#type of attitude

[peachiesnake]

i dont know SHIT about scourge and i have yet to figure out why everyone loves him so much… isnt he just green evil sonic with the story line of “i hate you because youre the better me”

[twilightprince101]

Watched the third episode of Digital Circuis. And yeah, any concerns or doubts that I had about this show had been resolved

Folks, do not be swayed by online irony poisoning. This is a show with heart. It is not nonstop Lol Random humor, it allows you to sit in a moment and breathe in the tense mood of a scene. It is not a nihilist "Nothing Matters :D" type of show, it is absolutely genuine in its storytelling and has things to say. Not to mention some additional logistical questions I had have been answered about the setup which makes me even more invested

Trust me. Disregard any and all prior opinions you had about the show and watch the three episodes currently out. I'll admit that the first episode feels like it meanders a bit, sometimes feels it leans a bit too far into the Dark Humor Randomness, but it's necessary for setting up the rest of the series. Just ride it out. You won't regret it

Salute to you Gooseworx/Glitch. Can't wait to see where things go from here

[bluebugjay]

Charles really went into hell with a few lit molotov cocktails in his ludicrously capacious bag, a tiny notebook Edwin dropped like loot when he was taken that he ignored half the time, and a dream.

like he had no idea what creatures he would be up against when he got there but he locked eyes with the huge spider made of baby doll parts and thought, yeah that looks like something I can throw a bomb at and he did. And it worked.

[saremina]

early durgestarion is hilarious because Astarion is accidentally really good at seducing bhaalspawn

threaten them with a knife

respond positively to them ripping off someone's hand instead of helping them

have a detailed discussion on how you'd kill them (bonus points for going 'lol I'd like to see you try' when Durge asks how he'd like to be killed because who doesn't like a challenge)

straight up bite them (bonus points for almost killing them)

ask them which of their friends they'd most like to bite themself (and responds positively for the answer being him)

agree that 'they were annoying' is a valid reason to murder someone

generally be supportive of murder urges

[pfhwrittes]

have a chunk of tradie!141 for your reading pleasure.

it's fuckin' pourin' down, has been for the last 3 days and the forecast ain't getting any better. thick, claggy muck sucks at the soles of simon's boots, threatening to pull 'em straight off his feet as he crosses the quagmire to slip into the portakabin-cum-office where he knows his skipper'll be.

price is fumin' under his hard hat, his ancient brick of a phone glued to his ear as he barks out demands to whichever poor sod is gettin' an earful off the boss today (probably nik, who straight up refused to drive onto site, stating bold as brass that the wagon would get bogged down, fuck the delay, captain. i'm not hurting my girl for your timetable).

with a disgusted snort price throws the offending phone onto the cluttered desk sending a sheaf of papers careening onto the floor.

"fucks sake, riley. what d'ya want?" price growls out in his direction and simon just lifts a battered eyebrow at the tone. no point gettin' his knickers in a twist over weather but price has always thought himself better than acts of nature and god himself.

"told the lads to put the tools down and go 'ome."

if looks could kill, simon would be buried in a shallow grave under the portaloo. price's face is as stormy as the sky rumbling ominously outside.

"well tell 'em to pick them back up, for fucks sake! we've got a fucking job to do here, simon." price snaps, his patience well and truly gone and it isn't even dinner time by simon's watch.

simon's hi-vis jacket creaks forebodingly as he straightens up.

"no."

there's a beat as simon squares off against his skipper, the unstoppable force of john price smashing against simon's immovable iron will. simon's known john a long fuckin' time and he'll play dirty to keep the crew safe if he has to. john's seen him walk off jobs for less.

price sighs noisily, ruffling the ends of his moustache.

"right then. who're we losing?"

"gaz can't work with the humidity, ale and rudy can't paint if gaz ain't finished the plaster, don't trust soap not to fry 'isself, and flash is sat in the van dryin' out." simon counts off on his fingers.

price's eyebrows hike up to his hairline at the mention of the plumber's apprentice.

"'s matter with flash?"

simon chuckles at the memory of flash covered head to toe in mud after an unfortunate tumble.

"debuted 'is mud-wrestlin' career f'r us."

price snorts out an amused sound and shakes his head. poor sod'll be miserable for the rest of the day without any spare kit to change into.

"right, go on then. tell 'em they can fuck off for the day." price reaches for his abandoned phone, probably to tell the client, some jumped up property developer-slash-social media wanker, that the job's been delayed by the shit weather. (simon doesn't envy him in the slightest, last time he met her she looked him up and down like he was scum and he was tempted to "accidentally" score the side of her flash car with the end of a length of 22mm copper pipe.)

simon offers price a nod and turns towards the door of the 'kabin, hooking the flimsy hood of his jacket over his head.

"oi, riley. you better not have stuck flash in my van."

"nah, stuck 'im in with soap and gaz. i ain't gettin' that shit on our seats."

price's barking laugh follows simon out the door into the pissing rain.

[adm-starblitzsteel-4305]

Mothra: This food is too hot... I can't eat it.

Godzilla, flirting at her: You’re very hot, and I still eat you.

Everyone at the table: *silence*

Tiamat: YOU GUYS ARE DISGUSTING!

King Ghidorah: One dinner... I just want ONE DINNER!

[junglejim4322]

As a USamerican I can tell you every place I’ve lived the one constant is I’ve known so many people who dream of getting out and moving away to some magical place that’ll fix all their problems only to find out if you manage to move almost everything is exactly the same because there’s no running away from racism and homophobia etc and all of these places are relatively the same in that how good your experience is really is just based off of how much money and resources you have at your disposal

[catgirljaneway]

Tuvok and Kathryn and the time Kathryn destroyed the timeline get Tuvok back.

/I Swear Somewhere This Works - Trista Mateer/

[lazycranberrydoodles]

its prosecutor jiang wanyin!!!! oh fuck!!! / gifs + au rambling below the cut / follow for more mdzs x aa crossover stuff :3

all the gifs i made (poses traced off franziska):

hes so similar to franziska when you think about it. theyre both deeply insecure tsundere adoptive younger sibling of successful main characters. who carry whips. something something edgeworth choosing death and wwx actually dying also

his share code is HWFEFF if you wanna use him in a trial! you can't share backgrounds but heres the scenery from the donghua i used.

the easiest way to put custom stuff into objection.lol is to send it in discord and then use the link from opening it in your browser :)

a whole lot of AU stuff

the art im making is for if mdzs was an ace attorney game, playing from WWX's POV to solve various mysteries/cases over the course of the plot. so this scene would be from turnabout goddess, which would loosely cover the dafan mountain mystery.

cases include:

Turnabout Revenge (Mo Manor, quick introductory first case)

Turnabout Goddess (Dafan mountain, the good times flashback)

Turnabout Saber (the man-eating castle (omg hiii nhs))

The Blind Turnabout (Yi City arc)

Turnabout Deviation (the Koi Tower conference, Empathy on NMJ ala turnabout memories or beginnings. opening cutscene is his qi deviation)

The Blood-Soaked Turnabout (second Burial Mounds siege, flashbacks: Xuanwu, Sunshot, YLLZ, Nightless City massacre)

Turnabout Lotus Seeds (testimony about JGY, tree scene, golden core reveal, bathtub scene. opening cutscene could be JGS' death but that would make it canon rather than ambiguous)

Turnabout Confession (Guanyin temple)

the problem with splitting novel!mdzs into turnabouts is that flashbacks are a huge chunk of the book but they don't have mysteries/ cases to solve so they've gotta be lumped together with present day stuff. imo? many of the flashbacks would likely have to be abridged so they could be retold ala DL-6, SL-9, or the fourth grade incident, where characters talk about it over some pieces of art. this is really difficult when theres a metric ton of unspoken, complex, and signifcant history between every character lmao

there's not as much of a problem with the cql timeline but i have not finished it. so.

the opening cutscenes in ace attorney always show the murder and/or the murderer plotting. the first cutscene of the game would be MXY summoning WWX, muttering about getting revenge on his family (it would also be good for him to mention the yllz being dead because that's how the novel starts.) cut to WWX's POV as he wakes up covered in blood and the investigation segment begins.

for investigations of monsters (goddess, saber, etc) the cutscene would be a scene of some poor throwaway cultivator getting their shit wrecked.

it would be cool to make a breakdown for JGY but again I need to review that scene cause I don't know who I'd base him on. maybe Vasquez or Dahlia.

tell me your thoughts!! i'm working off of a mdzs summary/ skimming the novel because i don't remember it too well so if i get anything wrong please yell at me

Jin Ling's sprites & Nie Huaisang's sprites / masterpost

[kaeyachi]

Kaeya had always been an efficient and hard-working individual (he had to be to support Diluc in the background as his brother rose thru the ranks after all).

He has so much free time because he completes all his work way ahead of schedule. And if he still has enough time, he adds more to the workload in secret.

And once all of that was done and over with, he makes time for everyone. He has to. He feels as if every moment has to be given to someone else.

No one knows how he does it. No one has to know.

Every mission has a dozen strategies in line, and every battle plan is made with efficiency in mind. His perfect record will not be tarnished. He can't risk it (even if it baffles others that he would willingly activate a ruin guard just to prevent a failed mission. Jean disagrees with his methods, but Kaeya can say that the results say otherwise)

He needs to be quick.

Efficient.

Perfect.

And so he comes and goes like the wind.

Kaeya values time because he knew every second counted. He can't just stand there as if he were frozen. Time could run out in an instant.

Kaeya had only been late once his entire life.

He'd rather he never be late ever again.

It took one day of being of being imperfect for everything to fall apart. On that tragic day...had he gotten there on time... then maybe...

.

.

.

" Come on, let's get moving, traveler. We're not frozen in place after all. " Kaeya teasingly says. He stiffles a giggle at the traveler's exhasperated sigh.

"Yeah yeah, we've heard enough of you calling us a slacker. Can't you be a bit more patient?" Paimon whines at him.

Kaeya snorts, but acquiesces, hiding the shaking of his hands at the thought of being idle.

He imagines hearing a clock ticking.

Kaeya knows that that is his own problem. He tries his hardest to relax as he waits for the traveler to finish whatever they're making on the alchemy table because, seriously, it is supposed to be a relaxing day. There's nothing major going on, and his schedule is once again empty as intended. What's the hurry?

Kaeya taps his foot on the ground as he waits. He wishes he could take his own damn advice when he tells others to relax.

[cantgetworsethanthistbh]

im in the boat that f*ddlest*n (and f*dda*thor, but this is about the first ship) is just like billf*rd— better with intense stan bro tension. and stancest. but not in a fiddleford and stan are both projecting ford onto the other kind of way. i mean, fiddleford definitely is, he can't NOT do that when the guy has ford's face even as much as he tries not to see him and see stan for himself. but going off with how much stan visibly dislikes fiddleford in the show, i love f*ddlest*n in a scenario where stan is crazy jealous and bitter about the relationship fiddleford had with ford.

not of their romantic relationship either, he couldn't care less about that, what he and ford had wasn't normal for brothers anyway, and in any other case stan would be glad both him and ford can move on (cough).

no, what stan hates about fiddleford is how for a long time stan wasn't ford's best friend. fiddleford was. fiddleford was there for ford in college. fiddleford was smart and matched fords genius. fiddleford didnt see ford at all for his sixth finger, he loved ford for ford just like stan did, but he didn't hold ford back or "rode on his coattails". and stan knowing all that while he had nothing and no one? while stan was living in his car yearning for ford to forgive him, call him, offer they sail away together again? when stan misses his brother and could think of nothing but him, and wanted nothing more than to just see him for even a minute, while fiddleford had four years of living in the same room, laughing at the same jokes, be the brother in fords arms instead of his actual brother?

that hurts.

and stan only feels this way about fiddleford. even after finding out about b*llf*rd, he doesnt view bill as some sort of a threat when bill had to copy stan's own mannerisms to get ford on his side. bill is a manipulator, a conman, just like stan— fiddleford is genuine. whatever ford loved and saw in him was real. and ford willingly gave him the time that couldve gone to stan if he hadnt broken fords machine.

that makes it worse.

so in some scenario he and fiddleford get to meet and get together... like fiddleford is one of his "clients" or an au where they work together to get ford back, or a mystery trio, and stan realizes fiddleford feels some sort of way about him?

stan jumps on it, not to project ford onto fiddleford or anything. but just to unload all his bitterness onto him. he's not even jealous of the guy— he's just such a stark reminder of how much stan fucked everything up. he hates himself, but if fiddleford likes it then he can fucking have it.

of course it doesnt work, he never gets over that bitterness. and when ford, who is jealous and possesive about stan as a lover finds out about it? yeah, best believe that poor little hillbilly is gonna need another wave of memory wipes

that's my f*ddlest*n tbh

[burr-ell]

I'll preface this by saying that I don't by any means begrudge anyone their own personal headcanons or interpretations, but I kinda have to get it off my chest that I'm personally not very comfortable with significant deviations from canon character design on CR, and I really tend to side-eye people who have declared their fanart to be "better".

And sure, some of that is because i'm a cranky old bastard. But some of that is that I also have an animation degree and have studied character design. Creators generally give artists a fair amount of input as to how they want their designs to connote the characters' personalities—not just in terms of clothing or hairstyle, but in the overall shape of the silhouettes and body structures. And in the case of CR in particular, that's coming from a place of much closer familiarity with the characters because the creator is actually going to be embodying them for a fairly long period of time, so when the fan response is heavy deviation from that, I think it can feed into some unhealthy fanon perceptions and projections.

Like, for example, it's not so much that I think fanartists are "disrespecting the creators" or whatever when they keep giving Imogen a sweet little round face and big hips/breasts and cute circular glasses, but I've also studied shape language in art. You're communicating something when you design her this way; if a character's silhouette has a lot of circles, visually that connotes being friendly, sweet, and cute. The person who first suggested drawing her with glasses explicitly said they thought it would look cute—and no shade to them! They can like whatever they want!

But canonically, Imogen is a woman in her 20s who's been dealing with unanswered questions, abandonment, loneliness, and sheer exhaustion from trying to hold back and control powers that she never asked for—and who simultaneously uses those powers even when it isn't necessary if she thinks it'll help her achieve a goal or prove a point. She isn't unfriendly, and she wants to do the right thing, but she's also someone who's consciously chosen to keep to herself for most of her life, and yet simultaneously she's quite adept at persuading and deceiving people. I think we're meant to pick up that sense of world-weariness and cynicism from her angular facial features and thin frame. That's...kind of just how character design works.

I think the trend of disregarding the official art and giving her softer features has had an impact on the perception of Imogen as a character. I see a lot of views of her that really remove a lot of her agency, treating her like she's only ever been a victim of circumstance who's never put a foot wrong. Some fans got pushback for pointing out that it really wasn't cool for Imogen to openly contemplate whether or not the Ruby Vanguard might be right in front of three people who were killed by Otohan, insisting that imogen was just dealing with a lot right then. And yes, she was, but that doesn't mean that the way she was dealing with it doesn't say something about her as a character. I don't know if I'd call it coddling, necessarily (even though perhaps there are some very coddling takes I just haven't seen), but there seems to be some resistance, in some circles, to the idea that Imogen isn't a put-upon martyr. And in those same circles, round friendly-looking glasses-wearing Imogen abounds, to the point of editing the official art itself to "fix it".

Truth be told I'd be willing to bet that the rounder cuter Imogen actually came about because of the initial impression of her, given how much fanon at the start of c3 revolved around poor baby Imogen with her scary nightmares needing the wiser, worldlier Laudna to comfort her and kiss it better, but those visuals also proliferated rather quickly and well beyond past the point where that fanon was feasible anymore, and I think both aspects of that fanon ended up informing each other. It's not lost on me that the rounder and cuter-looking Imogen performs the literal function of sanding down her harder edges.

And like I said, I'm not here to be needlessly negative toward what other people want to do. If you want to draw the characters differently to their official art, I don't think either the cast or the artist are especially offended by it. But I personally dislike it, in part because I think some of these trends are a way for fans to claim a certain amount of ownership over the characters, whether they intend it or not. And the ultimate outcome of that is that when creators inevitably assert their ownership over a deeply personal story in a way that fans don't like, the backlash is much stronger than it reasonably should be, which is something I think the CR fandom has seen often enough not to continue doing as often as it does.

[nattikay]

actually no wait holdup, I stumbled across some "Na'vi redesigns" recently, and while I don't want to make a stink about it on the actual redesign posts themselves because I don't want to antagonize the artists, who are clearly skilled in their own right, I do have something to say on the topic. While there is of course nothing wrong with re-designing characters or species for fun, there seems to be this condescending attitude surrounding Na'vi redesigns in particular, especially ones that make them significantly more monstrous/non-human, about how they're "better" than the canon designs for being less humanoid but....

y'all. Though there is a lot of cool speculative biology in Avatar, Avatar at is heart is not meant to be a speculative biology documentary, it's meant to be a story.

y’know, it’s interesting, there’s a section in Anomaly Inc’s epic eight-hour Avatar defense in which he’s refuting The Critical Drinker’s Avatar video. Paraphrasing a bit because I don’t want to dig through eight hours for this one line, but there’s a point where Critical Drinker says “if the Na'vi looked like this, or this, or this [showing images of much more monstrous alien designs from other movies], Avatar would be a very different movie”, and Anomaly Inc responds, “no actually, if the Na'vi looked like xenomorphs nothing in the plot would change, it would just be a whole lot less pleasant to look at.”

And you know what? They’re both right. Anomaly Inc is correct that giving the Na'vi a more monstrous design would not affect the plot itself, but Critical Drinker is also right (though perhaps not in the way he intended) that it would make Avatar a different movie. A WORSE MOVIE.

Yeah, I said it. Because plot is an important element to a movie, yes, but it’s not the only important element. Film is a visual medium, and therefore design is very important too, and it’s not arbitrary: the design of your characters should be used to support the story you’re trying to tell.

The story of Avatar requires the audience to empathize with the Na'vi. We’re supposed to be able to relate to them, to see ourselves in them. We’re meant not to see them as just “aliens”, but as people, because recognizing them as people emphasizes the wrongness of the RDA’s treatment of them. Blowing up the village of a clearly humanoid species is going to hit the audience much harder than blowing up the nest of scary-looking aliens, even if we know the aliens are smart and have their own culture etc. (not to say that blowing up the “nest” wouldn’t still be bad, of course it would be, it just wouldn’t invoke quite the same gut reaction in the viewers and yes that matters in a story).

A more monstrous design would not only not support the Na'vi’s narrative role, it would actively hinder it. Like it or not, general audiences would have a much more difficult time connecting with the Na'vi if they were depicted as hunched-over four-eyed hexapods with gaping jaws and the inability to make human facial expressions. Making them more humanoid makes them much easier to read and therefore to emotionally connect to. And no, Mr. Drinker, making your protagonists appealing to look at is not “lazy dirty manipulation”, it’s character design 101.

And don’t get me wrong, there’s certainly a place for more monstrous-looking sapient alien species in fiction! And if that’s your cup of tea by all means go nuts! Make that alien species! Flesh out their culture! That sounds awesome! I know I’ve definitely seen some cool and interesting ones out there!

….but I just don’t think that Avatar is that place. And that’s ok. There’s a place for “monstrous” aliens (sapient or otherwise), but there’s a place for humanoid aliens too, Avatar is the latter and there’s nothing wrong with that.

…all that to say, my stance on Na'vi redesigns is heavily dependent on the attitude behind them:

“Here’s a Na'vi redesign because I thought it would be a fun challenge and look cool!” Awesome, go for it, have fun! :D

“Here’s a Na'vi redesign because the canon designs are dumb and lazy and mine is way Better and More Original because it looks more like a movie monster, the filmmakers were so stupid for not making them look more like this, I’m just Fixing It” shut up

[samarecharm]

roughhousin'

[autisticaradiamegido]

day 226

team charge got me feeling emotions

[alexnamuu]

A conversation between Diomedes and Odysseus that I imagine they had at the beginning of the Trojan War, when they were getting to know each other:

— Well, well, if it isn't the youngest King who ruled Argos that this council of war has ever heard of! The disciple with the silver eyes blessed by Athena, the war cry that terrifies the enemies! — The man's melodious voice pulled Diomedes back to reality. The young king had to hold back an irritated sigh that he would let escape his lips showing his discomfort at having someone close to him.

It wasn't a good day, in fact, since he stepped onto the Trojan lands and instructed his men to start setting up camp, he had never had a good day. Diomedes was used to the patterns of war, the dried blood under his nails, the bruises his enemies were lucky enough to inflict, the calluses forming on his already rough hand, he should stop by the medical tent and see if he could get some blister cream or something, he would do that later.

— It is good to see you again, King of Ithaca— He made no effort to look at the man who sat beside him, his gaze continued to focus on the fire. He expected peace and quiet, but it seemed like Lady Athena wouldn't give it to him anytime soon.

—You were splendid on the battlefield today, a true veteran, far more experienced than any of us— He had been warned about the ruler of Ithaca having a sweet tongue to persuade any man to get what he wanted. This made Diomedes shiver just for being a target of this "get what he wants by any means necessary" guy.

—That's right, thank you— He didn't know how to respond to flattery, maybe that's why he fell for so few. The King (His name was Odysseus, from what he remembered) didn't seem to be bothered by this fact.

— Yes, a real standout, I would say, with my audacity, that you would only lose to Achilles! Or you could even surpass him.

— Be careful with your words, Laertiades — Achilles' sharp voice cut through the silence, it seemed that the Best of the Greeks would rather be somewhere else, but Patroclus, his friend and healer (maybe something more) seemed very happy to enjoy the campfire and chat with Ajax the Great, who was Achilles' cousin, and at the beginning of the war, Peliades didn't seem to want to be away from his closest friend— Or you will be without your precious tongue.

— Don't be so skittish, Peliades, it was just a foolish comparison, forgive me — He made sure to emphasize — But you were still magnificent, young Diomedes.

— Do you need something from me, Leartiades? — Diomedes didn't like mind games where he had to put his wits to work and try to decipher dirty tricks, not after a long day. He would prefer the silence and not having to talk for the rest of the night. So anything that would make Odysseus move away, he would be happy.

— Straightforward, isn't it? — Odysseus didn't seem to mind, staring at the helmet still in Diomedes' lap. — I need a favor from you, something small, nothing extravagant.

— I don't do favors — The young King said — Much less for strangers.

— Come on, we are war companions now and the same Goddess guides us, I think we are not so strange after all — The warm touch of Odysseus's palm came into contact with the skin of Diomedes's arm, a friendly, innocent touch, nothing more than a form of bargaining. But for Diomedes that was like a burning coal, the field reflexes came into action and he slapped the other's hand away from his arm. The most serious expression now on his indifferent face.

— Don't touch me, Laertiades — The young king's voice was low, threatening — And I already said, I don't do favors for strangers, much less those who have very big tongues and words that flatter too much.

Diomedes stood up with his helmet in his hands, putting on the piece that completed his armor, his eyes staring at Odysseus with cold indifference — Do not look for me to demand favors, King of Ithaca, from what I hear, you seem eager to get back to your wife and son.

Diomedes heard a provocative whistle, perhaps it had come from the mouth of the sweet Patroclus who was known for his good heart, but had his attractions for a good fight. He decided to ignore it.

— Gentlemen — He said in farewell, starting to walk towards his own camp. With luck, that would have been the only and last interaction with Odysseus and he would only need to see the man in meetings and on the battlefield.

The distant hoot of an owl was his doubt and likely his condemnation of what would come from then on. Odysseus' sweet tongue would still convince him of many things.