#to not act openly yet

[rotationalsymmetry]

I can't stop seeing Anaandar Mianaai's multiple bodies and split selfhood as representing the concept of a government, a body that is composed of multiple individuals and competing factions and yet has to act as one and yet often does in fact act against itself. And yet also, at the same time, often doesn't act against itself as much as the people under the government need it to. Breq is never confused about the reform Mianaai bring on her side. She knows that's not how things work.

And she has no "ok but I need to support..." because Awn is dead and nothing else matters.

[bisclavret]

like many who have suffered at the hands of bbc merlin before me, i recently indulged in a thought experiment in which i outlined my own version of seasons 3-5 that stay thematically and tonally in line with the show (except they're less fucking stupid). but then i quickly realized that focusing on details is pointless: all you need is to solve the one Big Problem the show has, and the rest will follow. the problem in question? ✨morgana✨

i like the first two seasons. s1 achieves what it sets out to do and has fun while doing it, and s2, while flawed, sets up a ton of potential that the following seasons unfortunately squander, beginning with the insidious season 3. you can only distract me with cute knights and goblins and fart jokes for so long before i start seeing through you, evil, evil season of television.

my hypothesis is that if the writers had crafted s3 morgana into anything more sympathetic than a violent half-alive poltergeist that can never be reasoned with because she's suddenly terminally off her rocker, everything would've fallen into place. a sympathetic morgana would've made real, valid arguments against uther (and arthur) that wouldn't just be the ramblings of a woman possessed. her betrayal of arthur would have stemmed from her feeling increasingly morally superior to him because of his complacency in the face of their father's tyranny. under morgause's guidance she would stop believing that arthur is capable of change, and the whole point would be that she might actually be right. arthur would have to actively try and prove her wrong, instead of getting praised for doing the bare minimum because the bar is on the floor.

furthermore, morgana's prophetic dream about arthur and gwen becoming king and queen and her decision to prevent this however she can is a direct parallel to merlin learning about that same prophecy and making it happen by any means necessary. merlin's desires about his and arthur's futures are subtextually fueled by gay love and devotion, so why couldn't morgana's be? why couldn't she properly express her bitterness that arthur gets to be with gwen in a way she can't "took gwen away" from her, instead of suddenly declaring that gwen is nothing more than a servant, after two seasons of demonstrating again and again that she loves, values, and respects gwen more than anyone else in that godforsaken castle?

following this, an angry and emotionally volatile but still sensible morgana asking gwen to stay by her side during the coup of the castle in the s3 finale and gwen going behind her back to help arthur and the knights would've hurt like a bitch. double-sided betrayal! gwen having a real plot! the proper beginnings of a toxic yuri that would shape a generation!

then there's the utter hubris of having morgana shoot arrows at the same civilians she worried herself sick over for 2 seasons — even morgan, her medieval counterpart that was rooted in every sexist trope in existence, doesn't just go around killing senselessly but instead has (often petty!) personal vendettas against gwen, arthur, and the knights. morgana had every right to be sick of the pretensions around chivalry in camelot (she was always quick to mock it, even in s1), and to lash out at the knights and soldiers after years of feeling powerless in a castle full of armed men that blindly followed her oppressor. the show conveniently forgets that morgana was victimized as a woman as well as a sorcerer those first 2 seasons.

but like i said, this is not just about morgana. allowing her to remain a real and multifaceted character even as she betrays everyone in pursuit of her ambitions would've given the rest of the core four more interesting conflict to work with: merlin because he would have to experience real consequences to his actions, arthur because he would watch his sister go against his father (and his knights, and his birthright) and experience some actual internal dilemmas about it, and gwen because she would be forced to choose between morgana and arthur without the pretense that it's an obvious or easy choice for her to make.

even morgause and gaius would come off more interesting as mentors: neither one inherently evil or inherently good, both jaded by events that happened before our protagonists were even born, both heavily influencing morgana and merlin into fulfilling roles that they think are appropriate, but that morgana and merlin may not have chosen for themselves had they not been under their care.

you get the gist. if the show followed its own setup, morgana's mistakes wouldn't lie in cheap and senseless acts of violence but in alienating the people she loves because she is too hurt and jaded to trust them. meanwhile, everybody else would feel guilt over "failing" her and yet they would be too caught up in their own (sometimes flawed!) beliefs of right and wrong to truly see her point of view.

arthur would convince himself it was sorcery that corrupted her. merlin would know that isn't true but he wouldn't be able to argue without confessing everything, which is the defining conflict between him and morgana and it's cheapened when she's just an evil witch caricature and merlin is framed as inherently virtuous in contrast. gwen, too, would become a more active participant in her own life by choosing arthur over morgana and choosing to rule camelot with him instead of just waiting politely to see where things go.

and, of course, uther's downfall and death would be quick, final, and completely earned — when and why did the show even decide he of all people was the sympathetic villain, anyway?

lastly, and perhaps controversially, i think morgana should've learned merlin's true identity by season 4. her being the first of the main characters to find out makes perfect sense considering their shared history and their interconnected and mirrored arcs. even the show seems to agree, considering she does find out a little before arthur. but the narrative itself tried pointing flashing neon arrows towards this way earlier — there is a whole entire episode in s4 where merlin being emrys is repeatedly spelled out for morgana and she still isn't allowed to see it. that episode makes her look like the stupidest person to ever live, which is pretty funny im not gonna lie, but also another frustrating thing in the endless string of frustrating things that make up this show.

morgana learning that merlin has magic would've transformed the source of merlin's anxiety from a crippling fear of being outed someday to the crippling fear of knowing she could out him at any moment. this would make him want to beat her to the punch (perhaps he'd consider killing her for a minute and decide against it because she isn't a cartoonishly insane evil person in my version of events) and maybe he would even feel some tentative excitement at the idea of coming clean, now that it seems inevitable. after all, he always intended to tell arthur eventually! and i think gaius would have to admit outright that he does not want merlin to tell arthur he has magic because he, gaius, simply cannot risk such a gamble. it would be so interesting to see gaius and merlin clash and disagree once it becomes obvious that it's not merlin that isn't ready for the reveal, it's gaius. delicious!

with morgana's knowledge looming, things would inevitably spiral into a magic reveal by the end of season 4. i picture this season as an absolute mess of miscommunication between everyone at camelot, which is, y'know, canon. growing increasingly cunning and vengeful, morgana would use this tension to her advantage, destabilizing the court from the outside while she creates alliances with other sorcerers outside of camelot (instead of living alone in a hovel for no reason — morgana le fay i'm sorry i'm so sorry they gave you agravaine instead of your all-female entourage oh my god).

and here's where the events would change beyond recognition (aka here's where the meta becomes the fanfic i refuse to write). picture it with me: a militia of sorcerers infiltrates camelot and arthur and gwen have to set aside their differences (assuming gwen kissing lancelot and arthur overreacting happens, which it should) for the good of the kingdom as well as for love. picture high priestess morgana in her element, side by side with a bunch of misfit sorcerers that aren't so easily vilified, chopping down camelot's soldiers and knights and assuredly making their way to the newly-minted king.

then, just as it starts to seem that all hope is lost, in swoops merlin (the actual merlin, not his old fart disguise) on dragonback (kilgharrah hates morgana so much i know his sexist ass would stoop to anything to stop her)!!! imagine merlin showing off the extent of his powers in front of everyone and preventing the sorcerers from getting any further, declaring loud and clear that camelot is protected by him, by emrys. imagine that display of power alone being enough to send everyone home.

imagine the loyalties clearly drawn: merlin on arthur's side, morgana on the sorcerers'. imagine arthur, feeling confused and betrayed by everyone at this point, banishing merlin despite everything he's done for him in the angstiest, most emotionally dysregulated scene the show had ever put to screen. imagine merlin starting season 5 free at last but very lonesome, an embittered dragonlord like his father. imagine the absolute mess camelot would become without him, even with gwen — now queen guinevere — there to pick up the slack. imagine arthur actually earning merlin back, finally growing into his role as king as he does so. imagine the reunion.

all this and more could've been not just possible but inevitable if morgana was allowed to remain a complex character that is neither inherently good nor inherently evil: it was undeniably the biased and one-note treatment of morgana's downfall by the writers that set the precedent for literally everything else that happened after merlin chose to poison her. the show wouldn't have even had to jeopardize its tone or the monster-of-the-week vibe, all it would've had to do is admit that even the "good guys" are capable of mistakes and what makes them good is the ability to feel remorse and change for the better. (as opposed to uther, who was miles beyond redemption since way before the pilot and deserved to lose everything and die alone. OBVIOUSLY???)

in a world where morgana remains multifaceted and sympathetic, mordred would get a better arc as well, so if we really wanted to, we could still end on the same tragic note that the show ended on. with so much harm inflicted onto so many innocent people by the pendragons for so long (including mordred and the many druids and sorcerers that raised him), it could realistically end up being a little too late for anything more than one shining glimpse of king arthur and the sorcerer merlin's short-lived golden age before fate catches up to them. glimpsing that reality just to immediately lose it would've been far more satisfying and far more tragic than whatever the writers thought they were doing with all that pointless carrot-dangling.

and finally, an ending in line with morgana's new and improved arc. in this version, rather than bleeding out on the forest floor alone, she would channel the morgan le fay we know from the legends: sobered up by the reality of her brother dying, she would use her high priestess status (and perhaps also her pendragon status) to be granted passage over to avalon alongside arthur on the boat — a one-way ride — just to make sure he gets there safely. this is her penance for the harm she has caused, the same way arthur's penance is to die and leave the true ruler of camelot (gwen) behind to achieve everything he was too slow and indecisive to build while he still had time.

merlin's penance, then, would be to stay behind and watch them cross over without him, waiting and waiting and waiting until they come back or until he can finally join them. which is a bit fucking harsh if i'm honest, so i'd at least make it slightly more faithful to the legends by having him return as an old man and letting him take a long nap under a tree by the shore, his body slowly enveloped by vines like the cobwebbed fisher king in 3x08, never fully sure if he's dreaming or if there really are strange shapes fading in and out of the fog over the lake. still tragic, but nevertheless a little more open-ended and whimsical than [TRUCK NOISES] THE END!

[kingsragesqueal]

stolas asking blitz "have u ever apologized to anyone?" is literally so fucking wild because yeah, yeah he has actually?? have *you* ever apologized to anyone? i can only think of two times u've apologized and both of them were to octavia, after you fucked up majorly and ignored her needs and made her feel unloved and alone. also did u ever apologize to blitz for *takes out comically long scroll*

coercing him into a sexual relationship (he admitted it was wrong, but never apologized)

using him as an object in more way than one, including putting out a cigarette on his horn (99% sure that imps have feeling/sensation in their horns. he didn't seem to be in any pain but tbf we know he's into some freaky shit....but STILL)

calling him an "impish little plaything," "itty bitty imp," "blitzy," etc

embarrassing him in public and dirty talking to him on the phone with your daughter in the same room

treating his entire race as a whole like complete and utter trash then denying it and basically saying "UM i don't see color (species) uwu~"

trying to make him feel guilty for not rescuing you when he was taking his daughter to get a very important shot that literally prevents her from dying which she is five years overdue for already, a daughter who is also terrified and needs his support (being a supportive dad? what's that lol)

so many other things i can't even think of rn

no? no. then shut the fuck up u ugly ass bird

[qlventingspace]

no but seriously

going from one night stand right to bdsm scene with barely any actual kisses or intimacy in between to get used to is WILD

Like maybe it's a fact I'm very ace but having no adjustment period in the meantime would also have me absolutely terrified even without the added 'my lover is a killer' fear so I think we need to cut Kant some slack

That boy is waring with multiple problems at once, trying to balance everything that may cost him his family, freedom AND life so I think we might need to overlook his blatant disregard for his own safety (bison actually tried to have a responsible conversation with him but that dumbass has zero self preservation) and questionable actions to get whatever he needs to get closer to bison

I'm very interested if Kant discovers along the way that he actually is into some of the kinks (p'Jo in todays twt space hinted that yes) and let's himself be freer.

That brings another layer of uncertainty tho bc rn Bison feels really safe and accepted in his kinks while Kant freaks out. What if by the time Kant let's himself truly enjoy newly discovered kink Bison already gets the hint about his betrayal and while Kant is feeling safe and secure Bison will spiral bc 'what do you mean you didn't enjoy it' 'i hurt you for real' and 'I trusted you with the most important thing in my life and you dared to deceive me'

It seems to me like these two are passing each other - but each going to the opposite direction.

Even if it now seems that both strive for the same goal (being boyfriends) while I really do think Bison is falling rapidly in love Kant doesn't allow himself a thing like that yet.

And by the time Kant gets there, Bison will know Kant is a traitor.

Either way it's incredibly frustrating and also delicious to watch Kant digging a hole underneath his own fucking legs.

[andersdotters]

I think most people would agree that gift giving is Zhongli's highest love language (giving). After that, I think would be words of affirmation, quality time, acts of service, then physical touch. As for his highest love language (receiving), it'd probably be quality time.

[e-adlirez]

Just looked on the older books for refs of Thea and

Boi Curse of the Cheese Pyramid is insane

It literally starts with G heading to work on time at 9, but William comes in like "BOI YOU'RE SPENDING TOO MUCH MONEY ON THE GAZETTE YOU HAVE TO CUT DOWN THE BUDGET" (Imagine this screamed directly into Geronimo's ear)

Obviously William's definition of "cut down the budget" is this

TW: Spoilers for Curse of the Cheese Pyramid, William behavior, do not click on if you don't want a spike in blood pressure

If you choose to turn away now, the following fume was just an intermission for finding this picture lmao

He pawned over everything (and I mean EVERYTHING) in Geronimo's office, from his desk to his armchair to his carpet to his book collection to his art collection, and replaced it all with a single plastic chair and desk ("All you need in an office is a desk and chair!")

He fired ALL THE STAFF and decided that only family members will be working for the paper (because family members don't need to be paid as much probably (if at all) when working for a family business-- they all share their finances with each other, anyway maybe (it's not clear what their salaries are gonna be (wanna bet G is paid minimum wage while Thea is paid 50% of the Gazette's monthly expenses after this clean sweep))). The only person spared from the firing spree was Shif T. Paws, the Gazette's sales manager, who apparently offered to work there for free.

He delegates all the work of the Gazette to four people-- G does all the office work (taking calls, building maintenance, writing, editing, printing, clientele stuff), Thea does all the interviews and field work stuff, Trap does all the cooking, and Benjamin is "William's personal assistant". Lord knows what that last position means for little Benji. (Okay reading ahead Benjamin seems fine, but he does say that William is "a bit pushy".)

He sends G out on a work holiday thing and he overworks the crap out of everyone, to the point where even Thea is sick of William's senile old-fashioned ass, and it seems that the Gazette was also going downhill because of this mouse furry ripoff Daniel Dancer. (To give a preview of what he did in the working perspective, he basically had Trap work seven days a week)

He was planning to have staff give use old newspaper instead of toilet paper (T&B expenses), make a 30-second time mechanism for the restrooms (to maximize manpower efficiency and possible humiliation for anyone going number 2), and was considering cutting all electricity to the building and just have staff work on typewriters "just like the old days".

This man's senile ass--

[a-gay-bloodmage]

One of my favorite hobbies to engage in is ignoring the canon course of video game romances

[emforevermore]

can i be really fucking honest for a second and say that i find it really fucked up that swifties are on such a moral high ground about matty healy but loooooove travis kelce. what the fuck is that about. at least matty healy isn't a trump sympathizer????? like?????

[longagoitwastuesday]

I actually like the last chapter. I think the ideas are very good. I have my qualms on how some things were managed, as I always do, but I think shonen authors get tangled in the expectations of a shonen to the point it jeopardises their writing, often even when they're not lacking in skills

[tossball-stick]

kicks dirt. saw 1 fact about 19th century whaling and now i wanna make an ex whaler rdr2 oc

[sageofthestrange]

✿

bold for things i could definitely see or want, italics for things i could see or am unsure of and striked out for things i don’t want or cannot see.

FRIENDSHIP.     childhood friends  /  work buddies or coworkers  /  family friends  /  friends with benefits  /  smoking buddies  /  adventure buddies  /  fake friends  /  recently friends  /  party buddies  /  friendship of need  /  dying friendship  /  circumstantial friendship  /  partners in crime  /  old friendship  /[your muse] is the good influence  /[your muse] is the bad influence  /[my muse] is the good influence  /[my muse] is the bad influence  /  opposites attract  /  ride or die  /  frenemies  /  roommates or flatmates  /  penpals  /  exes to friends  /  enemies to friends  /  other

ROMANCE.     childhood sweethearts  /[your muse is mines] childhood crush  /[my muse is yours] childhood crush  /  exes  /  exes to lovers  /  forbidden lovers  /  highschool sweethearts  /  secret relationship  /  opposites attract  /  long distance  /  unrequited [from your muses side]/  unrequited [from my muses side]/  unrequited [from both sides]/  skinny love  /  friends to lovers  /  enemies to lovers  /  spurious relationship  /  power couple  /  newly entered  /  soulmates [ metaphorical ]/  soulmates  [ literal ]/  awkward  /  turning toxic (only in Godhood Path)  /  toxic love (only in Godhood Path)  /  cheating [on your muse]/  cheating [with your muse]/  other

FAMILIAL.     siblings [half]/  siblings [step]/[my muse] is an older sibling figure to your younger sibling figure  /[my muse] is a younger sibling figure to your older sibling figure muse  /[my muse] is a parental figure to yours  /[my muse] is a child figure to your muse  /  guardian figure  /  legal guardian  /  adoptive child  /  foster child  /[your muse] is taken under mines wing  /[my muse] is taken under yours wing  /  other

ANTAGONISTIC.     dangerous to each other  /  dangerous to others  /  unpredictable  /  rivals  /  petty  /  developing into sexual or romantic tension  /  based off family matters  /  based of off circumstance  /  based of professional matters  /  based off misunderstanding or lies  /  conflict of ideology  /  betrayal  /  hero - villain dynamic  /  enemies  /  fight club  /  friends turned enemies  /  lovers turned enemies  /  exes turned enemies  /  other 

[skrunksthatwunk]

god goromi really fucked my gender didn't she

[missdynamighttt]

i love love LOVE reading the hcs where pro hero, husband! katsuki is just so in love with his dear wife.

you sat on the couch, a warm blanket wrapped around you, as you watched katsuki's live interview on tv. the interviewer, a well-known journalist, smiled at him, clearly eager to delve into his life as a top pro hero.

“so, mr. dynamight, what would you say is your greatest achievement?” the interviewer asked, leaning in with interest.

without missing a beat, katsuki didn't even hesitate. “marrying my wife.”

your eyes widened, your heart skipping a beat. a big, silly smile spreads across your face as you listened, touched by his words.

the interviewer chuckled, clearly caught off guard. “that’s very sweet, but i meant in your pro hero career.”

katsuki frowns at him, as if offended by the idea of something else being greater than marrying you. “nothing else matters.”

the room fell silent for a moment, the sincerity of his words hanging in the air. yhe interviewer, taken aback by his straightforwardness, smiled warmly. “that’s quite the statement. it’s clear how much she means to you.”

katsuki simply nodded, his expression unwavering. “she’s my everything.”

you felt your heart swelled with love and pride, tears prickling at the corners of your eyes. you knew he loved her, but hearing him say it so openly and proudly made you feel like the luckiest girl in the world.

his girl. his one and only. the love of his life.

long after his interview, the front door creaked open, and your husband stepped inside, loosening his tie as he kicked off his shoes. before he could even set his bag down, you appeared, practically bouncing with excitement.

before he could even say a word, you launched yourself at him, throwing your arms around his neck and pulling him down into a huge, sloppy kiss. katsuki barely had time to react before you were kissing him with such enthusiasm that it left him momentarily stunned.

when you finally pulled back, a big grin plastered on your face, he blinked, wiping at his lips with a bemused expression.

“what the hell was that for, sweets?” he asked, though his tone held no real annoyance.

you giggled, wrapping your arms tighter around him. “for being the sweetest husband ever,” you smiled, eyes shining with affection. “i saw the interview.”

katsuki’s face softened, a small smirk tugging at the corners of his mouth. “tch, you’re acting like i don’t mean it.”

“i know you do,” you replied, leaning up to peck his lips again, this time softer. “but hearing you say it like that... it means the world to me.”

he sighed, pulling you into a tighter embrace. “you’re such a sap,” he muttered, though his tone was fond.

“says the guy who just declared i’m his greatest achievement on national television,” you teased, nuzzling into his chest.

katsuki scoffs, pressing a kiss to the top of your head.

“yeah, yeah. just don’t get used to it.”

‎‧₊˚✧[ it's me, kia ! ]✧˚₊‧ ｡ﾟ•┈꒰ა ♡ ໒꒱┈• ｡ﾟ ‎‧₊˚✧[ more of katsuki ! ]✧˚₊‧

⋆˚࿔ kia's note ˚⋆ based on david bowie interview about his wife :)) also, happy birthday to me!! tysm for the 1k follows yet again, please enjoy this while older bro's bsf is a wip <333

[elixirfromthestars]

By The Warmth Of The Oven

Pairing: Bucky Barnes x Avenger!Reader

Summary: You are baking cookies for the Avengers holiday party when a certain super solider comes into the kitchen tipsy for the first time...

Word Count: 1.1k

Warning(s): none. pure fluff. tipsy bucky.

Prompt/Event: @the-slumberparty december daze -> is it those cookies that smell delicious or is it you?

a/n: This fluffy drabble is my holiday gift to you my dear Bella @nickfowlerrr ♡ In honor of Can You Feel It? being the first of many beautiful fics I read of yours 🥹🩷 Thank you everyone for reading! ₊˚⊹♡ Likes, comments, and reblogs are much appreciated!! ♡♡♡

bucky masterlist ♡ || fluffy winter drabbles masterlist ❆

“Smells good…” Bucky’s voice comes out of nowhere from behind you as you grab another tray of chocolate chip cookies from the oven. You glance over your shoulder to find him sauntering into the kitchen, making his way over to you. 

“Freshly baked cookies always do,” you reply with a gratified grin, placing the tray on top of the stove so the cookies have some time to cool off before you plate them. Your friends had already gone through three batches of them and they practically begged you to make more. It was a nice feeling, almost rewarding in a way, knowing something you made was so loved by your friends. 

“‘m not talking about the cookies, doll,” there’s a bit of a slur in his cadence that catches your attention at the same time that your heart skips a beat at his words. You turn to him to see he’s staring at you with a dreamy smile and a twinkle in his eyes, propped up against the counter by his elbow. You frown at his unusual nonchalant demeanor. You’ve never seen him act this way before. 

Your head tilts slightly as you examine him a little closer. There’s a bit of a sway to his stance and his cheeks are tinted pink. “Bucky, are you drunk?” Almost immediately he shakes his head at your question, “No. I can't get drunk,” he replies with an obvious tone, and yet the pouty frown on his face tells a different story. 

“Right, you can’t…” you affirm, mulling it over for a moment,“Unless…did Thor give you some of his special Asgardian liquor?” You ask, stepping slightly closer to him, the apples of his cheeks getting rosier in response. 

“I took a shot. I started feeling funny and came here—felt safe,” he mutters that last part reluctantly, sharing something with you he wouldn’t if it weren’t for the alcohol in his system.

“In the kitchen?”

“With you.” 

Your amusement is replaced with a soft expression at his response. He most likely hasn’t felt the effects of alcohol in decades and a part of him doesn’t know how to cope with the resurfaced inhibitions. The fact that while feeling unwell his first instinct was to come looking for you—it made a warmth spread throughout you that could easily rival the heat of the oven.

You reach out to cup his cheek, soothing the flushed skin with your thumb. He instinctively leans into your touch, his eyes shining with a gentle vulnerability that causes your heart to squeeze in your chest. You and Bucky have always had a flirtatious friendship for as long as you can remember, but it's never gone past that. Seeing him so openly affectionate with you stirs emotions deep within you that you aren’t sure you’re ready to bring to the surface.

“I don’t think the alcohol is going to stay in your system for long, Buck. How about we do this…you wait for me here while I go out and serve the cookies I baked,” his eyes widen slightly and you can tell he wants to protest until you add, “I’ll bring back some hot chocolate for us to share and we can enjoy it along with some cookies while we wait for that liquor in your system to wear off. How does that sound?” You suggest softly and you can see the way he thinks it through before he agrees with a nod.

He doesn’t take his eyes off of you as you plate a few dozen cookies on decorative plates, leaving a handful behind for you and Bucky to share. You make sure to quickly take them out to your friends and serve up two piping hot mugs of hot chocolate before making it back to the kitchen in no time. 

When you meet back with Bucky you find him sitting on the counter where he watches his legs as he swings them lazily to and fro. You observe him fondly for a moment longer than necessary. Trying to commit to memory how carefree and unguarded he is at this moment. When he notices you his face lights up in a way that makes you feel like the most precious person on earth. 

“Here, as promised,” you hand him a mug of hot chocolate which he takes eagerly—too eagerly—as he immediately goes for a sip of it. Before he can, however, you stop him, placing your hand as a barrier between his lips and the mug. His mouth ends up pressed into your palm, and you ignore the heat that finds its way to your face at the softness of his lips brushing against your skin.

“Bucky, it's scalding hot! You’ll burn yourself! Wait until it cools down a bit, please.”

“It’s not gonna burn me, doll. I’m a super soldier. Watch—”

“Bucky!” 

You use the cookies as leverage to coax Bucky into waiting for the hot chocolate to cool down before he drinks any of it. For the next hour or so, you enjoy each other's company. Between the sweet treats and the lighthearted conversations, time flies by in a heartbeat. 

Then, while in the middle of a discussion over your last mission, Bucky does something that completely takes you by surprise in the best way possible—he kisses you. It’s short, but profound in the way he pours everything into it. Every flirtation you ever questioned could mean something more was proven here with this kiss, that it had meant so much more for more than just you. 

You’re speechless when he pulls away beaming as if his heart might burst.

“Looks like I was right.” 

“Huh?”

“I asked myself what was sweeter. You or the cookies. I knew it'd be you,” he states as a matter of fact, drinking up the way his words affect you as much as the kiss had. There’s a part of you that doesn’t believe him, but it's not because of him, but more so because you think you must be dreaming. 

“That's the liquor talking.”

“I've sobered up a while ago, doll.”

You search his eyes for the truth of it all and you find it. This is real. This isn’t a dream. And the yearning that burns bright in his eyes is one you know all too well. It’s the same one reflecting in your eyes as your gazes lock on one another.

“I still think the cookies are sweeter,” you whisper, your eyes shining with a playful challenge despite the way your heart races in your chest with anticipation. He catches on, licking his lips as his flesh hand snakes its way to the back of your head to cradle it gently.

“‘m gonna prove you wrong, doll,” he declares in a huskier tone as he pulls you in for another kiss. And that night, by the warmth of the oven, Bucky continues to kiss you until he successfully proves you wrong. 

[lilislegacy]

i love how in heroes of olympus, there’s a boat full of couples (+leo☺️). and yet even if you didn’t know when each couple started dating, it’s so blatantly obvious that percy and annabeth have been together the longest, and are the most serious

cause frank and hazel are still pretty nervous/unsure with each other. they JUST started dating, and are so pure and adorable. they just haven’t quite figured out the romance part yet

and jason and piper have their moments, but they’re just so… distant. like not physically, of course, but they just don’t really seem to connect on a deep level. and they aren’t super affectionate, at least not physically or openly. piper is constantly unsure about where they’re at, and while jason has thoughts about how great piper is, he doesn’t openly show his feelings too often.

but percabeth? they’re the oldest in age (physically), have known each other the longest, and have been romantically committed to each other for the most time. they act like they’ve been together for eternity, which is funny since they were technically only dating for 4 months before percy got abducted. but they just have such a deep history together and such an intense connection. they’re in it for the long run. there’s no doubt or uncertainty - and it shows. like…annabeth is so wife girlfriend. there are so many funny/cute little moments, like her scolding him for putting too much syrup on his pancakes, and telling him to take a shower when he smells bad. and when percy suggests him and jason should go on a dangerous quest instead of annabeth and piper, instead of being like “omg he cares so much about me😍” (which hazel and piper would have done) annabeth is like “what seaweed brain?? you think two guys can do better than two girls??” and percy is immediately like “uh uh NO nope i definitely do NOT think that!!” he knows better. the immediate fear is so husband boyfriend of him. they simultaneously have the most disagreements (remember when percy called annabeth out when she thought she should navigate through rome alone, and basically called her stupid for thinking it was a good idea, and then they argued and had a face-off, which percy won) - while also being the most lovey dovey (they’re constantly putting their hands on each other - annabeth putting her hand on his chest to calm him down, putting their hands on each other’s arms for support, percy having his arm around her when they’re at the edge of the ship, always giving each other a kiss on the mouth or the cheek when they separate, etc). and they have no issues sneaking off in the middle of the night to do some talking and kissing. and quite frankly, making out in front of piper in BoO (remember that? when piper got super uncomfortable at how long their kiss was lasting, and then annabeth let out, and i quote, “grunt-whimpers”). they are just so natural and comfortable with each other. piper says it herself.

i just think it’s so funny. little frazel being adorable and blushing when they hold hands, jiper is happy to be dating but they’re also a little angsty and uncertain, and then there’s percabeth just being the old married couple they are. (and leo is being cute and fixing stuff)

[darkmatilda]

𝐥𝐨𝐬𝐭 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧 | 𝐬.𝐫𝐞𝐢𝐝

𝐬𝐮𝐦𝐦𝐚𝐫𝐲: your first solo, undercover mission unexpectedly spirals out of control when a real heist begins at the scene.

𝐜𝐨𝐧𝐭𝐞𝐧𝐭𝐬/𝐩𝐨𝐭𝐞𝐧𝐭𝐢𝐚𝐥 𝐭𝐰: spencer reid x newbaumember!femalereader, robbery, the reader becomes a hostage, is beaten by the attacker (quite severely), killing of hostages, shooting, inspired by s1e9 where spencer saves elle on a train (the plot is very similar but set in a different scenery), spencer's pov, the attackers are definitely not the gentle type, reader is wearing a skirt (her whole outfit is described), glasses reid propaganda

𝐚/𝐧: merry christmas guys <3 fasten your seatbealts and get ready for this rollercoaster.

𝐰𝐨𝐫𝐝𝐬: 14.8 k

"Why do I get the feeling that neither of you is even half as stressed as I am? Actually, scratch that—neither of you is even one-tenth as stressed as me?”

The question left your lips accompanied by a kind of sigh, an attempt to expel the air poisoned with anxiety and replace it with something fresh, clean.

"Because we know you’re going to do brilliantly, sweetheart," Penelope replied without hesitation, sparing you only a fleeting glance as she momentarily tore her eyes away from her computer screen. One of many screens.

Her office was filled with an uncountable number of them, all glowing brightly and lighting up the small, dimly lit space, which was also packed with her colorful accessories—pom-pom-topped pencils and flowerless plants in tiny pots, most adorned with smiling faces or hearts.

"Or rather," Reid interjected, spinning in a circle on his swivel chair, "because we both doubt you’ll even be remotely useful out there." A white box of Chinese takeout rested on his lap.

You shot him a grimace.

"Next time you try to undermine my self-confidence, make sure I’m not holding anything sharp," you warned, pointing one of your chopsticks at him. Yes, less than an hour before your first solo assignment, you were all happily indulging in junk food from the closest restaurant to the office, ignoring the looming possibility of digestive regrets. "Or you’ll lose an eye."

"Aren’t you tired of trying to kill me yet? First, you gave me a concussion…"

"You didn’t get a concussion, Reid. Stop exaggerating…"

"And now, you’re openly admitting that you plan to cause me permanent damage by depriving me of my sense of sight—which, as it is," he said, tapping the frame of his glasses, "is already in less-than-stellar condition."

"You two are just adorable when you argue with each other like an old, bitter married couple," Penelope commented with a small smile on her pink-lipsticked lips.

You first looked at each other, then at her, eyebrows raised, and in a synchronized moment, you both let out a huff. Unfazed, she continued.

"But now we really need to get to work. The exhibit starts in an hour, and you should get there with him. Have you ever used that microphone? It’s the latest model we’re testing, gosh, I’m so excited…"

"You’re adorable when you act like a typical nerd," you shot back, mimicking her little smile and tone of voice.

"A nerd I proudly am! Just like this guy here," she nodded toward Reid, who pouted slightly, looking offended. "You’re surrounded by nerds, sweetheart. Soon enough, you’ll become one too."

"Dear God, forgive me my sins and watch over me…" you whispered, staring at the ceiling.

The mysterious he that Garcia mentioned was named Christopher Allen, and he was surprisingly young for a neurotechnology engineer. He worked on issues surrounding the human brain and developed devices designed to have a broad range of effects on it. But why were you supposed to go with him to some exhibit? Equipped with a spy microphone? And why was it stressing you out so much that for the past ten minutes, you had only been picking at your Chinese takeout instead of eating it?

Well, it's hard to decide where to start explaining from.

You were summoned before Hotch yesterday, who informed you that an opportunity had arisen for you to prove yourself in the field. Alone, undercover, for the first time in your—let’s be honest—tragically short career at the FBI. On top of that, this was meant to test all the new equipment your team had received, the kind that Penelope had been so enthusiastic about. You couldn’t shake the feeling that this was the main reason you’d been assigned this task. Someone had to check the effectiveness of the gear, and at the same time, you, the rookie, needed to gain more experience. Allen’s case was like killing two birds with one stone.

This scientist had worked with the FBI multiple times, and that’s why when danger started looming over him, he was quickly assigned protection. The threat came from threatening letters and even a direct attack at his own home, which fortunately didn’t end in tragedy. Allen was descending into paranoia and was afraid to even attend public events, even ones with full protection, like the tech exhibition—taking place in one of the modest local museums—designed to showcase the latest advancements in neurotechnology and more.

He was probably afraid that during the event, someone would simply rush at him with fists and try to murder him in front of dozens of random technology and brain enthusiasts. Or something like that. Your task was to pretend to be his assistant, never leaving his side and carefully observing the surroundings. And that was it. Nothing too demanding was expected of you, unless things started to go south. However, that seemed highly unlikely, as everyone made it clear to you.

Still, you couldn’t shake the fear—whether justified or not—that something would go wrong. And it would be your fault.

“Reid, clip the microphone on her,” Penelope interrupted your train of thought with the order. “You’ve never used one of these before, have you, sweetheart?”

You nodded in confirmation, watching as Reid set aside his box of Chinese takeout to take the tiny device from her.  He stopped a step in front of you, perched on the edge of one of the desks, his gaze shifting uncertainly between the small black microphone in his hand and you.

“Where… where can I…?” he asked, trailing off as he made a vague gesture with his hand, surprisingly loaded with awkwardness.

“Oh,” you let out a confused sigh, beginning to consider where it might be best to place it. The sleeve? Shouldn’t it be closer to your face to capture even your quietest whispers?

“Okay, I’ve got an idea,” you said, starting to unbutton your white shirt, revealing a significant portion of your neckline. “Here?” you asked.

“Yeah… I think so,” he replied hesitantly but didn’t move.

It wasn’t until a moment later that he swallowed and, with a slow, deliberate motion, reached for a section of your shirt near your cleavage. His actions were careful—almost excessively so—like his top priority was ensuring he didn’t accidentally brush against your skin.

The microphone’s clip was quite small, though, and attaching it to your clothing required him to take another step closer and lower his head near your chest.

Even as your breathing slowed, you couldn’t help but smile at the sight of Penelope shaking her head in amused disbelief. 

You preferred to look straight ahead rather than at his fingers, working with such careful focus, though you couldn’t help but let your gaze flicker to them repeatedly. Just for fractions of a second—it was difficult to pull your eyes away once they landed there.

Only when he finished, his hands dropping quickly to his sides as he stepped back, did you realize you’d been holding your breath for quite some time. You became acutely aware of how stifling Penelope’s little office was—how did she even manage in the summer?

"That's not all," the woman on the screen broke the silence, one you hadn't even realized had fallen. "There's also a transmitter you'll need to keep on you somewhere. Securely, so it doesn't fall out. Are you planning to go dressed like that?"

You glanced down at your outfit. A simple black skirt and white shirt—the first thing that came to mind then you learned you'd be posing as an assistant.

"Inappropriate?" you asked, searching for an answer first on Garcia's face, then on Reid's. The latter gave the barest shrug, barely even looking at you.

"You look amazing. Absolutely stunning, darling. I wish I could have an assistant like you," Penelope reassured you. "But in this economy, I can only dream about it. Anyway, my point is, you don't have any pockets. Where are you planning to keep the transmitter and your gun?"

"I was thinking of just tucking it into my skirt. At the back."

"I don’t think that’s the best idea," Reid interjected doubtfully. He hadn’t reclaimed his spot on the swivel chair and stood instead, arms crossed over his chest. The embarrassment you’d managed to put him in (quite adorable, really) was slowly dissipating, leaving only a faint blush on his cheeks. The corner of your mouth twitched when you noticed it. "I mean, it could fall out, or start sticking out, which could lead to questions like why an assistant is walking around with a gun..."

"Okay, I get it," you sighed. You could’ve thought this through a bit better. "Maybe I’ll have time to swing by home and grab, I don’t know, a blazer or something..."

"You won’t," Penelope declared after glancing at the time. "But you can always borrow my jacket."

You looked at the garment draped over the back of her chair—a bright pink leather jacket. You didn’t even bother responding; you simply stared at it, letting the expression on your face do the talking.

"Alright, I admit it, I didn’t think this proposal through. So, it looks like we’ll have to..." She trailed off, her gaze landing on Reid’s figure. Surprised by the attention, he pointed at himself.

You also directed your attention at him. He was wearing a simple brown blazer, which would go well with your unremarkable outfit.

"Take it off," you instructed.

He was silent for a moment, though there was no visible protest on his face—just doubt.

"It’s gonna be too big," he remarked, his hands gently grasping the edges of the jacket as if unsure whether to take it off.

"Apparently, oversized is coming back into fashion."

"Okay, fine," he sighed, removing the jacket. Underneath, he wore a shirt and a black vest, from which a matching tie peeked out. Initially, he seemed hesitant about the idea, but handed it to you with some urgency. "Here you go."

You sent him a brief, grateful smile.

"You’re saving my mission, Reid. I’ll mention you in the report. And I’ll frame your name with a little heart, drawn with one of Penelope’s glitter pens," you declared.

He returned the gesture, the corners of his mouth lifting slightly as he gave a small nod. You noticed his gaze was almost fixed on your face, as if some invisible force were forbidding him to look away, down or sideways.

You didn't think too much about what it meant, you didn't really have time. You put on the blazer, which was indeed a little too long, and hid the transmitter in the inside pocket. You placed the weapon at your hip, concealing it with your clothes. As you were about to leave, you said talk to you later because the two of them were going to communicate with you through the earpiece the entire time. They wished you good luck, and you were just about to leave the desk when Reid, suddenly as if unable to stop himself, said your name one last time.

You looked at him questioningly. Instead of responding, he made an uncertain gesture near his chest. Confused, you looked down.

For the entire time, half of the buttons on your shirt were still undone.

*

You had never met him in person, but you recognized his face from snippets of interviews that occasionally appeared online, or perhaps he had even been on the news a few times. He was in his thirties, give or take five years, hard to tell. His entire persona seemed to be built around the carefree nature of a young eccentric with a sharp mind and an unrestrained tongue, constantly refining his thoughts and conclusions, often controversial, causing an uproar among the public. Without a doubt, he was one of those people often called a genius. Which, not always, was a compliment.

Allen seemed deeply displeased by your presence. He looked… tired. His red hair contrasted with his very pale complexion, as if made of glass, and dark circles rimmed his eyes. He wasn’t shockingly tall, about your height, but with broad shoulders.

"The FBI was supposed to provide me with protection because some psycho is literally trying to kill me, and they send you?" he asked, bitterly, exchanging a brief handshake with you before getting into the car.

You both sat in the back, the driver at the wheel. You were supposed to arrive at the exhibition together. His reaction caught you off guard, his open anger sparking the same feeling in you.

"What's your problem?" you asked. His insulting tone irritated you the most, especially since he hadn’t even had the chance to get to know you.

For a moment, the man sat staring out the window. His body was tense, almost stiff, as if stressed. His elegant attire, with a shirt half-tucked into his pants and too many buttons undone, suggested that he usually dressed more casually.

He let out a heavy sigh, as if furious, then hastily wiped his face with his hand.

"Just..." he began coolly and cautiously, as if holding back some cruel words. "I get the feeling that everyone is downplaying the seriousness of this situation."

"We're all approaching this with the necessary commitment," you replied, though it wasn't entirely true. Allen had every right to fear for his life, but each of you honestly doubted anything would happen to him during this exhibition. If the threat had been real... Hotch probably wouldn't have sent you. "Believe me, we understand the gravity of the situation..."

"Really? Even the letters I've been getting? The content of them?"

You knew about the threats sent by an unknown sender, but you hadn't delved into what exactly they contained. Seeing you hesitate to answer, Allen scoffed.

"You're fucking great at your job, no doubt. So let me fill you in. They come every day. Every fucking day. And I read every single one of them. You know, I've even started seeing a pattern. First, they beg me. Then they threaten to fucking kill me. Smash my face into the ground, beat me to death with a metal rod, rip out my ribs, douse me in gasoline, and set me on fire..." He paused, dramatically scratching his chin. "Oh, almost forgot. They're going to peel the skin off my back. Then there's a day off. No letter comes. The next day, they apologize. I don’t know if this psycho has some extreme split personality or... or... I have no fucking idea. The cops said, get this, it's normal. 'Cause I’m a public figure."

"They brushed it off?" you asked, slightly shaken.

No matter how famous he was, threats were still threats.

He shrugged. He was trying to speak with a voice full of dismissive irony, but it wasn’t working. He stumbled, taking breaks to swallow. Though he had treated you like a complete jerk earlier, you were starting to understand.

“First off, until someone broke into my house and tried to drag me out of bed and take me…God knows where. Probably if I hadn’t had a dog…” he trailed off, glancing back out the window. You’d arrived at the museum, where the exhibition was to be held, but Allen hesitated to get out of the car. “This guy is nuts, whoever he is. I don’t know what to expect from him. He wants to kill me, kidnap me, torture me? Or maybe he’ll just settle for shooting me from a distance like I’m some goddamn Kennedy?”

“That doesn’t really sound like him,” you said in a calming tone. “He tried to kidnap you from your house, why would he suddenly attack you in a public place…”

“My fiancée is pregnant,” he suddenly blurted out.

You blinked, unsure how to respond to the sudden confession.

“Congratulations?”

“For her safety, I sent her very, very far away, somewhere she shouldn’t be in any danger,” he continued, completely ignoring your words. “And though her and the baby’s well-being is my top priority… I also need to take care of myself. I need to make it to their birth…and longer, of course. But that’s why I’m afraid to even go out to the damn store for milk, and that’s why I was so pissed off when I found out they assigned me a woman who, no offense, looks like she wouldn’t know how to hold a gun.”

You instinctively scoffed at his last comment, though it was hard to stay particularly mad at him, knowing everything he was going through. An awkward silence fell between you, heavy and laden, during which the two of you simply stared at each other. It hit you that you were responsible not only for his safety but also for ensuring that someone’s fiancé and future father would make it home.

“We should get going,” you said, nodding toward the museum. Still, you couldn’t help but feel a certain tension at the thought of leaving the car. You shook your head slightly, trying to dispel it. “And just so we’re clear, I do know how to handle a gun—more than you’d think. But for your sake, you better hope we don’t have to put that to the test.”

Out of the corner of your eye, you noticed the corner of his mouth twitch.

"Well then, onward, assistant. Tell me, how much do you know about neurotechnology?"

Well, by the end of this day, you were definitely going to know a lot more. Together with Allen, you crossed the threshold of the museum. Its decor clashed with the theme of the exhibition, but apparently, they hadn’t managed to secure a better location. 

The interior layout was harmonious—rounded arches were supported by symmetrically arranged marble columns, and the dominant shades were gold and royal red.

Your destination was the exhibition hall, circular in shape, where mahogany tables served as display stations for various prototypes in the fields of medicine, neurobiology, and informatics. In other parts of the building, there were tall, arched windows, but this particular room had none. No natural light entered; all illumination was generated by lamps that, to their credit, mimicked the natural diffusion of sunlight quite effectively.

Among the displays were an interactive brain map and various projects still in development but aimed at assisting people with disabilities.

You observed all of this with interest while simultaneously listening to your companion’s impromptu lecture on the human brain (apparently, talking helped him calm down). At the same time, you were closely monitoring the crowd around you.

True multitasking.

The exhibition was open to everyone; no one was checking who entered the venue. Although you counted three security guards in the room—dressed in simple black suits and mostly tasked with ensuring that no one tried to steal anything—there was a subtle air of unease hanging in the atmosphere. If Allen’s suspicions were correct, the person intent on ending his life could be one of these faces. To your surprise, however, he suddenly seemed far less concerned about it than you were.

“You don’t have to follow me around like a shadow,” he said, leaning toward you to make himself heard over the murmur of surrounding conversations. A familiar face with a loud, bright red tie waved at him and began making their way over. “Just don’t take your eyes off me, no matter what. And keep an eye out for anyone suspicious—whatever that means to you. Hey, man!”

He greeted his acquaintance with a friendly handshake. Following his instructions, you took a small step back, deciding to take a short stroll among the exhibits. But after barely two steps, your finger went to the discreet earpiece hidden under your hair.

“Are you there, my lovely nerds?” you asked with a playful smile, knowing they couldn’t see it but imagining their reactions.

“At your service!” Garcia responded enthusiastically, and you could almost picture her saluting on the other end.

“And what about Mr. Smartass? Did he get bored and wander off to study the reproductive habits of ants?”

“I heard that!” he replied, summoned by his new nickname. “Such gratitude for letting you borrow my jacket.”

“Speaking of the jacket,” you continued, “I found a candy in the pocket. How thoughtful of you to leave me a little sweet treat.” You weren’t joking; there really was a candy inside. You inspected the wrapper and frowned. “Marzipan? Ugh. Do you have the taste buds of my grandma?”

"To what I know, I haven't had a taste bud transplant. Especially not from anyone's grandmother," he replied nonchalantly. "And as for those ants..."

"Sorry to interrupt, my darlings, but I have a few questions about the sound quality of these new microphones..."

True to her word, Garcia began asking you how well you could hear them and instructed you to lower your voice to a whisper and then raise it sharply. Some sort of test or whatever. You did it all patiently while staring at the red-haired mop at the station across from you. Allen seemed pretty relaxed now, probably realizing nothing was going to happen to him.

"Okay, now do the sound like a chicken. I mean the noise."

"What?"

"You know, cluck."

"Pen, is this really necessary?"

"Yes, sweetie. I need to check something else. Last thing, I swear. Scout’s honor."

You sighed, looking around at the people nearby. Few were paying attention to you, you were just one face in the crowd. God, for something like this, you could ask for a raise.

"Exactly, honey. Just louder," Garcia asked.

You rolled your eyes and tried again to make the chicken sound. An older couple glanced at you, their eyes wide with horror.

"Alright, enough," you muttered, embarrassed, into the earpiece, quickly moving to a different spot.

And then you heard the pair on the other side literally choking with laughter.

"I fucking hate you guys," you said. "I hate you. Especially you, Penelope. Give me Reid on the mic, from now on I'm only talking to him."

Another burst of laughter from the woman. You clenched your jaw. And as if that weren’t enough…

 "Did you want to hear me, little chick?" Reid asked politely.

“I should’ve gouged your eye out with a chopstick when I had the chance,” you hissed into the phone, a little too loudly, drawing a few curious glances. You were supposed to be watching for suspicious people, but it turned out you were acting the most suspicious of all…

“Did you catch what she said?” Reid addressed Penelope. “I only heard clucking.”

“Ha-ha,” you rolled your eyes.

For fifteen minutes, you had to endure such jokes. You seriously began to worry that they’d never get tired of it, but finally, after a quarter of an hour of psychological torture, they fell silent. You kept a sharp eye on your surroundings.

“By the way,” you began, still a bit offended by the chicken joke. “You guys should regret not being here to see these inventions. Perfect for you, nerds.”

“Well, actually, we can see them,” Reid’s voice came through the earpiece, sounding very clear, clearly taking the whole mic for himself. “Garcia grabbed footage from the cameras inside the room.”

“So you can see me? This whole time?”

 “Yep. And we saw that terrified couple who ran as far away from you as they could as soon as you started clucking like a chicken. Poor souls.”

You ignored the comment and began scanning the room for the cameras. When you found them, you scratched your forehead with your middle finger.

“Can you see this too?”

“I can see how much fun you’re having,” he scoffed. “Are you going to include that in your report?”

“Exactly. Right under your name, framed with a glittery little heart. Any other requests?” Not waiting for his response, you added, “By the way, how do I look in your jacket? Does it fit me well?”

"I think so. I mean, the blazer is incredibly well-tailored. And of good quality. It’s impossible for it to look bad on anyone." He paused for a moment, and his voice grew more serious. "How’s it going? Have you noticed anything suspicious? Still feeling stressed?"

"Not anymore," you admitted, speaking the truth. Even though the exhibition had just started and was supposed to last about another hour, you felt like you had passed some milestone where nothing could go wrong anymore. "But of course, I’m still keeping an eye out. I had a little chat with Allen…"

"I heard," Reid acknowledged. "Very interesting lecture on the human brain, I must admit."

You let out a small laugh.

"I talked to Allen earlier. Still in the car. After what he told me, I don’t think he's a paranoiac. The guy is just really worried about his safety. And not just his.”

A moment of silence fell on both sides.

"Speaking of Allen, he's heading your way," he informed you, likely watching the feed from the cameras. "I guess I'll hear from you later then. I mean, I’ll be hearing you the whole time, just not the other way around. Unless you want me to constantly broadcast about ant reproduction?"

"Sorry, Reid, but I’ll pass. Maybe some other time," you chuckled, noticing the engineer approaching. As he walked, he bumped into a man in the crowd and exchanged a quick apology. You used that moment to add something else, a bit impulsively. "And what about this? Do you see this?"

You pressed the inside of your hand to your lips before unfolding it, sending a kiss toward one of the cameras. Reid was silent as Allen drew closer.

"I see it," he finally admitted, quieter. You regretted not being able to see his expression, it was unusually hard for you to picture it at that particular moment. Was he smiling? "And I like it a lot more than what you showed me earlier."

You turned your back to the camera so he wouldn’t see you smile. It only hit you afterward that he probably saw it anyway, just from a different angle.

"I see you're enjoying the exhibition," Allen said, standing in front of you with his hands in his pockets. He had stopped pretending to be the classy guy and fully embraced his more laid-back side. "So, uh, sorry, but I think I'd rather head out now."

Worried, you discreetly glanced around.

"Did something happen? Did someone stare at you weirdly, do something...?"

He shook his head, a negative gesture.

"Nothing like that. I just saw what I needed to see. Check it off the list, I’m ready to leave..."

After his words, an absolute darkness fell.

Absolute darkness, in the truest sense of the word. The exhibition hall had no windows. When the lights went out, it felt as if someone had tied a cloth tightly over your eyes. Yet, like a fool, you kept looking around, as if moving your head could somehow tear through the blackness enveloping you, freeing you from the growing panic that was slowly flooding your senses.

“Garcia, what’s up with the cameras?” Reid’s voice sounded in your ear. He was confused, not yet frightened. He didn’t know what was happening yet. None of you did.

The people around you, of course, were also surprised by the sudden blackout. A few muffled gasps echoed, one or two squeals, a smattering of curses. But there were no screams, no one tearing at their throats or blindly bolting forward, trampling others in the process. That came later.

Exactly four seconds after the first gunshot rang out.

Before, the world seemed to freeze in place; everyone’s breaths were trapped in their lungs, unwilling to escape, even out of curiosity. Your body lunged forward as if trying to flee, but it quickly dawned on you that there was nowhere to run. Where had the shot come from? Who had fired it? Was someone hurt?

Something—or rather, someone’s hand—clamped painfully around your wrist. Instinctively, you tried to pull free, letting out a sound somewhere between a growl and a garbled cry.

“It’s me,” Allen choked out, his voice trembling. You couldn’t see his silhouette, but you knew the blood had drained from his face. “What the fuck... what the fuck is happen—”

The second shot rang out, closer and sharper than the first. Chaos erupted in the room. Screams, so hysterical they drowned out the voices coming through your earpiece, filled the air. Something struck you hard, sending you stumbling as pain radiated through your shoulder. It was an empty kind of pain—something you felt and yet didn’t. You realized it must have been one of the panicked people charging blindly through the dark.

“Here,” you commanded, your mind snapping briefly into clarity. In your mind’s eye, you pictured the layout of the room before the lights went out. The corner of the hall, the wooden table behind you, where one of the prototypes had been displayed.

You slipped under the table, dragging Allen with you. He groaned as his head hit the underside of the furniture.

You were so utterly disoriented that it felt as though your own name was echoing on a loop inside your head. It took you a moment to realize it wasn’t just your mind playing tricks—it was someone’s voice, growing more familiar with each passing second.

The third gunshot.

Allen choked on his breath, his hand still gripping your wrist so tightly you feared it might snap—yet you didn’t register it as pain, merely as a sensation. The two of you crouched beneath the table, facing each other, teetering on the edge of succumbing to the abyss of panic.

Reid spoke your name again, faintly, as though he were far too close to the microphone. As though leaning in would somehow make you hear him better—make you respond.

“I’m here,” you managed to stammer, the first thing that came to your mind.

"Thank God, I thought..." he sighed, suddenly stopping, as if realizing it wasn't yet time for relief. "Are you... are you hurt?"

"My arm."

You didn't know why those words escaped your lips. Maybe because, although your mind was too occupied with trying to figure out the situation to focus on something like pain, your body couldn’t ignore the fact that it felt it. Against your will, you let out a hiss and finally pulled your hand out of Allen's grip.

"You've been shot? We... we can't see anything, do you have anything to stop the bleeding, maybe use my jacket..."

"I don't know what's happening, we've completely lost access to the camera feed, someone must have turned them all off, just like the power... Reid, immediately notify Hotch, he needs to know something's wrong..."

On the other side, chaos erupted, comparable to the one surrounding you. Penelope was aggressively pressing the keyboard keys, Reid was rushing between a phone conversation with Hotch and throwing random phrases at you like stay where you are or how's your arm?

But was staying put the right decision? Wasn't it just waiting for the person responsible for starting this... massacre to come for you? On the other hand, how were you supposed to escape? In complete darkness? You had a weapon... but what good was it if you couldn't see anything? A sound of resigned sobbing escaped you.

And then, suddenly, right before your eyes, Allen’s red hair materialized, his fingers pressed into his skull as if he wanted to tear it apart himself. You both looked into each other's eyes. Visibility returned.

“We have light,” you said, though it didn’t loosen the grip on your chest.

“What?” Penelope sputtered, confused. “We still can’t see anything, the cameras are still…”

Allen let out a choked cry. You followed his gaze. Just before your hiding spot, a pair of leather shoes stopped.

“Get out,” commanded a male voice. You lifted your head. Above you stood a man with dark facial hair and a submachine gun, looking like an extension of his broad shoulder. You immediately noticed, besides the weapon, he was also carrying a black sports bag slung over his shoulder. Both of you were too disoriented and terrified to follow the order. “I said, fuckin’ get out and against the wall, I won’t repeat myself.”

Like animals herded into a pen, you followed his instructions to the designated spot. The entire crowd inside gathered against one of the blood-red walls of the room, some pressing their backs against it as if that embrace would ensure their safety...

“What’s going on there now?” Reid asked. “We still don’t have a feed... I can hear you breathing,” he blurted out unexpectedly.

You realized that your breath had indeed become heavy and loud. It dawned on you that you hadn’t gone through any extensive training on how to handle a situation like this; you were useless...

“Just...damn it, I know it’s easier for me to say, but try not to panic, okay? Whatever’s going on... panic will only make it worse. You need to focus, please. Can you do that? Breathe? Slowly, like I’m doing now?”

Your hands clenched around the fabric of his jacket, feeling it under your fingers. Closing your eyes, you could almost imagine him standing right in front of you, in this very building, speaking those words. It helped calm you down, at least enough for your mind to stay somewhat communicative...

“Good. Very...very good. Now, can you describe what’s happening over there?”

You knew that every piece of information you passed on would be worth its weight in gold. You tightened your grip on the fabric of Reid's jacket and began scanning your surroundings.

“One shooter. He’s herding us... all of us, against one of the walls and... stuffing prototypes into the bag, every one he can get his hands on,” you reported, describing everything you’d seen. “It looks like a robbery.”

“Just one?” Reid asked. “What were those shots? Someone... got hurt?”

You were about to deny it when your attention was drawn to a bloodstain spreading across the marble floor at the opposite corner of the room. Allen nudged you, pointing to something else—a body lying motionless.

“Guards. He... he killed all the guards,” you recognized them by their uniforms, the words barely escaping your throat. So, he hadn’t hesitated to kill, not one of those inexperienced types with any moral inhibitions. Trying to make sense of everything happening around you, you pressed your hand to your forehead. “But... but how could he see them in this darkness...”

“Night vision,” Allen interrupted suddenly, his previously hunched figure straightening as he realized it.

You found the man busy with the theft and controlling the area. He was quite solidly built, you could compare him to Derek. And, as the engineer had observed, around his neck hung a device for seeing in the dark.

“The police have arrived outside the museum, but they won’t go inside as long as you’re trapped with him. They don’t want anyone to get hurt,” Penelope informed you, then let out a soft, wheezing breath, as if she was trying to calm herself down. “Sweetheart, the whole team is on their way too. From now on, you’re our informant…”

“Is Christopher Allen among you?” A commanding voice suddenly cut through the sheet of panic blanketing the room, drawing everyone’s attention. It belonged to a truly imposing man with a shaved head and a forehead lined with wrinkles that seemed to stem more from exhaustion than age. But by far, the most significant detail about him was the submachine gun he held in his hands.

Two. There were two shooters.

Your focus shifted to the man standing right in front of you, as if delivering some kind of speech. At first, you didn’t even register what he’d asked. He repeated the question quickly and impatiently, and you froze. Not that you’d been particularly active before, but in that moment, all your bodily functions seemed to shut down completely. You couldn’t bring yourself to look at Allen—not even for a fleeting glance.

“Christopher Allen. Biotech engineer. He should be here,” the man continued, scanning the faces in front of him almost desperately, searching for the one he needed. He sounded almost... distraught? That broken expression, teetering on the edge of tears and madness, starkly contrasted with his militaristic physique.

Suddenly, his accomplice appeared, tugging at his arm.

“Jesus, give it a rest. We need to get out of here. The car’s waiting for us, remember?”

He shoved the smaller man with a force befitting his build, sending him staggering backward.

“I’m not leaving until I talk to him!” he declared with furious determination. “Christopher Allen…”

“You’ve gotta be shitting me…”

“Allen…”

His eyes scanned the surroundings until they landed on the two of you. You felt someone lightly wrap their fingers around your forearm, gripping it almost instinctively. It wasn’t a strong or painful hold, but rather one born of genuine fear, seeking protection. Protection that, from the start, had been your responsibility to provide. Yet now, standing face to face with two armed assailants, with lifeless bodies lying in pools of blood in the same room…you felt the crushing weight of an obligation you were physically incapable of fulfilling, creating a storm of chaos within your mind.

Allen must have been fooling himself into thinking he could blend into the crowd and remain unnoticed. Even as everyone’s gaze began to focus on him, urgently and with some unspoken hope, he stubbornly stood still. Or was he simply paralyzed by fear?

For the first time since he was called out, you looked at him. His eyes conveyed one thing: a simple message. It was him. The man who had been sending him threats, the one who had broken into his house. You furrowed your brows, this whole situation was becoming incomprehensible. He cared so much about kidnapping the engineer that he had organized the heist at the exhibition where he was supposed to be?

 “Come here. I need to talk to you, you… you need to do something for me.”

Once again, in your ears, you heard the description of the tortures that were mentioned in the letter.

"You have to do this," you said very softly, almost a whisper. "We can't let him get angry. Do you hear me?"

 It seemed like your words weren’t reaching him at all. You nervously glanced at the gunmen, hoping that the command you had given hadn’t raised any suspicion or made them think you were trying to outsmart them, deceive them in some way. Slowly, but with deep remorse, you loosened Allen’s grip on your forearm. His chest wasn’t rising, as if he weren’t breathing. But then his gaze shifted, not to you, but to the people around you, to the ones standing in fear, waiting for his reaction. Something in his face shifted, then he took a step forward.

“Slowly,” you instructed.

It seemed like the best solution. Unsub knew that the person he was looking for was among you, he had identified him without any difficulty. Allen couldn’t hide or escape, all that was left for him was to comply with the orders, for his own sake and for everyone else's. It was also important that he stalled for time. You hoped that as soon as your team arrived, they’d be able to come up with something. Maybe they were already there, working to make contact with the shooters and free you all, alive and unharmed.

At the same time, someone called your name.

"Report in."

It was Hotch. At the sound of his stoic voice, a fleeting wave of relief washed over you. You even parted your lips to answer when you realized the second gunman was staring at you. The room fell into absolute silence as Allen slowly approached them. You shouldn’t reveal that you were with the FBI or any other agency—that was a basic rule…

 "Listen to me carefully now," the unsub spat, placing one of his massive hands on Allen's shoulder, causing him to almost buckle under the forceful touch. Someone behind you let out a muffled cry. "You need to remove it from me, do you understand?"

"Shit," his partner muttered, shaking his head in disbelief. He was holding a bag with the stolen equipment, constantly glancing toward the exit. You wondered if he had anything to do with the threats sent to Allen. "Shit, we need to get the hell out of here before the cops completely block our escape. We don't have time for your fucking delusions!"

“Remove…?” the baffled engineer repeated, completely thrown off.

“The chip. The one inside me. Right here, on the back of my neck.” The man jabbed a finger at the spot. “Someone has to cut it out of me. You work with brains—you must know how to do it. He’s controlling me, watching my thoughts… I saw an interview with you once. I know you’re the only one who can do this…”

The man’s words devolved into a stream of incoherent rambling. Allen had no idea how to respond, and silence stretched on the other end of the phone. Meanwhile, the second gunman tried once again to persuade his partner to escape, but this only triggered an explosive burst of rage that made everyone around them shrink in fear.

“Shut up, or I’ll blow your head off too!” the man shouted. “I’ve waited too long for this. I don’t give a damn about all that crap you stole. I don’t care if they catch me. He’s going to cut out that chip!”

“What chip?” Allen finally managed to stammer. “I don’t understand…”

“The chip the government implanted in me to control me! That’s why no hospital will remove it—they’re all under government control! Only you can do it!”

“The unsub is delusional, that much is clear,” Reid’s voice suddenly crackled in your earpiece, catching you by surprise. He must have made it from Penelope’s office to the museum—where he joined Hotch and the rest of the team—at an impressive speed. “The reality he’s constructed is starting to blur with actual reality, which makes him extremely dangerous. Just from the tone of his speech, you can tell he’s emotionally unbalanced and on the brink of a breakdown. Unfortunately, this means his actions could be erratic and violent, with a strong tendency toward escalation.”

"What can I do?" you whispered as quietly as possible, taking advantage of the commotion in the center of the room.

"Are you there? Can you speak safely?" he asked, exhaling a breath of trapped air. "I mean... What you can do, first and foremost, is stay cautious. Don’t say or do anything that could provoke him further," he instructed, his tone turning focused and determined to provide you with as much guidance as possible. You nodded almost imperceptibly as you listened, as if he could see you. At some point, your fingers began nervously clutching the fabric of his blazer again, a small, unconscious tic.

"Don’t confront his delusions—or rather, don’t outright deny them. Try not to introduce any new elements either, to avoid deepening his paranoia, alright? That could put you in even greater danger..."

"Above all, try to redirect his anger away from Allen and the other hostages," Hotch cut in. "We’re working on a way to get inside. You just need to buy us some time."

Buy some time, it was easy for him to say, you thought with sudden frustration. What exactly could you do? It was incredibly hard to make any decisions when you were fully aware that their consequences could result in the death of an innocent person—or people.

Allen was still in front of the unsub, gripped tightly by the gun-wielding man, slightly shaking his head from side to side, clearly overwhelmed by the situation.

"But... but how am I supposed to get the chip out, do you really believe the government..."

"He doesn’t have the right tools," you interrupted, taking a step forward to draw the shooters’ attention to you. You raised your hands in a gesture of surrender as soon as you found yourself in the second man’s line of sight. You were scared of the direction Allen was heading in—after all, Reid had told you not to deny his delusions. Though you weren’t sure it was the right approach, you tried to make eye contact with the unsub. You had a feeling that he might only fully understand what you were trying to convey if you did.

Everyone was looking at you now. Nervously, you swallowed before speaking again.

"If you want him to remove the chip from your body... you’ll need at least a scalpel. Well, and if it was implanted by the government... that might not be enough?"

To your surprise, the second attacker spoke up.

"She's right, Erick, we don't have anything like that. Leave him, we need to get out of here... though fuck, it probably doesn't matter anymore, I wonder if the police have already caught our driver..."

You hoped that the team had heard this and started looking for suspicious vehicles in the area. Erick, or rather the unsub, began to stare intensely at you, analyzing what you'd said.

"Keep it up," Reid said. "It looks like you’ve planted some doubt in his mind about his own plan. You can keep going in that direction, just please, please, be careful..."

"Reid," Hotch admonished him.

You took a deep breath, your mind was working so fast that it was starting to go blank. You had to say something more before it consumed you entirely.

"But... but I'm sure that if you had met under different circumstances, outside the museum, he would have been able to extract the chip..."

"No! I've waited too long, I can't stand having this crap under my skin for another minute! He'll take it out now, or he won't leave here!"

Allen's raised hands trembled at those words.

"How can we communicate with the police? Is there a phone here?" he asked his companion.

"Are you fucking out of your mind..."

"They'll bring us the equipment. A scalpel. They won't have a choice, or I'll shoot them all, one by one."

"We should focus on how to get out of here..."

"I DON'T CARE ABOUT THAT!" the unsub roared at him. Fueled by this outburst, he shoved Allen away so forcefully that the man fell to the floor. The startled man took a step back, unable to hide his fear. It was clear who had the final say in this duo. Erick was not only physically larger, most likely more ruthless, but above all, incredibly unpredictable. Without looking at you, he issued an order.

"Everyone sit against the wall, you too." Allen awkwardly got to his feet and almost ran to the indicated spot.

You didn't want to sit, to put yourself in an even more vulnerable position. But when a man with a submachine gun and a completely deranged gleam in his eyes is standing in front of you, you don't have much of a choice. Slowly, you sat down on the floor, surrounded by all these terrified people.

You studied the faces of everyone around you—scientists and random people who had ended up here simply because they were intrigued by the exhibit's theme. And that innocent curiosity had led them into such a hopeless situation, where each breath, drawn into trembling lungs, could prove to be the final one. What terrified you was the fact that the only thing distinguishing you from them was the tiny microphone pinned to your clothes and the earpiece in your ear.

The woman sitting next to you, so close that your elbows were touching, looked as though she was about to faint. Without hesitation, you offered her your hand, which she took with no resistance. In situations like that, the escape from fear was desperately sought wherever it could be found—even among strangers.

“What’s happening in there now?” Hotch asked.

You explained the situation to him as clearly and logically as possible, correcting anything they might have missed due to their lack of actual insight into what was happening inside the museum. The woman beside you looked at you strangely, smudged mascara around her eyes.

“Please don’t worry,” you whispered, making sure none of the attackers could hear you. Though maybe you shouldn’t have, you felt you needed to reveal yourself to her, to help her survive the nightmare she had found herself in. “I’m... a federal agent. I have contact with the team outside, they’re working on how to get us out of here.”

You didn’t know if those words had particularly soothed her fear—just as you spoke them, Allen practically pressed himself against you, trying to whisper something into your ear.

“Give me your gun,” he practically ordered.

You looked at him with your eyebrows raised in shock. No words were needed. Your face clearly expressed one big what?

He looked like one of those people going on and on about a newly invented device they had been working on for years, staying up every night. In his eyes was a comparable crazy but incredibly self-assured gleam.

“I know you have it, but you won’t use it. Because you're scared. And I don’t blame you!” he quickly added, moving slightly away from you. Still, your faces were tilted toward each other in a conspiratorial whisper.

“But listen to me. He cares about me, right? Or rather, he cares that I get the nonexistent chip from him. He won’t hurt me when I get closer, he’s too desperate, in his eyes, I’m his only chance…”

“You must have lost your mind,” you said through clenched teeth. Was he really willing to take such a risk and play the hero when he and his fiancée were expecting a child? “And what about the other guy, huh? Do you think he’ll just stand there calmly when...?”

“Then I’ll shoot him first. I used to go to the shooting range, I was pretty good at it. The other one will be too scared to hurt me, and then I...”

“Absolutely not,” Reid interjected.

You snorted.

“As if I would even consider it…” you muttered. Looking at Allen, you tapped your forehead. “No way. You’re not risking your life on such a stupid plan where everything could go wrong…”

“Do you think I’m asking for your opinion?” he hissed, clutching his head in desperation. “The answer is no. I’m just saying, give me your gun. Where is it?”

As he said this, he grabbed the fabric of your blazer, searching under it for what he so desperately wanted. You tried to catch his hand, but he trapped it in his grip, digging through the layers of your clothes, under your skirt. You jerked your whole body in an attempt to break free.

“Leave me alone, they’ll notice us soon…”

“What’s he doing?” Reid asked sharply. Although he couldn’t see what was happening, his voice was not only confused, but also clearly worried, maybe even angry.

“Just give it to me, what the hell does it hurt…”

His hand, despite your resistance, finally reached the grip of your gun, slightly sliding it out from beneath your skirt. You shot a quick glance toward the attackers, still engrossed in their conversation—or rather, argument. Terrified by the thought that they might notice what Allen was pulling from under your clothing, you instinctively swung at his face, causing his head to snap back with a muffled cry of pain.

“What language do I need to speak for you to understand? What you’re planning is idiotic,” you said, your words flowing together with a surprisingly calm yet furious ease. You struggled to keep your voice low, feeling as though shouting might make him grasp it faster. But that wasn’t an option. “You’d risk not only your life but everyone else’s,” you said, gesturing toward what you now had no choice but to call the hostages. “And no one wants to die because of some brainless idiot with a hero complex.”

After you hit him, Allen backed away to a distance that no longer invaded your personal space. With your breath quickened, you adjusted the position of the gun, suddenly panicked that it might fall out during his attempt to grab it against your will. Despite yourself, a strange feeling overcame you. Out of everyone—of all the people trapped in the museum—you were the only one with even minimal knowledge of what to do in this situation, the only one with outside communication to the police, and, most importantly... a weapon. And yet, with that arsenal at your disposal, you were doing embarrassingly little to improve the situation.

Your jaw tightened at the thought, your fists clutching the fabric of your blazer so hard that your knuckles turned white. It was astonishing how much that small action helped you regain your composure. Not just the feel of the fabric but also... the scent. You could almost imagine you weren’t entirely alone in this. And though you wouldn’t trade places with Reid or anyone else from the team for anything, you couldn’t shake the feeling they would handle this far better than you were.

And speaking of Reid...

"Are you okay?" he asked again, his tone much softer than before.

"I'm fine," you tried to give your voice a casual, almost dismissive tone, though you doubted you fully succeeded in masking the tension. You let out a helpless scoff in an attempt to lighten it. "I mean, fine as much as one can be fine in this situation..."

You trailed off, and he hesitated before replying.

"Hang in there, okay?" he said, so quietly you thought you might have misheard. It made you wonder if it was because he didn’t want anyone else to overhear what he was saying into the mic. If that were the case, was it because he didn’t want anyone accusing him of chatting with you when he should be doing something more important? Or maybe, he just didn’t want this simple yet anxious message to reach unwelcome ears and lose its sense of privacy. You heard him swallow. "We’ll get you all out of there soon. Garcia got the phone number of one of the attackers, the delusional one—his name’s Erick Larson, by the way. If he has it on him..."

As if on cue, the sound of an incoming call rang out. They stopped talking, and the surprised man reached into his pocket.

"What are you going to do? Negotiate?" you asked.

"Hotch is going to talk to him. The main goal is to get the hostages released."

The word hostage sounded so strange to you; you couldn’t connect it to your situation. A hostage didn’t have a gun tucked under their clothing or communicate with an FBI team through an earpiece. Those people, holding each other's hands in fear and huddled on the floor, were the hostages. Not you.

"Can you stay on the line?" the words slipped out before you could stop them. "Just, I don’t know... tell me how it really is with those ants or something." You squeezed your eyes shut as a wave of embarrassment crashed over you. You were acting like a scared child who needed a bedtime story to forget the monster under the bed. "Forget it, that’s stupid. You’ve probably got your hands full. Focus on helping us, on the negotiations."

"I'm still on the line," he reassured you, even before the echo of your last words faded. "And I’ll stay on it the whole time. And since talking to you might help you not lose your mind in there... well, I guess that counts as helping all of you. The information you’ve given us, everything you’ve told us... you’re playing a crucial role in all of this."

"I don’t think so. I could be doing so much more."

"Like what, something that idiot was planning?" he asked, stressing the word idiot. "Please, don’t even think about it. You’re doing exactly what’s needed. You’re not sticking your neck out, you’re staying in contact with us. You’re calming the others down, like that woman. That... that’s heroism, not blindly rushing at two armed men."

Moved by his words, you weakly smiled. You’d forgotten again that he couldn’t see you, or maybe it was just automatic.

"Stop, I’m going to blush. But... but thank you, Reid."

"You don’t need to thank me. Oh, he picked up..."

And indeed, Erik pressed the phone to his ear, probably realizing that it was the police trying to make contact. You fixed your gaze on him.

A completely new stage of the robbery was beginning, one on which everything depended—negotiations.

*

Spencer had never had a particular obsession with control. 

In the vast majority of crisis situations, all he needed was a deep understanding of the causes and course of events. A thorough analysis of what had happened so far, drawing conclusions based on that, and then coming up with possible solutions, each with its pros and cons, which he also had to consider.

It involved emotionally distancing himself from the situation and relying on advice from his trusty friend—logic. And when he was guided by that cold logic, he didn’t feel the need to actively participate in what was happening around him or take any direct control. But in that particular moment—ever since he had heard the first shot coming from inside the museum, shortly after losing access to the cameras—he was almost losing his mind over how little he could do. Powerlessness was the first blow, the fact that her life, and others', depended on a man with probable schizophrenia, driven by dangerous delusions, the second, much stronger one.

As with every hostage situation, a makeshift operations camp was set up outside the building, where all necessary units gathered. Garcia stayed at her post, but he saw no other option but to go there personally. The rest of the team quickly gathered, and Hotch arrived so fast it seemed like he lived just around the corner. After all, there was a member of his team inside, the one he had sent there, never expecting such a turn of events. The two perpetrators, who were working together, seemed to have two completely different goals. One, apparently, was persuaded to go along with a simple robbery and escape. The second, Erick, however, had a different, more complicated desire from the start. He wanted Allen, who was supposed to extract a non-existent chip from his body, allegedly implanted by the government.

Allen. He spoke that name with an incomprehensible bitterness and disdain. He was disgusted by his thoughtlessness, pure stupidity. Though he was familiar with his achievements in the field of neurotechnology, he couldn't call him a scientist, really not anything other than an idiot. And it was all because he had nearly put her and everyone else in danger, because he pressured her so much that she had to defend herself by striking him in the face. He remembered how once they had slept in the same bed, so small that they almost fell off it and were forced to lie literally on top of each other. By accident, he had jabbed her with his elbow in the ribs, and before he could even whisper an apology, she hit him with such force that he lost his breath. He hoped Allen had taken an even harder blow.

He forced himself back to reality, as everyone gathered around Hotch, who was leaning over the phone. The unsub had answered, and the discussion began.

"We'll deliver what you need. All the equipment. But first, you must release the innocent people inside and promise you won't hurt anyone else. Not Allen, or anyone."

They argued, a lot. Of course, they wanted him to let everyone go, which was, realistically, impossible. Eventually, the number sixteen was agreed upon, a little more than half of the people present.

Through the microphone clipped to her clothes, they could hear him pointing at the people who were to be released. The second perpetrator seemed to have completely given in to his paranoid companion, and stopped trying to convince him to escape. He must have realized it was already too late for that.

“You’re the one who’s leaving,” he said, his words very clear, suggesting he was standing very close to her, pointing at her.

Spencer straightened up, a sudden rush of premature relief washing over him. Premature—that was the key word.

“No,” she protested sharply. “No, let her go instead of me. She’s older and not feeling well. I should stay…”

He pressed the microphone to his mouth, trying to talk her out of it.

“Do what they say, resisting might make him angry…”

“No, Reid, she’s right,” Hotch interrupted him. Spencer looked at his boss in surprise, shaking his head in confusion. Instead of explaining his decision to him, Hotch turned to her.

“You have to do everything you can to stay inside. You’re our only source of information, our access to what’s happening in there.”

“Hotch…”

Someone, JJ, placed a hand on his shoulder, stopping him from protesting further. It dawned on him that they were right, but... it was hard for him to accept. It was true that, as an FBI agent, part of her duty sometimes meant risking her life for the greater good. Still, this decision made his hands ball into fists, and he had to take a deep breath to steady himself. Suddenly, it struck him that if an unfamiliar agent, not a member of the BAU, not his friend, and someone who hadn’t shared a bed with him when his fear of the dark grew stronger, were in the same situation... he would have agreed with Hotch without hesitation.

“I told you to leave, so you leave. There’s gotta be sixteen people, or they won’t bring it to me, goddammit.”

“So let someone else go…” She cut off abruptly, a rustling sound echoing through the air, as if— as if he tugged at her clothes. Spencer almost spoke again but stopped herself. The same thought had crossed Hotch’s face, he saw it. 

“Seriously, this will be better. I... I can help with removing the chip...”

“Allen has to do it.”

“Yes, but…” her voice grew more desperate, trying to come up with something more, an excuse to fulfill her duty.

“Oh, what don’t you understand, you stupid bitch…”

Spencer anticipated the sudden outburst of aggression, he had felt it building for a while. Though the unsub was unpredictable, his anger rose and fell within mere seconds, Spencer knew it was all heading in that direction. So, he squeezed his eyes shut just before the horrible, dull thud rang out, followed by a muffled cry of pain. Then the sound was drowned out by a rush, something like a thud, and he could only guess that she had fallen to the floor.

He didn't open his eyes, but something pricked at his chest. He knew that if he looked at Hotch, he wouldn’t be able to stop himself from giving him a big, i told you so. It wasn’t even about being right—he didn’t care about that, not at that moment. What mattered to him was that nothing happened to her, and that was exactly what had just happened.

No one from the team said a word, though Derek turned his gaze away from the speaker, his expression one of discomfort, like someone averting their eyes from an unpleasant scene. Hotch stared at some fixed point ahead, his face unreadable, before leaning into the microphone just as—

“What the hell is this?!” the unsub suddenly screamed. “A gun? Why the hell does she have a gun on her?!”

Reid’s eyes shot open as he nearly dropped to his knees by the microphone, as if somehow that could help. The weapon must have slipped out when she fell, sliding free from where it had been concealed beneath her clothes…

He noticed Elle nervously biting her thumb, her face pale as a sheet. He read the same grim, terrified realization on her face that had already taken root in everyone’s minds. She was burned. Her cover as the assistant was completely blown.

“He can’t find out she’s FBI,” Gideon declared, leaning heavily against the edge of the table. “He’s a paranoid maniac who thinks the government is after him. If he realizes a federal agent has been in there the entire time…”

“Wait!” the second attacker spoke up. He had long since given up and was now quietly following his partner’s orders. “I heard the hostages talking... something about there being someone from the FBI among them, someone who’s in contact with the cops. I thought they were just talking crap, but...”

“How does he know that?” JJ asked, her lips slightly parted in shock.

“She told one of the women,” Spencer blurted out, though it felt like the words came from someone else. Some part of him—still detached from the full realization of what her exposure meant—clung to the fragments of logic not yet consumed by his nerves. “To calm her down... but that woman must have passed it on to someone else.”

“FBI?” the unsub repeated, almost in a daze. “Fucking FBI?”

The sound of something slamming echoed sharply—an explosion of frustration and shock. Every pained whimper, every labored breath she took, reached Spencer with cruel clarity, amplified by that damned new microphone clipped to her chest, capturing every sound in merciless detail.

He wanted to cover his ears, to block it out, but he couldn’t. His lower lip trembled, caught between screaming or vomiting the moment he opened his mouth. 

Covering his ears would have been a selfish gesture, one that would only bring relief to him. She didn’t have that option; all that was left for her was to endure, as he assumed, the next kicks...

He lowered his head, not looking at the others, not wanting to see their equally helpless expressions. And although he hated himself for even thinking about it, he took two steps to move away. To escape from this place, from these sounds. Because he simply couldn’t bear them.

However, he didn’t get far; he staggered as if drunk and had to grab the table tightly to keep from falling. JJ, in some protective impulse that she probably wasn’t even aware of, reached out her hand, wanting to touch his shoulder, but he pushed her away.

“I’m calling him,” Hotch announced, immediately moving into action. “Maybe that’ll stop him…”

“Check if she has a microphone on her. If she’s with the FBI, she could have been spying on us the whole time,” suggested the second attacker, in a strangely satisfied tone. He was probably some sadistic bastard who enjoyed this turn of events.

This caused Erik to stop his attack. He completely ignored the incoming call. She took a breath, inhaling deeply, though it clearly caused her pain.

“She has…”

The unsub’s voice became very clear, he must have located the microphone and then disconnected it from her clothing, carefully watching him.

“We need to go in, we have to do something,” Elle said desperately, but it didn’t stir anyone else. 

Yes, they needed to do something, but... what? Going in meant putting the hostages at risk, and their survival was the priority.

"I knew the government was spying on me," Erick muttered to himself, the microphone had probably slipped from his hand and fallen to the ground. "Not just with the chip, but they also sent that fucking..." He kicked her. "...agent."

"Give it to me," Spencer requested, exhaling with a resigned hiss. He was, of course, referring to the microphone. She still had the earpiece in; she could hear him. He didn’t yet know what he intended to say. Maybe he’d ask her to stay strong? Assure her that it would all be over soon? Would that even count as a lie if he had no real certainty they could take any action to save her? Or was this one of those morally gray situations where a lie was better than the truth?

Without protest, someone handed the microphone to him, practically shoving it into his hands.

But then they lost the connection.

The unsub must have destroyed it, stomping the microphone underfoot.

And before it happened—before the static filled the line—a gunshot rang out.

Spence found himself sitting on a chair. Not that he’d blacked out in the literal sense, but one moment he was standing upright, and the next he was slumped onto the seat—probably the only chair in their makeshift camp across from the museum. It was one of those folding chairs made of black metal and unbelievably uncomfortable. For some reason, their look always reminded him of golf courses in the blazing sun. Sometimes they’d be there… wait, why the hell was he thinking about chairs?

Disoriented, he lifted his gaze. Derek was pacing back and forth, his hands on his head, while Elle and JJ were nowhere in sight. Hotch stood in front of him, turned slightly to the side, eyes fixed on the ground, a phone pressed to his ear. His rolled-up sleeves exposed tense veins on his forearms, his hands clenched into fists.

“You killed a hostage,” Hotch said the moment the attacker picked up. Hearing the words spoken aloud, the gunshot echoed again in Spencer’s mind. He flinched, though he hadn’t the first time it happened for real.

It really happened. This wasn’t some hysterical thought creeping into your mind when someone you care about is late to a meeting and doesn’t pick up their phone, the kind of thought where your brain starts whispering that something terrible must have happened. It wasn’t a dream either, nor a nightmare blending with reality. And it wasn’t some devastating novel, a climactic moment designed to shatter the reader’s heart into pieces.

This

really

happened.

"I’ll remind you of the terms of our agreement," Hotch continued. His tone was usually sharp, leaving no room for argument. But now, having just lost a member of his team and addressing the person responsible for it, his words didn’t just cut—they sliced. Spencer fixed his gaze on him, unable to comprehend how Hotch could remain so composed in the moment. He himself…

“You don’t harm anyone else, and in return, we provide you with the necessary tools. Shooting that innocent person…”

How did it come to this—that the person who, just that morning, ordered Chinese food with him to calm her nerves; who had teasingly told him to clip the microphone onto her, leaving him flustered; whose sweet scent of hair lingered so strongly in his senses that he had to hold his breath just to focus; who, one moment, could make him laugh until tears blurred his vision, and the next, worry so deeply about her that he felt feverish with concern; who listened, truly listened, even when he had grown tired of his own voice; who helped him discover pieces of himself he hadn’t known were there; who revealed, day after day, some new and enchanting fragment of her soul; and whose laughter made him want to capture its melody, bottle it, and keep it for eternity—was now reduced to the cold, detached phrase an innocent person shot dead?

He realized his mind had become entirely consumed with replaying those moments. Thanks to his eidetic memory, each recollection was painfully vivid, yet at the same time—perhaps due to the awareness of what came next—filled with a paralyzing void. Detached from reality, he wasn’t even listening to the ongoing negotiations, only snapping back when the shadow of someone’s figure fell over him.

“Spencer,” Gideon called his name, alternating between looking at him with concern and averting his gaze, as if unable to bear the shattered expression on his face. “Did you hear what Hotch said?”

He couldn’t bring himself to shake his head, though he doubted it was necessary. Rarely did something fail to interest him, especially something Hotch had said, but whatever it was, it had landed firmly in that narrow category. After all, what could Hotch possibly have said? That he’d reached an agreement with the murderer, who would now release eighteen hostages instead of sixteen? Or perhaps, in an act of twisted mercy, he’d declared that once they brought the requested items, the killer would allow one person to go inside and retrieve her body?

He had seen many bodies with gunshot wounds to the head in his life. A vision of her with similar injuries haunted him, so vivid and detailed that he closed his eyes in an attempt to escape it. But the moment he did, the image only grew stronger, searing itself into his mind with unbearable clarity.

"He wants you to go inside pretending to be a surgeon. That’s what the unsub is asking for in exchange for the hostages. Your task would be to fake removing a chip from his body, pulling off one of your magic tricks," Gideon explained matter-of-factly, though his expression betrayed a certain doubt about the plan. He suddenly fell silent, hesitation creeping into his voice. "If you can’t do it… this isn’t an order, kid. No one will blame you if you say no."

“We didn’t know it would be such a terrible mistake,” Gideon said quietly.

“Well, that’s the thing about mistakes,” he scoffed bitterly. “You don’t usually realize you’re making them. But you should be able to predict them, especially when someone’s…” His voice broke, and he looked away, his anger momentarily crumbling into something rawer.

Even though he had lashed out at Gideon, the older man didn’t react with anger. Instead, he stared at Spencer with a calm, almost sorrowful expression. When Spencer stood, he felt the weight of Gideon’s hand resting on his numb shoulder.

“I’ll do it,” he declared after a moment.

There was no fear in his voice, no visible sign of stress. Under different circumstances, he’d likely have been unraveling, nerves fraying at the thought of entering the building with the task of saving her. But now…now all he wanted was to stand face-to-face with the man inside. More specifically, next to his neck. With a scalpel in hand.

There was no time to waste. He practiced his sleight of hand trick—making the chip suddenly appear in his palm—a few times. It had been a while since he’d done it, but even so, it came off flawlessly every time. He clenched the small device tightly in his hand and, before he knew it, found himself standing at the foot of the museum steps.

The doors opened, and the first hostages began to emerge. Their reactions followed the same pattern. First came the shock—the struggle to process that they were truly stepping outside again, alive. Then, as they began to accept it, their terrified, hesitant steps turned into a relieved jog, and their eyes brimmed with tears of gratitude.

Spencer stopped, his gaze fixed on the faces of random strangers as they rushed past. Somewhere, deep down, he held onto a foolish, fleeting hope that she might appear in those doors as well. She didn’t, of course.

But if she had… he thought, his chest tightening at the mere idea. If she had, he wasn’t sure he’d ever stop being thankful. Not necessarily to God, but to everything—every twist of fate—that had brought her back.

He had seen the interior of the building on the camera footage and had managed to memorize it. He knew exactly where to head to meet the unsub. The unsub was standing right in the center of the room. Spencer knew there had to be a second shooter somewhere, but he was afraid to look around. If his gaze happened to land on her, not only would his chip trick fail, but he was also certain he’d never be able to shake the image from his mind. It would embed itself in every cell of his brain, one after the other.

He focused all his attention on him, on Erik. He turned to him trustingly, showing the spot on his neck where he believed the chip was located. Everything about his posture radiated the peak of madness. His voice and expression oscillated between hope, desperation, paranoia, and much more that could be listed.

Spencer tried to concentrate on the chip in his hand, not on the scalpel in his other hand. He knew it would be incredibly foolish, but as he was so close to this man's throat, he couldn’t stop thinking about it. He realized that the only thing holding him back was the awareness that the second shooter was likely keeping him in their sights. It was almost certain; he didn’t need to look around to know that. But as soon as the blade touched the man’s skin at the back of his neck, his gaze, against his will, began searching. He looked at the wall where the remaining hostages were gathered, the ones who hadn’t made it into the lucky sixteen. He didn’t find the shooter.

But he found her. If he weren’t wearing his glasses, he might have assumed he’d mistaken her for some other woman. He could only blame his brain and possible hallucinations... but before he could entertain those thoughts, one simple sentence took over his mind.

She was there. Blood dripping from her nose, clothes torn, curled up on the ground among the rest of the hostages, but she was there. She was there, alive.

*

When you stood up for that woman, a brief struggle broke out between you and the unsub. He ordered you to go outside, but the voice in your ear told you to stay inside at all costs. Unsure of what to do, you started mumbling excuses and explanations, leading to an argument... during which he swung his weapon at you, aiming for your face.

As you fell, your weapon—clumsily shoved into your clothing after an argument with Allen—slipped out. And then things escalated rapidly.

Upon learning you were with the FBI, the unsub went into his usual paranoid frenzy. He dropped the microphone he had taken from you, and the heavy kicks of his leather boots landed on your body, on your ribs, on your back. You could barely keep up with protecting yourself, as the blows kept coming faster and faster.

And in that moment, something happened that probably saved your life. But at the same time, it cost another man and his family everything.

Allen sprang at the second attacker, who was almost hypnotized by the injuries being inflicted on you. He seized the moment of distraction, yanking the weapon from his hand and turning it against its owner. You remembered the fleeting look of triumph on his face as he aimed it at Erik. And then, the look of confusion when he was overtaken and the bullets tore through his body.

Somewhere in that moment, your microphone must have been destroyed, leaving you without contact with the team. And without it... you were just like any other hostage. Beaten, forced to stem the blood running from your nose with your blazer. You remembered glancing at it, running your finger over the fabric soaked in crimson, and thinking you'd have to wash it before returning it to Reid. Then, the hopeless realization hit you that maybe you wouldn’t get the chance to do that, and helpless tears filled your eyes for the first time.

It was strange that the unsub decided to spare you. Was it the incoming phone call that distracted him? Or perhaps the death of Allen? Was he the reason for this whole attack? You weren’t sure, maybe both at once. But you managed to return to your spot against the wall, where the other hostages had moved as far away as they could from the two lifeless bodies lying in a pool of blood.

Behind your back, the unsub was arguing with the police, probably Hotch. You weren’t paying attention to their negotiations, instead kneeling beside Allen. Completely staining your clothes, you reached for his hand. His eyes were wide open, his chest... maybe rising slightly, or maybe it was just your perception. In any case, you didn’t grab him to check his pulse, to see if there was anything that could be done to save him. You knew there wasn’t. You took his hand in a gesture of gratitude for everything, filled with sincere and deep compassion, despite everything that had happened between you. Maybe he turned out to be a jerk in that one, crisis situation where it’s normal for people to lose their minds. But what mattered was what kind of man he was in everyday, calm conditions. What kind of friend, fiancé, father he was.

You froze in place, staring at his face, his messy red hair. You snapped back to reality only when you realized the unsub was releasing the hostages. You weren’t part of that group. He didn’t look at you, or Allen, or his dead accomplice, as if you didn’t exist. The people were let out of the building, and then…

You nearly jumped to your feet at the sight of Reid, but the sharp pain in your ribs stopped you. Instead, you stared at him, confused as to why he’d gotten himself into such a messed-up situation alone. No one was with him, and you couldn’t even tell if he was carrying a weapon. Why was he taking such a risk? Couldn’t they have sent someone else?

Although your gaze bored into him, asking without words, he stubbornly avoided looking at you. It took a while, but then it hit you—he’d probably been told to hide the fact that you knew each other. He was pretending to be a surgeon, you realized.

You watched in shock as the unsub dropped his weapon and turned his back to Reid, begging him quietly to remove the chip from his body.

Before Reid touched the scalpel to his neck, he looked straight at you. You couldn’t read the expression on his face, but you knew there was a lot going on. It was a long moment of eye contact, which he broke to get to work. Focused, brow furrowed.

You shook your head in disbelief when he really pulled the tiny device from his body. Wait, so what? It had really been there all along? The unsub wasn’t a paranoid delusional?

At the sight of the chip, Erik staggered with a mix of hysterical joy and relief, and after a moment, he literally collapsed to his knees, burying his face in his hands. His body was shaken by sobs as he muttered his thanks. He was... absolutely harmless. The hostages took advantage of his vulnerability, using the opportunity to silently leave the museum. You found yourself among them, even helping those who, due to shock, struggled to move. How? With your injuries? You had no idea.

You pointed one woman toward the ambulance waiting outside the building, ready to take any injured hostages. Around you, sounds echoed, people were running in all directions. A sense of disconnection and disbelief washed over you, as if you couldn’t quite grasp that it was all over.

You turned around, sensing someone's presence behind you.

The first thing you noticed was that Spencer was still wearing his blue rubber gloves. Strange, but the first thing that came to your mind was to focus on that detail. You even opened your mouth to speak, but stopped when he gently cupped your face in both of his hands. As if you were a fragile relic, he tilted his head slightly from side to side, almost as though he was trying to deny the fact that you were standing before him.

"As if you saw a ghost," you whispered, a faint smile appearing on your face.

Taking advantage of the fact that he was leaning toward you, you pressed your forehead against his. With your eyes still open, you saw his eyelids tremble. When he closed them, you caught sight of that single tear beginning to form beneath them.

*

"Reid," you said, as he and the rest of the team were heading towards the exit. All heads turned in your direction, but you only cared about that one. "Can we talk?"

He opened his mouth, seemingly surprised by the request, but then swallowed and nodded.

"Sure. If... just, sure."

You couldn't help but let out a small laugh. Since your rib injuries were numerous, you had to be taken to the hospital for an X-ray. Your face wasn’t looking too good either. Only a few hours had passed since everything happened, and all your wounds were fresh and painful. After taking a decent amount of painkillers, you felt a bit like you were floating. You were sitting on the hospital bed, your legs resting on the floor as if on a bench. You made space beside you, and although he hesitated for a moment, he sat right next to you, so close your shoulders almost touched.

What you wanted to say, everything you felt, was hard to put into words. So you spent a few minutes in silence, during which you concluded that the simpler, the better.

"Thank you, Reid."

His dark eyes narrowed slightly, and he shook his head dismissively.

"Thank you? For what? I should be thanking you."

You knew this would happen. That he would downplay what he did, and it would be incredibly hard for you to express all the gratitude you felt towards him.

"For what? For everything," you stated briefly. He was preparing a response, but you beat him to it. You even raised a finger decisively, signaling for a moment of silence. You had a lot to say. "Not just for pretending to be a surgeon and getting into that museum. And don't shrug it off like it was a small thing! You saved those people."

"Maybe a little, but…"

"But that's not all. You were… you were with me the whole time. You kept talking to me the entire time…"

"Just like everyone else…"

"Everyone else gave me orders. Told me what to do to survive and what not to do. And of course, I'm incredibly grateful to them—if it weren't for them, I would have probably pissed off that unsub after less than fifteen minutes and we'd all be dead by now."

Reid flinched when you said that. Maybe you should hold off on such words, while the whole situation was still so fresh.

"You... you kept asking how I was feeling, talking to me, just... your voice, the fact that I had you on the other end, it helped me not panic. When, at the very beginning, you asked me to breathe with you..."

You shook your head, holding back the involuntary recollection of that moment, that memory when you were still trapped in that building with two armed men. Helpless and lost, clutching his jacket with all your strength. 

You realized with growing difficulty that you were holding back tears.

Reid had been listening to you quietly the whole time, but suddenly, he lowered his gaze. His hand found yours, hesitated for a moment, then gently grasped it. You immediately squeezed it tightly. Something came to your mind.

"And what did you want to thank me for?" you asked, referring to when he interrupted you the first time.

"It's not... I don't have as much to say as you do," he confessed, circling the topic more than addressing it directly. He still hadn't let go of your hand, and as he thought, his thumb seemed to absentmindedly stroke its surface.

"Wow," you murmured. "I never expected Spencer Reid to say something like that in my presence, but here we are. So?"

He smiled for a moment at your comment. However, that expression quickly gave way to a more serious one, carrying with it the unburied remnants of the horror you had both endured just a few hours ago.

"Just for you being alive," he said. Your brows furrowed slightly when you heard that. It wasn't what you expected. "For a while... when you were still inside, and your mic was destroyed..." With a sigh, he tilted his head back, holding back from returning to that moment. It couldn't have been easy for him, referring to exactly the moment that caused him pain. "We heard a gunshot. Everyone thought it was you.  That's why... that's why I just wanted to thank you for that."

Given that you had absolutely no control over it, those were the strangest thanks anyone had ever given you. But still, they squeezed your heart like no others ever had.

You leaned in to place a kiss on his cheek.

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