#But it could have been written better

[longagoitwastuesday]

I actually like the last chapter. I think the ideas are very good. I have my qualms on how some things were managed, as I always do, but I think shonen authors get tangled in the expectations of a shonen to the point it jeopardises their writing, often even when they're not lacking in skills

[hauntingofhouses]

We all already know Mizu and Akemi are narrative foils. But you know what? Lemme just say it, here's what I think:

Taigen and Mikio are foils.

Not necessarily to each other as individuals in the way that Mizu and Akemi juxtapose each other, but mostly in the contrast between their relationships with Mizu.

I've covered specific parallels between Taigen and Mikio in other posts I wrote; but as the number of parallels I'm noticing between them keeps piling up, I'm compelled to just compile them all in one post. So! This is, thus, the post in question.

First of all, let's look at their similarities.

1. Their status in society is the same. They are both samurai who lost their honour and have dreams of reclaiming it.

2. They are also both diligent as they strive to achieve this goal, they both care deeply about their work, but here as they begin to contrast, as the work in question and way they go about their goals is different:

For Mikio, his work is in taming and rearing horses; in order to prove himself, he must tame Kai—a willful and strong horse—and present it to his lord. For Taigen, his work is in sword fighting and martial arts; in order to prove himself, he must kill Mizu—a willful and strong swordsman—and present her dead body to his lord.

In the parallel above, not only are Taigen and Mikio contrasting each other, but Mizu and Kai are placed in comparison as well. And of course, Kai is Mizu's horse, and represents her. Which is why, when later, Mikio sells Kai off, it represents the way he is tossing Mizu (and their relationship) aside.

From there, the rest of the details of their character begin to contrast and juxtapose each other more clearly. So let's look at those differences, shall we?

Their backstory:

Mikio was a great samurai who was banished. A somebody to a nobody. Taigen was a fisherman’s son who rose to the top. A nobody to a somebody.

2. The first time we meet them on-screen:

Mikio is an adult. An older man. Mizu's superior in age. He is Mizu's to-be husband. A love interest. Taigen is a child. A young boy. Mizu's peer in age. He is Mizu's bully. An antagonist.

3. Their maturity and growth:

Mikio is mature, but stuck in his ways. Taigen is immature, but capable of changing and learning.

4. Their overall attitude:

Mikio is generally relaxed, easy-going and unfussy. Taigen is uptight, irritable and severe.

5. How they talk to and conduct themselves around Mizu:

Mikio is aloof, soft-spoken, and serious. Taigen is obnoxious, brash, and sarcastic. Mikio is quiet, speaking only when spoken to, even when Mizu turns to smile at him and shows openness to be near him. Taigen is loud, talking while others are silent, even when Mizu turns from him and shows no interest in conversing with him.

Mikio doesn't show much of who he is to Mizu throughout their marriage, despite their growing affection. Taigen openly shares his traumas and life story to Mizu during their brief alliance, despite their mutual antagonism.

6. Their external vs internal selves:

Mikio is calm, gentle, and considerate on the outside. Taigen is hot-headed, rude, and selfish on the outside. Mikio is cowardly and deceitful on the inside. Taigen is brave and loyal to a fault on the inside. Mikio tells Mizu that he wants to know and see all of her. But he scorns and betrays her, the woman he loves. Taigen tells Mizu that he wants to duel and kill him. But he endures torture to not betray him, the man he hates.

9. Their hair, a symbol of their honour:

Mikio's topknot is untied by Mizu during their spar. This humiliation occurs in private, the two of them alone in a rural location where no one can see them. Taigen's topknot is cut off by Mizu during their duel. This humiliation occurs in public, the two of them being watched by many others in the Shindo Dojo.

10. Their power dynamic with Mizu:

Mikio believes he is Mizu's mentor. He teaches her to throw knives, how to ride and care for horses, and about the tactical benefits of using a naginata. Taigen believes he is Mizu's equal. He views Mizu as a samurai like himself who received all the same teachings he did, and who possesses the same values.

11. Their perceptions of Mizu:

Mikio sees Mizu's feminine side first. He sees her as sweet and gentle, but also clumsy and incompetent. Taigen sees Mizu's masculine side first. He sees her as terrifying and deadly, but also strong and skilled.

12. The way they approach sparring with Mizu:

Mikio only spars with Mizu once. As the fight progresses and she is beating him, he tries to put a stop to it. When she teases/provokes him, he starts taking the fight personally and seriously, finding no enjoyment in it. Taigen spars and brawls with Mizu all the time. No matter how many times Mizu beats him, he doesn't back down. When Mizu challenges him with a chopstick, he is eager to compete with her and gladly rises up to the challenge.

Mikio and Mizu's one and only spar is a friendly match; Mizu is smiling and having fun while he grows increasingly frustrated. Taigen and Mizu's last-seen spar is a playful wrestling match; both him and Mizu are having fun and laughing.

Mikio cannot deal with Mizu being better than him, so he scorns her and walks off, avoiding her thereafter. When Taigen cannot deal with Mizu being better than him, he follows her to observe her moves and continues training in hopes to eventually beat her. After being bested by Mizu once, Mikio leaves her and sells the horse he'd previously gifted to her. After many times losing to Mizu and fighting alongside her, Taigen commends her and admits she is better than him.

13. When Mizu pins them down in a friendly spar:

Mikio sees Mizu's whole face objectively. Taigen stares at Mizu's mouth and eyes.

Mikio gets angry when she kisses him, throwing her off of him and snapping at her, calling her a monster. Taigen gets aroused, apologising, so she pulls herself off of him.

14. Mizu's blue meteorite sword is a reflection of her soul. She believes most are undeserving to face it, let alone hold it. And on that note:

Mikio is the first person (chronologically) that Mizu fights against using her sword. Taigen is the first person (we see on-screen) that Mizu fights against with her sword. Mikio is the first person (chronologically) to ever hold her sword, as she passes it to him, letting him wield it. Taigen is the first person (we see on-screen) to ever hold her sword, as she passes out, and he picks it up and carries it for her.

15. Then, last but not least, in Fowler's fortress, when she is drugged and in pain, she hears Ringo's voice in the dungeon. She then follows it to an open cell:

Mizu first sees Mikio as a hallucination, the sight of him haunting her and causing her to lose her grip on reality. Her eyes glow a surreal blue to represent this. Her Mama appears then and says Mizu's name accusingly.

Mizu then sees Taigen, but he is real, the sight of him a relief and grounding her back to reality. Her eyes return to their normal blue colour to represent this. Taigen looks at Mizu weakly and says her name softly.

Then, later, when facing Fowler, her revenge awaiting her, she instead chooses to follow her conscience (represented by Ringo's voice in her mind), putting aside her vengeance for a time, in order to save Taigen.

So that's basically all the ones I've noticed so far, but even then, I feel there's already so much that forms a contrast between these two.

What makes it especially incredible about these juxtapositions is that Mikio was Mizu's husband, the man she had fallen in love with, the one person she had ever been intimate with, the man who made her begin to accept herself, to put down her desire for vengeance and instead live a life of peace and happiness.

So for Taigen to have so many parallels with him... Do you see what I'm saying here!

Not to mention that Mizu clearly already has some burgeoning attraction to him, as indicated by how she thinks of him when asked about her desires. And Taigen clearly has shown interest as well (see: him getting a boner after their spar, him holding her hand and telling her, "We're not done yet.").

And on the topic of speculating future possibilities of this relationship, this post by @stromblessed has pointed out yet another parallel between Taigen and Mikio:

Mizu promises Taigen to meet him for their duel in autumn. Mizu fell in love with Mikio and duelled him during autumn.

With all that said, I do believe Mizu and Taigen's relationship is definitely hurtling towards something. But whether they will actually end up together in a sustainable relationship and have a happily ever after? Well, that is a whole other story; we'll just have to wait and see.

[my-name-is-markus-with-a-k]

I think something that is not talked about a lot when people talk about Markus' role in Connor's deviation, is the fact that Markus is very direct with Connor and what he says to him. With Connor's emerging personhood and his journey with Hank, there's a lot of 'maybes', a lot of questioning, because Hank himself is only just starting to consider androids are people as well. But Markus, who is sure of who he is and that androids are more, he states plainly and without doubt that Connor is a person. That Connor deserves more, can be more. And that's what Connor needs to hear. All the doubts and conflict that Connor has had, all those instabilities are solidified and focused by Markus' words.

And then of course, it's up to Connor to take it to heart and deviate, or bury it under his programming and remain a machine.

[lovinthosecrits]

I am bawling over here with today's episode. The connection, the introspection, facing yourself, facing your mirror self, saying it all aloud you've been too scared and felt too silly and couldn't catch your breathe to be that vulnerable... And then, it's on the outside. You can't take it back. You already took the risk. All you can do is keep going

[ghost-bard]

how do i talk about taash being a realistic character while also acknowledging that they absolutely couldve and shouldve been written better in every aspect

[spaghetticat3899]

When you absolutely despise something a lot of people like, and no matter what way you look at it you cannot see the appeal, but you know you can’t talk about it in public or else you’ll get dogpiled to hell and back, so you just kinda sit there frothing at the mouth like this

[lovelbear]

My one fable headcanon that I can't stop thinking about because I am rewatching vod from sherb and heyhay talking about gay grandad's:

When Isla entered Elysium to visit it for the very first time she immediately noticed her father's walking but they didn't recognize her until she called out to them. After they caught up Isla immediately texted Rae on comms and Everett and raemond finally got to meet their grandchild and one of his partners.

[mephoj]

nickel and balloon would be so much more interesting if people explored the way nickel became everything awful that balloon used to be but so much worse ironically all in the name of "protecting" everyone from that history repeating. and not softboy tsundere yaoi or whatever is going on in those tags rn

[wardensantoineandevka]

I feel like, with the season's plot since Kozma's death being so dense and breakneck and with it being the final season and all, it's easy to feel like it's silly or a waste or inefficient to devote an entire episode to just the party with only oblique references to what's happening in the Highest Light via Saskia. It feels like a lot to dedicate to dancing and singing in Stationary Hill, so seemingly (doing heavy lifting, that word) far removed from the rest of the plot.

But, I think it's important to really spend time with Midst. There's the narrative pacing reason (a quick breath before we really start racing) and there's the reasons of setting the stage for our final act (it is to where we are returning to end all this), but crucially: it is important to see all this, for Saskia.

Shindig is for Saskia and her arc and her motivations the way that Fault is for Spahr and all his. Saskia is a major character, and one deeply tied to the narrative of a protagonist and to place and to the thematic structures, so spending time developing what it is that drives her choices at a granular level is important.

When she makes that decision to pull the lever and shred those beads, this is what is at the forefront of her mind. Saskia is very rooted in the community in Midst, in the people that she is doing all this for. She says to them all in Weather: "I am proud to call Stationary Hill my home, no matter what happens next. I'm here for you, and you're here for me, and there's no other group of people I'd rather be with right now. I'm sorry I couldn't do better for you." In Wake, she is full of "almost heartbreaking honor" and pride that everyone wishes to stay to rebuild Stationary Hill. She sets off for the Highest Light in Breakfast because she wants to move actively protect Midst from the Trust.

She is dedicated to the people of Midst, through and through, and it is the root of all her actions. She hopes for and works toward the fall of the Trust, but more than that, she hopes that the people of Midst will thrive and works toward protecting their futures.

She is in the Central Vault in the Highest Light, but she is also halfway across the cosmos, dancing and singing with these this community she loves more than anything. When she looks Weepe in the eye and pulls that lever, to destroy what remains of this Vault and with it the Trust, and at least part of (maybe all of) herself as well, she is hearing the laughter and their joy of the people on Midst. She knows that the Trust, that Weepe, will come to destroy that eventually.

We need to spend all that time at that party because that is what Saskia is experiencing as she moves toward shred. We need to know what she is choosing, to remember very clearly why she is doing this, to see in real-time what it is she has to lose if they fail here. It is all together at that party that is happening right then.

[starry-bi-sky]

ive been hesitating to ask this bc youve been on a roll with the clone^2au (which i am frothing over) but could i poke you for some childhood friend au? bc GOD i wanna see how danny reacts to reuniting w jason or how the rest of the batfam react to learning jason never told danny of his resurrection or wondering if dannys gonna put jokers dead body on a display/offering to jasons grave. i havent been normal about this since i first read it and was wondering. thank you for your writing.

RAAAAHHHH DON'T BE HESITANT I AM JUST AS FERAL OVER MY CHILDHOOD FRIENDS AU AS I AM WITH CLONE^2 I AM DELIGHTED BY THIS. Like.,,,, i literally love them,,, so much. I can't listen to The Crane Wives without thinking of them.

(which is my fault - the ao3 fic of them has literally only crane wives lyrics for each chapter title and summary (posted AND the ones not written) so of course im gonna associate with them.)

(if you wanna listen to some of their songs while thinking of cfau here are my recommendations: "Once & for All", "Here I Am", "Hollow Moon" is a Danny AND Jason song to me, this would be my go-to song for an animatic of CFAU if i had the skills for it. "Tongues and Teeth", "Curses" and "take me to war" is a heavy cfau danny song to me, and of course, "the moon will sing")

Like they're BEST friends dude, they're two sides of the same coin and when they were kids they would do this thing where their 'fingers crossed'/'double-crossed' was them hooking their index fingers in the fingers crossed gesture.

and i'm actually currently rewriting my original post into a more fic-like format, and when I'm done I'll post it on here under the cfau tag - with the original post still in tact. But its,,, gonna be so long dude,,,, the original behemoth was just over 9000 words,,, and I've written 3k words already of the new one and we haven't even reached Jason and Danny reuniting at the gala yet,,, i need to get back to that,,,

and then to answer your questions!! god im almost hesitant to answer because i dont wanna spoil the little fic i had planned for it but also like,, its not like im gonna spoil everything, right? and answering the questions isnt the same as writing the scene down so!!

i love danny and jason's reuniting, like i've thought about it SO much and I've thought about it happening after Danny kills the Joker. I know the reveal could have been before that, and it could have been equally just as dramatic but like??? Thematically, doing it after danny kills the joker is SO good. To me at least.

Because like?? Jason's been in somewhat denial about danny's plan to kill the joker for months. ever since danny told him that he wanted to at the gala. And from Jason's pov its not even technically a plan. He sees his best friend for the first time after five years and his best friend still isn't over his death. He hasn't stepped foot in Gotham since his funeral and now suddenly he's here.

And he's still so full of grief over his death that he tells a masked vigilante that he's going to kill the guy that did it, who lives in said masked vigilante's city. And danny's got that look in his eyes that Jason knows so well that means he's being serious. And yet he still doesn't know if he should believe him or not.

And then he does. Danny kills him. And Jason can't fucking believe it. And when he goes and sees Danny, Danny's hands are still covered in blood. And that reunion? God like a fucking firework show. Danny's so fucking angry, and pissed, and hurt, and so goddamn overjoyed that he's alive and here that he sends them both to the ground, and if he doesn't calm down he's gonna take out the power in a five block radius.

there's just so, so much yelling on Danny's end. And then so much crying, first from Danny and then them both. because god, you're alive. you're here. i've missed you so much. i'm never letting you out of my sights again.

and Joker's death! God I don't want to actually say too much about that, but the way I have it set up thematically makes me actually not want danny to take any part of the joker with him as an offering. and he may actually forego that particular ghost etiquette and offer something else as an offering to Jason in substitute to not bringing him the Joker's heart/head/ritualistic body part.

Because you know what the last thing a man whose been spending the last two decades of his life building himself up to be larger than life would want? A death that's unremarkable. :) and that's all i'll put on the matter for now.

and the batfam!! they technically already know that jason hasn't told danny he was resurrected, and plenty of them have mixed feelings on them. largely bruce and dick i think, considering they saw firsthand how close jason and danny were when they were kids.

Dick was honestly surprised at first when he found out that Jason hadn't told Danny he was alive - and on one hand he understands the reasoning for it, and on the other hand he isn't sure if it was such a good idea. Especially after he sees Danny again after he arrives back in Gotham and sees just how badly Jason's death was still affecting him. But it's not like he's going to try and convince Jason to tell him - he can make his own choices, even if Dick has questions about them.

Bruce has much the same thoughts as Dick, so there's not really much to add here other than he might bring it up once or twice to Jason like, vaguely. And then immediately drops it when Jason shuts him down. He might actually somewhat...?? prefer that Jason hasn't told Danny because that raises a lot of questions and could jeopardize their identities. However, again, Jason can make his own choices and there's not much Bruce can do about it other than disapprove from afar.

Tim who knew of Danny from stalking the Wayne family shares similars sentiments of being surprised that Jason didn't tell Danny, but again, yeah, understands the thought process to some extent. Doesn't bring it up ever.

Everyone else who hadn't seen firsthand how close Danny and Jason are don't really have much opinion on it -- Jason didn't tell his best friend he was alive, great, he also didn't tell them either so it's not like its that much of a surprise. It would've been more of a surprise to them if Jason had told Danny before he told Bruce and co. Damian may make a comment or two about Jason not telling Danny, but its not about how he can't believe he didn't tell him or anything like it.

[miraculouslbcnreactions]

I wouldn't really agree that boys are just arm candy in magical girl shows and only there to look cute. Yeah, sure the girls' friendships are the focus, but the boys are usually very much involved in the plot and most shows do explore their feelings about the odd things that happen due to magical shenanigans even if they aren't in the know (It's why ML baffles me even more with how they screwed up Adren's arc when he's the deuteragonist, when all these boys are supporting cast and get well rounded arcs)

I'm not much of a winx fan, but the specialists were very much not arm candy. Did the girls talk about them being cute? Yes, it's what teenage girls do. Did the narrative suggest they were good looking? Yes, but that's standard for most love interests in any genre. But we still got scenes with them talking amongst themselves about how they themselves feel and they got a fair share of badass fight scenes even if they wield no magic. A large amount of episodes actually included the boys and girls working as a team solving a mystery or fighting a villain. The girls might deal the finishing blow but the boys were still integral to the plot.

I hope this doesn't come across as hate, it definitely wasn't my intention. I'm just a bit too passionate about the magical girl genre.

I do think you have a good point with ML having a problem choosing a genre or blending two genres successfully.

For the CCS fans, I will add though that Cardcaptor Sakura had both Tomoyo and Syaoran serve as sources of motivation for Sakura. And both Sakura and Syaoran collecting cards even if Sakura is the only one who could seal them and yet never made you question whether Syaoran was even necessary for the job the way ml does with Chat.

I wasn't trying to say that boys have no part to play in magical girl team shows or that they're always treated as having no lives beyond the girls, that's why I mentioned that the Winx Club boys - aka, the Specialists - have their own (mostly off screen) lives and occasionally show up help the girls:

the boys are usually off doing their own thing and only occasionally show up for a date or to give the girls a ride on their cool bikes or magical spaceship

Even then, this is certainly a simplification of the roles that they play in the story, but I kind of had to simplify their roles down to their base components for the original post's discussion as I was talking in broad strokes of how these stories are written.

In terms of those broad strokes, the Specialists are absolutely only there for shipping fodder. That's why each one is assigned to a girl from the start and why their main role in the narrative is supporting their assigned love interest or causing relationship-based drama for their assigned love interest. If it weren't for shipping, then the Specialists would not exist.

While the Specialists do have fleshed out characters and may even effect the plot, the execution of those elements is designed around the girls. A really obvious example of this is the character Timmy, who has character development as the boy's tech guy. Why is he into technology? Because he's the designated love interest for the fairy of Technology and we have to show why they're a good match. Along similar lines, the boys don't really get plots that are removed from the girls because this is the girl's show. Every episode features one or more of the Winx, but the boys are optional and often don't appear.

This is because, narratively speaking, the boys are just love interests and that brings us back to Miraculous' big problem. You can't have a show where Adrien is written like a Specialist while also being part of the Winx Club and where Alya is written like she's part of the Winx Club while technically being more of a Specialist in terms of power set and actual narrative role.

I'm was thinking back to my memories of various Winx Club plots to find one that really highlighted what I mean here and I remembered that one of the big dramas in season one was the reveal that Bloom's love interest - Sky - was in an arranged marriage and had just never told her. As it turns out, that's a great example of what I'm talking about re Adrien!

Is that plot line technically based around Sky and letting his life effect the plot? Sure, but the fallout of that reveal revolves around Bloom, not Sky. The story doesn't really care how Sky's feeling as the conflict progresses. Instead, it focuses on how it affects Bloom and her friends because of course it does! She's the main character. It would be really weird if that plot suddenly focused on her side character love interest and his friends during one of her darkest hours/biggest moments.

Think of that and then consider how the ending of season five is written. Notice any similarities? Sure, this is Adrien's family drama, but because he's just a Specialist, the focus isn't on him. It's on Winx Club member Marinette and Adrien only shows up at the end for a kiss. That is the problem. That is what I'm talking about when I say that Miraculous will randomly write him as if we're watching a magical girl team show where Adrien is just the love interest.

In fact, let's really dig into this example because it's a good one.

You can have a look at the transcript for the finale episode of Miraculous season five here and see for yourself that Adrien doesn't even show up on screen until the final scenes when the big drama is over. The Winx Club wiki also has episode transcripts, so I took a look to see what happened in Winx land during the arranged marriage reveal plot (I love that this is a thing. It's so useful for fact checking myself!) This is the script for the episode after Bloom learns the truth. Sky does not appear even though his lies and family drama are the fuel for this episode's events, which are a major part of the season's arc. Note how perfectly that matches Adrien's writing?

Similarly, Sky's dialogue in the reveal episode is all about Bloom. He's worried about her learning the truth and thinking less of him. To match that, here's Adrien's only real dialogue in the penultimate episode of season five (full transcript):

Adrien:(Covers his ears.) I cannot transform... (Looks at his ring and tries taking it off.) Plagg: What are you doing?! Adrien: I'm not in my right mind. I'm too angry — at myself for falling short of Marinette's love, at my father for sending me here in London, at this stupid app and these rings that use my image... it makes me sick! This nightmare is giving me the horrible feeling that, if I transform, I'll get akumatized and destroy everything with my Cataclysm — Marinette, Ladybug... (Takes off the ring and hands it to Plagg.)

Switching back to Winx. After Bloom learns the truth about Sky, bad things happen because she's depressed. This results in her and the Winx going off on a journey to learn the truth of who Bloom is. After the girls share this big plot moment and Bloom gets her mojo back, the boys show up to be their ride home and to give Bloom her romance moment where Sky wins her back by declaring that he broke off the arranged married because he loves her.

Sky notably doesn't get an arc about choosing between his arranged marriage and his true love. We don't even know that the marriage is broken off until he tells Bloom because that was never really a conflict as far as the narrative was concerned. Of course he's going to pick Bloom! He's her designated side character love interest! He only exists to be with her. We don't need to treat this as a serious thing for him. The arranged marriage plot was never about him anyway. It was about giving Bloom a reason to have a darkest hour moment that moves the plot forward. Similarly, Sky calling off the marriage is nowhere near as important as him telling Bloom that he's called off the marriage to be with her in a grand romantic gesture.

This perfectly mirrors Miraculous' season five ending where Adrien doesn't appear until after Marinette is done fighting her big girl power fight against his father. As far as the writing is concerned, that fight isn't about him. His connection to the villain only really matters in terms of how it affects Marinette's actions during the final battle. Then, when the battle is over, Adrien shows up to give Marinette her big romance moment because, while the plot may be driven by Adrien's family, he is not a Winx club member. He's just a Specialist. Or, in the words of the head writer:

[image text: She's Barbie, he's Ken. You don't like it. I get it. It won't change. Anything else?] (The full, even more damning context of this tweet can be found here.)

What else can I say other than, "I rest my case."

Oh, and also that I didn't take this as an attack. I just thought it was a good opportunity to really dig into the nuances of this and what I was talking about in that original post as I never know how obvious this stuff is if you don't closely study story telling. As this case study hopefully shows, if a show is about a group of girl friends using the power of friendship, then their love interests may have important roles, but the boys are never going to be more important than the girls and most of the boy's screen time will be focused on romance and how their existence effects the girls because it's ultimately the girls' world. Without them, the show wouldn't exist. Without the boys? Well, then we just wouldn't have a romance plot.

[sickofthistoxicshit]

Gotta say that TM original thought of putting Eddie with T would have worked more in his favor.

Because, for one T wooed Eddie more than either one of my old boyfriends ever did lol

And second, T dating a person of color and being gay would have shown in a roundabout way character development.

Because T has a bigoted and racist past.

And again, being gay doesn't absolve him of bad behavior,

But showing actions that show growth would have had a lot of us in his corner.

Pairing T with white boy Buck did more damage to TM's story than anything else.

Also, T had more personality and fun aspect just hearing Eddie talking about him and how much Christopher took to him pretty quickly.

There was none of that cool aspect with Buck, just a bland bored, supposedly LI that is just there looking for a hand bag.

(*to those haven't watched NCIS according to Tony and Gibbs, a hand bag is something pretty to hang on your arm - which is what all the token gfs/bf were in 911 so far.)

So really, TM would have been better off starting the season with single Buck rather than go this bizarre route of what the hell am I seeing here?

[bibibbon]

Seeing your analysis of Nine, I really think he could have been the main antagonist of the manga, since you can see that he really is more interesting than Tomura.

Same! Nine is exactly what people think shigaraki is.

Honestly it's bewildering that nine got less then 10% of shigarakis screentime and managed to be better then him in every way possible.

I think it's also interesting that nine and izuku also easily share parallels with one another whether that be:

The similar belief that not everyone is born equal

Their names both meaning nine

The way they both would do anything for the ones they care for

The imagery they both share when it comes to not giving up even if it takes a physical toll on them

They also contrast with their beliefs with how izuku wants to produce a fairer society while nine wants a society where the strong rule

Both of them having a sky type quirk with izuku it's float and with nine it's his original quirk

There's more but nine already has the foundations of a great antagonists and is basically what the fandom thinks shigaraki is.

[stenclastiel]

Spoilers of desolations of devil’s acre

I feel like the climax of the desolations of devil’s acre would have been better if the prophecy was about the main character himself and not the side character

like imagine jacob was not just the descendant of the librarian, but the legit reincarnation of the ancient librarian, and instead of becoming a hollowgast, he gets to have a true form that resembles a gigantic hollowgast because ultra-ancient peculiars resembled hollowgast and the hollows look like that because they essentially defaulted to a corrupt version of the ancient peculiars

and jacob destroys caul and returns the souls to its rightful shelves

[primus-why]

I Feel TFOne Could've Handled This Better...

Hot take but I feel like folks have been really generous with the take that OP was unable to find ~the perfect words~ in the heat of the moment (and thus should be given some grace) when he told D to stand down and "not be like Sentinel"... namely cuz I don't feel that the narrative supports this?

Like-- after all is said and done, OP doesn't reflect on that part of their split. He doesn't have a moment where he seeks validation or voices his regrets over the choice of his words, it's actually cut-and-dry. The narrative (as it stands) supports that OP saw D-16 acting up, so he called him out and stood on business, down to the last scenes where he's basically like "yeah it's a shame but y'all knew I had to do it to 'em."

It didn't have to be much! I'm not saying to absolve Megs, just show OP looking at things from a different perspective/contemplating a bit on that tough choice and the morality of the moment. Some examples of what I wish we had:

B-127 straight up blurting the obvious by later chatting with Orion like, "Wait so you told your best friend that he was acting just as bad as the guy who enslaved us for our entire lives and was torturing him like an hour ago? Oof. Seems kinda harsh." Then have some of OP's regret show on his face.

OP asking Elita-1 after Megs is banished if he did the right thing. Have Elita back his choice up, saying, "You should have seen what he did after you were... gone. It was terrifying. I know it was tough, but you made the right call." OP is grateful for the support, but a conflicted look still flashes across his face before he steels himself to look out towards the horizon... and the future.

Have OP walk past other mechs/former miners who didn't go with the High Guard saying stuff like, "Wish I could've given Sentinel a piece of my mind!" "Yeah, but I'm glad he's gone for good." "Ugh I miss everything." "Oh, it was crazy! Megatron picked him up and then he rrrrriiipped-- oops, hey there, Mr. Optimus... Prime... sir?" And have OP wave hello, looking a bit sick when they leave.

Post-credits scene with Starscream going on and on, asking Megs when they'll be back to teach the upstart Prime a lesson. Megs grabs his face to shut him up. "Patience, Starscream. The Prime thinks I'm no better than Sentinel... but I'll show him. He wants Iacon? He can have it. In the meantime we'll take the rest of the planet! Then I'll come back, crush Prime under my heel, and we'll take Iacon too. Sentinel's reign will barely be a footnote, because I'm about to become Optimus Prime's worst nightmare." The vocal performance would really need to sell this-- like picture Megs saying something like that from a place of anger and hurt, not so much a place of genuine evil or malice.

Basically instead of Orion's assertion being backed up as black and white/good vs bad, I wish we had some different opinions/reactions from the characters sprinkled in there. Like you can't tell me out of allllll the miners who weren't strong enough/willing to go with the High Guard and ended up sticking around that NONE of them were like "eyyo honestly?? Kiiiiinda glad Sentinel is dead. Wish I could have helped, tbh." like come onnnnn...

And you can't even argue that he's not an active threat-- I don't think everyone would see things that way! It's not just about the threat he physically has, but the threat he represents and is very likely to act upon if given the opportunity! He has a proven track record of not only being sneaky and conniving, but also capable of dealing some serious damage/killing people bigger and stronger than him, plus he has the backing of the Quints. All he'd need to do is wriggle his way out of jail and run off to his sponsors, then he'd probably be back to hurt more people! (If the Quints didn't just kill him out of incompetence lmao). There's a lot of "ifs" here, but I think it's a valid argument that not everyone would agree on what is the right or wrong way to handle Sentinel once he was down long enough to, like, do something about him.

I feel the situation needed a bit of nuance. In some way I wish they had kicked the can and had D and Orion bicker while Sentinel escaped, then have D get frustrated enough by the loss of Sentinel to point fingers (and his fusion canon) at Orion, who then falls and becomes OP. (Megs could still show some of thar emotion/remorse right after he does it too.) Not only would this open the door for a sequel, but tbh the Quint might have just killed Sentinel anyways and sought to deal with the miners uprising themselves lol. (Maybe that could have been an after credits scenes too instead of the B-127 bit??)

Would love to see a moment in a sequel where they have a calmer moment after arguing for a bit. Have OP mention how Megs was out of line, that it hurt and even scared him to see him act that way, and Megs can quietly point out "you said I was as bad as Sentinel... is that really how you see me? After everything we went through?"

Then OP can fumble the bag again lmao like "D, I... I'm sorry, that didn't come out right... but you still took things way too far..."

"Why am I not surprised-- your opinion is what matters the most! Maybe that's why you became a Prime, since you're so good at acting like the world revolves around you--!"

*gets interrupted by someone else before another yelling match ensues*

[bardicious]

Dean is right, angels are dicks. And hilariously he only agrees with them when they're on his side, which is funny. Sam can't catch a break. And I think perhaps his fatal flaw to the angels is he doesn't follow orders, and since he's not in the position of power they're placing Dean in, Sam really should be following orders.