#to not act openly yet

[rotationalsymmetry]

I can't stop seeing Anaandar Mianaai's multiple bodies and split selfhood as representing the concept of a government, a body that is composed of multiple individuals and competing factions and yet has to act as one and yet often does in fact act against itself. And yet also, at the same time, often doesn't act against itself as much as the people under the government need it to. Breq is never confused about the reform Mianaai bring on her side. She knows that's not how things work.

And she has no "ok but I need to support..." because Awn is dead and nothing else matters.

[bisclavret]

like many who have suffered at the hands of bbc merlin before me, i recently indulged in a thought experiment in which i outlined my own version of seasons 3-5 that stay thematically and tonally in line with the show (except they're less fucking stupid). but then i quickly realized that focusing on details is pointless: all you need is to solve the one Big Problem the show has, and the rest will follow. the problem in question? ✨morgana✨

i like the first two seasons. s1 achieves what it sets out to do and has fun while doing it, and s2, while flawed, sets up a ton of potential that the following seasons unfortunately squander, beginning with the insidious season 3. you can only distract me with cute knights and goblins and fart jokes for so long before i start seeing through you, evil, evil season of television.

my hypothesis is that if the writers had crafted s3 morgana into anything more sympathetic than a violent half-alive poltergeist that can never be reasoned with because she's suddenly terminally off her rocker, everything would've fallen into place. a sympathetic morgana would've made real, valid arguments against uther (and arthur) that wouldn't just be the ramblings of a woman possessed. her betrayal of arthur would have stemmed from her feeling increasingly morally superior to him because of his complacency in the face of their father's tyranny. under morgause's guidance she would stop believing that arthur is capable of change, and the whole point would be that she might actually be right. arthur would have to actively try and prove her wrong, instead of getting praised for doing the bare minimum because the bar is on the floor.

furthermore, morgana's prophetic dream about arthur and gwen becoming king and queen and her decision to prevent this however she can is a direct parallel to merlin learning about that same prophecy and making it happen by any means necessary. merlin's desires about his and arthur's futures are subtextually fueled by gay love and devotion, so why couldn't morgana's be? why couldn't she properly express her bitterness that arthur gets to be with gwen in a way she can't "took gwen away" from her, instead of suddenly declaring that gwen is nothing more than a servant, after two seasons of demonstrating again and again that she loves, values, and respects gwen more than anyone else in that godforsaken castle?

following this, an angry and emotionally volatile but still sensible morgana asking gwen to stay by her side during the coup of the castle in the s3 finale and gwen going behind her back to help arthur and the knights would've hurt like a bitch. double-sided betrayal! gwen having a real plot! the proper beginnings of a toxic yuri that would shape a generation!

then there's the utter hubris of having morgana shoot arrows at the same civilians she worried herself sick over for 2 seasons — even morgan, her medieval counterpart that was rooted in every sexist trope in existence, doesn't just go around killing senselessly but instead has (often petty!) personal vendettas against gwen, arthur, and the knights. morgana had every right to be sick of the pretensions around chivalry in camelot (she was always quick to mock it, even in s1), and to lash out at the knights and soldiers after years of feeling powerless in a castle full of armed men that blindly followed her oppressor. the show conveniently forgets that morgana was victimized as a woman as well as a sorcerer those first 2 seasons.

but like i said, this is not just about morgana. allowing her to remain a real and multifaceted character even as she betrays everyone in pursuit of her ambitions would've given the rest of the core four more interesting conflict to work with: merlin because he would have to experience real consequences to his actions, arthur because he would watch his sister go against his father (and his knights, and his birthright) and experience some actual internal dilemmas about it, and gwen because she would be forced to choose between morgana and arthur without the pretense that it's an obvious or easy choice for her to make.

even morgause and gaius would come off more interesting as mentors: neither one inherently evil or inherently good, both jaded by events that happened before our protagonists were even born, both heavily influencing morgana and merlin into fulfilling roles that they think are appropriate, but that morgana and merlin may not have chosen for themselves had they not been under their care.

you get the gist. if the show followed its own setup, morgana's mistakes wouldn't lie in cheap and senseless acts of violence but in alienating the people she loves because she is too hurt and jaded to trust them. meanwhile, everybody else would feel guilt over "failing" her and yet they would be too caught up in their own (sometimes flawed!) beliefs of right and wrong to truly see her point of view.

arthur would convince himself it was sorcery that corrupted her. merlin would know that isn't true but he wouldn't be able to argue without confessing everything, which is the defining conflict between him and morgana and it's cheapened when she's just an evil witch caricature and merlin is framed as inherently virtuous in contrast. gwen, too, would become a more active participant in her own life by choosing arthur over morgana and choosing to rule camelot with him instead of just waiting politely to see where things go.

and, of course, uther's downfall and death would be quick, final, and completely earned — when and why did the show even decide he of all people was the sympathetic villain, anyway?

lastly, and perhaps controversially, i think morgana should've learned merlin's true identity by season 4. her being the first of the main characters to find out makes perfect sense considering their shared history and their interconnected and mirrored arcs. even the show seems to agree, considering she does find out a little before arthur. but the narrative itself tried pointing flashing neon arrows towards this way earlier — there is a whole entire episode in s4 where merlin being emrys is repeatedly spelled out for morgana and she still isn't allowed to see it. that episode makes her look like the stupidest person to ever live, which is pretty funny im not gonna lie, but also another frustrating thing in the endless string of frustrating things that make up this show.

morgana learning that merlin has magic would've transformed the source of merlin's anxiety from a crippling fear of being outed someday to the crippling fear of knowing she could out him at any moment. this would make him want to beat her to the punch (perhaps he'd consider killing her for a minute and decide against it because she isn't a cartoonishly insane evil person in my version of events) and maybe he would even feel some tentative excitement at the idea of coming clean, now that it seems inevitable. after all, he always intended to tell arthur eventually! and i think gaius would have to admit outright that he does not want merlin to tell arthur he has magic because he, gaius, simply cannot risk such a gamble. it would be so interesting to see gaius and merlin clash and disagree once it becomes obvious that it's not merlin that isn't ready for the reveal, it's gaius. delicious!

with morgana's knowledge looming, things would inevitably spiral into a magic reveal by the end of season 4. i picture this season as an absolute mess of miscommunication between everyone at camelot, which is, y'know, canon. growing increasingly cunning and vengeful, morgana would use this tension to her advantage, destabilizing the court from the outside while she creates alliances with other sorcerers outside of camelot (instead of living alone in a hovel for no reason — morgana le fay i'm sorry i'm so sorry they gave you agravaine instead of your all-female entourage oh my god).

and here's where the events would change beyond recognition (aka here's where the meta becomes the fanfic i refuse to write). picture it with me: a militia of sorcerers infiltrates camelot and arthur and gwen have to set aside their differences (assuming gwen kissing lancelot and arthur overreacting happens, which it should) for the good of the kingdom as well as for love. picture high priestess morgana in her element, side by side with a bunch of misfit sorcerers that aren't so easily vilified, chopping down camelot's soldiers and knights and assuredly making their way to the newly-minted king.

then, just as it starts to seem that all hope is lost, in swoops merlin (the actual merlin, not his old fart disguise) on dragonback (kilgharrah hates morgana so much i know his sexist ass would stoop to anything to stop her)!!! imagine merlin showing off the extent of his powers in front of everyone and preventing the sorcerers from getting any further, declaring loud and clear that camelot is protected by him, by emrys. imagine that display of power alone being enough to send everyone home.

imagine the loyalties clearly drawn: merlin on arthur's side, morgana on the sorcerers'. imagine arthur, feeling confused and betrayed by everyone at this point, banishing merlin despite everything he's done for him in the angstiest, most emotionally dysregulated scene the show had ever put to screen. imagine merlin starting season 5 free at last but very lonesome, an embittered dragonlord like his father. imagine the absolute mess camelot would become without him, even with gwen — now queen guinevere — there to pick up the slack. imagine arthur actually earning merlin back, finally growing into his role as king as he does so. imagine the reunion.

all this and more could've been not just possible but inevitable if morgana was allowed to remain a complex character that is neither inherently good nor inherently evil: it was undeniably the biased and one-note treatment of morgana's downfall by the writers that set the precedent for literally everything else that happened after merlin chose to poison her. the show wouldn't have even had to jeopardize its tone or the monster-of-the-week vibe, all it would've had to do is admit that even the "good guys" are capable of mistakes and what makes them good is the ability to feel remorse and change for the better. (as opposed to uther, who was miles beyond redemption since way before the pilot and deserved to lose everything and die alone. OBVIOUSLY???)

in a world where morgana remains multifaceted and sympathetic, mordred would get a better arc as well, so if we really wanted to, we could still end on the same tragic note that the show ended on. with so much harm inflicted onto so many innocent people by the pendragons for so long (including mordred and the many druids and sorcerers that raised him), it could realistically end up being a little too late for anything more than one shining glimpse of king arthur and the sorcerer merlin's short-lived golden age before fate catches up to them. glimpsing that reality just to immediately lose it would've been far more satisfying and far more tragic than whatever the writers thought they were doing with all that pointless carrot-dangling.

and finally, an ending in line with morgana's new and improved arc. in this version, rather than bleeding out on the forest floor alone, she would channel the morgan le fay we know from the legends: sobered up by the reality of her brother dying, she would use her high priestess status (and perhaps also her pendragon status) to be granted passage over to avalon alongside arthur on the boat — a one-way ride — just to make sure he gets there safely. this is her penance for the harm she has caused, the same way arthur's penance is to die and leave the true ruler of camelot (gwen) behind to achieve everything he was too slow and indecisive to build while he still had time.

merlin's penance, then, would be to stay behind and watch them cross over without him, waiting and waiting and waiting until they come back or until he can finally join them. which is a bit fucking harsh if i'm honest, so i'd at least make it slightly more faithful to the legends by having him return as an old man and letting him take a long nap under a tree by the shore, his body slowly enveloped by vines like the cobwebbed fisher king in 3x08, never fully sure if he's dreaming or if there really are strange shapes fading in and out of the fog over the lake. still tragic, but nevertheless a little more open-ended and whimsical than [TRUCK NOISES] THE END!

[kingsragesqueal]

stolas asking blitz "have u ever apologized to anyone?" is literally so fucking wild because yeah, yeah he has actually?? have *you* ever apologized to anyone? i can only think of two times u've apologized and both of them were to octavia, after you fucked up majorly and ignored her needs and made her feel unloved and alone. also did u ever apologize to blitz for *takes out comically long scroll*

coercing him into a sexual relationship (he admitted it was wrong, but never apologized)

using him as an object in more way than one, including putting out a cigarette on his horn (99% sure that imps have feeling/sensation in their horns. he didn't seem to be in any pain but tbf we know he's into some freaky shit....but STILL)

calling him an "impish little plaything," "itty bitty imp," "blitzy," etc

embarrassing him in public and dirty talking to him on the phone with your daughter in the same room

treating his entire race as a whole like complete and utter trash then denying it and basically saying "UM i don't see color (species) uwu~"

trying to make him feel guilty for not rescuing you when he was taking his daughter to get a very important shot that literally prevents her from dying which she is five years overdue for already, a daughter who is also terrified and needs his support (being a supportive dad? what's that lol)

so many other things i can't even think of rn

no? no. then shut the fuck up u ugly ass bird

[andersdotters]

I think most people would agree that gift giving is Zhongli's highest love language (giving). After that, I think would be words of affirmation, quality time, acts of service, then physical touch. As for his highest love language (receiving), it'd probably be quality time.

[e-adlirez]

Just looked on the older books for refs of Thea and

Boi Curse of the Cheese Pyramid is insane

It literally starts with G heading to work on time at 9, but William comes in like "BOI YOU'RE SPENDING TOO MUCH MONEY ON THE GAZETTE YOU HAVE TO CUT DOWN THE BUDGET" (Imagine this screamed directly into Geronimo's ear)

Obviously William's definition of "cut down the budget" is this

TW: Spoilers for Curse of the Cheese Pyramid, William behavior, do not click on if you don't want a spike in blood pressure

If you choose to turn away now, the following fume was just an intermission for finding this picture lmao

He pawned over everything (and I mean EVERYTHING) in Geronimo's office, from his desk to his armchair to his carpet to his book collection to his art collection, and replaced it all with a single plastic chair and desk ("All you need in an office is a desk and chair!")

He fired ALL THE STAFF and decided that only family members will be working for the paper (because family members don't need to be paid as much probably (if at all) when working for a family business-- they all share their finances with each other, anyway maybe (it's not clear what their salaries are gonna be (wanna bet G is paid minimum wage while Thea is paid 50% of the Gazette's monthly expenses after this clean sweep))). The only person spared from the firing spree was Shif T. Paws, the Gazette's sales manager, who apparently offered to work there for free.

He delegates all the work of the Gazette to four people-- G does all the office work (taking calls, building maintenance, writing, editing, printing, clientele stuff), Thea does all the interviews and field work stuff, Trap does all the cooking, and Benjamin is "William's personal assistant". Lord knows what that last position means for little Benji. (Okay reading ahead Benjamin seems fine, but he does say that William is "a bit pushy".)

He sends G out on a work holiday thing and he overworks the crap out of everyone, to the point where even Thea is sick of William's senile old-fashioned ass, and it seems that the Gazette was also going downhill because of this mouse furry ripoff Daniel Dancer. (To give a preview of what he did in the working perspective, he basically had Trap work seven days a week)

He was planning to have staff give use old newspaper instead of toilet paper (T&B expenses), make a 30-second time mechanism for the restrooms (to maximize manpower efficiency and possible humiliation for anyone going number 2), and was considering cutting all electricity to the building and just have staff work on typewriters "just like the old days".

This man's senile ass--

[a-gay-bloodmage]

One of my favorite hobbies to engage in is ignoring the canon course of video game romances

[qqueenofhades]

I find myself asking this question so very, very often, but why is the New York Times so deliberately fucking stupid?

[emforevermore]

can i be really fucking honest for a second and say that i find it really fucked up that swifties are on such a moral high ground about matty healy but loooooove travis kelce. what the fuck is that about. at least matty healy isn't a trump sympathizer????? like?????

[longagoitwastuesday]

I actually like the last chapter. I think the ideas are very good. I have my qualms on how some things were managed, as I always do, but I think shonen authors get tangled in the expectations of a shonen to the point it jeopardises their writing, often even when they're not lacking in skills

[tossball-stick]

kicks dirt. saw 1 fact about 19th century whaling and now i wanna make an ex whaler rdr2 oc

[eisthenameofme]

kind of hard to take a lot of the people claiming to be antifascist anarchists seriously when a solid chunk of them seem to think not wanting the state to exist means they are no longer in the reality where it currently exists.

[triglycercule]

guys i havent written since may (for killer's birthday) but stupid silly swapinverse has been on my mind for a little bit and i threw together this silly (he has a panic attack and throws up) little short draft 4 swapinverse horror!!

-

“hah… ah… oh god… no, no, nonono…”

he ran. sprinted through the forest like a frightened deer, his demeanor that of prey, although his previous actions aligned more of a predator. panting and shaking, his mind cycled through countless variations of how to react to what just happened, what he just did.

how should he react? how could he react? it was impossible to tell for him in the panicked state. and as the trees in snowdin slowly began to surround him (but weren't they always doing that?), paranoia couldn't run anymore. he was surrounded, he was blocked off, he couldn't escape. not from horrortale, not from snowdin, not from the dusty graveyard he had just left it, and not from the blood smeared across his mouth.

“no, i- what did, what did i do? paps, snowdin, even-undick, no, it-”

paranoia’s incoherent rambles brought his hands to wander across his face, tugging at the massive hole in his skull spanning majority of the left side of his head. picking at the chipped bone didn't help, it never did, but a nervous habit was unbreakable, and he was more than nervous in this moment. in fact, quite terrified. everything was terrifying. he was terrifying. and as the slightest hint of red blood touched his sleeve, the once red, now magenta eye quickly locked onto it, and he couldn't hold it back anymore.

“fuck- oh god, no, aliza-!”

falling to his knees, a disgustingly gorey mess of red, pink, and black spilled from his mouth. sounds of retching and hurling were all that filled the empty forest, and paranoia couldn't bear to look down and see the mess he’d made. the mess he’s caused. wasted food, he would've said. but that statement normally only applied to others. he never imagined using it on himself. choking on his spit and certainly not his blood, tears fell from his eye, joining the vomit and blood seeping into the snow. strange. paranoia didn't think he had enough magic to even shed tears anymore. just for the bare necessities. he managed to surprise even himself, after all this time.

but could it be could be considered surprise, or rather terror? he fit up to his name, certainly horrified at his own actions. forcing out as much of the grossness he could that he’d just consumed, paranoia couldn't help but look down at what he’d done.

red. a lot of red. too much red. he’d never been queasy before, never. he had to adapt to it, being the one to hunt down humans that ran or sneak up on those when times got desperate. there was no time or need to be queasy at what he even considered his job before. a duty he had to do.

but now, there was too much red. far too much red. and he didn't know why, although he totally knew, but paranoia couldn't stomach it. he just threw his guts out (shouldn't they be aliza’s guts, or no?), and here he was, wanting to throw up until his SOUL shattered. his SOUL cycled through those strange 4 shapes, unsure of which to settle on. he couldn't blame it. paranoia himself was unsure of what was even going on anymore. he wanted to run, but was frozen. he wanted to scream, but didn't know who at.

everything was contradicting. everything was going on, and not enough was given for paranoia to understand how to deal with it. and with a muttered curse, he flopped on his side onto the somehow dry snow, losing consciousness in the haze of fear now intermingled with his SOUL.

-

ik theres probably grammar mistakes i wrote this on my phone,,,, but like idk. had idea for a little moment in paranoia's lore and i sure as hell didn't wanna draw it so i wrote it as an easier media! god this is so much easier compared to drawing idk why i dont do this more often (because youre lazy silly!) anyways swapinverse silly i love swapinverse. i've only thrown up like never so i dont know if this works. also never had a panic attack (i think) and AGAIN i dont know if this is accurate but whatever i dont write to be good i write for expressing my ideas. like everything i do

[i-can-even-burn-salad]

Mentally putting Eilis on every OC interaction tag.

"They wouldn't."

[sageofthestrange]

✿

bold for things i could definitely see or want, italics for things i could see or am unsure of and striked out for things i don’t want or cannot see.

FRIENDSHIP.     childhood friends  /  work buddies or coworkers  /  family friends  /  friends with benefits  /  smoking buddies  /  adventure buddies  /  fake friends  /  recently friends  /  party buddies  /  friendship of need  /  dying friendship  /  circumstantial friendship  /  partners in crime  /  old friendship  /[your muse] is the good influence  /[your muse] is the bad influence  /[my muse] is the good influence  /[my muse] is the bad influence  /  opposites attract  /  ride or die  /  frenemies  /  roommates or flatmates  /  penpals  /  exes to friends  /  enemies to friends  /  other

ROMANCE.     childhood sweethearts  /[your muse is mines] childhood crush  /[my muse is yours] childhood crush  /  exes  /  exes to lovers  /  forbidden lovers  /  highschool sweethearts  /  secret relationship  /  opposites attract  /  long distance  /  unrequited [from your muses side]/  unrequited [from my muses side]/  unrequited [from both sides]/  skinny love  /  friends to lovers  /  enemies to lovers  /  spurious relationship  /  power couple  /  newly entered  /  soulmates [ metaphorical ]/  soulmates  [ literal ]/  awkward  /  turning toxic (only in Godhood Path)  /  toxic love (only in Godhood Path)  /  cheating [on your muse]/  cheating [with your muse]/  other

FAMILIAL.     siblings [half]/  siblings [step]/[my muse] is an older sibling figure to your younger sibling figure  /[my muse] is a younger sibling figure to your older sibling figure muse  /[my muse] is a parental figure to yours  /[my muse] is a child figure to your muse  /  guardian figure  /  legal guardian  /  adoptive child  /  foster child  /[your muse] is taken under mines wing  /[my muse] is taken under yours wing  /  other

ANTAGONISTIC.     dangerous to each other  /  dangerous to others  /  unpredictable  /  rivals  /  petty  /  developing into sexual or romantic tension  /  based off family matters  /  based of off circumstance  /  based of professional matters  /  based off misunderstanding or lies  /  conflict of ideology  /  betrayal  /  hero - villain dynamic  /  enemies  /  fight club  /  friends turned enemies  /  lovers turned enemies  /  exes turned enemies  /  other 

[skrunksthatwunk]

god goromi really fucked my gender didn't she

[lilislegacy]

i love how in heroes of olympus, there’s a boat full of couples (+leo☺️). and yet even if you didn’t know when each couple started dating, it’s so blatantly obvious that percy and annabeth have been together the longest, and are the most serious

cause frank and hazel are still pretty nervous/unsure with each other. they JUST started dating, and are so pure and adorable. they just haven’t quite figured out the romance part yet

and jason and piper have their moments, but they’re just so… distant. like not physically, of course, but they just don’t really seem to connect on a deep level. and they aren’t super affectionate, at least not physically or openly. piper is constantly unsure about where they’re at, and while jason has thoughts about how great piper is, he doesn’t openly show his feelings too often.

but percabeth? they’re the oldest in age (physically), have known each other the longest, and have been romantically committed to each other for the most time. they act like they’ve been together for eternity, which is funny since they were technically only dating for 4 months before percy got abducted. but they just have such a deep history together and such an intense connection. they’re in it for the long run. there’s no doubt or uncertainty - and it shows. like…annabeth is so wife girlfriend. there are so many funny/cute little moments, like her scolding him for putting too much syrup on his pancakes, and telling him to take a shower when he smells bad. and when percy suggests him and jason should go on a dangerous quest instead of annabeth and piper, instead of being like “omg he cares so much about me😍” (which hazel and piper would have done) annabeth is like “what seaweed brain?? you think two guys can do better than two girls??” and percy is immediately like “uh uh NO nope i definitely do NOT think that!!” he knows better. the immediate fear is so husband boyfriend of him. they simultaneously have the most disagreements (remember when percy called annabeth out when she thought she should navigate through rome alone, and basically called her stupid for thinking it was a good idea, and then they argued and had a face-off, which percy won) - while also being the most lovey dovey (they’re constantly putting their hands on each other - annabeth putting her hand on his chest to calm him down, putting their hands on each other’s arms for support, percy having his arm around her when they’re at the edge of the ship, always giving each other a kiss on the mouth or the cheek when they separate, etc). and they have no issues sneaking off in the middle of the night to do some talking and kissing. and quite frankly, making out in front of piper in BoO (remember that? when piper got super uncomfortable at how long their kiss was lasting, and then annabeth let out, and i quote, “grunt-whimpers”). they are just so natural and comfortable with each other. piper says it herself.

i just think it’s so funny. little frazel being adorable and blushing when they hold hands, jiper is happy to be dating but they’re also a little angsty and uncertain, and then there’s percabeth just being the old married couple they are. (and leo is being cute and fixing stuff)