up, and then no follow-through. idk, whatever it was, it was just kind of a lame end to a show that I'd loved so much -and that was what really gets my goat. I wanted to feel like, whatever the ending, they'd thrown their hearts into it, and instead I was left feeling like the showrunners had already kind of moved on with their lives, it's only a TV show, just hit some popular beats, stick an ending on it, shove some CGI in, and hope the next thing we're pitching gets picked up. And it did feel very much like a showrunner issue, bc the actors did their absolute best to sell it. But there's only so much you can do with being eaten by a CGI blob.

We had three good seasons, and I am going to move on, once I've got some fic off my chest - but I'm just kinda disappointed that we didn't get one final season of great material, some stuff that makes me keep wanting to think about how it works, what happens next, how to explain X or Y - all that fun, fandom stuff.

Anyhow, much like Steve Blackman, I don't know how to end this. Peace out, y'all.

[abagoflaysclassic]

It's absolutely soul-crushing how the industry treats animation so badly that we've gone from the industry standard season of animated television being 20-30 episodes long to 10-12 episodes long. Like think about how many episodes were in seasons of Adventure Time in 2011. And now think of how many episodes were in Hazbin Hotel. This post isn't specifically about Hazbin, but I watched that recently so it's what I'm going to talk about. Hazbin Hotel is 8 episodes long. That is so fucking depressing for many reasons. It signals to me that the industry standard for animation is only getting worse, people have waited almost a decade for this show to come out only to be disappointed with the almost painfully short run time. On top of that season 2 supposedly won't come out until 2027. Too many showrunners already have to work under this immense pressure nowadays to fit everything they want into a 12 episode season, which is already ludicrous to me, but an 8 episode season??? It feels like Amazon set the show up to fail. Watching the show, it felt like the writers panicked because they didn't know if they would be able to develop every character properly (which is to some degree on them as writers for not shortening the main cast or only focusing on 2 or 3 leads, but the stupid short number of episodes ordered did not help them) which leads to the entire show feeling way too fast paced and rushed. I hope we can get out of this rut, I'm excited to see where this show goes but the way it was handled leaves me feeling grim towards the state of cartoons as a whole.

[dotthings]

The denialism and revisionist history going on pushing the fairy tale that Nexstar CW is the only CW era with problems that required calling out, and the invalidation towards any criticism of the pre-Nexstar eras, have gone completely off the rails.

Perpetuating these fairy tales and the erasure of CW Network's long-running history of issues helps enable the broken system people claim they care about denouncing.

The reality of CW Network history: Racism, homophobia, poor set practices, toxic abusive showrunners, systemic failure to support actors especially in marginalized groups, and fan base after fan base used for engagement and then treated badly.

These are systemic industry issues, not confined to any one network. CW became a lightning rod for it because it was unusually concentrated from one platform, so it stuck out and CW earned a terrible reputation, long before the sale.

To combat the revisionist history and denialism, behind the cut is a timeline with a few of the egregoius systemic problems that have plagued the CW historically and reflect severe enabling and lack of oversight on the part of the network.

Nexstar Media era acquired the CW on October 3, 2022.

The harm starts at the very beginning, though. On January 24, 2006, The CW was born. In its founding, The CW destroyed an entire slate of Black-led series on UPN and the resulting network was extremely white.

Candice Patton, in EW, reflecting on the early seasons of The Flash and how she had to speak up and advocate for herself and for Iris West (date of article May 23, 2023, but refers to pre-Nexstar CW) “The scariest thing is speaking up, and I had a hard time talking about it for such a long time because you're so afraid of being seen as problematic," she says. "That's a word that no actor wants to have follow them around. But I think we're learning that speaking up and speaking out is the only way for change. And it's not about blaming people or canceling people, it's about just really being able to have a conversation so that the industry changes for the better. And I hope that whatever struggles I may have had, doing that has made it even the smallest amount easier for the next crop of actors coming up who feel like they need to be heard and seen and accommodated for."

July 8, 2022, EW. Candice Patton reveals how she considered quitting The Flash in S2 due to racist fans and The CW and WB didn’t give her the support she needed, and reflects on how she was treated differently than her co-stars:

"Even with the companies I was working with, The CW and WB, that was their way of handling it. We know better now that it's not okay to treat your talent that way, and to let them go through this abuse and harassment. But for me in 2014, there were no support systems. No one was looking out for that. It was just free range to get abused every single day. There were no social media protocols in place to protect me, so they just let all that stuff sit there….It's just not enough to make me your lead female and say, 'Look at us, we're so progressive, we checked the box.' It's great, but you've put me in the ocean alone around sharks. It's great to be in the ocean, but I can get eaten alive out here…It was more about the protocols in place and the things I see happening for my white counterparts that's not happening to me. Seeing how I was treated differently than other people, seeing how I'm not protected by the network and the studio, those were the things that not necessarily hurt me but frustrated me."

January 28, 2022, Sunstroke Magazine - Looking Back On Kat Graham's Racist and Anti-Semitic Experience on 'The Vampire Diaries’ A summary: * Kat Graham endured racist and antisemitic comments from a co-worker. * The show forced her to wear a wig when she recommended using her natural hair for Bonnie * Ian Somerhalder had to step up to protect Kat, threatening to quit the show if Bonnie was killed off or written out * Showrunners shot down the idea of Bonnie being queer and was patronizing to Bonnie fans * Here’s a compilation of Kat Graham and her character Bonnie being mistreated during the run of TVD:

October 2021, EW and THR - Ruby Rose accuses CW and WBTV of bad set practices and that they were forced to keep filming 10 days after major surgery she had to undergo after being injured doing a stunt and called out bad practices that harmed crew and endangered everyone on set. CW and WBTV denied everything

June 7, 2021, Hypebae, Candice Patton speaking on issues concerning how PoC are treated at CW and systemically in the TV industry

November 22, 2020, Popsugar - The all-black cast of the superhero series Black Lightning have to find out from social media that the show is cancelled and are given no advance warning. China Anne McClain reveals she was going to quit the show even if it had continued: “For different reasons, that, to be honest, I don't want to go into. I just want y'all to trust me on it."

November 9, 2020, Slashfilm - 'Superman & Lois' Writer Nadria Tucker Says She Was Fired After Raising Issues With CW Show's Sexism And Racism

San Diego Comic Con 2017: the cast of Supergirl singing a song to mock a predominantly queer fanbase for the Supercorp ship

March 14, 2016, Variety - “What TV Can Learn From ‘The 100’ Mess” in the wake of The 100 killing off Lexa, an openly queer character.

April 6, 2016, EW - The 100: Ricky Whittle says showrunner 'abused' him off the show May 6, 2015 - Season 10, episode 21 of SPN "Dark Dynasty" airs, killing the show's only recurring openly queer character at that point, Charlie Bradbury.

It’s common knowledge Daman Salvatore is bi in The Vampire Diaries books. The character on the show, one of “classic CW”’s biggest hits, was straightwashed.

2013: Misha Collins at NJ Con comments on how women are treated on SPN:

2024: Misha Collins at Purcon 8 shades the CW for placing representation caps on queer rep at SPN

The fact CW had other queer rep does not preclude the existence of pinkwashing, queer erasure, or queer censorship)

November 2020: in the wake of Castiel's romantic love confession to Dean Winchester and in the immediate aftermath of the end of SPN, the nature of the confession was ommitted in all official promotional material and Misha Collins hinted he was told he couldn't talk about Cas's pov. Eventually, Misha Collins was able to speak openly that the writer intention and the story and everyone who worked on the scene intended it as a romantic love confession and that Cas is queer and in love with Dean.

---

Love the shows. Support the shows. Support the creatives who were trying to make things better from within the system.

The megacorporation does not love you.

Stop bootlicking for the megacorporation.

[popculturebuffet]

Top 12 Animated Episodes of 2024

Happy New Year You happy people! For those new to this blog or finding it for the first time, each year I do a list of the best episodes of cartoons i've watched that year. I do episodes as my short attention span means I finish maybe 20 if i'm lucky, so a top 12 list feels a bit more hollow. So starting in 2020 I started covering the top 20 episodes of animation, to celebrate the highest highs each year in my faviorite industry in a fun way. As i've turned away from covering shows as they've come out, it's also a way to check in on the various shows this year I haven't gotten to cover yet, and is something I look forward to every year and i'm delighted to have you all aboard.

So how this works: each year I normally took 5 episodes of each show i'd watched, narrowed them down and eventually sorted out the top 20. This year I slimmed things down: Top 12 instead of 20, 3 episodes per show, ready, FIGHT. This is so I could fit the whole shebang into one post and hopefully do a best film list, more convient for me and you.

Before we get to the good stuff though, let's talk about this year in tv animation. It was the best of times it was the blurst of times.

Let's get the bad out of the way first: Warner Bros Discovery continued to downplay animation: Jellystone and Tiny Toon Adventures Looniversity got no promotion and a halloween special for the latter never materalized despite being promoted. It's sadly likely neither show will make it past their current season. It's buisnes as usual but it gets no less tiring.

What's new is that WBD has all but killed Cartoon Network. While the Network still TECHNICALLY exists, most of it's originals have either endd or are winding down, with Craig of the Creek's finale delayed to this year just cuz and Invincible Fight Girl moved to adult swim. It's clear what was once a pillar of my childhood is being stripped for parts, with any sequels coming to max, itself sinking rapidly into the earth after Zaslav sold it's foundation to buy a cool watch he found on the internet.

Somehow worse was Disney. Oh fucking boy disney. I've talked about this a few times this year but to recap: Disney has peaked in homophobia and transphobia this year, firing X-Men 97 showrunner Beau Demayo for being openly gay and not just rubber stamping things for them but wanting to write actually challenging content, overworking the staff of Inside Out 2 while making them tone down Riley's crush on her hockey captain , including aging the character up because they GENUINELY assume lightyear failed because it had lesbians in it

Shelving a trans focused episode of moon girl and devil dinosaur, and shelving a trans storyline in upcoming show win or loose. Disney had already proved with owl house they weren't an ally but this year proved the company is DEEPLY homo and transphobic and deeply stupid, scrapping finished content just to appease a few bigots. I may still watch their shows as the creators had no part in this (and as seen with X-Men 97, MGADD and Win or Loose, were trying badly to do something good and got punished for it), but my opinon of the company is at an all time low. And given they supported the don't say gay bill, shot next to a concentration camp and other horrors, that's saying a LOT.

Animation in genreal faces an uncertain future with shows being shelved, and the animation guild having to fight tooth and nail to get better contracts, with the specter of ai being a deep exestential threat.

Thankfully there is some light in these dark times. For starters the Animation Guild successfuly reneigoated their contracts with more residuals, protections and protections from Ai. And content wise animation seems to be in one of it's best years. 2023 is a hard one to beat but 2024 certainly tried.

We had some all time great premeires as the superhero boom that's currently in crisis in theaters reached i'ts peak in animation: In addition to the returns of Invincible, Moon Girl and Devil Dinosaur and My Adventures with Superman (Apologizes for missing that one), we had the premeries of the delightfully noir and mature Batman Caped Crusader , the solid and fun Creature Commandos that proves the DCU's commitment to animation and the kickass and thought provoking X-Men 97, a series that did my boy Scotty justice after far too long. In a year when superhero content is dry as a bone theatrically with only Deadpool and Wolverine as a drop in that desert, it was nice to see Superhero Animation back with a vengance and with Spider-Man next year and Invincible Season 3 airing in one piece around the same time

Outside of superheroes we got Fairly Odd Parents a New Wish, Jentry Chau Vs the Underworld and Invincible Fight Girl.. all shows I didn't get to but not for a lack of intrest and intend to rectify that this year. I did get to Hazbin Hotel, which after a long wait finally opened it's doors to a solid first season with a god tier cast and soundtrack. I mean giving me more keith david singing is more than enough but damn this show brought it.

Also making it's grand return was Total Drama, a show I missed and that thankfully returned better than ever... in the US anyway. Everywhere else got it last year or earlier and both seasons of this reboot. Still it's an excellent reboot and while it didn't make this list, it was a great return to form after two terrible seasons and a long hiatus to make canadian muppet babies.

There were many great returns: Helluva Boss delivered a solid arc that flipped up the status quo and gave us three stone cold classics and... uh the other two. Vox Machina had some amazing moments as the chroma conclace conflict concluded, Jellystone and Great North delivered the greatest seasons of their runs, the former giving us the return of an american hero. All hail brak! Simpsons gave me a season that's kept me tuning in more than not and continues it's renissance while Bobs Burgers continued it's own.

2024 despite all the strife and terrible shit, was a fantastic year for animation, a year where despite every company devaluing the practice and being a dick, it soared higher. While I may be worn out with how companies treat animation and the political landscape, ther'es some refuge in how GOOD animation is and how it only has higher to climb next year. So let's celebrate these highest highs under the cut shall we?

12. The Gatekeeper (Moon Girl and Devil Dinosaur, S2-E0) "How many doors do I have to break through before they stop locking me out?"

I've reviewed this episode in full shortly after it's leak so i'll be brief:The Gatekeeper is a masterpiece. It's not subtle but given it comes from a company that shelved the episode because they "want parents to have conversations about these topics when their ready" forgetting that some parents are bigots who will never be ready for that conversation, it dosen't need to be. It's a beautiful story about how you don't need to take the weight of the world's bigotry on your own, how being YOU, trans, nonbinary, queer, is okay and your not burdening your friends by letting them into your fight to be you. It's also shockingly funny for an episode with this heavy an a-plot, with Casey trying to stall desperately. Leading to this beautiful moment

The Gatekeeper is only this low because the escape room stuff, which is a not sizeable chunk of the episode isn't super engaging, not helped by deadly escape room plots being kinda common these days. It's salvaged by it's metaphor at least: that transphobes and other bigots will just keep moving the goal post so fucking break it over your knee. This episdoe is excellent and I encourage you to find it in the depths of the internet. Disney MIGHT air it, if nothing else than for the backlash, but since we really CAN'T count on disney for shit when it comes to queer issues, it's going here. If you want a more in depth dive into this episode, lookee here

11. Apology Tour (Helluva Boss S2, Episode 9)

"I don't think you meant to hurt me, cause I don't think it meant a thing at all"

Helluva Boss finally finished season 2 this year.. and I finally finished season 2 around the same time as Sinsmas as I'd sat on the show for too long. My depression's been peaking this year

So I shoved the show aside. I regret that as season 2b is for the most part excellent and the decision to wait a while and release the episodes more consitantly was a smart one: it not only gave Helluva some space from it's little big sibling's big debut, but it meant while the episodes still had a long weight they weren't left to be picked apart for months. Mostly a month.

The first half of the season was good, but had issues: sloppy pacing, the series worst episode, not really following up on the bombshell ending of season 1 from Blitzo's perspective, it was good.. but the cracks were setting in. And while some still remain in this batch, it's damn strong helped by an arc tha'ts been built up all series: Blitzo, the o is silent, everyone's faviorite dumpster fire imp murder machine and Stolas, everyone's faviorite disaster gay prince who thinks like a romance novel splitting up. Break up is a bit strong given the transactional sex nature, but it's a bomb that was in wait: Blitzo has a bad habit of pushing anyone who cares about hi m away and Stolas really never got to actually KNOW Blitzo as a person, seeing him as a way out of his awful marriage and an idealized prince and not an actual person whose a bit fucked up nor. With Neither adressing their actually problems, an explosion was ineveitble.

Hence Apology Tour, the fallout of the explosion after Stolas attempt at a three point grand romantic gesture brought out the dick in blitz, who couldn't fathom someone being nice, lashed out and not understanding why Blitzo thought so little of him , Stolas slammed the door in the fancy magic man way rather than actually talk about it.

Full Moon has a great ending and the blitzo subplot is graet.. but it wasted a lot of time with those two assfaces and collin. Apology Tour thankfully more than makes up for it, a character piece focusing on both men as they deal with the breakup poorly: Stolas tries to just keep distance, while Blitzo shows up, tries to get sex to prove he's worth something to his inferority complex and screams at Stolas for being gay. Blitz WANTS to make up for things.. but is so determined to not actually talk about his feelings he's at peak asshole.

So when Stolas actually cuts deep, asking if Blitz is even CAPABLE of apologizing, Blitzo does what he tends to do: be a dick in a showy way just to get back at someone instead of engaging why their pissed at him. The montage of him apologizing to his enmies is fun, that martha ms mayberry thing needs more shading in in season 3... like just a short or something to establish what the fuck is going on there.

The episodes heart though is an I Hate Blitzo party Verosika throws. The queen is back, looking fine and getting some depth: while she was a full on antagonist in her first apperance and there to make a bad day worse in her second, here we see some humanity from everyone's faviorite succubus: she geninely tries to comfort Stolas who feels miserable, wasting his one night of the year pass to earth on a party where everyone wallows in their hatred of Blitzo an ex that Stolas makes clear he's not over. Verosika is TRYING to geninely help, but can't grasp that the poor bird is still in mourning over what he thought he had and stabbing a cake in the dick isn't helping.

What helps is the episodes best segment and the second best song of the season, possibly even best Two Minute's Notice is just.. heavy competition. All 4 U is Bryce Pinkham's finest performance: while "You'll be Okay" showed off his pipes back in episode 2, All 4 U is a raw song, a indie rock guitar ballad where Stolas lays out his pain: how he realizes now Stolas is both a motherfucker (As Verosika and Vortex helpfully chime on chorus) and how he never actually meant to hurt him.. because their relationship meant nothing. It's a painful beautiful song.. and also dosne't asauge Stolas of his own guilt. While Verosika and Vortex TRY to blame it all on Blitz, Stolas is PAINFULLY aware he fucked up. Surrounded by memories of EVERY time he's clearly realized Blitz.. was never into this and he tried too hard: all the times he demeaned him without meaning too nad hurt him... he gets the rejection wasn't all on Blitz. Blitz is an asshole, easily, but Stolas is in pain partly because he KNOWS he did it and partly because he still WANTS him. He can't STOP wanting him. And it hurts.. and Blitz hurts realizing he was a bad person.

It leads to the second best scene of the episode as Blitz comforts Stolas, whose too drunk to put up a fuss but unloads.. and we get my faviorite exchange. A truly painful one that outlines why this didn't work. " I want to be someone's someone! I want to feel wanted, in a romantic way! Like, I'm standing in the rain at a train station and someone runs up shouting "HARRIET! DON'T GO ON THAT TRAIN! IT'S GOING TO LONDON AND I CANNOT BE WITHOUT YOU!" " "Oh Stolas.. that' sa romcom"

I've been where Stolas is, that need for someone , to fill the void inside.. not getting that won't help you get BETTER. And Blitz realizes that.. and realizes what it did mean, geninely trying to apologize.

The talk with verosika is no slouch, with Blitz trying to ocne again put up walls. We even get a nice rebuke of the whole "Well of course their assholes their in hell" argument that gets flung around. When Blitz tries that Verosika rebuffs it and reveals to us why she's so hung up on him: She said I love you and he ran three rings to wrath and maxed out her credit cards on shitty horse riding lessons. It confronts Blitz with the fact that while he belivies he's unloveable.. he's not.. and the number of people he's hurt proves it. He wants to be better.. but he dosen't know how. he's patched things up with one ex.. but his other seems to be moving on. That last part whent nowhere.. but there's still that pain realizing he ALMOST had something, and his own nerousis fucked it up. For now anyway but we'll get to that

10. Remember It (X-Men 97, S1 Episode 5) "The Names Gambit Mon Ami.... Remember It"

Since it aired it's felt like Remember It making this list was ineveitble. It's the episode that took X-Men 97 from a fantastic show, to the best x-men show of all time. An episode that deftly and perfectly adapts one of the defining moments of the comics, the massacre of genosha, with it's own style and flair, broke our hearts with Gambit's tragic end and got nominated for an emmy with it's creator barred from them because Disney would rather frame a man for misconduct than let him get his flowers and the Emmy were just.. okay with this.

Grumbling aside Remember It is a masterpiece and one of the best wham episodes i've ever seen. For those as not terminally on tv tropes as I am a Wham Episode is an episode of tv that changes the show fundemntally or promises to, with a shocking reveal or a big plot twist or what have you.

This episodes secret sauce though is hiding that fact. It sneak attacks you as the first half is a pretty standard plot following up on things from the season: Cyclops continuing his relationship with Maddy, the clone of Jean despite still being married to jean and her less than happy reaction to their psychic affair, Jean trying to come onto Logan, and of course more of the magneto-rouge-gambit love triangle.

Yeahhh the reason this is so low is the Magneto-Rogue-Gambit Love triangle sucks. I went deep into why in my review of 97 Season 1, but the short version: it makes Magneto into a groomer as while Rogue is an adult in her 20's, he's still old enough to be her foxy grandpa and still manipulates her and in present day, his method of wooing her is making her queen of a foreign nation without asking. In a show that has easily the best Magneto in animation, i't sa blotch. It's intended to make him human and put rogue's desire for sexy time against her connection with remy. It's a good idea but the excution is just baffling and brings this episode down a peg.

What keeps it on this list is it's good parts The first is scott motherfucking summer in his most accurate adaptation yet, a capable leader and world class badass whose an emotinally stunted mess, laying out why mutant lives arne't NORMAL in a rant.

The biggun of course.. is the bait and switch. In a moment we go from Maddie, Jean's clone long story watch the show, going outside to get a breather.. to her son Nathan running up as full cable begging to save her before being yanked away.. and then Maddie dies. And a lot of others with her.

In a moment reflecting showrunner Beau DeMayo's experinces with the pulse night club shooting and 9/11, we're at the ground floor of a horrifying massacre. The orignal in New X-Men was horrific in how FAST it was. In minutes millions of mutants were dead, the x-men could do nothing in time, and the world changed. Here we're on the ground: three x-men are present along with some of the most powerful mutants in existance.. and they still can do nothing. Magneto whips the monsterous sentinel responsible with a motherfucking train, uses all of his power.. and only dosen't end up dead because the big bad wanted him alive. Rogue, easily one of the strongest x-men and a brick house tha'ts mighty mighty, is swatted aside. Gambit can throw stuff but none can do anything. This sequence is incredible, showing the powerlessness sin such a slaughter and the sheer trauma it puts on someone. It's the kind of event that leaves a bloody mark on history and cannot, SHOULD NOT be forgotten.

And like most massacres against the disinfranchised it only ends in one way.. with more blood. In this case Remy after Rogue FINALLY realized she loved him but never got to say, gets horribly imapled. And graphically. This series does not shy away from violence. And rather than just die he goes out with a quip and making himself an dthe monster he faces blow up real good. The episode ends somberly on Rogue weeping over his death, invoking va lenore zahn's lost of her niece and signaling this series will never be the same. Remember it is fucking brilliant and if you haven't seen x-men 97, please do.

9. The Sign (Bluey S3 Episode 49)

"Am I making a mistake?" "Probably.. but let's make it together" So i'm late the party, but I finally got into Bluey this year, thanks to this very episode. The huge buzz around it's release from fellow animation nerds had me curious so I watched a few that were recommended.. then some more and before I knew it i'd watched most of it's three seasons.

Bluey is a throughly charming show, keenly deserving of it's massive succes. It's a show that's meant for younger viewers, teaches lessons but unlike most shows, it dosen't talk down to young children. it's made in a way adults and older kids can enjoy too, as you can empathize both with the childish wonder of our lead, her sister and thier various friends, relatives and whatever sort of delightful stygian goblin muffin is

And see the adults side. It's a show that somehow covered Bingo imitating any animal she wears a onsie of and the chaos that insues and Chilli's estraingment with her sister who stayed distant because being around her nieces reminded her she can't have children. It's a show that's warm, loving and utterly brilliant.

And given this is me it took me a long time to get to creator Joe Brumm's swan song as I knew it would emotoinally wreck me.. and I was right. The Sign is Bluey's first half hour special, the other episodes being 8 minute shorts all bundled together and while there's an episode after it , it's the proper finale to the season and to Joe Brumm's time as showrunner.

The Sign has been a fully admited test run to see if Bluey could handle a longer story for a movie and even before that movie's recent greenlight, it was clear yes they could. It's helped by picking two massive events in the heeler's life that perfectly mesh together, nicely zigging in and out of each other. It's amazing how well the creators got this episode to just flow, and to keep up a nice array of jokes despite the heavy topics. Bluey's utter joy at getting to ride shotgun and Chilli carefully checking to make sure it's legal (and a police officer doing the same thing later), is such a briliant gag. It also has plenty of muffin, always a plus.

The first is a big downer: Bandit's gotten what he feels is a better job, and is uprooting the family for it. Bingo is oblivous to the reality of the move and Chilli is trying to be supportive leaving Bluey the only one who wants out. We get a truly soulcrushign scene when she tells her friends, them all hugging her and sobbing. Her teacher Calypso tries to cheer her up with a fable, but she misnterprets rolling with life's hardships as "everything will work out which means we'l lescape. "

This rolls nicely into the other big plot: it's the wedding of Frisky, Chilli's best friend since childhood and Rad, Bandit's brother. The two debuted and had their meet cute in my faviorite episode of the series, Double Babysitter. It's one of the first I watched, entirely because I knew it set up this one... and it is glorious. The two were shown on holiday in the christmas episode and here they get married.

And look I love wedding episodes so much kev paid me to make a top 12 wedding episode lists this year, which has one of my faviorite art pieces i've done

So I was an easy sell, doubly so after seeing Double Babysitter. The episode does well with it: the heeler's family is all present, everyone's ready to go.. then Stripe bandit's younger brother does an oopsie and mentions rad plans to have Frisky move with him to near the oil rig without having actually talked this through with her. Rad is thankfully just very bad with people, but this casues Frisky to snap and the resulting argument sends her on the run and declaring the wedding is off.. which is bad for bluey as Frisky was told to remove the 4sale sign and bluey thinks this stops it because she's a children

We then get some fun shenanignas as Chilli has to go chase our runaway bride and while she intends to leave the kids, who want to go for personal reasons or just a ride in the car, they find a perfectly hilaroius reason not to with every kid nearly telling Rad's mom about the disaster because kids have no filter and thus Chilli is sent on an epic quest

What follows is what clinches the episode: after a bunch of shenanigns that are perfectly hilarous, Chilli goes to her and Frisky's old hang out where they used to think.. and also smoke a dooby or twoobie. It's here we get the perfect intersection: part of Chilli's freakout, besides the entirely resonable pissyness over the rad situation is her best friend leaving.. and Chilli finally reveals she DOSEN'T want to leave. Leave her best friend, the house her family has been raised in.. she just wants ot be supportive. And seeing her mom finally be honest gets Bluey to embrace change. And Rad being a good dude whose just a tad awkawrd, can relate, apologizes and decides not to move.

It's this that helps them blend so perfectly: Rad like Bandit is making a rash decision based on what he thinks what's best and has to see the real effect it has. He likely dosen't back out sooner simply because the house is sold. But when the buyers back out to buy winton's dad's house so he and winton can move in with the terriers nad their mum, shoutout to winton, we get our joyous ending as Bandit rips the fucking sign out, and the family all has takeaway.

The Sign is a callback filled wonderland, a truly heartrending episode and a vicotry lap for bluey's best season. It also has Stripe passing out drunk in the bushes next door because Wendy can't make it out of anything unscathed apparently. Hopefully Stripe isn't heading for divorce. Maybe check the sink mate see if hot dogs are there

Okay while we process that ineveitble divorce onto

8. Sinsmas (Helluva Boss S2, Episode 12)

"Have a great fucking life with him dad"

Back to Helluva Boss and to the most recent episode and one of the series best. Admitely this one was an easy sell for me: it's an octavia episode. Loo Land is still one of my faviorites and while Seeing Stars is a mess, the stuff with her and Loona is heartwrenching and adorable. I hope even with what happened here, Loona still mentors her little sis. The fact i've had the little emo ace on the brain as I ship her with Sasha from amphibia probably dosen't help. My crossover ships are weird and numerous and I find this one adorable and the being ace (not aro) adds a nice lair of things and is something I hope the show brings up outside of the pride photo confirming everyone's sexualities, as we need more ace representation in our animation. She could party with Todd

But while I have my bias... this episode is just plain amazing on it's own. While what i've seen of Mastermind is decent, Andy's plan makes no sense and only works because he was working over someone whose kinks are racisim and classim but the status quo change is phenominal: Stolas is now left broke and powerless, while having proven beyond a shadow of a doubt he cares for blitz, while Blitzo, after episodes of dealing with his darkest demons, realizing he dosen't ruin everything (Ghostfuckers barely didn't make the cut), and becoming a better person for a change, caped off by telling the ruler of hell's vice principal to go fuck himself, has rewarded him with fame, adoration and the knowledge his daughter loves him.

But it leaves thing in an intresting place and while I expected to wait between seasons for the fallout, i'm delighed Sinsmas instead bakes in it. With Andrealphus and Stella keeping Octavia from calling her dad because it's how they get off, Stolas is left spinning out, not dealing with his transition to working class life well, not helped by being out of meds. It' sa nice bit of spiraling as while Stolas sacrifcing himself was brave, and the right thing... it was still an impulse decision that he didn't expect to have to live with. Stolas fully expected to die a brave hero saving the love of his life... and instead has to live with the consequences of doing the right thing and the hurt it brings to the only person in his old life he ever really loved.

The good news is Blitz.. is actually in a place for a healthy relationship, and we see the guy at his sweetest: he makes breakfast, realizes maybe eggs were a poor choice, robs clothing stores (which explains his slick wordroebe in the funneist way possible) and catches rats for his sorta boyfriend and tries to calm him down. It's this landing that makes the arc strong for me: After sinking to his lowest.. Blitz is actually trying to change for the better. He's still his weird ass profane as hell self, but he's no longer the sexually harassing bitter hate filled man who assumed the worst of everyone. He's not going to be a ray of sunshine, but it's heartwarming ot see after two seasons of Blitz digging himself deeper, he's TRYING to change. As we've seen with shows like bojack horseman, change is an uphill battle and he'll no doubt have issues.. but it's ncie to see Blitz as something resembling his best self.

And that extends to the titular holiday: while Blitz is working on sinsmas it's not to force his employees to work, but to let them enjoy themselves as sinsmas is about enduging your sin and he already nearly burned down his apartment once while the office is insured. So M and M have some sexy violence (My faviorite bit being her showing up behond a white bord to sock him and his happy awee when she kisses him after) and Loona to gorge herself on snacks, while Stolas gets a job (his oh fuck i'm poor is delightful)

Sadly the team gets a bitch of a client who wants to murder he gay ex for "probably" cheating on her and leave her kids orphans. Blitz only agrees because she sucks but the remidner of his failings leads to Stolas going to see his daughter..... just as Octavia gets a very sad song steeling herself up to be alone, her mom and uncle ignoring her and finding her dad.. was addicted to depression meds just to function and as is her way, blaming herself for her dad's issues and going to give him his pills.

While this sitcom misunderstanding happens, we get another nice show of blitz's character development. once again the target is a happy family.. but this time... Blitz can't do it and dosen't berate Moxxie for it. All he sees is what he COULD have: him, stolas and their daughters all happy, an image that just thinking about it makes me tear up and despite Loona offering and Millie badly wanting to and strangely being unersonable, he can't. He cancels the contract, yeets a karen out a window and then runs into his new step daughter and realizes "oh fuck my boyfriends confronting his ex in law who can kill him"

Granted before Andrealphus can actually try to kill him we get a cathartic as hell face beating. While Andy heals becaues Goetia can do that, it's so damn nice to see Stolas not listen to his ranting and just beat his ass. It's even nicer when even when stolas is kidnapped, the reste of Imp makes a meal of beating his ass down, an eppic winter showdown with Loona suddenly pulling direwolf forms out of her ass, blitzo being a knight complete with lance and Millie ramboing up. I'ts one of the series best fights in a show that's fucking great at them and cumilates in octavia saving her dad, and guests and blackmailing her uncle into not finishing as he was beaten by commoners and all and Stella is not good at keeping secrets unless she's too dumb to realize why their secret.

Yet the parting of father and daughter.. is bitter and painful. Octavia breaks from her dad, convinced the pills were her and having been lied too so much. Yeah the pills thing is a reach.. but her not beliving in her dad.. makles sense. Stolas loves his daughter.. but LOVE isn't the same as being a good parent. He's neglected her due to his marraige falling apart and then the divorce, openly obessed over the man who as far as octavia knows broke up a working marriage instead of a deeply horrible one neither had a choice in. It's the cumilation of Stolas faults biting him in the ass: his inablility to see what others feel, to take the time to take care of them, and putting his fantasy version of reality over what's in front of him , the same things tha tcost him Blitz fo ra time... cost him his daughter. His quiet "she hates me" after is devistating as is the nice montage of everyone getting ready to party as blitzo (who nicely ate coals to warm up), cuddles him. he's jut there, alone utterly devistated.

But in some heartwarming bits.. he's not. Moxxie warmly offers him cookies and I swear once Stolas recovers a bit they'll be best pals. Blitz is gonna hate it :B! At while Loona seemds.. happy having kept the friends from Queen Bee and eager to have everyone join in games.

Millie is less than as we get a pregnancy cliffhanger but it's easy to see why she's overwhelmed: she won't be able to do what she loves, having a kid is expensive and her husband was stripping off his clothes while screaming BANKRUPTCY two episodes ago. Her friend group is not exactly "chill" at the best of times. These panic attacks will be glorious.

But Blitz recognizes Stolas needs him and offers his unconfditonal support ina beautfiul scnee; He hasn't given up reconcling with his siter.. and Stolas dosen't have to give up reconcling with his daughter. she just needs time.. and for now.. they ahve each other and we get a beautful dance as these two pass by being a transactional fucking, a disaster, bitter exes and awkawrd friends... and finally become the couple the series has been buliding too. Will this happiness last? probably not.... but being there for someone is being there for the bat shit too.. and the ending shot, Blitzo hugging stolas while stolas stands there and soaks it in, is proof they can make it. and that season 3's gonna be something special.

7. Hell to Pay (Legend of Vox Machinas S3, Episode 4)

"I’m not even sure you knew you were lying"

Like Helluva Boss, legend of Vox Machina is one of my faviorite shows right now. Not concidentally both are a fixture on this list. I crunched the numbers recently seeing how many spots overall shows got and with this list Vox Machina and Helluva Boss are tied for second with 7 a piece, passing amphibia's 6 and behind Owl House's whopping 10.

Vox Machina's also our reining champ having topped last year's list with Rise of the Chroma Conclave, and it was certainly welcome to try again. And Season 3 brought it: It had some issues, the back half is a big jangly with one big exception we'll get to, but it's still a hilaroius, heartbreaking badass tail of a bunch of misifts thrust into saving the world.

This year took even more liberties with the campaign and one of the biggest success stories from that was Zerxus. Zerxus didn't exist yet when the campaign legend of vox machina was based off of happened, coming instead years later for the spinoff prequel Exandria Unlimited: The Calamity.

For those who haven't gobbled up every bit of critical roll lore they could because their a thirsty bitch like me, The Clamaity is the big event in backstory that shaped this world and barred the gods from it after a war between the nicer ones nad the eviler ones wrecked the world. The Clamity shows HOW that happened as a bunch of misguided high class types who ended up being the players did an oopsie and the apolcalypse happened. I don't know much more as I want to experince this one and hope it gets a movie or mini series some day as Zerxus left a hell of an impression.

Zerxus was a high minded man who loved his family and made the mistake of trying to make a demon god better. We hadn't got to see him in the present day so Legend of Vox Machina ups his roll to let us see it, bringing back his player Luis Carazo. Carazo is one of the two main reasons this ep made the list, as Zerxus is one of the series best vilians thus far and it's hinted he'll be back for the final arc.

Zerxus in the show is the ideal of a demon: cordial, clever, powerful.. and scheming as hell, zeroing in on pike. He has the plate of the dawnmaryr, one of the last vestiges our heroes need and the only one that can properly counter Thordak as he won it in a card game. No really he won it from an immortal dragon who neglected to mention that part when she told our heroes about it. So half the party is in hell. Hell here is a truly horrifying desolate place: people beg for death, the demon designs ar ehorrifyign (even our heroes disguises) and while ther'es some humor there's an overwhelming sense of dread and hoplessness. Our heroes only find Zerxus.. because he figures their looking for him as if you say the devils name enough times he's liable to here it.

It's a bad place to be... and especaily for the focus of this episode, Pike. Pike is the team's cleric and her goddess the everlight warns her against going.. but the team NEEDS this so we see the poor gnome slowly degrade. Her god has abndoned her and her attempt to help someone only gets everyone nearly killed. She's in a place beyond hope, beyond her god, and beyond her usual cheerful give no fuck attidue.

And that's where the episode gets intresting as Zerxus senses that and having understandable issues with his own god, is determined to pull a heretic on her. And unlike Hugh Grant rather than just mansplane and mimic jar jar binks he hammers in on her doubts, on her need to SEEM like she belivies, on every insecurity.. and challenges her to a card game for her soul. Because Yugioh doesn't have a patent on that, she agrees.. and looses as it's also a game of questions and if you lie, even if it's also to yourself, yoru cards burn.

So Pike has to gamble everyone's soul. Thankfully her mothers gone but her friends aren't so lucky, and also aren't able to consent as their stuck in a glass box. At least they have plush chairs up in this bitch. It's a fascinating character study and helps deepen pike: while she had an arc in season 1, mostly to give Ashly Johnson something to do as she was absent for most of that arc in the web show and couldn't be added back in without breaking the arc in half, here they take advantage of her being in the show more by really diving into her and the question of gods: the everlight is her god.. but how much of her belief his her and how much is her god? When is faith leaning too heavily on someone especially someone who isn't some unknowable being but you know.

Zerxus makes a mistake in his attempts to lecture: he gives his backstory: he and his friends did a stupid, wee were over this.. but the part I glossed over and that undoes him is his family: he did this so his husband and son would be safe.. and naturally making a deal with the devil his god removed their memories. So Pike asks a question: do you wish they were here suffering with you. And while he denies it as pike put it in the quote... he was lying to himself. Pike wins and our heroes get the plate. Granted they have to outrun Zerxus pit fiend because he only needs pike for his evil plan..

This episode at it's core is a spectacular game of chance, will and breaking your opnent and I loved every second of it. It's a series high point for Ashley Johnson and I can't wait to see where this goes next season.

6. ...And Be A Villain (Batman: Caped Crusader S1 Episode 2)

"I don't believe your performance. Your chewing on scenery to enhance weak characterization. It's insincere Basil, it's not real"

So Batman Caped Crusader fucks.

Caped Crusader is a glorious noir return to tv animation for batman after a long nap after they screwed over beware the batman and brave and the bold. While Paul Dini is back, he alongside fellow batman legend and catwoman's real dad Ed Brubaker, do something different, a slightly darker world set in a more socially open 1940's where he can have the government be corrupt from the top down without networks whining "the government can't be corrupt! Children need to have faith in the government!"

So we get a gotham where a few honest people are the only one's fighting against a corrupt system, and while batman can put away the varoius freaks of the weak, it's going to be harder cutting out the cancer at the center alone.

Yet while this is a darker take it refeshingly dosen't stick to just a grim grounded tone as much of batman does in adaptations. While I love Matt Reeves the Batman, it's nice to have variety and while Caped Crusader is a bleak work at times, it remembers to have fun and that while batman's dark.. he can also be camp. The first episode has penguin as a female (and awesome) crime boss who will kill her own children if necessary, she also has a giant umbrella shaped canon on top of her umbrella shaped dockside yacht as her main weapon. The third episode has a catwoman who rather than the complex thief I prefer, is a spoiled socialite who steals batman's bit to fund her lifestyle and army of cats. We get outright supernatural villians with the racist and classist gentleman ghosts and the tragically selfish vampire child nocturna. There's an overaching story.. but the show also gleefully embraces being episodic ala BTAS: while every episode contributes something to the larger arc, each one stands alone beautifully allowing for the sharp character focus of BTAS while still bringing something diffrent to the table.

That brings us to this episode, my faviorite to watch out of the season. We'll get to my overall faviorite but while that episode is a hard but awesome watch due to it's ending, this one is just good damn fun with a clever mystery and nice character building.

In this case the focus is on Renee Montoya, who eats good this series, probably helped that the man who redefined her in Gotham Central and 52, Ed Brubaker, was head writer for season one and wrote this episode. Also as my fellow reviewer Serum Lake has said if you like this show, read Gotham Central. It's a police procedural from the view of the GCPD's honest cops and it's damn good. Batman isn't an active character but more a presence and it's a brilliant series.

Here Renee is one of the only honest cops as usual for this franchise, having been recently promoted by Gordon and is resented by other cops because well.. she's a woman, and they see her as having gotten the position on that and not the fact she actually does her fucking job and dosen't take bribes. Which should be the bare minimum for a cop but wether your in gotham or real life, apparently isn't.

While Batman's around this episode, he nicely sinks into the background: Renee's the one doing the leg work and like most white men Bruce is content to leech off the work of a succesful person of color. I'm not even Kidding.. mostly. He's not asking for help because this batman is at a stage where he refuses help and calls his dad "Pennyworth" he's not exactly okay and the series isn't treating this like "okay", just a pramatic step so batman dosen't have to do the same work someone just as good at detectiving is twice, nor doe she want her credit. He just wants the same thing she does: the case solved.

The case revolves around the murder of a starlet, and soon wraps into one Basil Karlo, a vetrain actor who plays "the heavy", the bad guy, and badly wanted to be dramatic but with his face couldn't get the part. So as you can probably guess, he decides to kill for it, a nice nod to his first apperance. This clayface isn't a nigh unstoppable monster, but a thorughly human one: a man who desperate for his co stars love and the public's praise, took a shady chemical from a back alley doctor and become a malformed lump of a man.. but one who could remold his face.. Yet he still got rejected.. not because of his face.. but because Yvonne, his costar, simply was never intrested.

So rather than accept this, Basil decides to instead accept he is the villian and we get a thriling story buildling up to that reveal as he imitates several people: he can't turn his body into a weapon like modern clayface, but he can make his face whatever. Basil is a fantastic villian, and not just because he and batman fucking swordfight, which is as dope as it sounds. He's a man who felt rejected by society.. but in reality simply was an entitled bastard who while tragic to an extent ,focused on the wrong things. While it's in a very 40's context it's hard not to parallel basil with the various incels littered aroudn the internet: an angry man who blames his self loathing and issues on everyone else. Basil is a fun ham but as Yvonne puts out his actual satisfactoin with being the bad guy.. is artifice. He's a bitter person who can't accept life sucked for him but he still had a pretty good one.

It's fitting the person solving his case is a woman and hte person beating his face in is someone whose also not handling his trauma well.. but ultimately wants to help people. Batman may be rougher, colder here.. but he's doing this to save people and Renee can see that. Despite the odds against her she solves the case, and gets the credit.. kinda. I mean corrupt assholes Bullock and Flass tease her about batman but given he kicks their ass next episode what goes around comes around. More on them later. For now Renee has a new ally and basil can be the bell of the prison's production of pirates of pinsance.

This episode has wonderful atmosphere, a real theatrical quality> While I haven't watched a ton of 1940s films, this really has that feel just a good noir with a nice new take on an old favorite that harkens back to his earliest appearances. Basil might not show up again, at least not next season but man.. what a performance.

5. Gwimbly: Definitive Remastered Enhanced Extended Edition DX 4K (Anniversary Director's Cut) (Smiling Friends S2 Episode 1)

"I Swear to god if I had my Gwimbly gun on me right now man i'd.."

After a year off Smiling Friends came back and better than ever. Well mostly, still not pleased about having Doug Walker cameo after his tommy wiseau level bullshit as a director and general ambivalence to the mistreatment of the rest of Channel Awesome, but that's a rant for another day.

Still i'm not going to hold it against Gwimbly: Not typing out all those subtitles had to copy paste it in the first place. It was the showcase that smiling friends was not only back but had improved: with a bigger budget Hadel and Cusak took things to new heights and came out of the gate with an ambitious bonkers idea: what if our heroes helped a homeless ps1/n64 either collectathon mascot abandoned by time and his company get his groove back. Well Pim's trying Alan just wants to spray him with dirty brown water.

Gwimbly arrives in all his polygonal and prolapsed anus glory, with Pim determined to help his friend and Alan only doing it to get a homeless man off his lawn. Alan is.. a bit of a prick this season and it's hilarious. The creators clearly realized fans loved the guy and his potetial and rather than do what I assumed, fuck with that expectation, they instead make Alan a part of more plots and his dry, not giving a fuck nature makes for comedy gold, paticuarlly his spotlight which missed the list but can HANG out with me, and smoke weed, and fill our bellies with DIET soda and play Burnout Revenge for the PS Two.

Here he makes a nice partner for Pim.. and proves while Charlie may be awful at his job and barely giving a fuck.. he at least.. tries. In just one day in the field Alan dropkicks an innocent woman who "startled" him and constantly asks if he can just drop Gwimbly wherever including a graveyard.

Gwimbly is also great satire of the modern game landscape: The CEO of the company that made Gwimbly is a grotesque asshole whose best known for a meme i've had endless use for and is easily the season's best line

And sends his latest creation to go murder our heroes for crowdfunding a gwimbly game after his company pivoted to fps.

We get some truly fantastic gags. Gwimbly threatning to use his Gwimbly gun, his former antagonists weird wife and his sidekick mr milipede getting a smash cut to his grave, having died of Fentnyl. The climax where the ceo gets killed by his own creation and said creation and gwimbly decide to do a mascot fighter is heartwarming. Also Charlie has a subplot with an angry asshole. It's okay, and mostly notable for the guy ripping Charlie's nose o off..a nd thent he cut back later to Charlie calcmly trying to call 911 to get an ambulence while the douchey client who won't leave tries to bully him. It's the funneist episode of the year , one of the most insane and a good sign for the series future.

4. Mutant Liberation Begins (X-Men 97 S1 Episode 2)

 "Charles Xavier entrusted me with his dream, and it does not ask you to love or embrace my kind as your own, but merely to accept that this is a shared world with a common future, and that my kind, like yours, have the right to live in it. I am trying to be better. Please...do not make me let you down..."

I fucking love Magneto. and even with the stupid ass grooming subplot, X-Men 97 does a damn good magneto. It portrays him as the complex asshole he is: a man who genuinely wants to help his people, who will say never again, and who will kick ass, but WANTS to be better than his violenty groomy past. Someone whose taken things to an extreme.. but you can see after all he's been through WHY he got there.

MLB is a great second episode. While To Me My X-Men was a great intro, showing off Cyclops and Storm properly and setting everything up, MLB is where the series starts to really cook, bringing in the complex themes. While x-men media hasn't been afraid to talk about race or opression using the mutnat metaphor, 97 gets into how endless it feels.. how it just KEEPS coming and how hard Xavier's dream of coexistance is. It feels extra relevant after Disney's sacking of the shows creator for being this blunt and the horrifying results of the election, that this isn't new. History repeats or as behind the bastards host and guy I deeply respect Robert Evans put sit "It's cool how people don't learn anything ever"

And while other episodes rip right into it better, I like MLB for doing that and being an outstanding magneto character piece. He's trying to honor his absent friend.. but he's still an arrogant dick. Being an x-man dosen't take erik's arrogance away. He' still smug as hell as he asks why the x-men never bothered to send the morlocks to saftey in genosha now it's a free country and not a hell hole, his mutant power still kills fascists.. he's just tampering it down to maiming them. He's doing a noble thing.. but in the most dickish most magneto way possible and its easy to see why the x-men aren't easy with thier new leader.

The Rogue's stuff's better here as she encourages him to pull his head out of his ass and we hadn't got to "They say i'm robbing the cradle but she's robbing the grave" yet.

Magneto gets a grand stage to lay out his ideas when the UN comes to arrest him. Because they can do that apparently. He stops all their helicopters and makes it clear it was a stupid move to not magneto proof thier helicopters. Seriously you.. you guys are HQ'd in new york same as the x-men and live in a universe with the x-men, the avengers, the fantastic four and spider-man all in it. You didn't think to have quinjets or hulkbuster tanks to take on the most dangerous man alive?

It's only for the grace of proving he's changed their not all reduced to a pile of blood and metal and Magneto agrees to the trial.. but defends what he's done: he did what he had to, he's seen the holocaust, and he has one simple code: never again. He calls them out for their hypocricy, for the show trial nature of things.

Then the racists hit. Beau really just said "let's have a january 6th allegory" and i'm here for it with the friend sof humanity storming the UN. When a racist on the panel wonders whyt heir trying to killh im Magneto says it simply "your giving the monster a trial"

The x-men defend and we get a great scene with the FOH's leader the x-cutioner, a bigot who loudly complains about how mutants won't just shut up and how HE has problems but he isn't whining.. to Scott Summers. The may whose dad got shot up into space, grew up an orphan, can't look anyone in the eye, had his wife die twice, and had a weird man fuck with his life and will have him do it again. What i'm saying with this is fuck your first world problem and it's telling real bigots latched onto the scene missing the point.

We also get a neat subplot as Maddy goes into labor. I love her shenanigans with logan: making his car a convertible and the intimal confrontation with him thinking "he's here" means apolcaypse or something and having to be told "the baby you idiot". I also love Rogue (who brought Cyke to the hopsital mid insurrection) sapping a racist doctor's knowledge to deliver the baby. Brilliant stuff.

But the true heart is what happens. While the x-men valiantly do their best, the x-cutioner has a nasty suprise: a neutralizer gun. He aims it at erik.. and Storm takes it. And Erik.. does not take it well, watching a strong, powerful mutant who had done nothing but try to help people crawl weekly in shock he says: ENOUGH and gives the speech above, lifting the un council and the x-cutioner into the sky and making clear he could kill them all if he wanted.. but he won't. They don't have to like mutantkind.. but they should be allowed to exist. He's trying to be better. please don't let him down. Sadly.. they do. But as swerve said, story for another time.

3. Souls in Darkness (Legend of Vox Machina S3 Episode 12)

 "Percy... this isn’t how I wanted to do this. And gods know all this attention would appall you but... That day with you in Syngorn when you stood next to me and allowed me to be a part of something that you hold dearest. I... I was so proud. You stood up for me and I... I lied to you. I lied to myself. I hate that I was too afraid to admit it. You’re fascinating, and... obstinate, and... and the cleverest man I know. You have to find your way back to us Percy. Because the truth is... I love you, darling. My heart... It's yours."

As I alluded too in the "hell to pay" entry, the last act of season 3 was bumpy. They tried to thread a lot of stuff together, and while ther'es awesome highs like the battle with thordak, the period between that and the finale was rocky, splitting everyone up for time and not working like it had before.

What did was the ending, which also ended a cleverly addded subplot: in both the original game and the show Percy, my baby boy, dies. He forgave his arch enemy Ana Ripley, let go of vengance.. and got a bullet for it. While his ressurection was frought in the game, with Ashley Johnson coming in special just to make sure pike could help him feeling guilty for the team not having a healer when percy died, here.. it sticks. The team dosen't have anyone who can do it and Percy is dead. Granted most of us felt this woudln't stick.. but I applaud the decision to let it ride: to let that pain fester: Vex feels guilt for not admitting how she felt, pushing him away due to her daddy issues, and Scanlan regrets not being there to help.

The good news is the series had a loop hole. Our heroes get Anna Ripley's gun from her corpse and Vax slowly hears something inside. Percy is alive.. but in a horrifying twist (one hinted at in the show but shown in full here) Orthax, the shadowy ghoul that he accidnetly made a deal with and who slowly possed him over season 1, has him.

Our heroes have to wrap up other buienss first and the first act finishes where the last episode: Raishan has played our heroes, their alliance being so she could get thordak's corpse, escape her curse and become a necrodragon.. and wanting vengance against the ashari, she traps Keyleth with her. Thankfully kiki's grown as a person and awesomely dispatches one of the series best villians (a truly awesome performance by cree summers) by turning into an earth titan then using Raishan's own corpse to pump her new body full of curse and blow her up real good.

This part is excellent, finally giving Keyleth some shine (as did the previous two eps) and letting her get revenge on her tormentor who played her friends the best way possible. She and Vax alsof inally confirm it's offical. Thank god.

But it's not over as during the fight Vax used the pepperbox.. and heard percy inside. Percy is alive, he's trapped... and his brother in law's gonna go save him. As usual for the show ressurection is not easy. It dosen't seem easy in dnd, but in fiction you can't just have casual resurrection without death meaning nothing. And unless you question that like x-men did in the krakoan age, the good and bad of it it can be tedious. So instead Ressurection is really hard.. especially since the person they had do one last time is now dead. RIP Cash, Will please do more voice acting.

So we get a tense sequence as PIke restores the body and the party has to keep it alive while Vax dives into hell despite his matron warning him he will be punished if he spits in the face of death. But Percy is family.. and Vax won't abandon him.

Orthax's realm is helish: all of percy's previous targets are horrifying corpse and percy himself is stuck ona n eternal forge bereft of memories while Vax risks being stuck there too... until.. Vex reaches out... confessing to percy as quoted above in Laura Bailey's most beautiful bit of acting series wide. It's love that saves Percy from his own guilt and his worst enemy, and it's the love of a brother that gets him out of there as Vax pulls his brother out.

The ending is also joyous.. likely because they didn't know if they'd get ot do season 4, so rather than scanlan bitterly parting ways, he plans to leave with his daughter and everyone else decides to take a break from being a party: Vex and Percy are going back to whitestone, Vax is going to help his girlfriend finish the Armente they need to actually define in show, and Pike and Grog are gonna.. go save people they guess. We get a truly beautfiul song to close this out, Circle the World, which shows off Scanaln's evelopment and is a nice parting song... and an omnius cliffhanger shows we're not done.

Souls in darkness is an episode that serves as the perfect caper to everything that's come. Like the end of season 1 the final conflict isn't the big bad.. but saving one of their own. Vox Machina is ultimately about a family of choiec, a group who loves each other even if they'll verbally tear each other apart and this a beautiful showcase of that and of my favorite characters. I'll truly miss them when the series wraps.

2. Night of the Hunters (Batman Caped Crusader S1 Episode 4)

"He'll Talk"

Night of the Hunters is a perfect episode, one that had a damn good shot at being the year's best episode. Night of the Hunters takes everything that makes Caped Crusader great, condenses it into half an hour and the results are fantastic.

Previously on Batman Caped Crusader

Also Catwoman was there and made the mistake of humiliating detectives Bullock and Flask. In this show Bullock isn't the gruff man who should probably still be fired but at least believes in justice guy we know and love from the comics and BTAS, but a corrupt monster, working closely with his partner detective Flass , a big piece of shit in any medium. The two gladly bring up the idea of roughing up suspects as their go to, inform for Thorne and Penguin and genuinely just suck. So when Selina Kyle got off on a technicality and made the two look stupid, not to mention scratching Bullocks face, the two decided to murder her. Batman had to stop it and kicked some cop ass, hooray, but did so on film to make sure Catwoman actually went to jail this time.

This being the alternate 40's, cops are viewed with actual respect and not as an orginzation that BADLY needs reform filled with people who think their gods I tell you gods who will arrest striking workers because they were created for the upper class. Thankfully Caped Crusader is aware of this irony and is one of the best depections of police i've seen: a few people, not suprisingly of color are trying, but the bulk of the system is corrupt, horrible and more than willing to resort to force.

Still the good side is the one that gets to try and catch the batman. Renee Montoya, who we talked about earlier, gets the task force head as her solution isn't throw wave after wave of her own men after them but clever tactics. She sets up fake crimes, and only fails because the Batman is one step ahead. It also turns out he's been reading thier strategies, as we find out in the most hilaroius scene in the show: Gordon is working late, goes into the task force room and finds batman and the two just.. sit there for a beat and drink in the absurdity, fully absorb this then the chase begins.

Montoya brings in an expert, Harleen Quinzel, her future girlfriend and the current Harley Quinn but the latters for an episode we're not talking about today. She explains Batman's biggest draw is someone who matches his freak: Super crime. The kinds that aren't easy for gpd. Masked bandits and such. Given he fights a ghost a few episodes after this and punched a clay man in the face a bunch in a previous entry on this list, she's not wrong.

Montoya has the obvious solution: fake a super criminal, a clever plan that doesn't get executed because Bullock and Flass go for the easiest , stupidest, bloodiest , fastest method: they essentially kidnap Firebug, an arsonist in a grey suit to burn down the east end.

Firebug is an also ran in the comics, here more resembling firefly, but with a disturbing and wonderfully horrific twist: He's a meek unassuming man... who assumes everyone would be happier in the flame. In the second best sequence of the episode, he imagines everyone as happy animated flames, the joy they'll have consumed by the fire. It's the best version of either character i've seen and it's fucking horrific.

Helping this is his voice actor, the legendary Tom Kenny. While Tom has gotten a lot of flexibility in his long career, this is one of his best rolls, which says something. The meekness, the tired way he is.. then the expressiveness when Firebug gets to do his "sacred duty" it's truly haunting.

The climax is horrific and perfect: Flass and Bullock hyjack a bunch of swat members with one goal: kill batman. They don't care that Firebug is killing a bunch of innocent people, their an acceptable casualty. Gordon and the Bat disagrees with Jim going in HIMSELF to save the people whose beat he once walked, the poor and desperate.. and works with Bruce working in concert with him.

Sadly this leaves Firebug vunerable. He's out of fire.. but Flass can't let him squel and tells bullock to kill him. And in the series best shot, he does.. killing him and standing stone faced in the window, any hope of redemption gone. Gordon tries to fire him.. but all the public sees is a hero cop.. and Gordon is left broken wondering what the hell his purpose is. Night of the Hunters is a dark, brutal episode of television and one of my faviorites.

Masquerade (Hazbin Hotel S1, episode 4)

"It's time to loose your self loathin, excuse yourself let hope in. Play your card be who you are, a loser , just like.." "Are they fuckin singin?!"

This glorious #1 was a surprise to me. While I expected Masquerade, and Hazbin Hotel in general to place, I didn't expect it to win. I'd pegged other episodes for that spot.. but when thinking things out, comparing episode... this was the winner. As good as night of the hunters is, as close as this race was... Hazbin always came out on top and after three previous years the Hellaverse as a whole has finally gotten it's flowers.

Hazbin Hotel is excellent. Season 1 may wove way faster than it should've for space reasons, but damn if it wasn't a good time. The songs were all beautiful, the cast was perfection, and the visuals gorgeous, while the characters were as loveable, complicated and in in most of our villians cases intentionally punchable in the best way as Helluva's cast. It's a messy good time and I ca'nt wait to see where it goes this year.

Masquerade is the standout and it' shelped by narrowing focus. While it ends up being important to the series as a whole, Masquerade has nothing to do with the overarching plot of Original Fuckboy Adam's imminent genocide, being an intimate character piece dealing with everyone's faviorite power bottom at rock bottom Angel Dust.

Masquerade is a rough watch: most of the time we see Angel, it's him confidently deflecting, making sex jokes and doing sexual harassment to Husk. Yet episode 2 gave us peaks behind the mask: he's geninely hurt when Charlie seemingly writes him off (If not unfairly) and we see just how horrible his pimp/slavemaster/general piece of shit valentino is to him, emotoinally gaslighting him and planning to murder everyone in the hotel over Angel daring to.. live somewhere else.

Valentino is one of the vilest characters in animation, and I don't exagerate there. The show does need to better ballance his comedic moments with his monstrosity, but in my eyes at least the monstrosity is done chillingly realistically: he's a gaslighting monster who has hold over someone he treats as a sex slave, assaults regularly and abuses his power over. When Charlie makes the innocent mistake of trying to help angel get his work hours down to be at the hotel more, it goes horribly, gettiing angel punished for it.

And it's a tragedy that's welld one: You get why Charlie blunders ont o a porn set. Angel hasn't told her HOW bad shit is, why he's doing this, and is doing his shit of dissocating to avoid having to deal with the nightmare he's trapped in. He likely dose'nt WANT to talk to Charlie about it and bring his truama and pain into the one safe place he has.

Yet by not doing so.. Charlie just assumes he's doing this to be angel and not because he has to, and dosen't grasp the depths of her friends abuse. She does get to oggle a hellhound though. So that's nice. But Charlie blundering leads to angel getting hit and while Charlie prepares to leave Valentio a stain on the floor Angel' desperately tells her to go. He's so scared of this monster that even a quick way out won't save him while Charlie is left broken not understanding WHAT she di dwrong. Which.. was nothing intentional. She fucked up, sure, but she's a sheltered 20 something who while meaning well, has no real concept of how fucked up hell truly is to it's core. It's her first taste that the world is more complciated and fucked up than she can imagine and she can't just.. save angel. I Mean killing val might've done that but we dont' know how soul contracts work and I suspect neither does charlie. You don't blame either perosn: Angel's deeply traumtized, self loathing and is likely afraid val will hurt his best friend, or worse, take her awya form him, and Charlie is a naive idiot. She's not without fire to her, adam learned that the hard way, but a common theme is Charlie's lack of actual experince hampers her goals.

So we get Poison, one of the shows best sequences and a great song.. ut a sequence I'll likely NEVER watch again as Angel is assaulted, and talks about the hell he's in, blames himself for it, and his nightmare of a life is sexualized for the cameras.. while the actual abuse of valentio is shadowy and horrific. Valentino delights in parading angel around as his property and using him how he sees fits and i'ts utterly breaking to watch.

Also hard to watch is Angel's attempt to cope: he wants to get drunk, then hits on Husk who resonably, finally has enough. His main reason is simple: he knows i'ts a defense mechanism. He knows the angel he sees at the hotel and the harassment is annoying less because it's.. harassment (something to unpack next season maybe as... i'ts an uneasy message at best) nad more because he can tell angle's faking it to get by and it pisses him off. Like Charlie Husk makes a mistake.. but you can't blame him. He shoudln't have to get constantly hit on by someone to make that person feel better and it's likely only gone on this long because Charlie is so naive she likely dosen't get this is bad as it's not the grosser sexual harassment she's dealt with and husk seems fine.

So angel storms out and with Charlie broken (adorably so but still aww) Vaggie orders Husk to go fix this. Her blaming him isn't okay but I get her logic: while blaming husk is stupid, sending him is really the only option as he's the only person who can resonably save angel from himself right now. Charlie's breaking down, Vaggie's having to make sure Charlie dosen't break down further, Husk is the only one. And it's telling that while ti's an order, given how he usually shrugs those off.. he doe sit.

And it saves Angel from more assault as Angel gets hammered and fully intends to let a bunch of shark men assault him repeadtely which is horrific.. and when Husk saves him he snaps, asking why. In a truly heartbreaking moment that's Blake Roman's best acting so far he reveals he does it to escape, that if he's broken Val may not want him anymore. And in this moment of vunerablity.. Husk actually responds and comforts him.

And the character suddenly gets a thousand lairs as we learn his backstory: He was once an overlord, but his gambling addiction meant he ended up enslaved to Alastor. And as worn out shell.. he recognizes himself in Angel. It's likely why he was so hard on him.. he could see himself and simply wanted Angel to actaully be himself.. and now he sees why he wasn't, he helps.

And he helps with the season's second best song. I mean.. Still Gone is fucking fantastic and had the rest of the episode not just been okay, episode 2 would be here too. But Looser Baby is the series breakout, an endlessly applicable song with a great message: that it's okay to be a mess, that you can be better.

Granted i'm biased: My love of Keith David is something I don't hide and not only does this episode let him shine he gets to sing. In fact David took the roll entirely becaue he wanted to sing more, and why it's taken this long is beyond me. The man did one of the most iconic disney villian songs period, let him sing.

Viv does.. and the results are glorious. Partly because we get to see Keith david sing thigns like "your a fucked up little whiny bitch" and "your a power bottom at rock bottom". He starts tearing into angel.. but the point is not "you fucking suck and will continue to suck" it's "just because your in a bad place, dosen't mean you have to be alone in it". As david dreamiily croons

"There was a time I thought that no one could relate, to the grusome ways in which i'm damaged. But letting walls down it can sometime set you straight, we're all livin in the same shit sandwitch"

It's a lesson I needed to learn: your not broken, you can heal, and your not alone if you can find someone like you whose also in pain. Its a joyous ode to how things may suck.. but you can still love yourself despite the flaws you need to work on. It's help by buttery smooth animation as we see Husk, whose been mostly drunk and sullen in a corner, move an dgroove the whole time, in beautiful ways, using his umbrella and get some great neon colors cumilating in that beautful shot above. And some shark death. Always shake your tails before the big musical number.

The ending is also shockingly sweet. Charlie tries to blubbering apologize.. and Angel has grown, having realized he can be loved and dosne't have to shove people away to survive or break himself.

"Charlie it's fine I get it, thanks for carrin about me"

Her blubbering after and her girlfriend putting her to bed is fucking adorable, but this episode itself is fucking amazing. A truly heartrending story... that somehow has a happy ending and a turning point in who angel is and him and husk's relationship that's realistic, and well earned. And viv well earned our number one spot. Congradulations Spindlehorse, keep it up and i'll see you next year

For all you fine folks, thanks for reading, follow me here on bluesky for more nonsense and remember: I'm pullin for ya we're allin this together.

[minnaci]

okay. whipped out my laptop again for apology tour. same disclaimers apply: i'm not a hellaverse blog (or, if i am, i'm very much in denial about it), i enjoy the show and the characters, and my opinions are informed by my personal lived experiences. apology tour spoilers ahead.

i've done a lot of scrolling through comments and posts since watching apology tour and, while many good points were made, i'm not sure that any of them sufficiently sum up how conflicted i feel about this episode. i'll try to hopefully stumble my way into a coherent analysis.

full warning, it will be blitz-centric, but there is enough nuance in my heart to be sympathetic to stolas, too. both of them fucked up! i just happen to identify more strongly with blitz.

tldr: the showrunners said it best. stolas is not quite as self-aware as he should be, and blitz... is blitz. cw for spoilers and discussions of american racism (particularly antiblackness) and classism.

this crux of the issue in apology tour continues to be miscommunication, which is heavily influenced by 1. both blitz's and stolas's pasts and 2. the sociopolitical context in which they operate.

1 . STOLAS

stolas was a victim of emotional neglect in his childhood, and then a victim of his emotionally abusive wife in his adulthood. he, as he so aptly implies in apology tour, has never truly felt wanted beyond what he could provide to his family. one of the only times we have ever seen stolas happy was at the circus as a child, where he developed a fleeting, parasocial admiration for blitz.

in this way, stolas is painfully, achingly relatable. while he grew up in a disgusting amount of material wealth, he has been deprived of the one thing you cannot buy with money: unconditional love. he yearns for the type of romance he reads about, the type of passionate desire that he watches in his telenovelas, and when blitz comes along— the one, shining memory in stolas's otherwise dull childhood— stolas falls into the fantasy.

and that's exactly what it is. in the beginning, stolas doesn't really want blitz. he wants what blitz represents— a charming, seductive figure to ravish him, to hold him close, to show him that he is desirable and make him feel wanted. it's a fantasy at the price of the key to stolas's job— a fantasy that is, from an outsider's perspective, easily explained by racial fetishization. more on this later.

to stolas, it's a small price to pay. the grimoire, a token piece of power to the goetias, in exchange for the one thing that stolas has always wanted? sign stolas up! stolas has never had to worry about his livelihood, nor his safety— not in any way that matters. not in any way that blitz would have had to.

stolas is ignorant. he is naive and unaware of how the world works. this remains true when he falls for blitz, when he plans to "set them free" (a la "when i see him"), even after he confesses and his fairy-tale fantasies come crashing down around him. he is not in a place where he can comprehend the effects of class on his relationships because it is not something he has ever had to consider before.

all that said, none of that invalidates the way that stolas feels when blitz explodes at him in full moon. stolas setting his boundaries at the beginning of apology tour ("i feel uncomfortable when you talk to me that way") is valid. it's actually an example of communication gone right in this episode, in that stolas explicitly communicates how blitz's actions make him feel.

his resultant upset when blitz keeps pushing him and antagonizing him is similarly valid. his decision to go to verosika's party is valid. my main point here is: while i don't particularly enjoy stolas's actions in full moon or even in apology tour, i can empathize with wanting to be wanted by someone so badly that it basically ruins your life.

again, stolas is ignorant. he lacks self awareness. he is emotionally immature and lacks empathy. but the message here isn't "rich people can't feel heartbreak", at least for me. the message is "even though he is hurt, stolas needs to understand that his actions have consequences, and that blitz experiences relationships (and the world) in a fundamentally different way than stolas as a product of the differences in socioeconomic contexts in which they were raised."

2. BLITZ

oh, blitz. where to start? this is where i admit that there are a lot of similarities between the way blitz and i grew up, and a lot of similarities in the ways that we view relationships now (read: i may project a bit. apologies in advance).

from when he was young, blitz has learned that the only successful type of love is love that is transactional. he loved his mother, and she died in a fire he started. he loved fizz and barbie, and he ruined their lives. the only "successful" love he has experienced is love where he provides something (read: gets "used") and receives something in return. so, unless he can provide something of value to his partner, blitz prefers to keep it casual. in blitz's mind, people don't care about blitz, and people shouldn't care about blitz. loving blitz has always been a recipe for disaster, because in his perspective, if he can't provide something to his lover that offsets the destruction that he causes, then he's not worth it.

it's normal for blitz to feel used. it's normal for blitz to feel less-than, or unwanted, or unloved, and it hurts blitz less to believe that. sex is fun. he can "do sex", and he can do sex good, and maybe to him, that's all that he can do good. he certainly can't hold down a relationship. his employees only care about him because he provides a stable source of income. his daughter only cares about him because he gives her shelter. it's normal. blitz feeling hated is normal, and the normalcy brings him so much comfort that he purposefully pushes people away to maintain that awful, vicious cycle of a status quo. it's a self-fulfulling prophecy.

blitz's approach to stolas in the beginning of apology tour is his desperate bid to return to normal. stolas being so short and angry with him is almost comforting— blitz knows how anger feels. he knows how hate feels. stolas is just another person who finally, finally realized what blitz knew all along— love is something that isn't possible for blitz, because he always fucks it up (at least in his perspective). and if stolas lets blitz fuck him, lets blitz provide this service to him, then maybe, blitz can "earn his way to earth" (read: "earn" stolas's affection back). affection, to blitz, is something for him to work tirelessly and endlessly to receive— a sisyphean affair. he is not ever intended to actually receive it.

stolas doesn't recognize this. stolas doesn't even try. but in stolas's defense, blitz doesn't exactly make it easy. i may empathize with blitz, but i think i would also be a little less prone to empathy if the object of my affections mocked my feelings by brushing them off in favor of sex and then screaming "GAY" in my face when i refused.

the rest of blitz's apology tour is borne out of pettiness towards stolas, because in his eyes, stolas is the one who wronged him. stolas was the one who accepted the rules of engagement with blitz (i.e., a transactional relationship: the grimoire for a bit of fun, kinky sex). stolas is the one who has all the power. stolas is the one who can choose to ruin blitz. stolas is the one who ruined the good thing they had going.

except... blitz doesn't really believe that. deep down, subconsciously, blitz knows he loves stolas, and by being in love, he's done to stolas what he did to his mother, to fizz, to barbie: ruined his life. maybe, if blitz could seduce stolas and make their relationship transactional again, he could correct their course and save stolas the pain of believing that blitz is deserving of love. it's a trolley problem: pull the lever, and blitz is the only one who gets hurt. let the trolley continue, and stolas will inevitably get caught in the crossfire of loving blitz.

blitz can handle a little pain. he handled it when his mother died. he handled it when fizz hated him. he handled it when barbie left him. he handles it over and over again, being used as tool for sexual pleasure or physical violence. he earns his pain, just as he feels he must "earn" the grimoire. just as he feels he must "earn" the little tokens of stolas's affection.

as an aside: the grimoire is more than a symbol of blitz's livelihood. it's a physical representation of the stark difference in class between blitz and stolas, as well as a representation of the transactional nature of all of blitz's relationships, not just the one between him and stolas. it is one magical book among thousands that the goetias own— a veritable drop in the bucket of the immense power, wealth, and influence that the goetias, and by extension, stolas, wield. that same book which is inconsequential to stolas and the goetias is everything to blitz. without the grimoire, he loses his job and everything that comes with it, including (in blitz's transactional view of relationships) millie, moxxie, and even loona's companionship. but i digress.

it's been said before that there is nobody who belongs at the blitz hate party more than blitz himself, and it's true— there is nobody in hell who could hate blitz more than he hates himself. because as much as he might present himself as a little dumb, he's anything but. he knows what he's doing will destroy him. he knows if he continues to do what he's doing, he'll "die alone", which, in some ways, is what he fears more than anything. he even tells verosika that he "doesn't want to be like this forever", but he can't seem to stop himself. he doesn't know how to stop himself.

after all, he's right. everyone hates him. it's evident in the party they've thrown for him. and the worst part thing is: it's his fault, and he knows it. he knows he's hurt all of these people, and even though he plays at callousness, he can't quite hide his hurt that stolas in particular won't hear him out. he can't hide his hurt that stolas can't seem to understand where blitz is coming from. because blitz does try to talk to stolas in apology tour. he tries to tell stolas what he's feeling, and how he regrets how he's spoken to stolas, but stolas is too drunk and too upset to care (which, btw, not blaming stolas for that. if i were a drinker, i'd be right there beside him).

stolas, in this moment, focuses entirely on himself and the pain that blitz put him through (again, not blaming stolas for that), but it tells blitz that stolas really, really does not care about him anymore, if he ever did. and wasn't that what blitz wanted? isn't that what blitz deserves? so it's easy to let a bigger, taller, more handsome, more suave imp sweep stolas off his feet and out of blitz's life. the imp is, by his t-shirt's estimation, "better than blitzo", after all. and don't they say that to love someone is to let them go?

verosika's advice to blitz only cements this. stolas is moving on. stolas deserves better. and blitz? all blitz deserves is to be used, so can he really be mad that some better imp is giving stolas what blitz never could? and again, blitz has dealt with the people he loves hating him before. his father sold him for $5. his best friend hated him for years. his sister still does. at least with stolas, he got the asmodean crystal out of it, and he won't lose the only semblance of companionship he has left.

3 - SOCIOECONOMIC CONTEXT

i saw a post that said that fans are focusing too much on the class difference between stolas and blitz, and i couldn't disagree more. in fact, i'd say that we are not focusing enough on the class difference between stolas and blitz.

all of stolas's ignorance is magnified tenfold by his lack of understanding of how their class and race difference colors their relationship. all of blitz's self-hatred and self-worth issues are exacerbated one-hundredfold by these same class and race differences.

classism and racism go hand in hand, especially in america. in helluva boss (and especially in the beginning of the stolitz dynamic), there is an implication of racial fetishization. blitz, the "lower-class" poor imp, fulfills stolas (an "upper-class" wealthy elite)'s fantasies of being "ravaged" and "taken" in his own home. stolas canonically enjoys the rough treatment, enjoys the taboo feeling of having blitz fuck him. it's very evocative of how some white american women fetishize and fantasize about black men— a fetish that has its roots in white supremacy (and especially the enslavement and ongoing oppression of black people in america.)

that said, in the context of helluva boss, it is very clear that blitz is aware of his socioeconomic standing the implications thereof— more aware than even stolas, who has ostensibly been educated on the social and economic nuances of the realm he helps to rule. he tries to tell stolas about how this difference in class affects him and amplifies his already awful self-worth ("you're a prince. it's hard to believe you would want me. that anyone would want me"), but stolas is incapable of hearing him.

all this to say, blitz is not solely to blame for their current relationship. that isn't to say that blitz is blameless. in fact, blitz isn't the most emotionally mature either— most of what i have written about him are things that i doubt he consciously realizes about himself. but stolas's ignorance and lack of willingness to consider where blitz is coming from, both emotionally and socioeconomically, make up a huge part of why stolitz continues to miscommunicate.

anyways. yeah. viv was right. things sure did happen.

[chaifootsteps]

I don't think anyone making the 'it's wrong to argue the show abandoned its premise' argument has really engaged with what the problem here actually is

there's often this bad faith painting of everyone with the same brush that they're just complaining because they thought they were being promised one thing and got another and that's their only problem.

besides the fact it's not exactly wrong if you thought you were getting steak only to be disappointed when the show served up slurry instead, it's ignoring the bigger problem.

the premise of the show is supposed to drive the story and without that frame, a lot of stories lose focus. and hb is very much one of those stories. We have a story where the writers are increasingly disinterested in the emotional state of their own main character, and as far as the Stolas plotlines go...oh boy.

So Stella had moved out by Ozzie's yet we're now approaching ten episodes later and the divorce is still not finalized, who knows what's even going on with that at this point. Doubtless it will form the backbone of s3 if they make it because that and stol!tz are the only things the show has left going for it.

And that means the writers have to drag out both plotpoints as long as possible because nothing else matters at this point. If what they're going for now is drama and not comedy I would like to point out most prestige drama has multiple plotlines with its ensemble cast. HB has set up plenty of avenues for that and done nothing with most of them. They have no road that would feel natural to develop because they've left themselves no options.

Also - and it probably goes without saying but I'll say it anyway - 'will a character divorce his evil wife' and 'will that same character successfully bully his love interest into being his idea of the perfect partner' are not good driving questions for long form drama. We know Stolas is definitely going to leave Stella so there's little dramatic tension outside of her trying to get petty revenge, which is dumb since Stolas has the god powers to just body her if he wanted to. And the second one assumes the audience is invested in the will they won't they of Stol!tz - and given how unlikeable Stolas has become more fans are getting turned off from ever caring if they will (and the showrunners already spoiled the ending on that, so extra who cares?)

it's the exact same logic people use to dismiss anyone saying 'X character is badly written' when they snidely respond 'you're just sad your headcanon the show never said it was going to give didn't come true'. It's a neat little trick to avoid why critics hate how Stolas, Stella, Millie etc. are written (or underwritten)

Well said. But then, "bad faith painting" is nothing new to the crowd of people we're talking about. I think they actually know full well what the problem critics have is, but resorting to strawmen arguments is all they've got.

[sukibenders]

I really enjoy Yellowjackets but the way it throws its poc characters to the side, the way the fandom does is so unsurprising but saddening at the same time. Shauna is one of my favorite characters, she's cool and stuff but, being honest, the trope of housewife having an affair because she's bored of her current life has been played before. So what if this one had certain elements outside of it, it's still common so it kind of grew tiring to see Yellowjackets constantly shove this plot at me when Tai's storyline is right there.

Taissa, a biracial woman who, even after living through something horrific as a kid, "bounced back" and lived the life she always wanted. She was a lawyer, now ran for and won a position in office, married a beautiful and smart woman and had a son, has a whole perfect family who she loves. Only for the trauma, the aspect of her life she promised herself and others to never talk about, is now coming back and in the process causes her to do things she doesn't want to do. The plot that could have come from Taissa alone is out of this world. You mean to tell me that a biracial lesbain running for office wouldn't be more entertaining than Shauna's storyline? Why couldn't Tai be the main focus?

And I don't even want to get into the fandom, but I have too. Listen, I like TaiVan for all that they are. They helped each other survive during a time where they thought it would be impossible. But what annoys me and, sadly, almost pushed me away from this ship, was how the writers and fans treat Simone and Sammy. Like the shows only way to have Tai together with Van was to put her wife in a coma and abandoned her son? That really does not sound like Tai, who fought to get her old life. And very insidious how some fans make certain jokes that just reek of "Let's push away the black characters to make room for the yte ones", because I've seen people call Simone the villain, to other things, just because she told Tai to get help all while framing Van as the better option. I've seen people in the fan call Sammy unnatural or even a demon just because he exists in a way that is not natural, by that I mean acting out and expressing coping mannerisms because he saw a version of his mother who terrified him but can't express, but I forgot because he's a little black boy who needs help people will ignore him or dehumanize him, because that's how this works right? The shows main, and only dark-skinned black characters were quickly pushed aside by the plot for what?

And I have a feeling the show may make us watch Taissa go through great lengths to keep Van alive (even though I do want Van to live), but won't extend the same want to Simone, which will read badly with the undertones in so many ways.

And the fandom treats Tai poorly as well (don't even get me started on some pretending to care about her family just to hang it over her head and call her a deadbeat) and reaching some nearly very ableist thinking when talking about her. Taissa deserved so much better, from the show and the fandom, and I hope they do better in season three but I'm not so sure to be honest, because most of the scenes even having mentions of Tai's blackness were because of Jasmine, not the showrunners, who it would be fine if it were small things here and there but to add so many crucial parts to your character because others won't begins to become a pattern.

[youmakethelight]

towl being on best of list of 2024,Danai getting all the praises is what you wish Melissa got,us TOWL fans were well fed,we were treated like kings and queens and the biggest payoff aside Rick and Michonne having happy ending is the audience,critics loving the show you do,carols fans being constantly disrespected should be a genre of it's own at this point not just by the studio,but main actor of the show,showrunners, audience constantly dragging Melissa and praising the mediocrity that is Reedus, y'all are going through it,y'all have been going through it since 2012, can't relate, happy new year you're about to witness more disrespect when S3 rolls around,welp

I'm honestly so confused why any time someone says anything about TOWL that isn't super super praising, someone comes along to comment something belittling about the opinion the person shared. Why do you care if one person on the internet didn't love it as much as you did?

I didn't even tag what I wrote and it was a reblog of someone else's post. The reference I made to TOWL was tiny amongst a much longer message. All I even said was that I felt disappointed by it. And you still made the effort to read it all so you could find something to target me about? You make it like people can't breathe near a TV show unless they feel the exact same way you did. It's gatekeeping and it's ridiculous.

I watched The Walking Dead for 12 years before I ever heard from a stranger online. I talked about it with my real life friends. Michonne was my favourite character for years. I watched TOWL before I knew anything about the other spinoffs because that's what came to Now TV first, and I only watched them all in the last few months of this year. I didn't see anything going on online partly because I just wasn't part of the 'fandom' I guess - I was just watching the show offline, and partly bc I wasn't even paying attention to anything about the walking dead for the years between around season 7 and now.

I also don't understand why so many of you always comment stats and article mentions about how many people watched TOWL or a positive thing that was said about it. Do you expect that to change my mind? I just didn't enjoy it as much as I hoped I would. I don't particularly care if someone else voted for it to make a list or whatever. It was just disappointing to me. Dead City was also disappointing to me, but nobody is coming along to imply I'm not allowed to talk about that show? Please literally leave people alone. I really don't know what you think you're achieving by sending messages like this, but from my pov, all it seems to do is create a completely unnecessary divide in the fandom about who likes what character more.

Every time one of you sends a message to me like this, I always say that I'm genuinely happy for you that you got everything you wanted from it. Why do you all have to be so mean to other fans?

I love Michonne. I like Rick. I love Carol. I loved Daryl. I love Danai, I love Andrew Lincoln, and I love Melissa McBride. All things can be true at the same time. Just bc I happen to currently be more invested in any of their characters doesn't mean I'm not allowed to speak about any of the others.

I'm glad you can't relate to feeling like one of your favourite characters and actresses is sidelined. I mean, I think it would be more helpful if you tried to empathise with the situation, rather than acting like it's a competition. But I am genuinely glad that Michonne and Danai have been treated with more respect. That is one of the things that I did like about TOWL. I liked that a lot and I LOVE that Danai wrote an episode. When I talk with my friends about what I liked in TOWL, that's something I go on and on about. If danai had been treated badly the way melissa has been treated, I'd be putting my energy into speaking up about that. You don't have to put your energy into being an ally for another woman in the industry, but please do try to stop actively spreading unkindness.

It's really weird how you come here to tell me what I think and feel. I don't even know where to begin with the things you claim about why I didn't like TOWL or what I wish was different about TBOC. I wouldn't want critics to "love the show I do" because I didn't love it? I wouldn't want TBOC to have been anything like TOWL (other than the better treatment of danai bc I would have liked melissa to be treated more like that bc you know, that's just how someone should be treated?). I didn't like TOWL because I just didn't like it, so I wouldn't have wanted TBOC to be like that. It's honestly that simple.

It's not about jealousy because I simply do not see the characters or shows as in competition with each other. I don't know why so many of you are determined to make it a competition. I really, really don't.

I always see some of you commenting on the views of people who are clearly fans of carol. Why is that? Other people express less than ecstatic views about TOWL, but you only seem to make it a problem with the ones who happen to show they like Carol. And you always imply it's because of jealousy. I don't get it. But I really wish you would stop trying to create conflicts where they don't need to be. I try to avoid saying "it's just a TV show" because the way people are treated and represented matters, but when you seem to be trying to create needless conflict like this, I really can only think "it's just a TV show."

So, anyway, like I said, I'm genuinely glad you can't relate to feeling how I do because a TV show was the things you wanted it to be. I don't relate to your obsession with how other people feel about that TV show, though.

If you have a reason why you think the way you communicate with people online like this is important, I'd genuinely love to hear it and try to understand it. But to me, it just comes across like bullying. I'm not interested in making people feel bad. I just want everyone to be treated with respect. That includes people being allowed to share their views on a TV show without belittlement, actors being treated with respect, fans being treated with respect.

If it makes you feel better to say mean things about other fans, you're free to do that in your private messages with people who feel the same way you do. But please do not send those things to the people you want to be mean about. There's no need to be unkind.

Anyway, I know you sent this message with unkind intent and that your "happy new year" wasn't meant as a genuine kind wish, but I do hope you have a happy new year. Genuinely.

[drakaripykiros130ac]

I’m sorry to blow up your asks, but I wanted your opinion since I know you don’t like HOTD’s adaption of F&B.

What do you think about the way they handled Laena’s death? I’ve seen people argue that they prefer the book and the shows versions for different reasons. For me, it was one of the changes in the show that I actually liked over the original.

They not only showed the difference in Daemon and Viserys’ character with the way Daemon refused the c-section after learning Laena wouldn’t survive it vs Viserys saying to do it, but we also got to see Laena die on her own terms (as much as she could given the circumstances). She asked Viserys about Vhagar as a child and eventually bonded with the dragon she yearned for, and I find it bittersweet that she was able to go out in her own terms by the dragon she wanted so badly. Not to mention the symbolism in it; she knew she would be buried at sea like a Velaryon, but she was also able to have a dragonrider’s death with Vhagar like a Targaryen.

(Disclaimer: I am talking strictly about her death. I could write an entire doctoral thesis about the way they slaughtered Daemon and Laena’s relationship and the relationship they had with Rhaenyra, and Daemon’s character as a father to his children.)

I personally greatly dislike how they had Viserys make that decision for Aemma. It wasn’t like that in the book. Aemma Arryn died in childbirth period. Viserys had nothing to do with it.

As a side note, the showrunners have made plenty of decisions to make Viserys and Daemon look bad through the way they treat women (it wasn’t like that in the book).

As for Laena’s death, while the show version is definitely more epic, I think that it was executed poorly. I mean, Laena, while giving birth, barely able to move and in tremendous amount of pain, manages to move past all those people in the room and get to Vhagar? There’s seriously no one who saw her leave? And how could she just leave? Normally, she shouldn’t have been able to move.

Overall, the showrunners choose epicness over good sense.