#umbrella arms

[respect-the-locals]

🐙 Daily Cephalopod Fact: 🐙

Flapjack Octopus: *Not to be confused with the Dumbo Octopus* Their maximum size is 7.9 inches in length. They have eight arms (like any other octopus), but these are affixed together in an umbrella shape. However unlike other octopus, they are unable to camouflage by changing skin color and texture. They have a gelatinous body, which spreads into a parachute shape when maneuvering through dimly lit water. They swim by moving their fins, pulsing their webbed arms, pushing water through their funnel for jet propulsion, or all three at once.

[lookingforhappy]

fr i need the tua fandom to get a lot more normal about sibling relationships...

literally i would never cry to my siblings, i would never seek comfort from them, i would very rarely be vulnerable with them (and only when i had to be)

but i still fucking love them and would be devastated if they died/were hurt

the brellies never cry over each other or ask for hugs or admit weakness bc thats such an incredibly romanticised view of sibling relationships

the only exception i can think of is allisons near death but that was when her and luther were still.. yknow so i dont count it

[based-and-uncouth]

Its them!! Homeless little social outcasts </3 (pre-redemption Balloon)

[et-is-an-alien]

They could not have hammered in harder how much they love each other

Also the "flashes of love" scene in season one UGHHH!!!! It amounted to nothing overall so I think Aziraphale sensed Crowley's love for him

"I don't sense anything out of the ordinary"

[intotheelliwoods]

So.. like....

[mari-lair]

Hi!!!!! I just wanted to say I love your tbhk art and especially your silly Aus (your old vampire Aus tickle my fancy so hard you don’t understand). I literally downloaded tumblr just so I could see your posts more easily.

Anyway your a great artist keep slaying the day queen

That's so sweet, thank you! I'm happy you love my arts and silly aus alike so much :D

I hope you're having fun on tumblr as a whole! Have this crumb of vampire Aoi as a welcome gift

[kazscrows]

I’m obsessed with this photo

[elysian-33]

Across the Mort-iverse

I thought of this silly concept of Spider-Man: Across the Spiderverse but with Mort from Hello from the Hallowoods.

I then figured this would provide an excellent opportunity to draw a bunch of Morts.

Should I finish this WIP?

[bogslob]

I went in to this season expecting it to be a bittersweet ending.

I expected them to end up dead in the original apocalypse.

I had hoped we would see five become the old five that created the commission. I was expecting them to realise that in all timelines an apocalypse takes place but the original was the best for what ever reason. Or maybe the original time line wasn’t the best but five got twisted in some way in to believing it was.

I expected the new time line to be much faker. Maybe the people would be oddly robotic. The whole world would revolve around Reggie but none of it would be real. Or maybe it would be real but people were not allowed to do anything he would not want, 1984 style. After seeing how he monopolised this world in s3 I had hoped that would have been explored.

I thought we might see Alison slowly coming to terms with the fact that Ray and Claire weren’t really her Ray and Claire. They were created to be hers. They would be exactly how she wanted. They would never disagree with her, they would do exactly what she wanted without her having to ask. But it wouldn’t be real. And Alison would notice. They wouldn’t have the autonomy to do anything but serve her so how could they be hers. She would still love them but hate herself for turning them in to this.

Maybe the only way for anything to be real, for anyone in this world to have the autonomy to do as they please, they would have to restore the original timeline.

I don’t know, I just think I would have preferred any other ending to the one we got.

[qn-art]

these two sort of go together we think

[hotasfahrenheit]

how does this show even exist, how is it so perfectly hilarious and absurd and every kind of colourful and wonderful at the same time

what a gift

[art-by-a-gus]

Comicpalooza cosplay 2024, Saturday, nightcrawler on vacation

[thejakeformerlyknownasprince]

I saw your tags on your Percy Jackson post and I would LOVE to hear your thoughts on the Umbrella Academy 👀👀👀

The tags: #i think both types of stories work#you just have to be CONSISTENT about it [side-eyes umbrella academy]

There's a lot I like about Umbrella Academy, and there's a lot that I forgive in Umbrella Academy because it's a comic book adaptation and most comics have similar problems. BUT.

In S2E9, when the Handler shoots live ammo from a real gun at a child, it's portrayed as sweet and harmless —bullets are just background noise (e.g. James Bond) and this show has slapstick stakes. In S2E10, when the Handler shoots from a real gun at six adults, they have a graphic drawn-out death scene — bullets kill people (e.g. Pulp Fiction) and this is a much darker type of show.

Klaus gets kidnapped and murdered in S1, and his siblings roll their eyes about how he's irresponsible. Klaus gets accidentally killed in S3, and his siblings react with devastation and horror. Violence is funny, when it's Five killing 20 of his coworkers. Violence is horrifying, when it's Viktor killing Pogo. So on.

You can't have it both ways. It creates mood whiplash. It makes the characters feel callous. It can feel like no events ever matter, so there's no point in caring. I can't tell how seriously to take any given scene, because the same sequence of actions is sometimes treated as comedy and sometimes as tragedy.

[arsquare]

If youre still doing the Voltage Miku outfits for different characters, maybe Miorine in the dark one (15/18) or Suletta in fighting (17/18)?

The thread of fate so delicately threads itself through the eye of the needle such that we get a red-onion-and-shallots-themed suletta!!

[Send me a Project Voltage Miku + a character!]

[Commission Info | Ko-fi]

[novasjaneway]

[meisterdrucke]

Der arme Poet von Carl Spitzweg (1839, Öl auf Leinwand)